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samrriegel · 3 years ago

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As creators, it’s important that we strive to create a positive relationship between our content and community while still retaining our rights. With this in mind, we’d like to share our new content policy covering how you can use our IP.

(you can click the link embedded above or click the readmore. there is a lot of text!)

Everyone at Critical Role is extremely honored and humbled by the interest our incredible community has shown in the stories that we tell, the shows that we produce, and our company in general. We think it’s pretty amazing that our fans want to create artwork, websites, and other works (“Projects”) based on our intellectual property (“IP”). Our IP includes any unique material our team creates — things like the names of our campaigns (for example, Vox Machina and Mighty Nein), our characters (for example, Grog Strongjaw or Beauregard Lionett), story locations (like Whitestone or Nicodranas), company slogans (such as How Do You Want to Do This?), as well as written content and all related artwork, music, etc. We are generally cool with Projects that follow the rules outlined below, but we reserve the right to remove Projects that, in our view, misrepresent these rules or use our IP inappropriately. We want our fans to continue celebrating our world and sharing their talents with the community, but for Critical Role (“CR”) to exist as a company, our legal advisors have suggested we establish some ground rules for how our IP can be used!

1. What can I develop with Critical Role’s intellectual property (“IP”)?

Free stuff for the community to view, with some exceptions. Critical Role allows you to use, display and create derivative works based upon Critical Role’s IP, strictly for noncommercial (except as specifically provided below) community use. CR reserves the right to use our sole discretion to deny anyone the use of our IP at any time, for any reason or no reason. If we deny you the right to use our IP, you must stop developing, publishing, or distributing your Project immediately.

In all cases, the use of our IP with your Projects must be appropriate for our Critter Community. Projects cannot be defamatory, offensive (including but not limited to anything transphobic, sexist, homophobic, racist, ableist, ageist), or harmful to others (as determined solely by CR).

2. Can I create a project that is commercial in nature?

You may not create commercial Projects, including any Project that (without a written license agreement from us):

i) crowdsources any portion of its funding; ii) involves a business or legal entity; iii) gates the content with a paywall (e.g., Patreon, YouTube Premium, etc.), unless it is also legitimately available elsewhere for free; or iv) involves the sale of merchandise utilizing CR IP

We prohibit the use of our IP in interactive games, apps, and downloads. Please do not take any part of our IP (e.g., character appearance, character abilities, maps, icons, items, etc.) and use it in a game or app for other than your own private, noncommercial use. We do not allow any Projects utilizing our IP to appear in any app stores, including the Apple Store or Google Play, unless they have a written license agreement from us.

No monetized novels, theatricals or the like. You are not permitted to write, produce or create any novels, theatrical productions or other adaptations that include CR’s intellectual property without our express written permission.

Fan fiction is generally permitted (and enjoyed!) by CR, as long as the content is not monetized and otherwise follows the guidelines of this policy.

You are not permitted to manufacture, promote, or distribute (for free or otherwise) any merchandise (such as apparel, game pieces, accessories, etc.) that bear any CR IP without a separate, express written agreement between you and Critical Role.

Critical Role, on occasion, collaborates with and licenses third parties for the creation and distribution of Official CR Merchandise. These agreements are separate from this CR Fan Content Policy.

3. What about passive ad revenue?

This is one of those exceptions we mentioned earlier. We permit fans to promote their Projects on websites, streams, or videos and passively generate revenue through appropriate advertisements, including pre-roll ads, ad breaks, and sponsor ad overlays. No inappropriate direct ads or sponsorships—we alone decide what qualifies as inappropriate, but if you won’t see it on Critical Role, it is probably not appropriate.

We permit individual fans to solicit personal donations or offer subscription-based content while livestreaming, so long as non-subscribers can still watch the live stream concurrently. In other words, you may have your Project behind a paywall, so long as the Project is legitimately also available for free in some other way.

Your use of CR Content must be transformative in nature. You cannot simply re-upload our content. Examples of potential transformative works include:

Animatics

Compilation videos

Remix edits

Added commentary

Music/ music videos

Cosplay content

Art / draw alongs

GIFs / memes

React videos

For longform CR content: Originally 2 hours or more in length (e.g., Critical Role, Exandria Unlimited, and One-Shots)

CR allows your passive monetization of under 10 minutes of content usage per episode

CR may claim monetization or execute an automatic takedown for over 10 minutes of content usage per episode

For medium-length CR content: Originally between 1-2 hours in length (e.g., Between the Sheets, Narrative Telephone)

CR allows your passive monetization for under 5 minutes of content usage per episode

CR may claim monetization or execute an automatic takedown for over 5 minutes of content usage per episode

For short CR content: Under 60 minutes (e.g., Handbooker Helper, All Work No Play)

CR may claim monetization or execute an automatic takedown, which includes any “clips” or “memes”

4. Can my Project make reference to Critical Role?

We’d love that! Just make sure that your Project follows the other guidelines in this policy and clearly let people know it is a fan Project and not an official CR Project. That is, you are not permitted to state or imply that your Projects are affiliated with, sponsored, or approved by Critical Role. You may not create a Project in a manner that could cause other Critters to believe that it is an official CR work. If you share your Project with others, please conspicuously include the following disclaimer (e.g., on your Project’s website):

Portions of the materials used may contain trademarks and/or copyrighted works of Critical Role. This material is not official, is provided for free, noncommercial entertainment purposes only, and is not endorsed by Critical Role.

5. Can I create CR-related video content before the content is available on Critical Role’s YouTube channel?

No. Please be considerate. So it’s clear, any posting or other unauthorized disclosure of CR-created content prior to its official release on YouTube (or an authorized media-sharing platform) is strictly prohibited. In regards to spoilers, even after an episode’s release, spoilers can ruin a fan’s experience and we always aim to avoid them. Please be respectful of others and do not deliberately push plot reveals on people who are actively avoiding learning about them. If you are releasing fan content after its official release on the CR YouTube channels, we ask that you please offer spoiler disclaimers (or appropriate hashtags) as a courtesy.

6. What about CR fan art that’s shared publicly during or after a livestreamed RPG broadcast and before the VOD is available on YouTube?

Boy, we love ourselves some amazing Critter fan art. We also want to ensure that artists are taking every precaution not to spoil an episode before its official release on the CR YouTube channel. Please ensure that your artwork is not audiovisual in nature and follows the guidelines set forth in this policy. Again as a general courtesy, please include spoiler disclaimers (or appropriate hashtags) whenever possible.

7. Is all content in a Critical Role video available for use?

No. Certain CR videos contain music or other content that Critical Role doesn’t own. Critical Role, at times, enters into licenses with 3rd party content providers to enhance CR videos for viewing. Since CR cannot grant you a license to use someone else’s content, you’ll need to get permission from the copyright owner(s) before using their content. If you include non-Critical Role music or other content in your video, do so at your own risk. Your video could be subject to filtering or takedown notices by the owner of the copyright in the original work.

8. Can I use Critical Role’s Logos or Trademarks?

Generally, no, and only in limited instances. Use of Critical Role’s brands, logos, character names, actor names, actor and character likenesses and other IP are only to be used in connection with the discussion of Critical Role works, Official Products and non-commercial Projects in compliance with this Policy. Critical Role expressly prohibits uses of its Trademarks to promote your business or merchandise. You may not register domain names, social media accounts, or similar stuff that uses any of our trademarks, trade names, character names, etc. without expressed written consent.

You definitely may not use any CR trademarks as keywords, titles, or search tags for products that are infringing or counterfeit.

9. Can Critical Role use my Project?

Yes. We want fans to create and share cool things with each other, and we want to remove barriers to sharing. Because you are using Critical Role IP, if we celebrate or spotlight a fan Project, or make something that somehow resembles a fan Project, by posting it publicly you give Critical Role permission to spotlight or share your Project with the world. By using Critical Role IP in the creation of your Project you give CR authorization to share your Project in any way at our sole discretion. Critical Role will always attempt to contact artists in these instances and/or provide proper artist credit whenever possible.

10. What if my Project is not covered here?

If your creative efforts are not covered by this Policy, you’ll need our prior, written approval before you put it out in the world. If you have any questions or creative content you want to make that isn’t covered by this Policy, contact us by sending us an email to [email protected]. Written approval is required for Projects that are outside of the scope of this policy.

If you don’t hear from us, it does not mean we approve of your requested use of our IP.

11. Anything else?

Yes. Critical Role reserves the right to change this Policy at any time with no notice whatsoever, but we’ll do our best to communicate any changes widely as soon as we can in the interest of remaining transparent with you.

Please note that we are constantly developing new content and creating new IP that will fall under these guidelines.

Thank you so much for your attention to this policy. Our main goal is to ensure that the Critical Role community remains creative and vibrant as it’s always been. Our content policy will protect what we own today for the long haul so that we can continue to create magic for all of you for many years to come. If you have any questions at all, please reach out to us at [email protected] or via critrole.com/contact.

#critical role #important #long post #content policy

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merlincreatorsappreciation · 3 years ago

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Potential Q&As

Can anyone post? Are there sign ups?

Yes, anyone can join us. No, there are no sign ups. This is a free-for-all fest to show love.

When does this officially start?

We are doing this throughout the entirety of March, so it will begin March 1st! We tried to give enough time to find any long ago posts someone might want to dig for.

So how does all this work? How do I show you my favourites?

For fanfics and video edits (or anything else that has a link), make a post with the link and tag the creator if you know them or use the tracking.

For gifsets or other content that is directly on Tumblr, tag us in the replies and we’ll reblog! (you can also make a post with the link for these if you prefer, just remember to tag us or use tracking)

We will use the tracking to find your posts and we will reblog the original post of what you tagged us in.

Okay, I’m still confused. Why are we tagging you in the replies of posts we love and chose for each day?

Fair. We read a comment that some creators might not like if you reblogged and tagged us as a new post with your comment making it longer. Therefore, if you tag us in the replies, we can find each post without adding comments, and we reblog from there.

So, I am just making a new post for the fanfiction and some misc days? Do I tag you and use the tracking tag?

Yes! You make a new post with the link to the fic, however tumblr is not a big fan of outside links, so we ask to tag us by our @ and by our tracking tag to make sure we find you. You can tag the creator too, if you know it, to let them know you chose them🥰

Is NSFW allowed?

Yes, if properly tagged with all potential tw.

Can I post multiple times for one day’s category?

Absolutely. If anything, we recommend this! We want to get their amazing content as far and as known as possible.

What if something hits more than one category?

You can post it if it has the category anywhere on it. If a fic is hurt/comfort and angst and fluff, then you can post it any day with those categories.

What does A3MCA stand for?

Ashley and Ayman’s Merlin Creators Appreciation 🥰 a3 is our new company brand LOL

Can I tag my own content?

Hell yeah, if you love your stuff that much, we think that’s incredible.

What if I have more questions?

Our ask box is open, plus the mods, @bellamyblakru and @its-hyperfixation, can answer any questions if you want to dm us or send an ask on our personal accounts.

#a3mca #merlin #bbc merlin #merlin fests #q&a #questions and answers

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ayuuria · 4 years ago

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Yashahime Translation: Livedoor News Interview

Please do not repost this translation without my consent! This includes screenshots of any type and amount. If you wish to share this translation, simply link to this post.

For more information regarding the use of my translations, click here.

The New Story That Continues the World of Inuyasha, Anime “Hanyō no Yashahime” Director x Producer Interview

With the Resolve to Reopen the Concluded “Inuyasha” World in Their Hearts. The Behind-the-Scenes Production of “Hanyō no Yashahime”

For 12 years from 1996-2008, “Inuyasha” (original creator: Takahashi Rumiko) which was serialized in “Weekly Shōnen Sunday” (Shogakukan) was a feudal fairy tale that depicted the heart of the battle between demons, humans, and half-demons for the Shikon Jewel.

Anime “Inuyasha” broadcasted from 2000-2004 followed “Inuyasha the Final Act” from 2009-2010, after the original work was concluded. It is a timeless masterpiece that is now loved around the world.

Continuing that world of “Inuyasha” is the new original anime, “Hanyō no Yashahime”, which began broadcast in October of 2020. Many Inuyasha fans were surprised at the shocking set up that the daughters of Sesshōmaru, a popular character in “Inuyasha”, would be the protagonists.

With everything from the production, background music, and cast performance having an Inuyasha flavor mixed in, being moved from seeing the new characters and the “Inuyasha” characters coming together on the TV screen, to the absolutely unclear mysterious developments, the hearts of fans around world have been grabbed once again.

Since broadcast began, despite having completed one cour (translator’s note: Cour = 3 months or 13 weeks/episodes), the full picture of the story still cannot be seen. We carried out an interview conversation with director Satō Teruo and producer Naka Toshikazu regarding the things of interest about the work up until now and ahead.

We Prepared a Device That Would Allow Inuyasha Fans to Enjoy (the show)

— One cour has passed since broadcast began. Are the responses reaching you?

Naka: The response is incredible. Especially on social media.

Satō: You’re right. I’m also on Twitter, so I get reactions from all over the world. I truly get a sense that it’s work that’s receiving a lot of attention.

When I look at comments on the official (Twitter) account, most of them are from overseas. Not only do I once again realize that “Inuyasha” boasts a worldwide popularity, I do my best while feeling the pressure of “Hanyō no Yashahime” being a work that inherits that world.

— Apparently the one who suggested the project was Suwa Michihiko of ytv Nextry, who was the producer for anime “Inuyasha” and “Detective Conan”. How did you two feel when you first heard about the project?

Naka: “We’re going to do a story that’s been neatly concluded once before again!? How!?” is what I felt at the beginning.

From the moment I first heard about it, I was still floating around what kind of story it would be. “I might make it a story about Sesshōmaru’s daughter.” was as far as I had gotten. I thought “If I’m not mistaken, if we make it like that, then there might be something to do”.

Satō: There were talks of “wanting to do it” for 2-3 years and Rumiko-sensei, Suwa-san, and the “Inuyasha” staff had mulled over the idea.

It’s just that not only was the story of “Inuyasha” itself was very neatly concluded, after “Since Then” (the special edition (chapter) depicting the after story) we had Rumiko-sensei tell us “There’s nothing left to do in “Inuyasha””.

There was a rather heavy responsibility in touching that and as an Inuyasha fan myself, it made me really think about “In order to create a new story out of a work that was neatly concluded, what sort of form does it need to take?”

I think Inuyasha fans would watch, so I felt that I wanted to release something that everyone would agree to as much as possible without breaking their (idea of) “Inuyasha”.

— In terms of the target audience for “Hanyō no Yashahime”, do you consider Inuyasha fans the main target? Or do you focus on the new audience that does not know “Inuyasha”?

Naka: For us, we want people to like the new characters so in that sense, we keep in mind the new people.

It’s just that a lot of time has passed since “Inuyasha” was broadcasted and I think among the people who watched “Inuyasha” back in the day are people who have become parents. I think watching it as two generations, parent and child (Mom and Dad who liked “Inuyasha” and the children who are touching it as a new work), is the most ideal.

Satō: The voice actresses who voice the three princesses (Towa, Setsuna, and Moroha), are from a generation that watched “Inuyasha” right when they were kids. They chit-chat while recording every week (laughs).

It would be great if the new target group could go back and watch “Inuyasha” because of “Hanyō no Yashahime” and think “There are demons that appeared in “Hanyō no Yashahime” too”. On the reverse side, I would like those who watched “Inuyasha” to enjoy “Hanyō no Yashahime” from the point of view of “It’s the demon from that time”.

For that reason, we inlayed different devices and components into the story.

Naka: We periodically put in devises that would make people who like Rumiko-sensei’s other works smile a little bit. Like the hoodlums who appeared in episode 2 or the monkey gag in episode 9.

— In other words, while still keeping in mind those who don’t know “Inuyasha”, you are of course creating a work that Inuyasha fans can enjoy as well.

Satō: Making sure we don’t destroy the image of “Inuyasha” characters is at the forefront of our minds, especially when we bring them out into the “Hanyō no Yashahime” world. This is so that people watching don’t think “That’s not the kind of character they were”.

