#like to the point where her own sense of self/individuality is so divorced from herself bc she just thinks that she’s Made to follow this

[swordmaid]

sza open arms but it’s shri’iia’s relationship with lolth specifically this part

[capxfalcon]

ykw i think jab we met is still going strong? despite it being a 2007 movie?

because of the characterisation of geet and aditya! like. they don't try to make geet "normal" or change her personality so that she's more likeable to others. she's always. ALWAYS herself.

except that time when whatshisname said no to her but that wasn't viewed positively. and also im pretty sure she got somewhat depressed after that episode (right?) what with aditya telling her anyone who doesn't like her is an idiot and working through her anger.

(a bit cliché? true. but i honestly think that for someone like geet that was the best was to return her self confidence.)

and it's never geet's job to make aditya better. sure being in her company makes him feel more cheerful and positive. but then he works to achieve that for himself. by himself.

he tries to understand what made him feel better and he works to include it in his life.

in doing this, both geet and aditya are their own people. they have their own sense of individuality and they're not overly co-dependent.

remember that one scene? the one where they're talking about aditya having romantic feeling for geet?

just going to. leave this here (｡•̀ᴗ•̀)✧

also! i really liked how they tackled aditya's parents' divorce? like yes, he was hurt and angry and he blamed his mom.

but he works through his anger (my dude really had his life all messed up) he tries to understand her point of view as well and he makes sure she is remains an integral part of the company.

(keep in mind this is a bollywood movie from 2007. divorces aren't viewed positively. i feel like they still aren't? and people would rather you stayed and worked things out but that's for another time)

so yeah, basically. it had good writing, chemistry, it was fun and goofy. it kind of checked all boxes and then they added mauja hi mauja and nagada as a little cherry on top!

[linkspooky]

Megumi and Toji

Megumi knows almost nothing about his father, his early memories are of being abandoned. His only family is Tsumiki as far as he’s concerned. It’s clear he doesn’t regard himself as a Zenin, or Toji’s son. He doesn’t even recognize Toji when they meet again briefly. However, though Megumi’s not even aware of it there’s a lot of story parallels between father and son. Toji serves as a cautionary tale of what Megumi could become if he does not grow up and learn to handle his emotions properly. MORE UNDER THE CUT. 

1. Inherited Trauma 

I don’t know if you’ve noticed this yet, but the Zenin family definitely has issues. They exclude anything which does not fit their arbitrary standards as an outsider. We don’t really know Toji’s backstory. We don’t have to know either, it obviously doesn’t excuse his actions. However, we see the after-effects of him being thrown out and scapegoated by his own family by the time we see him in the hidden inventory arc. Not only that, but from the clan’s treatment of Maki, we can theorize a little ibt of what Toji has been through. 

Maki and Toji were both born without cursed energy and labeled as defective and wrong because of it. It’s clear both of them developed bad, hostile, even downright violent personalities in order to cope with a home environment that was constantly hostile to them. 

In Maki’s case, it’s not that Maki is a hateful person it’s that she’s conditioned not to accept any kind of love because she was never shown the unconditional love of a family she was owed. When Yuta tries to accept her, Maki rejects him because she doesn’t know what that feeling of acceptance and security is like if it’s unearned. She ties it to strength, she has to be stronger than the Zenin clan, she has to prove she’s better than them and that they were wrong about her in order to earn it. 

Maki is so busy trying to reject everything that the Zenin clan stands for, that she can’t really accept other people’s feelings at all positive or negative. She’s too busy thinking about herself, protecting about herself, trying not to hate herself that even the feelings of Mai who loves her, but in a more complicated way is something she can’t accept. She doesn’t want to think about mai’s feelings because she’s too busy with her own, Mai is an afterthought to her. 

Maki has a complicated way of dealing with the abuse of the Zenin family, and I assume Toji did too. The only difference is that Toji is an adult, whereas Maki is still an adolescent. Toji was set in his ways, Maki is still in the middle of changing. 

Toji is labeled as “the one who is left behind, the one who is free”, it’s very likely especially considering the way he treats Megumi and distances himself from anyone related to him, that Toji’s way of dealing with the Zenin family was to simply reject all of it. He couldn’t accept the hatred of his family, but at the same time he also couldn’t accept any kind of positive emotions too, like love between a father and son. It’s likely Toji can’t even accept the idea of having a family, or the unconditional love of a family because he’s never had it - not that any of that is Megumi’s fault.

 Toji grew up completely isolated from his own family until he was eventually thrown out, and he probably had no idea how to raise a family, but he turned around and inflicted those same circumstances on Megumi. Toji grows up alone, Toji makes Megumi grow up alone because he fails to provide for him as a father. 

Toji deliberately made a choice to throw out Megumi along with the rest of his family trauma, that’s his self reflection upon the moment of death. He wanted to throw away everything and live for hismelf, but he threw away Megumi too. 

However, from Meugmi’s perspective his father gave him the name ‘Megumi’ and left. Apparently Toji was around so little that Megumi doesn’t even recognize his face whent hey meet again as a teenager. He married Tusmiki’s mom, got a divorce, and presumably left Megumi there. 

Megumi grew up with no idea of what a family was, except for his step sister, and also completely isolated from others. He grew up with the same sense of isolation and distance from his family that Toji did, lacking totally in the unconditional love a child needs from his parents in order to grow up, because Toji was never even around for Megumi. Megumi just by default assumes that his father either didn’t love him, or just plain forgot about him. 

2. Like Father, Like Son.

However, despite the fact Toji wasn’t even around to raise his son, Megumi turned out a lot like Toji. There’s a lot of parallels between father and son, probably because as stated above Megumi grew up in isolated circumstances, completely cut off, never truly receiving the parental love or guidance that he needed to help him mature into a emotionally healthy adolescent able to process his feelings and handle them properly. 

Both Megumi and Toji respond to their emotional trauma in the same way, by suppressing themselves and all their feelings, and rejecting the feelings of everyone around him. Megumi isn’t even able to hear the news that his dad died, because he insists that already in first grade, he doesn’t care about his dad or even want him around. 

This is you know, a lie of course. Megumi’s a first grader. All children want a parent. It’s just, Megumi’s way of dealing with his feelings is to just pretend that they’re not there, to pretend he doesn’t care. A first grader is not really mature enough to think of his family situation in these terms, or cope with these feelings. Megumi is simply pretending to be mature as a way of pretending to deal with his hurt feelings. 

We as the audience know that Megumi is a deeply caring, and deeply feeling person. However, Megumi himself seesm to be in denial of this fact. 

Megumi’s response to all of thes icky gross feelings he has for people, soft feelings that makes him feel vulnerable because while Megumi cares deeply, circumstances have taught him that people do not care about him, or at least Toji didn’t care enough in Megumi’s eyes to stick around. Megumi’s response is the same as Toji’s, he shuts everyone out, he insists he doesn’t care about anyone. 

He can’t accept anyone’s feelings because he’s too busy rejecting everyone. He can’t even accept the positive feelings of familial love his sister has for him, he almost begrudges her for it. Tsumiki chose to see him as family, different from Toji who he feels didn’t choose him and Megumi just couldn’t realize that until it was too late. He’s so used to being abandoned and unchosen that he doesn’t know what familial love even looks like in Tsumiki. 

This is also something that Toji does to Megumi. It’s said in a bonus in volume 8 or volume 9 that after the death of Megumi’s mother, Toji insisted that he “stopped caring about everything.” We see this repeat when he’s about to sell Megumi to the Zenin clan. 

Toji insists he doesn’t care, while Megumi tries to creep back into his thoughts, and he keeps trying to help him in indirect ways. Toji wishing for a better future for his son than he had, while at the same time, selling him off for the money he plans to gamble away at the race track. Toji forgetting his son’s name, and then remembering it on the brink of death and asking his enemy to do something about it. These are all compeltely contradictory behaviors because Toji has no healthy, adult way of processing his emotions. 

He’s just used to pretending he doesn’t care about things, that even when he obviously does care it’s what he keeps falling back on. It’s the same as Megumi’s complex with saving people, he insists he hates people, that he doesn’t want to save them, and then he goes far out of his way to save people like Yuji. 

3. Growing Out of Your Father’s Shadow

They process emotions the same way, both insisting that they don’t care about anything around them, the only real difference is their priorities. Toji is a self centered person who prioritizes himself above all others. Megumi’s a self sacrificing person, he’s continually belittling himself for the sake of other people. Megumi belittles himself to the point where he insits he could never be strong enough to challenge Gojo. Being the strongest individual is just never his priority. 

Toji however is someone who climbed to the top of the Jujutsu World to try to prove he could become a better fighter than them without any cursed energy. Megumi is someone who ran away from the challenge of becoming stronger than Gojo, but Toji wanted to prove himself stronger than Gojo so badly he stayed and fought a fight he knew he couldn’t win. 

However, even though their priorities are total opposites, Toji prioritizing himself, and Megumi prioritizing other people above himself they both end up in the same place. They’re both incredibly self destructive people. Toji stayed and fought with Gojo, knowing that he would die. When Megumi is pushed to his limit in Shibuya, rather than try to run away he also sacrifices himself in order to summon Mahoraga in a suicidal move against his opponent. They are even paralleled in the way they’re drawn. 

I think the takeaway from all these connections set up between Toji and Megumi is that even though Megumi doesn’t know his father well he’s a lot like him. They both handle their emotions in the same way, insisting that they don’t care when they in fact care deeply. They both repress all of their emotions until they go crazy from it. 

Toji literally springs from Megumi’s shadow. The shadow is the symbol of repressed emotions. Emotions that people are conscious of, the ones they acknowledge are usually represented by light, deeper emotions, the ones they repress and refuse to acknowledge are then referred to as the shadow. The brighter the light, the darker the shadow. The more Megumi pretends not to care about his father or his family situation, the deeper the shadow underneath his feet grows. 

Being underneath your father’s shadow is even a common phrase used to describe people who are unable to escape from their parents, and become their own person. There is a connection between Megumi and his father between Megumi and the Zenin, even if Megumi likes to pretend it’s not there, like when he denies any similarity between himself and Kamo Noritoshi.

 A lot of Megumi’s life is dictated by his family circumstances too, he’s just in denial about it. Kamo’s aware to sympathize with people because he’s far more aware fo himself and his family circumstances, Megumi denies sympathizing with other people, because he doesn’t have any sympathy for himself either. 

Zombie Megumi is colored in pure shadow. He’s even referred to as a manifestation of the repressed feelings of the Zenin clan. Those who are restrained by their connection to the Zenin clan, all look in awe at the one who broke free from the Zenin, and free from everything. 

Megumi exhibits the act same behavir as Toji. He suppresses himself, suppresses himself, and suprresses himself and then he just goes crazy. Megumi claims he’s not the strongest, he doesn’t care about being strong, but then he pulls moves like summoning the Mahoraga and Domain Expansion. Megumi just holds himself in until he violently lashes out on everything around him too, he’s hurt feelings waiting to explode. 

Which is why Megumi learning more about his father and the connection between them could be a good thing, not because Megumi necessarily owes Toji anything, but that he could learn from Toji’s mistakes. When Megumi sees his own unhealthy behavior exhibited in another, he can learn to accept the things that Toji could not accept. He could learn to accept connections like family, and friednship, before they become chains that hold him down too hard, until he breaks everything and himself trying to be free. Megumi dosen’t have to become the strongest like Gojo, he doesn’t have to surpass or fight against the Zenin clan. He doesn’t have to save everyone in the whole world like Yuji. The best thing for Megumi’s character development would be for him to learn to accept his own feelings and the feelings of others without going crazy. That’s a strength that neither Toji, nor Gojo could never find in themselves. 

[thecarnivorousmuffinmeta]

How do you think each of the Cullens could become good/fully-realized people? Or maybe just work out their individual issues?

OOOOOOOOOOOF.

You ask an unintentionally dark question, @vexingcosmos. They have so many issues, and working through them would be... Not pleasant. But, well, I too am intrigued, let's see where this takes us.

Alice

No.

Alice is consumed by her visions and they paint both the way she sees the world and how she sees people. Her gift dehumanizes everyone around her, beloved family and friends are nothing more than pawns, whose misery or happiness is left up to probability. Alice will try her best for you, but a girl's got priorities and those might not be yours.

And the thing is, Alice doesn't know this about herself. Yes, she knows she sees the world differently, but I think she truly does see her friends as friends and believes that her manipulations are benign.

Jasper eating someone is objectively bad, of course she'll use all her resources to help him prevent that. If Bella Swan will be happy with her wedding when it happens (though she might be faking it) then of course Alice should just go ahead and plan it as she pleases, she knows the end game of this. If Bella and Edward both end up happy, in love, and together then of course Alice should help them out. And if they have a few rough patches in between, she'll guide them through it.

Alice doesn't realize that playing Russian Roulette with Bella's life, encouraging Edward's advances of her, is an awful thing to do. Because it might work out in the end, and Alice lives in the world of might.

I don't see Alice ever figuring this out on her own. More, as she does try to be mostly benign with her gift, I don't see anyone else pointing this out to her either. So Alice throws you a party you didn't want? Well, that's just Alice, we all have our quirks. More, being unable to see the worse futures Alice sees, perhaps she has a very good reason to make whatever decision she makes. The majority of the Cullens, sans Edward, will never know.

As for Edward, well, he's his own can of worms and he has far too much of a sense of kinship with Alice to ever call her out on anything (unless, of course, she gets in his way as she did with Bella).

The second problem is, even if Alice did have an epiphany, that she treats people like chess pieces, what's she supposed to do about it? Alice knows the future, there's no stopping that (well there is but we'll get to that), and the temptation to not keep her mouth shut would be too great. More, Edward reads it out of her head anyway, and he'd say it for her.

Edward would not understand that telling people their future is an objectively bad thing.

Alice does have a chance with Renesmee and Jake as permanent fixtures in the family. With them, Alice's visions are greatly diminished (though note not gone completely). This gives Alice a chance for self reflection on herself and her gift but... Seeing the future is all Alice has ever known, this is just how she sees the world, and in Breaking Dawn she's terrified and anxious when she has no idea what's going to happen to Bella. Alice has lived without her gift and she despises it, I don't think she has the current capacity to realize that she and those around her are better off without it.

The kind of self-reflection Alice would need to work through her issues and be a more empathetic person simply would not appeal to her.

Carlisle

Carlisle's deep in denial regarding his family. His ethical standards for them have gotten depressingly low and this is something he goes out of his way in order to not consciously recognize it.

Unlike Alice, there's hope for Carlisle, but it's not pretty.

The coven has to break. He has to realize his marriage to Esme is a farce, that his family cares very little about human life, that Edward is... Edward, and basically have everything he's believed for the past century thrown into his face.

And it would take something truly horrific for this to happen as Carlisle desperately wants to believe in every member of his family.

Edward

AHAHAHAHAHAHAHA.

No.

Edward deserves fifteen metas to himself at least, none of which are written. For now I'll link this.

Edward's not going to self-improve anytime soon.

Emmett

No.

Emmett doesn't really care about human life all that much. He does the diet, but he's also willing to fall off the wagon for a singer and encourages Edward (many, many, times at that) to do so.

And that's just it: Emmett doesn't care and I don't think there's anything that could make him care.

Bella comes into his life, but he's not particularly attached to her either, she's just Edward's hilariously clumsy (and kind of plain) girlfriend that they're all waiting for Edward to turn.

Emmett has no reason to change, no great angst weighing on his soul in any direction, and is perfectly content to be what he is. He's also very level headed, even if some great disaster befalls the coven, I imagine he'd remain as he currently is and do his best to get by.

He's still "treat yo self" Emmett.

Esme

No.

Esme has left the planet Earth completely. She is completely divorced from reality and as a result reality doesn't touch her. If the charade she's living falls apart, then I imagine it would destroy her, I honestly don't know if she could recover from that.

But she wouldn't change.

