#line from episode 204 script

[ohnoitsnoma]

the kids

[humbledragon669]

Script to Screen comparison: Episode 2 – The Book P1 – large changes

Standard Intro

Having followed the episodes through with the Script Book, I've tried to break the differences between the original script and the end result on screen into a couple of different categories:

Large changes (whole scenes/multiple lines of script). This blog post will cover these only (for brevity) – the other categories will be covered separately.

Things that are in the original script but not in the finished episode (I'm calling these deletions).

Things that aren't in the original script but are in the finished episode (I'm calling these additions).

Things that have been changed (I'm calling these ones amendments).

Not all of the changes fit neatly into one category or the other (there are shades of grey...). The first three of the differences will be presented within bullet lists, with a description. The last of the categories will be presented in a table. I'll make comments about anything I find particularly notable after each category.

Large changes

Scene 204 has been cut from the finished episode. This would have served as an additional introduction to War, and provides details of the paper that she works for (which is apparently a very trashy supermarket tabloid), as well as the opinions of other journalists about her writing, which is mysteriously “a la minute” when it comes to global conflicts.

There’s a small exchange between Crowley and Ligur (with the latter communicating through the television), where Crowley points out that there shouldn’t be trust between demons. Ligur threatens Crowley with some of unnamed methods of the Spanish Inquisition that Crowley has identified in his reports to Hell.

Scene 207, the signing of the peace treaty, was originally set to take place in a hotel conference room (with the participants seated at individual tables), instead of a tent in the middle of the desert (with the participants standing in front of a single table). The participants are described as being “happy and at ease”.

A small handful of lines about the process of the signing of the peace treaty are missing from the finished episode.

An exchange between the peace treaty participants about the credibility of the newspaper that War writes for have been cut.

The ordering of the scene showing Agnes being burnt has been changed for the finished episode. Originally, there was a scripted to be a shot of Adultery Pulsifer realising that things were about to end badly before Agnes’s second pyre speech. This was to be combined with the shot of the barrels of gunpowder and nails, which has been relocated to the middle of the following scene. Lastly, Adultery’s cursive was originally placed before Agnes’s knowing smile.

There are two lines from Anathema (as a child) where she expresses her disgust at having to “do kissing” (including the prophecy this takes place in – 1401) that have been cut.

Scene 220 showing Anathema (as a grown up) and her mother discussing Anathema’s packing and saying goodbye before she leaves LA is missing from the finished episode.

A small exchange between Newt and Tompkins (the office manager) where Newt is fired in front of the whole office has been cut.

An exchange that Shadwell has with a passer-by during his evangelical rant has been cut. In it is a thinly veiled accusation that the passer-by is a witch.

The original script covered a lot more detail of Anathema unpacking at Jasmine Cottage.

Part of Scene 107 (from episode 1) has been inserted after the scene where Crowley terrifies his houseplants. The only part of the scene that remains, which is of a telephone conversation Aziraphale has with an unknown customer, details the history of Agnes Nutter’s book.

The original exit from the scene showing Newton’s induction into the Witchfinder Army included a shot of a “gentleman caller” arriving for Madame Tracy, and some preparations she was making for his arrival.

Aziraphale’s assertions that there will be records available are missing from scene 233 (the journey through London in the Bentley).

There is a short exchange between Aziraphale and Crowley in scene 233 that have been cut. In it, they discuss the possibility of claiming asylum with the other’s side should they be unable to find the Antichrist.

Scene 238 is missing several components from the finished episode:

Anathema was scripted to be wandering from the village green towards Hogback Wood.

She is also supposed to be scribbling in a notebook.

She was described as annotating a map.

Pepper and Wensleydale were seen walking past her.

Scene 240, showing Aziraphale and Crowley approaching Tadfield Manor is considerably different in the finished episode:

It was scripted that the Bentley would be seen pulling up to the Manor (not already parked).

There are three shots described as taking place through a rifle sight: one without Aziraphale and Crowley, one with both, and the final one focussing in on Aziraphale (there is only one in the finished episode, focussing in on Crowley).

Crowley and Aziraphale were only afforded a single footstep towards the Manor in the original script.

The paint spatter on Crowley is described as being on his shirtfront, not his bare chest.

Crowley and Aziraphale both hit the floor in the original script (as in the book).

Crowley both sniffs and licks the “blood” before realising it’s actually paint.

Scene 242, showing Tompkins coming to, has been repositioned to cut into the previous scene. It was originally placed after God’s voiceover speech about the history of the Manor.

There is a small exchange between two of the office workers about the “people from Purchasing” that is missing from the finished episode.

Scene 245, an exchange between Tompkins and an IT man, has been cut.

Norman’s battlefield speech has been cut considerably. It’s largely more of the same bitter tripe he’s spouting about his colleagues.

Scene 246, containing Norman’s battlefield speech, has been repositioned to cut into the discussion between Crowley and Aziraphale about the morality of the demon’s actions in giving the conference attendees real guns. Its original position was immediately before the same discussion.

There is a chunk of police activity, including sirens, flashing lights, and an announcement made over loudhailer, that has been cut from the finished episode.

Crowley’s dismissal of Aziraphale’s insistence that he is ethereal (not occult) and the following shot of a policeman realising that the gun he’s holding is fake are both missing.

Scene 254, showing Anathema taking observations by moonlight, has been repositioned to take place after Crowley’s proclamation about the consequences of failing to find the Antichrist. It was originally placed immediately before the conversation between him and Aziraphale in the Bentley as they drive through Tadfield’s country lanes.

Scene 256, showing Anathema cycling along a dark country lane, has been repositioned to cut through Aziraphale’s statement about flashes of love. It was originally positioned immediately before his assertion that there’s something “very peculiar” about the area.

The stage directions in the script provide a lot more detail about Anathema’s belongings and how she sits with them in the Bentley.

The script suggests Anathema’s exit from the Bentley should have been a much more chaotic affair, with her trying to scoop all of her belongings up from the seat. The camera panning down to reveal the book left on the floor has been added to the finished episode.

There are a few lines from Mr. Young about his trying to report Dog as missing to the relevant authorities that are missing from the finished episode.

A small exchange between Mr. and Mrs. Young about what she is doing getting out of bed late at night (checking on Adam, which she covers up) that have been cut.

The beginning of scene 267, showing Adam settling down to sleep, has been repositioned to the end of the scene showing Mrs. Young’s POV into his bedroom as she checks on him. It was originally placed after Mrs. Young has returned to bed. There are differences here too – it was originally scripted that we would see him close his eyes, and that Dog would be lying on the pillow beside his head. We also get an additional shot where the camera pans over the shelves in Adam’s room.

Scene 269, showing Anathema returning to the site of the accident to look for her book, is missing from the finished episode.

A miniature spat between Crowley and Aziraphale about whether they should have taken Anathema’s address after the accident has been cut.

There are several details showing Aziraphale’s preparations to read Agnes Nutter’s book in the script that didn’t make it to the episode: making cocoa, getting a pad of paper and a pen, and repositioning a lamp.

Scenes 272 and 273 have been cut. The former of these is a simple establishing shot of the outside of Crowley’s flat, but the latter showed his dishevelled emergence from his bedroom after sleeping.

There are a few of Crowley’s lines missing from his telephone conversation with Aziraphale, recapping Hell’s current position with the Antichrist, complete with his insistence that the angel “chill” after calling him “dude”.

There are quite a few major sets of changes in this episode, with some of the larger ones consisting of the restructuring of entire scenes or scene sequences. With both instances of the restructured scenes, I feel that the revised structure is hugely effective in delivering the desired tone for the respective scenes: maintenance of mystery for Agnes’s burning, and a general feeling of chaos for Tadfield Manor. I really enjoy the change of venue for the signing of the peace treaty – there’s something cheeky about the idea that something as important as a peace treaty would be signed in those conditions, but it’s probably closer to the truth than a hotel conference room is. I’m also quite glad that so many of the supporting lines about the peace treaty have been cut – the shorter scene sequence is really successful in showing how quickly the shit can hit the fan, and that might not have been conveyed so effectively if the dialogue had been more extensive.

There are two of these changes that I am very sorry we lost (no, it’s not Crowley calling Aziraphale “dude”, I’m incredibly pleased that one didn’t make the final cut). The first is the exchange between Crowley and Aziraphale about seeking asylum of the other’s side.

CROWLEY:  I suppose […] your people wouldn’t consider giving me asylum?

AZIRAPHALE: I was going to ask you the same thing…

These two lines speak worlds to me about their respective state of minds, not least that they’re both prepared to give up what they have to switch sides, which would of course make it much easier for them to spend time together. Ultimately though, whilst I think Crowley probably would consider seeking asylum from Heaven in order to save his own skin, I don’t feel like Aziraphale is in a place where he would ask the same from Hell, so I wonder if these lines were cut because they didn’t fit with the angel’s character development at this point in the storyline. I also wonder if the two of them would have considered the possibility that the other was thinking the same thing, and whether that would have changed their mind on the whole thing.

The second of the list that I very desperately regret not seeing is the removal of this scene:

Aside from the fandom having missed the opportunity to see the house plants trying to look impressive for the demon, who wouldn’t want to see a dishevelled Crowley freshly roused from bed?! Why, why, WHY did this get cut?! I’m really hoping it finds a place in season 3, because it genuinely feels like a delightful piece of characterisation that we were robbed of.

I was intending on only doing one of these posts per episode in these script to screen comparisons, but this one is already running pretty long, and I don’t want these very wordy posts (i.e. not many pretty pictures of GIFs) to run to epic novel length. I was actually quite surprised to see how many more notes I made for this episode (50% more than for the first) as I thought it might be the case that the first episode of the series would have had a lot more background/scene-setting information that would be ripe for cutting, but that didn’t prove to be the case, not for any of my so-called “categories”.

As always, questions, comments, discussion: always welcome. See you in the next one!

[mauesartetc]

Thoughts on Helluva Boss Episode 204 ("Western Energy")

Well that was a whole lotta nothin', wasn't it.

Let's discuss.

Pros:

-Edward Bosco does a fine job with Striker's voice, and Bryce Pinkham has a couple surprisingly powerful line deliveries when Stolas has reached his lowest point. It's nice when the story gives this character some emotional range outside of horny and mopey.

-This character design is way too cool for this show, like damn.

-Striker's living space was unique and interesting, and the magma in the environment matched his horse well.

-The fight scene with Moxxie and Millie vs Striker was well-choreographed and the camera didn't move around too much. Looks like the animators learned their lesson from last time.

-I liked how Moxxie took a chance and used Striker's homophobia (or perhaps disgust toward "lesser" imps?) against him to escape his grip.

-The devil horns on the EKG screen were kinda cute.

Cons:

-What the hell's up with this title. "Western Energy"? Is that a reference to something? Is it a pun? I get the "western" part, but "energy"? It puts me in mind of some obscure Zen concept rather than this episode. Just vague, confusing and not clever. Hell, "Take The Shot" was right there! I know there's not much shooting in Striker's plotline (we'll get to that bit of stupid momentarily), but this references both the A- and B-plot! C'mon, writers. At least act like you care.

-Again with the arbitrary censorship... I think multiple characters utter the word "cunt" in this episode, but it's bleeped each time. Guys... This is an internet show. This isn't network TV. If you're worried about getting demonetized on Youtube, don't use that word in the script to begin with. Easy.