Of course, when we bring them out, we always have Rumiko-sensei review the scenario. She’ll tell us “It should be fine if it’s like this” and apply that to the scenario which is how we’ve been doing it.

Naka: We’re careful so that when “Inuyasha” characters take the mound, they don’t eat into the spotlight of the new characters while also not losing their “status”.

— Among the fans, the way the broadcasting order of “Hanyō no Yashahime” to “Great Detective Conan” is similar to “Inuyasha” to “Conan” became a popular topic of conversation. Was that formation something Yomiuri TV-san was particular about?

Satō: The order is the same as when it was broadcasted during the golden hour of 19:00-20:00 (7-8pm on the 12-hour clock). We’re grateful that they’re nostalgic about it.

Naka: I don’t know if they were particular about it or not, but it was decided from the start that it would be broadcasted during that timeframe (before “Conan”). It’s possible that it just turned out that way, but from the production side, it felt “just like before” in the end.

Satō: It’s like (Yamaguchi) Kappei-san (role of Inuyasha and also Edogawa Conan/Phantom Theif Kid in “Great Detective Conan”) has 2 consecutive appearances (laughs).

Naka: Not only is the connection between the timeframe the same, but also when we heard that SixTONES would be doing the opening for the October cour, we thought the flow looked the same as “Inuyasha” since it would be a group from Jonny & Associates that would be singing (Editor’s note: In the past, V6 and Tackey & Tsubasa were in charge of the theme song for “Inuyasha”).

In the end, we’re also curious as to how the structure is the same as during “Inuyasha”.

A Character Cannot Come to Life Without Working Out the Fundamental Aspects

— Next, we will ask how story the of “Hanyō no Yashahime” was created. We just heard from Naka-san that “When I first heard about it “I might make it a story about Sesshōmaru’s daughter.” was how far I had gotten”, but were there any different ideas regarding the direction after that?

[Characters bios written following the question but I’m skipping it]

Naka: We proceeded with that intention as is.

It’s just that even if it’s a daughter, we couldn’t quite settle whether the daughter would be twins or an only child. We couldn’t decide until right on the line of “If we don’t decide what sort personality the character will have at this stage, we may have to relook things including the broadcast timing” (laughs).

Satō: We pretty much decided after directly talking to Rumiko-sensei.

— What did Rumiko-sensei tell you?

Naka: Regarding the character persona, she pointed out things such as “With only the setting, you don’t know why they speak that way” and “Why they dress like this doesn’t feel right to me”.

Especially with Towa, it took a long time for Rumiko-sensei to understand and agree to the part where “She dresses like a boy because she’s this kind of persona”. That’s where we struggled the most.

Satō: For Rumiko-sensei, apparently, she understood Setsuna and Moroha straight down like “So this is the kind of child she is”.

However, only with Towa did she say, “If you don’t clearly boil down and solidify how she will grow and what sort of foundation she’ll have, the story development will become blurred wouldn’t it”.

With that point, it was a lot of work deciding Towa’s character.

Naka: Not just the settings, but we had Sumisawa Katsuyuki-san (in charge of series composition for “Inuyasha” and now this work as well) vigorously write the scripts for episodes 1 and 2 and show Rumiko-sensei “With this story flow, Towa will respond like this” and “We’ll use this language”.

With that, we put things in order in a “But, we probably don’t need this kind of language after all, right?” kind of way.

— It was explained in the story that Towa dresses like a boy because “It’s easier to fight in”, but is that one of the settings that was solidified like that?

Naka: Yes. The result of coming up with different reasons and many ideas was that we ended up settling on a conversely simple reason.

Satō: Rumiko-sensei casually said “Isn’t “it’s easier to fight in” good enough?” (laughs). We were turning up a lot of different rationalizations. (translator’s note: Not confident on this sentence) For example, “As a girl, there was something she didn’t like”.

But it also became “I don’t think that’s true” …… It made us realize it was fine to have something simple and straightforward.

— So Rumiko-sensei was involved with the character persona starting from the foundation.

Satō: I learned a lot from speaking with Rumiko-sensei as I was creating the characters. Rumiko-sensei’s way of thinking is very logical and upfront. For example, “Because (she’s) this kind of child, (she) behaves like this” or “(She) Won’t say something like this”.

That’s why, people who view the work will see their foundation. In my head, I knew “If you don’t work out the fundamental aspects, the character won’t come to life” but I came to realize that once again.

In the anime, there were many people who put out ideas starting with Sumisawa-san, but I thought it must be a lot of work for Rumiko-sensei to create a manga while consulting with the editors.

We’re Mindful of the Composition that “Towa Sets the Story in Motion”

— With the characters solidified, did you receive any orders from Sumisawa-san as you planned the story?

Naka: With “Hanyō no Yashahime”, it started with Sumisawa-san first writing the scenario that would become the first manuscript.

In that regard, we discussed with him things such as “Keeping in mind of the development ahead, please pay attention to this part” or “Please put this device in”.

More precisely, there was a lot of discussion about Moroha’s position at the beginning. There was the fact that Moroha was the easiest character to move, but we wanted him to keep in mind as much as possible that she (Moroha) should show her concern for Towa and Setsuna in a way that ensures they’re at the forefront.

Satō: To the writer, Moroha is like a “Mini Inuyasha”. Hence there was a tendency to naturally center the story around her.

However, Sesshōmaru’s daughters, Towa and Setsuna, are the protagonists this time so we wanted (the writer) to keep that in mind.

Because Moroha is easy to understand with her character and Setsuna is a female version of Sesshōmaru, when their vectors become conspicuous, Towa appears overshadowed no matter what. “The protagonist getting overshadowed by those around them troupe.” is something that happens in original works.

That’s why we’re conscious of the composition of bringing Towa into the center and using her to move the story whenever possible. That’s the part we especially placed importance on when putting together the story.

— Next, please tell us the appeals of the three protagonists. Starting from Towa please.

Naka: Regarding Towa, she inherited Sesshōmaru’s silver hair, has a boyish outfit, and has an outward appearance that would make girls think she’s attractive.

However, her values are surprisingly modern, and she has a naiveness about her which Setsuna calls out within the story. I don’t think there have been many characters who have been balanced like this thus far.

Although, at the current phase, there’s a point that what the goal behind her actions is might still be a little weak.

Satō: Just as Naka-san said, Towa has a half-hearted kindness and naiveté; how that will change as she travels with Setsuna and Moroha. Please look forward to that growth as you watch the story.

I think there are people who get impatient seeing Towa’s current indecisiveness (laughs).

What will that kind of protagonist experience and how will her feelings change from that. It will make me happy if people think “Towa’s changed; she’s matured” at the end.

Naka: I think having lots of room for growth is what gives her that protagonist feel. Conversely, Setsuna is a relatively standard character. However, on the one hand, she does have a kind side.

Satō: She does show a little affection after all (laughs)

Earlier I said “a female version of Sesshōmaru” so I think her nonchalant kindness is the same as his. The vector of her character direction is easy to understand which is her appeal.

— It seems Setsuna coldly pushes Towa away, but also shows concern for her. Despite saying, “The curse of the Dream Butterfly doesn’t need to be broken”, she goes along with Towa’s search for the Dream Butterfly.

Satō: Just as the line “I can’t readily accept that” in episode 3 said, Setsuna cannot accept Towa as her sister.

However, I believe she understands Towa’s virtues as an individual. We would like everyone to pay attention to how Setsuna draws the line of “I can understand Towa’s good qualities, but I can’t acknowledge her as an older sister” and the point at which that line is crossed.

Will the day ever come where Setsuna will address Towa as “Towa nee-chan” ……

— It feels as though the distance between them is getting shorter, like when she almost went along with Towa’s high-five in episode 11.

Satō: Little by little. Within that, we would like for you to please look forward to how their feelings intersect when the time comes.

Naka: In that episode, it looks as though she gets along with Towa, but when Towa tried to lay her head on her lap, she didn’t allow it. I was watching with great interest like “So that’s where she draws the line” (laughs).

— Next, Moroha.

Naka: Moroha is pretty much just what you see (laughs)

Satō: She’s a hybrid of Inuyasha and Kagome. If her theatrical elocution is like Inuyasha’s, then her actions are understandable like Kagome’s.

In that sense, I think she’s a character that viewers can easily connect with. There’s also the fact that currently, all the gag lines are relatively being placed on Moroha (laughs).

Naka: In earlier episodes, her level of participation was high but lately she’s been in charge of punch lines (laughs). For example, when they didn’t take her to the battle in episode 10 or when she got caught up in Setsuna’s attack in episode 11.

Earlier, we discussed how “We were careful not center too much around Moroha” but it put us at a disadvantage as a result and I feel a little bad (laughs). However, Moroha will be taking charge in episode 16 next week (1/23/21) so please look forward to that.

Satō: Not only will Moroha play a very active role, but it is also an important episode that depicts the environment that she grew up in. Why she has to collect bounties and what kind of relationship she has with Jyūbee will be touched upon. If you watch that, I think you’ll come to understand her actions up until now like “So that’s why she was doing things like that”.

From a composition standpoint, episode 15 revealed Towa and Setsuna’s past, episode 16 will reveal Moroha’s backbone, and furthermore, the story of Setsuna’s childhood will come hereafter. If you watch that far, the full story of this will work will become clear for the most part.

The first cour was a period of planting seeds, but now going forward, the composition is set up so that the fruit of the tree will ripen and fall, so please continue to look forward to it.

The Casting of Miroku Was Entrusted to the Sound Director for “Inuyasha”

— Next, please tell us about the casting. On what points did you decide the cast group?

Satō: It was fundamentally decided through auditions. If we don’t progress the script to some extent, sound director Nagura Yasushi-san can’t determine the direction of the roles, so when the script amount had accumulated, we gathered up people who could picture the characters and carried out the auditions from there.

It was right about the time when the COVID crisis was escalating, so we worried if we could really start broadcasting in October.

Naka: The balance between the three was the deciding factor. After we narrowed it down from a number candidates, we took a “If this person did this character, then the balance would probably become like this” kind of view and decided from there.

Satō: There’s going to be a lot of dialogue between the three of them not matter what, so in order to avoid having similar voice tones and similar ways of speaking, we created the characters based on that assumption.

Towa’s thought process and actions are modern and Moroha acts on her emotions. Conversely, Setsuna is always calm and collected like Sesshōmaru and makes decisions after observing the entirety of the situation. Then she’ll look for the best solution and take action.

Because each of the characters has that kind of nature, we ordered Nagura-san to look for a balance that enables you to easily tell the three of them apart when they’re conversing.

– Did you not look at it from a standpoint that the voices should or should not sound similar to those of the parent generation like Sesshōmaru, Inuyasha, or Kagome?

Naka: That is a point that we were not at all concerned about. We proceeded with a viewpoint that the person should match the outward appearance, the actions within the story, and the nature of the character.

When balancing the three of them, balancing the twins seemed difficult, so from there we decided on Moroha first as her position takes a step back. We decided on Towa and Setsuna at the end after looking at the balance between them and considering Moroha for a second time.

— What were the key points in selecting the cast outside the three girls?

Naka: We left it up to Nagura-san. There were times when he asked for our review and opinions.

For example, there was an idea for Riku (CV: Fukuyama Jun) to have a more feminine voice. But when we spoke to director Satō, he said “A masculine image”, so we went with that direction.

— The Miroku that Yasumura Makoto-san, who replaced the late Tsujitani Kōji-san, played was a hot topic but did Nagura-san decide on that casting as well?

Satō: Regarding Yasumura-san, we asked Tsuruoka Yota, who was the sound director for “Inuyasha”, to decide. We thought that fit more under the category of “Inuyasha” rather than “Hanyō no Yashahime”.

Of course, I’m sure the viewers knew (the voice) was going to change, but we received a lot of feedback saying “It’s Miroku-sama!” and “It doesn’t feel out of place at all!” when episode 1 was broadcasted.

I was in Tsujitani-san’s care many times as a sound director prior to him playing Miroku. I was still a newbie producer back then but even when I met him after that at the “Inuyasha” set, he spoke to me like “Hello~”

I was producing while my heart was pounding hard. During testing, when I was panicking because I couldn’t match up the lip-syncing, he reached out to me like “We’ll do the syncing so it’s fine”. The figure of him reaching out to me so nicely is strong in my memory.

It was such a shame that he died so young. However, this time Yasumura-san, who was also his junior at the same agency, is working hard as his successor, and I think he was casted well.

Naka: Director Satō, you said “The air around Yasumura-san is completely different now compared to when I worked with him in other works”.

Satō: In episode 1, it seems he was really nervous having to record with the cast of “Inuyasha” who are high level seniors.

He was relaxed to some extent in episode 13 which was Miroku’s episode. He said to me “I’m sorry about before when I was extremely nervous” (laughs).

Creating Scenes in A Way That’s Distinct from the Popular (Methods)

— In order to make viewers feel that this is a work that inherits the world of “Inuyasha”, do you do any devising on the production side?

Satō: I would say scene creation. We don’t really get onboard with the popular trends. We split the cuts and show things the way they did in “Inuyasha” in order to smoothly give it that “Inuyasha” feel. I think it’s distinct from what’s popular nowadays.

This might be weird way of saying it, but it’s like we’re using an old-fashioned way of creating. By purposely doing things in a “Works from about 10 years ago felt like this” sort of way, it brings out that “Inuyasha” feel.

For other parts, Sumisawa-san directs the theatrical elocution and we have the same sound team from “Inuyasha” working, so no particular explanation is needed. In that aspect, they’re making it a lot easier for me (laughs).

For me, “Inuyasha” was the first work I did as a freelance producer. Not only was it a work that taught me the fundamentals of producing, but I also learned (how to make) storyboards from “Inuyasha”. In that sense, it’s a very memorable work.

— At the beginning, you said you “Put in devices that connect to “Inuyasha””, but between episode 9-12, demons that appeared in “Inuyasha” were continuously making appearances and it became a topic of discussion.

Naka: That section was the “devoured by Mōryōmaru” series. We had to speed through things in “Inuyasha the Final Act”, so I brought out those demons thinking “If we could just use the demons that we couldn’t properly show back then, even just a little”.

Satō: After fall for Meiōjū, we only had the scene of Mōryōmaru taking the armored shell (laughs)

Naka: We explain that “The demon that appeared this time is actually in “Inuyasha”” on the official Twitter account. It would be wonderful if there are people who take an interest in “Inuyasha” after watching “Hanyō no Yashahime”.

Satō: I think there’s also a wonderful world laid out in that work, so we would certainly love for you to watch “Inuyasha” while enjoying “Hanyō no Yashahime”.

Picking Out Noteworthy Episodes and Explaining Them!

— From here, we will have you look back on episodes that have already aired. We have picked out a number of impressionable episodes, so please tell us some secret (behind the) production stories, memorable recordings, and scenes that left a lasting impression on you.

Episode 1: Inuyasha Since Then

Satō: It was like a “class reunion” (laughs). Although, we couldn’t have everyone record together due to the COVID crisis.

We had everyone take turns recording but they were all was greeting each other like “Oh my god~!” as they passed by one another. Likewise, it was a teamwork that went without saying.

Jaken (played by Chō-san) was adlibbing a lot and that situation made me really think “This is “Inuyasha””.

The first episode was mainly “Inuyasha” basically, but at the very beginning and end, we had the story connect to episode 7 of “Hanyō no Yashahime”. In that sense, the episode was pretty much full “Inuyasha”.

Naka: While we had director Satō do the storyboard and production, I saw the storyboard and felt “Ah, it’s “Inuyasha”. It will be okay”. Like feeling relieved (laughs)

Satō: When 10 years goes by, the producers from back then aren’t around anymore. The people I worked with are now at the director level. Explaining something like the rules of “Inuyasha” from square one to the new people is a hassle, so I was like “I’ll do this myself” (laughs).

