#like. is it telling more on the canon content or the fandom

[mabaris]

not to be that bitch who reads too much into things again but. it feels rly telling that not a single woman made it into the romance survey semifinals

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[originalcontent]

I can't find art of my ship anywhere so I GUESS that means I have to make it myself, here are some doodles.

[starlooove]

“There is no fanfic on Stephs treatment I have checked” that’s like the whole point.

[movedtodykedvonte]

Sososososo

Do you listen to fan songs for cult of the lamb? If, yes which ones are your favourite?

Did you read Bamsara’s fic?

I don’t listen to fan songs mainly cause I only know of the one by the stupendium and nothing else…. And I haven’t even gotten around to listening to that one! (If you have recommendations I’m willing to listen)

As for the fic, no. I know it’s not just about Narilamb but it’s sorta like a big turnoff for me from fics and comics since I see their dynamic in such a specific way. I like more so dealing with the sibling relationships between the bishops rather than a former god and a new one. I do know that Bamsara is an excellent author and fic writer so maybe I’ll give it a whirl but probs not anytime soon. So sorry, nonny <:p

[inthewiiildwoods]

from the little of the tag i've skimmed it doesnt seem like the shipping scene is very robust here. most art also seems to be of the non-human variety. i suppose i must fulfil my duty as The One Guy™

[nugatorysheep]

"Nobody really talked about it after it ended" my sister in salvation I got real bad news for you

[Lily's Post]

More views than any of your recent videos, Lily. 🤭

[dontbelasagnax]

I find as fandom has assimilated towards a capitalist mindset of consumption, there has been a larger focus on fanart and fanfiction- both in spaces that view creatives as "content creators" and spaces where creatives are seen as writers and authors but lauded similarly to celebrities or deities for gracing the common people with their creations.

This has produced a side effect wherein fanart and, primarily, fanfiction are seen as the Best Forms Of Transformative Works... which means that any other type of transformative work is thrown by the wayside.

There should be no hierarchy of fanworks - every single work is a labor of love (or spite... I see y'all throwing middle fingers to canon 😉) and should be recognized as such. Fandom is a community. It's not a transactional relationship. Everyone contributes and interacts out of shared passions and interests.

If you make podfics, gifs, photo edits, fanvids, fan binding, metas, fiber arts, jewelry, fanmixes, translate fics to another language, run/contribute to a fan wikia or compile lore and resources in other ways: I see, appreciate, and cherish all the hard, love fueled work you put into your creations.

Not to say that fanfic and digital art are over-appreciated (Since I do see that many people are allergic to pressing reblog. It's a community. We're supposed to share and communicate. Lurkers are valid but for the most part, interaction with like-minded people is what fandom is intended for.) but the pedestal they are placed on needs to be lowered. Your favorite artists and authors are real people with real lives. They piss and shit just like you. They work in retail and healthcare and are unemployed due to disability. There is nothing extraordinary about them and they are wonderful human beings all the same. No one is better than anyone else. We're all equals here on this playground.

That said, I think we need to uplift the underappreciated fanworks and creators and give them more attention so they are on equal footing with fanfic writers and fanartists. Reblog the gifsets and tell the creator you're in love with how they colored the gifs, keyboard smash in the tags when reblogging a plush doll someone crocheted of your blorbo, try listening to a podfic on your commute home instead of an audiobook and remember to leave a comment when you get home.

As a final note, I want to give a warm hug to anyone who has sat refreshing tumblr or ao3 hoping that maybe someone will tell them they did a good job. To anyone who has considered quitting their fandom endeavors because their posts or works never get as much attention and love as the rest of the artworks or fics in the fandom tags, your creations are worth making and sharing. Numbers do not equate to quality, nor can they convey how loved your creations are by a given person. Only you can bring your unique sparkle to fandom and your presence is absolutely welcome no matter how big or small, grandiose or inconsequential, important or worthless you think it is.

[ao3org]

Tag Changes are Coming to The High Republic

Hello! In the very near future, the Star Wars wrangling team is going to be doing what people have been asking for: we’re making The High Republic novels into series instead of individual book fandoms.

These fandoms are going to be:

Star Wars: The High Republic: Phase I - Various Authors

Star Wars: The High Republic: Phase II - Various Authors

Star Wars: The High Republic: Phase III - Various Authors

Read on for more details about this decision and all the related tag changes we’ll be making to help ease this transition.

Why is this change being made?

People have been using Star Wars: The High Republic: Light of the Jedi - Charles Soule as a makeshift series tag, and we want how we wrangle these fandoms to reflect actual tagging practices. Also, the High Republic books are much more intertwined than wranglers initially foresaw.

Why did you split the fandom into phases? I wanted a single THR tag. :(

The problem with making a single tag for all the books is that the High Republic era is 400 years long and if we make one tag, then every book that takes place from 500 BBY to 100 BBY would be part of it, even if they have no relation to each other. These series tags are only going to contain the novels announced as part of this initial multimedia project, ending with the books published in Spring 2025. There might not be any THR books after that, but we live in hope. (Novel about Yord and Osha as padawans, anyone?)

If it makes you feel better, you can imagine that the separation between Phase I and III is Marchion Ro's fault. The Occlusion Zone is so powerful it extends to affecting AO3.

What about the comics and Tales of Light and Life?

Due to the fact that AO3 tag wranglers generally no longer make new AO3 fandoms that mix media types, the comics will remain their own fandoms, and any books that span more than one phase (such as Tales of Light and Life, which contains stories set in Phase I and Phase II) will remain their own fandoms, and won’t be renamed. These fandoms won’t be connected to the phase tags in any way. This also extends to Young Jedi Adventures and The Acolyte as well as its related tie-in media.

What will happen if I just tag "Star Wars: The High Republic" without specifying a phase in the fandom field?

Your story will only appear under "Star Wars - All Media Types", which is what currently happens. We’re able to move the majority of tags currently synonymous with the Star Wars - All Media Types to the era that best represents the majority of the works tagged with them, but Star Wars: The High Republic remains synonymous with Star Wars - All Media Types, as its usage is too mixed between phases.

In instances where a generic High Republic fandom tag that doesn't specify a particular phase of this era is used, it’s likely that wranglers will make that tag a synonym of the fandom tag that best represents the content of the majority of the fanworks tagged with it. Consequently, there may be at least a few works showing up in a phase they seemingly don't belong in, because they've made use of a generic High Republic fandom tag.

I still want tags that tell my readers what book the fic is connected to! What do I do?

You can still keep the fandom tag currently on your works if you want! There’s absolutely no need to edit your works. However, if you want to tag the books in freeforms/additional tags instead, we’ve got you covered with these canonical tags you can put in the "Additional Tags" field:

Books now part of Star Wars: The High Republic: Phase I - Various Authors

Book: Star Wars: The High Republic: Starlight Stories - Various Authors

Book: Star Wars: The High Republic: Light of the Jedi - Charles Soule

Book: Star Wars: The High Republic: Into the Dark - Claudia Gray

Book: Star Wars: The High Republic: A Test of Courage - Justina Ireland

Book: Star Wars: The High Republic: The Rising Storm - Cavan Scott

Book: Star Wars: The High Republic: Race to Crashpoint Tower - Daniel José Older

Book: Star Wars: The High Republic: Out of the Shadows - Justina Ireland

Book: Star Wars: The High Republic: Tempest Runner - Cavan Scott

Book: Star Wars: The High Republic: Mission to Disaster - Justina Ireland

Book: Star Wars: The High Republic: The Fallen Star - Claudia Gray

Book: Star Wars: The High Republic: Midnight Horizon - Daniel José Older

Books now part of Star Wars: The High Republic: Phase II - Various Authors

Book: Star Wars: The High Republic: Quest for the Hidden City - George Mann

Book: Star Wars: The High Republic: Convergence - Zoraida Córdova

Book: Star Wars: The High Republic: Path of Deceit - Tessa Gratton and Justina Ireland

Book: Star Wars: The High Republic: Tales of Enlightenment - George Mann

Book: Star Wars: The High Republic: The Battle of Jedha - George Mann

Book: Star Wars: The High Republic: Quest for Planet X - Tessa Gratton

Book: Star Wars: The High Republic: Cataclysm - Lydia Kang

Book: Star Wars: The High Republic: Path of Vengeance - Cavan Scott

Books now part of Star Wars: The High Republic: Phase III - Various Authors

Book: Star Wars: The High Republic: Chronicles from the Occlusion Zone - Lydia Kang

Book: Star Wars: The High Republic: Escape From Valo - Daniel José Older and Alyssa Wong

Book: Star Wars: The High Republic: The Eye of Darkness - George Mann

Book: Star Wars: The High Republic: Defy the Storm - Tessa Gratton and Justina Ireland

Book: Star Wars: The High Republic: Temptation of the Force - Tessa Gratton

Additional canonical tags will be added as more books are published.

(From time to time, ao3org posts announcements of recent or upcoming wrangling changes on behalf of the Tag Wrangling Committee.)

[amnestria-the-elf]

So we're all just supposed to be fucking grateful that Larian gave us "new Wyll content" (evil ending for a man who is canonically incorruptible, what the fuck) and simultaneously broke him again (giving low approval greetings to a romanced PC, what the fuck).

I... I just... the simultaneous feelings of rage and utter hopelessness are overwhelming.

Listen, if you've read any of my posts you know I have a pretty clear "Don't yuck anyone's yum" policy. If you think an evil Wyll ending is interesting, fine. But here's why it falls flat for me.

First, like I said above, Wyll is canonically incorruptible. It's literally the entire basis of his character. He is a man who was coerced into making an infernal contract to save a city and had to pay a horrible price for doing so, then spent seven fucking years alone in the wilderness doing his damned best to protect the people of the Sword Coast, while all along telling his horrible, abusive patron to just fuck off already.

Now, could you argue that during the events of the game, Wyll develops a taste for evil? Sure. There are plenty of opportunities for his villain origin story to unfold. But they never do. His moral compass never wavers. Turned into a devil? He feels shame, because it's an outward sign that he was doing things for Mizora that were morally wrong, and he didn't see it before. His approval rating for the PC shoots through the roof if you save Karlach, a sure indicator of his true moral compass. His father kidnapped? Fuck that noise, we're gonna save him. Rescue Zariel's "asset"? Ugh, fine, but don't get distracted from the real reason we're here. His father gets tadpoled? Oh hells no, we're gonna take down these assholes and save the godsdamned world. His father accuses him of being an agent of a devil and is super pissy about it? "Everything I did, I did for the people of the Sword Coast."

For fuck's sake, he will leave the party if the PC gets too evil, even knowing it means he'll probably turn into a mindflayer immediately. Even if he's romancing the PC. Unwavering moral compass. So giving him an evil ending without also going back and changing everything about his character just feels like lazy writing to me.

Which brings me to the second reason all of this rubs the wrong way. Wyll deserves so much more content. More romanced greetings, more reactions to other characters' choices, a final boss battle that is actually about him, a default ending that actually makes fucking sense (I have another post cooking about the Avernus ending, so I will leave it for now.)

And please, spare me your "But Wyll was rewritten after early access" bullshit. That's Larian's problem. They chose to listen to feedback and do a late-stage rewrite. They then chose to implement it poorly and never fucking fix it. Other characters, who already have far more content than Wyll, have had even more added over the course of the seven released patches. Wyll, on the other hand, has been sitting around completely ignored until now when we get this evil ending.

Many have rightfully pointed out the inherent racism steeped in all of this. I want Larian to be better. But as Maya Angelou said, "When someone shows you who they are, believe them." I already didn't have much hope about Patch 7 for Wyll, but this... honestly, this is worse than him just being ignored again.

The thing that kills me the most is that this is just going to be more fodder for the fandom to completely mischaracterize Wyll, for those who already haven't bothered to think critically about his character at all to just be like, oh, cool, Wyll is evil now. Nope. You've completely missed the point.

I'm just... so tired. I've worked very hard to put this little bubble of Wyll enthusiasts around me (hi friends I love you all!) so that I can hold on to some shred of sanity in this fandom. The world needs heroes of color. Just let Wyll be the hero in peace.

[angstflavoured]

A little fiddauthor analysis...