-Not many laughs in this one, huh. In the last couple episodes I've found at least one thing to chuckle about or say, "Hm, that's kinda clever, I guess", but man, I was stone-faced for the duration here.

-Is that really how you pronounce "Andrealphus"? I've been saying it "An-dray-AL-phus", but Stolas says "An-DREE-ul-phus". People who are more familiar with demonology than I am, feel free to weigh in.

-Speaking of which, it's quite an accomplishment to make Andrealphus look even worse than he did in his illustration. Something about how tiny his head is in proportion to his body throws me, and of course it doesn't help that his face was always pinched in a teardrop shape with a tiny beak (which looks nothing like a peacock, because fuck accuracy). And if anyone's wondering if he uses any ice powers this episode... He doesn't. He uses telekinesis to drop a couple lumps of sugar into his tea, but that's it. You rip off Elsa and set the guy up in an ice castle but couldn't even give him ice powers? What a load.

-Kinda floored at this line from Stolas: "Cheating implies a betrayal. This woman never gave two shits about me, or our very much arranged marriage."

For fuck's sake, writers.

"You guuuuyyyys, it technically wasn't even cheating, see? Stolas is totally innocent and pure and you should like him!!!" The camera even trucks out dramatically as if he's saying something heroic. Christ...

Even in an utterly loveless marriage, there's still the expectation that each party will be faithful to the other, and having sex with someone else is a betrayal unless both of them previously agreed to open up their relationship. No indication that ever happened here, so...

All this scene demonstrates is that Stolas hasn't learned a thing about being a fucking adult and owning up to his mistakes. This just doubles down on the whole "I'd feel bad if I hurt you" thing (when you obviously did hurt her, you twit). Does Viv Medrano seriously believe admitting fault and apologizing makes a person weak or unlikable? Because I have news for ya: It's very much the opposite.

-Also, Stolas ends that mini-speech with, "As far as I'm concerned, this divorce is far overdue." But... Stella and Andrealphus have already agreed to that. That wasn't even a question. They're just trying to settle what Stella will get in the divorce. Do these people even read their scripts out loud?

-Striker's return comes way too late in the series. There are too many episodes forming a cushion between his introduction and Western Energy for him to feel intimidating. It's possible IMP could've discussed a plan of action regarding Striker, but no one mentions him once. If the characters don't see him as a threat, why should the audience?

The tension would have remained high if, immediately after the harvest moon episode, IMP moved Stolas and his family to a safe house while Striker was still on the loose. Little does Stolas know, however, he's a sitting duck, since Stella has called Striker and informed him of their location. Feels like that'd be much more exciting than just ignoring his existence for five episodes.

-When Stolas calls Blitzo, he refers to Striker as "that little cowboy friend of yours", implying he remembers him from the Harvest Moon Games. But, um... Question. Did Blitzo ever tell Stolas Striker almost killed him?! We have no idea! It's never confirmed!

At the end of the harvest moon episode, I seriously thought the team just forgot to write Blitzo warning Stolas about his would-be assassin. I know the story's trying to get across how little Blitzo actually cares about him, but this is a pretty huge conversation to overlook. Like damn, just how thoughtless can one person be. Our hero, ladies and gentlemen!

-(Also, who the hell says they were "stolen", Stolas. You're not an object; you're a person. You were kidnapped. I know this is bordering on grammar pedantry but it's distracting how much this weird phrasing sticks out.)

-Once again, the symbolic sin colors are inconsistent. I mentioned in the last review that the Greed ring in Helluva Boss is green despite the fact that the traditional color for greed as a sin is yellow. In this episode, we glimpse the Sloth ring, as this official tweet informs us:

One problem: Sloth is pink instead of the traditional light blue.

I wouldn't mind this if the ring colors broke from tradition across the board, but they don't. The Wrath ring is red and Lust is deep blue, as is customary. So it seems the art direction is throwing darts at a board to see which rings get the "lol, random" color treatment and which ones don't. These odd choices would be much more understandable if there were a story reason for certain rings looking the way they do, but at this point, I think we know better than to hope for that.

-In both this episode and The Harvest Moon Festival, Striker is characterized as self-aggrandizing. His previous appearance saw him declare himself superior to other imps, while this one shows off his giant statue with an enormous boner. Why, then, is he annoyed at the little imps singing his theme song? Wouldn't that be an ego boost? It would've made more sense for him to play along with it, or even better:

STOLAS: How does one get their own theme song?

STRIKER: (smiles, rubs his thumb and fingertips together) You pay for it.

-All the scenes with Blitzo and Loona in the doctor's office could've been cut and the story wouldn't have lost a thing. You can show them arriving and show them leaving with Loona wearing the cone, but everything else in the B-plot is filler. These episodes aren't beholden to a TV schedule that demands the duration falls within a certain range. There's no reason this episode needed to be nineteen minutes long.

-Getting pissy at some rando wearing the same hat as you is just about the dumbest reason to start a fight I've ever heard. Let's change around the dialogue a bit:

BIKER: Lookee here, fellas! The city slicker got himself a cowboy hat! That is sooo cute. Well, if you wanna dress the part... (cracks knuckles) might as well play it. It's not perfect but holy shit, I came up with that in two minutes. What the fuck, Viv. This is why you have co-writers. They aren't there to kiss your ass and mindlessly accept everything you do; they're there to catch little things like this and make them better.

-There's no "thump" when the top of the exploded gas station hits the ground, and judging by its size and implied weight, there should definitely be a sonorous thump.

-Striker mentions that Stella paid him to give Stolas "the royal treatment" (aka a slow death), but if that's the case, why did he try to shoot him at the Harvest Moon festival? Why did he shoot at him in the cafe?? If one of those bullets hit, wouldn't that affect his payday? Also, can't help but notice how terribly convenient this is. We wouldn't want our expert assassin to be too efficient, or precious Stolas would be dead. God damn this is contrived.

-Here's a line with a ton of story potential that goes unexplored (and will probably remain as such for the rest of the season, let's be honest): Stolas points out that Striker "is working for a royal right now", exposing some hypocrisy in his hatred for them. This brings up an interesting question: Why is he in cahoots with this one specific royal despite detesting all others? Why is she the exception? Could it be his loyalty to her transcends a simple business relationship? If he has angelic weapons and wanted to kill just any royal, he could have done it. But maybe this is more personal. Maybe Stolas needs to die because he hurt Stella.

Perhaps on the other side, Stella shares Striker's belief that he's superior to ordinary imps- another exception. Giving any other imp the time of day would disgust her, but Striker's just different somehow. And being as athletic and rugged as he is, he's a far cry from Stolas, who she's never found attractive.

I know it's a pipe dream for this series to develop any romantic pairing besides Stolitz, but how interesting would it be if Striker and Stella were having an affair of their own, and genuinely loved each other? How would they reconcile their personal feelings with long-held prejudices? What kinds of effects would hiding this shameful secret have on them? Would they make strides to be more open-minded? Would they see how their relationship mirrors Stolas and Blitzo's and reach an understanding with them? Will Striker's anti-royal principles override his love for Stella? Will he, in possession of angelic weapons, fulfill his quest to kill all royals, including her? There are so many possibilities here.

But of course, wringing any kind of compelling narrative out of this show's villains would require the writers to treat them as complex people rather than caricatures, so... yeah.

-If Stolas' legs are untied, what the fuck is stopping him from getting up and sneaking out of the cave after Striker leaves him unattended? He even has enough range of motion to kick him in the face. Obviously his leg wound would cause mobility issues and he'd have to stop the bleeding so Striker wouldn't track him easily (perhaps rolling into a magma stream to cauterize the wound? If demons are immune to fire, as Episode 1 established, I don't think magma would hurt much), but goddamn, try something. If you're going to die either way, you don't have much to lose, do you?

OR, why doesn't he just roll off the back of the horse when they're still in the city? Just check behind you to make sure no cars are coming and bail, dude. Striker might not even realize you're gone until he's entered the desert.

This is the exact same problem Stolas had in Seeing Stars, where he was so helpless against the plot's demands he couldn't even climb out of a van window, or morph into his full demon form like he did in Truth Seekers, or just leave the studio to find his fucking daughter. Y'know how I keep saying these characters have no agency? These characters have no damn agency.

-Kinda weirded out by how flirty Andrealphus is with his sister. "You're so lucky you're attractive"? "My fiery vixen"? Just... why. I get that incest used to be a thing in real-life monarchies, but assuming Andrealphus has other romantic options readily available to him (see also: ambiguous bird class), this fixation on Stella doesn't make much sense. If Viv wanted to make him subtly creepy, well... there are other ways to do that.

And let's be real, we can safely surmise Viv hates research with a passion, so I'm betting she didn't get this idea from history, but from Game of Thrones. I get a strong feeling she sees real-world facts as boring homework and the fictional world as exciting and full of wonder. If a person just cherry-picks different elements from fictional media they like and stitches them together like Dr. Frankenstein grafts body parts, that'll result in something great too, right? ...No.

-You're seriously telling me Stella didn't know how royal lineages work after being betrothed to a prince since childhood?

I mean wow, the show has portrayed Stella as inconsiderate and comically sadistic, and now she's stupid as well? These writers are hell-bent on giving her zero positive traits, aren't they.

-"A Goetia's never behaved like this before." Are you shitting me, Andrealphus? Hell's existed for (presumably) thousands of years and not a single noble has fucked an imp before? I could maybe buy that none of them have been as stupidly blatant as Stolas has, so perhaps these affairs have gone unseen and unremembered. But assuming they never happened? Come on now.

-Where'd Striker's horse go?? Feels like he could've been helpful in the fight against Moxxie and Millie, but after the theme song, he's completely missing. We don't even see him in a stable or anything. I know he's animation-intensive but y'all could at least give us a narrative reason he's not on screen.

An easy fix to this would be to show Bombproof (yes, that's his name, and it's awesome, and I hate that the characters never say it) out of breath at the end of the long journey, and Striker telling him he's earned a good rest. He could then hop into a magma pool and disappear under the waves for the remainder of the episode. There ya go. Simple.

-If Millie's ordinary axe can chop Striker's angelic pistols in half, why are angelic weapons such a threat to demons? During the yearly extermination in this universe, what's stopping them from forming an army and shooting the angels' weapons full of holes? Crazy how a single scene can unravel Hazbin Hotel's entire conflict.

-Did y'all want any kind of satisfying closure between Blitzo and Stolas regarding what went down in the Ozzie's episode? Well keep dreamin', because we've got this horrendously half-assed, tacked-on bullshit that you'll easily miss if you blink.

Fuck you, show.

And in another text following this, here's what Stolas says:

"If you don't feel like coming, that's OK! I'm sure I can do without [the grimoire] for one month."

Why do you need the fucking book at all, Stolas.

He's used it to make the harvest moon visible at the festival, but it's never clear what purpose that serves. We've never seen him use it for anything in his daily life; just that thing that happens once a year. Come to think of it, we've never seen Stolas in his day-to-day job. As a Goetia demon, he has legions to command (Andrealphus even mentions them), but the story never shows us the political, leadership-driven side of his life. He just sits around doing sweet fuck-all. Striker's argument against monarchs is that they "talk over [the lower classes]", but there's a strong case to be made for them simply contributing nothing of substance to society.

