#like you can't just make them a tragic parental relationship it has to be a tragic brotherhood too

[arcane-ish]

The Pros and Cons of killing Warwick

Let me start off with:

Why I personally don't care for it

I think it's silly that a character defined by his healing factor dies. I like the spooky idea of a scary mindless Warwick roaming the streets and caves of Zaun. Vander losing his humanity and memories seems like a dark, ironic and tragic ending enough. Because we already saw him die in season 1, have him as a potential cliffhanger death in s2act2, to have him gave another "this time for realsies" death seems more like diminishing returns to me rather than "zomg, the parallels and the symmetry". To me it sounds kinda tacky.

I also feel like season 2 didn't really succeed that much in establishing Vander as his own character as opposed to just an accessory for Jinx and Vi (ie the point of his flashback is just to double down his long and deep his parental relationship with them runs), which to me takes away some of the heft of his death.

The reasons why it seems likely

Warwick isn't one of the main pretty people characters the way Caitlyn, Vi, Jinx, Jayce and Viktor are. (From a pure business POV we know that monster champions are less popular and sell fewer skins) That alone makes him a more likely candidate.

Symmetry, parallels and themes

The show arguably kicked into "omg, this is serious" gear when Vander died. And season 1 ended on Silco's death, another father figure. So one can argue that Warwick dying is a parallel to that.

There is also the persistent theme in Arcane that maybe keeping people alive after their death isn't great (ie Singed/Orianna, Viktor telling Jayce he was supposed to die) and that you need to let go of the past.

Another aspect is that Vander's story is about becoming a monster and that Vander tried to resist violence (while Silco embraced it). So one can assume that Vander hates what he has become.

Vander is also defined heavily by his status as a parent so him sacrificing himself to protect Jinx or Vi seems fitting (sacrifice being another theme in s2).

There's also the aspect of what he represents in Vi and Jinx's story. That maybe they have to overcome him or as they become adults and become self reliant it's okay for him to leave the story. Or that he has "done his job" by bringing the sisters together.

The symbolism of it all

One thing that likely isn't intended, but, if we presume that Vi will join Caitlyn in Piltover (rather than Cait moving to Zaun or both staying on their side and meeting in the middle, of I can't overlook the symbolism that the Wrath of Zaun has to be distinguished for that to happen.

Or that both leaders of the original revolution die, maybe coinciding with Piltover and Zaun forming an alliance.

Remember, in League Warwick is called the Uncaged Wrath of Zaun. So maybe the characters have to symbolically overcome Zaun's anger for the sake of a better tomorrow.

However

I know there likely just isn't airtime left in the remaining episodes, but you know what would imo would be an efficient way to make Vander's death more resonant? Give us a flashback between young Silco and Vander where they discuss strategy for example for the battle on the bridge and Vander says no, he doesn't want to turn into a monster. Driving home the tragedy of when he gets turned into a monster that has to be put down.

[kiseiakhun]

The worst thing about fandom is when you're experiencing a media and you're like "I can't wait to read all the fucked up daddy kink people will write about this" and you open up ao3 only to find fandom has decided they're father and son

[neptuneiris]

could you pretend to be in love? (06/10)

The Connection

pairing: modern!aemond × fem!reader (fake dating)

summary: an unexpected person from the past shows up and there is a family dinner to attend, resulting in disastrous thoughts and difficult decisions.

word count: 8.9k

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the chapter is finally here!

sorry it took me so long, if you didn't see my last post go do it and you'll know why👀 but we can put it behind us now and I'm excited to tell you that the next chapter will finally give us that next level we've been waiting for so long!

I really hope it won't take me that long but for now, let's enjoy this new chapter and as always, I'll be very anxious to read your comments🥰

enjoy!

The day of the dinner is slowly approaching.

And you still don't feel completely sure about it. However, despite your doubts and worries, you haven't backed out.

Mostly you think about what you're going to tell Aemond's mother by way of ruining things out of nervousness. Of course he should have already given her information about the relationship, but you're worried that she'll ask you questions and you won't know how to answer.

But that's not the reason she wants to get to know you… is it?

You think she probably just wants to know more about you, your likings, your non likings, your aspirations in life, your dreams, your family and things related to that.

Right?

You just hope so.

You've never done this before, meeting a guy's parents, ever. And you just get more nervous and feel more pressure knowing that Aegon and Helaena will be there too.

As well as you also feel guilty about the fact that they all think that you and Aemond are for real and you're just going to go there and convince them and assure them that you and Aemond are crazy about each other… when it's not true.

Now it's Thursday, tomorrow is dinner and Aemond doesn't seem at all concerned about it, when your thoughts are being completely tormented with it.

Still, you listen attentively to his words as you put away some books in your locker and he's standing next to you, leaning against the lockers, with the Romeo and Juliet book in his hands.

"Why did you make me read this shit? It's too hard to read and I don't like it," he says longingly.

You look away from your books to him and place a small amused smile on your lips at the sight of his face.

"It's like poetry and I don't like poetry, I don't understand it," he says frustrated, "I don't understand any of the weird rhyming they say."

"Well, Shakespeare has a unique way of expressing himself."

"Yeah, but what does he mean by 'My lips, two humble blazons, are ready to seal with a kiss softly'?" he recites reading the phrase with his brows furrowed and you let out a small laugh.

"Shakespeare loved beauty in words, even if it meant complicating things a bit."

"Yeah but why can't he just kiss her and be done with it without saying these weird words that give me cringe?"

"Come on," you give him an incredulous look, "It's romantic. The whole book is romantic with a tragic ending."

"This is definitely not romantic," he says incredulously and shaking his head, "It's weird, boring and makes me want to puke."

You look at him with a pout.

"You're not romantic at all."

"Excuse me?"

He immediately comes to defend himself, staring at you incredulously and completely indignant.

"I can be extremely romantic, thank you very much."

You raise your hands in a gesture of surrender, with a small smile as you see the spark of amusement in his gaze.

"You of all people should know that, you've witnessed it and you're the reason I do it mostly," he adds.

"But that's not… you know," you give him an expectant, knowing look.

"It's still romantic."

"No, it's not," you say with a laugh.

At your playful response, still busy at your locker, you don't notice and Aemond suddenly approaches. He takes your chin with one of his hands gently but firmly enough, causing you to look up at him, catching you off guard.

"What did you just say, my love?" he asks with a mischievous smile and amusement in his gaze, appearing serious and warning.

He brings his face closer to yours with a demanding gaze and your heart begins to pound as you let yourself be carried away by his proximity.

It is clear that he is going to kiss you, what does this mean if not kiss you? So you watch him expectantly and with your face lifted towards him, really looking forward to the sweet contact, your lips inches from his.

But first Aemond looks around briefly, wanting to make sure that some students in the hallway are watching you. When then, you see that he is overlooking a specific spot in the hallway.

You see how there is a slight glint in his eye and then he no longer moves.

You frown slightly, waiting. And before you can say or do anything, Aemond suddenly pulls away.

Confusion overtakes you and he clears his throat by averting his gaze, then smiles softly at you as if he wasn't about to kiss you seconds ago.

"Then I'll be more romantic next time," he says, taking his distance from you, as if trying to minimize the tense moment you've just shared.

Was he going to kiss you or not?

You can't just tell him to kiss you either, that he was going to, since this isn't real but… the change in his behavior confuses you, you don't quite understand what just happened and you don't know what to say.

"I have to go to the field now," he tells you, averting his gaze for a moment before looking at you again, "I'll see you in class, okay?"

"Hum… yeah, yeah, okay," you nod, still confused.

He gives you one last smile and before leaving, he gives your shoulder a light squeeze with his hand, another gesture that catches you off guard. Without a kiss on your forehead or cheek, as he usually does, he walks away.

You stand in the hallway, watching him go, with a mix of emotions you can't help but feel confused, uncertain and... disappointed.

Questions swirl around in your mind, but you don't have any answers. So shaking your head to clear your thoughts, you close your locker door and head to your next class.

Eventually you continue to run into him and he acts normal, as usual. He sits next to you in class, does the teacher's requested activities with you, and walks with you through the halls to the next class.

And everything is…normal, in a way.

Although he's still being kind and attentive, he's not being as affectionate as usual.

You can see how he's distracted, deep in thought from time to time, something is on his mind, something that you have no idea what it is but that keeps you alert, confused and makes you feel completely different from previous days.

You sense that the dynamic between you today has changed somehow, leaving you feeling bewildered.

And you don't know why.

Although it's not until break time that you find yourself sitting at a table alone, still feeling this awkwardness, when Alysanne comes in and drops the big bombshell on you that makes all the sense in the world.

"Why are you here eating so casually when I just saw your boyfriend catching up with his other ex-girlfriend?"

You raise your gaze to her almost instantly, with a mixture of surprise and confusion, a knot forming in your stomach as the weight of her words settle on your shoulders.

"What?"

"Yeah, Floris Baratheon," she says, then looks at you slightly confused, "How did you not know this?"

"What?" you repeat, not understanding.

"Floris Baratheon," she repeats to you slowly and clearly, "Dark hair, not as tall and certainly not as bitchy as Alys but still she falls into the category of girls who are superficial and think they are better than other girls," she explains to you.

Confusion lingers in your gaze, for despite the explanation, you still don't remember anything about a girl named Floris Baratheon at school.

"You really don't know who she is? Aemond didn't tell you about her?" asks Alysanne incredulously and your face answers her questions, "She transferred schools for a semester and just returned this morning. She and Aemond weren't actually dating but they had a thing when he and Alys broke up for like the twelfth time."

Your mind whirls as you process the information.

Honestly you had no idea about Floris' existence back in your invisibility days at school. Therefore, you also had no idea that she and Aemond had ever had any kind of relationship.

However… there is something you have an idea of at the moment.

This is why Aemond acted weird with you this morning, because of her. He must have seen her in the hallway and his demeanor changed completely.

"I-I didn't know that," you admit in a soft, low voice, trying to hide the uneasiness that is starting to creep up on you.

"Well, it's weird that Aemond didn't tell you anything, especially since I saw the two of them so comfortable and happy talking," she lets you know, "And I'm not telling you this with any malice or to make you feel bad, it's just that I think you should know, even though I thought you already knew."

You bite the inside of your cheek, feeling a surge of emotions wash over you that you can't quite explain, nor can you avoid.

You're not sure what to think or how to react to this, but one thing is for sure; things between you and Aemond are likely to get complicated.

But what can you really do?

You and he aren't really dating. What's the point of asking him about it when it's really none of your business? Besides if he didn't talk to you about it before, when he saw her, it must be for this very reason.

You have no right here, even if you feel this.

"Do you want to get out of here?" asks you Alysanne later, noticing your face and probably everything that is invading your mind.

And soon enough, she takes you to the rooftop of the school, outdoors, where you just sit and watch the sky and listen to her while she smokes a cigarette, talking to you about Cregan being around her lately.

But as much as you want to give her your full attention and corroborate what she is telling you, you can't.

The rest of the classes are without Aemond, since you don't share them with him, and when the school day ends, still not knowing exactly whether to wait for him to drive you home or not, you head for the exit of the building, deep in thought.

"Hey."

You feel a hand grab your shoulder and when you turn your head without stopping moving forward, you find Aemond standing next to you.

"Hi," you reply softly, turning your gaze back to the front.

And he at your side gives you an attentive, curious and slightly confused look.

"Are you okay? I didn't see you at break," he says softly, "I also texted you and you didn't respond."

"Oh," your mind goes blank for a moment, "I was with Alysanne on the roof. She was talking to me about some things."

"Hmm," he nods, still watching you between a mixture of attentive and curious.

Then the two of you say nothing more, with the silence loud between the two of you and that tension emanating from your body, when you speak again.

"Are you going to drive me home today?" you decide to ask him, watching him, with that hesitation in your tone of voice and look.

And he frowns, watching you blankly.

"I always drive you."

You are about to speak but a third voice does it for you, stopping your steps and also Aemond's.

"Aem!"

The two turn their heads and there she is, Floris Baratheon.

Black hair, brown eyes, slender and absolutely beautiful features. She approaches with a smile, showing off her perfect, aligned teeth.

Everything about her screams money, as well as elegance, from her perfectly coiffed hair to her impeccable designer clothes and accessories.

And the moment she catches both your attention and Aemond's, you notice how he beside you tenses slightly.

"Hey," she gives him a charming smile and her full attention, placing herself in front of him, "The guys are going to get something to eat, I was just told. Do you want to join us? We can take off in your car and catch up some more."

"Hum…" he is silent for a moment, shooting you a nervous glance, scratching the back of his neck.

And throwing you another glance, this finally catches Floris' attention and she notices your presence as well.

"Oh… hi," she smiles softly at you.

Despite your nerves and how uncomfortable you're starting to feel, you force yourself to smile as kindly and genuinely as possible.

"Hi."

"I'm sorry, I don't think I know you," she tells you in an exaggeratedly kind tone of voice.

And this too finally gets Aemond to react.

"Yeah, right, that's my fault," he says trying to act nonchalant and completely relaxed, "Floris, this is Y/N, m-my girlfriend."