Making this post mostly just to get all of my thoughts out about it regarding how I think it is inherently very toxic on both ends, despite people treating it as more wholesome near the beginning when they were both younger… and the fact that I think it’s very incredibly one-sided. I’m strictly going to be talking about CANON events, not headcanons or speculations or AU’s. If you wanna draw Fiddleford and Ford being cute and hugging and dating, I don’t care, I like a lot of the content for them myself. It isn’t canon to the show and doesn’t affect or harm anybody. That’s what a fandom is and I’m not trying to police anyone, I just think a lot of people misinterpret their relationship and thought it would be fun to talk about it because I find their dynamic really interesting. I’m going to be using a lot of direct quotes and scenes from Ford’s journal, TBOB, and the show, so buckle in baby ! This was supposed to be a quicker and smaller one while I work on my Billford essay, but I had a lot more to say than I thought…

First off, it’s interesting to see how Ford thinks their interaction after so long is going to go. In Journal 3 he says he has “no choice” but to call Fiddleford up to work on the portal because Ford just doesn’t have the smarts to do what he wants to do himself, and he thinks he’s going to have to literally beg Fiddleford to join him. But as we see in the journal and in the show, it hardly takes ANY convincing at all for Fiddleford to drop everything he was doing and leave his wife and kid for months on end to work on a project he knows nothing about. All the info he has he got over a short phone call. It seems like Ford, at this point being so close with Bill and thinking he’s the only one who cares about him, just assumed that most people he used to talk with don’t think about him anymore. He’s had Bill whispering in his ear that he’s the only one who understands him, so it makes sense he doesn’t think Fiddleford will want to do this with him. But from what it looks like, Fiddleford either has been waiting every second for Ford specifically to get back to him, or just has been waiting for any excuse to get the hell away from his family which is… yeesh. Either way, not very healthy regarding his wife and kid. He doesn’t seem to really care all that much about either of them, but more on that later.

Obviously Ford cares about Fiddleford, as soon as he comes down to live with him, Ford hasn’t been so happy in a good while. He missed human connection, despite how good things were going with Bill. Having another person there to talk with was nice. Despite Fiddleford having strange quirks that did irk Ford, he found them endearing and genuinely felt better in his company.

But I think the biggest thing here a lot of people overlook is that Ford only ever refers to Fiddleford as his college buddy in the show, and in the journals as “my assistant.” I’ve seen so many people have Ford call him his partner, but he actually only calls him this like once in the show i think. It’s always my assistant, my research, my theory. Which is funny because Ford didn’t come up with any of this stuff with the portal on his own. Bill was the one that gave him the blueprints. Fiddleford even questions Ford at one point, asking if he had help coming up with them because of how complex they are, and Ford decidedly DOESN’T mention Bill and instead tells him “with hard work, anything is possible.” (Btw he does refer to Bill as his partner multiple times… just sayin.)

The way he talks to and about Fiddleford, Ford is always talking down. He does think that Fiddleford is smart and does think he has a brilliant mind, but he still thinks that he’s below him.

Because Ford has Bill.

And oh my lord, do I not see anyone talk about this. Soooo many comics always depict Fiddleford knowing about Bill existence, but I think the biggest roadblock with their ship and a huge point of contention is that Fiddleford never canonically knows about Ford’s relationship with Bill until after he’s already lost his mind when he’s old. He doesn’t even KNOW that he exists until he’s half sucked through the portal. People ignore this, but it’s so important to their dynamic. Ford doesn’t think that Fiddleford could handle it, and he doesn’t think he necessarily deserves to know. Because Bill is Fords thing. Their relationship is special. Ford is special.

Ford claims he doesn’t tell Fiddleford about Bill because he would throw him in a looney bin, despite their research being so whimsical and ridiculous already. They’re literally building a portal to a different dimension, Fiddleford would’ve believed him. And the way Ford talks about it, you can tell it’s less about Fiddleford thinking he’s crazy and more about something else.

Could F ever truly appreciate the complex fates that brought me and my Muse together?

He doesn’t think Fiddleford could APPRECIATE it. The language he uses, you can tell that Ford knows that Fiddleford would see right through Bill’s facade. And Ford doesn’t want that because he wants to be friends with Bill and he wants to be special, and he’d rather hide Bill and stay in denial than tell his dearest friend, just so he can feel special a little longer.

This is why I think as much as Fiddleford’s romantic feelings for Ford were there, it never ended up going anywhere. Ford would always choose Bill over him. When Fiddleford got him the axolotl pet, Ford quickly threw it out and lied about it to Fiddleford just because Bill told him to. And there’s multiple cases of interactions like this, where Bill will talk down about Fiddleford and Ford will just be like damn… yeah. Here’s a journal excerpt from TBOB around Christmas time. For context, Ford got into a huge fight with a monster and tried to contact Bill to help him, but he didn’t come. And then Bill randomly shows up later when Ford’s at home decorating.

I was almost roasted by Krampus, and where was he? Off inspiring some other scientist? Posing for some tapestry? Were we even partners? He threw the accusation back in my face. “Hey, I’m not the one skipping portal work to carouse with a third-wheel hillbilly with second thoughts about our project!” I started to argue--but he had a point. F has seemed less and less committed to work lately.

Which is INSANE !!! when we see that only a fucking page ago, Fiddleford was explaining how he got in a fight with his wife because he didn’t get her a present for Christmas. After spending multiple weeks and making multiple prototypes for a pair of 6 fingered gloves for Ford.

And if we hop back to Journal 3, there’s a particular interaction with them which is crazy to me. While hiking up a mountain to go to Crash Site Omega, they get into a fight with the Gremloblin, which fucking swoops up Fiddleford into the sky. In Ford’s attempt to get him down, they both end up falling down through the roof of a barn, where Fiddleford gets stuck full of quills and breaks his arm.

Despite our fortune, I have become worried about my assistant. I was able to treat his physical wounds, but I fear there are mental wounds not as easily remedied. For the past several nights, he has been unable to sleep, apparently still haunted by the Gremloblin’s gaze. More alarming is his Cubic’s Cube. It has sat scrambled, unfixed, on his desk for days. I myself have survived many monster attacks without trauma, but perhaps F is more sensitive than I realized…

OH. MY. GOD. The way that Ford talks so condescendingly is enough to make any person's blood boil. It’s the same way when Fiddleford gets sucked through the portal, and when Fiddleford gets pulled back, Ford’s first words out of his mouth are “WHAT DID YOU SEE!”

As much as he cared for Fiddleford… he has no regard at all for Fiddlefords VERY VALID feelings about events that would traumatize literally anyone. But he just pats Fiddlefords back and tells him to get used to it because this is just part of the job and he shouldn’t be whining so much. He does nothing to properly comfort him and scoffs it off like “apparently he’s ‘TRAMATIZED’ or something. I’ve been through so much worse and never had a problem, I don’t get what his issue is.” And then ford is SURPRISED AND APPALLED when Fiddleford creates the memory gun.

Which oohhhhh lord, the memory gun. jesus christ. Such a big example of the distrust between them on both sides. Fiddleford literally canonically lied about destroying the gun and then erased Fords memory about it so that he could erase his own memories in secret without him knowing. And also probably fords sometimes! Not completely canon, but like…. Fiddleford did it once, I wouldn’t put it past the guy. And then when they go to the carnival, Fiddleford hands out his fucking card to Ivan (the leader of the society of the blind eye, who was a teen/early 20s at the time) so that he can erase memories for him that he didn’t like.

Biggest thing we can take away from everything regarding Fiddleford’s character, is that he always takes the easy way out. He ran away from his family he obviously didn’t really care for as much as he should’ve because that was easier than talking it out or divorcing. He pushed it aside for later. Bro was literally looking for a fucken Brokeback Mountain situation, but Ford wasn’t giving anything back to him. So instead Fiddleford constantly made a fool of himself doing things for Ford and tripping over himself to show his gratitude when all the while Ford was entirely focused on Bill. and then he just goes around and starts erasing memories, because it’s easier than having to actually deal with things. Which is why I don’t foresee a reality in which Fiddauthor makes sense, in the way they actually end up doing anything together. Because Fiddleford’s too much of a coward to admit his feelings first, and Ford obviously has his sights on someone else.

And here’s the BIGGEST damning thing, like oh my god.

In Journal 3, Ford goes to a fortune teller (which don’t get me fucking started on how judgy he is to her and how much he talks down about her, DESPITE HER BEING LEGIT AND ACTUALLY WARNING HIM). Long story short, she gives Ford a spiel about how someone close to him is deceiving him. She then gives him a mood ring and says “when this is blue, you may pull through. When this is black, you can’t turn back.”

And LO AND BEHOLD!! OH MY FUCKING GOD, when they’re at the carnival and Fiddleford is talking to Ivan and whispering--

Ford. Looks down. To check if the ring is black.

I took one last look down at my hand and was strangely relieved to find that the palm reader’s ring was still blue. I shoved it in my pocket, collected F, and tried to put the whole experience out of my mind.

FORD LITERALLY THOUGHT ABOUT THE IDEA OF FIDDLEFORD BETRAYING HIM BEFORE BILL. IN FACT, HE LITERALLY NEVER MENTIONS THINKING IT WAS BILL ONCE.

He talks about how they got into a fight at dinner the night before the portal test because Fiddleford was having second thoughts about it being dangerous, and Ford told him to be there or he would get left behind. He’d do it without him.

And when Fiddleford gets pulled through the portal and quits the project, Ford says gooooddd fucking riddance, I never even needed you bro.

F, you weak-willed hayseed! Go back to your doting family and a life of fear and compromise! I weep now not for our failed partnership, but for the golden opportunity thrown away. To think I considered him a friend! I know my true friend. It is my Muse.

One of the few times he ever refers to it as partnership btw. Literally only when they break everything off.

And Ford only starts fighting with Bill about everything after it starts directly hurting him. It literally just seems like Ford is less upset about Bill’s plan being evil, and more upset at the fact that he lied to Ford LMAOOOOO he didn’t like the fact that he was disposable and lesser to Bill, despite Ford treating Fiddleford the exact same way.

At the end of all of this�� it may seem like I’m really fighting against this ship, but not in the slightest. I LOVEEEE them so much, but in a way where it would be really toxic and not actually end up with anything happening.

Such a biggg theme when it comes to Ford’s character specifically is yearning. He yearns for success and attention and love and acceptance, but he’s constantly never giving other people those things. Which ends in him not receiving any in return. That is obviously until he gets back from dimension hopping and works on being a better person. When he starts towards healing, that’s when he starts receiving what he always wanted.

There’s so much tension between Ford and Fiddleford it's like disgusting, they were so incredibly gay… but, I hate to say it, it was very one-sided. They did have some fun times together and Ford enjoyed his company for quite a bit, but it was nothing like how Fiddleford felt for him. Fiddleford was always thinking about how Ford was feeling and what he was doing, and Ford never really did that for Fiddleford unless he was prompted to. But he was alwayasyayayss thinking about how Bill felt. And he always chose Bill in the end.

I just see so much of all of this get swept under the rug and never addressed, when it's kind of sad because it’s all so interesting and really adds a lot to both of their characters. They were both so morally gray back in their day, and honestly even more so now that they’re older, and its kinda sad to see that all go ignored. I JUST LOVE TOXIC GAYS SM AND THEY WERE SO TOXIC AND I’D LOVE TO SEE PEOPLE EXPLORE THAT MORE. Hopefully maybe this will prompt some people to think about it like this…….. It’s all so very tragic and their relationship was doomed from the start and i loveeeee shit like that. only misery to be had...

[tales-from-elysivm]

Can you do some headcanons or stories on arcane? Specifically Vi or Sevika if your comfortable. I was just wondering but if you don't want to then you don't have to, you have free will.

Know that you're loved!

★。／ !bark like you want it! ＼。★

pairing: vi x f!reader, sevika x f!reader (separate)

fandom: arcane

word count: 1,470

tw: canon typical swearing/slang, some light spoiler warnings, and MDNI content, mainly because we know these are some dominant ass women ;) 

THIS IS NSFW CONTENT! BE WARNED!

song title: bark like you want it by sir mix-a-lot

notes: i love my girl vi so this request was a given, thank you anon! Hope you enjoy! :D I normally didn't like Sevika as much, but I will admit, writing her head canons for this post definitely made me reconsider

! be sure to like and reblog if you enjoyed !