This, the Cullen existence, is Esme's paradise. This is her fairytale ending where she got everything she ever wanted and then some. Why would she ever wish to change? How could she ever contemplate the idea of changing?

It's the world that would then be wrong, not Esme.

Jasper

Probably not.

Jasper as of canon is in a bottomless pit of misery and self hatred and in a terrible relationship. He doesn't seem inclined to or currently capable of clawing out of it himself.

Something big would have to happen, either Edward goes Full Edward around Bella and Jasper happens to notice or Alice dumps him and the coven implodes.

Even then, for the most part, I imagine Jasper would be in a state of stunned misery. The Cullen coven was his only hope, his last desperate attempt for a life where he doesn't live in agony, and then something awful happens.

Jasper may change, may grow as a person and claw his way out of depression, but it could also very well destroy him.

Rosalie

Probably not.

Rosalie is still desperately struggling with the trauma of her rape, death, and becoming a vampire. She could recover, but it's a very long road that she would not be inclined to take, that again would involve some major, unpleasant, catalyst which forces her to change.

TL;DR

If it was that easy they wouldn't be the Cullens, now would they?

[traincat]

I feel like I've read a ton, but I'm honestly still pretty new to comics rn. That being said... What is one more day? Ik we don't like it and it happened a while ago, but that's about it [,=

Time for Spider-Man History With Traincat: Highly Controversial Storylines! And that feeling is totally normal with comics with huge canons -- you can read a ton and still have some fairly big blindspots in your understanding of the total picture. That being said, this is kind of a big one, both in terms of Spider-Man history/canon and in terms of how Spider-Man fandom functions. I would say probably no other storyline has had quite as much impact on how the fandom views and interacts with the source material as One More Day/Brand New Day. It's been the Wild West out here ever since it happened. (Which was in 2007, so like, yes, fairly long ago, especially when you look at how Spider-Man canon has evolved since, but in the grand scheme of things, also kind of recent. One More Day is not old enough to rent a car.)

So when people talk about Spider-Man's One More Day, they're usually actually talking about two related arcs: One More Day and Brand New Day. For the sake of simplicity, I'm going to be covering both. For the sake of transparency, I am going to admit that I think One More Day, as a self-contained story, is good, actually. This is controversial! I admit that! But I stand by my stupid opinions on this blog, for some reason. I think One More Day when you examine it on its own, by which I mean you ignore the decade and a half worth of canon that came after it, as a Spider-Man story and as a PeterMJ-centric story holds up under scrutiny and that people who don't like it don't like complicated love stories and might actually throw their own mothers under buses. No offense to the OMD haters. Little bit of offense to the OMD haters. Brand New Day, which is the continuation of One More Day, on the other hand -- largely bad. Very largely bad.

But let's backtrack. One More Day is a four issue crossover storyline that takes place directly after Civil War, during which Iron Man and Captain America got divorced and divvied up the superhero community and Spider-Man made some startlingly bad decisions and made a fugitive out of himself and his family in a manner that got Aunt May shot, and Spider-Man: Back in Black (Amazing Spider-Man #539–543) which examines Peter's actions immediately after Aunt May is shot and ends with him humiliating the Kingpin in front of an entire prison. One More Day consists of Amazing Spider-Man #544 -> Friendly Neighborhood Spider-Man #24 -> Sensational Spider-Man v2 #41 -> Amazing Spider-Man #545. In One More Day, Aunt May is dying, all of Peter's efforts to save her have thus far failed, and, consumed by guilt, he is rapidly running out of time. Approached by Mephisto, a literal demon from hell, Peter is offered a deal: Aunt May will live -- and Peter's identity, which was previously revealed to the world at large during Civil War, will once again be hidden from the memories of all but a select few -- if Peter trades him his marriage to Mary Jane. Peter and Mary Jane struggle with this, but eventually both agree to the deal. The clock strikes twelve, the deal is done, and Peter and Mary Jane's marriage fades into history.

(ASM #545) A reasonably simple premise for a story that caused so many problems -- most, I would argue, not actually the original story's fault. So obviously, this was an unpopular move -- Peter and Mary Jane had for a long time been a fan favorite Marvel couple, and in a fictional universe where most relationships are doomed as soon as they begin, the enduring Spider-Marriage was sacred ground. And then, with a snap of its fingers, it was gone: Peter wakes up in Aunt May's house, no longer married, with Mary Jane out of the picture. (She would not return to the book on any sort of consistent basis for over 50 issues.) In the wake of One More Day began Brand New Day, which is basically what it sounds like: a promised "brand new day" of "exciting" Spider-Man content and a publishing schedule where Amazing Spider-Man came out three times a month. (Which sounds good on paper but I think in practice caused more problems than it created good storylines.) Peter, newly single again, had new love interests! And also Harry Osborn was alive again for some reason! I generally like Harry's post-BND stories so that part's fine with me.

But overall? Brand New Day is a mess. It knows it wants to tread new and exciting ground with Peter -- tell new stories! ensnare new readers! make them fork out for a book three times a month. -- but it doesn't know what those stories should be. Readers who were invested in Peter and Mary Jane's relationship -- a major facet of Spider-Man comics for decades at that point -- felt rightfully betrayed that the marriage could be so easily traded in and that Mary Jane herself, perhaps the second most important figure in Spider-Man comics after Peter, could be tossed aside. From a personal point of view, I think Brand New Day fails in large part because it abandons what has always made Spider-Man such a compelling series, and that's the mix of Peter's personal life with his vigilante life. BND sees Peter with new friends, new jobs, new love interests, etc -- it is very much a brand new day! But it isn't a better day compared to the stories that came before it. I do like some post-BND stories, especially American Son (ASM #595-599) and Grim Hunt (ASM #634-637), but compared to pre-BND where I think the majority of canon is good, it's a very lacking body of work that is hurt by the way it divorced itself from the PeterMJ marriage as Spider-Man's central relationship.

"But Traincat, I thought you said you liked One More Day?" Yeaaaaah. I do. This is why I keep saying I like One More Day on its own merits, and not on the merits of the stories it opened the doors for. I like a good romantic tragedy in fiction, and the way Peter and Mary Jane's final scene in One More Day plays out is beautiful. I like the idea of Peter caught in this impossible situation, being asked to choose between two women he loves more than his own life. A really common criticism I see leveled against One More Day is that Peter should have chosen his relationship with Mary Jane over May's life, which is -- okay, I think it's weird that people keep insisting on this, not in the least because by asking Peter to sacrifice his aunt's life they're essentially demanding he commit a callous, out of character act in order to further his own interests. It's also weird because the thing is, Peter already chose Mary Jane over May -- that's what gets them into this situation. It's literally in the scene where May is shot:

(ASM #538) When the gun goes off, Peter's spider-sense kicks in, and he covers Mary Jane, leaving May in the path of the bullet. He does choose Mary Jane over May, regardless of whether he realized what he was doing. And that's why he can't make that choice a second time. His actions in One More Day do make sense for him as a character, whether or not any individual reader likes them, and Mary Jane's actions make sense, too -- after all, she's the one who ultimately tells Mephisto that they agree to the deal when Peter can't bring himself to voice it.

A lot of people also like to nitpick One More Day by going, well, why could (x) or (y) with life saving powers save Aunt May which is like -- yeah, I guess, but if we're going to ask that about this specific comic book near death setup, you kind of have to do it with every single one, and I'm not going to stake every single moment of comic book drama on whether or not that gold kid from the X-Men was busy at the time. Comics are soap operas in flimsy paper form: serialized longform storytelling that relies heavily on melodrama. Sometimes you have to go with things. Sometimes you sell your marriage to the devil. Stuff happens. That in and of itself doesn't make One More Day a bad story -- and while some people blame the Spider-Marriage's dissolution entirely on One More Day, I think that's a little shortsighted when you look at the history of Spider-Man since the turn of the century. It's clear -- and Marvel themselves have been perhaps a little too open about this -- that Marvel in the past few decades has had trouble with the direction they want to take Spider-Man. They WANTED Spider-Man to appeal to a distinctly youthful audience that they didn't think they were actually reaching -- understandable, considering that Marvel nearly went bankrupt around 2000 and was saved by Ultimate Spider-Man, an out of main continuity series which retold Spider-Man from the beginning and focused heavily on Peter as a teen -- but the problem was Spider-Man in the main continuity was at that point in canon a happily married man who was pushing the dreaded 30 whether or not they wanted to admit that. This is also why Marvel has continually pivoted away from Spider-Man having kids, because they feared that making him a dad would age him too much and make him unrelatable to their coveted audience of Teens. (This is also why almost every new Spider-Man property, especially the live action movies, perpetually stick him back into high school, despite that occupying a very small slice of 616 canon.) So around the year 2000, they started trying things in relation to the Spider-Marriage, which was viewed as a major problem -- after all, what's more adult than being married and liking your wife. First, they had Mary Jane presumed dead. Then, they had Mary Jane and Peter separate. Then, when Mary Jane and Peter had only recently gotten back together, One More Day struck. If One More Day specifically hadn't gone the way it had, it's pretty clear that the Spider-Marriage was going to go one way or another -- it's a little bit of a shame it happened when it did, because OMD is the end of J Michael Straczynski's run, and JMS wrote a really beautiful Peter and MJ relationship. But Marvel as a company and especially editor in chief at the time Joe Quesada viewed Peter and Mary Jane's relationship as a major problem in how they wanted to portray Spider-Man and thought that striking the relationship from the books would allow them more freedom in their portrayal of him as younger and more relatable to their Desired Audience of people who I guess really wanted to see Peter sleep with characters who weren't Mary Jane.

(ASM #546. Younger! Fresher! Less attached! Kissing random women in the club!)

The problem with One More Day has always been in the follow through -- from the content of Brand New Day to the pacing of events to the fact that Marvel withheld key information for such a long time that it allowed misinformation to thrive. After all, what does it MEAN to trade Peter and Mary Jane's marriage to the devil? It altered the events of canon in Peter and the majority of other characters' memories so that the marriage didn't exist, but it left people wondering -- did the relationship as they remembered it existed? How much of Spider-Man canon was altered? And the answers didn't come for over 100 issues of Amazing Spider-Man. One Moment In Time or OMIT (Amazing Spider-Man #638-641), which revealed that while Peter and Mary Jane never got married in the altered canon they did continue their long committed relationship up until just after Civil War, was published in 2010, so essentially readers were hung out to dry without answers for three years. That's a long time to string people along, but not as long as it took Marvel to confirm that the popular fan theory that Mary Jane retained her memories of the original timeline as part of her own deal with Mephisto was also true, which happened this year. I would say, at least from my perspective, a lot of the frustration doesn't come from the individual One More Day storyline so much as how Marvel has continually dragged out the aftermath, using the promise of a Spider-Marriage return to keep fans on the hook. Which is why One More Day continually comes up in discussion of current Spider-Man, because Spencer's run has relied very heavily on imagery from that period with a serious question of whether or not there actually was going to be payoff, something which is still up in the air.

This has been Spider-Man History With Traincat, brought to you by anonymice like you.

[swimfuel]

okay humanstuck thoughts under the cut

i owe a lot of this to @/rhythmic-idealist's kankri/vantasposting bc holy shit theyve got such a big brain (ill link to their individual posts when im on desktop since im using this to keep all my thoughts straight and i agree with most of what they say wholeheartedly)

general status quo stuff:

signless works in an extremely demanding career involving helping others (i'm leaning towards an attorney who works with organizations and does pro bono work), and is also extensively involved in social justice work outside of his job... he is very rarely home

he loves and cares for his children deeply and tries to express it whenever they're face to face, but the couch in his cramped and messy office has seen far too much use over the years for him to have been able to say it enough

his habits of working himself to the point of exhaustion are handily passed down to his kids btw

the kids had to grow up quickly because signless was out of the house so often and so consistently—kankri, who was already pretty high-strung, has to learn to take care of himself and karkat

they grow up near ms firuzeh maryam, who's their pseudoaunt/grandma (she took in a nine year old kavana vantas when she was about twenty), but they just call her ms rosa

they spent a lot of time in the maryam house growing up, with miss rosa's two nieces. porrim is a year older than kankri, while kanaya and karkat are the same age

kankri grows kinda sensitive to people trying to mother him since it rubs against the notion that he's the "adult of the house" and that he can take care of himself and karkat just fine

(and it also kinda underlines the fact that kankri has no idea what he's doing at the best of times)

and ironically enough, kankri becomes overbearing and naggy towards karkat in his own right, which forestalls them becoming close in any brotherly sort of way

they grow up really just... unable to communicate with one another clearly

karkat develops his ornery exterior in response to kankri's constant stream of opinions and frantic attempts at making up for the presence of a guardian in the house

i think there would actually be some really interesting parallels with rose in this au.. maybe i'm drawing from my own experiences as well but i think he'd begin to assume that every time his brother opens his mouth, he's going to criticize karkat

but instead of reacting like rose with the "making yourself more of a puzzle"/passive aggressive stuff, he gets a more defensive/hackles raised/"argue with you before you can argue with me" approach

and the thing is that they do love each other and would take a bullet for the other etc etc etc.. but they don't know how to express it because they've fallen into these shitty patterns

and it really doesn't help that kankri has grown somewhat resentful of signless over the years... that mix of resentment and fear and love gets more extreme and more polar every time signless gets injured during a political demonstration

i think kankri and signless would also be slightly closer than karkat and signless, as signless' job really only started to ramp up when karkat was less than years old and kankri was in his early double digits

kankri autistic btw its word of god (i am god)

karkat has a pet crab. its name is also karkat. he vents his frustrations to it.

i feel like the vantases exemplify both the best and worst parts of their aspects with one another as well... the strength of their bonds keeps them together and grounded, but TOO grounded. [insert Blood rant here]

the Blood rant:

i define Blood as bonds, responsibility, and the "core". if Life is the fertile soil and everything living on a planet's surface, then Blood is the gravitational core of the planet keeping everything together

i also think Blood, Heart, & Mind work in tandem to define a person just as blood serves to connect the pieces of the human body... Heart is the soul and the self, Mind is the application of one's self through active choices (agency), while Blood defines both the self and the choices one makes in greater detail [and, as an aside, Life provides the physical spark of life needed to keep the heart pumping blood]

OKAY wow that got tangential anyways

SO BASICALLY! too much Blood makes you stagnate, so for example:

kankri is split between staying home with karkat or going to college across the country and being truly unbound for the first time in years

another crisis of Blood: signless is caught between his empathy and responsibility to the whole world and his responsibility to his own children

okay so here's more status quo stuff:

the maryam and vantas kids grow up together and its hilarious because you'll see them all together and its just like (girlboss) (girlboss) (physical manlet) (emotional manlet)

the maryam girls are actually miss rosa's nieces but she took them in when they were both pretty young

the pyropes know the vantases well enough considering pyrope senior and sign have known one another from their respective legal practices for years, but they live on the other side of town

the leijons lived in town when kankri and meulin were very young, but they moved and travelled for a long time before coming back and reestablishing their roots

the captors (psii being one of sign's oldest and closest friends) move into town with the peixes family pretty early on though

the condesce is.. a horrible spouse and guardian, to put it plainly. she's very emotionally manipulative and isn't averse to smacking people around, including her own family. she moves herself and her perfect little family into town so she can properly oversee a new business venture close by

feferi is one of the best young swimmers in the country and has a pretty good shot of getting onto the olympic team.. a lot of this drive to be perfect and to be better results from the condesce's unrelenting pressure and thinly veiled resentment throughout her whole life

so yeah psii, )(ic, feferi, and sollux all live together and it's really not great for anyone involved. (meenah ran away years ago, and crashed on aranea's couch for a pretty long while—mituna moved out with latula for college before psii and the condesce got married)

it gets bad to the point of sollux staying with the maryams for two months while the adults try to sort out that absolute clusterfuck and get the divorce proceedings going (meenah finally convinces feferi to get out and come stay with her and aranea for the duration as well)

in terms of relationships i think latula and porrim were really really close in high school, and probably had some kind of unacknowledged thing going on for a while that never actually turned into anything because latula and mituna were going steady

kankri has had a crush on latula for years but never acted on it for similar reasons

meenah still carries a lot of that give no fucks attitude (it's developed moreso as a defense mechanism here) and can't understand why feferi refuses to leave the condesce with her

okay back to VANTAS MANPAIN i also think that karkat feels the weight of a lot of expectations on his shoulders as well

he feels responsible to live up to the example his dad and his brother set, even if it's to his own detriment—and kankri's oblivious rambling about his grades and his teachers and all his clubs certainly aren't helping the matter

kankri is one of those overinvolved kids taking a million AP's while simultaneously shitting on the collegeboard at every single step

hes this super overachiever anal retentive perfectionist type dude and (just as karkat preemptively criticizes others to forestall their criticisms of him only to harshly criticize himself) kankri subconsciously holds the people around him to the same expectations he holds for himself

so karkat also develops this sense of lacking which, in combination with everything else, culminates in self loathing and thinking he has to solve everyone else's problems and getting horribly mad at himself for every little mistake