The surprising thing is, we had the same group of people from 20 year ago with chief animation director Hishinuma Yoshihito (in charge of character design in “Inuyasha”. In this work, he oversees animation character design) and the animators from back then. It felt as though “Ah, nothing’s changed”.

I remember working while saying “Back then, I never thought we would do something like this 20 years later”.

Episode 2: The Three Princesses

Satō: You could say this episode was episode 1 for “Hanyō no Yashahime”.

Due to the COVID crisis, we couldn’t have the three princesses record together and it made me realize how important it was for everyone to record together. Even though it’s a conversation, when you have one person record first and the other person responding while listening (the recording), it changes the mood and rhythm.

Nagura-san tried to match up schedules so that the three princesses could record together as much as possible, but in the end, we couldn’t record with everyone. In a sense, episode 2 was very memorable to me in that it left the impression of “So we’re going to have to record like this from now on”.

I think all the works that started airing in the fall were in the same situation, not just “Hanyō no Yashahime”. Since we were recording in chunks, it became necessary to pay even more attention than before to ensure that we didn’t forget to record anything.

I’m grateful to everyone involved that we somehow managed to air every week, despite these difficult times.

Naka: The first demon that appears in episode 2, is a point where we kept “Inuyasha” in mind as we pulled Mistress Three Eyes from Mistress Centipede.

I think it was an episode where we appealed that “We’re aware of the “Rumik World”” by putting in the hoodlums mentioned earlier and Towa’s gag face.

Even though the original “Inuyasha” leaned a little more to the serious side, I think Rumiko-sensei’s taste of allowing a little bit of leeway while not shaking off just that (aspect) is there.

This time as well, including the broadcast time, there were views from inside stating that they didn’t want to make (the episode) too serious. However, director Satō had already added that kind of relaxedness even before that was directly said. He splendidly created that balance that wasn’t too serious.

Episode 7: The Apple Meeting

Satō: Riku, who appears in episode 7, is a character we aimed to have revitalize the story by plopping in a new character just when the story was about to get stuck in a rut. Rumiko-sensei also uses this technique; for example, Kōga and Mugen no Byakuya in “Inuyasha”.

I spoke with Sumisawa-san at the beginning, expressing my desire to introduce a new character to revitalize the story before viewers could start thinking “We’re going to just keep watching this journey?” as they watch the three princesses progress on their journey. He’s a keyman who stirs up the story.

Plus, the three Yashahimes are girls, so there was also the idea of having a romantic component like with Inuyasha, Kagome, and Kikyō. Although he ended up having the feel of a pick-up artist as a result of trying to add that component in (laughs).

Naka: Episode 7 is an episode that connects to episode 1. We intended to put in the device of connecting episode 1 to another episode when we organized it, but after watching episode 7 I thought “It connected pretty well”.

I think it was nicely organized as it turned into a spoiler episode where you found out why Towa was there and what Setsuna and Moroha were doing while Yotsume was telling the old tale.

Satō: Going forward, Riku will gradually involve himself with Towa, and we wanted to show why that is over a number of episodes.

I think you’ll understand to some extent in episode 15, but he’s a character that you don’t know which side he swings to (friend or foe?), so he’s a character to look forward to in that sense.

Episode 13: The Delicious Feudal Monk

Satō: It was a parent child episode with Miroku and Hisui (CV: Urao Takehiro) that we added with the desire to develop Hisui. He is the son of Miroku and Sango (CV: Kuwashima Houko) and I think everyone was wondering what Miroku was currently doing, so we thought it would be nice to introduce what Miroku was up to here and depict the parent-child relationship.

Naka: It’s an episode where Hisui finally plays an active role. It was a feeling of sorry to have completely kept you waiting in the first cour. I am glad we were able to give him an active role to some extent. Moroha ended up going somewhere else though (laughs)

Finally, Setsuna stole the show at the end when her true power was released. I think it brings out Miroku and other “Inuyasha” characters in a good manner while still having highlights for “Hanyō no Yashahime”.

Episode 14: The Mastermind Who Burned the Forest

Satō: This is the episode where the truth behind the fire that attacked young Towa and Setsuna is revealed. It’s a real binding episode you could say, and I think it’s a story that could be put in a modern setting.

Also, from this story, the distance between Towa and Setsuna that we talked about earlier will somewhat destroy a line, I think. There’s Towa who shows her anger towards Homura, the one who tore them (the twins) apart, and Setsuna who has some thoughts from seeing that.

If you can feel that, I think how you view episode 15 will change.

Naka: I thought Towa’s comparison to a smartphone at the beginning was a little off as she doesn’t understand the concept of jealousy (laughs).

Also, something that I thought was strange after rewatching episode 14 was how the gardener and the cook were fine with working in such a dangerous place (laughs). I thought it was amazing even though they’re just regular humans.

Demons and humans unexpectedly coexist in this world. In a sense, you could say it’s very open-minded for a demon. Demons were depicted in all sorts of places in “Inuyasha” too, so it was an episode that made me realize once again that it’s this kind of world.

Episode 15: Lunar Eclipse, The Sorrowful Parting of Fate

Satō: Why did Towa and Setsuna have to grow up separated (from their parents) when they were young? This is the episode that answers that and depicts the continuation of the brief flashback in episode 8.

Why Sesshōmaru and Kirinmaru confronted Inuyasha and Kagome becomes clear. With this, I think you can start to understand Sesshōmaru’s actions.

Naka: This episode was a little different. To begin with, we thought that patrons would be happy to see Inuyasha and the others at the end of the first cour, so we organized it so that the past would be discussed at this timing.

It’s just that it felt completely independent from the main story and Riku just suddenly narrates it, so I’m sure viewers were surprised. Riku was in there as like the navigator.

The three Yashahimes don’t particularly know this, and this episode was purely for the viewers. It would be great if everyone looks forward to what’s to come while keeping this in mind.

— Thank you very much. Lastly, please give a message to our readers who are looking forward to what’s coming up ahead.

Naka: Cour 1 has just ended and we have entered cour 2, so from here on you will learn the things that you wanted to know. Please see for yourself how Towa, Setsuna, and Moroha will grow as you look forward to the mysteries being unraveled.

Satō: After episode 15, “what each character must do” will continuously become clear, and it will become a story that pursues that. On top of that, it would make me really happy if you could enjoy watching what will happen to the three (girls).

#yashahime #hanyou no yashahime #yashahime: princess half demon #translation

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ectonurites · 4 years ago

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a very very genuine question: so its bad to repost art but no one says anything when people repost things from the source material/creator's sketches.....why?like sure everyone who likes it may recognize the style but there are plenty of fan artists i recognize immediately, new or old art, with or without. to me it just feels the same, like either dont repost art or people should be able to repost stuff, i dont see how they can work at the same time. and this isnt me saying people should be allowed to repost and all that bc i do understand the theory of why reposting hurts artists, just that the logic doesnt seem to fit once it extends to famous artists/creators. just bc its official and easily recognizable makes it okay? how does that work? again, there are plenty of fanartists who are easily recognizable and lose no money when people repost their work (bc they posted it for free) and from my own observation, it seems it just, somehow, makes them want to do art less (from what i have read from artists themselves). why do we not consider that when it comes to official creators? wouldnt they also feasibly be less motivated seeing their hard work plastered across the internet for free when thats the sole way they make their income? and its not a system where its solely sticking it to the man bc it hurts the artists income, as well. but if it makes them happy to see people enjoying and sharing their work with others, drawing interest, why isnt it the same with fan artists? people often repost art, not out of malice or intent to claim credit, but bc they enjoy it + want to share it, esp on social media where sharing isnt a feature (instagram, for example) again im not trying to justify reposting, just confused about the contradiction

First of all instagram does have a form of sharing posts- stories. Which yes they are temporary by default, but you can use the highlight feature to collect your favorite things you’ve shared from people right there on your own profile AND it links back to the original post and can permanently be on your profile as long as you keep it there. You can even label them and everything! But then moving on to answering more of your actual questions

To start: this is a very complicated thing. And I feel everyone trying to answer it might have slightly varied opinions.

I personally see a pretty clear distinction between ‘Officially published/released’ works (like comic book [as like you’ve probably seen I frequently post comic panels] or other materials that may have been released in creator guides, official video game art, promotional art for things, etc etc) as opposed to like, personal work and fanart. Because with official works:

There’s usually a source to buy it and you should if you’re referencing it a ton (while I don’t own every comic I’ve ever read I do have a lot and if I did read something first through illegal means [because some comics are just straight up hard to find due to age/being out of print] and enjoyed it I try to seek out a physical copy after if possible)

There is a level of far wider recognition (I know you personally might find fanartists’ styles recognizable but like, things that are in mainstream media.. have just such a higher profile. it’s not really comparable)

If you’re not supporting the official release you’re harming the big company that published it far more than the individual artist (like, the individual artist probably also wouldn’t appreciate it, because it can effect them for sure as well, but they’re not gonna be taking the brunt of the damage unless it was entirely self-published work, which I’d definitely categorize differently from what I’m mainly talking about here.)

Often fanartists/professional artists who aren’t that well known, in addition to wanting to just create work for the sake of it, also want to build their own platform, to have an audience that they interact with. Or like, if they’re offering commissions, a bigger platform puts you in a position where people will actually see the art and want to commission you. When you say reposts of smaller artists’ fanart doesn’t ‘loose them money’ because they didn’t charge to post it, you’re missing the fact that it makes them loose out on proper linked-back-to-them exposure. Especially like, when a repost account on insta or something says ‘ah yes credit to [username] on tumblr’ the vast majority of people who see it aren’t going to then open up a whole different website and look for the artist. Some people might! but if there’s anything i’ve learned from working professionally in arts marketing it’s that people want things that are convenient and directly in front of them. Someone who wants to see more works because they liked one is significantly more likely to click on the username of someone who posted it rather than opening up a browser or a different app and searching a separate name put in the caption.

Then honestly, I do feel weird about reposts of professional artists’ more personal works unless the artist has stated they’re fine with people reposting with credit. It should be about the comfort level of the artist. I think a lot of professional artists who aren’t in a position where they’re as worried about building a platform, because they already have one and might have professional connections/opportunities already lined up, might not really care about reposts especially on a website they don’t use. (Like tumblr. I’m coming at this mostly from a comics artist perspective here, but most professional artists I see are waaaay more active on twitter and instagram than tumblr) If it’s a website they don’t use, it’s not taking away from the platform they had been building there for themselves. And also, some artists really just don’t give a shit, which is their choice they can make with their work! But that’s not a universal thing. One artist being fine with their personal art being reposted =/= all artists being fine with it.

In my own experience as a fanartist, when I see my art reposted without credit, especially when it’s art I’ve also already posted on the same platform... it’s definitely disheartening. Even worse is when the repost gets even more attention than my original post. (something that has happened to me multiple times!) Like, it can get so upsetting! Because it lets me know that someone else was using my art to build their platform and I got exactly zero benefit out of it. Then when it’s reposted with credit it’s a little less annoying, but I still don’t... get much out of it. Especially if it’s an instagram repost and they credit my tumblr not my account on there, since insta captions don’t actually do links unless it’s to other insta accounts. Also with insta for example, I have a 'business’ account set up so I can look at and track popularity of my posts and see how they’re doing as something to keep in mind when considering posting times, etc etc. When other people repost my art there I have no control over it. That sucks a lot! Also, when I quite literally ask people not to repost my art (it is IN! MY! DESCRIPTION!) and they still do, it’s just straight up disrespectful. I asked for a boundary to be respected with my work and people have just completely ignored it. That doesn’t feel good at all.

But, conversely, I’m gonna talk about my more professional irl work for a sec. I’m a graphic designer, so I do things like posters, logos, etc, When I design a poster for a client that is meant to be advertising something, even if it’s got my own original illustration or something as part of it, I know my name isn’t necessarily going to be attached to it the same way as it is with my personal work. I get a credit line somewhere, but that’s in a fine print probably not even on the poster itself at all, but that’s like, part of what I signed up for. I already get paid separately, I am giving permission for my work to be out of my own hands in that way. Professional work for a client is often setup in some way similar to this. I don’t get mad when I walk down the street and see a poster I made up somewhere without it directly ‘linking’/referencing back to me (aside from maybe my signature if it had an illustration), in fact I go ‘OMG ITS THERE ugh wait i see one pixel is off oh noooooo” and then move on with my day. It’s just an entirely different situation because that kind of work has a different arrangement from the start, where you know it’s going to be put in a different type of circulation.

So yeah, my word isn’t god here, but I definitely see official releases as having a different set of permissions based on the fact that they are published in an entirely different situation. And I think reposts of personal art aren’t cool if the artist isn’t okay with them, no matter how big a platform they have. Other people probably approach this with a slightly different perspective, but that’s mine!

#sorry this is long #but also 🤷‍♂️#Anonymous

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mittensmorgul · 5 years ago

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The Tumblr Beta Version: an objective analysis

I was tempted to just type “it sucks.” And while that is an objective analysis, it’s not exactly helpful. I’ve sent several requests to @staff and @support to restore my account to the old tumblr dashboard format, and received the same automated reply twice now. I’ll copy/paste it here so everyone is on the same page:

(lol, I had to go back and edit this, because apparently the beta version doesn’t display block quotes on the dash. So I’ve also put the block quotes in italics... hopefully it’ll display properly... note after editing: nope, it doesn’t display italics either... how the heck am I supposed to differentiate quoted text? I’ll start each quoted bit with an asterisk, I guess...)

*Thanks for reaching out about the beta dashboard.

*We're currently testing it out, and your account seems to have been selected to take part in the test. Thanks for your patience while we work on it! At this time there is not a way to opt out of testing. You may see your Tumblr experience return to normal as we continue testing.

WE CAN ONLY HOPE.

*In the meantime, check out some of the new features available only in the beta dashboard:

OKAY TUMBLR, IF YOU INSIST, though I would MUCH rather have back all the functionality I personally invested into this website through xkit... you know... making the site ACTUALLY FUNCTIONAL. Let’s see what this beta version has given me instead of functionality:

*Change Palettes: Go to the person icon, then click "Change Palette." You'll find the classic Tumblr blue, dark mode, and a few other color palettes for your dash.

So I tried out all the color palettes. In addition to the ones mentioned here, there’s one that’s trying to look like a green screen terminal that gives me flashbacks to the early 80′s. There’s a reason we stopped using green screen terminals... Another one is “canary yellow.” It’s very yellow. The “classic tumblr” isn’t actually classic tumblr... all the post boxes are dark blue with grey type, not white with black type. And all the other colors are the insanely bright fluorescent of the new Dark Blue standard tumblr scheme. Which means links are practically invisible unless I highlight them. It’s migraine inducing. The one theme with a light colored background is called “Concrete” or “Cement” or something like that and even that only works for about half an hour before the migraine aura really kicks in. I just want my Old Blue via xkit back. You know, what tumblr actually used to look like. I don’t want any of these horrible color palettes. None of them work for me.

*The new "meatballs" menu: This is where you can copy the post link, unfollow the Tumblr who made or reblogged the post, or report a violation to our Community Guidelines.

I could do all of this from the user menus with xkit, too. I don’t regularly report violations or have the urge to block people I have chosen to follow. Why on earth would I want to do any of this? And why would I want these features located directly beside the post link copy feature?

You know what I do miss? I miss the xkit timestamps feature. I didn’t have to hover dangerously close to the KILL IT WITH FIRE meatballs menu in order to see when a post was made, and in this era of disinformation and misinformation spreading around this site faster than Covid-19, being able to see when a post was ORIGINALLY created is a far more useful feature than an easier way to block people. For reference: I currently have three blogs blocked. Two of them are pornbots. One is a nazi. If I don’t want someone’s content on my dash, I don’t follow them. This “feature” is entirely useless to me.

*A quick note: Pagination is not supported in this beta test, but we're collecting feedback to send to our engineers.