All in all, this episode made me feel nothing. There was no meaningful progression in the story. Sure, Stolas is injured, but he has the exact same problems of being married to someone he wants to divorce and Blitzo being emotionally distant. Stella has the same problem of Stolas being alive, even though she herself called off his execution. Striker's still at large. Moxxie and Millie still have a squeaky-clean relationship, Blitzo's still an ass, and Loona will likely return to her regular self in the next episode. Functionally speaking, everyone ends the episode in the same place they began, making me wonder what the point of it is in the larger narrative. Getting a hunch that Viv just needed an excuse to hospitalize Stolas so the audience would pity him.

I'm calling it now: Stolas is out of the hospital in the next one. He might still have some bandages and whatnot, but his injuries won't present any real obstacles to him until they're convenient to the plot. I'm betting there won't even be scars where Striker stabbed him, because at this point, continuity is WAY too much to ask of this show.

If this were a better-written series, Stolas would actually use his damn wealth and political power to put a bounty on Striker's head that'd have everyone in Hell gunning for him. Or why not use those legions he has at his disposal? Furthermore, now that he knows Stella hired Striker, what's stopping him from having her executed, or banished, or imprisoned, or something? But then if the characters used their brains, Viv wouldn't get the plot she wants, and we can't have that.

The previous episode had me curious to find out what would happen next. This one just added nothing to my life. I don't know how much longer I can keep watching this show. I'm not a fan of hate-watching media as life is short and there are numerous shows and films out there that'll make much more enjoyable use of my time. "If it sucks, hit da bricks" and all that. Yet Helluva Boss still has a pull in being an incredible teaching tool for how NOT to write a series. Writing these reviews has been thoroughly educational for me, and it seems they've helped others as well. But fuck, man. At what cost. When will I finally throw up my hands and say "Enough"?

If I hear the next one's not terrible, I might give it a watch. But that's a pretty big if. I'm very tired.

[denimbex1986]

'Decades before Christopher Nolan set his sights on a movie about J. Robert Oppenheimer, a science-obsessed BBC executive ventured to America in 1979 to make a $1.5 million TV show about the father of the atom bomb.

Peter Goodchild began his career at the BBC in radio drama, but eventually migrated to the storied “Horizon” science unit to put his chemistry degree to some use. The division began experimenting with factual dramas in the 1970s, and after delivering a hit series on French-Polish physicist Marie Curie, Goodchild set his sights on the New York-born Oppenheimer.

“I’d seen a play on J. Robert Oppenheimer at the Hampstead Theatre Club way back in 1966,” the 83-year-old tells Variety from his home in Exeter, southwest England, where his Zoom background reveals a room teeming with books on heaving shelves.

“It was an amazing story, and I’d always wanted to do it,” Goodchild continues. “Someone suddenly presented me with a book about Oppenheimer and his relationship with one of his other scientific colleagues, which was an excellent story. I said, ‘I’d love to take it further.’ And we did.”

Goodchild’s seven-part 1980 BBC series “Oppenheimer” — with the physicist played by 40-year-old Sam Waterston, just years away from his Oscar-nominated performance for “The Killing Fields” — received seven BAFTA nominations and took home three golden masks, including best drama series. The show, which was co-produced with WGBH Boston (which contributed just $100,000), also picked up a Golden Globe nod for Waterston along with two Primetime Emmy nominations.

Viewed through a contemporary lens, “Oppenheimer” is astonishing. A BBC-produced series telling an American story, featuring a predominantly American cast? It simply would never happen now. The broadcaster’s ongoing fight to justify its license fee-based funding model — in which every BBC-watching household in the U.K. pays £159 ($204) a year to fund its content — means that most original dramas on the Beeb have a distinctly British flavor.

But back then, “the sheer volume of drama that was happening was extraordinary,” explains Ruth Caleb, then a plucky line producer on “Oppenheimer.” “It went beyond the insular; it was much more outward-looking.” BBC drama still is, in some ways, she hastens to add. “But for different reasons that are often commercial reasons. Back then, they were creative reasons.”

“When Peter put up ‘Oppenheimer’ as an idea, it was clearly an important subject matter, because it’s not just about the country we live in, but about the world that we live in,” says Caleb, who is still producing films and scripted series under her own banner. “I think they trusted that Peter would come up with something pretty special.”

“Oppenheimer” introduces the nuclear physicist during his time with the University of Berkeley physics department — a halcyon period for the listless scientist, who surrounded himself with card-carrying Communists (though never fully subscribed himself) and carried on with the troubled Jean Tatlock while falling for Kitty Puening, a married woman.

The bulk of its seven hours focused on the formation of the Manhattan Project and the Los Alamos settlement in New Mexico, with special attention paid to Oppenheimer’s tumultuous relationship with General Leslie Groves and other scientists such as Edward Teller (played by “Poirot” star David Suchet). A masterful depiction of the Trinity test in Episode 5 used archival material to convey the actual blast, but also relied on a huge, arid Colorado Springs set. The final two episodes focused on Oppenheimer’s post-war troubles, and the U.S. Atomic Energy Commission hearing that stripped him of his security clearance, effectively severing his ties to U.S. government.

While much had been written by the late 1970s about Oppenheimer, who died of throat cancer in 1967, Goodchild and screenwriter Peter Prince spent a month in America researching the scientist. In addition to meeting a number of his academic peers — “They were happy to talk and talk!” says Goodchild — the duo also located Oppenheimer’s son Peter, his brother Frank and sister-in-law. (Kitty had died a few years prior, in 1972, while his daughter Toni died by suicide in 1977.)

“We got very, very strong images from his brother,” says Goodchild. “And then we went one Sunday morning to meet Peter. But when we arrived, he wasn’t there. Someone said he’s gone, but that he has these moods and may feel differently in an hour.”

So, Goodchild and Prince “hung out and wandered about” until he returned. “And he turned up,” the producer exclaims. “He wouldn’t let us in the house. He talked in a very—” Goodchild falters. “It was obvious life has not been straightforward for him.”

When the team began casting, they hired U.K.-based American actors, which helped to save money. A lead, however, proved elusive. All sorts of ideas were thrown at the wall — at one point, even “Psycho” star Anthony Perkins was in the mix — until Caleb suggested Waterston, who would need to be flown in from the U.S. where he’d been shooting a movie in Wisconsin.

“He was a dreamboat,” says Caleb. “Just the loveliest guy.”

Adds Goodchild: “I think we were paying him £1,200 a program. He liked the scripts, and said, ‘Yes, I’ll do it’ … We put him up in a house in Chelsea, which was around £1,200 a month, which seemed astronomical to us.” (Calculating for inflation, that’s roughly £6,500 per month.)

Waterston was worth the eye-watering Chelsea rent. His casting was considered to be a masterstroke due to his complex, unsentimental portrayal of Oppenheimer. One Manhattan Project scientist even remarked at the time that Waterston was “more Oppenheimer than Oppenheimer ever was.”

“My abiding memory of the production is how nice Sam Waterston was to work with,” screenwriter Peter Prince tells Variety over an email. “I re-watched a couple of episodes to refresh my memory and was reminded again how good Sam was as the actor: he was the complex Oppenheimer — charming, conflicted and driven.”

The show filmed between a studio in the U.K. for interior shots, and in Colorado Springs, where the Los Alamos project was constructed along with the vast tower that housed the atom bomb (pictured). “Everyone [tried] to be as authentic and near the actuality as possible,” says Caleb, who always had one eye on the $1.5 million budget — the equivalent of around $5.5 million today.

“When we were setting up Trinity, we hired this guy to make the bomb. And I knew that when we film, what you see in it is not the detail. But he did that bomb, which was hugely expensive, and every single detail of it was accurate — not that you ever saw it,” says Caleb. “I wasn’t pleased, yet he was so delighted that he managed to make this bomb exactly as it was. And all he got from me was a rather sour face saying ‘Yes, but you’ve gone over your budget!’”

Trinity was shot in three parts, with the American shoot completed over four weeks, followed by the studio work — which encompassed several control room scenes — and then other extraneous shots. Goodchild and Caleb detail a “pretty smooth” production that was primarily the work of the show’s gifted late director, Barry Davis, whom they describe as “fearsome” but someone who “knew what he wanted.” They also credit their editor Tariq Anwar, “who was brilliant,” adds Caleb.

Despite the show’s heavy subject matter, the team managed to eke out some fun on set. Toward the end of the shoot, when Suchet wrapped his final scenes as Teller and stepped out of the studio, “they delivered a cream pie into his face,” laughs Caleb. “I can’t remember whether it was Sam or someone else. But that demonstrates the good nature on the production. It was a happy production.”

Yet as one of Hollywood’s most visionary directors returns the A-bomb’s formidable creator to the cultural consciousness, the BBC’s “Oppenheimer” has become a largely forgotten production.

Goodchild — who used his research to write a book on Oppenheimer that published alongside the series in 1980 — had some interaction with Kai Bird, co-author of the 2005 Oppenheimer biography “American Prometheus” that Nolan’s film is based on. However, neither he nor Caleb were contacted by the “Tenet” director or Universal Studios as the new film came together. In fact, the pair are full of questions about how the movie turned out, and how it compares to the series. “I wonder what attracted [Nolan] to Oppenheimer,” Caleb says.

Goodchild, meanwhile, is shocked to hear the film will open on the same day as Greta Gerwig’s “Barbie.” “Wow,” he mutters. “I’m going to be very interested to see how well it goes down.”

Though there are 43 years between the TV show and the movie, the similarities in approach to scenes between Oppenheimer and the main players in his orbit are striking, particularly certain conversations between the scientist and Groves and Teller. The BBC series may be of its time — devoid of Ludwig Göransson’s feverish score, Nolan’s propulsive direction and a massive IMAX canvas — and made for around 5% of the movie’s budget in real terms, but in many ways, its narrative structure and use of sub-plots that delve deeper into Oppenheimer’s inner circle make it a more holistic portrait of an unpredictable character.

Caleb at one point asks whether the BBC will bring “Oppenheimer” out of the archives to air alongside the movie hitting cinemas. With an estimated opening of $50 million this weekend and clear public interest, it’s a good question.

But for all its critical success, “Oppenheimer” appears to have been all but lost in the annals of TV history. In the U.K., it’s not even on the BBC’s streaming service iPlayer; instead, it’s available for purchase on Prime Video for around £10. BBC Studios owns the rights to the series, but Variety understands a “complicated” rights situation means the show may not be rerun anytime soon.

Those who do uncover the series, of course, don’t tend to regret it. When Goodchild’s neighbors visited New Mexico several years back, he suggested they visit the National Museum of Nuclear Science and History.

“Not only did they do that, but they bought a DVD [of ‘Oppenheimer’] and took it home and watched it,” says Goodchild. “They came back and quite seriously said, ‘That was wonderful.’ After 42 years, it wasn’t something that got thrown at you very often.”'

[kindofwriter]

I know Alex just intended Wilde’s robes to be ‘gay Shakespeare costume’ but I really love the idea of them being almost like ‘robes of unapologetically being yourself.’ Robes of ‘I’m not afraid to be queer, I’m not afraid to be Irish, I have bardic inspiration and I’m better than you.’ Because even if it means absolutely nothing in RQG universe, I’d like to think that’s a meaningful visual to real people.

Also, hypothetical RQG TV show where Wilde’s VA speaks fluent Irish and all his bardic castings are in Gaeilge? I want that.