GOD i have a lot more but lemme post this before i accidentally close out of the app and lose it all

more little details:

vriska's mom and terezi's mom HATE each other like HATE HATE HATE one another it's so bad

karkat wrote a ten page review of my immortal in middle school

jade is one of nepeta's best online friends

sollux can't raise one eyebrow at a time.. karkat gives him so much grief about it

the vantases eat a lot of shitty renditions of persian dishes until karkat learns to cook because literally the only person in the world with a CHANCE of getting KANKRI VANTAS to make an EDIBLE DISH is miss rosa

kanaya is really good at persian dance too but is VERY VERY embarassed to perform in front of people.. however porrim definitely is not

karkat has insomnia while kankri just stays up stupidly late for assignments that really shouldnt be taken that seriously.. but they both have the same rumination/sleep anxiety thing where your brain goes insane with horrible and depressing scenarios as you try to sleep

and more ideas that i thought were interesting but idk how to fit in the context of this au:

signless and disciple getting married pretty late in life after having been in love for years, the vantases move in with the leijons and karkat suddenly has two sisters

nepeta and karkat are both juniors at this point, meulin is probably in her third year at a local college nearby while kankri is about to start his second year at a university pretty far away

the kids in general honestly but ill figure it out

more random hcs this time with kids:

kanaya and rose get into a flame war online that gradually settles into elaborate courtship rituals

also nepeta + jade online besties

also bec can inexplicably still teleport

the first sbahj movie comes out and the next six months of dave strider junior's high school career are absolute hell

actually hc that dave senior goes by d strider professionally. the d stands for a lot of things

aradia and dave frequent a lot of the same forums but never end up really interacting

meanwhile karkat and john frequent a lot of the same forums and DEFINITELY end up interacting. this turns into grudging (at least on karkat's part) friendship after they find themselves fighting for their lives defending an objectively shitty movie together on the same thread

[almostperfectshark]

Well Guys,

Where do i even begin to start... My life has been hectic, wild, and absolutely crazy these last few years. I dropped everything I had in Michigan at 18 years old and moved to Montana for a guy who i actually happened to meet on this website. Tumblr... Who knew right? I’m sure there’s probably a lot of you that have found love out their on this website and if your happy I’m happy glad it worked out for ya but sadly it didn’t for me. You know that feeling when you meet someone online who you instantly vibe with and have conversations with and it feels like you’ve known each other for years?? That’s the kind of feeling I had when I met this person. I won’t drop his name because to this day he continues to “stalk” me. He manages to find all my social media platforms no matter how many different emails I used he finds all of them.. I of course skyped him and made sure he was who he said he was or so I thought.. He was real physically but emotionally he was completely different if that makes sense. We talked for hours upon hours day and night every spare second we had so I ended up moving to Montana and I’m a Michigan gal so that is quite a distance. I left everything I had behind my family, my friends my college I was enrolled in and about to start, my drivers license ,EVERYTHING. Prior to me flying out to Montana he talked about a poly relationship and I have been in a poly relationship in the past so I was thinking about giving the okay but didn’t give the okay to him yet. Not only does he show up with two random strangers I’ve never seen before or knew their names wouldn’t you want to pick up your partner alone and not with two people she doesn’t know? Well we get in the truck after I grab my bags and of course I’m wanting my first kiss with him but it’s kind of awkward to share that moment in front of some strangers ya know? So we get to the house and I can’t stand it anymore so I finally lean in and kiss him and look behind me to hear them say “Don’t stop because of us” that was a little weird. We go inside and his mom is still awake poor thing ( I honestly miss her so fucking much) she introduces herself and hugs me and welcomes me. We go into his room in the basement and do our thing the next day goes by and I start to become good friends with we’ll call her Sara so we get on the topic of the best sex we’ve ever had and she tells me the best sex she ever had was with my bf and he tries to deny it and I threaten to go back home since I haven’t even been there for two fucking days he begs me not to so I decide to invite Sara over to confront him in front of me and she does and she ends up making him tell the truth he then proceeds to cry hysterically and starts telling me he doesn’t want to lose me and ends up punching a wall in rage and probably self disappointment they leave and I decide to forgive him even though this happened the day before i got on the plane. I was already half way across the map and wasn’t willing to give up and make a fool of myself for some guy I met online. He changed for a little bit before I moved out there he was a manager at Sonic but when I showed up he wasn’t working anymore so I took on the reigns at that point of bringing in an income. At first I started at a sporting goods store and I loved it I miss that place so much it was such a cool and rad place sadly it closed down because we were a sister store and we weren’t bringing in enough income to their liking. From there I moved on to a organic grocery store and that place was boujie as all hell, at first I thought they were all nice people but lord does that change It’s kind of funny and sad at the same time how much people can change within a matter of seconds. Most of the items in that store didn’t have barcodes to scan you had to remember individual numbers for every damn thing every piece of candy,nuts,fruits,veggies. There was a girl who came in every single day who helped get me the job she worked in the medication department super sweet girl actually named Sara lol but not the same sara as above. She would come in every single day crying this woman would bust her ass at this place and she was a manager and never got a higher recognition for any of the shit she did ever they literally treated her like garbage. She was the only one who would help me with any questions I had unlike my other manager who thought she was all that and a bag of chips. She was from the U.K. her name was Fran this woman was a fucking bitch one of the most two faced people I have ever met in my life. This woman would literally have her cashiers me or the other closers ring up a bunch of groceries for her and put them in bags and then she would carry them to her car and told us she would pay for them the next day well guess what she never paid for them and she continued to do this for days so I started asking the other cashiers who she had do it as well and they said that she checks herself out... that seems a little fishy why don’t you trust us doing it? Do you go back and delete items? I think she started to catch on because this woman threw me under the bus every single chance she got about me not wiping my belt down which I did and how I didn’t wipe down all the bins down good enough. She found every excuse to write my ass up and I got tired of it I was tired of coming home and crying everyday. So I called in and quit. My partner at the time had a couple disability’s but nothing that prevented him from working he claimed he filed for disability but alas never did even after 5 years. At that point guys I was fucking numb my heart sank to my chest every fucking feeling I ever had for this man was starting to deteriorate and fast. I didn’t find this out until after we got married. Yes married.. trust me I know I should’ve known better I should’ve thought twice but he was my first love and trust me I have learned my lesson. He also loved pills anything that could get him high he would take pills, shrooms, acid, he’s tried a couple questionable things. This guy was so addicted.. I just wanted to feel numb I wanted to get out I caught him talking to other women multiple times I wasn’t perfect either and two wrongs don’t make a right but I never physically was intimate with anybody. He got me hooked on pain killers bad we would do them everyday together and that’s the only thing that kept me going from the emotional abuse and the fucking trauma it’s inflicted on my mental health.  Thankfully I’m a little over a year sober. The most shocking thing that has ever happened to me in that marriage and the point to where I felt like I was shit on the bottom of his shoe was when we needed help bringing in an income so we made an ad looking for a roommate. Big mistake, We found someone almost immediately my partner and I are attracted to both sexes this guy wanted to grab dinner with him and meet him in person. I was never invited and I told him I wasn’t comfortable with it because the messages this guy was sending him were very very flirtatious. He ends up taking his friend Jesse with him he goes to the bar and comes back quite fucked up along with the guy to check out the room who happens to keep rubbing on my fiancee at the time. I was not liking this shit at all so I started screaming at him to get the fuck out of my house since I’m the one who pays all of the bills and mind you we also have other roommates upstairs who are absolutely amazing. What does my fiancee do at this point? He locks me in our fucking bedroom my roommate comes downstairs and asks where I am and finally gets this guy to leave. We eventually got our own place because I thought that would help again nope it was only a couple streets down from his moms house too. My family finally after years decided to visit me and it was a flight or fight instinct and I was done. Packed what I could in a backpack told him I was going back to visit with my family and kissed my dogs one last time and when we were almost to Michigan I told him I was done. Please don’t give me any shit about the way I left I honestly didn’t have any other choice I was out of chances I was out of efforts I was drained. He continued with the “I’m going to kill myself if you don’t come back” how it’s going to be on my hands he even went as far to send me photos of blood all over a back seat of a car that looked like a murder scene he found on google. I deactivated his phone and he still tried to contact me through email etc. We are currently going through a divorce and I pray to god he signs those papers and lets me move on. If you read this I appreciate you so much and thank you for taking the time to read this I have many more stories to go if you’re interested about anything else. My current partner, my family, my life now anything and I will write about it. Thank you again.

[laneofpennies]

ok so i’m just gonna get all my thoughts about wkm and folklore out in this post so i can stop being incomprehensible

and yes, this has ego shipping. i couldn’t stop myself.

the 1

Damien and William. I’ll start off like that. I feel like this is a melancholy ballad about a couple who didn’t work out due to maybe distance or misunderstanding- or in this case, being gay in the 1920s- and looking back on their childhood and regretting never taking that step. Also, the addition of meeting someone else and taking them home makes me think of Celine. And the singer seems successful, much like a mayor of a small city.

cardigan

Actor!Mark is written absolutely all over this song, albeit before he was entirely corrupted. But the plot, about someone still being in love despite the other having cheated and being hurt so much time after? That’s Mark, babeyyy. We know his mental state was not great after the divorce- maybe even before that. Celine was his rock.

the last great american dynasty

This tips more into my own canon, I’ll admit. But I always thought Celine and Damien weren’t exactly from the same social class as Mark. So when the marriage between the two happened, people talked. But Celine was always a badass. Even if after the divorce she was persecuted by the media, she kept her head up. Also this song makes me cry and so does Celine so I feel like that’s enough of a connection.

exile (Ft. Bon Iver)

THE MOST Celine and Mark song, well, ever. Miscommunication. References to acting as a career. The longing to make things right. Two perspectives. The third guy, who in this case is William, swooping in. Mark not having seen any of the signs of her discomfort in the lifestyle she led, and Celine just feeling shut out. I also feel like Mark was often worried about her offending other famous actors and she felt suffocated whenever they went out together.

my tears ricochet

Actor. This one might seem like a stretch, but the Mark we know is not the same from before the divorce. He was hurting, and confused as to why this had all happened to them. We know the divorce was messy and ended an entire friend group, and Celine seemed to have taken it much better, leading to the current circumstance. The fear of being home all alone- in this case because of a literal demon.

mirrorball

Since this song is revolving around someone that blends in, changes, can show a million different faces, I think it’s perfect for the DA, aka the viewer. This character had to be written so that we could all see ourselves in them, whether that be for WKM, ADWM, or AHWM. Also the metaphor about broken glass...? That’s just too perfect.

​seven

More of my slight headcanons!! William and Damien growing up as friends must have been very close to this song. There’s talk about haunted houses, best friends, secrets, keeping in the closet, strict parents... I feel like they would be really cute in this song. They’ve been friends for ages, and even now, though they both look a little different. Overall, this song about childhood innocence slowly eroding fits the colonel and the politician.

august

This song is the second in the story about love affairs, excluding Illicit Affairs. This one always struck me because of how soft and tender it was, despite this being from the view of the other woman. There is a hint of regret and sadness that they can’t be publicly together, but you can tell there was genuine love between them. I like to think that William did love Celine, and saw the darkness within that house and within Mark. The affair was where it crossed the line, and he knew they couldn’t go back.

this is me trying

This one I see as mostly just about Damien. He had been the glue in this friend group for so long, and was so eager to see them all back together, it only made sense he would take the affair and divorce just as hard as those directly involved. I can imagine him pleading for reconciliation and attempting to help Mark through everything while still staying loyal to his sister. It must have been a struggle, and one he never let go of.

illicit affairs

Oddly enough, this song isn’t directly attached to August and Cardigan, but I feel like it fits perfectly for how Celine felt throughout the entire affair. She lost her love for Mark. She knew it was wrong, but she did truly did fall in love with William. The pains of being in their secret relationship and how useless she feels is perfect for how she wanted so strongly to be out of this situation even if she couldn’t be without either of them.

invisible string

Since the overall theme of this song revolves around the individual lives of two strangers having always been weaved together by fate, I feel like it fits the story Mark is building with all of these characters. Though this song is much happier, haha. This can also point to Mark now wanting us to be the love interest and trying to convince us we had been meant to be from the start, him being the hero and all.

mad woman

OBVIOUSLY Celine. She has her flaws, but she genuinely was a tough character who cared about her family. Even if she had been put down for her fieriness and her hobbies especially being a woman at the turn of the century, this madness is almost a freedom for her. Actor wasn’t the best husband, at least we can assume, and William wasn’t perfect either. And she never confided in her brother until it was too late. So all of this points back to her not trusting anyone in her life other than herself, and being trapped with her own anger and passions. I could write a whole essay on this one, guys-

​epiphany

I guess this one might be fairly obvious. William. The Colonel who served more than his time. Who’s seen horrors that he still has yet to overcome. I imagine this song is specifically about him in the war, fighting to stay alive for his friends, and then him having to adjust and rely on them once he first returned home and had to deal with consequences of everything he saw overseas.

betty

gay and yearning. damien and william. next question.

peace

ok ok hear me out- The viewer about Damien. They’re life partners, whether that be romantic or platonic. Working together, studying together- it’s obvious there’s a really strong connection there. Also, the lyrics describe someone I really feel like fits Damien- honorable, has integrity, kind. Maybe this is self-indulgent but it seems like it really fits them.

hoax 

This song is about a toxic relationship. Taylor knows it won’t work out, but she needs the other. The undertones of standing on the cliffside, the mentions of heroes and scars and the overall theme of faith and dependency make me, again, come back to Actor, thinking about Celine. Say what you want, but he was codependent. 

[yeaahishowedupatyourparty]

MORE ABOUT MY NEXT GEN BABIES. 

Adelaide ‘Addy’ Maeve Coleman - daughter of Zara & Danny. 

- scars to your beautiful - alessia cara   - july 1st, cancer  - actress, studying at diamond bridge (LA) - bisexual with no preference, single  - esfp, hufflepuff  - raised in lilac heights in zara & danny’s home they live in now  - ditzy, naive, energetic but also sensitive and insecure. she has a tendency to let herself be walked all over by friends and lovers. she also lacks the confidence to really accept that she has talent and is capable of doing things.  - she was painfully desperate to be one of the popular girls in high school, to the point where she would let her “friends” treat her like dirt. even though she’s now in college, the effects of the underhand bullying stay with her and it makes her very reluctant to trust and open up to new people.

Allison ‘Ally’ Marie Cortes-Smith - daughter of Adrian & Holly. 