You watch as she parts her lips and her surprise is evident as she looks at Aemond and then turns her attention back to you.

"I-I didn't find the moment to tell you."

You instantly observe Aemond, with a look that even you can't explain and he suddenly can't control his nervous gestures anymore, giving a wary glance to you and then to Floris.

"Oh."

She turns her gaze back to you and though she tries to hide her surprise, the strength of her smile seems a bit forced as she holds out her hand to you.

"I'm Floris, nice to meet you."

And within everything you're feeling right now, like awkwardness and feeling out of place, you still shake your hand with hers.

"Nice to meet you."

Tension is in the air and Aemond looks hesitant for a moment. And you continue to feel like an intruder between them, getting in between the interaction of two people sharing a history you don't fully know about.

When Aemond speaks again.

"Floris is my…

He tries to tell you, but his words are left floating in the air.

Suddenly you see how he struggles and searches his mind for a way to introduce you to the girl he had a thing with in the past, only according to him, you don't know that, when certainly Alysanne already took care of it.

And just like you, you too feel Floris' anticipation, waiting for him to introduce her.

"An old friend," he finally says.

Floris arches an eyebrow slightly at Aemond's introduction, her lips curving into a smile that seems to contain more than just politeness.

"Yes, that," she punctuates, with a knowing look that to you does not go unnoticed, "Well, I just wanted to know if you were free for this afternoon. Although if you want you can bring your girlfriend with us," she proposes.

Aemond takes a moment to respond, averting his gaze as he scratches the back of his neck in a nervous gesture.

And that's when you decide to speak.

"You can go with them," you tell him and that immediately gets his attention and hers, "I can just take the bus or something and I'll see you later," you say to start walking away from both of them.

His attention and slight surprise is most visible on his face, but before you can move too far away, he grabs your hand and advances towards you.

"What? No" he immediately inquires, "No, I'll take you home."

The determination in his tone of voice and in his gaze makes you feel a little more comforted, but still, you can't shake this uneasiness in you about Floris' presence.

And that's when Aemond turns to her again without letting go of your hand.

"Sorry Floris, another time," he tells her in his firmer, slightly strained voice.

And she nods with a sympathetic look, though you can't help but sense there's something else behind her expression.

"Of course, I understand, it'll be for next time then," she says, before turning to you, "It was nice meeting you, Y/N."

And finally she is the first to walk away.

You exchange a look you can't quite describe with Aemond and feel the awkwardness and seriousness linger between the two of you, even as the two of you leave the building and make your way to his car.

And once in the passenger seat and with Aemond driving through the city streets, you find yourself fiddling with your fingers in your lap, still feeling the awkwardness in the air.

You don't understand exactly what's got you right now but you can't even see Aemond out of the corner of your eye, so you keep your gaze focused straight ahead and on the side where the window is.

"Are you okay?"

You suddenly hear his voice speak softly to you, feeling his gaze on you from time to time and you squirm a little in your seat before you speak, swallowing hard.

"Yeah, all good," you say, trying to sound convincing.

He exhales deeply, noticing your distance again.

"I'm sorry if the Floris thing made you uncomfortable. S-she…" he sighs, "She's truly a childhood friend. We had something in the past but it was very brief and it's no longer relevant."

And although there is nothing wrong with his words, you still can't help but feel a slight knot in your stomach. And you act completely unconcerned.

"I understand," you say simply, in a soft voice and still without looking at him.

But this is not convincing to Aemond, who licks his lips and can't help but worry about the situation.

"I mean it."

"Aemond," you call him softly, finally looking at him, "I understand, I really do," you assure him, "I also meant it when I said you should go eat with her and your friends. You seemed very uncomfortable and there was no problem from me."

He nods slowly, but still looks a little uneasy.

"I just didn't expect I was going to see her again."

And you don't know if that's worse.

"Are you ready?"

Oh God, are you?

"I don't know," you answer honestly, nervously, looking at your outfit.

For this occasion you chose a pair of pants, ankle boots and a white tank top with a black jacket over it. You don't look overdressed but decent for the occasion, along with your makeup and hairstyle.

"Hey, easy," he says softly, placing both hands on your shoulders, "It's going to be okay. Besides we won't be alone, Aegon and Hel will be with us."

"Yeah but that's not what I'm worried about," you clarify, playing with your fingers, "What if I ruin everything?" you ask watching him fearfully, "What if everyone realizes that we're not really dating because of me?"

"I'll take care of that, don't worry," he assures you, with his soft gaze, "You just have to corroborate everything I say and stick to the main story. Other than that, my mother will just ask you questions about you to get to know you better."

"Are you sure?" you ask, not entirely convinced.

"Very," he affirms you, conveying calmness and assurance in his voice.

"You've done this before?" you can't help but ask, still with some hesitation, "I mean…" you lick your lips, nervous, "You've brought a girl before to dinner with your family?"

He is silent for a moment, as if considering how to answer, as the implication is clear because that's not the real question, you know that too.

Rather it is: have you ever brought Alys to dinner with your family before?

"Yes," he finally admits in a murmur, sincerely, "Yes, I have."

You stare at him silently, without the two of you saying anything else, only to look away and nod, again trying to look unconcerned, trying to calm your nerves further.

"My mother never liked her," he says later, again attracting your attention, "You know, Alys."

Again, you say nothing for a few moments, just lick your lips and nod.

"I understand."

Aemond lets out a heavy breath and takes a step towards you, lowering one of his hands to take one of yours, gently rubbing his thumb against the back of yours, this also immediately catching your attention, as you see him looking at you for a moment thoughtfully.

"Are you ready now?" he asks you softly, raising his gaze to you, "We can stay here a while longer if you want."

"No," you reply immediately, "No, I don't want to make everyone wait for us," you release a long breath, calming your nerves, "I'm ready now."

He places a small comforting smile on his lips.

"You'll do fine, trust me," he assures you then moves closer to you and leaves a soft kiss on your forehead, just like at school.

His action definitely catches you off guard and you look at him slightly surprised, but Aemond doesn't give it that much importance, as if it was already a natural and routine thing between both of you, like a gesture of encouragement, to then take you by the hand together with him to the entrance of his house.

His house is nice and big, with a beautiful garden, so when you open the door, you see a huge and cozy living room with the dining room visible in the background, where you can make out Aegon's figure and his short silver hair.

Aemond closes the door behind you and you briefly look around, seeing the decorations of the elegant house, such as mirrors, flowers vases and also family photos.

Mostly, you see pictures of young children, which you recognize as Helaena, Aemond, Aegon and his other brother, Daeron.

There are also photos of what you assume is their mother and also a man, who you assume is the father, with Aemond and his siblings as children. But it strikes you that none of the four are smiling, just the mom a little.

There are more current pictures, only of Aemond, Helaena and Aegon smiling next to their mother, with no trace of their father and Daeron.

"He's my younger brother," he takes a single photo of a boy, standing next to you and handing it to you, "Daeron."

And just as you imagined, he's a boy of about fifteen with striking blue eyes and short silver hair, smiling at the camera with a bright face and looking in the background like he's standing in a lake at Honeyholt.

"Helaena was right," you say with a small smile, still inspecting the photo, "He really is the handsomest of the three of you."

"That's not true," he tells you immediately, taking the photo out of your hands and putting it back in its place with a quick, automatic gesture, making you laugh.

"What's up, bro?"

You both hear Aegon's voice and turn around, with the silver-haired man already walking towards you with a bottle of beer in his hand and a huge grin on his face.

"Are you drinking already?" Aemond inquires, "Mom's going to kill you."

"Oh, you know how persuasive I can be," he tells him without wiping off his smile, "Besides, I've already set the table," he points to the dining room, "It's dinner, bro."

"Careful," he warns you but he deliberately ignores him, heading in your direction.

"Y/N!" he exclaims your name smiling, coming over to embrace you, "Welcome to our home."

"Hi Aegon," you smile back at him.

He envelops you in a hug and you reciprocate cordially, instantly the strong smell of beer reaching your nostrils.

"Want one?" he points to the beer in his hand as he pulls away from you.

"I don't think so," Aemond answers him, again intertwining his hand with yours, "Where's mom?"

"In the kitchen with Hel" he points out, "Tell them to hurry, I'm starving," he says in a tone of voice that catches your attention.

But Aemond pulls you forward, starting to leave him behind, with a serious and disapproving look at his brother's attitude.

"It's the beer," he explains to you quietly, "I hate it when he drinks at home. I just hope it doesn't get unbearable later."

"Why?" you ask him, curious.

He shakes his head.

"Aegon is… complicated."

He doesn't say anything else and neither do you, mostly because he leads you toward the kitchen, but curiosity still lingers on that subject.

He gives your hand a gentle squeeze in a supportive gesture that comforts you as you both cross the threshold into the kitchen, where instantly the smell of delicious freshly baked food hits your nostrils.

And the first thing you notice is a silver hair along with a darker one, who you assume must be Aemond's mother.

And immediately your nerves again explode and you feel your heart pounding hard in your chest.

"Hey, Y/N!"

A friendly voice says to you, being Helaena, who is wiping her hands with a clean dish towel and wearing a beautiful blue dress, instantly heading towards you with open arms.

"Hi Hel," you smile back happily, hugging her enthusiastically.

"Oh I'm so happy you're in our home," she says excitedly and warmly without letting go of you, "We've prepared turkey, I hope you like it," she says as she pulls away from you.

"Oh I'm sure it will," you nod at her with a sincere smile, feeling welcomed by the warmth of her welcome.

"Mom."

Aemond's voice momentarily pulls you out of your conversation with Helaena and you turn your head to meet the gaze of Alicent, Aemond's mother.

Instantly you try to control your nerves and keep your composure, remembering his comforting words.

And when Alicent's gaze meets yours, a warm smile forms on his lips, which makes you feel less nervous and conveys a sense of calm. Although the nervousness lingers, you feel a little more secure with his kindness.

Aemond places a comforting hand on your shoulder and steps forward to introduce you.

"This is my girlfriend, Y/N," he points to you with his small smile, "And Y/N, this is my mom, Alicent."

She is a very beautiful woman.

It's the first thing that comes to your mind, noting the dimples in her cheeks and that warm look she has, not being intimidating at all and being rather kind.

Besides the dark green dress she wears is completely beautiful, as well as her accessories. Everything about her radiates elegance and poise.

"A pleasure to finally meet you, my dear," she says, turning to you, "Gosh, I was so excited to meet you. It's so nice of you to come."

And without expecting it, just like Helaena, she too greets you with a hug, taking you completely off guard, causing you to let out a nervous little laugh as you hug her back.

"The pleasure is mine, Mrs. Hightower," you say softly, feeling slightly overwhelmed by her kindness and warmth.

"Please call me Alicent," she says as she pulls away from you.

Before all this you asked Aemond what to call her, just for the heck of it and to feel less nervous and he told you 'Hightower', the last name of her father.

So you assume that Aemond's father is not someone who gets mentioned much around here. In the family photos he is present in only one picture. And Aemond doesn't talk about him either.

And he watches with a small smile at the interaction between you and his mother, feeling relieved that things are going well so far.

"Please go and take your seats. Dinner will be served soon," she says to Aemond and you.

"Do you need help?" he asks her.

"I'm already doing it myself," Hel says, "Don't worry, little brother."

"Can you help me with your brother, please," Alicent tells him, with a look of slight concern.

"Of course," he assures her in a gentle tone.

Soon the two of you return to the dining room, the two of you take a seat together with Aegon and Aemond tries to tell him not to overdo it with his drinks, that you are here to enjoy a nice dinner with his family.

But he just makes nonchalant gestures and tells him that everything is fine, to continue drinking, looking at the screen of his phone, waiting for dinner.

Then you don't know how much time passes exactly but Alicent returns very soon along with Helaena with the food, placing the dishes in the center of the table, indicating that all this will start soon.

Aemond places his hand on top of yours underneath the table, giving you every supportive gesture possible, reassuring you at every turn that he can that all will be fine.

Every brush of his fingers against yours conveys reassurance and comfort.

You feel a slight relief as you feel his touch, reminding you that you are not alone at this moment and his presence gives you strength to face any nervousness that may arise during dinner.

And with the food finally served, the silverware begins to clink against the plate glass as everyone begins to enjoy the delicious dinner.

Aemond, like the supposed boyfriend in love with you, is totally attentive to you, asking if you're served this or that, wanting to make sure you're well received and comfortable to make this more bearable.

And you thank him all the way, feeling his mother's gaze on both of you from time to time, without wiping away her warm smile.

"Did you like the food, dears?" she asks generally.

"Oh yes," Helaena says with a look of total complicity, delighting in the food.

"It's delicious, Mom," Aemond tells her later.

"Totally," you corraborate politely, nodding in her direction.

Alicent smiles in satisfaction and then turns her attention to Aegon, who hasn't said anything since everyone started eating.

"How about you, son?" she asks him softly.

"It's fine," he says curtly, taking a huge swig from his bottle of beer.

This definitely gets your attention but Alicent as well as Aemond and Helaena decide not to give it enough attention, as if they're already used to it and don't want to ruin the moment by his behavior.