Anyway, transcript under the cut:

SEASON 5, EPISODE 204

As the party enter the main room they find the table laid with a mediocre breakfast, however at each place setting there is also a parcel, wrapped in brown paper and with a note card laid on top. WILDE, already sat at the table, has clearly already opened his parcel, then hastily stuffed it back into the wrapping to appear polite. He turns to grin excitedly at HAMID, who shoots him a quizzical look.

WILDE: I think it's our lucky day!

HAMID: Oh?

AZU: Huh?

CEL: Ooh!

HAMID: Well, that's exciting!

CEL: Is that like a thing that we, uh, that, like, we, like- Are all the presents for, for, for us? Uh, do we-

ZOLF steps past HAMID, impatient rather than aggressive. He squeezes WILDE once on the shoulder, then takes a seat beside him. The rest of the party clearly take this as their cues to begin to sit at the parcels with their own name cards.

WILDE: It turns out that Augusta does actually have a role here, beyond just annoyance, which is quartermaster. So, Barret may have been sent out to fetch some things... for us?

HAMID: Oh!

ZOLF: Right.

HAMID: So, not 100% useless, that's nice! C-c-can we open them now?

WILDE shrugs - how should he know? - then makes a gesture of 'yeah, go for it' to the table.

AZU (BEAMING): Let's all open them together!

HAMID: How exciting!

HAMID leans slightly across the table, as if he's about to say something to SKRAAK, but they're already tearing into their present. From his package he removes a sturdy leather belt, studded, and buckled, with adamantine. They immediately put it on.

WILDE takes this to mean it's alright for him to re-open his own gift. He hurriedly shoves off the paper and pulls out a set of glimmering robes. They're an iridescence white, complete with a ruffle around the neck, and entirely covered in shimmering rainbow script. The text shifts, in a way that clearly marks it out as magical.Everyone pauses for a moment to look at WILDE, whose grin could split his face. It's been a while since they've seen him this happy. 

HAMID: Oh, Oscar, those are magnificent!

ZOLF (WITH A SMALL, SOFT GRIN): You are gonna look ridiculous, Wilde.

WILDE beams smugly down at ZOLF.

WILDE: I am going to look magnificent.

WILDE shakes the robes out, and a miasma of illusory glitter hits ZOLF in the face. ZOLF scowls dramatically at a laughing WILDE.

Still unfolding the robes, WILDE turns his attention to AZU, whose parcel is by far the largest. She is carefully unfolding it, grinning face barely visible about the huge package. Inside is a golden agile breast plate. As it shimmers in the light it becomes apparent that it is covered in the same kind of shifting magical scrawl as WILDE's robe.

Attached is a note that AZU reads aloud. Despite being busy with their own gifts, everyone turns as she does.

AZU: Whatever you do, don't use this inside.

This receives a round of curious looks from the table. HAMID and CEL lean in to get a better look at the armour.

AZU reaches out to turn the breast plate over in her hands, and as she does the text starts to fill in. Beginning at her hands, the shifting text slowly begins to run through with glowing pink, until the plate is more pink than gold. It's as bright as AZU's armour was on Hades' plane. The pink begins to settle, and as it does the magic text stops shifting. With a soft hum, it settles into Arabic scripture: the fundamental teachings of Aphrodite.

AZU beams with delight.

AZU: Ooh! Do you think- Do you think that don't use it means don't wear it? Or do you think I sh- could put it on but I can't get hit?

HAMID: Oh, it probably has some sort of, um, y'know, activation, like, similar to casting a spell inlaid into it, but I think wearing it you- It won't be a problem.

CEL frowns.

CEL: Yeah, like, um, I'm just, I-I'm a little concerned, it reminds me a little of, um, some of the, the symbols, uh, one learns when, uh, learning, uh, how to, to transmogrify ones shape. So I would just, think maybe, uh-

CEL inspects the armour, head cocked slightly to one side.

CEL: Maybe, uh, a triangle? Or, um, or a square? Maybe a platypus? I-I'm not exactly sure.

HAMID opens his mouth as if to refute them, but then decides to drop it. AZU carefully takes her hands off the armour - it remains pink.

HAMID, next to AZU, unwraps a long metal pole. As soon as he retrieves it from the wrapping paper gold lines begin to emanate from his hand and down the pole. They curl and flicker like flames.

Something alights in HAMID's eyes as he holds it. His hand that clutches the pole begins to sharpen and elongate, twisting into a clawed grasp. The once single point of his ears is now three, giving the impression of a reptilian ruffle. No one, not even HAMID, seems to notice.

CEL unwraps a pair of diamond lenses. They're scuffed around the edges, dusted with the debris of whatever they've been hacked out of.

CEL immediately pulls their alchemists goggles from their head, slips the lenses out, and inserts the new ones. At first it seems as though they won't fit, but as CEL begins to apply pressure they resize and slide in with ease.

ZOLF has been very carefully unwrapping his package - unknotting the string and unfolding the paper. Folded at the centre of his parcel is a thick, smoothly woven, grey cloak.

WILDE watches with curiosity as ZOLF reaches out to touch the fabric. Instantly a small smile toys at the corner of his lips. He glances across the table, making eye contact with HAMID, and widens the smile to a grin. HAMID, though taken off guard, smiles back with slightly sharpened teeth. ZOLF has turned back to the cape before he can notice.

Everyone is now chatting, inaudibly, absorbed in their gifts. CEL and SKRAAK are excitedly showing off their new accessories to each other, AZU runs her fingers over the text on her armour, ZOLF gently unfolds his cloak, WILDE has now donned his robes and is leaning back languidly in his chair. The text has stopped shifting, and has now settled as Gaeilge scripture - WILDE's 'inspire courage' performance, scrawled across his robes in rainbow ink. HAMID looks around at all of them, unable to contain his excitement at seeing all of his friends so happy.

WILDE: Well, it's nice to be appreciated again for a change-

A brief pause and a glance at ZOLF, as if he's expecting a gentle elbow to the ribs, but none comes. ZOLF is too busy smoothing out the cloak, preparing to put it on.

WILDE: Don't know about all of you.

Finally looking away from his gift, ZOLF notices that WILDE's hair is caught in his ruffle. He stands and swings the cloak quickly over his shoulders. Then, with a frustrated grunt of 'c'mere,' he shuffles behind WILDE's seat and begins to gently extract his hair from his collar. He murmurs something inaudible to WILDE, though we assume it's something nice, as it swaps WILDE's smug smile for a genuine one.

HAMID watches, grin now spreading far past the confines of his mouth. All sounds of the room begin to fade out. CEL laughs without sound. AZU pays a silent compliment to SKRAAK. WILDE tips his head back to say something to ZOLF.

Then, with a pained hiss, HAMID collapses forward, clawed hands gripping the edge of the table.

Suddenly the room is LOUD. Cries of 'Hamid!' 'What's wrong?' 'You alright?'

WILDE grips ZOLF's hand to his shoulder, now sitting bolt upright. SKRAAK is already looking round for an enemy. AZU reaches out to place a hand on HAMID's back, but as she does so the fabric of his suit begins to writhe. Two small holes are torn as brassy talons claw their way out of HAMID's back. These are quickly followed by the unfurling of immense, brass dragon's wings.

Breathing heavily, HAMID straightens again, glancing behind him. Everyone else is in utter shock.

HAMID (SOFT, SURPRISED, THOUGH NOT AT ALL DISAPPOINTED): Oh!

[carmenxjulia]

Showrunner Duane Capizzi did an informal Q&A session with some fans in a CS chatroom. There are several question askers, all marked by name. Get some insider knowledge on the show, after the break!

Duane Capizzi:

Just checking things out! Feel like I'm poking my head through a door at a party I'm crashing haha.

Fun to see everyone hanging out and talking all good things Carmen

Can't stay long - I should have taken the code name "Crimson Phantom"

Crimson Phantom - I like the sound of that (if it's not already taken haha)

Carmen:

It's an awesome nickname! Personally I'm more of a Scarlet Santa Rosa person myself- I love that little interaction with Jules and Carmen in the special

Duane Capizzi:

Scarlet Santa Rosa! Yes, that was really cute between them. Too cute in fact.

Coach Brunt had some names for her too if i recollect

Arden:

Lambkins

Wren:

Didn't Brunt also call her Monica Santa Monica once?

Mage:

Yeah in the Boston episode

Also Josie San Jose

Arden:

I personally prefer Fedora the Explora

Duane Capizzi:

Josie yes hahaha

I can't believe we got away with Fedora the Explorer! I thought that would be noted but I'm glad we did. So funny!

Carmen is amazing! She "owns" whatever she wears, doesn't she?

Carmen:

She definitely owns Carmen Brand Outerwear

Duane Capizzi:

I'll share another tidbit though (along the lines of Carmen being a love story where everyone is in love with Carmen).

It was important for obvious reasons that the show be (among other things) about female empowerment. And we wanted to celebrate fashion of course. But it was super important to me to not fall into the "male gaze" trap. That was something I imparted to the storyboard crew and directors. It's a fine line, I know, but I think we succeeded.

Arden:

You sure did. What I adore about Carmen Sandiego is how unsexualized all the characters were while still being inclusive to different body types and races

Duane Capizzi:

Well artists love to sneak things in! So it was a little rule I had

They were mostly great about it - in all the 32 episodes, I think I asked to change only two shots for that reason. Where I had to go "ahem"

"Outerwear" sounds so peculiar but I think that's what made it work. I kept changing it back and forth and sometimes I'm surprised to see/hear it in the show. For the longest time it was "Carmen Clothiers." Did I make the right decision? Sometimes you can rework things too much and lose sight - it happens!

The one shot that leaps to mind was Shadowsan carrying her fireman style at top of 202, as they were escaping through the tunnels. Her, um, fundamentals were just a little too front and center to not fall into the "male gaze" trap. Nothing awful! It was borderline. We just adjusted the angle a bit

Julia:

My favorite most definitely has to be her formal wear from the "need for speed caper"

Duane Capizzi:

I'd have to think about my favorite outfit or top five. All her evening gowns of course!

Maybe "witch." We couldn't make it red because it would not have been a very good disguise (plus, you know: "Scarlet Witch" haha).

But let's not underestimate her signature hat/coat - I continue to be enamored with how we updated her look from the old trench coat thing.

Arden:

Not me suddenly motivated to draw Carmen in a scarlet witch outfit

Duane Capizzi:

Then you have to draw Zack as Pietro!

(or Player? Only his fingers are speedy)

Arden:

Idea: what if player (or Shadowsan) was Pietro

Duane Capizzi:

Shadowsan IS Pietro. He's so quick you never see him move.

Wren:

Shadowsan's fight with Brunt where it went slowmo and he moved fast was so cool!

Duane Capizzi:

Hey, Shadowsan is quite the fashion plate too - am I right?

I love the outfits on the show. So good! So perfect! But, I'm not being very modest am I

I really love SS in the dark trench coat. So. Bad. Ass.

Carmen:

Any thoughts on the Fashionista memory thing?

Duane Capizzi:

Fashionista, sure! What do you want to know?

Carmen:

Give me a second-

Duane Capizzi:

Thank you for noting the aesthetics on the show! Much effort, passion and vision from all involved - Chromosphere, our directors, animators, composers, sound mixers - everyone gave it all they had, it was so inspiring for all involved.

Carmen:

Was there any significance to that specific memory- Carmen defending Julia in the Fashionista Caper- being chosen as the first memory she remembered when she went outside? Like, why that scene specifically over any others for example?