↳˗ˏviˎ˗ ↴

Vi is (without a doubt) very rough around the edges

She’s street-smart but she doesn’t really know what to do when it comes to actual romantic relationships, sex is easy, feelings are hard 

Her time in Stillwater makes her distrustful of people, along with her generally traumatic and difficult childhood, so it will probably take a while for her to begin to see you in a less-than-threat way

After that things are pretty smooth

You don’t really know where the split between ‘friendship’ and ‘relationship’ is, because they both include her joking, flirtatious personality ranging from skirting touches on your thighs and up your back, or teasing pet names like ‘sweetheart’, ‘cupcake’ and ‘love’

Other than that she’s very protective of you, especially if you live in Zaun

If you go out on errands she’ll always make sure she’s conveniently there at the times you like to go, able to loop an arm around your waist and guide you through the crowds

If someone is stupid enough to try and pull something on either one of you, Vi is not above beating the shit out of someone to keep them from laying a hand on you

I have a feeling that she’d confess to you accidentally in the middle of a fight

Perhaps she had been disappearing for long periods of time, and coming back bloodied and injured, refusing to tell you anything of her adventures (mainly because she doesn’t want to worry you). And eventually you pester her for a bit too long and begin a full verbal fight, where she suddenly blurts that she loves you

Now as a lover?

The teasing banter still remains, her little playful nicknames too, if anything they get worse. But she gets more confident with her touches, more deliberate. A hand in your backpocket while you’re walking, an arm around your shoulder, pinching your ass when you’re waiting outside a store, this girl has no shame

! mdni content below !

Now, i have a feeling that Vi isn’t really uneducated when it comes to sex

If anything i feel like she’s a fast learner-

The first time you actually lie together, Vi is sure to take it at your own pace, eager to please beneath a taunting smile, even if you don’t know what you like at first, she’s likely to find it quickly 

I personally don’t see Vi as owning too many sex toys - if any at all - but i think she would 100% favour using her fingers to anything else

Just the way you clench down on them, how she can use the rough calluses on the pad of her thumb on your clit to her advantage, and how deep she can pry, anything to make you scream for her

To be honest? I also 10000% expect her to try and flip you over and put you in a chokehold with her forearm tight against your throat, just adding enough delicious pressure to hitch your breath, but never enough to hurt too much

9/10

Her oral game would be fucking good too, i can tell. But she’d probably prefer to finger you or use a strap-on so she can continue to tease you with all these sinful little things she can come up with while she fucks into you

I’d say more of a biter, but she can still eat you out like a starving woman

Oral game 7/10

Aftercare is important to her, always making sure that she wasn’t too rough with you, cleaning you up, running you a bath or just lying with you to cuddle. Wants to make sure you know that you’re more important to her than some casual fling, and that she wants to ensure your happiness above anything

(Also gives you some balm for the definite bruises on your thighs and throat :D)

↳˗ˏsevikaˎ˗ ↴

Sevika is… intense

In all honesty, probably started as enemies

She probably wouldn’t want anything to do with you unless you already worked with Silco, so we could say you started in the shimmer warehouses, helping to distribute it throughout Zaun

You get your work done effectively, so Sevika overall sees you as a valuable position in the business, and keeps you around without much complaint

At some point Silco requested you deliver a hefty batch of shimmer to a more dangerous part of the Undercity, and sent Sevika with you to ensure no messes were left behind

Safe to say, you were ambushed

Despite Sevika being there to ‘protect’ you, you’re still able to hold your own, displaying proficient skill with your weapons against bandits who thought they could steal some of the shimmer vials. In the carnage, Sevika decides begrudgingly that she has respect for you

From there, it’s less of a ‘friendship’ and more of a drinking buddy situation

She doesn’t often tolerate the presence of others in her private time, so you label it as a friendship initially

She’s slightly more soft-spoken when she’s alone with you, and shares her cigars with you while she’s gambling, which often earns a strange look from her opponents as you hover over her mechanical shoulder with her cigar hanging from between your lips to see her hand, a bit too close

But Sevika lets you be without anything more than a bit of a grumble

I don’t think she’d even particularly say outright that she loves you

What happens is - instead - that you both have a drinking binge at the pub one night, after a successful night of gambling, and you both get absolutely shit-faced

While drunk she drags you back to her house and the night is filled with hazy sex, enthusiastic makeouts and early-morning cigarette smoke

You try to sneak out the next morning, expecting it to only be a one-night thing

She catches you (i headcanon that she’s a pretty light sleeper, but i suppose that could be said for most Zaunites). I don’t think she’d even say it then, just drag your ass back to bed for a (consensual) round two

After that you go to the bar together as normal, go about your business, now with the added bonus of Sevika protectively snarling at a drunk guy hitting on you by saying ‘that’s my spouse, fuck off’

(And of course, with plenty of sneaky sex between your deliveries and hurried makeouts :D)

! mdni content below !

BUCKLE YOUR SEATBELTS MFS, THIS SHIT IS KINKY

I would like to clarify, you will never top in this situation, Sevika would rather die than bottom to anyone, no matter how much she loves you

Spanking, spanking, spanking, spanking–

Hickeys, bruises, bite marks, the red tracks of her nails over your back, just anything that would leave even the most fleeting mark on your skin

That being said, would also 100% leave hickeys on places she knows you can’t hide easily

Definitely into sex toys (ball gags, bondage, strap ons and vibrators with little remotes she can keep in her pocket just in case, she especially likes to plant down one of those dildos with the suction cups and get you to ride it, all the while begging for her to just touch you, but she refuses, smoking as she watches you cry out for her)

She also likes crying-

I think she’d prefer to have you from behind, your back against her chest, ramming into you with one of her favourite straps, one hand pinching at your nipples, tweaking them between her fingers, and the other rolling tight circles on your clit, sometimes switching one out to wrap around the column of your throat

Definitely into edging on most days, and will resort to overstim if she’s happy with the work you’ve done in the day

Risky sex is definitely her thing, in her office in Silco’s base, in the warehouse on the crates of shimmer, under her desk, you on your knees to service her

She’s especially rough, and absolutely loves some degradation, and the way it makes you clench around her strap or her fingers, your eyes rolling back into your head while you scream for her

Aftercare is rarely over-the-top

She’ll cuddle you if you ask her explicitly but she prefers to share a cigar with you, or blowing smoke into your open mouth while you breathe against her bare chest

If she’s been unable to fuck you for some time, she’ll clean you up after about four or five rounds, mainly by eating you out until you end up giving her another two, but she’ll make sure you’re clean before you pass out anyway

Despite everything, Sevika will always make sure she doesn’t go to far

If anyone asks though, she will absolutely deny how she always makes sure you remember your safeword before you have sex after a makeout

thanks for the request anon!

if you have any more requests don't hesitate to ask :)

[stealingyourbones]

I don't really get the people who think reading the comics is such a radical idea. Don't they want to learn more about them? aren't they curious what makes them tick? what insane adventures they went on? what fears they have? what makes them laugh and smile? I'm from europe so I haven't seen any of the DC shows I see mentioned every once in a while (which means I really don't get the whole Clark hates clones thing... but that's a different thing) and it's only been this year that I have enough disposable income to splurge on comics, aka I haven't read that many just yet.

But I do think the ones I have read enhance the stories I'm trying to tell, which to me is a good reason to read them ;p but besides that, they are fun! they are just really fun to read

I’m glad you’re having fun reading comics man! It’s a shame that folks don’t read them as much but you know, I can understand it. I both asked some folks in the Haunting Heroes discord server and have some of my own points to make about this.

First of all I do still believe that you should consume some form of DC media if you’re in the fandom. It’s fun and there are comics, books, movies, tv shows, and every other form of medium known to man that you can take a peek at! Idk I’m just a bit DC enjoyer and think that looking at canon media to expand on your knowledge and help create ideas you wouldn’t have had if you hadn’t looked at said piece of media.

Now onto why reading comic books is hard:

Some folks simply prefer the fandom and not the official DC content. Whether they prefer fanon, find fics more accessible, or like the people in the fandom, they’d rather just stick to the fandom.

They simply don’t know where to start. Getting into comics can be INCREDIBLY overwhelming ( DC has done their best to fix this and has messed up more than once. My go to is to reccomend folks just start reading New 52 comic runs as it’s really good for new readers to jump into the comics with any hero that might intrigue them). Big comic events span multiple comic story runs and not a cohesive line of comics, some omnibuses for stories are out of print, the 80+ years of comics are daunting as hell, and everyone has their own opinion on the best versions of a character/where to start/what to read.

Money. Comics are an expensive hobby to have. They may cost $1-$5 each on average but that price adds up over time. I have a comic collection of roughly 1,300 comics. I’d estimate its value very roughly around the $7,800 range. It’s probably far more than that though and I know damn well reselling it I won’t get half of that value back. I’m very fortunate to be a college student with disposable income and for this hobby to be the only thing I ever really spend money on besides rent and food. Some people either can’t afford them or don’t want to buy a comic they don’t know if it’s good or not.

Varying quality. Comics are a very mixed bag thing where they can be incredibly written or some of the worst pieces of media you’ve ever read. With this being the case, it can be really hard to find a comic character or writer you like if that’s your first experience. It takes a while to learn about different writers and find out who your favorite writers are. What’s harder is some writers can make absolute masterpieces with one character and the next comic run they cover it can be absolute garbage. Not only that, everyone has opinions on what is a good comic run or not. It’s impossible to find a repeatedly stated and easily accessible list on the good comics to read.

Pretentious “Canon is God” fans. Experiencing “um actually this isn’t good because this isn’t how the canon character would act” responses from people can really fucking suck and diminish their want to experience anything that’s official DC writing. I’ve seen more than one person go into this primarily fanon focused space and insult people saying their writing isn’t canonical and therefore it isn’t valid. It’s Uber Pretentious, demeaning, and actively harms peoples interests in checking out canon content.

Timelines. I already kind of said it but DC’s timelines are a mess. hell, even New 52 has some fucked up timelines making all of Batman’s previous timelines canon but happen only within a seven year period. That’s WAY too short for how much history is packed in there. The amount of crisises that happen and fully change the lore and timelines of characters is bonkers, the comic runs that bounce between different comic runs are really confusing, and the fact that there isn’t a True Starting Point for reading makes it so hard to grasp anything that’s happening. It’s one of comics biggest issues and no matter what DC has done they have yet to find a convenient solution.

Sensitive Content. Comics from DC are littered with either intentional, badly aged, or ignorantly written plot points and writing choices that will turn away readers. DC has its fair share of sexism, misogyny, abelism, racism, abuse, sexual harassment, sexual assaults, or topics casually addressed that can be very triggering for some people. Especially since a large amount of that sort of content is handled incredibly poorly. One particular writer, Alan Moore, writes sexual assault scenes with absolutely zero tact or the delicateness that a topic such as that should be held in. It’s almost solely used as a “let’s make the bad guy do the most fucked up thing they could do” throwaway plot point. Comics of the sort dissuade a lot of readers because of both the heavy content within comics and how that content can be incredibly poorly handled. This is partially why some folks would prefer to read fics. Comics are a unknown mixed grab bag when it comes to content like this and things exactly like this is known to make PTSD symptoms worse while fics have tags and can warn you before you consume the content within.

Time. A lot of folks have busy lives and just don’t have the time to read them.

The ways they intake media. Some folks might have a better time watching a long commentary video that explains a comic or their brain can’t process the comic medium very well. I can read and retain comic knowledge but even I am unique in this aspect, my memory is frightening levels of bad and is proven by science to be absolute shit. I have to reread comics at least once a month to retain the basic bare bones plot. Just because one person can easily digest what’s going on in a comic doesn’t mean everyone can.

Comics are such a big part of my life. I love them so much and they’ve gotten me through so many things. My own experience with comics isn’t the same for others and my thoughts on reading comics differs with other people. A lot of people have equally as many reasons for why they don’t read comics as you and I have for reading them.

[suzukiblu]

You know I have come to the realization that this is a thing on which I would like to be clear, as a reasonably prolific writer of fanfic with a range of readers who all have very different levels of familiarity with the various canons I have dabbled in: I love a lot of things about [ insert canon here ] and I definitely DO have certain personal pet peeves in regards to "yeah this person definitely didn't read/watch/even-briefly-skim anything outside of fandom" interpretations that I find particularly slanderous or are just Not My Vibe or things like that which I personally just can't get into or enjoy. Like, things that are just not to my taste, you know?

But also, fuck it, canon is a suggestion and fandom's only actual "rules" are "try not to be an entitled prick or actively hateful", as far as I'm concerned. No, no one has to do the homework just to write/draw/meta/post about something they're getting something out of. I personally am too dang old to do any more of the homework than I want to and I am sure as heck not gonna hold anyone else to that standard either.

Imo there is just no reason whatsoever to ever be upset about MORE people getting involved in the fun thing and enjoying themselves with it, especially when we can all zero-effort back-button out of anything we don’t like. I don't care if they're wrong about [ insert character here ]!! I mean, I do, I very much do, it makes my 'tisms personally insane, but unless someone's wrong in like a hateful/sexist/racist/bigoted way, that's their business, not anybody else's! Let 'em cook, people! We don't get better content in our fandoms by getting publicly judgy about and way too publicly INVESTED in how other people in it have fun. Actually, all we get that way is LESS content. Like so, so much less.