But you do notice the disapproval in each of their looks, especially the disappointment in Alicent. Though she almost instantly turns her attention away from Aegon to Aemond and you.

"So, how long have you two been dating exactly?" she asks curiously and without losing the kindness in her gaze and tone.

"A month," Aemond replies without hesitation at your side, resting one of his arms on the back of your chair.

And Alicent shakes his head with a small smile on his lips.

"And I still can't believe he kept you hidden from me, Y/N."

You smile in his direction, trying not to let your nerves give you away, as Aemond again interjects, with a soft look.

"We didn't want to rush things."

"I told him not to take too long to tell you," Helaena says as well, pointing at Aemond as she watches her mother.

"But he didn't tell me anything, Aegon did," Alicent says in amusement.

"Oh come on, I was going to tell you anyway," Aemond tries to justify himself.

"Oh you were going to?" Hel questions him.

"You want to turn her against me."

"I'm just telling the truth, little brother."

This causes Alicent to laugh softly and his gaze meets yours, where you laugh softly too, as the fight between Aemond and Hel continues. But this causes you to begin to feel comfortable and more at ease with the whole situation.

The only thing at the table that is completely serious is Aegon, who continues to concentrate on his drink and the food in front of him.

His reserved attitude contrasts with the energy you have with Aemond, his mother and sister, but they don't really give him much attention and everyone continues to enjoy the delicious food and create topics of conversation.

"So…" Alicent begins to speak, watching you with her warm gaze, "What are your college plans, sweetie?"

Oh my God.

Okay, it's happening.

You think as you slowly start to panic, but quickly get yourself under control, settling back in your seat.

"You're all graduating soon," she points to her kids with a small smile.

And you're about to speak but someone else does first.

"Which wouldn't be the case if Aegon hadn't repeated year… twice," Hel says condescendingly, pouring herself more food in a casual gesture.

"Helaena," Alicent reprimands her in a soft tone.

"Don't start with me."

Aegon's voice finally makes itself heard in a long time, speaking in a cold, curt tone, not even observing his sister, focused on his food.

"Just saying," Helaena says also with a pout in his direction.

"Then speak for yourself. You're a year behind too."

"Ugh," she sighs, "You talk like you don't know what happened."

"That's enough," Alicent says calmly, watching you both with a look of silent warning.

The atmosphere tenses slightly and all is silent for a moment, as you notice how Aemond next to you only runs a hand over his chin and you only hear the clink of silverware clattering against glass plates.

Alicent then turns his gaze to you and there you decide to speak, hoping to restore comfort to the atmosphere.

"Well, actually, I've applied to Oldtown University," you say with a soft smile, controlling your nerves, "I'm planning on getting into law school."

Surprise flashes across Alicent's face, as you briefly feel Aemond watching you beside you.

"Oh, wow," she nods slowly, her expression one of amazement, "What a coincidence, that's the same college Aemond wants to go to."

Aemond nods with a small smile, completely keeping up appearances.

"Yes," he confirms, "In fact it's perfect for us to go to the same place after graduation."

And just to show more affection with you, he places his hand and yours intertwined on top of the table, watching you with that 'love' he seeks to convey in these moments in front of his mother.

And Alicent watches you both with her soft smile, but is still intrigued by you.

"And why that choice? Law is something you always wanted to study?" she asks you, with genuine interest in her voice.

You try not to focus too much on the way Aemond's thumb begins to gently caress the skin on the back of your hand, which at the same time also reassures you.

And you nod in Alicent's direction.

"Yes, it's something I've always been interested in. It's a very heavy degree with very dense material, but it's very interesting and it's long been what I've decided for myself."

Alicent nods in your direction, listening to you intently and looking completely interested.

"And I guess at Oldtown it's a great opportunity to want to study law."

"Oh yes," you say eagerly, "Oldtown has one of the best faculties with very capable professors and all the material you need. It's certainly a great opportunity."

"But I also think that getting to study at such an in-demand university with few places in that major can be difficult," she tells you corroborating in conversation.

"Yeah, that's the bad thing, but…" you shrug, "I'm hopeful."

You watch subtly beside you, focusing for a moment on Aemond, speaking with that complicit tone, as of course he doesn't forget that the reason you're here doing this is precisely because of Oldtown.

He knows that all too well too.

"And your parents are supportive of your decision to study law?"

Slight surprise passes across your face, definitely not expecting that question, but you quickly manage to soften your face, though you still remain silent for a moment.

You try to hide any trace of bewilderment as you search for a suitable answer. And it is Alicent's same warm gaze that encourages you to respond.

"Uh… yes, my father is just as excited as I am about this possible opportunity," you reply with a small smile, being honest, "He has always supported me in all my decisions."

You respond without saying anything else and with sincerity, not mentioning anything about your mother.

"Well, I'm glad to hear that," he nods at you and smiles warmly, "And what about your mother, dear?" she asks with genuine curiosity.

Inevitably your whole body tenses at that moment. And an uncomfortable feeling settles in the pit of your stomach as you think again about how to respond.

You honestly didn't expect the conversation to get to this point, about how even after talking only about your father, you're still being asked about your mother.

And for a moment, you don't know what to say or what to do, but you finally decide to react after everything falls into an awkward silence and they begin to look at you slightly confused by your lack of response.

Until you decide to be honest.

"Well, I-I…" you bite your lips, "I don't actually live with her," you admit in a soft voice, avoiding eye contact for a moment, "And I haven't seen her since I was six."

Slight concern crosses Alicent's face, instantly watching you in regret.

"Oh, I'm so sorry, sweetie," she says sincerely, embarrassed to have caused you discomfort, "I had no idea. I apologize."

You're about to tell her it's okay, that it's no problem because she didn't know, that it's no big deal, but you don't even get a chance to speak when sudden laughter is heard throughout the dining room.

The tension in the air dissipates in that instant as everyone turns to the source of the laughter, Aegon.

He is visibly drunk, but still conscious enough to know what is going on around him and that is what is alarming.

Alicent, Helaena and Aegon's faces fill with bewilderment and disapproval, except for yours, as you watch Aegon in confusion, not quite understanding what is going on.

"Aegon," Alicent calls to him now truly annoyed, watching him seriously and reproachfully.

But Aegon barely manages to contain his laughter as he apologizes between laughs.

"Sorry, I couldn't help it," he mutters, his tone full of amusement and insolence.

Then Aemond at your side watches him completely serious, his jaw clenched and his gaze dark, holding back his fury at his reaction after you shared a very intimate and sensitive piece of information to you.

And Aegon laughs at it because of his own stupidity? Of course he's not going to allow that.

"What's so funny?" he inquires, expectant and about to explode.

Aegon straightens in his chair, a smirk on his face.

"Oh, nothing," he replies mockingly, "I just think she and you are perfect for each other. Apparently, we're not the only ones who have parental issues, are we?"

He asks watching his mother and sister, which makes Alicent feel even more tense, watching you worried and apologetic about the little show her eldest son is putting on.

"That's enough," she reprimands him firmly.

But Aegon seems determined to move on and turns to you again with a gesture of camaraderie, ignoring his mother's words and his brother's attitude.

"Don't worry, Y/N," he tells you with a crooked smile, "You can talk about it here and no one will judge you. All of us would understand, wouldn't we? We who wouldn't know about the subject of fucking neglectful parents with their kids."

Aemond's gaze becomes even more intense and his jaw tighter, watching his brother as if he could throw daggers at him with his eye.

"Shut the fuck up," he orders him, controlling himself as much as he can at that moment.

"Aemond," Alicent calls out to him worriedly.

"Or what?" Aegon challenges him, "She better know what she's getting herself into once and for all. With our fucking family traumatized by her own father who never cared about us."

"I said shut the fuck up," Aemond demands of him rising from his chair, causing everyone at the table to become alarmed.

Alicent rises at about the same time he does, and Helaena rises next, alert and worried, while you and Aegon continue to sit, he still unconcerned and you… because you don't even know how to feel about it.

The tension is too much, this is all unexpected and it's all happening too fast. And as if things couldn't get any worse, Aegon continues to talk and drink more.

"I'm just saying you two are the perfect match," he continues, his tone increasingly amused, "She doesn't have a mom and you don't have a dad, bro. Awesome, isn't it?"

Then it all happens too fast.

Aemond advances towards Aegon with a furious determination on his face that puts everyone at the table on alert, reaches towards him and grabs him hard by the collar of his shirt, forcing him to get up.

"Aemond!"

Alicent and Helaena immediately intervene, rushing towards them to stop them, but Aegon doesn't even have time to react before he finds himself on his feet, with Aemond holding him tightly.

"Stop it, Aemond!" exclaims Alicent, his tone full of authority and concern.

You finally rise from your seat as well, alert and worried, not knowing exactly what to do or what to say, feeling your pulse racing.

Then Aegon reacts as well, his face transforming into one of rage, placing his hands on top of his brother's.

"Get your fucking hands off me," he manages to say with difficulty.

"I told you to shut the fuck up or didn't I?"

"Oh and now you're going to hit me? Huh?" he asks, punching him in the chest with his hands, "You're going to hit me? And for what? For telling the truth?"

"What the fuck is wrong with you huh!? You fucking cunt," Aemond hits him back in the chest.

"Let go of me, you fucking asshole!"

"That's enough!" Alicent intervenes again, her voice firm and full of authority, "Aemond, let go right now!" she orders, furious, implying that she won't repeat it a fourth time.

The tension in the room seems to increase with each passing moment, as you hold your breath, watching Aemond worriedly, as does Helaena.

Aemond hesitates for a moment, glaring at his brother with determination, until he finally releases him with a tug, pulling away from him still watching him in warning and utter annoyance.

Aegon straightens, rubbing his neck as he glares at his brother resentfully.

"I don't need this shit. Enjoy your fucking dinner," he says grumpily, grabbing his bottle of beer and heading for the stairs, not giving anyone a glance.

At least your pulse starts to calm down when you see how it's finally all over, but you still watch Aemond worriedly.

"I'm so sorry, sweetheart," Alicent turns to you sorrowfully, averting your gaze to her, "What a shame."

"No, no, don't worry…

You start to say in a soft tone when Aemond's serious but definitely kinder voice makes itself heard in your direction.

"I'll wait outside."

The three of you watch him silently and watch as with nonchalant gestures he takes his car keys from his front pocket and with his face still contained in fury, heads out of the house.

With a lump in your throat, you turn to Alicent and Helaena, feeling the weight of tension still hanging in the air even so.

"Thank you so much for dinner. It was nice to meet you," you say to Alicent, trying to sound as calm, gentle and kind as possible.

Alicent smiles sadly back at you, still with her saddened and troubled face.

"It was lovely to meet you and have you come, honey," she tells you sincerely, "Still I'm so sorry. It wasn't my plan for dinner to end like this."

"I totally understand, don't worry," you say with a small smile, "We can always do it again."

You say and immediately regret it, but manage to soften your face in time.

This was supposed to be the only time you would do this, but you feel you owe it to her, to Alicent, as she prepared a delicious dinner with great care. She seemed so excited and happy about everything, especially about you coming that it is such a shame that this happened.

More than anything else that's why you say so.

"Of course," she nods to you, kindly and cordially.

You bid her goodbye with a gentle hug, then embrace Helaena as well, conveying your silent support through the simple gesture.

"If you need to talk, we can do it at school," she murmurs in your ear before releasing you.

"Sure," you promise, returning the hug gratefully.

You take one last look at both of them and head out of the house. And once outside, you feel a shiver run down your spine as you face the cool night air.

And there you see him, in the middle of the night silence and at the edge of the street, leaning against his car, smoking a cigarette with an almost absent gesture, looking thoughtful but also still a little upset about what happened.

You watch as he lets the smoke go between his parted lips and you, letting out a long breath, head towards him.

When he looks back at you, you too just watch him silently and he wordlessly opens the driver's door with a soft squeak and gets in the car, so you follow after him, feeling the weight of silence between you.

You too slide into the passenger seat and close the door, where soon the two of you find yourselves moving through the quiet streets of the city, the music on the radio playing at a low volume in the background.

And that's the only sound between you, the music, and even then it's a little uncomfortable.

You bite the inside of your cheek, struggling to find the right words as the tension lingers, but you don't even know what to say. What are you supposed to say when that happened?

But finally it's Aemond who breaks the silence.

"I hope you enjoyed the show," he murmurs, not taking his eye off the road.

You are momentarily speechless, not knowing what to say at that, not even finding the right words in your mind. Then you let out a low sigh, understanding how he must be feeling.

You mean… you went to meet his mother, it was a family dinner, everything was going well and to suddenly have it all end like that with very personal confessions that you had no idea about… it must be completely frustrating for him that you witnessed that.

"Are you okay?" you ask him in a low, soft tone, watching him intently, concerned and understanding.

He lets out a long breath, pursing his lips as he considers your answer, saying nothing for a moment. But when he finally does, he says it in a voice laden with weariness, regret and seriousness.

"I'm not even upset that Aegon said all that… he… he's right," he says resentfully, "I'm upset that you had to witness it."

The weight of his words falls on you, sensing Aemond's seriousness and frustration in his words. You watch his serious and weary face, the fury he is still holding back.