(referring to the finale)

Duane Capizzi:

Oh, that! To be honest, not from me: we were just trying to do the "swirl of confused memories" like we did with Gray earlier in the season. We wanted to show that the ACME device had jostled some old memories loose and that "the girl agent with glasses" was now taking root in Carmen's rush of memories/emotions

But that specific memory, not necessarily from my POV - it could have been any number of Julia moments, like their first meeting on the train (for instance)

The director Jos Humphrey must have picked it. It worked for me!

Carmen:

We all loved that it was that specific memory that was chosen out of all Julia and Carmen moments, the fact that she remembered defending her was an added emotional experience to the already emotional finale

Duane Capizzi:

Well let's talk about the original scene in 204! On the surface just a light fun episode, but so many things came together there: Shadowsan connecting with Player; SS getting his new clothes; but the key thing was switching Julia back from doing Chief's bidding back to Carmen's side. The episode was built around the moment that Carmen pulls Julia on stage with her (I'm not kidding). That was THE moment

Carmen:

We have MANY questions... we should probably set a limit

Duane Capizzi:

Ask away - I don't mind. Honestly, Carmen is my favorite topic! I've been living, breathing, dreaming Carmen for the last 5 years! I don't think there's much to say, I think it's all there on screen. But happy to talk about it because I love to

Cam:

I have a question, what about the color theory in Carmen Sandiego? What do you think certain colors mean as in, blue, yellow, green, and red.

we have our own ideas about the colors but it would be interesting to hear from your perspective

Duane Capizzi:

Color theory! Well chromosphere color scripts every episode (!). If those haven't been shared publicly yet remind me, maybe I can get permission to do so or have them do it. They are lovely to behold.

But basically Carmen = red (duh); Vile = green; Acme = blue. That's the simple version. We started talking about that early on.

color scripts = they do thumbnail art of key scenes to share mood/emotion

we tried to NOT use red for non-Carmen scenes; and scenes where she was significant the color red would be dominant or sometimes symbolically precede her (for instance).

If you google color scripts I'm sure you will see some come up. Try Pixar color scripts for instance. There's a great Art of Pixar book with their color scripts.

Arden:

Do you think Julia is blue or purple?

Duane Capizzi:

Haha, Jules definitely purple! Cute.

Mage:

You've just confirmed the whole color theory these guys have been working on for a while.

Duane Capizzi:

I was actually being funny - is she actually color scripted purple in the series? Wow, my mind might be blown

Garfield:

Now I have a question!

Julia has great admiration and respect for Carmen. Do you think Carmen has as much respect and admiration for Julia as Julia does for her?

Duane Capizzi:

I think Julia might just be a little infatuated with Carmen (even if she hasn't fully articulated how to herself - remember, the show may be sophisticated but it's still a kids show). But mostly Julia just knows/intuits/deduces Carmen's a good guy, pretty much from the beginning. I think the two have a connection that defies space and time in some ways - look at how much they work in tandem without being in the same scenes together much of the time. I love that!

As for Carmen, of course she respects Julia: she knows Julia "gets" her, and respects Julia's smarts and mutual love of history/respect for cultures.

I love how Chase is the ultimate buzzkill for whatever might be stirring in Julia as she's watching Carmen fly away in the Pilot. She's like, "whooaa ..." Then Chase falls onto the windshield. Hilarious!

Nina:

I was actually wondering if Carmen and Julia were meant to have opposing color schemes? With Julia's original outfit I mean

Duane Capizzi:

Oh, good question about Julia's original outfit: I'd have to think about that or ask Jos or Chromosphere. J's colors ARE sort of a drabber distant cousin to Carmen's, aren't they? I think mostly we just wanted "drab workaday" colors for Interpol, knowing that both of them would eventually be slicked up as ACME Agents.

Nova:

Devineaux is immune to injuries it is the only reason why he has lasted so long in ACME and Interpol

Duane Capizzi:

Devineaux, one of my favorite lines: "I did not know you two kept in touch."

Am I right?

SelinIndigo:

I have one question:

Will we ever know Carmen's given name? Also, if you don't mind when is her birthday in this reboot?

Duane Capizzi:

Carmen's given name: never say never! But for where our series ended, I thought it would just interfere. That's not how I wanted you to remember her. It would have just been a label and spoiled her mystique IMO

Player, however: we totally messed with you! "Mr. Bouchard."

Carmen's birthday?

Hmmm.

Maybe month and day but not year: would hate to date the show

I also don't like naming ages in shows because it just gets weird with timelines and such. Or can be.

Carmen:

I made a post about this a while back— how did Carmen end up getting Julia's apartment address? did she just text her for it or straight up ask? did she find out on her own in the least stalker-y way possible? I just have so many theories- do you have any thoughts on it?

Duane Capizzi:

The apartment in the IA special? Oh that whole story was like one big dream sequence ;)

Arden:

What does the wink mean? Does Julia even live in an apartment?

Nina:

Does that mean Carmen dreamt she gave Julia roses or-

Duane Capizzi:

We played things faster and looser for fun there

Okay, I just saw what time it is. Yikes! Time flies when you're having fun. Well THANK YOU EVERYONE (for loving the show, for building this site, for being you.

[mrjeremydylan]

My Favorite Album #227 - Elizabeth Cook on Neil Young ‘Zuma’ (1975)

Sharp of tongue and deep of soul, one of Nashville’s most compelling singer-songwriters joins me to talk about an underrated Neil Young and Crazy Horse classic, ‘Zuma’.

We talk about how Elizabeth discovered the album on a road trip, the elusive concision of Young’s lyrics, how this record defines a certain version of his sound, how the album documents the end of Neil Young’s creative grieving over guitarist Danny Whitten, how Elizabeth wants to steer her future recordings in a Neil-ward direction and what it was like to be a witness to the taping of the ‘Heart of Gold’ concert film.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast in Apple Podcasts here or search ‘My Favorite Album’ wherever you listen to podcasts.

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS - Buy our album of the episode on iTunes here.

- Elizabeth Cook’s website, Twitter, Instagram, Facebook page and on iTunes.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

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JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[thecineastes-blog]

Grand Prix RPDR RuView: Morning Glory (S06E04)

I hope you have had your morning coffee, and prepare to smize! For Grand Prix RPDR RuView, we’ll be giving you the overview of each episode, top moments of each episode, the shadiest moment of each episode, our favorite queen of the each episode, our least favorite queen of each episode, best looks on the runway, and our predictions for next week.

So the episode opens with the queens reentering the workroom after Kimora’s elimination. Aja goes on about how she feels her self-confidence lowering and how she needs to reevaluate her drag. Sasha brings up a very good point about Aja needing some humble pie. The queens begin to joke, but then Aja and Alexis say they don’t feel Valentina deserved almost winning. I’m just worried about Aja’s fall off of her high horse.

The next day Ru informs her legendary children that the main challenge will be having to be split in teams of two and perform a morning talk show. They are also reminded that this challenge will be taped LIVE, so there are no second takes. Since Trinity won and Aja survived the lip sync they are made team captains. Aja is made captain for the “Good Morning Bitches” tv show, and enlists Valentina, Sasha, Shea, Alexis, and Farrah as her co-anchors. Trinity is made headliner for “Not on Today” with Peppermint, Charlie, Cynthia, Eureka, and Nina. Nina is bummed that she is picked last. From what we have been presented, I would never categorize Nina as a Debbie Downer.

From the start, Eureka is just full of it...ideas. Trinity implements a rule where you must raise your hand before someone else can speak. Trinity chooses what everyone’s role for the morning show. Eureka and Trinity keep butting heads, and it’s not pretty. Trinity then decides for the group to break away and work with their partners. Charlie is doing the rumor mill with Cynthia. Cynthia wants to put her own spin on the lines, which irks Charlie. She fears the delivery will not be right and fall flat. Cynthia does like Charlie’s critiques and finds Charlie smothering and possessive.

Good Morning Bitches are the first group to film their show. Ross Matthews is acting as director/producer for both shows. Does this mean we’ll see him pour hot coffee in the face of interns and chain smoke because he’s worried about the show’s success?...Probably not. Ross does mention that their set was furnished by 204 Events (whatever the hell that is…) Farrah and Alexis are the main co-anchors, and go off very well. Farrah shows off the newest trend, acrylic nails, which were so hard to get off Farah started to panic after their taping ended.

Aja and Valentina were head of entertainment news where they look at humorous photos of drag queens, which was descent. Sasha and Shea nailed the challenge with their food segment. It was funny, AND was borderline softcore Lesbian porn! Naya comes in as the celebrity guest for the final roundtable. Their interview with her comes off without a hitch.

Not on Today enter the set, and prepare to go live. Trinity and Peppermint are the star co-anchors, who come off as rather toxic frenemies; they weren’t so much funny bitchy, as they were just bitchy bitchy. Peppermint fumbles some of her lines toward the end of her segment. Charlie and Cynthia were up next doing the entertainment news. They play #SophiesChoices; while Cynthia was lively and fun, Charlie sort of falls flat. The second game they played was even worse. Eureka and Nina were the bright spots in the whole spectacle. They showed how to do drag on an extreme dime. They were both engaging and fun. Finally it’s the celebrity interview; the queens were rather abrupt with Naya. Since no one was paying attention Charlie had to give a rather terse end to the morning show.

The next day Aja laments to Alexis about her position in the competition. Valentina and Aja have a heart to heart. They may become the Elphaba and Galinda of the season. Cynthia tells Charlie about her work with HIV patients, and Charlie bares her soul about how she had to bury most of her friends died from the HIV-AIDS Crisis. The queens also discuss different issues that they have dealt with, and Eureka casually jokes about eating disorders. Sasha tells Eureka is is not right for her to do that, as she has personally fought eating disorders for most of her life. The argument goes around in circles and Valentina just asks them to focus on prepping for the main stage.

Joining Ru, Michelle and Matthew are our guest judges for this episode, Glee’s Naya Rivera, as well as Jeffrey Bowyer-Chapman from the Lifetime dark comedy-drama series, UnREAL. Sasha and Shea rightfully won, they and rest of their team are safe and are excused to untuck backstage. Trinity was criticized for being too mean, uptight, and not really a good fit for morning tv. Peppermint’s outfit was read to filth, but her character was deemed far more likeable than Trinity’s. Both Peppermint and Trinity apologized for not ending the show well.

WHY did no team do a boozy, kooky Hoda Kotb and Kathy Lee Gifford kind of morning talk show? That’s why those two are so popular! Or even with the View, you have so many different personalities it is fun to watch. I’m surprised Charlie didn’t put on a heavy British accent and joining Cynthia with being an outrageous expat.

Charlie’s control freak behavior ruined the timing, Cynthia was congratulated for keeping her composure when things with Charlie got tense. Eureka and Nina were praised but warned to brace themselves for how tougher the competition would become. RuPaul asks the contestants who on their team should be sent home. Trinity and Peppermint agree on Charlie, Cynthia and Charlie say Peppermint. Eureka and Nina agree on Trinity. Trinity snaps back at Eureka for trying to throw her under the bus. The queens are excused backstage while the judges deliberate.