Look, it's a process, I'm personally still working on it myself. There's def stuff that bothers or pet-peeves me, and stuff I just gotta skate past without engaging. I just think keeping a little more perspective helps, in these situations.

Also, not telling people things like "hey if you don't read literal DECADES' worth of MULTIPLE monthly-release comics and all the relevant crossovers and events/watch every single episode and movie released since the seventies/listen to all the bonus episodes of this already-over-one-hundred-hours podcast, you don't belong here" helps. Also that. Definitely that.

[oracleofstars]

✦ 3VOLS ( THE HUGE MASTERLIST ) : ISSUE 2, SNOWFLAKE!

The spotlight has turned to @alistairea of this month

IM NEW, WHATS "3VOLS" THE MAGAZINE?

This will serve as a "mini masterlist" where we compile links of works from different creators based on the character. And yes, its not limited to fanfiction. This is open to artists, graphic design/gfx creators & editors. (Basically, if you've created any kind of creative media related to the character) Below the interview is a masterlist specifically made for the character!

YOU MIGHT BE THE NEXT CREATOR FEATURED IN 3VOLS!

Its pretty easy to join! There is a higher chance of being featured if you are a member of the network, but we plan on inviting other creators who aren't members as well. Our hunter's exam will be held on July 5 to July 15, a taglist will be made soon. Be on the lookout, future hunters!

MEET THE NEWEST NURSING STUDENT!

Arianna is a creative multifandom creator who makes content for Love & Deepspace, Genshin Impact & Star Rail! We have asked her five questions to introduce her content to all of us.

tell us about yourself!

ari : hello ^^ my name is arianna, I write love and deep space characters but I don't mind writing a character from another fandom and my content is about LANDPS boys - even the story characters

who is your favorite to write about in landps?

ari : zayne is my favorite character to write for. my smau of him is still ongoing ( SNOWFLAKE! )

what is your personal headcannon of your favorite l&dps character?

ari : my personal headcannon of zayne ( and may be canon ) is that he still continues trying to find mc in every life even though he is cursed.

what is your favorite sfw work that you have posted?

ari : right now the zayne smau is the only one ive written, but i hope to write more for the others as well!

how is your time in oracle of stars?

ari : its really good, i like it here. i hope everyone joins this network.

RECOMMENDATIONS FROM THE DEEPSPACE NETWORK

welcome to the zayne masterlist, find something that piques your interest here! show some love to the creators that work hard in this community by reblogging their work with a cute little tag! <3 there may be repeating works from the last issue

snowflake! smau masterlist - @ alistairea

zayne caring for you - @ alistairea

l&ds boys + their nicknames for you - @ lovexdeepspace

l&ds boys + choosing mc over you - @ lovexdeepspace

zayne gets a cat to love him - @ kakaventurine

taking their surname - @ beneathashadytree

jealous of… plushies? - @ beneathashadytree

“is he your boyfriend?” - @ beneathashadytree

hospital trip - @ chaos-in-deepspace

naming a puppy after him - @ strwberri-milk

turning into an evol kitten - @ strwberri-milk

when you (playfully) reject their kiss - @ chastiefoul

sleepy day - @ chastiefoul

saying i love you - @ chastiefoul

his not-so-secret love affair - @ kykyonthemoon

how to romance the lovely miss hunter - @ kykyonthemoon

the spaces between my fingers are right where yours fit perfectly - @ kykyonthemoon

distractions - @ odoraful

an aesthetic eye - @ odoraful

ladps men's reactions when they hear a little kid say he'll marry you when he grows up - @ manikas-whims

ladps men react to you taking in a kitten - @ manikas-whims

remnants of the heart - @ tulipdf

WHAT ELSE IS HAPPENING?

its almost application season! our taglist will open soon. come join us in the discord & the network. the second issue is finally done, show some support to the creators by REBLOGGING their works with little comments-it encourages them a lot, trust me! thank you for all the support you've given the oracle. we'll see you again next time!

[kedsandtubesocks]

graveyard heart

Post Outbreak!Joel Miller (Hades) x F!Reader

summary: your mom, a FEDRA officer, warned you about the darkness lurking - it arrives as the underworld smuggling king and he is indeed dangerous (but oh so terrifyingly beautiful)

warnings & tags: 18+ ONLY MDNI. dark themes || dead dove: do not eat. loose retelling of the Hades & Persephone myth, canon divergent, kidnapping, hostage situation, enemies to lovers, age gap (reader’s age not mentioned but is a drinking adult & was a child on outbreak day), dubcon - power dynamics & possible stockholm syndrome, morally gray!Joel, controlling/complicated parental relationship, brief scenes of assault (not from Joel), canon typical violence (gun usage, blood, fights with infected, awful raiders and fireflies), discussion of grief/character deaths, angst with sexual tension, masturbation (f&m), smutty thoughts, finger sucking, cum eating, poetic allusions to smut, light spit kink, protective!Joel, slightly possessive!Joel

word count: 11.6k (i’m sorry)

a/n: HI PLEASE READ & BE AWARE OF THE CONTENT WARNINGS. This is my first stab at darker content for the fandom & I’m a bit nervous, i kindly ask that if this isn’t for you pls just keep scrolling - so i blame my 2014 8tracks hades & persephone playlist for this but here are are lol! this is my piece for @beskarandblasters the pedro pantheon challenge! also the biggest thank you to @pr0ximamidnight & @ahauntedcowboy for being the absolute angels & letting me scream about this lol, now to you, if you’re reading this too I also can’t thank you enough ♡

(i)

You rarely go outside after curfew, much less to a gathering hosted by smugglers.

Boston had one of the most prolific and stubborn smuggling systems across all the quarantine zones, or so from what you’ve heard. Your mother and the other FEDRA officers had mentioned many times how, once the fireflies were extinguished, the smugglers were the next to go.

Especially the man in charge of the entire network.

Known as the most prolific and notorious smuggler, no FEDRA officer has even seen him.

The ruler of the smugglers, the king of the underworld.

Now, you’re here at a secret warehouse gathering apparently hosted by the illusive man.

It’s rather impressive. Outside is a large warehouse, decayed and ancient. Inside, the old office spaces were gutted out to create a new building. Commotion radiates from it.

The underground world was painted to be something out of a terrifying horror story. The parties had been urban legends whispered around the QZ. Your oldest friend had urged you to finally sneak away to one.

“This will be your fun night out to celebrate your new big adult job!” She had argued. “And besides, you need to live a little. Don’t worry about your mom, just enjoy having fun for once!”

Your mom. If she knew you were here she’d pop a blood vessel or worse.

But your friend is right. You want to experience more, don’t want to feel stuck under your mom’s watch forever.

Panic still crawls over you though, like at any minute your mother might walk in and scream your name catching you.

“Y’okay there?”

You didn’t realize you’d be dazed out for so long until a voice draws you out of your thoughts.

The accent is so strikingly thick, a drawl you don’t hear often. The man standing by the mixture of the homebrewed moonshine takes your breath away.

Ruggedly handsome, with a beautiful striking nose, older and wearing the lines of age gracefully with his gray hair, he seems brewed of something fierce and wildly beautiful.

You almost feel too stunned to talk, but manage to blurt out an apology.

“Yeah I’m good, just never seen a party like this.” You admit.

The man hums a bored sort of noise before he nudges towards the table.

“Want anything?” He offers, and nodding you tell him to surprise you.

Even with a scruffy glare on his face, the man’s eyebrows raise ever slightly, surprised.

The drink he hands you is harsh, stings your nose, isn’t anything like the liquor you’ve drank with your mom. You even cough at its harsh taste.

“Don’t tell me you never drank before.” The mystery man’s voice sounds offended.

“I’ve drank before.” You fire back. “Just never anything like this.”

The man’s dark rust colored eyes survey you, actually scan you up and down, making your skin tighten, feeling strangely judged and exposed.

He takes a sip of his own drink, yet his gaze continues watching you.

“So ya lost? Is that how you ended up here?” His words are simple, cold, and a frown tugs at your lips.

“My friend was invited, decided to tag along.” Your reply is blunt

“Your friend,” he nods. “And they’re where?”

Notorious for being a roamer, even when you were younger, you’re not surprised your friend wandered away for a moment.

“Guess just went to enjoy the rest of the party.”

“It ain’t a party.” The man says deep.

“There’s alcohol, people enjoying half ass drinking games, this looks like a party.” You shrug surprisingly braver. Guess the home brewed alcohol did that.

This mystery man’s face scrunches up, like he’s annoyed with you. He simply just takes another sip of his drink.

Apologizing low, you also thank him again for the drink and decide to exit. The man doesn’t stop you. Now you go looking for your friend peeking around the party. No sign of her.

Slightly worried, you check outside.

What you discover petrifies you on sight. Your best friend tries to leave from the shadow of the guy she’s talking to. Before she can leave, his hands grab her arms, a dark prison refusing to let her go. With full force he slams her against the wall. A small scream escapes her, and fear drowns her eyes while the guy grins demonically.

You rush over fast. All you have is the drink on hand, but once you’re close enough you slam the hard plastic right against the man’s face.

He screams in pain at the sudden attack.

“Leave her the fuck alone!” You scream not caring you’re being loud. You scurry to grab your friend quickly.

“You little fucking cunt!” The attacker roars and turns to you. Wild blood streams down his nose.

He swings his fist, and you try to escape the path of impact. But it still lands a solid hard hit against the side of your head. A scream comes from your friend and everything stings. You try remembering the self defense training your mom tried drilling into you.

Until a hard impact cracks in the air.

You blink into focus. Your assailant is now on the ground.

And the grumpy mystery man you met stands above with a bloody knuckle.

He’s the one who punched the guy.

“What the fuck man?! Fucking bitch hit me first!” The bastard on the floor screams.

“Get the fuck outta here. Or else.” The mystery man barks.

The guy on the floor’s eyes go wide, like he’s finally taking in the man above. Even in the dark, you witness terror rise fast across the guy’s face.

In a possessed panic, the assailant snaps up and simply leaves.

Your head throbs where the hit landed, yet your eyes stay stuck on the man who came to rescue you.

A soft voice suddenly eases in, and you’re met with a striking older woman.

“Come on, let’s get you both back inside.” Her name is Tess, and she holds a sharp grace to her as she guides everyone to the makeshift kitchen.

You want to help your best friend clean up, but Tess orders you to sit down and reassures she’ll take care of your friend in one of the bathrooms.

“You need to sit and get your head checked out.” Your friend tells you, worried.

Before you can even move to follow her and Tess, your scruffy savior waltzes in.

“Sit down.” He barks at you and moves to grab a cooled bottle to hold against your head.

You hiss when the cold glass touches your head.

“You smashed the shit outta that drink into that fucker’s nose.” The man begins with a gruff mutter. “Got a lot more fight in ya than y’look.”

You snort.

“I just acted fast that’s all…” you mumble back.

Turning to the man, you earnestly thank him. However, his deep eyes, almost the color of ancient rust, already stare at you. His gaze is intense, sharply piercing.

“So why do you guys even throw parties? Does your boss know it doesn’t seem safe.” You comment.

“Mainly to show off the products we got.” The man explains gruffly.

Made sense.

“Wait, is your hand okay?” You suddenly blurt out remembering the blood staining his knuckles.

“M’fine.” He answers and moves his hand away before you can try examining it.

Footsteps walk into the room, and Tess returns. Her eyes gleam soft.

“Your friend’s doing good, actually making jokes and everything.”

Relief floods in.

This may be the sign to head home. It would take a lot to sneak back to your best friends’ apartment, especially this late.

“Headin’ out?” The man asks when you return from checking in on your friend.

You nod weakly.

“Don’t. It’s late. Plus we got space in the back you two can crash in.” Tess reassures, and you graciously thank her.

“Don’t thank me, Joel was the one who offered.” She grins nudging the man.

Joel, his name - it’s beautiful.

Joel glares terrifyingly hard at her. Tess simply shrugs.

So you thank Joel, even use his name. This serious but stunning man doesn’t say anything and instead walks towards the other door.

“Come on.” He suddenly commands. You and your friend rapidly follow him.

Just as promised there are rooms safely tucked away. Though room is a gracious term with the stacks of various boxes and rusty cluttered furniture, but you won’t complain.