And for a moment, you look like you're not going to say anything, but after biting your lips, you finally speak.

"You don't have to worry about me," you tell him in a soft voice, "After all, he was right about what he said about my mother too," you add, seeking to offer some comfort, "I don't even remember her, you know? And honestly… it doesn't affect me nor do I care."

If your words caused anything in him, he doesn't show it, as he continues with his eye focused on the road.

But inside, he can't help but feel a little surprised and amazed at your ability to accept those circumstances with such calm and determination compared to him.

And finally he nods, understanding the truth of your words.

"I'm sorry," he murmurs, his voice barely a whisper.

You watch him with a soft and… slightly thoughtful gaze, feeling the tension between the two of you finally begin to fade, resulting in a warm and pleasant atmosphere for the two of you, as usual.

And unexpectedly for him, you take his free hand gently and intertwine your fingers with his, offering a small gesture of support amidst still the frustration he is feeling.

"I don't," you confess softly.

You don't say anything else and neither does he, hoping you can put this behind you. And all along the way, he keeps gently stroking the back of your hand with his thumb.

You wait anxiously, moving your foot repeatedly up and down, glancing from time to time at your surroundings and also at the screen of your phone, wanting to keep the time very much in mind.

The gentle morning breeze caresses your face, with the sun painting golden hues in the morning sky and listening in the background to the birds singing, but also all the movement of the soccer team training early at this hour from the field.

Everything seems to be calm, except for your racing heartbeat, where you avoid biting your nails and simply bite your lips in a nervous gesture, as well as the inside of your cheek.

Then you finally see Aemond approaching with his backpack on his shoulder and his face soft.

"Hey," he says softly, taking a seat in front of you, taking off his backpack and watching you carefully, "What's up? Is everything okay?"

Out of nerves, your whole body tenses and you avoid stuttering as you speak, stirring in your seat.

"Yeah, yeah, just…" you lower your gaze, playing with your fingers, "I just want to talk to you about something."

Aemond nods, giving you his full attention.

"Well? What is it?" he asks you warmly, not wanting to put pressure on you as he notices all the tension that is invading you at the moment.

But he honestly starts to worry seeing you that way.

And you swallow hard, with your gaze lowered, feeling the need to just let it out and nothing more, having that urge so you don't keep torturing yourself with your destructive thoughts.

"I was thinking that… maybe…" you let out a sigh, "Maybe we should stop this," you mutter, your voice barely a whisper.

And Aemond only watches you more intently, beginning to look alert, furrowing his brows in confusion.

"Stop what?"

You bite the inside of your cheek hard, completely flustered.

"Our fake relationship," you reply cautiously, watching him intently and with some concern.

"What?" he immediately queries you, "I-I don't-I don't understand."

"I think we've both accomplished what we wanted to… oh well, almost everything," you tell him knowingly, "But we've already put on a good show in front of the whole school, Alys is upset enough, and the cheating thing is behind us. We should stop."

You explain but in the middle of all your explanation, Aemond only frowns more, listening to you completely attentive, watching you surprised and incredulous.

"And the trip to Dragonstone?" he inquires you, with a serious and alert look, "That trip is key, it would be great for both of us to go together, as a couple."

You try to remain calm, but your heart is pounding and your nerves are getting the better of you.

"Yes, I know, but… do we really need to keep pretending?" you ask, "You've already saved your reputation, remember?"

Aemond shakes his head firmly, his jaw tense with mounting frustration.

"It's still not enough," he tells you seriously, "At least wait until after the trip."

"Aemond, I don't see why we should wait until then," you mutter, unsure, "We can finish everything now."

Aemond's expression hardens, his jaw tense with frustration as he tries to understand you.

"Y/N, the trip is in the contract," he tells you firmly, "And we agreed to finish everything until graduation."

You exhale, feeling the overwhelming weight of the situation that you didn't expect was going to get this bad the moment you decided to do this.

"I know, but I don't see the point of this anymore."

He becomes more confused, shaking his head, looking at you confused and now completely frustrated.

"What-what's wrong?" he asks you in a soft but urgent voice, attentive, "Did something happen?" he asks you concerned and interested, "Did something happen that I still don't know about?"

Oh God.

Fear grips you as you struggle to keep your composure and not let your nerves get the better of you.

"Or is this because of the dinner thing? And because of Alys' pranks?" he asks you worriedly, "If it's that, tell me. I-I'll find a way to fix it. You won't have to go to dinner at my house again and I'm sure I can talk to Alys."

"No, no… I-I…" you sigh, "It's not that-

He shrugs, looking at you confused and frustrated.

"Then what is it?"

Your heart pounds as you struggle to keep your composure in front of him.

Your words get stuck in your throat, enduring Aemond's still serious, worried and frustrated look on you, waiting for an explanation. But the feeling of panic grows in your chest and you resign yourself completely.

"Nothing, forget it," you say in a whisper, lowering your gaze.

You stand up and gather your things, slinging your backpack over your shoulder, just as Aemond sighs and looks more frustrated.

"Y/N," he calls your name in a tired gesture.

But you don't heed him, just focus on getting away from him,

"Y/N, please stop," he says to you in a soft but urgent voice.

But you don't stop, you can't.

How could you do it and how could you tell him that the real reason you decided to bring this up to your fake boyfriend is because maybe you are actually falling in love with him and the feeling is getting more and more intense, and you can't help it?

You just can't.

general taglist:

@melsunshine @at-a-rax-ia @jxdegodfrey @ttkttt @yentroucnagol @kate-to-the-ki @iamavailablesstuff @bluerskiees @urmomsgirlfriend1 @toodlesxcuddles @rosie-posie08 @iloveallmyboys @bellaisasleep @deliaseastar @cupcakesminicakescupcakes @dixie-elocin @lilostif16 @wickedfrsgrl @a-beaverhausen @a-beaverhausen @saturnssrings @ladythornofrivia @iloveallmyboys

[hellkeepers-if]

DEMO (prologue out) UPDATES

Set in an alternate version of Singapore, you're a fresh university graduate bumbling through life as you desperately look for a job.

...Or that's what your mother thinks. In a world where occult ceremonies are as common as an existential crisis, there's no way you were ever going to be a perfectly average office worker. Just like your twin brother, you work for the International Society Of Exorcists (ISOE) which deals with supernatural occurrences, demonic rituals, and the like.

When a tragic event befalls your older sister, it uproots your entire life and everything you ever knew about the supernatural. With it, comes a forced need to come to terms with a family history straight out of the movies. 

After all, how the hell did it take twenty years to find out that you're descended from the freaking king of the underworld?

"I have a duty to myself, but more importantly, my family."

——————

Inspired by Supernatural, Fullmetal Alchemist, Noragami, and the Percy Jackson series, Hellkeepers is a +18 urban fantasy/paranormal interactive fiction, involving elements of Chinese and Southeast-Asian mythology. In every playthrough, you will...

• Play as a female, male, or non-binary Chinese demigod/ess.

• Determine the relationships between you and your family members. After all, they will play a big part in your story...

• Peel apart the full truth behind you and your siblings' birthright. Your parents can't hide it forever.

• Learn more about Chinese and Southeast Asian mythology as you warp into different dimensions, unlike anything you've seen before.

• Learn more about who you were in your past life.

| Nishimura Kazuo (he/him)

Age: 26

Ethnicity: Japanese

With a penchant for mischief and a charm that woos even the most stubborn of grandmas, Kazu is the wildcard of your organization. You think he's an anarchist, and the only reason he's tied down to the ISOE is so that he has an excuse for whatever havoc he wreaks on the supernatural. 

The A-ranked exorcist is your colleague and your brother's mentor, though you rarely ever see him in his office. But if you ever need him for demon fighting, he'll be there. Most of the time.

"Mind taking that pesky thing out for me while I take a quick nap?"

| Quentin Khanh (Quan) (he/him)

Age: 25

Ethnicity: Vietnamese

Quentin, more affectionately known as Quan, was your childhood friend. After he moved overseas, the weekly texts you sent him fizzled into nothing but a lost friendship.

Since then, he's returned to Singapore as a forensics pathologist and researcher under your organisation. Whether you like it or not, you have to no choice but to work with him for most of your investigations.

"If your bribe doesn't involve a penthouse worth of money, don't talk to me."

| Reyna Aliyah Santos (she/her)

Age: 23

Ethnicity: Mixed (Filipino-Chinese)

You've never quite met someone like Reyna. A halfling with a demon mother and a human father. Being raised in Singapore all her life with little knowledge of her parents, it's natural that Reyna would come to the ISOE for help at the mere instance of a fox tail and white fur.

You've been tasked to help her mask and get comfortable with her supernatural powers, but she won't make it easy for you. After all, foxes do bite. 

"Technically, I'm not stealing anything if they don't notice."

| Song Huayun (she/her)

Age: ????

Ethnicity: "Uhh...from Hell?" Chinese

| You don't know too much about Huayun, except for the fact that she lives in Diyu, the Chinese Underworld. As Diyu's gatekeeper, Huayun has seen countless depravities committed by humans before their deaths. That alone has made it hard for her to like them, and the contempt she shows you is no different than what she shows everyone else.

But with time, maybe she'll finally learn what it is like to feel human…and what a smile is.

"If it isn't the star of tonight's show. Welcome to Diyu."

| The Arbiter of Fate (m/f)

Theyre a stranger, or so you say. But this deity knows everyone...especially you.

[halfagone]

Before The Wayne Came A Kane

Martha Wayne née Kane came from a very prestigious family even before she married her husband, the illustrious M.D. Thomas Wayne. Sadly, her family never supported her union with Thomas, so she largely cut them out of her life once she married and that certainly had not changed when she had a son.

Her strained relationship with the rest of her family is particularly apparent when it's revealed, at the release of her and Thomas' respective wills after their unexpected, tragic deaths, that she would not give her brothers or sisters-in-law custody of Bruce. They may be the last of his living relatives, but even in death she would never allow them to touch her baby boy. Hence, his care is left to the head butler, one Alfred Pennyworth.

She did have two sister, though. Two baby sisters, one who had been disowned and disavowed from the family long before her, named Alicia. And one who was far too young to take in her son, even if Martha had allowed it. Her name is Madeline Kane. As the only other acknowledged daughter left from Roderick and Elizabeth Kane, she is left to carry the burden of her older sister's legacy. And what a burden it was, to be constantly compared to a dead woman her family seemed to adore and loathe in strides.

It's really no wonder that the moment she gets the chance, she leaves her family in Gotham to attend a university in Wisconsin. There, she meets Jack Fenton. He can be a little clumsy sometimes, but he has an eye for engineering and doesn't like her for her family's name or wealth. He calls her "Maddie" when she says so, and he doesn't ask about the change.

She falls in love and the two are wedded in the blink of an eye, Maddie pregnant with their first child only a few years after graduation. In her family's eyes, it just further proves that any Kane daughter is cursed and doomed to failure. (Beth understands this. Bette learns this. Kate knows this.)

And all too similarly to her elder sister, when her son is just fourteen years old, she is killed: yet another unexpected, tragic death. Her husband and her daughter perish along with her. Just like her older sister, the only one left is her baby boy.

Only, Maddie wasn't nearly as forthcoming with her will, and there is no guardian marked for custody in his papers. The Kanes, who proclaim they are his rightful family, are more than happy to take advantage of this.

Bruce isn't close to his family, beyond perhaps Kate. But if there is one thing that he knows it's that his parents didn't give his estranged relatives custody of him for a reason. Alfred is stingy with the details, but he can confirm that much.

Bruce is left to fight an uphill battle, helping a mourning boy heal from his loss and fighting his extended family's attempts for custody at every turn.

More ramblings under the cut:

See this guy right here?

This is Jacob Kane, Kate's father, Martha's brother, and Bruce's uncle. He's got the distinct red hair and do you know who else has red hair? Maddie. Jacob is a respected military officer and Maddie, in general, has always given me strong former U.S. agent vibes. But regardless, it makes sense that Maddie would know things or learned how to fight at an early age if her older brother left for military service.

Also, I just love showing Bruce's extended family and how twisted, complicated his family was long before he adopted so many children. And this also helps explain why Maddie is so cagey with her background. She only has Alicia left really, all the rest she keeps out and away for good reason.

But she can't protect Danny from them forever.

Plus, there's this really cool possibility for Danny to stay with the Kanes for a while and explore that avenue before he's ultimately brought into the Wayne fold. Danny gets to see what the upper crust Gotham elites look like with his own two eyes, beyond Sam's stories.

[cookinguptales]

As someone who grew up in a bilingual household where we spoke English but also signed, the part of Mabel and Theo's relationship that fascinates me the most is the communication, or lack thereof.

I'm mostly hearing (...sort of...) but grew up around a lot of d/Deaf people, CODAs, interpreters, etc. so while I can't give any input on the experience of profound deafness, I can at least tell apart different styles of signing. It's a little hard to tell sometimes how much of this is characterization vs. the skill level of the actors, but it is interesting.