- seven - sleeping at last - august 13th, leo  - model & athletics (surfing, figure skating & dance), studying at gold coast (australia)  - heterosexual, dating brett jackson - entp, gryffindor  - raised in violet springs (?), in her family home with adrian and holly - energetic, outgoing, adventurous but also explosive and stubborn. ally is constantly looking for family-like connections away from holly, adrian and haley. she craves feeling like somebody’s first choice because - particularly with holly - she felt like the back-up plan until she got custody of haley. she has one song about her, whereas haley has enough for an EP of music with holly worshipping her and she’s just always felt that subtle favouritism in her household.  - from an early age, she’s sought out love in all of the wrong places but is currently in a good place with brett, who is definitely her safety net. she’d be lying if she said living in australia made her homesick. 

Aurora Faith Kingsley - daughter of Soraya & Julian.

- boss bitch - doja cat  - january 17th, capricorn  - fashion designer, studying at rosewell (paris)  - heterosexual, bisexual dating peter romano  - entj, slytherin  - raised in violet springs (?), in her family home with soraya and julian. she definitely has a dual-citizenship like soraya, though, and often spends summers in cuba with her grandparents.  - outspoken, confident, witty but also explosive, judgemental and harsh. aurora was definitely spoilt with love when being raised by her parents; both soraya and julian doted on her in different ways, and while she knows the value of materialistic things, she’s not entirely used to not getting her own way or not having people adore her. that being said, she’s a fiercely loyal friend and shows the love she was given when she was younger to people she thinks deserve it. - aurora’s expectations and standards are impressively high and she’ll always credit her parents, who always modelled a healthy and secure relationship to her. she doesn’t take it for granted & always strives to find people who treat her the same way julian treats soraya.

Belle Cynthia Carmichael - Daughter of Anastasia 

- donatella - lady gaga  - november 3rd, scorpio  - dancing & modelling, studying in west ivys (london)  - heterosexual, single  - esfp, slytherin  - raised partially in los angeles and also in lilac heights with anastasia and her father (divorced) as well as her older sister, darcy.  - aesthetic, good-humoured, magnetic but also irresponsible, self-indulgent and superficial. belle is the baby of the family and took a shine to the socialite los angles lifestyle from around 12 years old. she’s a big spender, loves the night life of any big city and is a BIG fan of the attention that being a rising star brings her. unlike her sister, who’s a lot more lowkey, belle demands attention and will do anything to get her own way in any situation. - everyone was expecting anastasia and ryder to split from their (what would have been) their fifteen year marriage. everybody except belle and darcy, anyway. the girls were caught off-guard and it wasn’t easy. belle had the most extreme reaction, becoming very emotional and self-indulgent. her way of dealing with it has been to do everything in her power to go against anything either of her parents ask of her; she’s definitely out of control.

Daisy Louise Romano, daughter of Florence & Dominic. (tw: cancer) 

- style - taylor swift  - may 22nd, gemini  - dance, studying at liberty (new york city)  - heterosexual, single   - isfp, gryffindor  - raised in violet springs (?) in dom and florence’s family home, but i imagine they have a family home in italy because of dominic’s roots too. florence and dom spend a lot of time in italy in general, so it’d make sense.  - creative, friendy, warmhearted but also over-protected, nervous and idealistic. daisy is the only daughter in her family and it definitely shows. on top of dominic, she also has carter and peter who have kept a close eye on her growing up and has definitely been protected from things other girls her age may have learnt to deal with themselves, or without as much back-up. rather than rebelling against it, she’s very comfortable & probably relies on her brothers - especially peter - for more than she should. she’s very rooted in family and while she’s a hopeless romantic and loves flirting, going on adventures and seeing the world, her heart is with her family. - daisy’s pre-teen years were snatched away by the fact that she was diagnosed with cancer. she spent three years of what would’ve been her high school life in hospital and was far too weak to dance or do anything she usually did. she was put into remission at 15 and was cancer free for three years before it made a return, now she’s nineteen (pushing 20), she’s once again in remission but her anxiety and trauma from the sickness are very much alive.

Darcy Briar Carmichael - daughter of Anastasia. 

- nothing breaks like a heart - miley cyrus  - february 27th, pisces  - modelling, studying at st judes (violet springs)  - bisexual, single - infp, ravenclaw - raised partially in los angeles and also in lilac heights with anastasia and her father (divorced) as well as her older sister, darcy. - patient, imaginative, loyal but also argumentative, guarded and defensive. darcy has always been wise beyond her years in the sense that she’s mature and has a responsible head on her shoulders. anastasia used to worry that she wouldn’t enjoy her early twenties/teen years in the same way everybody else seemed to, but it just never appealed to her - she preferred to lose herself in art, reading and individual activities rather than going out to huge parties and festivals like her sister. she’s quietly confident and is happy to be seen as the ‘boring’ one if it means not having to be forced to sit at social events she’d rather not be a part of.  - darcy’s confidence was knocked by her parent’s divorce. it actually ruined her application to blossom bell academy - where she wanted to go and do art and photography. she was unorganised and just a mess in general, so she knew she’d get rejected. st judes, her second choice, also rejected her art portfolio but because of her looks, offered her a modelling position. she figured it was better than nothing but it’s never been her passion. only now is she starting to feel inferior in comparison to her little sister.

Dixie Gisele Carmichael - daughter of Disney and Brody. 

- god is a woman - ariana grande  - october 1st, libra  - fashion design, studying at rosewell (paris) - heterosexual, single  - estj, slytherin  - raised in new york but spends the summers in france & christmas in violet springs to be close to grandparents  - confident, hard-working, charming but manipulative, calculated and jealous. dixie has grown up in the spotlight due to being the child of arguably the most famous couple to come out of st judes in her parents era. she’s very used to it and it’s something she’s numb too. however, unlike her sister, who seems to just get things a whole lot easier than dixie, she has clawed her way to the top of everything she has, not caring who she scratches on the way up; being the most popular, young socialite on the upper east side, her fashion career and everything else are things she’s had to fight for out of the threat of otherwise being branded as ‘fleur’s twin.’ she holds herself and others at a viciously high standard. she’s been on dates and enjoyed attention from guys but she hasn’t slept with anybody and has never had a boyfriend; it’s not something she hides either. her main goal right now is to become the best designer there is, and she’s proven that she’ll stop at nothing to get there. - while at gallagher high school, fleur was already booking modelling jobs and becoming the more successful of the twins. dixie resented it. she couldn’t stand feeling inferior or lesser than and wasn’t happy for her sister at all. quite the opposite. the two of them applied for rosewell but unfortunately for fleur, when their acceptance letters came through, she was out at new york fashion week, leaving dixie to reject her offer and forge a fake one telling her she’d been rejected....and she’d do it again.

Dylan Samuel Powell - son of Janey. 

- fine line - harry styles  - february 15th, aquarius  - photographer, studies at west ivys (london)  - heterosexual, dating lily  - infj, hufflepuff  - raised in sweden until he was thirteen, and then moved to violet springs to be closer to his family with janey.  - patient, practical and compassionate but over-protective, nervous and sensitive. dylan had a quiet childhood. when janey graduated from west ivy’s, she moved out to a rural part of sweden where she started a new. her life consisted of writing and exploring until she had dylan with a man who’s no longer in the picture. dylan fell into janey’s lifestyle too; quiet, peaceful and creative. he enjoyed it for the most part, but the trauma of janey’s experiences definitely became his too. he grew up seeing his mother have anxiety attacks in public or not want to leave the house if she had a feeling she was being watched. in many ways, dylan became the parent. he was the one who made his mother feel safe. he was the protector. he never really understood until he finally met his grandparents at 15 and was told exactly why janey was the way she was. this only brought out an even more protective side of him, after having his eyes opened to how disgusting the world can be. - dylan was reluctant to study anywhere too far away from janey, but she pushed him to branch out at least a little, because she has a lot of guilt about holding him back for al of these years. 

Emmett Charles Hamilton - son of Imogen & Nate. 

- go stupid - polo g  - april 12th, aries  - actor, studying at st judes (violet springs)  - heterosexual, single  - entp, slytherin  - raised in london (south kensington) with imogen and has always been a city boy. he’s your typical private school kid; his father has been out of the picture only for a few months but it hasn’t had much effect. his younger brother, ethan, chose to move in with nate while he stuck with imogen. - intelligent, intuitive, social but lazy, restless and unmotivated. out of emmett and ethan, emmett definitely takes the crown for the family disappointment. his brother’s childhood was full of sports trophies, A*’s on report cards and being at the top of the social hierachy. emmett, on the other hand, would’ve happily lived in his parent’s loft and never seen the light of the day if he could. he did pretty wel in school and had al of the potential, but a life of getting high and falling back on to his trust fund seemed way more appealing. imogen was more willing to let him coast through life (being from wealth herself), whereas nate was always pushing him to go out and make something of himself, meaning naturally he prefers his mother.  - emmett is in the process of burning through his trustfund. he’s impulsive and careless and without proper guidance, will soon find himself with nothing. he has no respect for his dad - who is the stricter parent - and thinks he’s invincible. 

Jay Alexander Hamilton -  son of Park. 

- tonight you’re perfect - new politics  - september 17th, virgo  - athlete, liberty academy  - heterosexual, seeing sylvia(?)  - enfj, ravenclaw   - raised partially in the canary islands with his dad, running their hotel, but also in violet springs with his grandparents.  - friendly, ambitious, a deep thinker but also impatient, overly-critical and a perfectionist. jay was brought up on the canary islands with his father after losing his mother when he was eight. constantly being at the beach, the hotel and new people, he’s a social person with an active imagination and is always on the go. he’s both book and street smart but can at times hold himself to impossible standards; he definitely gets his perfectionist streak from his aunt. the loss of his mum has hurt him, but he buries his feelings as much as possible to avoid talking about them. jay’s always fit in with popular crowds seamlessly and it’s exactly the same story for liberty academy. - jay has already shown huge potential at liberty academy and has been given attention that first years usually don’t get. he’s currently dealing with the end of a friendship with ethan, though, his best friend for many years. it’s lowkey weighing on him but he’d never show that it effects him.

Kai Arden Powell - son of Louis & Lexi. 

- fireflies, owl city  - march 3rd, pisces  -  writer and actor, studying at willow house (cardiff)  - heterosexual, dating sofia  - infj, ravenclaw  - raised in violet springs (?) with louis and lexi, close to his family with good connections to both sides.  - imaginative, selfless, creative but pessimistic, self-pitying and emotional. kai is the perfect example of a high achieving burn-out. all through his school life, he boasted great grades and came at the top of the class for most things, but as the years went on, he lost momentum and started to rest on his abilities. while everybody else levelled up and got better, he declined and started to slowly stop caring about his academic achievements. he was more concerned with the social side and fitting in with people who really didn’t care much about him. when it came to college admissions, he was already failing many classes and got rejected from everywhere besides willow house. he hates it and refuses to even try to enjoy it. - sofia is his lifeline, at the moment. she’s trying to get her dad, wesley, to negotiate with people at st judes to get him a space, but it isn’t necessarily going to work. especially if kai can’t get his grades up and apply himself to his writing and acting seriously. 

Charlotte ‘Lottie’ Bradford - daughter of Drew & Annabel.

- first man, camila cabello -  june 30th, cancer  - singer-songwriter & musician, studying liberty academy (new york)  - enfp, ravenclaw  - raised with drew & annabel as an only child  - romantic, loving, protective and sympathetic but touchy, defensive and an overthinker. lottie grew up with both of her parents and spent a lot of time on the road with drew when he was touring. she’s used to big crowds, music and moving around a lot but grew up very attached to her mother, annabel, she’s her favourite person in the entire world and everything she does is to make her proud.  - lottie ended up dropping out of high school to go to a stage school in london when drew stopped touring; she was around 14, but eventually got homesick and returned, spending her last few years at springs park high before she got accepted into liberty. she’s really set on making memories and doing her absolute best in music - but she’s prone to falling in love with people and getting extremely distracted.

Sullivan Rosini - son of Ruby.

- song undecided  -  14th may, taurus  - actor & singer (vc: frank ocean)  - esfj, gryffindor  - raised by ruby  - independent, humanitarian and sociable but also head-strong, stubborn and judgemental. sullivan was adopted by ruby when he was seven and settled very quickly into the family home. since around 12 years old, he’s been an activist and had a huge presence online for animal rights. he’s been arrested multiple time at different protests and it gives ruby the most anxiety but she’s also very proud of him. 

[the-voltage-diaries]

tbh I think eisuke is better than Taki because he has more of a character development, wouldn't you agree?

Hey there, anon! Lmao that’s a kind of a controversial question you’ve asked me haha

Disclaimer: What’s written below is my own humble opinion, it’s not meant to hate on, or disregard, or disrespect anyone intentionally.

I’m going to have to say I disagree. And by saying I disagree, I am not, in the least bit, trying to state the counter: that Taki is better than Eisuke. If someone said that, I’d disagree then too. And that’s because of one simple reason, that Taki and Eisuke are two separate individuals with very, very different personalities and it’s wrong to compare them on the basis of character development, according to me. 

Here’s why:

1. Statue vs Rust Now, here’s a way to look at it. Eisuke’s character development is like making a statue, whereas Taki’s is like removing the rust. When it comes to Eisuke, his character development starts at a point where he doesn’t even know half the human emotions that exist, like love, care, affection, et cetera. He doesn’t invest his time in them because he’s never felt much of them, and the MC, over a period of time, has to make him understand what those emotions mean and how important they are. He gets introduced to a world he never knew, in a sense. That’s precisely why Eisuke has so much scope for development, too. In a metaphorical sense, it’s like the KBTBB MC meets a stone Eisuke and over a period of time, and after putting in tonnes of affection, hard work, and care, sculpts him into a beautiful statue. She slowly works on the intricate details and makes him into who he is now. Now, if you look at Taki, the scope for his character development is limited in this sense (I’ll elaborate on that in a bit). With him, it’s like polishing the rust off of something. When it comes to his story line, he is very different in terms of knowing emotions as compared to Eisuke because he has already felt emotions like love, care, affection, et cetera. In his teenage years, he was a very charming and kind individual who knew those feelings well. But, due to the misunderstanding with MC and the debt situation, he felt like those emotions aren’t meant to be felt, that they are a hindrance. He purposefully chose to mask over what he felt because he knew the price of letting them out. Here, MC’s task was to remove that facade, and she made him realise it’s okay to feel those feelings. It was like removing a thick layer of rust to allow his inner self to shine through. In simpler terms, it’s like letting something which was already there come up to the surface, instead of shaping it from scratch, like what happens with Eisuke.

Even if you look at their MS’, you’ll notice that Eisuke, by the end of his MS is still pretty bland whereas Taki has more of a feel to him. He smiles more, he’s more honest, and it’s like bringing a teenage Taki back.

2. Varying Scopes Eisuke’s stories are more about him coming to terms with his emotions and realizing he feels things which he didn’t even know he felt. More like, Eisuke’s story line’s central theme, in most cases, is working on his character development from an emotional point of view. It focuses on how Eisuke feels, and grows that into something more. Whereas with Taki, his stories aren’t about his character development with respect to feeling new emotions and dealing with them. His character development is linked to coming to terms with his past and allowing himself to feel what he denied feeling for so many years. That’s one reason why you won’t find a lot with Taki in terms of his emotional development with respect to feeling new things.

3. History does repeat itself With Eisuke and MC, it’s important to note that they didn’t know each other at all prior to that fateful meeting at the hotel lobby. They probably hadn’t even talked much and their relationship started from square one. So it’s kind of understandable why Eisuke would still keep his walls up for a LONG time. It takes a while for Eisuke and MC to work through obstacles and establish a degree of trust between them with respect to each other. Whereas with Taki, MC and him already share a history. They were high school sweethearts and Taki and MC both know what the other person was like, and can decipher from a mere few moments that neither of them has changed much over the years, except for having a higher wall around them, owing to their experiences with life in the past. Once Taki and MC realise who the other is, it’s a little bit of awkwardness before they both allow themselves to settle in and be comfortable around each other (even banter a lot lol), because they essentially do know the other person well. Because of that, there’s already a certain degree of trust established between Taki and MC right from the middle of his MS Season 1. That, in turn, leaves less of character development in terms of his relationship with MC when it comes to Taki.