Joel says nothing, simply shows you the room then leaves.

“He’s weird as fuck.” Your friend whispers. You had to agree.

Even in this back room space the hum of the party continues to leak in. The lights from the hallway become a sliver under the door.

Soon enough boots thump outside the door, and your eyes creak open. From the light under the door a shadow moves. You’re worried for a moment until a darker shadow goes to rest against the door.

More footsteps, lighter ones, come.

“Gonna sit there all night? You’ll get a creak in your fucking neck.” Tess.

“Just get back to the party.” Joel.

His voice rumbles back, and you feel wide awake now.

He’a staying in front of the door, keeping watch.

You don’t know this man, just met him tonight. But you’re comforted knowing he’s here. Safety is hard to find in this world. Yet soft residuals of it seem to reside buried within Joel.

When you wake up however, he’s gone nowhere to be found.

On the walk home, your best friend is thankfully upbeat.

“You know,” she comments. “I’m actually kinda a little bummed we didn’t get to meet the scary head smuggler guy.”

You laugh, a dark humored type thing.

“Yeah me too, but after last night I’m kind of glad.” You agree.

You might not have met the infamous smuggler kingpin, but meeting Joel felt precious in its own strange way.

(ii)

You run into Joel again - literally bump into him.

Trying to put all the papers and books into your bag, you step outside the school and collide into a hard body. But instead of stumbling and falling back, firm hands steady you. All your items still drop.

Something fierce constricts your throat when you focus on who you ran into.

Joel, a very grouchy Joel.

You immediately ramble out a mess of apologies while you try picking up everything. Joel silently crouches down to help gather your fallen items.

“You’re a teacher.” He notes with a gruff low rumble.

“Oh, uh, yeah. Just started this week…Someone’s gotta teach the kids what the water cycle is.” You joke.

He snorts very faintly, and your heart jumps.

The handsome man has been in your mind ever since the party. Now he’s materialized here.

Your mom calls your name walking out of the building.

In her commander FEDRA officer uniform, you hate more than ever that she’s wearing it.

“Who’s this?!” Her eyes immediately flicker suspiciously to Joel as she smiles politely.

“Someone I just ran into that’s all.” You quickly answer.

Rapidly you turn back to Joel and politely thank him again for helping pick up your scattered papers.

Joel statically nods. But you don’t miss the way his eyes narrow at your mom before he leaves.

Your mother doesn’t seem to pay him any mind, not bothered by a stranger. A very FEDRA Trait.

When your first late night working at the school comes, that has your mom worried.

“I can call in and walk you home once you’re done.” She urges.

You’re an adult. You’ve faced scarier things. After much persistence, thankfully your mother begrudgingly relents.

The sky looks beautiful when you step out of the building. You can’t see the stars often from here but still feel comforted seeing a few twinkles above.

“Keep staring off like that and you’re gonna bump into someone again.”

The familiar gruff voice jolts your heart into overdrive. When your focus whips back to earth, Joel stands a few steps away.

“Fancy running into you again.” You beam, feeling your heart flutter at the sight of him.

Joel shrugs. “My way back from work came this way again.”

“Mind some company?” He nudges his chin towards you and you quickly, embarrassingly fast, you welcome him to join you.

Joel falls into step besides you.

You ask about how his day went, and he shrugs simply saying it’s been fine.

“So, your mom’s a FEDRA officer.” He suddenly comments.

You had a feeling he’d mention it. You almost want to make a joke that she just stole the uniform. But it’s hard with how Joel’s gaze seems to simply pierce through whatever he sets his eyes onto.

“I promise,” you blurt. “I haven’t told her about the party or anything.”

Joel nods, silent again.

Abruptly he stops walking. You do as well. The soft evening lights color the streets a dingy muted gray. The curfew call would arrive soon. There’s already barely anyone on the street.

He sighs turning to you. That sword's sharp piercing gazes of his makes you worried.

“This is my stop here.” He nudges to the apartment complex across the street. “But can walk ya home, if you want.”

You exhale relieved, even find fondness sneaks in.

“Oh no, it’s okay, it’s late anyway.” You earnestly thank him.

Suddenly a hand swings across your face out from behind. A cloth covers your mouth. Before you can even scream your eyes flicker heavy.

Joel is the last blurred sight you see before darkness overcomes you.

Groggily opening your eyes, you’re now in a barren basement type room lying on a mattress on the floor. Immediately you spot Tess. Then you notice a man with a large rifle standing by the door.

“What the fuck happened?!” You scream.

“Hey, relax.” Tess says eased. “It’s nothing personal.”

“Nothing personal?! What the fuck do you do to me?! Why am I here?!”

Before she can answer you, Joel waltzes into the room. The room shadows paint him a terrifying creature who stares at you hard.

“Look,” Joel’s voice is cold, unwavering steel. “I’m gonna be straight with ya. We ain’t doing shit to you. Just need your mom to make FEDRA give us what we want.”

Your eyes go wide.

You’re being held as a hostage.

Before anything else can be said, another man steps in.

“Sorry boss, but we’re getting word there’s chatter on the coms.” The man explains to Joel.

He nods then glances over to you from his shoulder.

“Y’don’t do anything fucking stupid and we might all make it out of this alright.” That’s all Joel says then exits.

The man with the gun nods to him almost as a sign of respect.

Even though so many thoughts buzz around in your head like angry wasps, it clicks fast.

It’s Joel.

Joel is the infamous underworld smuggling king.

(iii)

The rest of the day is a blur. You’re left alone and cry into your hands until it hurts. The man with the gun standing guard outside your door doesn’t seem to care. Tess at one point returns with cleaner clothes, even offers you a shower and a meal, but you stay silent.

Some of the smugglers pop their head into your room, curious about the new hostage.

“Aw, you’re too pretty to cry.” One of them grins.

“Yeah there’s someone else I could give ya to cry about.” Another snickers disgustingly, and you want to crawl into yourself.

Joel barks a hard loud yell.

“Any of you fuckers so much as even looks in there again or even dares touch her, you’ll have to fuckin’ deal with me, understand?!” Joel commands, a god among chaos.

It’s not entirely comforting, but it’s enough.

Not a soul walks by your room after that.

Later that night Joel comes with rations and more water.

“Y’need to eat something.” He suggests. You don’t even move to touch the food.

Joel sighs, placing his hands on his hips.

“I’m doing this to find my brother, simple as that. Need FEDRA to give us a good car or even a battery at best to get us on the road.” Joel explains sharply, methodically.

All of this for his brother. The love of a family member in exchange for the love of another. You understand, even can sympathize, but you hated this still, hated him.

With thorny malice, you glare hard at Joel staying silent.

He frowns harder, and it highlights his wrinkles. Joel doesn’t say anything, simply clenches his jaw and leaves the room.

In the room’s solitude, you try formulating a plan. If you just get a gun you can maybe make your way out of this place.

Whatever this place is, it’s the central base. It’s hard not to listen to all the commotion and talk done in the other room. The smuggling empire is terrifyingly impressive. From what you’ve caught there’s multiple routes and tunnels that operate for different means. Some smuggle in necessities like food or medicine, while others provide arms.

Joel orders and strategizes it all. Tess is just as in charge and orders commands as well.

“You should eat.” Suddenly the guard on the other side of your open door suggests.

You’re almost tempted to throw the rations out the door.

A sudden explosion cracks above and the ground rattles. The air stills, and everything shifts.

“Fireflies!” Someone screams.

This is your chance. In the rush of the commotion and the echo of gunshots, you hope to escape.

You’re left alone.

This is it. Adrenaline pumps through you fast as you frantically search for an exit, a gun, anything. But the chaos swirls fast. More yelling arrives underground, and gunshots fire off closer.

But your legs start buckling, and your eyes start getting foggy too. Fear comes fast. Did they maybe drug you?

No. You just realize…you haven’t eaten this entire day.

Now it’s getting hard to walk.

Stumbling, barely keeping focus, you lean against the wall. Your body feels like it’s going to crumble.

“Oh, look what we have here.” Someone coos. A shadow soon falls over you. “Fuck didn’t know the smugglers had someone this cute.”

This can’t be happening.

Your lips tremble while fighting back tears, can’t even focus on who’s around you.

“Maybe we can keep her as a nice treat.” Another voice laughs, and your stomach feels sick.

A gunshot rings into the hallway. A body collides so hard and fast on the floor it makes your vision focus. Crimson spills onto the concrete. When you snap your focus aware another firefly man screams in anger until Joel takes him down with ease.

Disrobed relief spills into you. Joel’s here.

In this fucked up moment you’re about to cry grateful because he’s here.

But your vision blurs more, and your body feels light.

Then your world again goes dark.

Sunlight this time wakes you up.

Panic causes you to bolt up fast, but the dizziness hits you. Hissing, you steady yourself.

“Don’t get up too fast.” Joel’s dull voice speaks from the abyss.

You’re in a small apartment now, or the decaying barebones of one. In one small room is the kitchen and a living room. You rest on the couch while Joel sits at the table.

“What happened?” You ask with a croak.

Joel nudges to the small dusty coffee table where water and rations sit waiting for you.

This time you don’t hesitate to snag them.

Joel explains all that happened. The fireflies attacked the tunnels for supplies, and it spilled into the base.

“Used the underground tunnels to make it outside the QZ. Then, came here to a safe house.” He finishes.

“Where’s Tess?” You ask.

“Stayed back. Need someone to communicate to me how the deal’s going.” You suddenly notice the radio sitting on the countertop.

“So it’s just you and me.” You mutter.

“Un-fuckin’ fortunately.” Joel replies with a hard scowl.

Your mind tries to settle now.

You’re in a home in the middle of fuck knows where. Your hope of maybe escaping is not as bright as it was in the underground compound. So you steadily resolve yourself to accept this situation. Your mother will come. She will find a way to make the deal and you’ll be back home.

When you finally glance out the window you discover you’re on the outskirts of the QZ.

Infected roam here.

“Shouldn’t we head back into the QZ?” You ask worried.

“And have you turnin’ my fuckin’ ass in? No way in hell.” Joel glares at you.

“Infected are out here.” You snap fierce.

“And you got me. Won’t need to worry ‘bout ‘em.” He says simply.

It isn’t that reassuring, but you think of how he’s proven himself already to be rather sturdy even for his age.

“So are we just gonna wait until we hear something?”

“Yeah.” Joel answers with a deadly deadpan that refuses to leave room up for any discussion.

The space stays in a tense thickness until the radio flickers to life scaring the shit out of you.

Tess over the radio gives an update. Still no word from FEDRA. Instead she goes into discussing work with Joel.

They talk in code, use numbers and different colors to describe things. But at one point they let the code slip. You piece it together easily. They work with FEDRA officers to get certain supplies. You knew FEDRA wasn’t squeaky clean, even argued about it with your mom. But this just solidifies the murkiness of it all.

None of them have a car or battery to give.

Joel ends up falling asleep in the chair at the tabled hands crossed over his chest. You now snoop around the place quietly. There’s an extra backpack for you as well as various contraband items still waiting to be delivered.

You silently steal one of the liquor bottles and place it stealthily in your bag.

You also unpack what’s in the bag.

The change of clothes Tess had first offered you, a few rations, a flashlight. No weapon though. You do spot flint, and that’s slightly reassuring.

The sun starts to dwindle. You need to rest. It’s obvious you’re not going anywhere for a while. So returning to the couch you close your eyes.

Then the howl of a clicker wakes you.

Instinctual primordial terror has your eyes snapping open wide in fear. Before you can move, you discover Joel beside you. Even in the dark you see a finger raised up to his lips.

Keep quiet.

You nod, sealing your lips tight.

The ominous clicking noise rattle outside the hall. You almost miss it with how loudly your heart hammers in your ears. The infected’s chatter sounds fainter as it wanders down the hallway.

You exhale through your nose, hopeful this means the infected is close to maybe leaving.

Until the radio flickers to life blaring a tune.

Horror collides into you fast. The clicker roars. Joel acts immediately raising his gun to shoot the radio silent. But it’s too late. The infected screeches, rushing down the hallway with violent steps until it rams into the door with full force. You hold back a scream.

Joel fires at the door, and a loud thud follows.

“Come on!” he snaps, scrambling to get up.

More would come. You slide the backpack on, and instantly follow Joel in a frantic rush.

Heart racing, you stay close to Joel while the two of you rush to escape out of the apartment complex. Screeches of more infected approach.

The night is dark, but Joel is surprisingly keen in maneuvering the area. He leads you into another ransacked building and holds his hand up, a silent sign to stop.