Teddy Dimas does not sign fluidly. It's immediately obvious. It's not that he's terrible or that he can't be understood... it's just that there are a lot of tells that he does not sign as a primary language. The terseness of the signs, the deliberateness. You can tell that there's a second of thought before each sign, a jerky sort of compactness to them, that's common with people who learn to sign later in life. (Or who don't get a ton of practice with it.)

Signing, when you do it right, requires the use of your whole body. That can be hard for hearing people, who are generally used to more restrained movements. Teddy Dimas has never quite lost that restraint. He still can't go all in, not with his signing or his parenting.

I always thought this was really interesting, because it means that Teddy most likely learned to sign for his son (tragically uncommon with hearing parents of Deaf children) but that he still can't quite translate his thoughts properly into sign language. He can't quite get his emotions through to his son. There's a barrier there between them, and it seems to be largely one that Teddy's erected -- until Theo starts snapping back.

What I'm getting at is that Teddy has always forcibly drawn his son into his world instead of immersing himself in Theo's, and it shows. And it has really harmed their relationship, in more ways than one.

Zoe... we don't see a ton of her signing, but there does seem to be something somewhat performative about it. It's more fluid, like perhaps she's done it her whole life, but there's also something sort of... idk, false about it? And I wonder if that's just Zoe. It felt like she was always covering up her true feelings of loneliness and emptiness with a flamboyant personality, and the little flourishes to her signing seem to convey that as well. Her signing feels almost theatrical to me.

Theo and Mabel, though... I've always loved that episode where they go to Coney Island together. I get the criticism that Theo said at the beginning that he couldn't understand much of what she said when he was reading lips -- and then she proceeded to just talk at him for the rest of the episode anyway. But to me, at least, that always seemed like it was kind of the point. They couldn't understand each other, not fully, and that was something soothing to them.

There's something healing, I think, about shouting into the void. Letting out all of your most personal, complicated feelings without fear of repercussion or judgement. Talking into the wind because you know it won't talk back. You need to feel that echo but also know that it won't be heard.

I think there was some of that there in their initial relationship. Both of them desperately needed to talk, to get everything off their chests, but both of them also have trouble opening up to others due to trauma. So I think speaking to someone who couldn't understand them was, in some ways, ideal. They could make a human connection while keeping it fairly impersonal. They could unload without fear of judgement -- or worse, understanding.

Oddly, I think their mutual need to communicate without being understood was the one thing they understood best about each other. They could sense each other's loneliness and wariness and inability to trust that they could tell someone something important without it being used against them -- because their love and their trust have always been used against them.

So maybe in a way, their inability to talk to each other was actually what helped them communicate on a deeper level...?

Still, though. Still. I was so pleased to see that Mabel is learning more sign language so she can talk to Theo. She's got a long way to go, but no one learns to sign overnight. She's making progress, and you can tell that Theo appreciates it. There are still times where he gets too excited and signs too fast and she doesn't catch all of it, and there are times when she gets so wrapped up in her own soliloquies that she forgets that you have to face Deaf people while talking to them, but there's a familiarity to it now. When he signs too fast, she smiles and teases him. When she talks too quickly or forgets to sign or turns away from him, he just smiles and sighs and shakes his head. Then waits for her to come back.

Theo finds it irritating, obviously, but also understands that it's just... Mabel. She spends so much time in her own head that she has trouble communicating even with people who speak her language, as evidenced with Tobert. And maybe Theo does understand her in ways that others can't. Maybe it's the very fact that he accepts that he can't always understand her that makes her feel comfortable with him.

I also have to wonder, y'know... Has anyone ever learned to sign for him before, other than his father, who clearly saw it as a burden? Has anyone ever seen him as worth the effort of learning, not out of an obligation to speak to him but a desire to? No wonder he's being patient with her. I wonder if anyone has ever put in as much effort for him as she already has. It makes me so sad to think about, because what she's doing now is so... bare minimum. Theo has been so desperately alone, and so much of that is because his father isolated him. It's because no one else ever reached out. :(

idk, it just makes me happy that these two people who originally bonded over their inability to communicate are now comfortable enough with each other to try actually talking. There's something so shy and so joyful about it. I love that for them, especially Theo.

I don't want him to be alone anymore!! I want him to have someone he can talk to, whom he trusts enough to talk to, who thinks he's worth learning to talk to back!

Their odd brand of bilingual communication (or lack thereof) is just fascinating to me. ;;

[envy-of-the-apple]

Hello, first of all HAPPY BIRTHDAY !!! I hope you had a happy birthday today !

I recently read your recent fic (The Sun eats the Moon) and the writting was amazing. But I have some question in my mind like :

"After that maybe 'Reader' could take contraception in secret, no ?"

"Is she (or they) gonna end up married to him, and forced to be a housewife or just following him where he goes ?" honestly I think her destiny is tragic no matter the result.

"How did he react to her disappearance, did he tried to find her (honestly my question was why he didn't ask her parents or search where did she goes, but honestly its a good thing that he didn't search) ? And during 10 years, how was to him ?" Maybe the only thing we can say "good" about him is he will only looking toward her and not any women after THAT day...?

And last question, I was wondering what will happen to them after THAT day like I know fr that in the media there will be news, but honestly I think the conclusion is well writting, the fact you first introduce the concept about the Moon and conclued with the detailed about the Moon and how tragic the ending is for them (Moon and 'Reader'). And if you are going to a Geto's it's will also be interesting because he was there to.

Sorry for the long message (eng isn't my first language) and thanks you to read that ! Have a nice day or night !

Thank you!!!!!!All great great great questions! I'll try to answer them as best as I can before giving tooo much away lol:

Why cant Ms.Moon take contraception?

yes Ms.Moon (that's my nickname for the mc now lol) could definitely try to take contraception in secret but I don't think it'll be a good ending if Gojo finds out. In the comments of the fic, many ppl were pointing out that Gojo was intentionally trying to get Ms. Moon pregnant back when they were "dating" buuuut it was sort of an afterthought for him. His logic was 'oh well it doesn't matter either way. you're staying with me regardless' but now that he's seen that Ms.Moon is 100% willing to leave him his next course of action is 'k well can't do that if you have a kid'. It's really not about Ms.Moon having a baby, rather it's insurance that bestie won't just dip again. He cares about you more than any kid you'd make together (awww thats so....sweet???)

Will Gojo force Ms.Moon to get married?

Probably, he's a romantic at heart teehee. But also he loves the attention. Part of the reason he was so effective in "keeping" Ms.Moon (in high school) was largely due to public pressure. Now, where he's basically a celebrity, his obsession with the spotlight has only increased. He's gonna be on talk shows and never shy about your relationship to the press. Gojo will definitely describe your relationship as 'newly reunited highschool sweethearts'. People at work will definitely bombard you for the details, and you were never one to be defiant so you'd probably just mutely agree with him (that's why he loves you so much: you're so agreeable). He'd make sure your wedding is the biggest celebration of the year. And then he'd drag you to Aruba or something for yalls honeymoon:)

Why didn't Gojo try to find Ms. Moon?

He did! When you dipped (graduated early and left for college) he went ballistic. I totally forgot to add this in, but Gojo is a huge reason why Ms.Moon doesn't talk to family anymore/anyone in that town. You didn't even tell your parents what college you were headed off to. I bet Gojo harrassed your family for a bit, because he's Gojo Satoru, but when it's clear you just disappeared I bet he was depressed. As terrible as he was, he did love you. It was also a pride thing for him. No one's ever 'won' against him, and you technically did. He'd greatly underestimated you and you got away. I bet he'd be a little impressed at that. I think in the fic it was greatly implied that he was searching for you buuuut eventually he forgot because he got so busy with his life. He still thought about you, but its was probably more along the lines of 'damn, can't believe i lost that bitch' And then you unceremoniously fell from the sky. Surprising, but he's grateful. It was fate to meet you again or was it? *cackles in omniscient author*

The Aftermath

Yeah, you're not living a normal life after that ever again. You're moving in with him, he's getting that marriage certificate ready bye bye freedom. I don't think he'd lock you up, buuuut having a security detail on you at all times, putting a tracker in your phone, and constantly calling/texting you is pretty close to life in prison right? EVENTUALLY, he'd limit your social network, then not-so-gently encourage you to quit your job. By the end of it, you'll be his little housewife but I think he'd be nice about it. (kind of)

[candyskiez]

thinks about teru again. he’s so funny and tragic to me. like. ok so he got targeted by a psychic terrorist organization that sent adults to try and kidnap him at a young age. and he rationalizes it by going “i am the Protagonist this is happening because i am the Main Character” and then lives his life by that idea bc it’s that or face the fact that he’s nothing, that he’s an average person and all these things happened to him for no reason. and then he meets mob and wants to befriend him, has questions he wants to ask- here is someone who might finally understand him. and then bc teru is thinking like a Main Character i think he goes “ok so if i defeat him then we’re friends otherwise we’re rivals” bc he’s still going off of tropes and cliches. and then shigeo fucking curbstomps him and he goes “oh ok i get it im not the main character 👍 KAGEYAMA’s the main character. so i must be The Rival Character then” but it’s just a way he can act as a friend without breaking the tropes he uses to rationalize his trauma

YEAH YOU GET IT! YOU UNDERSTAND! He's so horribly lonely but also literally everything about his mindset is directly standing in the way of giving him any connection. He holds people to such high standards that they're always going to disappoint him, so he spends time with none of them. He craves constant approval and affection but none of it is enough to satisfy the need for actual connection. So he just goes through shallow relationship after shallow relationship going Yep. This is great. I am happy. And I genuinely think he doesn't realize he's NOT happy because like. When you're in a shitty situation for your entire life you don't necessarily realize things can be Better. So Teru is not captured by claw when other people are, and he can do things that other people can't, so his situation is better than most! Nevermind the fact hey maybe there shouldn't be Claw. Maybe people shouldn't be attacking random kids. Maybe this is all insane. He's just like. Wow I'm so strong and smart for evading claw, because the idea that he just was Lucky would be terrifying and take away his entire sense of safety. He needs to be the smartest toughest guy that Has Ever Existed™ because if he's not, then suddenly he could get captured or die at any moment. And that's suddenly way less haha my life is so cool! The denial juice is strong here.

Literally everything about his introduction episodes is so damn telling. He tells the body improvement club everyone always underestimates him. But he conveniently leaves out how this makes him feel, or if he's offended. We see him lose his shit when Mob says he isn't able to hurt him, so clearly he's far more affected by it than he wants to admit. But he can't be upset by it. It's an Advantage in this Battle he's in. No one takes him seriously, and that means he can get away with more shit, and that means it's easier to beat them in battle! Nevermind the fact that he works his ass off, he is not upset at all, because that would be ridiculous. It's an Advantage. He wraps literally everything in his life that hurts him up in a bow of "Actually, this is good." He cannot admit that anything about him or his life is bad. He cannot admit that he isn't perfect, or that his life isn't just a fun challenge, or that he maybe misses his parents a little bit. He like...just fully submerges himself in the idea of being a character so he doesn't have to realize how easily he could die or have his life ruined. If his parents stop sending him money, he's fucked. If claw beats him, he's fucked. He doesn't have actual connections with people, because he views them too lowly to let them in at all, and he is fucking himself over so hard with it. He needs this to not be terrifying. And he also needs to be in the right, I think. I mean, he treats all of the fights at school like a game. It feeds his ego and it means he's safe. People can't touch him and it feels good to take out his anger (he's just angry that they disrespect him, he has nothing else whatsoever to have unresolved anger about, he is completely fine and is just enjoying being able to wipe that smug smile off that assholes face. He is so okay and well adjusted!) He's just. A mess of weird ass coping mechanisms. If he isn't right, which he definitely is!, suddenly he isn't the main character, suddenly he's not just Doing Whatever, suddenly he's just another asshole. Y'know. Do I make sense. He needs to be right because if he's not right it goes from a fun game to he was just an asshole for no reason and he didn't actually gain anything at all.

God. I need to rewatch EP five, because it's insane and also tells you so much about Teru, I'm sure it's even better on a rewatch. I need to rewatch this show soon or I'll die. But like. God. He takes the idea of the only other natural esper his age he's ever met being different than him SO personally. Because he's right. He is doing everything exactly the way he is supposed to. Clearly this guy is an idiot and weak. That's why he's afraid to fight him. Clearly. He can't comprehend that maybe Mob just straight up doesn't want to hurt him. Mob thinks he's better than him. Mob needs to be taken down a peg. And then he can't hurt Mob. Then he can't break his fucking barrier. Hes fought espers before. He knows how to fight espers. He is perfectly capable of it. He has literally everything he needs to beat him and for the first time he very suddenly Can't. And this person is so different and is treating him like he's having a temper tantrum and isn't following his rules that he's formed his entire life around. Can I interest you in autistic Teru. Can I please interest you in the fact Teru has autism. Please ma'am I just want a minute of your time.