4. Family Backgrounds It’s also important to look at how different their backgrounds are. Eisuke hails from a reputable family, and was adopted into a super rich family as a kid too. He has always dealt with two-faced people and has always had a much more luxurious life from the start. What I’m trying to say is, Eisuke’s not bothered to concern himself with emotions from the very beginning because that’s what’s been ingrained into him from his childhood. Also, because he’s been ultra rich from the start, the MC has more work to do when it comes to making him realise money ain’t everything, my guy. Now with Taki, he has very humble origins. He came from a very normal family, and knows what it’s like to live with just enough money (not being ultra rich, I mean). He was a very normal guy in high school with a very warm group of friends, an incredible girlfriend who he was in love with and a very humble life. His attachment to money came with the debt, when he realised as long as you have money, you have power and as long as you have power, you have everything. MC’s task here was to take him back to his teenage days and make him understand that sometimes, it’s the less expensive things which give you more happiness. 

5. Old Habits Die Hard Now, let’s look at their interactions with the MC. If you’ve noticed, Eisuke is very... hm, how should I put it... non-slangy + formal in the way he speaks. To make more sense of this, Eisuke is very proper when he speaks, and he doesn’t use a lot of phrases like “Man, you’re...” or “God, that was....”. And that’s because it’s been ingrained into him. Eisuke’s vocabulary is very prim and proper and non-slangy because that’s what he’s been taught since childhood. It makes him seem more like a robot, in a sense in the very beginning, in my opinion. Gives him a less relatable vibe, basically (and I mean no hate). Whereas if you look at Taki’s stories, he often uses a lot of phrases like, “God, you’re cute.” or “Man, that was something.” and that’s mainly just his high school, boy next door self showing its form. It makes him more relatable and human in my opinion, and those slangs are what show the reader that yes, the Teenage Taki still exists in there.

6. Won’t Lose You As stated previously, Eisuke hadn’t even known the MC exists till they met in the hotel lobby in the prologue. So when Eisuke and MC start dating, it’s with a perspective of “Okay, now she is my girlfriend.”, which doesn’t allow Eisuke to be very open about his feelings from the start. In case you’re confused, hang in there and let me explain Taki’s side to help you understand better. Now, Taki is MC’s ex. Someone who was very in love with her. Still is. He knows what it’s like to lose the MC, for he had already lost her once, and would do anything and everything to NOT lose her again. Thus, he is relatively more open with his emotions. He let’s her know how much he loves her, values her, cares for her, because he doesn’t want to let her go again, ever.

7. Okay, Let’s Be Direct Eisuke is a very “actions speak louder than words” person. He isn’t very open with his emotions, heck he doesn’t even say “i love you” till MC demands it out of him lmao. He is very indirect in terms of expressing what he feels for the MC, even in his later stories, and it takes time for him to come to terms with the word “love”, in general. If you look at Taki, he has been very direct from the start. Even in high school when he confessed to MC he went “I like you.” and in his MS when MC asked him why he kissed her, he said “Because I love you.” right on her face. He has always been direct with expressing himself, so that leaves a much smaller scope when it comes to him coming to terms with feelings like love and care, et cetera.

8. Different Premises Now, this might be the last point I touch upon. The thing is, both KBTBB and KoP are set in VERY different themes. In KBTBB, the MC is a normal person with a fulfilling life, she gets sold in the auctions, meets the auction managers and her journey starts from there. In KBTBB, MC has to mainly deal with the stress that comes with throwing herself into the dangerous life Eisuke and the other lead, and apart from that her life doesn’t really have much of an angst. In the sense, that none of the action managers have to actually deal with the MC and her emotions, per say. In KoP, the MC goes through a divorce which basically leaves her mentally shattered. She self-doubts and and constantly keeps worrying about what did she do wrong which made things end up the way they did. Here, while the KoP guy and and MC fall in love, it’s also about helping MC realise what happened was not her fault entirely. It’s about connecting deeper, much deeper, on an emotional level with the MC, which gives Taki a sort of a head start when it comes to character development in terms of bonding with the MC. ... I hope that made sense lol

That was a LONG response, not gonna lie, and I’m so sorry for being late with this! But, I hope I was successful in showing you my side of things on this debate. 

Thanks a lot for the ask! <3

[chiarahq]

me  being  late  ?  unfortunately  more  likely  than  u  would  think  😔  but  i'm  here  now  &  so  excited  to  be  part  of  a  celeb  rp  again  because  they  are  my  kryptonite  !  i’m  sofi  (21,  gmt,  she/her)  &  this  is  chiara,  &  yes  i  did  carefully  select  this  gif  because  she  looks  hot  asf  &  i  want  to  thirst  trap  u  all  into  plotting  with  me  (ur  welcome)  !

⋆˙⊹  naressa valdez  ,  cis female  ,  she/her  — ‏‏‎ ‎ don't  look  now  ,  but  chiara  flores  just  walked  by  us  .  the  twenty -  three  year  old  lingerie  model  turned  entrepreneur  has  been  causing  quite  a  stir  lately  .  they're  known  to  be  quite  decorous  &  garrulous  ,  but  also  sybaritic  &  ambivalent  .  it's  no  wonder  they're  hollywoods  resident  bellwether  . rumor  has  it  they're  hiding  redacted ,  but  don't  ask  them  about  it  .  

&.  a  satin  brassiere  peeking  from  beneath  a  velveteen  pantsuit,  dainty  gold  chains,  wine  -  toned  lipgloss  &  smoked  liner,  an  inviting  smile  that  would  make  a  stranger  feel  at  home,  and  the  gentle  graze  of  fingertips  against  the  forearm    .

𝐦𝐮𝐬𝐞  𝐬𝐭𝐚𝐭𝐢𝐬𝐭𝐢𝐜𝐬.

full  name:  chiara  ysabel  flores. nickname/s:  chi,  open  to  pet  names. gender  &  pronouns:  cis  female  &  she/her. birthdate:  sept  25th. zodiac:  libra. orientation:  bisexual  &  biromantic. traits:  your  stereotypical  libra,  aka,  tactful,  gregarious,  &  visionary,  yet  indecisive,  vain,  &  vacillating. career:  lingerie  model  turned  fashion  mogul;  recently  launched  her  own  makeup  and  lingerie  brand  (  claim:  fenty  )

𝐚𝐛𝐨𝐮𝐭  𝐜𝐡𝐢𝐚𝐫𝐚  𝐟𝐥𝐨𝐫𝐞𝐬.

familial  connections  :  chiara  was  a  long  awaited  addition  to  the  flores  family;  with  maria  flores  thoroughly  convinced  that  she  would  never  experience  the  motherhood  she  had  always  dreamed  of  until  she  was  finally  blessed  with  her  first  &  only  child.  rather  naively,  maria  and  andre  expected  that  the  birth  of  their  daughter  would  be  the  missing  piece  to  restoring  their  already  crumbling  marriage  -  however,  if  anything,  the  added  stress  of  a  baby  was  the  nail  in  the  coffin.  that  said,  it  was  in  their  best  interest  to  stick  it  out  for  the  sake  of  their  public  reputation.  a  tiny  chiara  often  found  herself  caught  in  the  middle  of  an  argument,  and  as  she  grew  older,  found  herself  stepping  up  as  mediator.  her  presence  was  a  constant  reminder  that  although  they  no  longer  loved  each  other  the  way  they  once  had,  they  had  both  contributed  to  create  another  human  being  that  they  equally  adored  with  all  their  hearts  -  and  they  would  continue  to  push  themselves  to  last  another  day.  the  facade  of  their  relationship  finally  came  crashing  down  when  chiara  turned  sixteen,  and  andre  flores  was  caught  having  a  cosy  dinner  with  a  woman  much  too  young  to  be  his  wife.  once  the  public  found  out  there  was  no  longer  any  need  to  keep  up  the  pretences,  and  so  the  flores’  filed  for  divorce.  although  chiara  was  entirely  aware  of  the  state  of  their  marriage,  it  was  still  difficult  to  endure  -  especially  in  such  a  public  sense.  that  said,  everything  worked  out  for  the  best,  and  the  flores’  still  spend  every  holiday  together  as  a  family.

career  ;  from  a  young  age,  chiara  shone.  her  cherubic  features  &  polite  nature  opened  multiple  doors  for  her  from  a  young  age;  from  her  successful  modelling  career  to  her  stint  in  child  acting.  chiara  pursued  a  lot  of  things,  but  she  never  stumbled  upon  anything  that  was  more  than  a  fad.  that's  the  thing  about  chi;  she's  passionate  &  always  on  the  go,  but  often  lost  interest  fast.  she’d  pick  something  up,  just  to  drop  it  the  next  day  or  week  or  month.  it  was  a  running  joke  within  her  family;  her  parents  unable  to  keep  up  with  what  would  capture  chiara’s  attention  next.  something  that  persevered  was  her  relentless  need  to  be  in  control.  some  would  call  it  pernickety,  though  she  would  call  it  having  direction.  whatever  she  decided  to  put  her  mind  to,  for  however  long  she  felt  like  it,  she  would  excel.  with  the  safety  of  her  parents’  wealth  to  fall  back  on,  chiara  tried  her  hand  at  pretty  much  everything  you  could  imagine  -  she  dabbled  in  photography,  took  a  few  singing  classes  before  she  ultimately  decided  she  was  tone-deaf,  rekindled  her  acting  career  for  the  duration  of  a  handful  of  auditions,  and  even  attended  college  for  a  whopping  seven  weeks  before  dropping  out.  her  career  in  modelling  was  the  only  thing  that  was  a  constant,  with  her  signing  with  tbd  lingerie  company  (  bc  we  don’t  stan  vs  in  this  house  ).  chiara  was  happy  enough  during  her  time  there,  but  the  lack  of  diversity  within  the  brand  became  outstandingly  obvious  (  👀  ),  &  eventually  she  decided  to  take  matters  into  her  own  hands  ;  launching  her  own  inclusive  lingerie  brand,  ysabel.  following  the  success  of  ysabel,  she  then  extended  her  brand  to  include  makeup  products. 

personality  ;   

yes  we’re  switching  to  bullet  points  who  needs  consistency

chiara  is  a  bit  of  a  walking  oxymoron.  she’s  an  incredibly  passionate  &  determined  individual,  yet  her  attention  &  interest  are  fleeting.  when  she  cares,  she  cares  with  every  inch  of  her  being  -  but  the  minute  that  drive  is  gone  ?  she’ll  ditch.  

despite  mediating  pretty  much  her  parents’  entire  relationship,  chi  hates  confrontation.  she  radiates  Bad  Bitch  energy,  but  really  is  prone  to  sitting  on  the  fence  &  ducking  out  when  shit  hits  the  fan. 

chi  is  ridiculously  self-indulgent.  she  cannot  say  no  to  herself,  like,  ever.  it’s  a  dangerous  habit  that  extends  beyond  herself  -  if  she  sees  something  she  thinks  a  friend  will  like,  it’s  in  her  basket  without  a  second  thought,  aka  she’s  the  best  present  giver  ever.  as  a  result  of  her  indulgence,  however,  she  can  sometimes  come  across  as  kinda  ignorant  :/  

relationships  are  kind  of  an  iffy  area  for  chi...  she  knows  all  too  well  how  badly  they  can  go  spiralling  down,  so  she  tries  not  to  let  herself  get  too  attached,  but  for  the  most  part  she  fails  &  becomes  kinda  ...  infatuated.  she’s  terrible  with  rejection  due  to  her  obsession  with  how  people  view  her,  &  will  without  a  doubt  take  it  to  heart  -  so  for  the  most  part  sticks  to  flings  &  meaningless  flirtationships

has  a  pet  doberman  that  she  absolutely  adores  &  treats  as  if  its  a  little  baby  handbag  dog  <3 

𝐰𝐚𝐧𝐭𝐞𝐝  𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬

brotp  

sibling  like  friendship

ride  or  die 

childhood  friends

family  friends 

platonic  soulmates 

model  friends  /  models  recruited  for  her  brand  

unlikely  friendship

intrigue

project  partners

familial  connections  ?  maybe  a  cousin  ? 

mutual  friends  

childhood  crush  ?  maybe  a  friend  of  the  family  where  their  parents  always  joked  they’d  get  together  one  day

party  friends

good  /  bad  influence 

opposites  attract

exes  to  friends

muse

wingman/woman/person 

pr  stunt 

exes  (  good  terms,  bad  terms,  past  fling,  ghosted  )

will-they-won’t-they

fwb  /  ewb

confidants 

rival

[studiopeachz]

Women Empowerment Research

What is women empowerment?

“Women's empowerment is the process of empowering women. It may be defined in several ways, including accepting women's viewpoints or making an effort to seek them, raising the status of women through education, awareness, literacy, and training” Empowering women is a part of a person’s well being to enable them to feel ‘powerful’ in their own way. Being powerful can mean a lot of things and can come from philosophy, wisdom, talents, work ethic, and so much more that helps build a person’s character.  

What is the history of Feminism and Women Empowerment in New Zealand?

https://theconversation.com/why-new-zealand-was-the-first-country-where-women-won-the-right-to-vote-103219 

125 years ago today Aotearoa New Zealand became the first country in the world to grant all women the right to vote. The event was part of an ongoing international movement for women to exit from an inferior position in society and to enjoy equal rights with men. Many supported universal male suffrage and a less rigid class structure, enlightened race relations and humanitarianism that also extended to improving women’s lives. These liberal aspirations towards societal equality contributed to the 1893 women’s suffrage victory.

At the end of the 19th century, feminists in New Zealand had a long list of demands. It included equal pay, prevention of violence against women, economic independence for women, old age pensions and reform of marriage, divorce, health and education – and peace and justice for all.

During the 1880s, depression and its accompanying poverty, sexual licence and drunken disorder further enhanced women’s value as settling maternal figures.

New Zealand gained much strength from an international feminist movement. Women were riding a first feminist wave that, most often grounded in their biological difference as life givers and carers, cast them as moral citizens. With hindsight, the feminist movement can be implicated as an agent of colonisation, but it did support votes for Māori women. Meri Te Tai Mangakāhia presented a motion to the newly formed Māori parliament to allow women to vote and sit in it.

What does women empowerment mean to Gen Z?

https://www.thinkhousehq.com/insights/bodies-blood-brilliance-gen-z-feminism 

“Everyone should be feminist, because it’s about equality. It’s not about telling women what they should or shouldn’t do, if someone wants to wear make up then they can, and if they don’t want to wear make up then they don’t have to. But there is an issue with many self-proclaimed feminist being gatekeepers. My friends and I think that TERFs, particularly, are a major issue. Feminism is also about helping men, helping them express their emotions and not have to be the breadwinners of a family and destroying toxic masculinity.” - Grace, 18

From actresses to survivors, artists to poets, and models to musicians, what Gen Z feminist icons all have in common is that they channel their creativity expertly to tell their stories, while adopting an unapologetic activist approach to opening conversation and fighting for justice, change and equality.

Representation in popular feminism today takes many forms. It’s about equal representation in society, with regard to industry, politics and policy making and equal representation in culture. Initiatives like Her Story aim to raise the profile of women’s stories, as a way to combat the global phenomenon of amnesia of women’s stories in history and more contemporary times.

Gen Z are talking more openly about vaginas, periods, miscarriages, body hair, the lot. This celebration is not only about the differences between women’s personal experiences, but also of the distinctive traits all women hold. The representation particular feminine traits and the unique brilliance of women comes to the fore in conversation here: 

“While equality is important, to me it’s more about valuing the traits that a woman has. Creating more feminine, comfortable environments could bring about a positive change in different ways.”- Alwyn, 25.

Ultimately, what these trends tell us about feminism today, is that young women today are radical about owning who they are and being recognized accurately by wider society. They are unashamedly channeling their intelligence, digital currency, agency and creative skill, with purpose, to shout louder and more powerfully as a group than ever before.

https://musebycl.io/7-ways-empowering-gen-z-girls-change-world 

These girls—especially those born from the mid-1990s to the early 2000s—have the ambition, confidence and desire to make a difference in the world. So much so that they've inspired me to take the leap from communicating to women to making a real cultural change.