THIS IS THE ABSOLUTE WORST. This beta test might actually be tolerable if I wasn’t trapped into endless scrolling. If I could page through my dash, refreshing it every ten posts or so. You know why? Because once I scroll about 30 posts down my dash, tumblr starts overheating my laptop under the load of ALL THOSE POSTS. Things start malfunctioning-- it takes longer and longer to load new posts the farther I scroll. And the keyboard navigation (both page down and hitting J to advance to the next post, and even just using the down arrow to scroll as I read a long post) freeze and stop functioning. One of my laptop fans has actually begun to malfunction.

You know why this wasn’t a problem on the old version? If the data load got to heavy, I could open a post in a new tab, click view on dash with xkit, and voila! Brand new tab! I could close the malfunctioning tab and everything would be refreshed to normal! But without pagination, THAT IS IMPOSSIBLE.

Also, after reblogging a few posts, the beta version of this site breaks, and doesn’t open a post tab to add commentary or even tags. It just... reblogs the untagged post with no warning whatsoever. You know... that’s really really not cool. I tag EVERYTHING. Well, almost everything. The tags are the only way to keep track of the 40k+ posts on my blog. And warn people that I am posting potential spoilers, or other specific content. It’s REALLY inconvenient to have to either immediately go to my blog to edit the post and add tags, or even comments. The alternative is to scroll up to open individual posts I want to reblog in a new tab, and then reblog directly there. Ironically enough, THOSE pages actually open with xkit installed, and everything (surprise!) functions perfectly there.

It’s perfectly reasonable to understand why this specific issue has limited the number of posts I reblog. Reblogging content should not be this much of a hassle. Creators have been complaining for a while that reblogs have drastically slowed down, and I think making it even more annoying and difficult to reblog posts will not help this problem.

Also, with xkit enabled, there’s a function that auto-loads images as you scroll, so the images are always visible BEFORE they appear on screen. I don’t have to look at the colored boxes and wonder if this is a post I’ve already seen or something I should sit and wait for. Don’t even think about watching tumblr videos. Loading priority is given to the ads that you cannot pause or dismiss, so that video loads and plays in choppy two second bursts instead of being given priority. Since that’s the content I am actually here to consume, it kinda makes me want to do the opposite of patronizing anyone who advertises here with graphically intense ads. And then when you scroll away, with xkit, gifs and videos you’ve scrolled past STOP loading and playing, which I think might be contributing to the intensity of the resource hogging that’s literally melting down my laptop.

And for reference, I have a pretty decent little gaming laptop. A blogging platform shouldn’t be driving it to the brink of frying itself. I didn’t realize just how much xkit worked to streamline this and provide basic functionality to this site.

*And lastly, if you're an XKit user, know that the XKit team is working hard to update things on their end to make it compatible with the beta dashboard.

And this doesn’t even begin to scratch the surface of what I’ve lost without xkit. And this is a really REALLY garbage response to user complaints. “Oh, yeah, sorry we made our site suck even worse, but those nice people who do our jobs for free will surely fix our garbage soon!”

Dear wonderful people at @new-xkit-extension, I love you, and I miss you, and while I wish xkit worked with this beta version I’ve been forced into living with, I truly feel for y’all who are trying to deal with this nonsense on behalf of all of us.

And to the folks at Tumblr... maybe try to just... make your site actually more like xkit. You know, actually functional. None of these special new features are useful or functional to me. I respectfully request for a fourth time to be removed from this inane beta test.

Give us OPTIONS. Let us display ALL THE TAGS without having to click a button. Let me have back my Activity+ that actually allowed me to interact with people from my dash! That showed me real-time inline notifications in a way that I could reply to with a single click! Bring me back to my column of open messaging conversation icons so I have easy access to the people I talk with throughout the day instead of closing them all every time I refresh the page. I already feel socially isolated in freaking quarantine, please stop shutting off all my avenues of communication!

Let us have pagination! I mean, maybe it wasn’t the best idea to force heavy users of this site into a beta version that doesn’t allow us to opt out until your engineers had actually figured out how to make it work in a very basic way.

*Let me know if there's anything else I can help you with!

YES. PLEASE REMOVE ME FROM THIS BETA TEST NOW. I have let you know exactly what I want from this site. I just want it to ACTUALLY WORK. For someone who spends 12+ hours a day on this site, this beta test version is NONFUNCTIONAL. PLEASE ALLOW ME TO OPT OUT. I AM LITERALLY BEGGING YOU. I WILL ACTUALLY PAY YOU CASH MONEY TO ALLOW ME TO OPT OUT OF THIS AND GO BACK TO HAVING A FUNCTIONAL BLOG AGAIN. WHAT MORE DO YOU WANT FROM ME?!

PLEASE!

I AM OFFICIALLY AT THE END OF MY PATIENCE FOR ENDURING THIS NIGHTMARE.

(one final quick note... I’ve only been back on my dash long enough to make the parenthetical edits-- i.e. adding italics that don’t display and then adding the asterisks at the beginning of each section of quoted text, and already my laptop is overheating again. For reference, I originally typed this entire post from within my tumblr inbox page-- which still functions normally with xkit-- and spent over an hour on it. My laptop was fine the entire time. Clearly the issue is this beta version of the website. I will never forgive tumblr if y’all fry my literal only portal to the outside world at this time. PUT ME BACK TO NORMAL NOW. THIS IS ABSOLUTELY INFURIATING AND ENTIRELY UNACCEPTABLE. Thanks)

(oops apparently i lied... when the asterisks and the previous final note failed to display, I thought that seemed suspicious, and realized that I literally needed to refresh my entire dash in order to see edited changes. Funny how xkit enabled me to do that in real time, which is just another bit of functionality I’ve lost with this beta program. Please guys, this is really, really not working for me at all, just put it back.)

#tumblr problems #staff #support #xkit #was this good enough for you? because I am totally done with this if that wasn't completely obvious #please end my suffering

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tfwbigbang · 4 years ago

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Team Free Will Big Bang FAQ and Rules 2021

Rules

You must be aged 18 or over upon registration in order to take part in this bang. If you lie about your age, you will be banned from all future TFW Big Bangs and other events run by this bang’s mods.

Authors, Artists and Betas will be sent a confirmation email within 48 hours of signing up. You must reply to this email to complete sign up.

What do I create?

Authors:

A story of a minimum of 15,000 words (big bang).

Or a story of a minimum of 5000 words (mini bang).

The story must feature Team Free Will (Dean, Sam and Cas) at the center of the story or Team Free Will 2.0 (Dean, Sam, Cas and Jack).

Or be a real person fanfic (RPF) featuring Jared, Jensen and Misha at the center of the story (Alexander Calvert can also be included as a central character if you so desire).

No story may feature anyone under the age of 16 in an explicit sexual situation, this rises to 18 for RPF.

Your story must be posted in full on your assigned posting day.

See further in the FAQ for more details.

Artists:

For a big bang: a cover and two pieces of art connected to the fic (cover can be derived from main art).

For a mini bang: a cover and a piece of art connected to the fic (cover can be derived from main art).

No art may feature anyone under the age of 18 in an explicit sexual situation.

No explicit art may be posted to Tumblr.

No art can be made of photo manipulations.

Note that this bang runs a no fic left behind policy.

See further in the FAQ for more details

Authors must not discuss their stories publicly on places like social media or Discord servers before claims, unless it is in vague terms to secure a beta reader. You may discuss your story with your beta reader and on the TFWBB Discord server.

All authors and artists must familiarize themselves with the bang schedule.

All authors and artists must make attempts to regularly communicate with each other once paired.

For those taking part, we have created a Discord server. Details about this are available upon bang sign-up.

For more in-depth information on how to be a good bang participant: check out this post on allspnships.

FAQ

What are the differences between mini and big bangs?

Basically how long your story is. The Big Bang has a minimum of 15,000 words, and will receive a minimum of two art pieces from the artist plus a fic cover, while the Minibang has a minimum of 5,000 words, and will receive a cover and at least one piece of art.

Do covers have to be completely separate pieces of art from the rest of the bang’s art?

Covers can be remixes of art already created for the fic. But they need to feature the fic title, the names of the artist and the author(s).

How/where do I submit my draft?

We will provide details about this directly to creators nearer posting time.

How long does my story need to be?

You have two options: for a Big Bang, you need a minimum of 15,000 words. For a Minibang, you need at least 5,000.

What does the focus of my story need to be?

Your story must focus on all three members of Team Free Will: Dean, Sam, and Castiel. This means the story can be Dean/Sam, Dean/Cas, Sam/Cas, Sam/Dean/Cas or gen. If you choose a two-person pairing, the third character must be an equal focus on the story.

We won’t be counting words, but please try to stay within the spirit of the challenge. This is about celebrating Team Free Will characters, so have fun with them.

Since 2018, we have accepted interpretations of Team Free Will that include Jack Kline (Team Free Will 2.0), but everyone must still have equal importance in your story.

Team Free Love (Sam/Castiel/Dean/Gabriel) is not accepted for this bang.

Reader inserts are not accepted for this bang.

We will allow pairings where the four are with other characters, such as Sam/Eileen or Dean/Gabriel, BUT that pairing cannot be the main focus of the story.

Are AUs, crossovers and fusions allowed?

Yes, all are allowed. However, the more obscure the other fandom, the harder finding an artist who knows both will be, so keep that in mind.

What about RPF?

RPF is welcome, but must focus on Jared, Misha, Jensen and (if you want) Alexander, and their relationships with each other. So any combination of these four is welcome, as is a gen RPF where no one’s together. Everyone of these three (or four) needs equal weight in your plot.

What about underage?

Please ensure that all fanfic doesn’t include under 16s depicted in sexual situations—this raises to 18 for RPF. Basically, off the page is fine, but not on the page. All explicit art can only feature characters aged 18 and upwards.

Is it okay to write a sequel or prequel to an existing fic?

No, it needs to be a completely new story.

Can I sign up as both an author and an artist?

Yes, but you cannot claim your own fic.

Can I create additional art for my fic/have other artists make banners and art?

Not until a year after your post date.

May I do photo manipulations for art?

Due to issues of quality with manips in previous years, we have decided that photo manipulations are no longer welcome in the Team Free Will Big Bang.

May I do paper art or use alternative physical mediums like textiles or clay?

Yes.

Covers—can they feature explicit art?

Due to masterposts being posted on Tumblr, covers cannot feature explicit imagery.

Will there be promos? Can I advertise my fic on my Tumblr, Pillowfort, Dreamwidth, Twitter, etc?

There will be a formal promo period available to you during August, once posting dates are known. Promos will be promoted on all our blogs and Twitter. Details on how to promo will be made available in August.

Please do not promote stories ahead of this. You will be welcome to reblog/retweet your promos from our official blogs and Twitter.

Where do I post my fic/art when it’s complete?

All fics must be posted to AO3 and made live on your posting date, with the art embedded in the appropriate scenes if the artist allows.

All art must have a masterpost on either Dreamwidth, Pillowfort, AO3, or Tumblr made live on your posting day. Remember that explicit art should not be posted to Tumblr, unless it is extensively censored.

On or before your posting day, both links must be submitted in a post to the TFW Big Bang Dreamwidth, Pillowfort community and/or Tumblr blog. We will share the posting format nearer the time of posting. We will check over the masterpost, and make it public on the appropriate day on all platforms.

Do I need to link back to my artist’s master art post on my AO3 story?

Yes, all stories must have a link that goes to the art masterpost made by your artist. We advise you add this link in your notes using HTML like:

Will there be an AO3 collection for posted fics and art?

You will be able to add your fics and art to the moderated collection via: tfw_bb_2021.

Do I need a Dreamwidth/Pillowfort/Tumblr/AO3 account to participate?

Artists should have at least one to post their art to, and authors should have at least AO3 to post their fic to. No account besides an email address is required for claims.

Masterpost submissions to Pillowfort or Dreamwidth will require an account on the service you want to use. Tumblr may be submitted to without an account. Submit the fic and art masterpost to your preferred platform and it will be crossposted by the mods.

Due to changes in LiveJournal’s terms of service in April 2017, the bang is no longer being actively run on LJ, though may be promoted there.

Can I write more than one story/collaborate on a story?

Each author can write only one story for this challenge. You are welcome to collaborate on a story, but that counts as your one story.

Can I claim more than one fic to make art for?

The first round of claiming will allow artists to claim only one story. If there are still unclaimed stories 24 hours after the claiming begins, we’ll open a second round for artists to claim a second piece or for artists who didn’t originally sign up to participate. If artists drop out after assignments are set, artists can pinch hit as well regardless of whether they’re already assigned one story.

What do I need to provide for claims?

Fic writers will need to provide drafts that are at least 80% complete (with a beginning, middle and (almost an) end) for claims, along with a summary. Specifics on how to do this will be shared via email ahead of the submissions date.

We will not accept drafts that fail to meet this criteria, as it’s not fair on artists.

What is “no fic left behind”?

If an artist fails to meet art draft check-ins, providing proof of art, when required: they will be removed from the bang and a new artist found for the affected bang story.

The only exception to this is those affected by extenuating circumstances who manage to communicate with their author or the mods—in this instance an extension will be given.

What if something happens in RL and I need to post on a different day or get an extension, or something?

Contact the mods, or get your teammate to contact the mods, or get a friend to contact the mods. Stuff happens and we don’t want our bang to be an extra stress, but you need to let us know that you need help so that we can help you. We can be pretty flexible, so please don’t worry and get in touch. You can reach us at teamfreewillbigbang(at)gmail(dot)com.

How will claims work?

There will be a preview doc with each summary posted at least 48 hours before claims and emailed to artists who have already signed up. When claims open, we will email a link to a Google Form where we’ll ask you to resubmit some of your artist details and your top five picks for doing art. We’ll update the preview summaries with notes on fics as they’re assigned.

Do writers need beta readers?

Yes, all fic needs to be beta read for at least spelling, punctuation and grammar.

If you don’t have a beta reader, you can try asking someone from our beta list to beta for you.

Ask on /r/fandomnatural or you can check out our list of beta readers for the bang. Details of this list will be emailed to authors once available.

May I post a WIP?

Works in progress (WIP) are not permitted to be posted for this bang. Fics must be posted complete (i.e. no serial posting).

You didn’t answer my question

Please contact hit_the_books,majesticduxk and fogsrollingin at teamfreewillbigbang(at)gmail(dot)com.

#mod post #rules and faq #tfwbigbang2021

9 notes · View notes

anikkis-fantasirealities · 3 years ago

Text

“Finding the Captivating Dialogue for You”

④ How-to-do Feature ┊ ᴬˡˡ ᵒᶠ ᵃⁿ ᵃⁿᵉᶜᵈᵒᵗᵉ ˢᵒ ᵃʳᶦᵈ ᵃⁿᵈ ᵃˡˡᵘʳᶦⁿᵍ ᵃᵗ ᵒⁿᶜᵉ··· ᶜᵃⁿ ᵇᵉᶜᵒᵐᵉ ᵃ ᶜᵒᵐᶦᶜ ᶜᵃᵖᵗᵘʳᶦⁿᵍ ᵗʰᵉ ᶜᵒʳᵉˢ ᵒᶠ ᶜᵒˡᵒʳᵉᵈ ᶜᵒʳⁿᵉᵃˢ·

꒰⁺˚₊·₍₍loading...₎₎ ✎...۪۫❁ཻུ۪۪ -ˏˋ 🃏 ˊˎ-

༘✶ ㊉㈦〘 ⅯⅯ 〙⋆｡˚𓆟 ༉ ║ Posted : ０６/１５/２１° ｡༄ ‧₊˚ ๑ ㅤ ㅤ ㅤ ㅤ •ଓ.° ｡❍ ㈩㊇

- - ——— ꒰ An article by Nicole “Nikki” Elaine S. Chua ꒱

ㅤㅤ ㅤㅤ₊·͟͟͟͟͟͟͞͞͞͞͞͞➳❥ ࿐ྂ—͙❬₊° ᶦ ᵃᵐ ᵃ ᵇˡᵒᵍᵍᵉʳ ᵃᶠᵗᵉʳ ᵃˡˡ·“= ‹⸙͎

Cure your boredom by finding something new! Enter the world of art and stories combined! Find the story to obsess over, only here on WEBTOON! Hold on, let me just shake out all the interpretative literary devices I had from my previous articles... There, much better! Welcome back to your favorite bunny—Nikki’s Tumblr blog! It feels a bit different here compared to when I am on Amino, to be honest. Yes, when I formally write without too many literary devices, my blogs smoothen like this, like it was polished with sandpaper or something. Anyway, I loosen up in order to display my love for something I’d like to offer to this world—one of those precious gems that have not been excavated in the realm of fandoms. Today, in this article, let’s enter the world of Webtoons and figure out 𝙝𝙤𝙬 𝙩𝙤 𝙨𝙩𝙖𝙧𝙩 𝙤𝙣 𝙒𝙀𝘽𝙏𝙊𝙊𝙉 (𝙇𝙞𝙣𝙚 𝙒𝙚𝙗𝙩𝙤𝙤𝙣𝙨) 𝙖𝙨 𝙖 𝙧𝙚𝙖𝙙𝙚𝙧!