You’d be stopping here. You’re glad. All of your body feels weak. You haven’t seen a clicker up close in years. Now fear eats away at the adrenaline.

“We’ll stay here until daybreak.” Joel speaks barely above a whisper. “Get rest while ya can.”

You’re afraid to sleep now. Don’t even want to think about it.

Suddenly he says your name.

It’s the first time he’s ever said it.

He stares somberly, seriously at you. Joel must have seen whatever fear ran across your face. You fully take in the sight of him. Standing tall, his strong rifle in hand, he’s the image of unwavering determination.

“Sleep, I’ll be up.” He orders.

The distrust you hold for his man slowly is ebbing away. You know he’s simply keeping you alive for the bargain, but it’s enough for now. So you sit on the ground, try to just close your eyes and gather yourself together.

Sunlight again wakes you, and Joel continues standing watch.

He glances back to you, and with his stoic stome nature, he nods.

Time to move.

The journey through the debris and fallen memories of Boston is quiet, tense. Joel stays closer to you the entire way.

“Have another safe house just outside the edges of the city limit. We’ll be safe there.” He mutters low and you nod.

The smuggler king leads confidently. Even though you’re still petrified of infected, you take in the sights of the city. The intricate green vines, the lush landscape among the bones of civilization, it’s all a haunting sight, but you also think of how beautiful it is.

“Y’ever been outside the QZ?” Joel suddenly speaks low.

“Once,” you tell him truthfully. You had been a child then and you barely remember the journey.

“So you’ve been in Boston this entire time?” Joel asks now, sounding curious.

You have. It’s why your mom has such a high ranking within FEDRA.

“Your accent…where are you originally from?” You decide to ask questions now too, keeping the same low tone as Joel.

A part of you assumes he won’t answer or will just respond sarcastically.

“Texas.”

You’re surprised he answered.

“You're a long way from home then.”

He hums a noise that sounds like he agrees.

“Must have been a journey to get you all the way to Boston.” You note, now more curious about him.

Joel stays quiet for a moment, then replies with the lowest ‘yeah’ effectively ending the conversation.

Soon the buildings fade away. The forest creeps in denser as the suburbs approach.

At the edge of the neighborhoods, a home sits splintered off inching into the woods. It seems like the perfect secluded safe house base.

The place hasn’t been touched in a while. Leaves scatter across the title floor, and dust covers so much. You’re thankful this has more space than the small apartment. Joel immediately slings his backpack off then opens a door leading down to a basement. You follow him.

“Don’t fuckin’ follow me.” He snips, yet you stay behind him. He doesn’t stop you.

Instead Joel flickers on many camping lanterns and illuminates the basement. The stockpile here is barren, hardly any weapons or canned goods. Of course a radio sits on the table. Joel flickers to life, but no one answers when he sends his Morse code clicks. His face grows dark with worry.

“Please get me if you hear anything from my mom.” You finally say quietly.

“Yeah, will do.” Joel agrees somber.

It’s enough for now.

Two days pass. No sounds come from the radio. You and Joel walk around each other on egg shells and rarely speak. It’s suffocating. So you rummage around the house to find something to do, anything.

You find a deck of cards and it feels like a gift from above.

Quietly in the living room, you set up a lone game of solitaire on the coffee table. Or patience, as your mom loved to call it when she taught you how to play. Seems perfect to play now. You flip through the cards, placing them at the correct spots and columns.

“Solitaire?” Joel’s voice surprises you. But what shocks you even more is him moving to sit on the floor.

“You play?” You question.

“Not in a while, play other card games like poker or black jack.”

“I play blackjack.” You perk up, and Joel’s eyebrows rise slightly shocked.

You hand him the deck, cleaning up the rest of the cards and start a new game with him.

The game is tense at first, like you and him are still trying to navigate the thick tension. You peek at your cards and he glances at his.

He wins the first game, but now you’re determined.

Eventually you and him get sucked into playing. So many matches pass that when you win Joel pouts, throwing his cards down.

You burst out laughing. It feels like it’s been so long since you’ve laughed, and it’s freeing.

“You’re a sore loser.” You tease.

“I ain’t.” Joel rumbles back, scowling harder.

“Mhm, yeah sure. There’s a candyland box nearby I can get to prove you are.” You surprisingly joke, buoyant.

Joel shakes his head.

“I’ll show ya who’s a sore fuckin’ loser when I beat your ass at poker.”

“I don’t know how to play poker. Go Fish or nothing else.” You shrug.

Then, Joel snorts. It’s not a laugh, not even anything special, but it eases the strain among you and him even more. He starts shuffling the deck and hands out the cards to you.

With the most stern of voices, so seriously Joel, he asks if you have any sevens.

You laugh into your hand.

“I’m being fuckin’ serious!” He snaps.

You laugh even harder.

In this fucked up moment, in this murky situation, this brightens your soul.

A week passes.

Over the radio you hear Tess tell Joel flat out how heavy it’s gotten in the city.

“The fucking fireflies…FEDRA, everything, it’s gotten fucking insane… we might not get the car, or even the fucking battery Joel. We need to think of a plan b.”

Your stomach twists sick. Where was your mom? And what would happen if they decide you’re not worth the hassle anymore.

Shakily you head into the bathroom and sob into your hands trying to stay as quiet as you can.

Soon you’re a shell of yourself.

When you step back outside however, you’re resolved. Instead of the basement, Joel now waits in the kitchen, and his eyes widen seeing you.

“What’s wrong?” His voice picks up with a wind of worry.

“Joel.” You begin calmly and somber. “Be honest with me…”

You ask him the question that’s been haunting you.

What will become of you if FEDRA doesn’t hold up their bargain? If even your mom can’t follow through?

“Will…you get rid of me?” You speak soft, without even having to divulge more, but the festering rotting truth lies under your words.

The silence feels sharpened.

Joel quietly speaks first.

“No. Won’t do that to ya.” He mutters.

You don’t know if he’s lying or telling the truth.

You and Joel simply stare at each other. So much hangs tangled and barbed between you and him.

All you can do is simply nod. You swear his eyes soften for just a moment.

Another week passes. No signs or commotion from FEDRA. It’s beginning to feel like you’re in a room slowly filling with water, like you’re on borrowed time.

But you manage to pass the days with Joel through more card games. You try playing Pictionary with him, but his attempt at drawing a dog looks like a camel, and you laugh so hard at how badly he pouts.

It’s becoming amicable now, you and him.

But supplies are running low. Joel doesn’t sugar coat that harsh truth.

“There’s another stop we can go to from here, but I’m hoping we won’t need to.” He’s still waiting, hoping for FEDRA to answer.

Eventually the night settles in, and you’re surprised he joins you for another card game.

Right now you and him try another game of poker. You’ve come to learn you are not very good, which is also why you think Joel likes playing it knowing he wins.

“So how does a Texan far from home become the king of smugglers?” You try to ease the air by pushing more conversation with him.

“Just something that happened honestly,” Joel mutters, passing out the weathered cards.

“Got involved with my brother back when we started traveling outta Texas and just…never stopped.” He reveals.

“Your brother, he’s the one you’re looking for…” You remember.

“Yeah.” Joel agrees low.

“I hope you find him.” Gathering the cards dealt to you, you mean those words.

“Thanks…hope we can get ya back home.” A hint of sincerity leaks into Joel's voice and you appreciate that.

You’re about to deal your hand when rustling comes from outside. Glancing out the window, you try to find something among the dark shadows.

“What?” Joel asks fast and low.

“I don’t know… thought I heard something.” You mumble.

In that same breath, bullets fly through the window, shattering everything. The moment unfolds in a flurry of chaos.

“Raiders!” Joel shouts while you and him try to stay low. You crawl towards your bag.

The door gets kicked in and your heart races fast. Even as you and Joel scramble to maybe get down to the basement it's hard with the commotion rushing in.

Joel is swift with his gun, but the raiders keep coming.

Windows shatter further in the back of the house. They’re infesting. Time to leave. It’s a rapid rush to get outside. Before running into the woods, you stop to rummage in your bag finally remembering something important.

“The fuck are ya doing?!” Joel screams with a snarl.

You act fast. You rip a piece of your shirt edge, and grab the alcohol you stole along with the flint.

“Shit.” Joel breathes out realizing what you’re doing.

You’ve seen plenty of these, just never believed you’d ever make one.

Cloth in the liquid, Joel moves to help you light the flint.

Then when fire sparks catches onto the strip of clothing you stand up.

The adrenaline sets you ablaze. You throw the bottle with all your might. It manages to collide against the house’s porch. Soon the world is engulfed in a vibrant orange flame, a hellfire right before you.

Screams of raiders mix with the flames.

“Come on.” Joel urges and grabs your hand.

A rush of footsteps comes and it’s too late to react.

Something hard hits the side of your face. You cry in pain falling to the ground. The world spins on itself. Everything is disoriented. Your face throbs so bad, and you cough through the tears stinging your eyes. The sound of Joel firing off his gun again comes.

Then his hands steady you up.

“Y’okay darlin’?” He asks frantic and you nod, tired.

“Let’s go.” Joel grabs your hand again. This time don’t let it go.

Even arriving at the abandoned gas station deemed safe to stay, you don’t let his hand go. He doesn’t yell at you about it.

Instead Joel sits besides you, flush against your side.

Against the shadowed darkness of the old building, you hold his hand firm in his and he doesn’t let go either.

You wake up first this time and find your head slumped against Joel’s shoulder, resting against him now. His head also rests on top of yours.

This is new.

But then again, so was the term he used for you. You wonder if you just imagined it.

Unlike now, this is very real. You’ve never been this close to him, can smell the faintest traces of him, musky and dark. He snores. His hair tickles against your head, but you don’t want to move.

If anything you close your eyes again hoping for a few more minutes of peace. Joel eventually shifts, waking you both up. Nothing is said about the sleeping positions.

Then he turns to you, and his face falls.

Immediately Joel moves closer. Delicately one of his hands moves to your chin to examine your cheek.

“Does it hurt?” He asks gently and you shake your head.

Not as much. You know there’s probably an ugly bruise, but it could be worse. You’re grateful this is all you have.

“You should’ve seen the other guy.” You darkly joke.

Joel scoffs a small noise, maybe the echo of a laugh.

“So… Should I be worried about anything else you might’ve stolen?” His dry tone doesn’t sound upset.

You promise the bottle is all you took.

Joel hums, nodding.

“You continue to keep surprisin’ me.” His words are softer than he’s ever sounded

Now you realize, Joel is closer than ever before too. His face intensely scowled up now stares directly at you.

You drink in the sight of the king of the smugglers this close. The sun spots on his face, the age lines along his gorgeous features, it’s hard to deny how stunning he is.

After yesterday night it’s like you’re reminded raw and fierce how dangerous, but gorgeous of a man Joel is.

You think of the party you first met Joel. You remember thinking how you felt the remnants of safety, of protection that Joel showed then.

You should hate him. You wouldn’t be in these situations if it wasn’t for him. But when you ask yourself if you would rather be in the QZ, the truth is a distorted answer you might not be ready to face.

Without a word Joel whips around and moves to sling his backpack on better.

“Come on, let’s head out.” He announces.

You stay close to his side.

You expected another silent journey. However, the warmth of the day, the stretch of houses blurring more into the woods brings Joel out of his shell.

He talks about the Texas heat and how it used to be scorching. Interestingly points out different housing structures, and you learn he used to work as a contractor. Joel even asks about your job working at the school.

“It’s a job.” You say a bit standoffish.

“You don’t like it.” Joel sees right through you instantly.

“My mom likes it.” It’s safe, secure, stable and away from any harm and under the watch of FEDRA.

“What d’ya want to do then?” Joel asks surprisingly patient.

You pause momentarily, and the wind blows across your face.

It’s such a simple silly dream you hold in your heart…

Having your own house, enjoying peace, simply embracing living day to day without any worry about what to do or if your mom would approve.

“To simply be.” You answer. It’s enough for Joel, and you swear you see a faint grin tugging his lips.

The trail transforms into a serene sight, and you’re in awe of the beautiful landscape.

You should be scared that you’re walking away more and more from the QZ, even trusting Joel to follow him. But you’re not. The stretching trees untouched by the city, the edges of summer still peeking through the greenery, it's beautiful.

And getting hear Joel open up more, means more than you care to admit. He talks about this one mix up a couple of his guys made where they mistook baby milk formula powder for cocaine.

“Not Mister Scary Lord of the underworld getting upset over that.” You tease, and it almost feels like flirting.