Having other strong, supportive women to look up to will be a motivator to these girls when they enter the workforce. With initiatives like the #SeeHer movement, the advertising industry is already making an effort to accurately portray women in media, and hopefully strong women will continue to take the spotlight.

Individuality is important to Gen Z, so encouraging them to pursue their passions is vital. Recognizing that their lives are multifaceted and giving them the tools to explore and grow will help inspire them both at work and beyond.

https://psmag.com/ideas/why-generation-z-is-embracing-feminism 

In many cultural contexts, Generation Z appears to be embracing feminism as a positive thing, demonstrating confidence in the power of activism, particularly via social media.

Malala Yousafzai, or 18-year-old Emma González, who's at the heart of the #NeverAgain movement protesting gun violence in the U.S.,

Online feminist campaigns such as #everydaysexism, #MeToo, and #TimesUp all draw energy from the new consciousness among this generation.

How is women empowerment done/displayed in a Gen Z way? - consider what inspired you to do a women empowerment campaign.

“HOT GIRL SUMMER”

https://time.com/5632924/hot-girl-summer-meme-explained/ 

If you’ve logged onto Twitter or swiped through your Instagram at any point this summer, you’ve definitely seen a post declaring it’s a hot girl summer. The now-ubiquitous phrase, a call to live your most confident and unapologetic life, was coined in the early months of the season by Houston rapper Megan Thee Stallion, whose colorful monikers for herself also include “the H-Town Hottie” and “Hot Girl Meg.”

Contrary to what one might assume when hearing “hot girl,” the lifestyle is not focused on aspiring towards conventional beauty or influencer clout. Instead, it’s an embrace of confidence at its most essential: loving who you are and doing what you want, without caring what others think.

hot girl summer is for “women — and men — having a good-a– time, hyping up your friends, doing you and not giving a damn what anybody has to say about it.”

(the hashtag #hotgirlsummer has been used over 170k times on Instagram, while the hot girl summer has been used on Twitter a whopping 2 million times over the past month) distills an affinity, exhibited by many women in 2019, towards body positivity and self-affirmation. Hot girl summer, a hip-hop feminist manifesto, taps into these movements from many angles, championing confidence, sensuality and fun.

Tacho explained why she embraced hot girl summer to TIME thusly: “It’s a positive movement! Having a Hot Girl Summer is all about being the best version of yourself and doing what you want to do. It’s all about having fun.”

And as with most things on the Internet, it’s attracted its fair share of controversy. Although Megan clearly stated that hot girl summer is gender neutral, some trolls on the Internet were determined to make hot girl summer a battle of the sexes, pitting it against a “hot boy summer” or a “city boy summer,” the latter being a play on the rap group the City Girls (the duo is known for their fierce, take-no-prisoners approach to love and sex in their music).

“I CAN’T TALK RIGHT NOW, I’M DOING HOT GIRL SH*T”

https://www.buzzfeed.com/andriamoore/doing-hot-girl-sht-tiktok-trend 

Megan Thee Stallion gifted us the slogan of a lifetime when she broke onto the music scene and coined the phrase, "real hot girl sh*t."

If you don't know, the phrase has basically become a battle cry for female empowerment.

But the latest TikTok trend is putting a hilarious twist on that sense of empowerment. People are uploading videos of themselves doing... well, things that aren't typically in the realm of "hot girl sh*t"— like shaving your stomach.

If anything, this trend has only further increased the purpose of the hot girl anthem: feeling proud and confident with who you are already.

https://www.vice.com/en/article/z3v873/hot-girl-shit-meme-megan-thee-stallion-tiktok 

Over the past couple of months, “hot girl shit” has swept through social media like a heat wave. These videos feature people, mostly those who identify as women, embracing their most everyday, banal moments—shaving their upper lips, putting on face packs, savouring the last few puffs of a joint, involved in an intense gaming sesh or simply taking their 23rd nap in the day—under the guise of doing something that could be considered hot, a term that generally refers to the sexual attractiveness of a person.

But what they may lack in logical reasoning, they make up for in deeper meaning: letting the world know that being “hot” isn’t just equated to someone’s physical appearance anymore. That being hot is a mentality, a mindset that involves extra dollops of extreme self-confidence, and something to be found inherently within us rather than something you’re blessed at birth with or what your cosmetic surgeon helped you achieve.

TikToking and Reels-ing our way to chipping away centuries of female objectification and sexism, prompted by the male-dominated industry ideal of how women should look and behave to “qualify” as hot.

“This trend proves that ‘hot girl shit’ lies on a spectrum, and is ultimately just about feeling confident,” Uchenna, the first known creator of this meme format, who goes by her screen moniker @makeupbychelseax, told VICE. The young creator sees the trend as a way to reclaim the identity of what a “hot” girl should be, after centuries of the concept hanging on the hinges of the male gaze.

Mulvey theorises that essentially the male gaze hypersexualises women, reducing them to objects of attraction for the male lead. The male gaze, which has been dominant throughout the history of pop culture, ultimately drives the perception of what the ideal woman should look like.

Over decades of women being seen through a stereotypical lens in pop culture and art, mostly crafted by heterosexual men, the male gaze has also conditioned many young women who consume this content to strive to achieve the same standards of the perfect on-screen female lead.

“The stereotypical idea of the ‘hot girl’ would be a tall, skinny, fair girl with big boobs,” Shreemi Verma, a film critic and marketing professional told VICE.

“hot” girl is a socially conditioned prototype, a fantasy fuelled by the lack of female filmmakers and critics in the mainstream industry. so many of us connected with this meme trend is because of how real it was.

Verma stressed that by showing the raw reality behind what can be considered hot, this trend became a relatable way for women to challenge the on-screen stereotype. the idea of “hot” continues to evolve into a more empathetic, all-encompassing ideal. Supriya Banerjee, a 24-year-old social researcher based in the Netherlands, told VICE. It normalizes simple things like art, dance or cooking meals for children as things a hot girl does.” For Banerjee, the trend has a simple underlying message: that everything women do can be considered hot girl shit.

What does Gen Z women empowerment suggest?

Feminism and female empowerment within Generation Z shares the idea of positive cultural change in female stereotypes through technology and social media which can be easily flowed into the mainstream of society and news. Gen Z is all about individuality, authenticity, and diversity and is always up to challenge  stereotypes and break the norms unapologetically in order to be truly happy because Gen Z is passionate about wellbeing and mental health. Gen Z sets out trends on social media to spread messages and ideas that influence other social media users. Overall, Gen Z’s way of breaking female stereotypes is through trends, social media, music, and many more types of media just to get the word out.

[linkspooky]

Eren’s Dissocation

This month’s chapter has a lot of people confused on Eren’s actions. Why would Eren choose the worst option possible? Why force himself to do something he clearly doesn’t want to do? Why, when he’s given options to back out, does he instead double down on the bad decision making? Why, when no one is holding a gun to his head does he pick the worst available choice? 

The narrative obviously isn’t sympathizing with Eren so we’re meant to question his choices. So let’s get into Eren’s headspace. A place where clearly even Eren doesn’t want to be.

1. Other People

Eren displays a lot of paradoxes in his reasoning this chapter. His every action is a contradiction. He goes out of his way to save a child, and then crushes them later without lifting a finger to help. He says he wants to do this all for the sake of freedom, and yet he’s espousing ideas like a fixed future, and acting helpless to his eventual fate. Eren begs and cries for the child to forgive him for what he must do... when nobody is actually forcing him to do anything. 

It’s not only that Eren makes bad choices, but he also acts like he’s the victim of his own bad choices. He acts like he’s completely helpless to do these things. Eren says one thing, and then deliberately does another to contradict it when he DOES NOT HAVE TO. It seems like Eren is going out of his way to ruin everything and people are questioning what pushed Eren to this point of deliberate self destruction and acting like he was all out of options when he very, clearly wasn’t. 

Eren’s motivations make no sense.  Yeah.  They make no sense because Eren is trying to reconcile two irreconcilable ideas. The ideas of predestination and freedom are complete and total opposites ideas that cannot coexist in Eren’s mind. Eren can’t reconcile them. So he doesn’t.  Rather than try to justify himself or struggle to find the right answer Eren settles for the wrong one. Rather than try to justify his actions Eren avoids any confrontation of his actions all together. Eren distances himself - from his actions, the consequences of his actions, and his role in everything that happens.

It’s a simple idea, but also a complicated one which I will do my best to explain. How does Eren do this? How does Eren end up in this very contradictory mindset, where he just keeps making things worse, on purpose. And it starts with the way Eren sees other people. 

There’s a reason that Eren is made out to be so childlike and petty in this chapter. It’s because he is. This line is very vague, but if I were to explain it I would say. 

Eren is very bothered by the fact that other people exist. 

What I mean is, other people have thoughts, feelings, and entirely different opinions from Eren and Eren doesn’t really want to deal with that. While yes, it could be a line about how Eren saw the same oppression outside the walls as he did in Paradis, I think it’s a lot pettier than that. Eren got really, really, bothered by the fact that the world he imagined as empty was in fact crowded with other people besides him. 

In child developmental psychology there’s an experiment called the “Three Mountain Problem.” In the experiment a child is shown a model of a mountain from one perspective and asked to draw what it looks like. They’re asked to draw what they see.Then, a doll is placed behind the mountain looking at it from a completely different angle. The experimenter then asks the child to draw what the doll sees. The doll would see something completely different - but the child doesn’t comprehend that. They draw the exact same picture the first time. Children lack the ability to imagine that other people don’t. A child only sees the world from one point of view. 

You know what’s really frustrating? Arguing with other people. Sometimes even if you know you’re right, even if you state your argument perfectly and show the facts that person still won’t agree with you. It’s frustrating to deal with the fact that you can influence, but you can’t really control the opinions of others. 

Eren is fundamentally, unable to see, and deal with other people as people. By that I mean, their perspectives, their feelings, he can’t really see or understand those things outside of his own perspective. Other people ask things of him, require things of him, that he can’t give. Other people disagree with him, fight with him. 

Eren’s not an eco-terrorist.  He’s not bothered by the fact the world isn’t a natural paradise outside the walls. It’s the people themselves, that Eren finds disappointing. 

Eren can’t deal. On a micro-level. Let’s forget about the plot at large and just focus on Eren for a second. Who are the people that Eren has chosen to surround himself post-timeskip.

If Eren’s ultimate ideal is freedom why does he choose to trust Floche of all people? A sycophant, and someone who is practically begging to have all of his choices taken away from him? 

It’s also because Floch is also someone who won’t disagree with him, or question him the way his friends might. Eren just can’t deal. 

Eren claims that everything he does is out of love for his friends. He fights for his friends, sacrifices for his friends. He has to be the one to die so his friends can live. 

But, when Eren hears that Mikasa has the exact same motivation for him. That Mikasa wants to protect him, and fight for him the same way he wants to fight for her. When Eren hears that Mikasa might love him and show that love by always fighting for him, which is the exact same way Eren tends to show his love for his friends he doesn’t... get it. He can’t accept her feelings in any real way. He can’t even really understand them.

Eren wants to love Mikasa, he wants to love his friends, but he either can’t accept their feelings, or he just doesn’t want to. He’s allowed to love Mikasa, Mikasa can’t possibly love him back. Even when Zeke just straight up tells him to his face, Eren dismisses Zeke and says what Mikasa feels for him doesn’t even matter because he’s going to die in four years. Eren avoids her feelings, otherwise. 

That’s the key word here. Eren’s avoidant. In every single person he deals with, he’s avoidant. That’s how his very contradictory views of people are maintained. There’s a lot of examples I could list of this. Eren wants his friends to be free, but he goes out of his way to lock them up. Eren says he’s doing this for the sake of his friend’s happiness, and then antagonizes them as cruelly as possible. The reason he’s able to do these things, is that he avoids truly looking, or confronting his actions, and also the people he’s surrounded with in any real way.

Not only with Mikasa, you can see it in his interaction with Historia. 

Eren and Historia grew close because Eren said he wanted to get to know the real Historia. But, then he specifically asks Historia to do something that is the opposite of everything she stands for. When she disagrees with him, because she wants to live as an individual with her head held high with pride and make her own choices, do what she thinks is right as Ymir told her. When Historia tries to assert herself as an individual who doesn’t completely agree with him, Eren then switches tactics and tries to browbeat her into doing what he wants of her. 

Eren’s view of the world is very isolated, and insulated from others. Whenever somebody challenges his view, he makes the choice to retreat back inside of his own head rather than try to change. 

That’s also a natural consequence of Eren not seeing people as people. Because he avoids the thoughts, feelings, opinions of others it means his own thoughts never really change. He deprives himself of the ability to see things in a different way. Eren is stuck in a rut, but also Eren doesn’t want to leave that rut he wants to bunker down. 

2. Eren Himself. 

Eren’s head what a terrifying place to be inside. 

Dissociation is a mental process that causes a lack of connection in a person's thoughts, memory and sense of identity. Dissociation seems to fall on a continuum of severity.

Dissociation is a defense mechanism of the brain. So is avoidance. They are both learned defense mechanisms that the brain uses to protect himself, and they are also behaviors that people fall into to protect themselves. 

This is why Eren is depicted as a child over and over again. This is why Eren is shown constantly flashing back to his mother’s death. It’s because Eren never really got over that initial trauma, Eren has been stunted and never grew or developed from that point. 

Eren’s a big old manchild, and that makes sense just from what he’s been through. It’s easy to forget that Eren is a child soldier who like, never had a stable environment after losing his home. The reason he hyper focuses on his mother, and that initial incident is because that was the start of everything all the insecurity of his life. Eren adopted all these mechanisms to cope in a situation where he was truly helpless, and yet even after the situation changed, Eren’s internal mechanisms never truly did change and he kept on coping in the same broken way. 

Dissociation, and Avoidance. 

Dissociation is when a person divorces themselves, from their actions, from their own body, from their thoughts and feelings. 

Avoidance is when Eren deliberately goes out of his way to avoid any kind of real conflict with other people or having to deal with their feelings because he’s not equipped to handle them. 

Eren is hopelessly stuck inside of his own head right now. I don’t know what’s a better metaphor for that, then Eren literally... just being a head. It almost lapses into solipism. Eren has distanced himself from other people so far that he has... literally become a brain in a jar. 

Eren’s perspective is the only one that exists to him. But he also disagrees with himself. 

Eren wants the freedom to do whatever he wants. But he also, doesn’t really want to be doing what he’s doing right now. So, why does he use his freedom to do these things?

If Eren distances himself, both from the thoughts and feelings of other people, but also his own thoughts and feelings, where is he? 

He’s god.

Eren imagines his ideal world as one where he’s above the clouds, in an completely open sky. These are the symbols associated with the idea of god in most religions. Somewhere distant. Somewhere far away. 

Eren’s key operating word is distance. He is distancing himself from both other people, and his own actions at the same time, because he can’t really bear or even process the guilt of dealing with both. 

Let me explain Eren’s bad decision making with a simple metaphor.

So spiderman, right. Spiderman gets bitten by a radioactive spider. He has kind of a shitty life. He has no parents, he’s bullied in high school. He’s an average every day loser. Suddenly, he gets all of these super powers. It makes spider man feel special. He has super strength now, he doesn’t need to wear his glasses anymore. 

Then a robber runs by him, and Spiderman doesn’t lift a finger to help. Even though he has the special ability to help, he doesn’t take any responsibility for it. 

As a result of this choice, his Uncle Ben dies. 

Spiderman wanted the super powers, but he didn’t want like any of the added responsibilities of having super powers. In essence until Uncle Ben died, what Spider Man was living out was a power fantasy.