Oh, hold on your horses! You’re asking what do I mean by Line Webtoons? My apologies for not explaining that before I bring you along this own carpet ride. To begin with this sudden class session, webtoons are webcomics that have a vertical reading format. In Korea, “manhwa” is often something you’d hear when the locals there refer to comics. These webtoons originated from South Korea, and now, they are rebranded by different companies with their hit titles. One of those brands is Naver Webtoon, and internationally, it is known as Line Webtoons. In 2019, it has now become WEBTOON, for short! Korean webtoons that are from Naver Webtoon have been officially translated into English, Chinese, Japanese, Indonesian, Thai, Spanish, French, and German languages in the present. At the same time, all these countries of the world wide web get to also be webtoon creators, too!

Comics are a mix of art and writing in multiple panels. Though unlike those readable from right to left, or the complete opposite of that, webtoons take advantage of vertical scrolling to reveal shocking key plot points and add more aesthetic in the blooming & stunning art they provide to the audience. They don’t upload once a month or year—in WEBTOON, there’s always something to read daily! Most WEBTOON series upload once a week, depending on its creator. As a reader, you’ll surely enjoy the vast options of webtoons to choose from reading at your own pace. There are many interesting genres, art styles, character designs, pairings, story lines, and themes to look forward to. The best part is, 𝙮𝙤𝙪 𝙘𝙖𝙣 𝙚𝙭𝙥𝙡𝙤𝙧𝙚 𝙖𝙡𝙡 𝙩𝙝𝙞𝙨, 𝙛𝙤𝙧 𝙛𝙧𝙚𝙚! There’s a perfect story to dwell into for all kinds of people, so if you’re curious in knowing how to begin reading, let’s go ahead and jump into the app!

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𝗦𝘁𝗲𝗽 ⓵: 𝗗𝗼𝘄𝗻𝗹𝗼𝗮𝗱 𝘁𝗵𝗲 𝗪𝗘𝗕𝗧𝗢𝗢𝗡 𝗮𝗽𝗽 𝗼𝗿 𝗮𝗰𝗰𝗲𝘀𝘀 𝘁𝗵𝗲 𝗪𝗘𝗕𝗧𝗢𝗢𝗡 𝘀𝗶𝘁𝗲.

The first step to get started with WEBTOON is approaching its services, first! You If you haven’t encountered WEBTOON yet, you could either take a little peak behind its digital pages online. I recommend downloading the app to enjoy the WEBTOON experience to the maximum level. If your first language is not English, perhaps a more comfortable version of the app made for your location fortunately exists! Search for WEBTOON on the playstore, and you will spot the application in a flash. It is only 21 MB or megabytes big, so it is not painful to the phone storage.

However, if you want to save space, you can always take the other route and access the WEBTOON site here. You can search for WEBTOON on your device’s browser, and the link you see immediately will lead you to the destination you desire to land onto. The site is mostly used by personal computer users and those who cannot download the app. It functions the same way as the app, but not all the features, events, and other cool activities can be done here. So, I still suggest to head over to your device’s playstore to get the application!

𝗦𝘁𝗲𝗽 ⓶: 𝗦𝗶𝗴𝗻-𝘂𝗽 𝗳𝗼𝗿 𝗮𝗻 𝗮𝗰𝗰𝗼𝘂𝗻𝘁 𝗼𝗻 𝘁𝗵𝗲 𝗪𝗘𝗕𝗧𝗢𝗢𝗡 𝗮𝗽𝗽.

Any app would instruct the user to create an account to use its services. For WEBTOON though, this is very worth it, for it gives you a chance to use your account to comment on WEBTOON episodes you adore, or subscribe to the series you want to follow and support. You can create an account using your email address and the password to access it personally. Just the same as any other process in signing-up for an account, you will type your own username. You could also your very own Facebook, Twitter, Google, or LINE account to enter, and your name on the site you’ve chosen to log-on with will become your name on WEBTOON.

It is editable, so don’t worry if your username so happened to be humiliating, and you absolutely must change it! Though, if you don’t want to create an account just yet, users can view webtoons with a press of a finger without signing up for anything, if you’d press the return key on your phone or if you’re browsing on the site. Once you submit your approval that you’ve read and understood the Terms of Use & Privacy Policy of WEBTOON, you can finally set foot on the real fun of webtoons!

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𝗦𝘁𝗲𝗽 ⓷: 𝗧𝗮𝗸𝗲 𝘁𝗵𝗲 “𝗙𝗶𝗻𝗱 𝘆𝗼𝘂𝗿 𝘀𝗲𝗿𝗶𝗲𝘀” 𝗾𝘂𝗲𝘀𝘁𝗶𝗼𝗻𝗻𝗮𝗶𝗿𝗲.

Okay, do not get confused! We’ll get to the rest of the areas of the app in a little bit! There’s a lot of things to do, now that we’ve finally arrived on WEBTOON platform itself. Though before being hyped at the things you are seeing right now, I’d like you to scroll down to the bottom of this “For You” section, and dig up the “Find your series” questionnaire to answer it. This is so that you can have an idea of what to expect here on WEBTOON, as well as what to read first. This is a questionnaire that will also introduce you to stories that you’d enjoy, without getting totally overwhelmed with content to stretch out into. No pressure in choosing, it will not affect how your account is set-up! Don’t worry about the results either. Answer as natural and honest as you can! This step is only applicable to those who are on the WEBTOON application. It is also optional to the reader, specifically if they are already used to reading webcomics and know what to expect.

Once you enter, it’d ask what are the genres you like. There is horror, comedy, thriller, fantasy, drama, romance, superhero, slice of life, action, and sci-fi. To clarify, slice of life does not literally mean a splitted life! It is a genre for stories that showcase the everyday life of a person, that are either relatable or engaging to read about. Choose as many genres as you want—it’s totally fine to check everything, or to choose one specific genre. Then, you can choose which art styles you prefer from the choices you see in front of your screen. Again, don’t worry about picking art styles—this is not a critical survey! Go ahead and pick many art styles you find pleasing to the eye. Then, you’ll get a list of webtoons recommended to you by the WEBTOON management! Easy, right?

You can take note of these titles given to you, or you can press on the webtoons you find interest in, and you will be taken to the webtoon’s contents in a jifty. That’s where you can read the description of the title’s plot, and you can instantly start reading if it strummed your heartstrings. You can continue discovering more stories to read from here, since the freedom is yours. Even so, there are still parts of the application to discuss that may give you an extra hand later on. Stick around this article for more of that, especially when you need an enthusiatic tour guide like me!

𝗦𝘁𝗲𝗽 ⓸: 𝗖𝗵𝗲𝗰𝗸 𝗼𝘂𝘁 𝘁𝗵𝗲 “𝗢𝗿𝗶𝗴𝗶𝗻𝗮𝗹𝘀” 𝘁𝗮𝗯.

If you’re still following me, you may exit the questionnaire that you entered into a while ago. Now, if you scroll up, we’re back seeing graphics moving sideways at the front page. Oh, did you something catch your eye there? These graphics that WEBTOON fans usually call as “banners” (or, for me, personally—anyway,) are another way to gain interest in choosing stories to read. Long story short, when I became a WEBTOON reader, my all-time favorite webcomic from WEBTOON was first shown to me on a banner. (A very epic one, too!) Most of the webtoons shown here are in the “Originals” tab! From “For You,” press the Originals tab next. These are the tenths of webtoons that you can also read here on WEBTOON. The image is just one section of that. If you can observe, there are the seven days of the week stated at the top of these webtoons, under the word, “Daily.” You might be asking why is this section called, “Originals.” All these webtoons found under this tab are in partnership with the WEBTOON management, and these stories release new episodes weekly!

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That simply means that the creators of these webtoons are working together with WEBTOON to share their stories with us, and what’s the best thing? They get to tell their stories, while fulfilling their dream full-time job as a paid webcomic creator! Their work is now known as “WEBTOON ORIGINALs,” though before, they used to be “Featured Webtoons.” Everyday, various webtoons of different genres update with new parts to continue the story from where they left off previously, so there’s definitely something to look forward to from Mondays to Sundays. There are also more choices here than those in the questionnaire, so if you weren’t contented with what you got from answering questions, you can also come here to pick out stories. There are also webtoons under “Completed,” and we’ll get to those in a bit. If you’d ask me what I usually do on Originals, I read everything in general, so I never run out of things to read, but I’m more fond of fantasy genres. You can also choose webtoons from all days of the week, so you can keep reading something everyday before going to school or work, or perhaps, when you’re about to sleep.

𝗦𝘁𝗲𝗽 ⓹: 𝗘𝘅𝗽𝗹𝗼𝗿𝗲 𝘁𝗵𝗲 “𝗖𝗮𝗻𝘃𝗮𝘀” 𝘁𝗮𝗯.

Now, there must be another question in your head. “How are these webcomic creators chosen to be featured, or have their work included under WEBTOON ORIGINALs?” There are a couple of ways, though, we’ll focus on this canvas of ideas for this article. Usually, creators are discovered on the fan submissions area of the application. Yes, you heard me right! If you are someone who loves drawing comics as well, then you can give this opportunity a shot and meet other aspiring creators here on “Canvas!” So, let’s move from the “Originals” tab and head straight into the “Canvas” section. The webtoons here are under the word, “Spotlight.” It’s simply because these webtoons are uploaded by other webcomic creators who are not affiliated by WEBTOON, yet. So, you could say that this is the wider scope of webtoons to look through. The best thing about “Canvas” which used to be “Discover,” is the fact that we can support these writers and/or artists by reading their stories.

WEBTOON is a platform perfect for people to test the waves of being a webcomic creator. At the same time, they are given the chance to gain a community of a readers that you could also be a part of! However, since these webtoons labeled as “CANVAS WEBTOONs,” are not fully paid by WEBTOON, there is no guarantee that they’ll upload episodes every week. They are free to upload on their own running schedule, but in return, they are also free to create any story they like, as long as it follows the WEBTOON guidelines. Just a brief heads-up, you must have a computer or laptop, in order to upload your own webcomic on WEBTOON. For us readers, it’s a big chance for us to find stories we’ll fall in love with—the one that will make us invested and devoted to how the story continues. If you give the CANVAS WEBTOON more support, who knows? You might be a part of their life accomplishment journey to doing what they love for a living. Very heartwarming, I see.

𝗦𝘁𝗲𝗽 ⓺: 𝗜𝗳 𝘆𝗼𝘂 𝗮𝗿𝗲 𝗶𝗻𝘁𝗲𝗿𝗲𝘀𝘁𝗲𝗱, 𝘁𝗮𝗸𝗲 𝗮 𝗴𝗹𝗶𝗺𝗽𝘀𝗲 𝗮𝘁 𝘁𝗵𝗲 𝗿𝗮𝗻𝗸𝗶𝗻𝗴𝘀 𝗮𝗻𝗱 𝗴𝗲𝗻𝗿𝗲 𝘀𝗲𝗰𝘁𝗶𝗼𝗻𝘀.

We’ve already seen all the webtoons that the app has to offer to us. Despite that, there’s a chance that you still don’t know what stories pique the elements you like in a plot. Now that you know that there are more webtoons to search for on the WEBTOON app, you might need a guide or factor to know what’s the best story to try out. This is why the rankings and genre sections exist on the app! You can view the rankings of WEBTOON ORIGINALs and CANVAS WEBTOONs in their respective tabs. For ORIGINALs, you can click on the badge-like icon to the top right, while in CANVAS, you can see the rankings immediately. If you want to see the complete rankings list for CANVAS WEBTOONs, pressing the arrow at the right side of the rankings preview will do the trick! This step is for users who cannot decide based on what gem of a webtoon preview has caught their attention. If you'd like to find out what webtoons are popular overall, or in their corresponding genres, be sure to use this feature to weigh the odds. We are people who are influenced by whatever is loved by many, after all.

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If ten genres weren't enough choices during the questionnaire, well, thankfully there is more to play with! In the genre sections of both types of webtoons on WEBTOON, which you can see alongside the rankings, you can also view webtoons listed under the supernatural, mystery, sports, historical, heartwarming, and informative genres! So, in total, there are 16 genres to step into, and that's a plenty! In that said area, you can tell which genres have the best stories based on how many people read each webtoon. You can also sort these webtoons by interests, likes, or date. Just press the "Genres" button next to the "Daily" or "Spotlight" text on either tabs. The "sorting the webtoons by interests" option would depend on what your account has read, so far. These features are really handy to introduce to you new webtoons to take your eyes on or pay attention to.

𝗦𝘁𝗲𝗽 ⓻: 𝗨𝘀𝗲 𝘁𝗵𝗲 𝗳𝗲𝗮𝘁𝘂𝗿𝗲𝘀 𝗼𝗻 𝘁𝗵𝗲 “𝗠𝘆” 𝘁𝗮𝗯.

I suppose you've already chosen a webtoon to read, or maybe you're already into collecting webtoon titles to remember reading. Regardless, let's make things a little easier. You'd need your account, first! If you haven't created one yet, head to the log-in page and go back to Step No. 2. Catch up here when you're done, alright? If you’re already here, let me take you a stroll around this “My” tab. This section has list of features that are for the account’s convenience and personalization. It tells you what webtoons episodes have you recently read, downloaded, commented, and unlocked. It also states what webtoons have you subscribed to. Oh, yes, you can do all these things for your favorite stories on WEBTOON! To try that out, go to your chosen webtoon to read. As a reader, you are given the chance to rate the webtoon from 1 to 10—whether it is an ORIGINAL or CANVAS-type. That also makes heads turn away or stare closer at the stories, to see if they are worthy of their time.

Just like how subscriptions work on Youtube or any other platform, subscribing to a webtoon with your account means that you’ll get notifications whenever it uploads. It’s also easier to access subscribed webtoons through the “My” tab, instead of continously searching for your favorite stories all over the application or site as if you’re in a never-ending maze. You can track down the episodes you’ve downloaded for offline use as well, which comes in great situations where wifi is not available. Be aware that downloaded episodes will remain on your account for 30 days only, however. After 30 days, you may download the episodes again. Commenting on episodes can give you interaction with other readers’ ideas—those reactions, arguments, discussions, and, well! You could even talk about romantic pairing wars and all that’s fizzling in the premise of the story. With this section of the app, your account will be able to be fit and active, while it gives access to more parts of WEBTOON—including the possession of fast pass coins to unlock episodes for early reading! Wait a minute. Why must we, and how do we do that?

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𝗦𝘁𝗲𝗽 ⓼: 𝗧𝗮𝗸𝗲 𝗮𝗱𝘃𝗮𝗻𝘁𝗮𝗴𝗲 𝗼𝗳 𝘁𝗵𝗲 𝗳𝗮𝘀𝘁 𝗽𝗮𝘀𝘀 𝗰𝗼𝗶𝗻𝘀 𝗲𝘃𝗲𝗻𝘁.