Trinity and Charlie lip sync; Trinity gives it her all...and Charlie just stands there like a mighty sequoia.It reminded me of Tammie Brown and Akashia lip sync of “Break The Dawn” by Michelle Williams from season one...just really stiff and awkward. I heard through the grapevine that Charlie left the show because of broken ribs he got from the cheerleading challenge. But you don’t go on a show and decide to not participate in the thing that would keep you said show. I guess Charlie thought he would be like Tyra Sanchez, Alaska, Courtney Act, and Bianca Del Rio and have to lip sync to reach top 4. You have said that Bianca del Rio does not lip sync. Bianca does not like to lip sync and there is a difference. 

Bianca Del Rio’s lip syncing to “Evita”

In Untucked, Aja opens up about her issues with her skin and appearance. Shea revels in being able to win a challenge. She also emphasizes that perspective is key for everyone’s survival. The Good Morning Bitches queens speculate who will be in the bottom, and it seems like Trinity and Peppermint are lip syncing the general consensus. Not on Today’s awkward chemistry seems to be apparent to them, and they didn’t even see that segment! The rest of the queens are excused backstage and are greeted with cocktails. Eureka and Trinity go for the jugular. I understand Trinity was offended by Eureka questioning her leadership, but for Trinity to dismiss Eureka’s experience (even going so far as to walk away…) is very rude. Even Charlie thought there should have been more rehearsal and get more familiar with the script and roles.

Runway Over-Ru:

The blink and you miss it runway….ugh. The runway theme this week was ‘Naughty Nightie’, of which a majority of the queens I feel missed the mark. First up, Farrah Moan, in a pastel pink look that I could best describe as ‘if Marlene Dietrich was a femme-bot in “Austin Powers”. Serving “soft body”- Alexis Michelle, in a rose printed robe that revealed into a stoned corset and panty. She reminded me of a wealthy woman preparing for a night out. Being awarded ‘most improved’ was Aja, in a red burlesque inspired number. Her makeup was blended, softened and pretty.

It was still drag but fit her face better-and her outfit was sexy. Speaking of sexy-was Valentina, in something I could see slinking down the runway of Agent Provocateur. She managed to still be demure in such an overtly sensual look. While I understood Shea’s Harlem Renaissance/Cotton Club seductress bit, the look didn't really give me “Naughty Nightie”-perhaps if she had on a chemise or bralette/knicker combo it would've fit the 1920s look better. Sasha’s unusual Crimson Peak/Moulin Rouge look wasn't bad-just confusing. She loves a good prop.

I'm convinced Trinity has a fantasy about infidelity? From the cheated on new anchor to the mistress runway look-was she giving us the underlying narrative? Her cheek baring black lace lingerie look was fierce, but could've done without the weird gold trash bag esque robe. Peppermint look wasn’t terrible, but I feel it didn't fit her, and the gloves and necklace took it out of the realm ‘boudoir’. Had she done a silk and lace nightie, maybe a sleep mask pushed up on the top of her head, and a marabou slipper, it would've look looked 1000x better. Charlie’s lingerie look reminded me of Lindsay Duncan’s character in “Under the Tuscan Sun”. Sexy on the runway quickly translated to ‘get off my lawn you hooligans!’ in the lip-sync. Confusing. Beffuddled. 

Perplexing. All words I'd use to describe Cynthia Lee Fontaine’s look this week. In a weird combination of dominatrix, meets Halloween angel costume, in contrast with her Marilyn Monroe hairstyle and accessories from “Gentleman Prefer Blondes” this look really missed the mark. 

In what I described as “a cheap dress from Rainbow with a bargain bin corset from Frederick’s of Hollywood” was Eureka, in yet another #wigtopiary, which for some reason needed a wig reveal? I'm biding my time until Michelle brings up wig choices. Nina Bo’nina Brown’s skeleton look was a bit underwhelming, as it was just some pasties, a corset and a panty, but her paint job saved it. Also I love her long winded look descriptions-they rival Kennedy Davenport’s iconic “after a long night of hooking…”

The looks this week were hit or miss, just like Mama Ru’s unfortunately. Her makeup and hair looked fine, but where is her stylist this season? Could VH1 not muster up the budget to retain her stylist from Logo? Anyway...see you next week!

Jonny’s Favorite Moments:

Jungle Fever?: Sasha and Shea’s sapphic moment was humorous AND kind of sexy lol

Drag on a Dime: Nina and Eureka’s segment was so much fun...but could not save that team’s Titanic of a disaster .   

Jonny’s Favorite Shadiest Moments:

At a standstill?: Charlie not lip syncing, was completely disappointing. It was painfully hard to watch. Charlie had such an impassioned speech earlier in the episode I had hoped she would have been more driven to stay in the series.

Mocha-choca-lata ya ya: Seems a shame no one did an homage to the Moulin Rouge version of “Lady Marmalade” for “Naughty Nighties”

Jonny’s Favorite Queen of the Episode:

Alexis Michelle, she was very poised for Good Morning Bitches, and loved her bedroom attire on the mainstage.

Jonny’s Least Queen of the Episode:

Trinity, she was being a control freak of Joan Crawford proportions.

Predictions:

….is it Snatch Game yet?

Anais’s Favorite Moments:

VH-none: ALOT of the show is cut down for time reasons...including the mini challenges, which are apparently defunct. The show seems a lot shorter than its hour time slot, crappily hosted “viewing party” (aka designated bathroom and snack breaks) and massive amounts of commercials-do not compensate.

Lost in translation: the majority of ‘Not on Today’ was an entertaining train wreck with some bright  spots-Cynthia Lee Fontain and the ‘Drag on a Dime’ segment.

Anais’s Favorite Shadiest Moments:

Girl fight: things got soooo shady and drama filled during untucked between Eureka and Trinity, about the challenge and who should be in the bottom. And when Trinity said “you're done, because in going to tell you why you're done”- girl.

Over-it: Nina Bo’Nina Brown laying on the ottoman in ‘Untucked’ while Eureka and Trinity fought: truly iconic.

Anais’s Favorite Queen of the Episode:

Sasha Velour-from her hilarious morning show moment with Shea during the Maxi challenge to seeing her go toe to toe with Eureka about her ill timed joke-it was nice seeing her emote and show a different side to her personality.

Anais’s Least Queen of the Episode:

Trinity and Eureka. Although their ‘Untucked’ fight was undoubtedly entertaining, Trinity’s iron fisted leadership and Eureka’s constant need for attention (read: screentime) are both equally annoying.

Predictions:

Will the Library be open? Also SNATCH GAME.

[mrjeremydylan]

My Favorite Album #224 - Lilly Hiatt on Pearl Jam ‘No Code’ (1996)

East Nashvillian singer-songwriter Lilly Hiatt draws as much from the fundamentals of 90s guitar rock as she does from Americana storytelling, and today she joins me to celebrate ‘No Code’ - the album that cemented the legacy of one of the all-time great rock bands, Pearl Jam.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Lilly Hiatt on Twitter, Facebook and Instagram. Get her new album ‘Trinity Lane’ here.

- Buy ‘No Code’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

223. Sarah Lewitinn aka Ultragrrrl on Interpol ‘Our Love to Admire’ (2007) 222. Whispertown on Sugar Pie DeSanto ‘Down in the Basement: The Chess Years’ 221. Aaron Lee Tasjan on The Beatles ‘Revolver’ (1966) 220. Jon Cryer on Radiohead ‘OK Computer’ (1997) 219. Neil Innes on The Mothers of Invention ‘We’re Only In It for the Money’ (1968) 218. Gold Class on the Dirty Three ‘Ocean Songs’ (1998) 217. Julian Velard on Billy Joel ‘Turnstiles’ (1976) 216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[mrjeremydylan]

My Favorite Album #222 - Whispertown on Sugar Pie DeSanto ‘Down in the Basement: The Chess Years’

The core of the dreamy, ethereal LA outfit Whispertown, frontwoman and songwriter Morgan Nagler and guitarist/producer Jake Bellows, on the inspiration of soul legend Sugar Pie Desanto - how the Californian raised singer-songwriter carved out her space in the Chess Records R&B empire, why this is the best record to put on at any party, how Morgan would’ve handled operating in the early 60s and the way Jake transformed the conventional understanding of a rhythm section on the new Whispertown LP.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Whispertown on Twitter, Facebook, Instagram and iTunes.

- Buy ‘Down in the Basement’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

221. Aaron Lee Tasjan on The Beatles ‘Revolver’ (1966) 220. Jon Cryer on Radiohead ‘OK Computer’ (1997) 219. Neil Innes on The Mothers of Invention ‘We’re Only In It for the Money’ (1968) 218. Gold Class on the Dirty Three ‘Ocean Songs’ (1998) 217. Julian Velard on Billy Joel ‘Turnstiles’ (1976) 216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[mrjeremydylan]

My Favorite Album #223 - Sarah Lewitinn (Ultragrrrl) on Interpol 'Our Love to Admire' and why they should have been 'the' band of the 2000s

Sarah Lewitinn's career has taken from writer to manager to DJ, self-described 'queen of beneficient debauchery' and the once and future 'Ultragrrl'.

In a personal and emotionally honest conversation, Sarah makes the case for Interpol's 'Our Love to Admire' as the band's best album and the deep, slow-burning relationship she has had with it. We talk about the efforts she's made to keep her personal distance from the members of Interpol, the legend and reality of Carlos D, and how the album feels like the closing chapter on an era of her New York life.

If you haven't yet, I recommend reading Lizzy Goodman's amazing oral history of the 2000s NYC rock scene 'Meet Me in the Bathroom', in which Sarah features, and listening to my recent podcast with Lizzy.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Sarah Lewitinn on Twitter and Instagram. Read her archived blog here.

- Buy ‘Our Love to Admire’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

222. Whispertown on Sugar Pie DeSanto ‘Down in the Basement: The Chess Years’ 221. Aaron Lee Tasjan on The Beatles ‘Revolver’ (1966) 220. Jon Cryer on Radiohead ‘OK Computer’ (1997) 219. Neil Innes on The Mothers of Invention ‘We’re Only In It for the Money’ (1968) 218. Gold Class on the Dirty Three ‘Ocean Songs’ (1998) 217. Julian Velard on Billy Joel ‘Turnstiles’ (1976) 216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[mrjeremydylan]

My Favorite Album #219 - Neil Innes (Bonzo Dog Doo-Dah Band, The Rutles) on Mothers of Invention 'We're Only In It For the Money' (1968)

A legend of both music and comedy, Neil Innes has weaved dry wit around sweet soulful melody for decades, from the Bonzo Dog Doo-Dah Band to the Rutles, his work with Monty Python and on television with Rutland Weekend Television and The Innes Book of Records.

Neil joins me to talk about Frank Zappa's classic commentary on the Summer of Love and response to Sgt Pepper, 'We're Only In It For the Money'. We talk about how the album balances satire and music inventiveness, how Zappa misunderstood one of Neil's songs while reviewing it, when the Bonzo's hung out with the Mothers of Invention in the US and the kinship they felt, plus how so much of the turmoil Zappa was writing about in 1968 has become eerily relevant again almost 50 years on.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Neil Innes on Twitter and iTunes. He’d probably also like me to encourage you to track his work down on vinyl in addition to streaming it or grabbing it off iTunes.