I also feel like. The fact he Needed to idolize Mob is very telling. Mob defeated him so CLEARLY he's so powerful and perfect and amazing. He still can't let go of Being Amazing, of the idea he can't fail for no good reason. He needs Mob to be special or else he means nothing. Or else he's worthless. He needs to mean something. His entire identity is hinged around Mob now which. No pressure. He needs Mob to be perfect or else he's worth Nothing. So he puts him on a huge pedestal so he doesn't have to do any reflecting and now he can have the added bonus of a friend and it's Fine! It is totally fine. He is not affected by the fact he almost killed a man on accident. He is not affected by the fact he may have severely injured several people. He is not affected by the fact Mob could've killed him. He is not affected by the fact he was wrong. None of this affects him at all. He is So Fine.

And then he switched the narrative around to haha I was the one who needed to be taken down a peg. This is fine. My world view is not in shambles. I don't need to reassess anything. Everything that happened to me is still cool and fine and I still matter because I'm in the main characters life. So it's fine. He goes from nothing matters except Me to nothing matters except Kageyama, but at first he's done absolutely zero reconfiguring.

Also like. He romanticized that fight so much. Can we please talk about that. God. Hi. This fucking kid. Someone please like. Get him a therapist and maybe a Capri Sun.

I'm too tired to write more right now and think I should probably go ahead and post but like. Yeah. God. This show. Teru makes way too much damn sense. I want to shake him. What is his problem (just spent several paragraphs analyzing his problem.)

[funnycreatortimetravel]

So the Madoka Magica movie is coming out and there's a lot of speculation about how it's going to end (or rather, be the start of a new series of movies/a show? Idk, it was extremely vague.)

And while I love the idea of Homura and Madoka ending up together because they both deserve some happiness, I can't help but feel like the best ending for Homura at this point is letting Madoka go so she can become a healthy adult (which, let's be real, that's not possible in this world.)

And by "letting go," I don't mean cutting contact or abandoning her, I mean they can still be friends while Homura can become a person who sees herself worthy of living with or without Madoka. Because as much as I love my favorite tragic lesbians, Homura isn't her own person in the relationship with Madoka.

Like, Madoka has a loving family, loving friends, and people cheering her on. And even if she doesn't believe she's good enough to do anything, she still objectively has things going for her, a safety net if you will. And she still has a goal in mind that doesn't involve one specific person, but rather she wants to become someone that people can depend on/wants to help other people (regardless if this is at the cost of herself.) I'm not saying it's a good or even a healthy goal but with some tweaks, I could see the goal becoming something she could work toward as a means of personal growth and not just because she thinks she's useless.

Meanwhile, Homura doesn't even have parents as far as we're concerned.

The only ties she has that we're told about are the catholic school she attended and the hospital she pretty much lives in. No friends, no family, and no aspirations of her own. And because of her circumstances, she really wouldn't be able to. It's no fault of her own. I get why, then, she attaches herself to someone like Madoka. I'm sure ANYONE would attach themselves to Madoka if they were in the position Homura was in.

And then that starts the obsession. A long, tiring journey in which this poor girl sacrifices her mental health, her youth, countless years spent trying to save this doom girl and her doomed friends while she herself is also doomed. She's pretty much made herself Madoka's sole protector while also not allowing herself to even do or enjoy the one thing she wanted in the first place; being Madoka's friend.

It's all but confirmed that Homura hates everything about herself as seen in her backstory and rebellion when she was destroying her labyrinth. Her saving Madoka is the one good thing she thinks she's associated with, so much so that she's OK with dying either to protect Madoka or in a world without her.

Like, the concept of one person being the only reason you continue existing is so unhealthy (note that I'm not saying their relationship itself is, it's just her mindset.) I completely understand wanting to help your friend you know...not die a terrible death, but Homura doesn't think she has anything going for her outside of protecting someone else and that's such a sad thought to me. She thinks of all her past friends as enemies now, and she alienated herself from everyone. She thinks, now, that it's her versus Kyubey, the other magical girls, and Madoka herself. The girl is borderline, if not entirely, suicidal.

I'm hoping so badly that in the next movie, this is the start of healing for Homura (though it probably won't be because Mr. Uro loves his sad/bitter-sweet endings.) I hope this is the start where she's able to piece together who she is outside of wanting Madoka, who she could've been had Kyubey not manipulated her and the other girls into making contracts, had her parents not died, had her body not been as fragile as it was, had her confidence been strong, had she felt she was good enough to befriend and get close to other people without fearing her hurting them or them hurting her.

Sayaka was able to let the bitterness of not being with Kyosuke go, accepting that even though she wanted him, she couldn't be with him and even if she was, she never would've been happy. She was able to realize the flaws in her "ideal magical girl" concept and accept the fact that she's just one person and even though she's not perfect and didn't get the thing she wanted, she's still able to be a hero in her own right in the company of people who actually love and support her because she's Sayaka Miki, not because she's a heroic magical girl.

Mami was able to be honest with herself, similar to Sayaka, that she's not a perfect person, that the perfect magical girl illusion was never her. She's able to admit to herself that she was inherently selfish that all she wanted was friends and family, and that there's nothing wrong with that. She doesn't have to keep up the pressures of being perfect and mature and all-knowing because, at the end of the day, she is still that little girl who almost died in a car crash that claimed her parents' lives, and she has to live with the fact that she didn't and wasn't able to save them even when she had the chance to. And she's able to come to terms with the fact that though she was alone, she didn't have to be lonely. She's able to realize that it's not too late for her and she can make her own family that will stick around with her, flaws and all. And she can be a good role model for her little sister surrogate and also orphan Nagisa, but this time, she can be a realistic big sister rather than an idealistic one.

Kyoko can move past the pain of her family's demise, and unlike Mami, feels as though she is directly responsible for it. She was a naive kid who only wanted the best for her family and yet, by doing the "right thing" her father goes on a massive suicide-homicide rampage and she's left to think that her naivety, that her wanting to do the right thing, was what killed them. But no, it wasn't. It's ok to have hope and to have the desire to help others and do the right thing. While the actions of the wish were undesirable, it didn't change the fact that Kyoko's heart was in the right place and that she could continue to try to help others without fear of it coming back to haunt her. She can let the tense guard she's had up since her family's death and enjoy the little things in life she never got to when she was too poor; food, drink, comfort, and having others around that care about you. While she thought that it was her wish and her misunderstanding of what her father wanted that ultimately killed her family, it's the same desire and intentions that push her to save Sayaka and befriend her and the other girls later on.

Now Madoka is an interesting case because she, like Homura, is sort of trapped in being who they were before they gained powers.

Now that Madoka is essentially back to where she started (unlike everyone else who at least has something/someone in their lives now in Rebellion compared to the OG series where they were missing those intimate connections) again,

she's left to feel like she's missing a key part of herself (only in the OG series, she was missing the confidence she had the in OG timeline as a magical girl whereas, in Rebellion, she's literally the missing part of the Law of Cycles) and you're left to wonder if she'll be satisfied, or will she challenge this new world that seems too good to be true, a world that was made just for her and only her?

And Homura?

Poor Homura.

Being an orphan and having no one, not even doctors or nurses it looks like, be close to you? Being unable to live comfortably due to a physical condition you had no say in? Having to be behind because of said physical condition and then having an inferiority complex WHILE teachers belittle you for things out of your control? So then you consider yourself a burden and truly believe only death and loneliness await you? AND YOU’RE ONLY 14???

And then you think you've met this amazing person, this girl who thinks you're interesting and cool with no ulterior notices, a girl with amazing powers that are as wonderful as her only to have the rug pulled under you and realize that the cost of those powers and your protection is her's and others like her inevitable demise.

So then you attempt to right that wrong because even further than your want to save your friends, you know the system that they're in is objectively terrible and needs to be torn down.

But then you try to warn said friends about the system and all they do is belittle you and admit they're comfortable in something that's designed to kill them before they turn twenty, and when (or even if) they're finally aware of the system and the terrible reality of it, they STILL blame you for not telling them sooner even though you tried your damn hardest? Or even worse, try to KILL you after they find out for themselves?

And then top that off with an oppressive alien race trying to control you and pretty much end your life prematurely or turn you into an immortal Lovecraftian Paper mache creature that looks like it was created by five-year-olds should you fall into despair at the hands of this default depressive system and you'll have to remain like that, killing and trapping people while you have no memories of your life as a human and have to live as an animal of pure instinct and evilnesses until some unknowing other magical girl puts you out of your misery, and the cycle will rise and repeat eternally.

Then not to mention other magical girls who try to "game the system" (which only leads to them dying/witching out even earlier, indirectly harming the girl you're trying to protect) or even worse, the girls see you as competition because they're insecure/power hungry instead of joining you in taking down the system set up so where death is an inevitable thing regardless, indirectly siding with the species that are literally killing them slowly but surely (and yet you're somehow still the problem in their eyes.) And then to add the shit sprinkles to this shit show of life, you have to battle this biblically accurate German clown of a witch that's a bunch of witched-out magical girls mashed together like a Cthulu-esque Ren and Stimpy-type creation (that's also pretty much invincible to everything that you and all of the nukes and missiles you store in a tiny, rinky-dink space-time shield you were pretty much cursed with while everyone else gets a built-in weapon.)

Not to mention the PTSD of having everyone and everything around you die and crumple to bits for 12 years over and over again, failing at every turn to complete the only goal you have for yourself (which isn't even for you, it's just saving another person because you believe you're extensible at that point) and at every twist and turn, you're beaten, bruised, belittled, scared, tired, pushed to the brink and all alone with no one to depend on because you're the ONLY one who can and will remember anything once you have to go back in time.

And then you learn the more you go back in time, the more fate and karma you're attaching to this girl which makes the aliens target her even more because of the level of potential she has. And even worse, you find out that the girl you've been fighting so hard to protect is now an entirely different person, lacking the confidence and outgoingness that made you fall in love in the first place, her desire to become a confident magical girl being unfulfilled because of you.

But you have to play the smaller evil. You have to deter her from making a wish, even if it means inadvertently scaring her away from the idea, even if it means being cold and calculated and harsh because she won't listen otherwise.

You have to crush that confidence because that desire will only lead to her death, but she can't know that because well, you still want her to trust you.

But because you've been trying so hard to scare her away from the idea of becoming a magical girl, she ends up becoming scared anyway and distancing herself from you, meaning you don't even have the comfort of knowing you two are friends anymore.

And even still, all of the other magical girls, including her, always end up dead or turning into witches no matter what you do, leaving you to fight the final boss witch alone and failing every single time because it's just too powerful.

But you can't stop. No matter what, you can't stop. Because stopping means death for you, the girl you love, and the entire world, whether it be because of Walpurgis or Madoka's witch which is only so powerful because of you and your time-traveling shenanigans.

So you do another timeline, and things go wrong like they have for the past 100 timelines so you're just numb to it now, and while you're fighting the boss witch, you get critically injured. And now armed with the knowledge that you'd just be putting an even bigger target on your friend's back, you resolve that your efforts were all in vain and useless and decide to just let yourself witch out because you have no other choice.

Only, you're interrupted by your friend, who's finally ready to put her fears aside and make a wish.

Your biggest fear is coming true and you're powerless to stop it.

So she makes her wish and becomes a magical girl Jesus pretty much and restores hope to every magical girl.

Every magical girl except for you.

She says your efforts are the reason why she was able to make such a powerful wish and thanks you for your service, as if you're an old veteran about to retire, and then she ejects you to a remade world, a world without her.

And you're doomed to fight in this world, the world she gave her life to protect, a world in which only you remember her. You don't let yourself become too close to the other magical girls for fear of losing that connection once the Law of Cycles takes them away.

So you're doomed, essentially. The one thing you've fought to protect is gone forever and there's no one but you left to grieve for her, and you start an endless fight against the new evil creatures in place of witches until you're about to disappear yourself.

But you don't even have the comfort of peaceful passing on because AHA!, that evil alien race wants to you use as a sadistic experiment to inflict suffering on you and the other magical girls while controlling the one saving grace you all had, to restart the terrible system you were trying to run away from in the original world.

So they place you in this fake simulation of happiness and fun and magical girl transformations all for the sake of controlling you and the girl you fought for and thought was safe.

So you take matters into your own hands and resign to destroy the labyrinth, even if it means your death, hoping the other magical girls put you out of your misery once and for all.

But if you die, then who would be left to protect that girl you love so much?

So you take matters into your own hands and override her power, creating an idealized world in which everyone can be happy at the cost of making all of your past friends your enemies later.

Even the girl you love and gave your life for time and time again.

All for the sake of keeping her safe once more from not only herself since you pulled a piece of her from the Law of Cycles, but also those terrible aliens who can only think about themselves and their sick curiosity.

I so badly want a happy ending for Homura, and I'm so hoping that that happy ending is one without magic or Karmaic fate or the weight of 26 years of repeated time travel or having to save her girlfriend from a terrible demise or dooming herself to magical Jesus type limbo for eternity all while she's the only one who can remember.

Outside of Madoka, what does Homura enjoy now in Rebellion? What were her dreams, if she had any? Her aspirations? What was her childhood like (even though we know it was lonely) was there anything in her life that even remotely made her feel that living was worth it?

If and when she becomes an adult, what will she be like? What career what she want to pursue? What interests her? What does she want the most for herself? Power? Fame? Company? Comfort?

And will it even be possible for her to enjoy anything outside of Madoka so long as she attaches her self worth to this one, ordinary girl?