That’s what Eren is in the middle of. He’s always been this very weak and helpless child. He’s always felt like the person who just watched, unable to do anything when his mother died right in front of him. The way he’s dealt with that has always been imagining himself as getting stronger, and stronger, and stronger. 

Eren wants power, but he doesn’t want responsibility. 

The Sasha scene is literally the Uncle Ben scene. Eren kills a lot of innocent people, he makes a choice to do that, and as a direct result of his actions, someone else important to him dies. It’s a direct story consequence. Eren steps on Gabi’s friends -> Gabi becomes vengeful -> Gabi goes the extra mile to avenge the deaths of her friends sneaks on board and shoots Sasha. 

Eren’s mechanism however, is avoidance. He doesn’t want to be at fault. So he’s not. Which means when Eren makes bad decisions. When those bad decisions result in things getting wrose. Eren ignores the consequences of his actions, and is therefore unable to deal with those consequences in any real way. 

That’s why we see Eren get worse, and worse, and worse, and worse. Because he’s not learning from any of the choices he is making. Because from Eren’s perspective he doesn’t have a choice. 

To summarize the contradiction:  Eren wants to kill people, but he doesn’t want to feel like a murderer. 

Eren can’t make sense of that, because there is no making sense of that so he looks away. He looks away so he can’t learn, or even really see what he’s doing to people. This causes Eren to spiral. When people have gotten genuinely that bad, when people spiral to the point where it seems like every single thing they’re going to do is going to make things worse what do they start wanting?

Eren’s dream of killing all the titans, is paralleled exactly with Reiner’s urge to just, kill himself so he can be done with everything. That’s the real reason essentially. Yes, it’s extreme, but Eren might be y’know, an extremist? The micro-level informs the macro-level. 

Eren has gotten so bad in his mental spiral he’s reached the point where nothing else matters, where he just wants to give up and committ suicide. He wants to make the world disappear. He can no longer deal with the struggle against the world. He sees the only way to escape his problems is to either just wipe everything away, and wipe himself out. That’s metaphorical suicide. 

It’s just Eren’s always projected outward. 

Rather than deal with his own internal flaws, he tries to change the world around him. Eren has just externalized his own internal conflict to such an extreme extent. 

And yeah, Eren is literally just a head right now. Only his own internal conflict, only his own hurt feelings, matter. That’s what Eren does to the child. 

The reason that Eren draws the comparison to Eren is because that’s what Reiner did exactly to him. 

Eren is the hurt and injured party here. Reiner’s direction actions and choices killed Eren’s mom. However, it’s not about Eren’s feelings, Reiner makes it entirely about his own feelings. His own guilt. His own regret for what he did. How bad he feels about it. Reiner breaks down crying and is so self-involved he forgets that Eren is the one who is hurting here. 

Eren repeats the same action. He breaks down crying in front of a child and apologizes again and again. But it’s really about Eren. Eren makes it about himself, and his own guilt and remorse rather than the person he’s wronging. 

So yeah. It’s the end of the world and Eren’s just making it about himself. That’s the best way to explain it. It’s easy to kill another person if you don’t see, or truly care about their pain. 

Eren is a tool. And by that I mean he wants to take certain actions. Eren is violent, and wants to stir up conflict. He is because he’s a child soldier who has been raised that way all his life. Eren also knows that these things are wrong. Which is why he wants to take these actions, but in no way feel responsible for them. A gun is not responsible for a bullet leaving the barrel and shooting someone. Eren wants to be the gun, rather than the person holding the trigger.

Which is why Eren is now inside of a giant flesh monster that’s bent on destroying everything. He is the mechanism that destroys the world. It’s the extreme result of that line of thinking. But once again Eren’s entire character can be summarized in one line.

“Eren Jaeger is an extremist.” 

[merry-melody]

Hi! If you’re up for it, I want to hear your takes about season two Klaus. All your TUA takes have been amazing food for thought and I saw you said something about season two sucking (sorry tag stalking). I’m intrigued, have my own laundry list of problems with s. 2 and would love to compare notes if you’re interested. Thanks for putting Klaus gif sets on my dash again!

You read my mind, I was just batting around the idea of a rant! (Especially as I flunked a test yesterday, so I’m in the mood for distraction.) So thanks  💌  And share your own ideas away, please, I love discussion.

*cracks knuckles*

So, my issues with S2!Klaus (and how ultimately those issues were reflected by the writing etc. of all the characters)

* Lack of time - So, comparing, Klaus has approximately 2 hours of screentime in S1 (counting in scenes with the ensemble in which he may not be central, but is present) and approx. 1 hr 25 mins in S2. (I haven’t compared screentime for each sibling, although Ben’s would necessarily mesh with a lot of Klaus’. If anyone else does, shout, I’d be interested to see the numbers!) We also know from cast interviews/social media etc. that alternate material was cut/edited for a particular approach. 

So, necessarily, you’re going to have less time to get across your arc for your character. Luckily, no one really has one here, with almost every advancement being reset in preparation for S3 and presumably yet another fresh start. 

We learn little about Klaus that we didn’t already know (deals with conflict by substance abuse, motivated largely by love for Dave) and he’s not involved in much of the plot for whatever reason (the Swedes don’t pursue him, despite him being presumaby famous); so his main purpose here is comic relief. (And it turns out...Umbrella Academy is not super-hot on writing humour, if the 18305 fart jokes didn’t clue anyone in. I was not surprised to learn they retained none of the S1 writers, as there was an appreciably different approach this season that didn not work for me.)

-> Overarching issue: Huge chunks of the siblings character development was mainly offscreen or described in reams of exposition (which definitely happened in S1, but one would expect better writing by a second season.) I get that it’s necessary in a time travel plot in the style they chose to write (e.g. the siblings scattering across different years) but it’s pretty glaring. There’s also a quantity of filler for stuff that wasn’t really necessary (the Handler, the Swedes, Pogo/Reginald/Grace storyline) and is a shame when there was less interaction between all combinations of the siblings, and Ben was still undercharacterised.

* Lack of ghosts - If you take away the powers which brought the kids into Reginald’s sphere, and in Klaus’ case were presented in S1 as a power that’s uniquely awful and difficult to overcome (even drugs and alcohol only seemed to give him respite for a short time – we see he dreams about ghosts and starts to see them after only a few hours) without a reason (I’d give the latter half of S1 the benefit of the doubt and say with the impending apocalypse, we can assume all we need to about offscreen withdrawal etc. from what we saw in 1.6 and 1.7 and just chalk up no extra ghosts to distraction on Klaus’ behalf and the effort summoning Ben; but in S2, not so much.) you’ve basically just…halved your character. 

It almost suggests that Reginald’s view is correct, Klaus can apparently control his power and overcome the ghosts (as well as easily master his addiction, also offscreen) and the only reason he struggles is because of his own cowardice/narcissism/selfishness (not wanting to save Vanya/starting a cult/not wanting to ‘share Ben’ as I believe Steve Blackman put it.) Which isn’t to say Klaus, like all the sibs isn’t massively flawed; it’s just the ways in which he’s flawed are either a departure from previous canon or else…well, I’ll go into that in the cult discussion.

-> Overarching issue: lack of powers. I was going to compare this to a sibling, like if you’d just started S2 where Five no longer time travels and just never mentioned it, ever; but actually, I think almost all the characters’ powers and the effect they bring to their lives was fairly underused.

Allison is about the only one who does anything interesting, in that she seems to fall off the wagon herself in terms of trying not to use her powers (and the promise they may deal with this eventually instead of pairing her up endlessly is one of the few reasons for me to tune in to S3.)

Vanya’s character development and her inability to control her emotions is essentially divorced from her S1 incarnation with the memory loss dominating most of the season.

Luther they backed and forthed about in S1 in terms of presenting him as damaged; actively benefitting and winning approval for his strength; and as comedic; which I think was doubled down on here (his yelling ‘Look what you did to me!’ to Reginald being accompanied by the reaction shots of the others eyerolling/spit-taking; jaunty musical cues; and ‘Check please!’ punch line.)

Five, like Luther and Diego, seemed significantly dumber in a way that really only made sense as a contrivance (aka, Five needed to never once have considered using his gift to move across smaller amounts of time so he’d Suddenly Realise in the finale; and he needed to not realise that meeting their father would…get this, affect what their father might do and therefore their own lives so that we can get the ‘Oh shit!’ ending.)

The beginning montage of S2.1 seemed pointless – like, I get that you introduce elements every season in preparation for the next, I’m not media illiterate; but I feel like it’s not too much to ask that when you present something in the very first episode of 10 that you refer back to why it was included. 

Why did everyone have an expert handling on their powers here, and work together, and why was it more satisfying than the actual finale? 

Why did only Diego and Vanya realise their own power potential at the end of the tenth episode, apropros of nothing? 

Is it on purpose that Allison is always contrivedly damselled since she could actually have some impact on the plot?

Why not include Lila mirroring Klaus’ power, what with her being a killer with presumably a few ghosts around her? 

Lack of addiction – Why was Klaus clean? We see him ready to revert to old habits in stressful moments close to the end of S1, and yet here he seems to have overcome his addiction as portrayed by…a half-second shot of him refusing a joint, and yet more exposition from poor Ben. (We can assume it’s easier for him to quit since he’s not avoiding constantly ghostly visitations, but since we also have no reason for that presented in-show, we’re sort of going in circles.)

Is he sober for Dave? We don’t really delve into his realisation that Dave’s death can be avoided, and he doesn’t show any indications of having considered the issue at all over the three years of being in the sixties. (I’ve seen the headcanon that he’s staying sober in case his siblings are dead, and I think it’s lovely, but also that it’s giving way too much credit to the writing this season. Remember we see the very concept that the whole family have died presented as comical in the first episode – ‘They’re all gone! Poof! Like a fart in the wind!’ complete with humourous whimpering expression.)

Neither does he maintain his sobriety even temporarily in order to communicate with Dave prior to realising/believing his actions have come to nothing. 

All totally believable, the guy’s an addict (although I do feel the comedic approach does weaken the believability of this link to Dave somewhat – I feel like Klaus, like his brothers this season, is portrayed here as going beyond their previous incarnations as thoughtless/spacy/self-involved etc. into actively stupid, and stuff like him only thinking to approach Dave twice – with years to prepare! – and not even remembering Dave’s uncle’s name correctly qualifies more as the latter than the former.) but it does then just create more questions as to how easily he quit offscreen, and suggests a plot written backwards from what they wanted the end result to be, rather than what that arose organically.

(I also think that there’s very little difference in the writing for him from sobriety to addiction, in terms of set pieces, dialogue, acting etc and I’d be interested to hear about the direction of the scenes prior to that; because I’m never quite convinced with UA that they have much to say on addiction or substance abuse beyond ‘Spacy hippy = amusing.’)

-> Overarching issue: Events having a lack of impact on the story – What was the point of the cult plotline? We learn very little about Klaus (to the point where 90% of the whole thing is just regurgitated pop culture references) – apparently he’s narcissistic (we know this because like everything in this season, we’re told it, repeatedly, just like: ‘Luther is sensitive.’ ‘Diego has a hero complex and daddy issues.’) but then, include scenes of him enjoying the adulation! 

Here they’re basically using the same template for Allison in S1, where she’s manufactured a life of celebrity for herself but grown tired of it before we even meet her. 

Ben gets to deliver yet more unconvincing exposition about how they left Real Lives, it’s very much not backed up by the writing -  we get no sense of the cult members as real people (beyond Life of Brian jokes about how sheeplike they are) or that we’re intended to see their interactions with the group as anything but comedy relief. This post touches on how if you take the plot in any way seriously, it doesn’t work. 

Likewise, none of the siblings actions really made much of an impact on the story. Luther working for Jack Ruby went nowhere; Vanya and Allison’s families conveniently stayed behind in the sixties; the JFK obsession was a bust; the Swedes are pointless. Like, if you’re going to give each person an individual subplot rather than have characters interact and actually establish links between them that enable an audience to emotionally engage; then have it serve either individual development or the overarching story. 

* Dave – Who is Dave? We’ve gone from informed attributes from Klaus and, what, 2 minutes of screentime in which he had maybe three lines to…he likes hamburgers! I get that he’s a character who will probably return, but I’m still not sure why we’re supposed to invest in him when the show has done almost no groundwork over two seasons in establishing who he is. Compare this to Sissy or Raymond, who were far more fleshed out in less time. (I’ll also throw S2 a bone and say Patch in S1 also fell victim to undercharacterisation that was then supposed to make a big impact on a lead.)

The younger version seemed contrived in order to string out storyline for longer without resolution, as it made no sense with previous casting, but I’d guess, gives Klaus a reason to do nothing until there’s like, a week before Dave signing up for ‘Nam (as presumably if Dave was the grown adult we saw a mere five years on, there’d be no barriers to them just…dating in the sixties. We need manufactured conflict!) although I still think, idk, get this! – you could link your plots here. (Got a cult spanning continents and with pull with local government, and not only does this not link into Allison’s subplot beyond Ben busting out Ray; but you’d think maybe the cult might, I don’t know…protest the war that’s going on? The one that’s going to kill Dave?)

-> Overarching issue: More importantly, who is Ben?

Instead of brothers bickering endlessly (and flatly – Justin Min is funny! So’s Robert Sheehan! Could they have some dialogue that doesn’t sound like irritating eleven year olds: ‘Idiot.’ ‘Really?’ ‘Have you showered?’ ‘I hate your face.’), wouldn’t it be awesome if we found out more about who Ben is, and his situation?

We know he can disappear– is that some kind of freedom for him from Klaus, or does he just go…nowhere? (Steve Blackman iirc said Ben is always with Klaus, but then stuff like him not knowing about Klaus sleeping with Jill, or Klaus saying he’s shy about Ben seeing him fully nude doesn’t mesh with that. We know they can separate to a certain extent, as we see him on the lower level of the cult’s bus while Klaus rides up top.) It seems probable he can interact with other ghosts, although we don’t really see much of this.

Is this is his first experience time travelling - we still don’t know if he was in Vietnam, and his S1 POV of Dave seemed like he’d personally met him, but in S2, he’s describing the whole thing far less emotively as a ‘fling’.)?

Is this an insight into how Ben, like his siblings, was damaged by his upbringing by Reginald into viewing emotions as something to personally exploit (aka when he wants Klaus to sober up, he’ll use Dave as a reason to, but when he believes Dave risks his brother’s peace of mind, he’ll dismiss the relationship?) Or is Ben the sole Good One?

Could we see a reaction from him at the concept of all his siblings being considered dead? Or some interaction with them? (Or some reaction to his death, because basically, Reginald coopts his funeral to rag on the siblings, who then tear each other apart; but what do we learn about Ben himself? Uh...died on a mission?) Wouldn’t having him vocalise this actually deepen him and his character and create sympathy as opposed to vomit gags and sex swings? Could the other siblings show some kind of normal curiosity for once, developing them also; considering Klaus literally says ‘I’m Ben’ and ‘(I’m) possessed’; and Five sees Ben in the alternate 1963?

I didn’t get the vibe Ben ever became a character independent of Klaus.

Steve Blackman seems to have a view of him that’s kind of flatly generic, where upon he’s the innately best one, with a moral wisdom the others lack; which irritates me not only because it’s not really consistent with what we see onscreen – like, in Vanya’s hallucination, we see Ben as the only one to speak up for her, but in S1 we see that Ben is as quick to exclude Vanya as any one else – but it also undercuts Reginald’s abuse by making Ben immune to his abuse in a way the others aren’t. Ben deserves to be complicated and flawed too, and while I think we see his flaws onscreen, they’re not acknowledged like the others are, so it’s hard to say if the writers were going for ‘Ben was treated like an object all his life so he treats others the same’ or ‘lulz, bodily autonomy and consent aren’t a thing.’

I feel like we already knew from S1 that Klaus felt guilt over Ben’s death but was also happy to use Ben as a mouthpiece while ignoring his actual opinions; and that Ben cared about Klaus but was bitter and envious Klaus was alive while he wasn’t.