- Buy ‘We’re Only In It For The Money’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

218. Gold Class on the Dirty Three ‘Ocean Songs’ (1998) 217. Julian Velard on Billy Joel ‘Turnstiles’ (1976) 216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[mrjeremydylan]

My Favorite Album #221 - Aaron Lee Tasjan on The Beatles ‘Revolver’ (1966)

Aaron Lee Tasjan followed the classic well worn path to Americana stardom - starting 150 bands, playing guitar with the New York Dolls, sticking sequins onto his own suits and micro dosing for songwriting inspiration.

He joins me to talk about the album that taught him to play guitar - The Beatles uber-classic ‘Revolver’. We talk about the Beatles eternal mission to top their latest groundbreaking recordings, what it would’ve been like to hear these songs new when they first were released, the diversity of influences on both Aaron and the Beatles (and the impact that has on their music) and more.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the film Benjamin Sniddlegrass and the Cauldron of Penguins.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Aaron Lee Tasjan on Twitter, Facebook, Instagram and iTunes.

- Buy ‘Revolver’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

220. Jon Cryer on Radiohead ‘OK Computer’ (1997) 219. Neil Innes on The Mothers of Invention ‘We’re Only In It for the Money’ (1968) 218. Gold Class on the Dirty Three ‘Ocean Songs’ (1998) 217. Julian Velard on Billy Joel ‘Turnstiles’ (1976) 216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[mrjeremydylan]

My Favorite Album #217 - Julian Velard on Billy Joel ‘Turnstiles’ (1976)

Quintessentially New York singer-songwriter Julian Velard joins me for a celebration/defense of fellow piano man Billy Joel, and his classic 1976 album 'Turnstiles'.

We tell the story of how Turnstiles was Joel's return to New York, the building of his classic band, and his celebration of the city - from modern day standard 'New York State of Mind' to album closer, the apocalyptic 'Miami 2017 (Seen the Lights Go Out on Broadway)'. Julian compares the perceptions of Joel in the UK to the US, how he has become like a NYC sports franchise, whether it's a good or bad thing that he hasn't released in a new album in decades and how understanding Billy Joel as a great mimic helps you appreciate his music.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Julian Velard on Instagram, Facebook, Twitter and iTunes.

- Buy 'Turnstiles’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

216. Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975) 215. Anita Lester on Leonard Cohen ‘Song of Love and Hate’ (1971) 214. Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs ‘Fever to Tell’ (2003) 213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. Danny Yau, Andrew Hansen, Gideon Bensen (The Preatures) and Mike Carr 36 - Doug Pettibone on Wrecking Ball by Emmylou Harris 35 - Ross Ryan on Late for the Sky by Jackson Browne 34 - Michael Carpenter on Hard Promises by Tom Petty & the Heartbreakers 33 - Davey Lane (You Am I) on Jesus of Cool by Nick Lowe 32 - Zane Carney on Smokin’ at the Half Note by Wes Montgomery 31 - Tony Buchen on Sgt Pepper’s Lonely Hearts Club Band by The Beatles 30 - Simon Relf (The Tambourine Girls) on On the Beach by Neil Young 29 - Peter Cooper on In Search of a Song by Tom T Hall 28 - Thelma Plum on Stolen Apples by Paul Kelly 27 - James House on Rubber Soul by the Beatles 26 - Ella Hooper on Let England Shake by PJ Harvey 25 - Abbey Road Special 24 - Alyssa Bonagura on Room for Squares by John Mayer 23 - Luke Davison (The Preatures) on Green Onions by Booker T and the MGs 22 - Neil Finn on Hunky Dory by David Bowie and In Rainbows by Radiohead 21 - Neil Finn on Beatles for Sale by the Beatles and After the Goldrush by Neil Young 20 - Morgan Evans on Diorama by Silverchair 19 - Emma Swift on Car Wheels On A Gravel Road by Lucinda Williams 18 - Danny Yau on Hourly Daily by You Am I 17 - J Robert Youngtown and Jon Auer (The Posies) on Hi Fi Way by You Am I 16 - Lester the Fierce on Hounds of Love by Kate Bush 15 - Luke Davison on Green Onions by Booker T and the MGs 14 - Jeff Cripps on Wheels of Fire by Cream 13 - Mark Holden on Blue by Joni Mitchell (Part 2) 12 - Mark Holden on Blue by Joni Mitchell (Part 1) 11 - Gossling on O by Damien Rice 10 - Matt Fell on Temple of Low Men by Crowded House 9 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 2) 8 - Pete Thomas on Are You Experienced? by Jimi Hendrix (Part 1) 7 - Sam Hawksley on A Few Small Repairs by Shawn Colvin 6 - Jim Lauderdale on Grievous Angel by Gram Parsons 5 - Mark Moffatt on Blues Breakers by John Mayall and Eric Clapton 4 - Darren Carr on Ten Easy Pieces by Jimmy Webb 3 - Mark Wells on Revolver by The Beatles 2 - Mike Carr on Arrival by ABBA 1 - Rob Draper on Highway 61 Revisited by Bob Dylan

[mrjeremydylan]

My Favorite Album #214 - Meet Me In The Bathroom author Lizzy Goodman on Yeah Yeah Yeahs 'Fever to Tell'(2003), why Karen O is a true rock star, the magic of 'Maps' and more

Rock journalist and author of the definitive oral history of the New York rock revival 'Meet Me in the Bathroom', Lizzy Goodman, joins me to talk about one of the seminal albums of that era - the Yeah Yeah Yeahs' debut LP 'Fever to Tell'.

We talk about why Karen O is the truest rock star of her era, what makes 'Maps' such a special song and how it influenced mainstream pop, the contrast between the band's offstage awkwardness and their high-octane music, why being a woman can't be politically neutral in rock and the world in general, why it's silly to pretend clothes don't matter and why Lorde made Lizzy excited about the next wave of New York music.

Plus we delve into the writing process of 'Meet Me in the Bathroom', 2017's best music book, and why she will never undertake a similar project again.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Lizzy Goodman on Twitter and Instagram. Buy ‘Meet Me in the Bathroom’ here.

- Other profile pieces by Lizzy I reference in the show: What if Lorde was one of us? Audrey Gelman's The Wing Is the Feminist Answer to Co-Working Spaces Get Yer Yeah Yeah Yeahs Out

- Buy 'Fever to Tell’ wherever you can. It’s currently not available on iTunes in Australia, but you may have better luck elsewhere. Or go to a records store maybe.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