Will she succeed in protecting her at the cost of herself? At the cost of anyone else excluding the kyubey?

Will she give up ultimate control over the world, or will she double down; ok with challenging her friends-turned-enemies all for the sake of her love?

And if so, will she succeed as Madoka's sole, eternal protector forevermore, or she be dethroned and killed, left to rot in a labyrinth of her self-hatred and mistakes? (God, I hope not.)

Or...will she finally be saved and released from the shackles of fate, time, and space so she can live her life as a normal girl, a life she wasn't granted even before she made her wish?

My excitement for this movie is beyond real.

[pestorik]

whats up, im asking you about platonic cayrid

omg anon what a pleasant surprise thank you for asking! i was not expecting this at all!

im very much in love with the idea of cater and riddle having a tragic mother-daughter relationship. yes i know cater is only one year older thats not the POINT. WE ARE CALLING THIS THE CAYRID AFTERSUN DYNAMIC (this is not about my au btw it's my delusional thoughts about twst canon)

cater having mental health issues but riddle ALSO having mental health issues and cater establishing himself as someone to talk to who understands what riddle is going through. riddle finding so much comfort in cater but also KNOWING that cater has his own issues, wishing he would rely on riddle the way riddle does cater but also still being unable to fully overcome and even understand his own trauma. he can't help cater the way he wishes he could, not when he himself is still so damaged and barely able to deal with his own shit. cater will help him through it all but but riddle isn't big enough or strong enough to do the same for cater, no matter how much he wants to.

cater wants more than anything for riddle to be happy. he sees so much of himself in him but cant stand the idea of making riddle the same as him. he will listen to and comfort riddle endlessly and never talk about his own issues bc he is a parent. he wont rely on riddle like that bc that's not what a parent does to a child, that's not a burden you want a child to feel. there are things you can't share with them. he wears a mask for riddle but it's a mask made from genuine love.

they both want nothing but happiness for each other. cater will do everything in his power to give that to riddle. but riddle cant do the same, cater is unreachable to him. they are equal but they are not the same. it's not something they can change, it's just the way of the world. adults need other adults, and that's all riddle can hope for. that someone else will save cater, because he knows he can't.

(this is all rather dramatic sounding but hopefully im getting the idea across. this makes it seem like they are breaking down crying and shouting into the night for each other but it's more just a lot of sad quiet glances and the feeling of being helpless. go watch aftersun.

this is obviously not exclusive to moms and daughters, but ive always felt there is just an inherent loneliness to being a daughter, knowing your mother is suffering but being unable to help her because you are just a child. everyone says you are just like her, and it's true. but there's always the feeling, and the fact, that no matter how much you love your mother you will never truly know her like she knows you.)

[transmascutena]

the drowning motif in utena is so interesting because of how consistently it shows up across the different iterations of the story, while also being distinctly different in each one.

in the manga utena is saved from drowning by dios. she falls in the river when running away after learning her parents died, so i assume its meant to symbolize her grief. dios saves her, literally by getting her out of the water, and symbolically by inspiring her to be a prince and giving her the will to live again, much like in the show. although there's no anthy this time. and like the drowning in the other iterations of the story, the hero dies (i think?? i'll be honest i had a hard time following parts of the manga especially in regards to dios and akio and what the hell happened with them. dios might have died earlier and this is his spirit helping utena like in the duel at the end ? i don't really remember.)

and then there's the show where, during the final duel, juri tells the story about the boy who drowned saving her sister, and a parallel is clearly being drawn to utena who is trying to save anthy. like the boy, utena will succeed*, but "die" and be forgotten. this time, she is in the role of tragic hero.

(*she doesn't succeed in literally saving anthy, just in helping anthy save herself, but you know this)

the show also has the kitten nanami drowns. it is obviously symbolic of a lot of things in nanami's arc, but i also think a less direct parallel can again be drawn to utena. in the same episode there is the scene where utena thinks anthy is talking to her, when really she's talking to a kitten, after all. and like the kitten nanami pushed into the river because it took her brother's attention, so too does anthy "kill" utena when she chooses to side with akio over her in the final duel (although, of course her motivations for doing so are nothing as simple as jealousy, which doesn't even factor into it at all.) utena is the boy and the cat, the "hero" and the victim.

the movie has a sort of remixed version of juri's story, where she is the victim (not her sister) and touga is the tragic hero. utena is just a witness this time, but really, it's still about her in the end. when she remembers how touga died, that's when she can finally let go of the entire idea of the prince. of the saviour. the movie centers the drowning motif the most out of all the versions, and i think it's supposed to really hammer home what the show was saying about not being able to help people by throwing yourself headfirst into "saving" them. you'll get hurt in the process, and your sacrifice will be forgotten. in juri's story, the boy's sacrifice didn't even help her sister; she was rescued by an adult, someone who probaly had a better idea of how to actually meaningfully help. the boy just recklessly threw himself in the water, and ultimately his death had no meaning at all. since the stories are so similar, i assume the same is true for touga in the movie.

(although, saving someone from drowning doesn't really work as a one to one allegory for saving someone from an abusive relationship, because you kind of do have to pull someone out if they can't swim. or they'll, you know, die. there's a lot less nuance there about what the right thing to do is. but i think the point is that you have to know how to help, what works, what the person you're helping needs from you. you cannot just do whatever you think makes you look bravest or the most like a hero.)

[stewyhosseini-bf]

Hi I am deeply intrigued by your Kendall and Caroline posts and wanted to add a quick thought. My dad is the younger of two boys with an asshole, controlling father but managed to almost completely avoid the poison dripping through (he’s a wonderful father and has lots of healthy interpersonal relationships), while his brother ended up an absolute mess. When I was growing up my grandmother used to VERY CAUSALLY (and in front of my uncle and random strangers) say that once she had my uncle my grandfather got what he wanted, so my uncle was his and my dad could be hers. Honestly Caroline’s interactions with Kendall have always made me think of this. I think she sees him purely as Logan’s, while the other two are also her children (despite not being great at the whole parenting thing with them either). Anyway, sorry for the long as and excessive asides.

OK YES. you and I are shaking hands because I was literally going to make a third addition to that post (but was having trouble wording it so put it in drafts for later) about how I think their relationship is very much marked by the fact that he was always the mini-Logan (the heir, with Logan as his middle-name who Logan got his claws into when he was literally just a little boy) and that's why she 'gave up' on him and struggles to have a relationship with him. I feel like this also makes sense with the fact that one of the warmest moments Kendall gets from her in the show is after the bear hug, when she comes up to him and tells him she doesn't think any worse of him for it and almost seems reassuring.

but yeah truly cannot stop thinking about their relationship i keep rotating them in my mind. its so tragic in a way. the fact that logan groomed him for CEO was the reason she stopped trying with him which only made him cling to that one piece of validation/affection from Logan even more because it's all he had.

also have to say that I don't think it's that she doesn't have any affection for him at all. even in the scene in Return it's clear she loves him but i think she can't love this version of him. like she can love the baby version of him that lives in her head, that still belonged to her (too). but as soon as he was Logan's Heir it was over. there is just such a like. barrier between them. i mean it's apparent even just in the way the scene is set-up in comparison to the dinner scene earlier with roman and shiv. with that they're sitting at the same table sharing food. daylight coming in through the window. while in the scene with kendall it's just the two of them (as it was for a while before the siblings were there.) with him sitting at the table like a kid, half in the dark, while she's standing as far away as physically possible, eating at the counter. and the first thing she assumes when he says he wants to talk is that he wants to accuse her of being a bad mother lol.

[ladydostoevsky]

can i request some dating hcs w lingwen :D??

𝐃𝐚𝐭𝐢𝐧𝐠 𝐋𝐢𝐧𝐠 𝐖𝐞𝐧

𝐿𝑖𝑛𝑔 𝑊𝑒𝑛 𝑥 𝑔𝑛/𝑓𝑒𝑚!𝑟𝑒𝑎𝑑𝑒𝑟

We all know what happened with the last boy that liked her😶

Don't worry she is a changed woman

It doesn't really matter if you are mortal, ghost or heavenly official. She loves you eather way.

Spending time togather is kinda hard. She is the top 1 civil god who is holding the whole heaven from collapsing. She has SO MUCH responsibilities. But when you get to be togather, she makes the lost time up.

Now, if you were heavenly official things would be kinda easier. You work and live in the same realm after all. You can visit her in her palace, help her with her paperwork, sleep togather in one bed (if she even can get some sleep) and so on. She helps you out when Pei Ming tries to seduce you into his bed. She knows you can take care of yourself but she likes to protect you. She LOVES to listen to you talking about your past life as a mortal, before you ascended. You, talking about how your parents and friends would have loved her, how your home looked like made her heart warm. She wondered, have you made any crimes to get where you are now. But looking at you, being so carefree, she wouldn’t dare to think that again. It's not her business she is just lucky to have you and happy that you help her❤️

If you were a Ghost, things would be harder, but it wouldn’t change anything between you two. Love is love and you can't choose who you love. Heaven doesn't like ghosts, so the relationship has to be a secret. If someone finds you two hanging around she pulls hualian and tells them that you are 'just friends' or 'sisters. She doesn't care for your true form, for her you look wonderful which ever form you take. When you tell her how you died, what a tragic life you lived, she comforts you and tells you how you have her and that she would NEVER leave you. Sometimes when she gets some free time she comes to the Ghost realm to see you. You go the gambler's den, ghost city salon, baking at your place or just cuddling and being in each other's embrace❤️

Last time a mortal loved her it didn't end well. You are different. If you were a mortal the relationship would be easier. At night she would appear in your dreams, sometimes in her female form, sometimes in male form. You have a whole table as an altar for her where you worship her every day. You give her offerings, burn incense stiks and light candles. You never pray to her. You know how much work she has, how many other believers, you don't want to put more work on her shoulders. You know you can get and say anything you want when she descends to you again. You wait for her everyday, talking and speaking with her through your dreams isn't enough. But when she comes down twice in a month, she gives you the day and night you would never forget❤️

Ling Wen is a romantic and gentle Lover. She would never harm you or your loved ones. But let's not forget she also has a darker side. She is VERY smart and cunning, we know she can be manipulative and gaslighting. She won't hesitate to use these traits to protect you or get what she wants.

[backjustforberena]

Ok, so this question has been hurting my head for a while and I had to ask this because I love your analysis of Rhaenys's character.

How do you think Rhaenys's relationship maintained with these people over the years?

Daemon, Viserys, Aemma, her mother Jocelyn, Jaehaerys, Alysanne, Laena, and Laenor.

I'm so sorry if it is too much to ask!

Hello! Okay, so I'm going to keep this brief because that's quite a lot of people and so I'm just going to go with general vibes and first thoughts, and stick with later-in-life stuff rather than childhood, and if you want me to go into more specifics or have any questions, then absolutely follow up. It's based mostly on the show but for some characters, I have used book facts and events.

DAEMON: I think the big thing that I have, as a personal headcanon (or just the way I look at the relationship) with Daemon is that Rhaenys has to make an active choice, probably fairly early on, that she cannot love him. She can't let herself. Eve has spoken before about how Rhaenys keeps Daemon at arms' length and how she has a profound distrust of him and sees him as just this chaotic element, so I think that she makes a decision that there have to be boundaries in place. Just for her own sense of safety and stability. Daemon orbits her family: they're blood but also he goes to war with her husband and son, he marries her daughter, he's the father of her granddaughters. But I think Rhaenys is just far too aware that he hurts. He causes immeasurable pain and, in the end, there's an understanding of him - he will never spite himself to help her: he keeps her daughter from her, he "murders" her son, he has respect for her but little regard.

I think the relationship ebbs and flows from enjoying his company, tolerating him and then wanting nothing to do with him. It alters throughout the years but she will never be caught out by him. I don't think she really likes him. Perhaps for the boy he was, she does - they are definitely still familial. What Daemon gives, he gets in return, I think.

VISERYS: There's love there. It's one of the relationships that I find the most tragic because they're cousins torn apart by the choices of others and the positions they find themselves in. They can never be as close as they want to be. I think Rhaenys's first loyalty is to the home and house she's built with her husband, which directly conflicts with Viserys, on occasion. I think they probably did go three years without speaking to one another (possibly missives to congratulate on births etc but nothing of note) because of the Stepstones War.

I think it does become "us vs them" with Rhaenys on the outside because his family keeps being responsible for the destruction of hers. And then we get to this place where he's having this happy family meal and she's in a crypt. When you think about how close their fathers were and how close they might have been or wanted to be, once upon a time, then that's tragedy.

AEMMA: Poor Aemma. We don't see them ever interact in the show, but it's easy enough to imagine that they were friends from childhood and family in that way. I think they grew apart, in adulthood, given the way their lives went. But we have deleted dialogue where Rhaenyra recounts coming to Driftmark with Aemma and collecting seashells with Laena. I like to imagine that wasn't too infrequent. I think they probably kept in touch via letters: neither woman had many female relations to speak to.