The ‘light’ thing I think was introduced too late for something that retroactively alters their entire relationship. (Not to mention Klaus’ power) and makes them both far more manipulative and mutually abusive than I think the show intended.

My first thought as a comparison was ‘What Happened to Baby Jane?’, tbh, like if you analyse it on any kind of literal level, Klaus basically prevents Ben from going to heaven in order to be his constant companion, and despite the tacked on ‘Oh, I always thought that was my fault!’ acts as if the opposite were true throughout the rest of the show’s run. And Ben, equally, allows his brother to take on the burden of believing that while knowing for 17 years that it was his own decision not to go on.

* Interactions with Family - I missed Diego and Klaus interacting (I felt like they leaned way into the less interesting side of Diego – wannabe Batman with daddy issues; and further away from his more nurturing/feminine side that appeared most with Klaus and Grace. I don’t buy S1!Diego would be like ‘ah well, overdose on the floor, then’ or that the writers understand that lines like that reflect on his characterisation as much as the sibling in question’s.) Luther and he didn’t really have an individual exchange like in S1, and kind of wavered between nice moments like Luther using his size to protect Allison and Klaus; and ‘lololol, Luther’s dragging him by the foot.’ Five and Klaus interacted far less (I literally sat trying to think of any S2 moments. ‘Pukebag?’) It was good to see Vanya and Klaus exchange more words than S1, so there’s an upgrade. And about one of the sole things I did enjoy in S2 was the Klaus and Allison interactions.

-> Overarching issue: There was way less interaction between characters generally. Halfway through the season is ridiculously late to reunite your main cast. The cast talked about how the Diego/Allison interaction was adlibbed by Emmy, and while she’s a queen, your cast should absolutely not have to be adlibbing stuff like ‘two siblings acknowledge each other’s existence’. 

(I noticed this seemed to be a trend, also, like all the actors talked about the consideration they’d put into their roles – Tom Hopper talking about how Luther was seeking an alternate father figure in Jack Ruby and working for the first time in his life; Emmy talking about how Allison’s privilege within the Umbrella Academy and then as a celebrity blinded her to racial prejudice; David Castaneda talking about how Patch’s death affected Diego in S2 – when it seemed like they’d made far more effort than the writers themselves.) 

Characters barely looked for each other, and had little reaction to the mutual assumption they’d all died. No one told each other anything, even stuff that might be helpful (’Guys, there’s these Swedish assassins trying to murder me!’) All stuff that was in S1, it’s just weird to see comments saying ‘Aw, everyone bonded much more in this season!’ when if anything, it felt even more contrived. I didn’t get the impression anyone cared about anyone more than the writers cared about joke potential – one episode, Allison is grimacing maternally and covering her brother with a blanket; next her reaction to what she herself assumes is ‘a seizure’ is not to move from her chair. A bunch of the Five vs Five plotline other than gas is whether or not one of them can talk Luther into killing the other first. If one person reaches out to another, it’s almost verboten that other characters could do similiarly, so if Vanya’s reaching out to ask Diego if he’s okay; we know no one else will give a shit, etc. 

I feel like the desire to present all the siblings as more entertaining-awful than actually damaged takes some of the complexity away. The removal of flashbacks of them as children compounded this, like it just seemed like the show was much more focused on mocking the characters for their issues/establishing Official Character Flaws that are generally softened in some way or else skipping over them entirely (could we put in the work into reestablishing Vanya into the fold when she and her siblings have damaged each other and spent years estranged, and she ended the season emotionally broken? Why, when we can introduce a hackneyed amnesia plot which completely erases any emotional impact?) and the predestination stuff with Reginald skated around almost excusing his abuse – what on earth was that scene in which Five apologises to him for how he behaved in childhood?!

Everyone fit more into boxes. Season 1 had conflicting attributes where sometimes Luther say is gentle, other times bullying and cruel. Klaus could be selfish and empathetic. Here it’s just throwing out scraps for stuff that seems memeable: lololol, Diego and Luther are himbo energy!1 Representation! Winks to the audience about incest! ‘I’m sexy trash!’ (It’s also bizarre when we see Klaus in S1 is suffering a far more immediate PTSD than three years on, and yet is swifter to intervene when his siblings are in need.) ‘It’s an awesome reference!’ (awful lines, ugh.)

[selfhelpadvicefromme]

BE A GURU: Help a friend

My best friend always seemed like she was somewhere else whenever we were together. She never seemed satisfied with where she stood in her life; the way she looked and acted always fell secondary to everyone else. She was a people-pleaser. She often didn’t speak her mind, and opted for quiet observation more often than not. She walked on eggshells around everyone. I picked up on all of these little details in bits and pieces from our weekly interactions. Four years ago, I wouldn’t have recognized the person she had turned out to be. And I drew it all back to her long term boyfriend of four years. Let’s use an alias and call him John. 

John never had her best interests at heart. He manipulated her in ways that weren’t always so obvious - ways that only an observant eye could detect from the outside. He ignored her often. He was a gaslighter. He drove her away from her family and her friends. Above all things, he was inconsistent. One day he would shower her with affection, and the next he would be ice cold. I felt it in my gut that he was never right for her. But he came into her life under the disguise of everything that she seemingly needed at the time. He helped fill the void she had for male approval. Her parents were divorced, and she never had a great relationship with her Dad. I’ve come to realize through the years that people tend to lean toward relationships that feel familiar to them, whether or not they are healthy. Falling into the same bad habits she had with her father, she welcomed John into her life with open arms. He thought of their fights as necessary steps they needed to take in their relationship. If he never reprimanded her for her actions, they might never get to where he thought they ought to be. And to my friend, this idea of inevitable domesticity and submission that John had romanticized was what ultimately took away her happiness. It took a lot of heart to hearts and self discovery that we worked through together that ultimately got her out of her toxic relationship, only recently, and I’ll always be proud to have been a part of her journey. 

The first and most important step that I helped my friend through was the acknowledgement of the issue.  Oftentimes, people are blinded by the idea that what's ‘not broken doesn’t need to be fixed’, which can come with complications when individuals have not experienced anything other than the toxicity that seems to be a common theme in their lives. I introduced her to some new people, new relationships that allowed her to see what was inherently wrong with her own. It took awhile, but once we broke the initial wall of tiptoeing around the unspoken issue, she felt she could open up to me more. I was able to express what I noticed about the toll her relationship was taking on her from a third party perspective. 

Once everything was out in the open, I helped my friend slowly break away from her dependence on John. Up until this point, much of her happiness depended on him, and how he was treating her at the moment - until we began to build a friendship that was deeper than it had been in so many years. Instead of depending on him for her happiness, she began to find it in places she never thought to look before. We took up boxing together. We spent a lot of time doing community service. She found activities that validated her more than he ever did. 

The final step I helped her through was emphasizing that it wasn’t her fault that she fell into these toxic relationships with her Dad and with John. I’m a big journal girl, and part of what has helped me through anything I’ve struggled with in the past is reflection through journaling. I helped my friend get into the same habit, which indirectly allowed her to look deeper into herself and come to terms with the fact that she wasn’t the problem, and that the things that had happened to her weren’t a reflection of her character. Through journaling, she was able to keep track of her achievements, manifestations, and goals. It allowed her a sense of self-empowerment, in seeing how far she had come.

To this day, I’ve come to realize that much of the self-help we manifest into our own lives is deeply rooted in changing the ways we think and act into ways that allow us to explore ourselves and our thoughts in directions we might not have otherwise opted towards. Sometimes, it takes someone else to help us see that our lives and systems are not working as they should, and help us move forward in a more positive direction. Helping my friend through this tough time was, in a way, therapeutic for me. I found happiness and self-worth in empowering her through this rough patch, and I will always remember that feeling.

[dramionediscussion]

I don’t think Hermione is perfect, but I can see where people are coming from with that. Closely related to that, admittedly she is JKR’s self-insert, which is relevant, but I don’t think in a way I see it often levied against her. That word and especially its manifestation Mary Sue gets thrown around a lot these days, but there’s nothing inherently wrong with self-inserts. If one has humility, introspectiveness, and honesty to truly examine and portray themselves truthfully, with all their follies and flaws displayed openly at the world. Realistic self-inserts after all are full-fledged and multidimensional characters, and it has been done well often by many authors throughout ages (like Agatha Christie or Kurt Vonnegut to name a few). Presenting highly idealized and (unrealistically) flattering portray of oneself, and then living out one’s fantasies vicariously through that fictitious avatar is entirely different matter. Regardless of exact nature of those fantasies (be them power fantasies, or erotic, or romantic, or just world, etc. Whatever ends up in those “then everyone clapped”-moments). It would be a stretch and unfair to describe JKR and Hermione like that. My theory for Hermione is that she started out more closely as a somewhat authentic if not exaggerated portrayal of her younger self at earlier books. Slowly as the series progresses JKR became ever more attached and fond of Hermione as a character independent of herself and her own life history. Earlier books Hermione’s flaws are lot more pronounced, and they also feel a lot more raw and personal. They get ironed out, refined and almost sublimated, to a point that while they are never entirely absent, they are so muted at the end that might not even be there. In the earlier books she frequently comes off as awkward, overconfident, precocious, tactless, stubborn, self-righteous, and she often totally lacks subtlety and doesn’t seem be at all aware of her actions are perceived by others. She also lacks humility, when her own moral intuition and sense of justice is concerned.   To a degree, she gave her something of an idealized past and certain experiences she probably wished she would’ve had (like the princess moment at the Yule Ball. I don’t know if she fantasied of being belle of the ball exactly like that, but in general an experience of being desired and beautiful). Despite those certain indulgences, there’s brutal honesty there as well (her classroom behavior, S.P.E.W., etc.) Yet, as books went on, It never reads like a narcissistic projection of the self, but more like an attachment between parent and child, protégé and mentor, biographer and biographee, teacher and favorite pupil, or author and her favorite character. It’s not unrealistic ofc, that when people grow older, they mature and their personality flaws are at least tempered, or they entirely grow out of them. However, usually something else comes along molded by new experiences and circumstances, thus even if people don’t have problems they had as young, something or other comes along to fill that void.   Hermione is not entirely without fault even in later books, but often even when she’s wrong her thoughts are well-founded and usually even partially right (like with Draco as a Death Eater. She was technically wrong, but it’s not like Draco was a Death Eater in a way Bellatrix or even his father was, which totally was the way Harry thought he was). When she acts childishly or selfishly she usually is justified at least somewhat. Ultimately her errors are quite inconsequential compared to Harry and Ron. I believe, it was partly because JKR had become so much more fond of her, that she simply didn’t have heart to give her defects, hardships and failures as much as she had in the beginning. It was a gradual shift without a clear turning-point, but it never goes to the total extreme that she’s absolutely flawless and perfect, nonetheless the process is there. Closest to a turning point is perhaps the Yule Ball, though despite everything, I always found it to be kind of sweet and fluffy in itself rather than self-indulgent. What was more came afterwards, when she kind of dismissed it, because you see it’s not like she’s vain about her looks. I mean, she totally could be pretty, if she just wished so, and paid enough attention to her appearance. But no no, she’s not superficial like all those other simpering girls. Yet, she totally could be because she’s naturally pretty beneath it all. I would totally win, only if I bothered to even play is kind of an ultimate flex.    Another major element for this is the genre of Harry Potter series is. It is a coming-of-age story, and a school drama as well, but above all else, the overarching narrative is a fantasy adventure. The main-plot is the struggle against and an ultimate defeat of evil antagonist. The main plot becomes ever more relevant as the series goes on, to the final conclusion of the Deathly Hallows, which is devoted almost entirely to it. This affects characterizations, not only that the trio are heroic protagonist, who overcome obstacles and perform extraordinary feats and heroic deeds against all odds. It’s given that even if they do mistakes, and don’t always win, they’ll triumph and succeed in a way, that wouldn’t be appropriate if it was just a drama, or a realistic depiction of teenagers. This is especially true for both Harry and Hermione at the later books (little less for Ron, but he’s there). They are going to be way more competent, capable, virtuous and lucky than teenagers or children that age would be realistically, or most other literary genres. Second effect is sort of economics of a story. At the later books, so much has to be allocated to the main plot, with all its many intricacies. Events have to be told, and one has to build up everything up from the Macguffins to Voldemort himself, and then resolve all it. Less and less time and attention can be devoted into Hermione’s backstory (or anybody’s), or interpersonal drama or individualized character development. In my opinion earlier books stroke a much better balance than the later ones between these different elements. Or perhaps I just never found the main-plot or the Second Wizarding War (my God, it could even abbreviated as WW2) to be all that interesting or compelling. Also, as HP become more about this epic fantasy adventure, and less about growing up, being in a school and the interpersonal drama, fitting in, finding and forming friendships, and so on. As this happened, I am quite sure that Hermione become more divorced from JKR’s own experiences and her self-insert as Hermione. Even if it is a magical school, it is still a school, with all the anxiousness about friends, future, crushes and dating, school work, teachers, etc. It’s easier to project yourself in that common setting such as a school is, rather than riding dragons and breaking into banks and hunting down and destroying evil magical artifacts. I can understand, why writing Hermione become more difficult, as environment and rhythm of books changed considerably from more familiar to more fantastic, and I can see how especially Hermione didn’t make the transition as well, because she was more heavily grounded into former. I can see why in its entirety Hermione comes of as a little contradictory, because there’s truth to both claims that she’s at the same time too perfect and that she’s multifaceted and complex. There’s interesting core to her character, and there’s a lot of material and potential to work with. Unfortunately, due many aforementioned reasons JKR didn’t manage to realize that potential and set-up she had constructed. I don’t think it was an utter failure, even at the latter books, but missed opportunities and unrealized potential were many. I didn’t meant to write JKR or canon apologia here, but I don’t detest either of them. There’s clearly something there, both to Hermione and canon, but it’s kind of uneven and conflicting at the times. A mixed bag, but usually that’s most interesting starting point for a fanfiction, unlike a perfection or fiasco. Trying to turn shit into gold is not worth of the effort, but neither is trying to fiddle around a divine masterpiece. I’ve always felt that fanfiction actually benefits, if author has left a lot of ground uncovered and has some internal contradictions, which gives way for different possibilities and avenues for fanfiction writers to broaden horizons and deepen characterizations, and fulfill those missed potentialities. If HP was this crown jewel of perfection by all means, solely without any missed potentialities or loose ends, then I probably wouldn’t even be interested in reading fanfiction about it. As it would’ve been done so wonderfully in canon, that fanfiction could never match up in comparison, and there wouldn’t be room for other attempts (couldn’t imagine reading Dostoevsky fanfiction as an example). I’ve always held, that one main reason why Draco as an example is so prominent and popular in fanfiction, is because he fit so comfortably in that perfect sweetspot of canon coverage. He’s not Theodore Nott, which has almost no hooks or knowable features, but neither is he Harry, who’s so well and extensively covered, that I’d find it suffocating to write in his perspective. P.S. If there’s one thing JKR didn’t spoil her was romance lol. No hot steaming affairs or a passionate romances for her. Not even giving her that cultured and sophisticated (if a bit dangerous) chad vying for her attention, who is inexplicably attracted to her, and ends up worshiping her. Actually, it’s not like she even got a sugary and mushy teenage dating treatment either. Awkward courting, necking at the make-out point, him carrying her books and suddenly developing uncharacteristic interest at the schoolwork and library. What was there, jealously and couple grand gestures at the end. Poor girl. I’ve always wondered whether JKR meant to write Romione as she did with Hinny. A little schmaltzy, “then the best friends, the heroine and heroine fell in love, and got married and lived happily ever after”-affair (kind of fitting for a fantasy adventure novels primary aimed for children and YAs. Hinny was ok I suppose as compatibility goes, but Romione in the other hand… well the basic idea if not characters chosen were acceptable). Or was it suppose to be a gritty realism, more in line with her self-insert, in which the smart girl gets roped in by almost the first guy she’s ever into, who’s actually really unfit for her.