Joel rolls his eyes. It adds a glowing playfulness to him, like seeing a small glimpse of the man he was before the world ended.

The further from the QZ you go, the deeper and deeper you’re drawn into this endless maze of a man that is Joel.

(iv)

You never believed a place like Bill and Frank’s existed.

Their own personal town is otherworldly. They, mainly Frank, welcome you with warm and glimmering hospitality. They’re both older, slightly around Joel’s age.

“So, what’s a lovely thing like you doing with Joel?” Frank asks jokingly.

“Oh, I’m just a hostage.” You sleepily grin. Frank’s face falls while Bill barks a laugh.

It’s easy to melt into this new world with these two and Joel. You never expected him to have friends like this, and it’s interesting uncovering more facets of him.

Bill barks for you not snoop, but Frank winks reassuringly to make yourself at home. The hot shower is an oasis, and the comfortable bed becomes a cloud.

Well rested, the next day you wander the town. You stay out until it’s dark. No infected, no raiders, no fireflies or no worries… just simply you and the beautiful night sky above.

“Still not payin’ attention to where you’re goin’.” Joel’s voice flutters in.

Along the side of the street he looks dreamy under the soft dark night.

“Can’t help it,” you truthfully say, glancing back up. The stars are too lovely not to admire.

You end up wandering closer to Joel or maybe he walks towards you. It’s too hard to tell.

“You can never see the stars this bright even at the QZ.” You return to admire the stars even with Joel besides you.

If your mom just knew how far you were.

Joel snorts, and you realize you spoke those words aloud. Even though you’re a bit embarrassed you simply shrug.

“It’s true.” You agree.

“Seems like she’s kinda…” Joel trails off.

“Controlling?” You finish, and he nods.

You understand why. She’s seen horrors, lost so much. But you’re an adult, a fully grown one and you’ve seen a fair share of hardships too. You just want to be understanding both to her, and to yourself.

You even explain this to Joel.

“You’re good, maybe too kind.” Joel mutters and you now intrigued turn to him. His eyes twinkle in the dark night more than they ever have. “Don’t seem to see the bad in people.”

Maybe you do. Maybe you understand that people in this world contain fuzzy and hard to decipher multitudes now.

Joel snorts when you tell him that.

“Y’know you’ve been traveling with a one of FEDRA’s top bad guys this whole entire time right?”

You know. Joel even calls himself a thief. But he doesn’t seem as evil as you believed him to be.

Glancing at him, the way the darkness should bring out his shadows. It instead illuminates him like a faint star. You think someone this man can’t be fully evil. Or maybe you’re not as good, blooming and unfolding in the mud to reveal your true nature.

You and Joel simply walk back to Bill and Frank’s in silence.

The radio also stays silent another week.

You’re worried about overstaying your welcome, especially with how hard Bill glares at you like you’re a pest. Frank however, eagerly includes you in so many of his projects and errands.

“Not as young as I used to be.” He teases while tending to one of the gardens, and you readily help as much as you can.

You stare in awe at all the beautiful lush vegetables and plants. There’s even a couple of fruit trees.

“Joel always asks for fruit when he comes for trades.” Frank chuckles.

You never would have expected Bill and Frank to be a part of Joel’s team.

“I know, we don’t seem like the type, or maybe I don’t seem like the type to be helping smugglers.” Frank comments teasing, as if he read your mind.

You quickly stammer out that you don’t mind.

“This world, it’s not as black and white as we think it is. Surviving an apocalypse really does paint everything in a murky gray. Sometimes, it’s okay to just accept that.” Frank explains.

You’re slowly starting to agree more and more with that.

“I know…there’s…a delicate situation going on between you and Joel.” Frank speaks cautiously.

“But I want you to know…that if this is serious, and you don’t feel comfortable with Joel or truly want to go return home, there’s ways we could figure it out.” His tone is serious, truthful and sincere.

His words warm you.

But you swallow hard. In the watch of the peaceful yard you reveal a shadowed truth that’s been building in you.

You don’t know if you want to go back. You know you will have to if FEDRA and your mom honor the trade. But you’re dreading returning to your life under the eyes of the decaying QZ streets, FEDRA, your mother…

And even if you do return there, you can’t imagine going without Joel.

“I just want to make sure he’s safe.” You add quietly.

“You probably think I sound awful or out of my mind.” Then you laugh hollow.

Frank doesn’t reply immediately. You wait for him to judge you.

“I don’t think that at all.” His hand gently pats yours. “I think you’re actually really brave being so honest.”

That brings a thickness in your throat. Frank grins warmly at you, squeezes your hand comfortingly. You soak up his kindness like a flower bud in the sunlight.

However, another day passes with no noise among the picturesque world.

At breakfast you try holding back your laughter while Bill and Frankie aruge over the Wizard of Oz.

Joel, who surprisingly slept in late, emerges to take a seat at the table.

Him and Bill immediately jump into discussion about smuggling routes and new supplies. Frank slowly slips out to the kitchen.

“What day is it?” Joel asks.

Bill simply tells it to Joel, but it’s like a switch is flipped on.

He shoots up out of his chair, doesn’t even care that it topples over or that he slams into the table knocking everything. Bill yells at him fiercely. But Joel storms out of the room leaving everyone in his aftermath.

“What happened?” Frank asks, emerging back into the dining room.

“Joel, being fucking Joel.” Bill sneers.

Frank ignores his husband and turns to you. Explaining what happened, his lovely face frowns instant.

“Oh…oh I forgot about today.” He mutters.

You ask what today means. Frank slides closer to you with his eyes low.

“If I remember right…Today’s Sarah’s birthday.” He answers.

Confusion bubbles up, and you ask who Sarah is.

Frank’s face contorts in shock.

“Sarah…she’s Joel’s daughter that passed away.”

Those words take your breath away and you feel your world tilt on its axis.

Joel was a dad. Joel had a daughter.

You never would have expected. Frank must see the look in your eyes now as he places a hand on your shoulder.

“He doesn’t talk about her much. It’s not your fault you didn’t know.”

You’re left haunted by it all though.

Eventually you get the confidence and bravery enough to find Joel.

Walking around the vacant neighbor, you eventually spot him sitting on the porch step of one of the homes.

“Fuck you doin’ here?” He snaps, but there’s no malice in his voice, only a hollowness.

Standing besides him, you inhale deep.

“My big sister was infected on outbreak day.” You begin.

It happened after school when your mom was talking with your neighbor outside your home. You were still so little, barely remember pieces of it.

But the memories you have are sharp.

You’re in the kitchen, laughing at something your sister says. Suddenly she starts twitching. Then your world ended. You still hear her snarls sometimes, still taste the terror when she tried biting you and how you prayed it was just a game, until the screams of your mom came. It’s simply been you and her ever since.

Joel’s face finally turns to you and his eyes are wide, glossy obsidian gems and so open, so unlike Joel. Yet it’s like you’re seeing a true layer of him.

“I’m so sorry about your daughter Joel. That pain of loss never really leaves and I get it.” You carry your big sister’s ghost with you now.

Joel doesn’t say anything, instead clenches his jaw and blinks away the shimmering gloss reflecting in his eyes.

“It ain’t the same.” He suddenly snaps back. “You never felt the pain of losin’ a child.”

You feel insulted.

“Loss is still a loss Joel. Don’t you dare say my hurt is less than yours. What would your daughter say?” You snap back.

You know that’s not a kind thing to say. It galvanizes Joel. He bolts up and becomes a terrifying looming force that pierces you where you stand.

His voice silence is deadly, slices through you.

There’s so much you want to say to hurt him, but what good will it do. You simply blink away tears and walk away, leaving Joel to his ache as you try to quell yours.

Trying to settle your emotions, you end up walking around the ghost town and spot various glorious wildflowers, blooms so vibrantly colorful. You grab as many as you can.

Back at the house, Frank brightens immediately seeing the flowers in your hands.

“I got just the vase for them!”

Frank asks if you picked these for yourself and you shake your head.

“For those who have passed, and for Sarah.” Your answer.

Frank doesn’t say anything but instead nods, a silent understanding.

You head back to the guest room to try taking a nap. You accidentally left the door open partially, and soon enough Joel’s arrival lumbers into the grand home.

“Bill get those for you?” He notices the flowers.

Frank snorts. “You know Bill wouldn’t.”

He instead clarifies you did.

“For today…for Sarah.” Frank then adds.

Joel is quiet. You close your eyes and now drift into the flickering world between falling asleep and being aware.

You swear you faintly hear the door creak open more, catch the faint smell of cedar, and feel delicate but callous fingers run across your face.

But when you open your eyes, no one is in the room.

It’s like nothing happened between you or Joel the next morning. He even helps you and Frank outside harvesting some of the ripe new fruit.

“Can't handle Bill’s grumpy ass anymore.” Joel explains.

“Two grumpies together might just be too much.” You tease. Joel glares dully at you. Frank snickers amused.

You perk up bright seeing the lovely apples on the tree.

“Go ahead! Try one!” Frank eagerly urges and you do.

You haven’t had fresh apples in years. Your eyes close in bliss tasting sweet heaven and you munch away.

Suddenly a thick thumb runs against your cheek and your eyes snap open.

“Sorry. Got some on your cheek.” Joel clarifies drawing his hand away.

He suddenly draws it into his mouth to have a taste. You feel a bit dizzy but in a way that makes your stomach flip.

Joel’s eyes go wide, momentarily realizing what he did. Without another word, he bolts.

You and Frank are left staring at each other stunned.

The rest of the day Joel stays glued to the radio in Bill’s workshop.

Later that night your fingers crawl silently under the sheets, under your underwear, and you imagine what Joel would feel like. This man that’s taken you away from your home - you should feel guilty and ashamed, even horrified at this. But instead you only find an ache for more for his fingers to replace yours.

But even among the decadent desires you indulge in more and more…

Another week passes.

You and Joel share a somberness, slowly facing the harsh truth.

You may not be returning home.

“I want us to have a nice dinner tonight!” Frank must sense it too because he declares a bright order.

“So that means new outfits and everyone taking a good shower!” Frank insists proudly showing you to the clothing boutique the town has.

You end up grabbing the softest looking sundress. It’s delicate, fits comfortably on you and even makes you feel brand new.

Especially after taking another warm shower with the homemade lavender soap Frank gave you as another gift. Bill seems to be warming up to you. He even makes a dull joke about you taking a shorter shower than Joel.

When Joel does emerge from the shower, something shifts in you. His wet slicked back hair highlights all his silver streaks. In the new button up shirt Frank shoved at him and ordered him to wear, he’s gorgeous.

The terrifying ruler of a smuggling empire, now just a man who seems almost embarrassed, fidgets because you stare at him so directly.

Dinner is thankfully wonderful.

At some point you realize the role of hostage, of someone kidnapped, doesn’t feel so barbed. You now roam freely without any fear. Laugh warmly at the stories Frank tells that makes Bill scoff and Joel roll his eyes.

You insist on cleaning up to let Bill and Frank enjoy the nice evening to themselves.

In the kitchen you gather the plates until the door creaks open behind.

“Needed to get away from Bill’s god damn glarin’ st me being the third wheel.” Joel huffs.

Smirking, you find Joel effortlessly begins putting away dishes, helping.

It’s peaceful. In another life you wonder if this could have been a regular evening, in a house you owned…with someone you cared for.

Someone who you hate looks eerily like Joel.

You shift to go grab something just as he moves, and the two of you gently collide. It’s nothing extreme, but Joel’s hand moves to steady you against your lower back.

“Sorry.” He mutters, and your eyes flicker to him. He’s close again. So close you can almost smell the rosemary and pine soap among a scent so deeply Joel. He doesn't move yet. Neither do you.

That’s when you catch it, Joel’s deep rust eyes glance away from your gaze and towards your lips.

You wonder if maybe you’re seeing things, or have something on your face. But his hand against your back feels warm, steady, like you never want it to leave. His face ever so slightly begins to pull closer towards you.

You don’t want this to stop.

But Bills footsteps clamor to the kitchen. It electrifies both you and Joel causing him to scurry out of the kitchen.

That night you’re unable to sleep.

Frank always offered his collection of books for you to browse through. You decide to glance around and hope something sparks your interest.

That’s when a muffled groan floats out into the hallway.

Curiosity and a hint of worry has you walking back towards the rooms.

A choked out sigh comes from Joel’s room and the world melts away.

You need to go back to your room, even head back to the living room.

But you instead lean closer and find the door is slightly cracked like Joel thought he closed it but didn’t.

You faintly hear it, the sound of him jerking off. His soft sighs, his hand rubbing out his cock, it makes your mouth dry and water at the same time.