Fast pass on WEBTOON allows you to read episodes before they are publicly released. In other words, you can gain early access to your most awaited ORIGINAL WEBTOONs’ episodes, especially when they get on that gripping cliffhanger that makes you want to go crazy with what happens next! The question is, how can we use fast pass? We can do that with coins called, “fast pass coins.” This in-app currency will permit you to avail one fast pass episode every five coins. In order to get coins, however, there is real money transactions involved. Though, do not fret, because you do not need to spend a dime or a single peso over buying fast pass episodes! WEBTOON offers users to gain five or more fast pass coins through events in the app.

These vary from having to log-in in 7 days, or read similarly themed webtoons that are featured per event. It’s free to do, though, they do not come by all the time—events do not run forever, after all. So, take on the challenge when it arrives, and get yourself some fast pass episodes to enjoy! One benefit in taking part in fast pass coins events is reading new stories that you’ve never tried peaking into before, because who knows when will it become your top webtoon choice in the future? Take it for me—one webtoon became my favorite when the first fast pass coins event entitled, “Climb the Tower challenge,” occured. I participated and had climbed 100 episodes, and now here I am chilling with floors and betrayal!

If you haven’t asked, all fast pass coins given to each webtoon will have a part of its value given to the creators of the said stories. In other words, it’s like directly supporting the artists, writers, and creators of the stories you love! This step can only be done to ORIGINAL WEBTOONs. CANVAS WEBTOONs do not have fast pass, though its creators can provide Patreon accounts where fans can donate or give thanks for their eloquent and awesome stories to tell.

𝗦𝘁𝗲𝗽 ⓽: 𝗗𝘄𝗲𝗹𝗹 𝗶𝗻𝘁𝗼 𝘁𝗵𝗲 𝗖𝗼𝗺𝗽𝗹𝗲𝘁𝗲𝗱 𝘄𝗲𝗯𝘁𝗼𝗼𝗻𝘀 𝘄𝗶𝘁𝗵 𝘁𝗵𝗲 𝗱𝗮𝗶𝗹𝘆 𝗽𝗮𝘀𝘀 𝗳𝗲𝗮𝘁𝘂𝗿𝗲.

Remember when I mentioned “completed” webtoons prior to this step? It’s interesting that there also webtoons that have ended, so there is a section for WEBTOON ORIGINALs that have ended in the “Originals” tab. Here, you can still binge-read completed webtoons for as many times you want to, and you can also gain a collection of read finished webtoons on your proud wall. The satisfaction is there when you finish a story—but, wait a minute. We are familiar with fast pass, now, what’s up with this daily pass? For some completed webtoons, they are readable with the daily pass feature. This makes a webtoon’s episodes first episode public for reading, but the twist is, to read the next episodes, you must come back everyday to continue. Episodes in the middle until the end of the story are locked, and can only be carried on if you’ve lended a daily pass entry for it to be opened for a limited time. Then, you can access the next episodes in the following days. Tedious as it may be, you could also pay for fast pass coins to read these specific completed webtoons quicker.

However, if your route is free reading, it is also a fulfilling experience to follow a story as if it was still uploading everyday, instead of reading it in one sitting. This is the patience, yet satisfaction, that can be acquired from daily pass. That is also the goal of WEBTOON for implementing such a feature to their application. You don’t have to pay for anything if you don’t want to speed up your time in reading. This step is definitely for you, if you’re already reading ongoing webtoons, but want to find more stories in the completed section. Trust me, the stories we got here with the daily pass feature were real hits back in the day—somehow, the dust on their covers will be swept away when you touch it. It’s worth it, so why not give it a shot? I heard that one completed webtoon here was recently adaptated into an anime, another has been published physically, while the other was given a live-action K-drama on Netflix! Let’s see if you can figure out which stories these are!

𝗦𝘁𝗲𝗽 ⓾: 𝗞𝗲𝗲𝗽 𝗿𝗲𝗮𝗱𝗶𝗻𝗴 𝗮𝗻𝗱 𝗱𝗶𝘀𝗰𝗼𝘃𝗲𝗿𝗶𝗻𝗴 𝘄𝗲𝗯𝘁𝗼𝗼𝗻𝘀!

So, once you’ve found your beloved webtoons, fully invested into them with your account, made use of fast pass, and indulge into daily pass, the only thing left to do to begin on WEBTOON is to stick to it! Keep being a WEBTOON reader, and enjoy as many webtoons as you’d like. As you keep being on the application or site, you will encounter more features of WEBTOON, and maybe, as you stick around, more surprises & stories will be coming your way. There’s the fan translation area to explore, where you can translate the webtoons you’d love to support and be a contributor to its spread to other languages. There are thousands of CANVAS WEBTOONs being promoted in the front page for explorers to uncover reading. Spotlights at the bottom of the front page compile webtoons together, and you’d get to see more webtoons that may be under the spotlighted theme you adore!

You will be a part of this passionate WEBTOON community, and I’d like to thank you if you keep engaging into this craft as a reader. WEBTOON is a group of people who loves comics, and webcomics alike. It’s a place where creators and readers get to connect, at the same time, reach for their dreams. This is where their imaginations sprint wild—the happiness, sadness, anger, fear, worry, doubt, cheer, and excitement at every panel scrolling down your devices. You will be joining along with its growth, as well as all webcomic creators trying out on the platform, that WEBTOON sincerely cares for, wherever or whoever they are. You can witness how its stories will not only become panels and dialogue, but also animation, live-action, physical books, and other media types all around the world.

Do continue finding the captivating dialogue for you in WEBTOON, because for sure, it will become the message you will hold onto for life. Dramatic Nikki aside, thank you very much for reading this article! I had a blast—almost like I was going to be blasted on a rocket ship to Mars, while I was writing this feature. I hope my steps were able to help you get started on WEBTOON, and I’d like to bid you all the best on your personal voyage here. I believe each story of how we became attached to something is very significant, so take this moment to make it a memorable event in your life. Once more, thank you for reading! Come back again in another blog in the unknown future, where my fantasies become realities! A Nikki reminder: don’t just be ordinary when everyone is doing wrong—be unORDINARY, right & just, and continue to climb without holding back!

· * ✫ * ⊹ * ˚ . . 　　· ⋆ * . * . . · . · . * · . · · + . ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤㅤㅤ· ** ˚ . . + 　　· ⋆ * . * . . · . · . *

ㅤㅤ ㅤㅤ. . + 　· ⋆ * . * . . · . · .˚ ⊹ · * ✧ ⋆ · * . · . · · .. . .

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ㅤㅤ ㅤ ㅤㅤ · ** ˚ . . + ㅤㅤ　· ⋆ * . * . . · . · .˚ ⊹ · * ✧

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ⋆ · * . · ㅤㅤ . · · .. . . · + .

ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ. · + . *

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤㅤ ⋆ * . * . .

ㅤㅤ ㅤ ㅤㅤ ㅤㅤㅤㅤ ㅤ . · ·

ㅤㅤ﹙dedication. ﹚ ୨˚୧ ˚ ༘♡.↳ ₊˚‧

This blog is dedicated to you who is like me, and him who is like her. Both webtoon characters that I salute the most—and that beautiful set of panels that has become my lifestory. May you be in work for ten years or five years, I will cherish you, with this shining sword—diamond, ADAMAS.

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ㅤㅤㅤㅤㅤㅤㅤㅤ﹋﹋﹌﹌﹌「 🗼 」﹌﹌﹌﹋﹋

ㅤㅤ ㅤㅤ ㅤㅤㅤ ㅤㅤㅤ ┊彡 Credits

➥ Cover Edit

➫ WEBTOON app

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➥ First Blog Dividers

➫ Soara Academy

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➥ The Rest of the Blog Dividers

➫ WEBTOON app

➥ Source of Information

➫ Webtoon Wikipedia page

➫ WEBTOON (Line Webtoon) Wikipedia page

➫ My own knowledge as a WEBTOON reader

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...Are you asking me if I wanted to be a WEBTOON ambassador...? Yes, but I have no social media influence. I'm just a small bunny in a burrow who loves talking and helping people get to know more about WEBTOON. Also, thank you for liking this, cheezbot. You're such a cute Tumblr bot, indeed.

ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ ⭆ Back to Homepage ⭅

⇦ Previous Blogㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤ ㅤ

#NEU-IS PH #Creative Non-fiction #Feature Article #Blogging #How-to-do Feature #aNikKis Fantasirealities #WEBTOON #Webtoons #Webcomics #Webtoon Originals #Canvas Originals #Fast Pass #Daily Pass

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syncogon · 4 years ago

Text

[QZGS TL] Butterfly Blue 2015/08/15 Taiwan Q&A

Hello! Bringing another Butterfly Blue fan Q&A translation here today. This one is from August 15, 2015, for an event he was doing in Taiwan.

This is a translation of a transcription of a recording. Because it was spoken, there’s some filler words and awkward phrasing; I focused more on getting the gist of what he was saying. A few notes have been included in [brackets]. Also, the transcriber said that they lost the recording of the second half of the talk, so this is only a portion of the event.

The transcription was originally found at this link, http://sinstar529.lofter.com/post/3330e5_7e8c0e7, but the Lofter seems to have been purged. To keep a record and some accountability, the Chinese is included in this post. As always, let me know of any major errors.

past BB translations here: /tagged/bb-interview

Please enjoy! As always, BB has some fun and interesting insights.

********

提问：虫爹我想请问，孙翔当年是怎么被发掘的呢？是在网游里被发现的、还是自己报名训练营的？

虫爹：孙翔他是比较有天赋、比较有才华的，我其实没有想过（全场笑），这样有天赋的选手大家都会比较关注的

Q: Bug Dad, how was Sun Xiang discovered back in the day? Was he discovered in game, or did he join a training camp himself?

A: Sun Xiang, he’s rather talented. I actually haven’t thought about this (audience laughter). People will always pay attention to such a talented player.

提问：王杰希的接班人高英杰是怎么被挑选当选手的？

虫爹：这不是跟上一个问题一样吗？（全场笑）因为表现得比较有天赋就会比较让人看重

Q: How was Wang Jiexi’s successor, Gao Yingjie, chosen to become a pro?

A: Isn’t this the same as the last question? (audience laughter) Talented performance will always attract attention.

提问：虫爹你觉得杜明追得上唐柔吗

虫爹：我觉得难度可能会比较大一点（全场笑）而且他还只是暗恋，还没有比较主动地去表现出来，所以这样看起来……嗯、我觉得他应该是……追不到（全场笑）←小明不哭（Ｘ

Q: Bug Dad, do you think Du Ming can chase down and get together with Tang Rou?

A: I think it’d be relatively difficult (audience laughter). And plus it’s still a secret crush, he still hasn’t even taken the initiative to express it. So from that… mm, I think he… couldn’t (audience laughter)

提问：那个，孙哲平和韩队都是那种、硬派的、呃、男人（不然是什么Ｘ），所以我想问，谁感觉比较、爷们一点？

虫爹：他们俩个吗？差不多吧，性格上没必要拿出来比较吧

��问：那如果ＰＫ的话，会感觉谁比较有胜算呢？

虫爹：你说真人ＰＫ吗？（全场笑）

提问：真人ＰＫ也是可以的

虫爹：真人ＰＫ就不要讨论了吧（笑）不过如果是赛场上的胜负的话是很难说的，那怕是叶修这么强的人都没办法保证百分百能胜过哪个人，所以谁强谁弱的这个，我觉得、恩，不太会有结论。因为打得越多胜负出现的次数也会越多，大概是这样吧

Q: Um, Sun Zheping and Captain Han are both that sort of, strong-willed, uh, men. So I wanted to ask, who’s more, manly?

A: Those two? Probably about the same, there’s no need to compare personalities

Q: Then if they PKed, who do you think would have a higher chance of winning?

A: Are you talking about a real-life PK? (audience laughter)

Q: Real-life PK is fine too

A: Let’s not talk about real-life PK (laughs). But if we’re talking about the outcome of a match, that’s hard to say. Not even someone as strong as Ye Xiu can 100% guarantee victory over another person. So who’s stronger or weaker, I think there isn’t really a conclusion. Because the more matches played, the greater the number of victories and losses, it’s something like that.

提问：虫爹我想请问一下，莫凡以前是做什么的？怎么有办法说来就来兴欣，然后一直被拐带留在那边都不用回家（全场笑）

虫爹：喔你说他现实里的工作是吧？呃依照设定来说我想就是游戏里的那种职业玩家吧，就拾拾荒啊、卖卖装备啊，然后每天换点零花钱这样子，因为他年纪还不算很大，还比较年轻

Q: Bug Dad I want to ask, what was Mo Fan doing before joining Happy? How could he just drop everything and come to Happy, and then get abducted without needing to return home? (audience laughter)

A: Oh you’re talking about his real-world work? Mm according to what I had in mind, he was just a pro in-game player, scrap picking, selling equipment, and then trading this for some spending money every day. Because he’s not too old, he’s still relatively young

提问：请问台湾有可能出巅峰荣耀吗？

虫爹：台湾啊？如果是出版的话还是交给出版社，因为他嫌我现在的字数还有点少（笑）因为大陆那本现在应该是七万七千还是七万八千字左右，但我们这边说至少要到十几万字才有可能出版呵呵

提问：那虫爹可以多写一点番外吗～补上去嘛～

虫爹：这个可能要慢一些，因为一次写两本还是有点吃力，那我写现在的连载，有的时候还是不知道该写什么（惊）所以可能会慢一些

[Q about prequel release in Taiwan - unlikely because too short for the publisher]

Q: Then could you write a bit more prequel content ~

A: This would probably have to be a bit slower, writing two books at once is still a bit of a struggle, and when I’m writing the serialization right now, sometimes I still don’t know what I should write. So it would be slow

提问：虫爹我只是纯粹好奇想请问，沐秋的身高到底是多少？因为我是他的粉丝，所以说很希望可以知道他的身高

虫爹：沐秋啊？这个设定我还没有做到欸，因为我角色设定只做到一半，现在还在做后面的设定，所以这个还没有做到

Q: Bug Dad I’m just curious, how tall is Muqiu? Because I’m his fan, so I really hope to know his height

A: Muqiu? Eh this I still haven’t figured out, I’ve only done around half of the character profiles so far. I’m still working on the second half, so I haven’t done this yet

提问：那网游时期第一代的大神们有在现实世界中见面过吗？就是在游戏之前，因为有的时候我们在游戏里熟识到一个程度的时候会出来见个面啊、吃个饭啊、聊个天啊什么的，他们有这样行为吗？

虫爹：这个……因人而异吧，我觉得初代的……因为他们后来打到比赛的时候就会见到的，这些活动……我来考虑吧，比如说叶修应该对这些不会有太大的兴趣呵呵

Q: Did the first-generation gods ever meet in the real world? Because sometimes when we’re somewhat familiar with people in-game, we’ll go out together, meet up, get a meal, chat, etc. Did they ever do these kinds of things?

A: This… probably varies from person to person, I feel that the first generation… Because they’d meet later when playing matches, so these kind of activities… I’ll think about it. For example Ye Xiu probably wouldn’t be very interested in these things haha

提问：虫爹我想请问叶神大大是什么时候开始染上烟瘾这个坏习惯的？

虫爹：呃……这个可能就是在长期熬夜的过程中……这个你问得太细了我没有想过，因为我看我写番外的时候、呃、他十五岁的时候我应该没有写到他抽烟的画面吧？那就是在后面的……离家出走以后吧？

提问：那他有没有考虑要把烟戒掉？

虫爹：我不知道欸哈哈哈哈哈哈

Q: Bug Dad I want to ask, when did God Ye pick up his bad cigarette addiction?

A: Uh… He might have picked it up after many nights of staying up late… Your question is too specific, I haven’t thought about it before. Because when I was writing the prequel, hm, when he was fifteen I don’t think I described any scenes of him smoking? Then it would have been later… after he left home?

Q: Then has he ever considered quitting smoking?