CHECK OUT OUR OTHER EPISODES

213. JAY-Z biographer Zack O'Malley Greenburg on JAY-Z ‘Reasonable Doubt’ (1996) 212. #BeatlesMonth Wall Street Journal’s Allan Kozinn on how ‘I Want To Hold Your Hand’ broke the Beatles in America and the anatomy of an iconic hit 211. #BeatlesMonth Conan’s Jimmy Vivino on the Sgt Pepper remixes and recreating the intricacies of the Beatles with the Fab Faux 210.  #BeatlesMonth Heartbreaker Benmont Tench on playing with Ringo, the Beatles RnB roots and the genius of ‘No Reply’ 209. #BeatlesMonth Ken Levine on ‘Sgt Pepper’s Lonely Hearts Club Band’ (1967) 208. All Our Exes Live In Texas on Rufus Wainwright ‘Want’ (2004) 207. Eilish Gilligan on Counting Crows ‘August and Everthing After’ (1993) 206. Katie Brianna on Rilo Kiley ‘Under the Blacklight’ (2007) 205. Pegi Young on her biggest influences, from Janis to Joni, Clapton to the Dead 204. Margaret Glaspy on Bjork ‘Vespertine’ (2001) 203. Iluka on Marvin Gaye ‘What’s Going On’ (1971) 202. Veronica Milsom (triple J) on The Shins ‘Wincing the Night Away’ (2007) 201. Charles Esten on Bruce Springsteen ‘Born to Run’ (1975) 200. What’s Your Favorite Aussie Music? with Benmont Tench, Duglas T Stewart, Natalie Prass, Sam Palladio and Jeff Greenstein 199. Showrunner Jeff Lieber on Gregory Alan Isakov ‘The Weatherman’ and how music fuels his writing process 198. Jack Colwell on Tori Amos ‘Boys for Pele’ (1996) 197. Benmont Tench on playing with Bob Dylan, Jenny Lewis and Ryan Adams and the worst advice he’s received 196. Ella Thompson (Dorsal Fins, GL) on Renee Geyer ‘Moving On’ 195. The Shires on Lady Antebellum ‘Own the Night’ (2011) 194. Duglas T Stewart (BMX Bandits) on Beach Boys ‘Love You’ (1977) 193. Dan Soder on Queens of the Stone Age ‘Like Clockwork’ (2013) 192. Kingswood on The Beatles ‘Magical Mystery Tour’ (1967) 191. Comedian Becky Lucas on Michael Jackson ‘Bad’ (1987) 190. PVT on Brian Eno ‘Another Green World’ (1975) 189. Middle Kids on My Brightest Diamond ‘Bring Me The Workhorse’ (2006) 188. The Bitter Script Reader on Tom Hanks ‘That Thing You Do’ (1996) 187. Carly Rae Jepsen ‘Emotion’ (2015) with CRJ Dream Team Roundtable 186. Sarah Belkner on Peter Gabriel ‘So’ (1986) 185. Mark Hart (Crowded House, Supertramp) on XTC ‘Drums and Wires’ (1979) 184. Emma Swift on Marianne Faithfull ‘Broken English’ (1974) 183. Owen Rabbit on Kate Bush ‘Hounds of Love’ (1985) 182. Robyn Hitchcock on Bob Dylan ‘Blonde on Blonde’ (1966) 181. Dave Mudie (Courtney Barnett) on Nirvana ‘Nevermind’ (1991) 180. Brian Koppelman on Bruce Springsteen ‘Nebraska’ (1982) 179. Nicholas Allbrook (POND) on OutKast ‘The Love Below’ (2003) 178. 2016 in Review: What the hell? ft Jeff Greenstein, Rob Draper & Cookin on 3 Burners, Melody Pool, Lisa Mitchell, Emma Swift, Brian Koppelman, Mark Hart (Crowded House), Davey Lane and Alex Lahey 177. Harper Simon on The Beatles ‘White Album’ (1968) 176. Andrew P Street on Models ‘Pleasure of Your Company’ (1983) 175. Matt Farley (Motern Media) on why The Beach Boys ‘Love You’ is better than ‘Pet Sounds’ 174. Lisa Mitchell on Regina Spektor ‘Begin to Hope’ (2006) and her favorite albums of 2016 173. Peter Bibby on Sleep ‘Dopesmoker’ (2003) 172. Slate’s Jack Hamilton on Stevie Wonder ‘Innervisions’ (1973) 171. Showrunner Blake Masters on Drive-By Truckers ‘The Dirty South’ (2004) 170. Taylor Goldsmith (Dawes) on on their new album ‘We’re All Gonna Die’, loving LA and the albums that inspire him 169. Sadler Vaden on The Rolling Stones ‘Goats Head Soup’ (1973) 168. Guy Clark biographer Tamara Saviano on ‘Dublin Blues’, Guy’s songwriting process and his musical legacy 167. What does Trump mean for music? 166. A Tribute to Sir George Martin, The Fifth Beatle with Davey Lane and Brett Wolfie 165. John Oates on Joni Mitchell ‘Blue’ (1971) 164. Jimmy Vivino on the birth of the Max Weinberg 7, his relationship with Conan O’Brien, country music and the future of rock’n’roll 163. DJ Alix Brown on Transformer (1972) by Lou Reed 162. Taylor Locke on Doolittle (1989) by the Pixies, the album that inspired 90s alt-rock 161. Harts on Around the World in a Day (1985) by Prince and jamming with Prince at Paisley Park 160. Mark McKinnon (The Circus) on Kristofferson and programming the President’s iPod 159. Alan Brough on A Walk Across the Rooftops (1984) by The Blue Nile 158. Peter Cooper on Pretty Close to the Truth (1994) and why we need Americana music 157. Will Colvin (Hedge Fund) on One of the Boys by Katy Perry (2008) 156. Julia Jacklin on Extraordinary Machine by Fiona Apple (2005) 155. Japanese Wallpaper on Currents by Tame Impala (2015) 154. Montaigne on her album Glorious Heights (2016) and its inspirations 153. Alex Lahey on Hot Fuss by the Killers (2004) 152. Jack Moffitt (The Preatures) on Physical Graffiti by Led Zeppelin (1975) 151. Mike Bloom on Axis Bold As Love by Jimi Hendrix (1968) 150. Hey Geronimo on Drowning in the Fountain of Youth by Dan Kelly (2006) 149. Mickey Raphael on Teatro by Willie Nelson (1998) 148. Jack Ladder on Suicide by Suicide 147. Rusty Anderson on Hot Rats by Frank Zappa 146. Kenny Aronoff on The Beatles 145. Bob Evans on A Grand Don’t Come for Free by The Streets 144. Chris Hewitt (Empire) on New Adventues in Hi-Fi by REM 143. Dr Warren Zanes on Tom Petty and the Heartbreakers by Tom Petty and the Heartbreakers 142. Dr Mark Kermode (Wittertainment) on Sleep No More by the Comsat Angels 141. Van Dyke Parks on Randy Newman by Randy Newman 140. Imogen Clark on Heartbreaker by Ryan Adams 139. Jesse Thorn on Fresh by Sly and the Family Stone 138. Stephen Tobolowsky on The Rise and Fall of Ziggy Stardust and the Spiders from Mars by David Bowie 137. Ben Blacker on Blood and Chocolate on Elvis Costello & the Attractions 136. Jonny Fritz on West by Lucinda Williams 135. Adam Busch on A River Ain’t Too Much to Love by Smog 134. Kelsea Ballerini on Blue Neighbourhood by Troye Sivan 133. Natalie Prass on Presenting Dionne Warwick 132. Josh Pyke on Badmotorfinger by Soundgarden 131. Kip Moore on Born to Run by Bruce Springsteen 130. Koi Child on Voodoo by D’Angelo 129. The Cadillac Three on Wildflowers by Tom Petty 128. Julian McCullough on Appetite for Destruction by Guns n Roses 127. Danny Clinch on Greetings from Ashbury Park NJ by Bruce Springsteen 126. Sam Palladio (Nashville) on October Road by James Taylor 125. Steve Mandel on Blood and Chocolate by Elvis Costello 124. Brian Koppelman on The History of the Eagles 123. Benmont Tench on Beggars Banquet by the Rolling Stones 122. Jimmy Vivino (Basic Cable Band) on Super Session by Al Kooper, Mike Bloomfield and Stephen Stills 121. Holiday Sidewinder on Pat Garrett & Billy the Kid by Bob Dylan 120. Ben Blacker on Aladdin Sane by David Bowie 119. EZTV on The Toms by The Toms 118. Jess Ribeiro on Transformer by Lou Reed 117. Whitney Rose on Keith Whitley Greatest Hits 116. Best Albums of 2015 with Danny Yau ft. Jason Isbell, Dan Kelly, Shane Nicholson, Tim Rogers, Will Hoge and Julien Barbagallo (Tame Impala) 115. Phil Spector’s A Christmas Gift For You with Jaime Lewis 114. Xmas Music ft. Kristian Bush, Lee Brice, Corb Lund and Tim Byron 113. Sam Outlaw on Pieces of the Sky by Emmylou Harris 112. Jason Isbell on Sticky Fingers by the Rolling Stones 111. Ash Naylor (Even) on Houses of the Holy by Led Zeppelin 110. Burke Reid (Gerling) on Dirty by Sonic Youth 109. Lance Ferguson (The Bamboos) on Kind of Blue by Miles Davis 108. Lindsay ‘The Doctor’ McDougall (Frenzal Rhomb) on Curses! by Future of the Left 107. Julien Barbagallo (Tame Impala) on Chrominance Decoder by April March 106. Melody Pool on Blue by Joni Mitchell 105. Rusty Hopkinson (You Am I) on ‘Nuggets: Original Artyfacts from the First Psychedelic Era’ 104. Jeff Greenstein on A Quick One (Happy Jack) by The Who 103. Dave Cobb on Revolver by the Beatles 102. Justin Melkmann (World War IX) on Coney Island Baby by Lou Reed 101. Kacey Musgraves on John Prine by John Prine 100. Does the album have a future? 99. Corb Lund on Gunfighter Ballads and Trail Songs by Marty Robbins 98. Bad Dreems on Unknown Pleasures by Joy Division 97. Davey Lane (You Am I) on Abbey Road by the Beatles 96. Dan Kelly on There’s A Riot Goin’ On by Sly and the Family Stone 95. Ash Grunwald on Mule Variations by Tom Waits 94. Stella Angelico on The Shangrilas 93. Eves the Behavior on Blue by Joni Mitchell 92. Troy Cassar-Daley on Willie Nelson’s Greatest Hits 91. Lydia Loveless on Pleased to Meet Me by the Replacements 90. Gena Rose Bruce on The Boatman’s Call by Nick Cave 89. Kitty Daisy and Lewis on A Swingin’ Safari by Bert Kaempfert 88. Will Hoge on Modern Sounds in Country & Western Music by Ray Charles 87. Shane Nicholson on 52nd St by Billy Joel 86 - Tired Lion on Takk… by Sigur Ros 85 - Whispering Bob Harris on Forever Changes by Love 84 - Jake Stone (Bluejuice) on Ben Folds Five by Ben Folds Five 83 - Pete Thomas (Elvis Costello and the Imposters) on Are You Experienced? by the Jimi Hendrix Experience 82 - Dom Alessio on OK Computer by Radiohead 81 - Anthony Albanese MP on The Good Son by Nick Cave and the Bad Seeds 80 - John Waters on Electric Ladyland by The Jimi Hendrix Experience 79 - Jim DeRogatis (Sound Opinions) on Clouds Taste Metallic by The Flaming Lips 78 - Montaigne on The Haunted Man by Bat for Lashes 77 - Guy Pratt (Pink Floyd) on Quadrophenia by The Who 76 - Homer Steinweiss (Dap Kings) on Inspiration Information by Shuggie Otis 75 - Best of 2015 (So Far) ft. Danny Yau, Montaigne, Harts, Joelistics, Rose Elinor Dougall and Burke Reid 74 - Matt Farley (Motern Media) on RAM by Paul McCartney BONUS - Neil Finn on The Beatles, Neil Young, David Bowie and Radiohead 73 - Grace Farriss (Burn Antares) on All Things Must Pass by George Harrison 72 - Katie Noonan on Blue by Joni Mitchell 71 - Harts on Band of Gypsys by Jimi Hendrix 70 - Tim Rogers (You Am I) on Bring the Family by John Hiatt 69 - Mark Seymour (Hunters and Collectors) on The Ghost of Tom Joad by Bruce Springsteen 68 - Jeremy Neale on Graceland by Paul Simon 67 - Joelistics on Graceland by Paul Simon 66 - Brian Nankervis (RocKwiz) on Astral Weeks by Van Morrison 65 - ILUKA on Pastel Blues by Nina Simone 64 - Rose Elinor Dougall on Tender Buttons by Broadcast 63 - Sarah McLeod (The Superjesus) on Siamese Dream by The Smashing Pumpkins 62 - Keyone Starr on The Miseducation of Lauryn Hill 61 - Chase Bryant on Defying Gravity by Keith Urban 60 - Brian Koppelman on Southeastern by Jason Isbell 59 - Michael Carpenter on The Beatles White Album Side 4 58 - Pete Kilroy (Hey Geronimo) on The Beatles White Album Side 3 57 - Mark Wells on The Beatles White Album Side 2 56 - Jeff Greenstein on Colossal Youth by Young Marble Giants 55 - Laura Bell Bundy on Shania Twain, Otis Redding and Bright Eyes 54 - Jake Clemons on Surfacing by Sarah McLachlan 53 - Kristian Bush (Sugarland) on The Joshua Tree by U2 52 - Kevin Bennett (The Flood) on Willis Alan Ramsey by Willis Alan Ramsey 51 - Lee Brice on Unorthodox Jukebox by Bruno Mars 50 - Davey Lane (You Am I) on the White Album (Side 1) by The Beatles 49 - Joe Camilleri on The Rolling Stones by The Rolling Stones 48 - Russell Morris on The Rolling Stones by The Rolling Stones 47 - Mike Rudd (Spectrum) on England’s Newest Hitmakers by The Rolling Stones 46 - Henry Wagons on Harvest by Neil Young 45 - Megan Washington on Poses by Rufus Wainwright 44 - Andrew Hansen (The Chaser) on Armchair Theatre by Jeff Lynne 43 - She Rex on BlakRoc by The Black Keys 42 - Catherine Britt on Living with Ghosts by Patty Griffin 41 - Robyn Hitchcock on Plastic Ono Band by John Lennon 40 - Gideon Bensen (The Preatures) on Transformer by Lou Reed 39 - Harry Hookey on Blood on the Tracks by Bob Dylan 38 - Rob Draper on Faith by George Michael 37 - Best of 2014 ft. 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[mrjeremydylan]

My Favorite Album #216 - Courtney Marie Andrews on Bob Dylan ‘Blood on the Tracks’ (1975)

Acclaimed Americana singer-songwriter Courtney Marie Andrews joins me to talk about one of high watermarks of Bob Dylan's career - his 1975 breakup album 'Blood on the Tracks'.

We talk about why this album is Dylan at his most emotionally transparent, how the album captures all the different colours of a relationship - and its disillusion, how Dylan has maintained his mystique for over 50 years, how turn a song written from trauma into something you can sign night after night, and why Courtney wishes she was compared more often to men.

Listen in the player above or download the episode by clicking here.

Subscribe to the podcast on Apple Podcasts here or in other podcasting apps by searching ‘My Favorite Album’ or copying/pasting our RSS feed -http://myfavoritealbum.libsyn.com/rss

My Favorite Album is a podcast on the impact great music has on our lives. Each episode features a guest on their favorite album of all time - why they love it, their history with the album and how it’s influenced them. Jeremy Dylan is a filmmaker, journalist and photographer from Sydney, Australia who has worked in the music industry since 2007. He directed the the feature music documentary Jim Lauderdale: The King of Broken Hearts (out now!) and the feature film Benjamin Sniddlegrass and the Cauldron of Penguins, in addition to many commercials and music videos.

If you’ve got any feedback or suggestions, drop us a line at myfavoritealbumpodcast@gmail.com.

LINKS

- Courtney Marie Andrews on Instagram, Facebook, Twitter and iTunes.

- Buy 'Blood on the Tracks’ here.

- Jeremy Dylan’s website, Twitter, Instagram and Facebook page.

- Like the podcast on Facebook here.

- If you dig the show, please leave a rating or review of the show on iTunes here.

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