JOCELYN: My opinion is that Jocelyn lives at High Tide after Aemon's death, until her own. So, maintaining that relationship is pretty easy as they live in the same place. We don't know when Jocelyn dies or how. But I sort of take my opinion that Rhaenys isn't too dissimilar to her parents and that Jocelyn and Rhaenys probably relied heavily on one another. I think she would have been a very present and active grandmother: she had no other duties, nowhere else to be, nothing else to do.

JAEHAERYS: My feeling is, a bit like with Daemon and, to a lesser extent, Viserys, that when it becomes an "us vs them" she cuts the feeling off as much as possible. When Jaehaerys chooses someone else as his heir, when she is discarded, she has to stop treating him in the same way she once did. She has to choose herself, she has to be something different. I think, in the latter years, she'd only go to court if summoned. She'd only act the part in public.

I think she probably understands and sympathisers with her grandfather and the choices he made (to a point) but she doesn't agree, she doesn't find comfort in that, it hurts and she's aware that there is a danger now, to her, because of the choices he makes. I don't know if I'd say she hates him. I think, certainly by the time we get to HOTD, the feelings have been processed somewhat and Rhaenys is someone who doesn't waste time on things that won't accomplish anything.

I think it's also, likely, easier to do so because I don't think she sees him as family from her father's death onwards. The most prevalent thing he is to her is her King. And once Alysanne retires from King's Landing, she has no reason to return until Jaehaerys is on his deathbed. I imagine she'd visit him on his deathbed.

ALYSANNE: She loved Alysanne. So, I'm thinking letters, visits, dragon flights. I think Rhaenys visits her whenever she's on Dragonstone and then writes when she's in King's Landing. I think Alysanne would visit Driftmark, if allowed or it was okay PR-wise. I think that Rhaenys could have become a primary visitor or carer for Alysanne when her body and wits began failing. Alysanne never forsook her, or her children. Alysanne would understand things so many wouldn't: marriage, children, dragons, being a Targaryen. And it's reciprocated.

LAENA: Letters. So many letters. I think mother and daughter were very close. It kills me to know that Rhaenys knew of Laena's desire to not just come back home, but to remain there. To stay and be close to her family, rather than be across the Narrow Sea. For Rhaenys to know this, and to know it was Daemon who was causing the problem, tells me that Laena told her and therefore feels confident in her mother as a confidante. It's also worth keeping in mind that, for at least three years, it was just Rhaenys and Laena together - whilst Corlys and Laenor were in the Stepstones. And then it was Laena almost as an only child again until she was married.

We know how Rhaenys reacted to her death, to her funeral, to her daughters, to her legacy. Moreover, we know that Laena has been raised by her mother with her eyes wide open - it's Rhaenys who informs a 12-year-old Laena that she will not have to bed Viserys until she is 14, it's Rhaenys who overlooks the walk with Viserys and (at least I presume) picks her up at the end of it. I think Rhaenys just loved the bones off of that girl and was so proud of the woman she became.

LAENOR: Similarly, once he's married, I think it's letters. However, I don't believe they are as candid as Laena's. I think Laenor probably retreats into formality - we know that he doesn't even divulge incriminating details in letters to Laena, his sister whom he adored. There are so many things he'd just not want to discuss with his mother: things she'd worry about. I think Rhaenys visits court when she can and when she's invited. Whether that's often, I couldn't say. She does seem to be in tune with the cost the arrangement of his marriage takes on Laenor, however, when she mentions it to Corlys in Episode 07.

I don't think the distance has quite taken root but I think she fears something drastic will happen to the relationship. She sees her son's misery and she fears losing him from an emotional perspective. She fears a precipice or an implosion: a breaking point. I think she wants change, in Episode 07. Maybe she hopes that something can be done and it seems to be on her to do it, whatever it is. Maybe she'd also hope that the move to Dragonstone would help - Dragonstone is closer to Driftmark.

Of course, she does end up losing him in a way she couldn't imagine. And whatever hopes she could have had die with her.

[all-pacas]

comprehensive ranking of all of chase's relationships and how Compelling i find them. this is objectively correct btw.

CHASE + HOUSE

fucked up father-son mentor-mentee employer-employee bullshit. chase's character development of "failing upward, but tragically" cannot be surpassed. he wants house to respect him and accidentally turns into him. house picks on chase constantly but chase is the one he turns to for schemes and problem solving and keeps giving the truth to. absolutely obsessed. their relationship is so unequal but crucially that's how they both like it.

2. CHASE + 13

the venn diagram of them is a perfect circle. they are cynical and sarcastic and traumatized and repressing it and masking with hyper sexuality and risky behavior and feeling dead inside. we make fun of chase for having no empathy or morals but he sees 13 hiding her trauma and falls over himself desperate to be her friend and therapist. of the "i could make them better/i could make them worse" dichotomy they actually can make one another better. the fact that they probably were attracted to one another but never fucked means so much to me actually: local dumb sluts respect their relationship too much to do the easy thing; become friends instead

3. CHASE + CAMERON

half of chase's development is directly because of cameron and that's actually so bleak. nothing and no one besides his parents has shaped him more. he becomes a dumb whore because he doesn't know how to recapture love and intimacy and wants it; cameron made him happy and he fucked it all up and decides it's easier to cope with if she never loved him at all, if it was unrequited from the start, because otherwise he has to blame himself for driving away the one person who has maybe, ever, loved him. i'm insane about this. it was always doomed but she's literally the stacy to his house, you can't have chase without her fingerprints all over his neck. they have such complimentary and opposing traumas. they both went "i bet this relationship will fix me, they'll fix me" and sat around waiting for it to happen. messiest lesbian breakup of all time

(from here down the rankings mean less, it's very much "top three……everyone else")

4. CHASE + PARK

i really don't care for how the show made them into a joke, hahahaha how cringe the weird girl has a crush on the pretty boy. i love how chase wanted nothing to do with park but somehow they turned into friends anyway. how he helps her when she's scared in 'chase,' how he gets to share her grandmother, how in a real way they're both isolated and feel like outsiders. also this:

PARK: It could just mean that we like each other. I'm weird, and you're pretty, but we connect. We feel safe. We trust each other.

how can you not! be obsessed! they trust one another. i don't ship it, but i want chase over for family dinners. he's just another cousin, it's fine. even once he's her boss.

5. CHASE + FOREMAN

this seems like it might be sarcastic but i'm serious: i love how they kind of never really become friends. like. they are friends. but it's a friendship of proximity, they've known one another forever, they drive one another insane and know exactly what buttons to push. neither of them would ever have picked the other as a friend, and in fact they spend the first half of the show openly hating one another (foreman more openly). they're so different, i'm not even sure they respect one another much. but they've been through everything together. it's like that adage - you don't have to like someone to love them. you don't have to like someone to be friends. (also, conflict is fun.)

6. CHASE + MASTERS

speaking of people who don't like one another!! this isn't a very deep relationship, but i do find it very funny how openly chase just couldn't stand her. he sees this baby version of his ex wife and is just like nope! bye! and yet he actually does pull his head out of his ass when it matters. i like him pushing her to leave house while she still can. i love that masters isn't afraid to call him out. her delivery of "you're a dumb whore" is maybe the funniest thing the show ever did. i like to imagine them meeting again maybe 5 years later and just laughing about it all.

7. CHASE + TAUB

they really don't have a deep relationship, but i like them both and i like that they just kind of get along. it's actually funny how easily chase slots in with the new team in s6. foreman was always trying to make sure the new kids knew he was Their Boss and chase is just immediately comfortable with them. i bet he babysits taub's daughters all the time, but he does absolutely charge for it.

8. CHASE + KUTNER

IN MY HEART THEY ARE NUMBER FIVE OR SIX, but they basically never interact. but god they would have gotten along so well. like you'd think chase would be all cynical and wary like he often gets, but then kutner would let slip 1 (one) superstition or mild conspiracy theory or mention aliens and they'd just be at it for the next eight hours. they'd hang out and play video games and watch soccer and plan weekend hiking trips to search for cryptids. 13 could tag along. we could have had it all. never forget the time that chase blackmailed kutner into 30% of his business profits.

9. CHASE + WILSON

they never!! talked!! this is entirely based on their incredible "let's fuck house over together" dynamic in private lives. the implication that when wilson needs info on house, he turns to chase. the brief glimpse of wilson trying to help recent divorcee chase out. he invited him blind dating. this dynamic had so much potential.

10. CHASE + ADAMS

i really was not convinced by s8's "oho they have sexual tension," especially since it was always told to us, usually by house, and never actually shown. they had occasionally interesting talks about their very different world views, but i don't think that makes for romantic/sexual tension. sorry adams.

11. CHASE + AMBER

we really only see them interact once but it could have been an interesting dynamic to explore! amber thinks he's all cynical and bitter and Out For Revenge, and chase's perception skills kick in on her, and amber isn't wrong but she's reading him as more cynical as he probably actually is. this could have been interesting to explore. i think chase would lowkey hate her but definitely admire her.

12. CHASE + CUDDY

another even rarer dynamic. they had one cute scene in s7. i feel like early seasons chase was constantly trying to kiss her ass. kind of funny how cameron and foreman get lots of scenes with her and wilson and chase is just like la de dah the only person i wanna talk to is house

[shippingdragons]

How 'Percy Jackson and the Olympians' pulled off Poseidon and Sally's emotional diner chat

Virginia Kull and Toby Stephens talk about shooting episode 7's pivotal scene.

By Belen Edwards on January 27, 2024

Percy Jackson and the Olympians is a rollicking fantasy adventure, complete with frightening monsters, high-stakes battles, and gods pulled straight from Greek mythology. So it may come as a surprise that one of the show's best — and most talked-about — scenes is a quiet discussion between two parents.

Of course, these aren't normal parents. One is the Greek god Poseidon (Toby Stephens). The other is mortal Sally Jackson (Virginia Kull), who has spent the last 12 years preparing her son Percy (Walker Scobell) for his heroic destiny — and protecting him from the world of the Olympians.

Like many stories from ancient legends, Sally and Poseidon's relationship is a tragic romance. Separated by circumstances of literally mythic proportion, unable to raise Percy together because Olympian law dictates that Poseidon shouldn't even have a child, their story has no clear solution. Sally carries the burden of the truth about Percy's parentage, while Poseidon is unable to help without endangering both his son and the woman he loves. It's a tough dynamic to understand solely through Percy's eyes, but in episode 7, "We Find Out the Truth, Sort Of," Percy Jackson and the Olympians offers us a bigger window into Sally and Poseidon's connection, in all its painful messiness and surprising beauty.

"We Find Out the Truth, Sort Of" marks our first introduction to Poseidon and what his relationship with Sally really looks like. Because of this, our first glimpse of Poseidon in the flesh is not some bombastic display of godly power, but of a man and a woman simply talking in a diner about the difficulties Sally faces in raising Percy alone.

"It was a really clever way to introduce their relationship and introduce Poseidon, because it makes them very human," Stephens said of the scene in a video call with Mashable. "It's a domestic scene between a mother and father, and at the heart of it there's this pain. It's a yearning between two people to be connected who can't be, but Poseidon is also yearning to be connected with his son but can't because he's protecting him."

The diner scene was the first scene Stephens shot for the series, yet the chemistry and history between Poseidon and Sally were already well within reach for the actors. "I really liked working with Virginia, and she's a really great actress," said Stephens. "We found that very quickly. The scene just had a very intimate feel."

Percy Jackson and the Olympians began creating that sense of intimacy between Sally and Poseidon right from the very first episode, with a scene that sees Sally sitting on her fire escape, taking in the rain.

Kull was incredibly excited to see the fire escape scene when she first read the script. "In television, you typically don't have time for things like quiet, ordinary moments. And this seems like a humdrum moment, but I think it tells such a huge story," Kull said. "It's not just Sally sitting in the rain on the fire escape — she's sitting in the rain communing with the great love of her life and the father of her kid, and this is the way that she feels close to him."

The diner sequence feels like a natural progression from that fire escape moment. Sally and Poseidon are connecting in both, but there's still a distance between them. On the fire escape, Poseidon isn't actually present. But even when he's next to Sally in the diner, there's a tragic divide between them. They're close, but still far apart.

Director Anders Engström achieved this paradoxical nearness by telling Kull and Stephens to play the whole scene without ever looking at each other. For Kull, that became a key to unlocking the power of the diner scene.

"What that did to us as actors was that all of the feelings of, 'I need to see how this is affecting the person that I'm speaking to, I want to know what he thinks about what I'm saying,' we couldn't act on," Kull explained. "Therefore, the desire to be heard, to be understood, and to connect was so heightened and so charged, it was electric. It meant that any bad impulse to 'perform' went away, and I was just desperately listening to and clinging to what he was saying. Even the silences were powerful."

In these silences, where Sally and Poseidon sit shoulder-to-shoulder yet never look at one another, Percy Jackson and the Olympians builds an entire world of a relationship that, up to this point, we haven't fully understood.

"Because Poseidon has been absent for the whole show, the audience is going, 'What a jerk, this guy is this absentee father.' And then when you meet him, you go, 'Right, I get it. It's much more complicated, and actually he really does care,'" Stephens said. "This scene is not in the book, but I think it's needed in the TV version, because it gives you much more context."