A: I don’t know hahaha

提问：虫爹我想请问，因为很多人对后面世界邀请赛的部分感到很好奇，那我想请问虫爹会写这个部分的番外吗？

虫爹：嗯我暂时没有想写后面的番外，因为这个结局我个人是觉得非常满意的，如果现在写了我觉得就是个画蛇添足的举动吧，所以我暂时不想写后面，所以我现在写的番外都是之前的，可能把他一些过去的心情啊什么的让他补的更完整一点，那未来的我暂时没有想过要写

Q: Bug Dad I want to ask, because many people are curious about the later world championships, will you ever write about this?

A: For now I haven’t thought about writing any sequels, because I’m very happy with the ending I have. If I write it now, it’d be like drawing feet on a snake. That’s why the extras I’m writing now are all prequels, so I can fill in more details about their past feelings and such, but right now I don’t want to write about the future.

提问：江波涛是怎么知道周泽楷在说什么的

虫爹：呃这个问题昨天刚好也有人问过，就是如果大家有玩过网游的话，比如说一些比较常一起玩的朋友，就会比较知道你接下来会有一些什么举动，就会比较有默契，你知道的、呃、默契（全场笑）

Q: How does Jiang Botao know what Zhou Zekai is saying?

A: I think someone asked this question yesterday too. If you’ve played an online game before, for example if you have a few friends you play with often, then they’ll tend to know what action you’re likely to take next, you’ll have that tacit understanding, you know that, uh, tacit understanding (audience laughter)

提问：虫爹我想请问因为有些同人创作有在写衍生，那我想请问你对衍生的看法是什么

虫爹：因为……衍生可能就是大家对于正篇所产生的脑补，我个人的话其实没有看过，所以我不好评价，没什么可介意的，大家开心就好，我不会太介意的

Q: Bug Dad I want to ask, there are a few fan creators writing derivatives of your work, what is your opinion on that?

A: Mm… Derivatives tend to come from everyone’s thoughts and ideas about the original work. Personally I haven’t looked at them, so I can’t give a judgment, but there isn’t much to object to. As long as everyone’s happy that’s good, I won’t mind too much

提问：虫爹我想请问一下，孙哲平退役期间有跟张佳乐联络吗？

虫爹：退役、呃、我个人觉得，应该是不会有太多联络的，因为他的退役在我们来说是比较呃、难过的、比较无可抗拒的，这种是最无力的嘛，所以我想他可能会……不太会想继续联络

Q: Bug Dad I’d like to ask, during the period of time Sun Zheping was retired, did he ever contact Zhang Jiale?

A: While retired, hm, personally I think there wouldn’t have been much contact. Because his retirement was rather sad, as we’d describe it, it wasn’t something he could fight against, it was the most helpless kind, so I think that he probably… wouldn’t really want to maintain contact

提问：老师当初是什么契机之下会想要写《全职高手》这部作品

虫爹：全职这个嘛，我在近战法师写到一半的时候就有想写一个、呃游戏类的小说，但是写一个人整天在那里玩游戏好像有一些、呃、不务正业嘛，唯一的办法就是把他变成职业的、比较正经的，那就是电竞，像体育项目一样的事情。所以我当初就想写一个电竞类的，然后我就加了一点网游的部分，因为这样过渡得比较流畅比较自然一点，也不会像一直打比赛那么枯燥嘛，

Q: At the time, what drove you to come up with this work The King’s Avatar?

A: When I was about halfway through writing Close-Combat Mage, I wanted to write a gaming novel, but writing about a person playing games all day felt a bit, mm, like neglecting honest work. The only way around that would be to make him a professional, relatively official. That’s esports, like normal sporting events. So at the time I wanted to write about esports, and then I added sections about the game, because this kind of transition felt a bit smoother, and it wouldn’t be as monotonous as just having endless matches.

提问：那如果要用一段话形容王杰希的话，你会怎么写？

虫爹：一段话？我在里面写了那么多字你要我用一段话讲ＱＡＱ我写那么多干嘛ＱＡＱ

提问：那最深的印象呢？

虫爹：呃我一时想不出来，但我想他应该是一个责任心非常重，然后对战队有非常非常高的憧憬，怎么说，就像他对微草战队的期许吧，所以有很高的责任感和（？？？？？？没听清楚

Q: So if you were to use one sentence to describe Wang Jiexi, what would you say?

A: One sentence? I wrote so many words in the book and you want me to use one sentence to describe him? Then why’d I write so much?

Q: Then what’s your deepest impression of him?

A: Mm I can’t think of an answer right now, but I feel that he’s the type of person to take responsibility for things, and then he has an extremely high vision for his team’s future - how to put it - like his hopes and expectations for Tiny Herb, so he has a very deep sense of responsibility. [transcriber’s note: “??? Didn’t hear clearly”]

提问：我想问叶修的家庭到底是怎么样的，让他会那么怕他的爸爸

虫爹：呃我觉得会怕家长这是尊重吧，因为不好、太忤逆所以他干脆不敢面对就离家出走了

Q: I’d like to ask, what is Ye Xiu’s family like, for him to be so scared of his dad?

A: I feel that this “fear of parents” is just respect. Because he wasn’t good, too rebellious, so he just didn’t dare confront them and instead ran away from home

提问：想请问虫爹在写文章的时候会听音乐或同时做其他事情吗？比如说吃东西

虫爹：呃、呃我没有吃东西，听音乐嘛……就是……尽量写吧（？

提问：那请问在写战斗画面时是想像然后就直接打出来吗？

虫爹：你说我、自己还要、打出来吗（惊）当然没有啊（？）只是脑补而已你想太多了←虫爹好像误会了www

Q: When you’re writing, do you listen to music or do other things at the same time? Like eating?

A: I don’t eat while writing… listening to music, I… guess I try to focus on writing [transcriber note: “?”]

Q: Then when you’re writing battles, do you imagine it and then directly hit it out?

A: You’re asking me if I – myself – fight out the battle? Of course not? I’m just imagining it, you’re thinking too much

[transcriber note: “BB seems to have misunderstood”]  [translator note: I think it’s a pun-misunderstanding of “to type” vs “to hit/fight”?]

提问：那想请问因为听说会拍成电影，那因为有很多游戏的战斗画面，虫爹有想过有怎么表现这一块吗？

虫爹：这个版权已经卖出去有点久了（？！）不过现在还没有到实际的创作阶段，游戏画面的表现的话就是用特效啊，大家看电影都会知道有一些场景实现不了就是用特效

[Q about potential movie, irrelevant now that it’s released]

提问：老师为什么你不会想要写那种、草根少年崛起之类的，就是为什么他是从大神再从头爬起，为什么没有想要写他原本就是默默无名的人

虫爹：因为我之前写的几个故事大体都是这样的，为了做出区别所以，呃比如说武侠小说，像金庸就是你说的这种嘛但我是比较喜欢古龙呵呵呵（嗯？）就这样出来就比较无敌啊哈哈哈

Q: Why didn’t you want to write a story about grassroots youth rising to the top? That is, why is he a god starting over again? Why didn’t you think about writing his origin as a nobody?

A: Because many of my previous stories were all like that, so I wanted to do something different. For example, wuxia stories like Jin Yong’s stories were like that, but I prefer Gu Long’s hehe, where they’re rather invincible from the start

[T/N: both famous wuxia novelists]

提问：因为刚刚提到孙哲平所以我就想到魏琛，想问魏琛退役之后是真的没有跟黄少天连络吗？因为黄少天是他从网游带进去的，算是他的徒弟了，那他就完全不会想要联络吗？

虫爹：这个嘛，退役就好像退休一样嘛，就要换一种生活嘛哈哈哈，所以虽然他还是在玩荣耀，但网游跟职业圈两者还是不太一样的，所以就不太会再有交集

提问：那黄少天没想过要跟他连络吗？

虫爹：如果他不见了要怎么联络哈哈哈

提问：但是叶修找到他了ＱＡＱ

虫爹：叶修只是偶然碰到而已哈哈哈，因为叶修有时间玩网游哈哈哈

Q: Since Sun Zheping was mentioned earlier, I thought of Wei Chen. After Wei Chen retired, did he really never contact Huang Shaotian? Because Huang Shaotian was the one he brought in from the game, he was like his apprentice. Did he really not want to contact him at all?

A: This… it’s retirement, you’re changing your way of life, haha. So even though he was still playing Glory, in-game is still quite different from the pro circle. There wouldn’t be much intersection anymore

Q: But wouldn’t Huang Shaotian want to contact him?

A: If he’s vanished, how is he supposed to contact him? Hahaha

Q: But Ye Xiu found him!

A: Ye Xiu just happened to run into him by chance, because Ye Xiu had time to play in-game haha

小编：那接下来还有同学要提问吗……噢有男生欸！

虫爹：噢终于有男生了！

提问：虫爹你好，我想请问《近战法师》的韩家公子和叶修喷啦叽话谁会赢呢？

虫爹：噢，只是言语啦，韩家公子应该会更胜一筹，噢呜，叶修是吧（惊讶脸）叶修哇，我刚刚当成顾飞了，这个不好讲啦哈哈哈哈，而且叶修可能会用键盘打字哈哈哈哈，��个就……回答不了哈哈哈，不好意思我刚刚当成顾飞了，顾飞的言语……他就是用行动的哈哈哈

[the host?]: Then are there any more questions… Oh, a guy!

A: Finally, a male!

[Q about Close-Combat Mage]

提问：虫爹想请问你创作的这十年来有什么特别印象深刻的吗？

虫爹：这个要追溯到最一开始的时候，我一开始是先看了一本网游小说，不过他到一半就没有了，当时我不懂说……那不是后面没有了，而是后面是要付费的哈哈哈，然后我就不看了，但是我想……就觉得很委屈嘛，然后我就看到他的第二篇文，就觉得……怎么不写个完呢？那时候我才刚要上大学，我的同学就常常去网吧玩嘛，我们就泡在网吧里，他在打游戏嘛，但我那时候就在旁边开始写小说，就同学就整晚不睡觉在打游戏看影剧，那我就在那边打小说嘛，然后他们就看我在那边努力写，像看白痴一样的看我，那时候比起辛苦我倒觉得写作是一件很高兴的事这样，也没有想到其他太多的东西，印象最深就是最初的这段。

小编：那原先启发你的那篇文你后来有去储币看完吗？

虫爹：噢那时候因为他写到一半就出道了，所以我也不知道他后面还有，那后来因为他是有付费嘛，那我想那我就不要看了哈哈哈哈哈（抓头）

Q: Bug Dad, over the course of these ten years that you’ve been writing, do you have any particularly deep impressions?

A: For this, you’d have to trace back to the very beginning. Back then, I was reading a gaming novel, but after reading half of it there was no more. At the time I didn’t realize, it wasn’t that there was no more, it was that the rest was paywalled hahaha. And so I didn’t read any more, but I was thinking… I felt wronged, you know? And then I saw his second work, but I felt… why not write a complete story? At that time I was just about to start university, my classmates were often going to play at internet cafés, and so we’d hang out in the internet café. They would play games, but I would stay off to the side and start to write novels. Similarly, while my classmates were playing games and watching movies late at night instead of sleeping, I would just be writing off to the side, and so they would watch me working hard at writing, as though I were a total idiot. At that time, it was very hard work, but I felt that writing was a very happy thing for me, and so I didn’t think too much about other things. This early period left the deepest impression on me.

Q: Then did you ever go back to read that first story that inspired you?

A: Oh, back then it was because he made his real debut after writing half of it, so I didn’t even know that there was more. Later I realized that it existed but was paywalled, then I just figured I didn’t want to read it anymore hahahaha

提问：虫爹虽然这个问题很多人问过了但我就是想知道ＱＡＱ就是张佳乐能拿冠军吗ＱＡＱ

虫爹：这个在现有的情节里是没有拿到的，未来嘛因为我没有写所以也不好回答，就知道你们会这样问哈哈哈，所以大家就不要再问这种未来的，因为我没有写啦哈哈哈

Q: Bug Dad I know many people have asked this question before but I want to know – can Zhang Jiale win a championship QAQ

A: In the story as it currently stands, he hasn’t won a championship. As for the future, I haven’t written it so I can’t answer either. I just know that you guys are like this haha so everyone please don’t ask me these kind of “future” questions because I haven’t written it haha

提问：那因为虫爹一直都很擅长写这种网游类的小说，那想请问虫爹有没有参考过什么网路游戏或玩过什么网路游戏？

虫爹：我是有玩过因为以前在上学的时候有玩DNF，那全职前面有一些职业都是从那个来的，那职业的设定有一些就是参考这个，因为那时候大陆最红的就是这个啦

Q: Because you’ve always been good at writing these kinds of gaming novels, have you referenced any online games or played any online games?

A: I’ve played before, when I was in school I would sometimes play DNF (Dungeon Fighter Online), so a few classes in The King’s Avatar are from there. The design of the classes was influenced by this game because at that time it was the most popular game in the mainland

提问：虫爹我想请问因为你是从台北吃到高雄那你最喜欢什么

虫爹：我没有一路吃下来（澄清）呃、每一顿都要叙述一下吗？因为我口味比较重一些喜欢吃辣，感觉台湾口味就是会混搭一些吧，但我个人的话其实我不太喜欢这样，混搭的时候我会觉得很奇怪，但吃习惯了之后其实也还好，那因为很精致，而且分量很小，所以一次可以吃很多种哈哈哈哈，我们家去吃饭你最多最多就是点两个菜，不然你就会吃剩下很多，但在台湾我可以点四五个都还没有问题，就分量会比较小，这点我觉得很好

Q: Bug Dad you’ve eaten your way from Taipei to Kaohsiung, so what’s been your favorite food?

A: I didn’t spend all my time eating! Uh, do you want me to narrate every meal? I’ve always liked spicy foods, I feel like Taipei’s flavor is a mix of a lot of things, but personally I’m not a huge fan of that, I’d think it’s strange when you start mixing things together. But it’s still pretty good once you get used to it, it’s very refined, and the portions are small, so you can eat a lot of different things at once hahahaha. When my family goes out to eat we usually order two dishes max, because otherwise you wouldn’t finish and there’d be a lot left over, but in Taiwan I could order four or five without a problem. The portions tend to be smaller, which I think is very nice

提问：虫爹我想请问今天有没有更新

虫爹：啊、啊昨晚啊，昨晚昨晚昨晚因为我躺到床上就起不来了哈哈哈哈，今晚回去再写吧

Q: Bug Dad I’d like to ask, did you update today

A: Ah? Last night… last night last night last night… I was lying on my bed and couldn’t get up hahahaha, tonight I’ll go and write

提问：那个我想问跟同人创作有关，因为有满多是女性向的作品，那虫爹有什么想法吗？

虫爹：呃、呃呃，这是大家的脑补嘛，那我也只能说……耽美吧？你说的是耽美，那……大家就是喜欢这样脑补嘛，其实也没有办法说什么，大家喜欢，但其实我要强调原著没有那个属性啦哈哈哈哈

提问：那虫爹对这个有什么看法吗？

虫爹：这个……以我个人来看，写成这样的话其实就不太能算是这个角色了，因为他们就是没有这个属性啊哈哈哈哈

Q: I want to ask a question about fanworks, because most of them are targeted toward a female audience, Bug Dad do you have any thoughts on that?

A: It’s all everyone’s own ideas, right, so all I can say… Danmei, right? You’re talking about danmei? Then… People just like these kinds of ideas, I can’t really say anything, everyone likes it. But I want to emphasize that the original work doesn’t have any of these characteristics haha

Q: Then do you have any opinions on this?