You’re no better than a creepy pervert, but you can’t help it.

Joel’s hand speeds up faster and now your wet core begs for attention already.

Then his climax hits with a deep loud groan, and it’s delicious.

You shift trying to quell the heat crawling all over your body.

But Joel sighs.

And he says your name.

It’s clear, steals your breath.

Maybe it’s been this recent journey that’s reminded you how short this life is… but whatever galvanized energy it is, it surges through you to move and push into Joel’s room.

Oh he’s a sight.

Your mouth waters seeing his cock, thick, beautiful and messy before it’s covered by the blanket.

Joel scrambles up petrified. “What the fuck y’doing here?!”

“You said my name,” you whisper slowly creeping towards him while shutting the door behind you.

“You’re hearin’ shit.” He barks low, angry and harsh.

You swallow hard.

“I think about you too… whenever I touch myself.” You admit barely above a whisper.

Joel’s eyebrows fly up to his hairline, but immediately he coughs as if he got punched.

“Go back to your room.” He urges, but it’s not persistent. You shake your head no, and now arrive against the side of his bed.

“We… you…this shouldn’t be happenin’.” He urges.

“You say you’re a thief, that you’re the bad guy here,” you mutter posessed. “Maybe I am too.”

“Darlin’” Joel breathes out that sacred term, the one you’ve prayed to hear again.

Confidence surges through you more toxic than any other poison.

“Maybe I wanna take for once,” you whisper, moving onto the bed. Your eyes glance to the wet white sticky mess against Joel’s stomach and his hand that he didn’t cover.

Your mouth aches to taste him.

So flickering your gaze to Joel, it’s a cautious moment and what you’re about to do can fall apart in a minute. But your hand moves delicately, cautious. Your eyes stay on Joel, waiting for him to tell you no or react.

But he doesn’t.

You grab his cum covered hand still keeping your eyes on him. Until you glance down at his hand, his calloused beautiful large hand.

He still hasn’t pulled away or made a noise to stop you.

Tentatively you lick up his fingers, tasting his release.

“Fuck!” Joel barks out a harsh hiss.

You’re worried he’s going to yank his hand away, but he doesn’t. He instead sits up more like he’s been electrocuted.

It’s enough to let you indulge now.

So you draw his fingers into your mouth.

They’re so large. The salty taste of his cum and the taste of his skin on your tongue makes your eyes close as you clean his fingers.

“Fuckin’ shit, baby.” You want to hear him say those words over and over, want to cherish how wrecked his voice breaks.

Now, very slowly, Joel’s fingers move in your mouth and you moan. He traces your teeth, drags the meat of his fingers across your tongue and plunges deeper into your mouth.

Your eyes roll back, and on instinct you start sucking.

“Yeah darlin’ yeah.” Joe whispers hoarsely, and you want to get drunk on him.

Steady, his fingers plunge in and out, fucking your mouth as you become putty in his hold. His other hand now runs up your thigh, under the edge of your dress.

“Want you so bad Joel.” Even with his fingers in your mouth you whimper out those words maybe mainly to yourself, maybe thinking this is just a dream.

But the way Joel surges up, yanks his hand out of your mouth to clutch your face, and he kisses you like a parched man…

This feels too good to be a dream.

You melt into it, into Joel, greedily stealing all he gives you. Just as you welcome him to steal all he wants from you, and you readily give him everything. No worries about anything else, it’s simply you and him.

When Joel slides into you, deep and wide, when his breath tickles the heat of your skin, you taste the essence of him all around - the world feels reborn.

Joel however, is slightly more reluctant.

“M’too old for you.” He argues after the second night you crawl into his room.

“You think I care?” I simply say running your fingers against his warm chest.

“You should.”

Well you don’t and you tell him that.

Then the dark doubt creeps in.

Because there are other things you should care about.

“Are you doing this…”

Just to be cruel, to maybe even control you.

Joel sits up holding your hand against his chest. Your eyes met his. There’s steeled sincerity in his eyes as he shakes his head.

“No… hate that I wanted you from the start, before all this.” At the party. That feels like ages ago.

You can’t help but ask him why, why you.

He sighs, and his thumb strokes your hand.

“Saw you when ya first walked in. You laughed at something your friend said. It was so loud, so fuckin’ genuine.”

You’re about to apologize, embarrassed, at how loud you laugh until Joel continues.

“Knew you were something fierce, something beautiful. I was gone the minute you smashed that god damn drink in that guy's face.”

He doesn’t have to say anything else. So much clouds the room and it feels thick, but it’s like the thickness of a misty morning fog you want to get lost in. You kiss him tenderly, as if you have all the time in the world.

After this a new shift comes between you and Joel. His hands always seem to be on you, gently touching your arm or grazing past you closer. After your nights with him, hickies paint your thighs and you admire them in the morning.

In the dark, Joel tells you more about Tommy, about the plan he has for finding his brother. Even sometimes he reveals bits and pieces about Sarah.

You soak in every moment you can with him. Joel even stays a full day away from the radio helping Bill renovating one of the sheds. It’s a gift watching Joel work with his hands and tools, like watching the shadow of a past still existing in him.

Your heart becomes a treasure chest holding all these moments.

But something darker still rots in you.

FEDRA still remains silent.

(v)

Summer winds down. Cooler air settles in the town, and you happily enjoy sitting on the porch more and more.

You’d been eyeing the pomegranate for a few days. Now after Frank happily told you to enjoy, you excitedly and greedily cut into it. Joel even showed you how to earlier.

Currently you sit on the porch enjoying the soft breeze. Frank sits besides you watching Bill work on a project. You laugh at how affectionate the two are even while bickering.

Scooping out a couple of the pomegranate seeds, their beautiful ruby color stains your finger. They taste of a sweetness you never want to leave. Boots approach from behind.

“Joel! Come, sit. Enjoy the nice early autumn weather.” Frank calls and you turn to grin at him.

“FEDRA finally got in contact.” Joel’s words pop the air.

Everything stills.

When you turn towards Joel, the somber stare on his face already reveals the answer.

FEDRA denied the exchange.

The rest of the pomegranate sits uneaten on the porch.

You sit in Joel’s room quietly for what feels like years. The tears don’t even come anymore.

“She can stay here! She’d be a welcomed addition” Frank urges from the living room. “We’ve appreciated all the extra help around here.”

“No. Take her back.” Bill interjects flat.

Frank shushes his husband.

The conversation becomes low, muffled, and you’re too tired to even try and listen. You instead curl into Joel’s pillow, and let sleep take you.

A callous hand gently stroking your cheeks wakes you. The low early evening light bathes Joel glorious, and you faintly smell wine Joel must have had.

“You gonna get rid of me now?” You mumble hollow.

Joel shakes his head no.

“Too late for that.” He says with the faintest hint of a crooked grin. “Told ya, I’m head smuggler for a fuckin’ reason, like to keep what’s mine close.”

You place your hand over his and squeeze it tight. But the tears manage to return.

“What’s gonna happen now?” While you ask, your voice breaks.

Joel exhales.

“Don’t know.” He says truthfully.

You’re grateful he’s being honest. Joel’s dark autumn eyes glance away.

“I know we’ll manage, find a car, get Tommy.” He nods to himself.

“But…” he adds with his voice trailing off.

“Don’t wanna think about you leaving,” Joel admits with the lowest rumble.

“Can’t fuckin’ handle it… thinkin’ about not knowin’ how you’re doing, not seeing you…” he shakes his head.

“It’s fuck up. I know it’s god damn fucked up... If you want me to take you back to the QZ, I’ll do it. If you wanna just stay here, I’d let ya.” Joel’s voice sounds strained, almost debris filled with so many emotions begging to get out.

You slide your hands around him, and he draws you closer. The world might be crumbling again all around you, but he feels like a steady rock amongst it all.

“I don’t wanna leave, don’t wanna leave you.” You whimper out the truth.

Joel holds you tighter into his strong warm embrace.

That night you fuck Joel like it’s the last time you’ll ever see him, and a grim darkness seeping in your mind whispers it might be.

You want every piece of him. So when you open your mouth wide, without any question, Joel runs his thumb across your bottom lip and spits into your mouth. You greedily swallow.

What surprises you is when you’re seated in Joel’s lap, slowly grinding up and down on his thick cock, he weakly opens his mouth as well.

Tenderly stroking his cheek, you gently lean down and let the spit drip from your mouth into his. You feel drunk watching Joel’s eyes roll back as he swallows.

Instead of feral roughness, or a devouring passion, it’s tender, makes your heart swell. Joel’s hands map you out like you’re a cherished rare gem.

In his arms, in the quiet stillness of the room, your heart begs for weeds to start growing around you.

(vi)

From a glance out the window, the pumpkins seem to be flourishing beautifully. They’re your first big vegetables you’re growing, with Bill’s supervision of course. But you’re proud of the progress nonetheless.

You’re finishing cleaning the last bit of dishes from breakfast when a sturdy arm slides around you from behind.

For someone so grumpy, Joel is surprisingly and secretly a cuddly creature. His wonderful nose burrows into the side of your face.

“Wanna work on the kitchen today,” he mutters.

The old house across the street from Bill and Frank’s has become the new project. While you still stay with Bill and Frank, your hope is to eventually make that empty house a home.

The autumn air invigorates you as you go to visit Frank in his sunroom.

“Will you be okay here by yourself?” You ask him gently.

Frank snorts. “You and Bill both, such worrywarts.”

Frank’s been moving slower, coughing more. It tugs at your heart. Over the radio you now even ask Tess if there’s other medication options for him to try.

You’ve grown to care about him, even grouchy Bill and Tess who even seems to warm up to you now.

It’s your own carved out universe.

Frank good naturedly pats your hand, reassuring you he’ll be fine. With a squeeze to his shoulder and a warm goodbye, you head across the street.

Of course Joel takes charge, and it’s hard not to jump his bones seeing how effortlessly he takes to fixing up this house.

The night you decided to stay here, Joel slid you a paper and pen.

“Draw me your dream house.” He told you gruffy.

He kept that very poor drawing. It’s what guides the renovations. The house is smaller than Bill and Frank’s but to you, it’s a perfect size.

“You know I can do it myself, make Bill work too.” Joel had told you when you first showed up to help.

“I know, but I wanna help. Wanna know my elbow grease went into everything too.” You told Joel with a grin.

He didn’t shoo you away after that. Now you get to help around when you can. The sanded cabinets and freshly painted walls, all fruits of your labor and you’re excited, proud, seeing the house come together. It’s breathing life into his dusty space, and you cherish it.

Eventually you head back to Bill and Frank’s.

Frank calls to you. “The radio came on.”

With Joel throwing himself into fixing up the house, interestingly enough you’ve become his stand in. It’s how you and Tess slowly began bonding. You’ve told her FEDRA routes and patrol changes and she’s in turn gossiped about what’s been happening in Boston.

You miss it often, but the peace of walking to visit your pumpkins, to helping Frank at breakfast, of having Joel in your bed…it’s like a new breath in your lungs.

“Hey.” You greet Tess.

She says your name, somber and you still.

“Your mom…she finally got in contact with us.”

You inhale shakily. A part of you had wondered if your mom would do something like this.

Finally managing to get a hold of a battery, your mom is offering to trade it for you.

A wave of fear does grip you. You don’t want to leave, don’t want to go back. But you also miss her dearly.

When Joel returns, beautifully coated in sweat and saw dust, he’s like a construction god. But seeing your face, he instantly understands something’s up.

In the seclusion of your room, you tell Joel you’ll return to Boston, and his eyes become moons.

“You don’t have to go back.” Joel whispers to you later that night. “Can say we want more.”

You shake your head.

Your mom has been through enough, and Joel needs this.

“You need to find Tommy.”

His hand curls against your face holding your cheek so precious. “We’ll find another battery, or hell I’ll take one of Bill’s. Don’t want ya feeling like you’re forced to go back.”

This has all been out of your control and now, you have a say.

You’ll return with Joel, but you won’t be fully returning to your life in Boston either. You’ll exist between these two worlds now, visiting your mom and primarily staying with Joel.

Your mom won’t be happy about this, you can almost hear her fury already. But this is what you want. It’s the journey your path will take.

“Y’okay with this?” Joel suddenly asks before leaving the gate to the town. His eyes search yours. “You don’t have to do this, especially for me.”

You understand what he means, but this is for you.

Gently you draw Joel towards you and kiss him soft.

With the smuggler king, you walk firmly into the sunlight. The early autumn breeze gently guides you forward.