#link without glasses

[jula483]

SCREAMING

[samanthalynnsstuff]

Link: (holding it in his right hand) "On this hard drive." 🥥

Rhett: "That's the camera."

Link: (this time holding another one in his left hand) "THIS hard drive." 🥥

From Wonderhole Episode 1 - "We Took The World’s Most Expensive First Class Flight"

[hamletphase]

i've been so long lonely and it's getting me down

[sleazebouquet]

GP prize is magical girl themed which means the next set is going to be magical girl themed and I wanna know SO BAD who is gonna be in the banner

[lillotte17]

I couldn't help it, yes, I let it get in The helpless optimism of spring Worn out and tired, and my heart near retired And the world bent double from weeping And yet, the birds begin to sing, ooh, oh

Daffodil Daffodil

[link-sans-specs]

Such... ly dumb. 🎶

This is dumb-hard. This is so hard when you're dumb.

How hard could it be to get here? I'm here and everything's hard for me.

Rhett & Link

We Spent a Day in 1984

[lallyloo]

[x]

[piningpercussionist]

I keep watching in mild disappointment as the notes on it keep going up, but in lieu of a response from the OP over on twitter- this post is a repost, yall. You can find the original here (again, on twitter,) if you want to show the artist some love for their work.

[casperghosty]

Link's hidden (or only) talent

[jula483]

(x)

[samanthalynnsstuff]

Link: "We decided to make gummy versions of ourselves."

Rhett: "Life sized gummy versions of ourselves. So we scanned our faces, rented some full body molds from a local special effects shop, and we ordered a metric crap ton of ingredients."

Rhett: "Link? Link. Li-ink?"

(flashback sequence featuring events from the previous episodes commence, transition back to the island)

Rhett: "Link! Link, you getting this?" (smashes toy truck)

Link: "Yeah, I'm getting it."

Rhett: "You can see the gummies getting smushed?"

Link: "Oh, yeah. It's gonna be a great episode."

(Rhett continues to smash the truck)

Link: "Okay, stop. Cut."

Rhett: "I think that's a wrap."

From Wonderhole Episode 6 - "We Made Giant 400 Pound Gummies of Ourselves"

I'm a little sad that this is unfortunately the finale for now. 😢 I can't wait for all the quirky things they're going to do in season 2!

[miyamiwu]

SIR

[vagueandominousvibes]

Red, from the Knights' Lodge AU!

I decided to touch his design up a bit. Looking at the sketch yesterday, I wasn't entirely sure how I felt about it, but it's grown on me.

Red, I think, is more aware of how damaging his element can be, compared to the others' (maybe there's a story there), so he feels like he needs to have a higher level of self-control — both of his own powers and his own emotions (which can affect his powers). I wanted this to be reflected in his outfit, hence a leather armour that's more restrictive/covering than Blue's and Green's, and generally more layers. He also makes sure to keep himself firmly grounded (semi-meditative practice, both feet on the ground), just to maintain that level of awareness.

[movedtodykedvonte]

Sometimes I think, would it be better if Spamton died with someone he knew around. Or would he prefer to do it alone

I think Spamton dreads dying alone. If that was the case then I think he would’ve given up a long time ago. A lot of his dialogue alludes to having thoughts about wanting to end himself and projecting a lot of his self loathing on to others but I don’t think it is necessarily a desire to be dead or die alone (whether he thinks he deserves it or not) but rather more of wanting whatever torment he’s been going through to end. I mean he gets really excited at the idea of joining the fun gang, he was looking for a new beginning not a proper ending.

If Spamton could choose who he had to die around I feel like he wouldn’t want people he knew personally. There would be so much he didn’t get to say, so much the others wouldn’t have time to tell him. The Addisons and him could never have a proper reconciliation, him and Swatch could never clear up whatever went down and he can’t get any closure, never knowing if Mike was safe. Imagine trying to ease into the light when the shadows of your past are blocking it. If anything, I feel like it would create unnecessary stress for him as he would want so bad to feel like he was around people that made him feel safe in his final moments but that just isn’t true. Not to mention the others having to deal with the fact the last time they saw him it was when they abandoned him and the next being him dying of almost direct correlation to it.

However, with people Spamton doesn’t really know I feel like it’d be easier, almost peaceful for him in a way. They wouldn’t have any preconceived ideas or feelings, nothing to get off their chest to ring in his head as he goes out. It would be shallow comfort but he would find that favorable to the intimacy of someone closer that would be intertwined with turmoil. It’s the act of care from a stranger, someone oblivious to his crimes that would bring him ease in my mind, the idea that someone could and did care about him again even if they had no idea who he was in the moment. It was something he craved for years, part of a lot of his motivations and I feel like he’d be more at peace dying around someone who pities him than someone that has guilty or unfinished business with him.

TLDR; I feel like Spamton needs to not be alone physically in death but emotionally I think he would like to keep things distance. In his last moments he’d understand that he is not going to get that closure he needs and would rather face dead with dignity rather than panic at what is left unresolved.

[thenervebible]

CONNIE PANZARINO at a pride march in Boston circa 1990

[ID: Connie is marching along in her sip 'n' puff (SNP) wheelchair. She is wearing a patterned poncho and sporting a green felt party crown on her head. She styles a pair of wire-rimmed glasses with her slicked back hair. She is smiling. Attached to the back of her wheelchair is a large green cardboard poster that reads "Trached Dykes Eat Pussy Without Comin' Up For Air!" followed by a pink upside-down triangle with a stick figure person in a wheelchair at the centre (a symbol for disabled women)].

the cyborg & the crip by Alison Kafer

[ID: “Trached dykes eat pussy without coming up for air.” Connie Panzarino, a longtime disability activist and out lesbian, would attach this sign to her wheelchair during Pride marches in Boston in the early 1990s. Shockingly explicit, her sign refuses to cast technology as cold, distancing, or disembodied/disembodying, presenting it instead as a source and site of embodied pleasure. “Trach” is an abbreviation of tracheotomy, a medical procedure in which a breathing tube is inserted directly into the trachea, bypassing the mouth and nose. Someone with a trach, then, can, in effect, breathe through her throat, freeing her mouth for other activities (another version of this sign is “Trached dykes french kiss without coming up for air”). From a cyborgian perspective, this sign is brilliantly provocative and productive. It draws on the pervasive idea that adaptive technologies grant superior abilities,not merely replacing a lost capacity but enhancing it, yet it does so in a highly subversive way. The message here isn’t about blending in, about passing as normal or hypernormal, but about publicly announcing the viability of a queer disabled location. It’s disnormalizing, adamantly refusing compulsory heterosexuality, compulsory able bodiedness, and homonormativity. As Corbett O’Toole argues, it challenges the perceived passivity of disabled women, presenting them as actively pleasuring their partners, thereby graphically refuting stereotypes linking physical disability with nonsexuality.]

[link-sans-specs]

GMM2494

What's the Best Cut of Steak?