A: This… my personal opinion is that, if you’re writing the characters like that, I don’t really think they can be considered the original characters anymore, because they just don’t have any of these characteristics hahahaha

提问：那那那我想问，叶修喜欢怎样的女生（全场暴动）

虫爹：我……叶修他现在还专注在工作上，还没有时间考虑这个问题哈哈哈，我觉得他应该不会太关心这个问题吧呵呵

Q: Then then then I want to ask, what kind of girls does Ye Xiu like? (audience goes wild)

A: I… Ye Xiu is still focused on his work, he hasn’t had the time to consider this question hahaha, I think he wouldn’t care about this question too much right haha

提问：虫爹你好我想请问一个假设性的问题可以吗？

虫爹：什么性？！

提问：假设性。

虫爹：噢噢假设性，那你问吧，问完再说哈哈哈

提问：如果苏沐秋还在，跟叶修组成搭档，他们会拿几个冠军？

虫爹：这个至少开始的三个是万无一失的啊，这个我觉得就不好说得太多，因为其他选手也很强，也不是说有什么人就……因为比赛是不可预期的嘛，可能当天晚上拉拉肚子啊隔天就……所以这种假设嘛我觉得不好回答，回答了也是对其他选手不尊重嘛

Q: I want to ask a hypothetical question is that okay? […] If Su Muqiu were still alive and partners with Ye Xiu, how many championships would they have received?

A: Well, they at least wouldn’t lose the three at the beginning. But I feel that I can’t say too much about this, because the other competitors are also very strong. You can’t just say that “because they have this person then this would happen…” Because matches can’t be predicted, maybe someone had a stomachache the day before and then… So I can’t really answer these kinds of hypotheticals, and moreover, answering would be disrespectful to the other competitors.

提问：虫爹我想问在写作的时候会不会突然写不下去或遇到瓶颈什么的，如果有的话会用什么方式来解决这个困扰

虫爹：呃这个可能……经常会有啊，因为我每天都要写每天都……那写不下去的话这个就是……断更啊不然要怎么办哈哈哈哈哈，有时候就是花多一点时间啊，有的时候……写不出来就没有更新啊，这个没有什么技术上能够解决的

Q: Bug Dad, when you’re writing, do you ever suddenly find that you can’t write any more, or run into writer’s block or whatnot? If you have, how do you solve this struggle?

A: This… I often do, because I have to write every day, so every day… If I can’t write anymore then I just take a break from updating, otherwise what else can I do hahaha… Sometimes I spend a bit more time, sometimes… if I can’t write then there’s just no update. There isn’t really anything technique-wise that can solve this

提问：蓝雨假如喻文州和黄少天都退役之后是确定小卢会接队长吗？还是会选其他比较有经验的队员来当队长呢？

虫爹：队长的人选他们现在还没有开始做选择，因为小卢……就是卢瀚文，主要是培育来等黄少天退役了之后接手黄少天的夜雨声烦的角色，那队长还不一定是他，也许后面还会有更合适的人选，他还小，他还年轻呵呵

Q: In Blue Rain, after Yu Wenzhou and Huang Shaotian both retire, is it for sure that Little Lu will become captain? Or would they pick a more experienced team member to become captain?

A: They haven’t yet begun to choose a next captain, because Little Lu… that is, Lu Hanwen, he’s primarily being raised to take over Huang Shaotian’s account Troubling Rain after his retirement. So he wouldn’t necessarily become captain. Maybe later there’ll be an even more suitable choice. He’s still small, he’s still young haha

#quan zhi gao shou #the king's avatar #qzgs #tka #全职高手 #translation #mine #bb interview #i was very lucky i had the foresight to save the text of the post and not just the link

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sapphetti · 5 years ago

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Announcement

Hello!

My blog is going to change slightly and I want to be transparent and explain why.

My mistake:

So recently I have been looking into copyright laws and realized that oh shit some of my posts might be copyright infringement. I know I probably should have looked more into copyright laws before I started this blog but let me explain why I didn’t. Mainly, I saw a lot of people doing the same thing so I thought it must be okay. Secondly, my reasoning was “this blog is for a good cause, it’s not like I’m trying to gain financially from this so it must be okay”.

Well after reading up on it I have changed my mind. I was entitled to think that it was up to me to decide how another person wanted to distribute their artwork, and for this I am very sorry. But I don’t want to just say sorry and do nothing, I want to actually make up for it So what I have done these last few days is I have removed all the posts I suspect might be copyright infringement. This includes a lot of poetry, photography, screenshots from movies & music videos and modern paintings.

I will of course continue to post though. The change is that for my new posts I will take advantage of two cases where it is actually allowed to post artworks that aren’t yours. Those two cases are:

1. When the artwork falls under public domain. To my understanding, unless the artwork is protected under some special license (which seems to be rare), the copyright for an artwork dissipates when the artist of the artwork has been dead for 70+ years (in some countries the time is a bit shorter or longer than 70 years, generally it’s always 50-100 years). Today the year is 2020 so if the artwork was made by an artist that died before 1950 it is in the public domain and I can post it.

2. When I have gotten permission from the artist. Before I sometimes posted the artworks even if I couldn’t get ahold of the artist (like for example photographs by famous photographers or poetry by writers I didn’t know how to contact). But from now on I will only post artworks if I have gotten permission from the artist, even if it’s a famous artist that is difficult to contact.

Also, I have always done my best to reblog instead of posting artworks. Sometimes you might have seen me post artworks from smaller artist. The reason for that is that the smaller artist haven’t had a tumblr account, so I have asked them on instagram if they were okay with me reposting their art on tumblr and they have said yes. The artists I haven’t gotten permission from have been more famous, often older artists without social media or a website with contact info. But from now on I will try better to contact those artists, or if I can’t get ahold of them simply not post their artworks.

How this will change my content:

Paintings: There will mainly be older paintings, since they more often belong to the public domain. These might not be very diverse and are often made by men but of course I will do my best to make it as diverse as I can.

Photography: There will be less photography from famous photographers (such as Catherine Opie, Donna Gottschalk etc) and probably less photography overall since I will need to ask for permission every time (most photography was made in the last 50 years or so and therefore does not fall under public domain).

Music: There will be no screenshots from music videos as those fall under copyright laws. I will still post a link to the song and the music video (if there is one). By the way, I will not ask permission from musicians when posting their music as tumblr has a feature that I will use where you can post links to audio clips without it being copyright infringement.

Movies: I will not have any screenshots from the movies. Instead I will only have a link to the trailer of the movie, and I will try to always link the trailer from the official account that belongs to the movie’s creators so they will get the revenue.

Books: I won’t include a picture of the cover of the book. Instead I will link to the GoodReads page of the book where you can see the book cover.

Poetry: I will either post older poetry that falls under public domain, poetry that I have got permission to post or videos made by the poet where the poem is read out aloud.

Sculpture: Pictures of sculptures can fall under public domain, therefore I will only post links to websites where you can read about and see photos of the sculpture or in some cases links to videos where someone has filmed the sculpture.

What I need from you:

Please reblog instead of repost my posts. If you do not know the difference, please read this post.

If you see me making a post that you think is copyright infringement, please tell me about it and I will look into it.

If you own the copyright of an artwork I have posted and want it to be removed, tell me right away preferably through sending a message.

Respect the copyright laws. Do it for your own sake, do you really want to risk getting sued for a simple post? But more importantly, do it for the artist’s sake. Making a living through being an artist today is really difficult and people stealing art without giving proper credit is a big reason as to why. This causes a lot of people who might have created masterpieces to stray away from the art world. I don’t know about you but I love art and it would be absolutely amazing to see a world with more thriving artists in it.

If you really, really, really want to repost instead of reblog one of my posts please follow these guideline:

Look up who the artist is and if they are dead or alive. I always write the name of the artist in the post. From now on I will also include the year they died (if they are deceased) in the post. If you still find it unclear, message me and I will provide further explanation.

Is the artist deceased? Look up the laws about the length of copyright in your country (here’s a list). If the copyright for the artwork has dissipated, also look up if any special license applies to the artwork (my best source for this is Wikimedia Commons, let me know if you know of any other reliable sources for this). If the copyright for the artwork has dissipated and there is no special license applied, the artwork falls under public domain and you are free to use it however you like.

Is the artist alive? Contact the artist and ask them for permission to repost. Here is a guide of what to include when asking for permission.

Apply fair use. This is an exception to the copyright laws that applies when you are using someone else’s artwork for either commentary/critique or parody. I am not very knowledgeable in what exactly does and does not constitute fair use so I would advice you to look into this further through other sources if you’re interested.

I want to add that I have neither studied law or art so my knowledge on this topic is of course limited. If you have more knowledge of these topics and have something to add, please do so! I really value all your opinions and feedback.

Lastly I want to say that it’s okay to make mistakes. I mean I even just admitted to doing the exact same thing. But I also think it’s important we really start paying attention to this issue as every day I see tons of reposts of artworks that doesn’t even give credit to the artist and honestly it upsets me.

That is it for now! Sorry for a long post, but I have really been wanting to speak about this. Stay safe out there <3

ps. I have recently become more active on my instagram, so go give me a follow if you’d like!

TL;DR: I have made the mistake of not asking some artists for permission when posting their art, so from now on I’m gonna do that. I ask you to follow the copyright laws and reblog my posts, not repost.

#announcement #copyright #sapphic art #wlw art #art #public domain #permission #fair use #reblog vs repost #reblog #repost #sapphetti #paintings #music #photography #sculptures #movies #books #digital art

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orchidbreezefc · 5 years ago

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OKAY COOL I WAS ON THE FENCE ABOUT POSTING MY OWN EXPERIENCES IN THE KFAM DISCORD BECAUSE A POST ABOUT People Being Mean To Sage Specifically SEEMED KIND OF MASTURBATORY OR SELF-PITYING OR WHATEVER BUT IF WE REALLY ARE GOING TO STILL BE OUT HERE PUSHING THE This Server Is A Lovely Familial Community And Dissenters Are The Problem NARRATIVE EVEN NOW? HELL NO. ABSOLUTELY NOT.

obviously this is hard to be objective about. this stuff is a lot less concrete than my first post, a lot more based on vibes i got, which, yknow, is why it’s not in my first post. but if anyone identifies with this, if anyone sees their own experiences in this discord reflected in mine, then it’s going to be worth the worry i’m reading too much into things, or others thinking the same of me. if i can help anyone who felt like THEY were mistreated there and weren’t sure if they were reading too much into things, then. it’s worth it. especially since the M.O. in there was ‘everything’s fine and if not we’re going to MAKE IT FINE by silencing anyone who disagrees’.

a lot of talk has been done about the censorship (word used loosely, first amendment protects from the government not from the mods etc, definitely a specific suppression of dissenting ideas though) the mods have been doing--once more i suggest @kfam-tea for receipts and screenshots. not something i feel great about, but not something i have personal experience with, so i won't speak to it. see also my first post about my interactions with the creators. it touches on the dogpiling, which i'll go into more depth on in this post. you can find it [link: here].

so. the first thing in the official discord that tipped me off about the hivemind samethink phenomenon is that the whole place is distinctly frosty on the subject of samben. that’s a post all its own, one that follows through to numbers on ao3 and whatever, but i’m not here to make a ship manifesto. suffice it to say i got attached to the ship upon listening, inhaled the (suspiciously small) ao3 tag, and was stopped in my tracks at the discord server where any implication of such ship inclinations were met with silence and pointed changes of subject.

distinctly weird. distinctly unusual fandom behavior, that i couldnt even hint around shipping the two men whose incredibly profound relationship is literally the crux of the show, who have exchanged ‘i love you’s, one of whom is confirmed gay--all other romantic entanglements aside, because when have those stopped shippers? that was weird. i realize that's maybe a bit tinfoil hat of me. it could have been the goldfish-bowl big-brother-is-watching vibe from having creators in there, except, as i said, it carries to other sites.

anyway, much more concrete was when i spoke out about my thoughts on ben’s actions in ep68. again, enough there for another post, so tl;dr: he was doing his best, he’s a good guy and a good friend, but his actions DIRECTLY outed sammy to the WHOLE town, without allowing sammy to say the words himself. it was an accident, yes, but it had tangible, harmful consequences, and even accidental harm warrants apology. it should at least be... acknowledged. at some point. by the show OR the fandom. it's a disservice to ben himself to never get the chance to own up to it.

this was an unacceptable take. i tried breaching this topic and making my case twice, and got THOROUGHLY dogpiled both times. a dozen fans crawled out of the woodwork to argue heatedly, sometimes getting quite aggressive, sometimes toeing the line of outright hostility toward me personally. definitely some downright rude messages. not once did anybody speak up to defend my right to put forward my dissenting opinion, let alone SUPPORT my argument, god forbid. ben’s were the actions of a good friend, i was told. outing someone to their whole town without giving them the chance to say it on their own terms didn't qualify as harm at all, i was told, on account of ben's heart being in the right place.

still, the opinions being argued matter less than the attitudes and behaviors. people don't have to agree with me about that ep, i don't care. i do care about being given the right to, as a single person on my own, have space to make an argument without being shouted down by a dozen people. i do care about how it fit into a greater pattern of forbidding any criticism of the show, and ben in particular, who is a good friend and therefore all of his actions are good and harmless, who is our resident heterosexual unassailable paragon of purity. which might explain the samben problem--sammy/ron[/jack] was perfectly fine, even popular, but there was never a whisper of shipping ben with anyone but emily. they're Official. theyre The Perfect Couple. don't you dare challenge that (and for the most part, i didn’t dare. i quickly learned not to).

my [link: previous post] details kyle's response to these fun events, where he specifically went out of the way to follow me being shouted into silence (a result of me being driven to literal tears and shutting down rather than invite more argument) with a warm congratulations to everybody for their conduct in this discussion. because that's the kind of conversation kyle wants to specifically and explicitly praise and encourage, i guess.

anyway. this contributed to the growing sense over my time in the discord that people held a certain distaste for me but didn’t want to say anything direct. instead they talked around me, ignored me, immediately changed the subject from my messages, the whole while bestowing constant glowing compliments on each other and endlessly repeating saccharine sentiments about what a nice family type community they were, how grateful they were for the discord being such a positive space. i suppose that’s an easy impression to get when negativity is ruthlessly suppressed (and apparently outright censored nowadays) and instead of insults or, god forbid, communication with people with whom folks might take issue, they just (more or less) silently stonewall and cold shoulder them.

again, i could be misreading cues, being egocentric or tinfoil hat by reading this pattern into how i in particular was treated. either way, the fact that i was given the fandom friday shout out the week after KFAM live was definitely... strange. fishy, even. i was already mostly out the door at that point, had been for weeks--it was actually in my last few days speaking there period. i felt strangely guilty that they would dedicate a day to me when i didn’t like being there much and hardly spoke any longer. one thing’s for sure: my congratulations were fewer and more impersonal, perfunctory, and/or generic than other fans got (i kept a screenshot). i still have no idea what to make of that one, but there you have it.

p.s.: since vagues are in vogue now apparently, i might as well mention the person who's been accused of being A Problem In The Discord For A While Now, among nastier things, which definitely is not an effort to justify kyle's passive aggressive response to their untagged post which used the phrase 'death of the author', or kyle subsequently crying on twitter about death threats because apparently he couldn't be bothered to google a basic literary analysis term and thought if he was vague enough nobody would look into what was actually said. i guess he was right, if the hundreds of asspats and outcries against The Evils Of Podcast Fan Meanies were any indication.

i digress. i just wanted to testify that the fan in question was one of maybe three or four people on the server who consistently treated me nicely and acted like they liked me. and that another fan who claimed to be uncomfortable around death-of-the-author-person was the person who came the closest to being outright nasty to me when i expressed a critical opinion. make of that what you will i guess!

p.p.s.: if i never say anything more about this whole thing or the creators’ part in it, i do want to say for the record: noah james is fully exempt from all of this and remains absolutely wonderful and a whole treasure. like dont pedestalize male creators and assume them incapable of wrongdoing etc etc but i had an hour long midnight denny’s breakfast sitting across from him and he was nothing short of an angel the whole time. sweetest guy i’ve ever met. he hasn’t breathed a word about any of this drama. he may not even know it’s going on because he’s too busy being the most beautiful and talented man in america or something. i love you noah

#sage speaks #sage original post #kfam #king falls am #kfam drama #kfam critical #kfam negative #kfam hate #long post #kfam tea #ok to reblog

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