#like theyre actually wives your honor
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can we please talk about them and how theyre so enemies to lovers coded
#yapping 𝜗𝜚#like theyre actually wives your honor#sorry im gay and like projecting#ac valhalla#ac odyssey#kassandra#eivor varinsdóttir
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Propaganda:
For Vanoe: "vanitas promised his canon love interest, as a romantic gesture, that if she started to become a monster, he would kill her so she wouldn't have to suffer. and then later when discussing how vanitas will eventually turn into a monster himself, he said he wants noe to kill him when that time comes. pretty yuri. also i'm a lesbian and i like them"
"Idk they have such a homoerotic shoujo manga dynamic but they're guys. Or maybe not that much but you gotta admit this would be exquisite yuri if they were girls. Noé the gothic romance heroine etc etc"
For Wenzhou: "Basically in their family unit Wen Kexing is the wife but Zhou Zishu is the mom. Also there are lots of genderbends of them around but the best ones are those where Wen Kexing goes super hard on femme but Zhou Zishu deadass has the same personality and appearance - like shoutout to those artists/writers u r the real ones. Also lesbian Zishu still being called "husband" by Wen Kexing, mwah chef's kiss! He would SO be a butch."
"Wen Kexing is compared to a wife twice in the show and at least once in the book iirc. Canon malewife + wears red eyeshadow and rocks a red robe in his Ghost Valley Master getup + his husband is an emo assassin, they are so incredibly yuri even if they're guys"
For Ineffable Husbands: "Well due to neil mentioning that they was plans for a fem presenting 1960s scene of the two of them that never ended up happening, there's a lot of fanart of that. Plus, they are an angel and a demon, and both technically don't follow the gender rules of humans and many other species on earth, so while they do present very masculine throughout the show, they could be any gender and therefore they seem very fitting for this.(I do apologize as I don't quite understand what guy Yuri is despite your definition so I am guessing and have no clue if they count."
"Looks like m/m on first glance but they don't actually really have gender and Crowley dresses as a woman for a good few years canonically"
"theyre male presenting in the show but they dont really have gender so they could be wlw if they wanted to"
"While both characters spend most of their time presenting as male, they are supernatural beings without any real sex or gender. Crowley appears as a woman multiple times, and one scrapped scene included both Aziriphale and Crowley as women in the 1960s. Additionally, it’s very common to find “Ineffable Wives” fanworks, with both characters appearing as women. As well as having been an immensely popular fandom ship for many years, it has been confirmed that Aziriphale and Crowley are canonically in love with each other."
"Regularly turned into women in fanart. Both Aziraphale and Crowley are incredibly gender. They have been together in some sort of way for 6000 years. Heavy yearning. Cringefail. Divorced and married at the same time. Literally an angel and a demon. What more could you want?"
"theyre literally genderless and can be anything ever!!!"
"Their genders are ineffable and they have hopelessly pined for centuries"
#guy yuri round 1#vanitas no carte#good omens#word of honor#the case study of vanitas#vanoe#noe archiviste#vanitas#crowley#aziraphale#ineffable husbands#wen kexing#zhou zishu#wenzhou#faraway wanderers#(1 submitter asked me to use the Thai cover of Faraway Wanderers but i couldn't find it sadly)#(the original cover it is then)#(can't quite tell if this pose is flirting or fighting but with Wenzhou it's one and the same anyway)#guy yuri poll
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o/ B, C and D?
o/
ok ive shown like. smthn abt the knight and the emperor or whatever i called that so im gonna write for that- ive published like 0 fics sorry haha
hm well, Ender's chronic pain is an amplified version of the minor spine aches i get from sitting down. idk why i get those. so, thats based off of me :D and their dad is just. my dad tbh. hes so cool. uhhh their best friend is based off of my best friend too :D so those are a few examples of being inspired by personal experiences :D
out of all of my characters I actually identify with stickynote the most. Theyre cooler than me but they share the need to help people you know? their emotions really want to get the better of them and sometimes almost do but then its reminded of who it is by its friends and the people it wants to protect and it simmers again. even if it doesnt want to. so like, i love it your honor
The song I associate most with the story is Take Me To War by the Crane Wives its such an Ender song. Like yes. Take them to war. IT DARES U. i love my little fella <3
Thanks for asking!!!
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Ah, here’s the pillowsnake! It’s called Rashab, I totally forgot!
beware, like 40 paragraphs of long rambling about the game below:
I never realized how the naming schemes actually work. All the different variants of a particular genus share a name ending- Nushab is the weird 8 shaped long neck snake, Rashab is the super rectangular chubby one, and Mukshab is the sticklike one that just looks like a real snake but with the trademark weird head that this monster has. And then the sub-breeds of each sub-breed have a totally different naming scheme! Only the main Rashab is Rashab, the other three elementals are all something-moaj instead. And Nushabs are something-oots, and Mukshabs are something-mines. Its an interesting way to do it, though it’s pretty hard to actually figure any of it out ingame when all the pure sub-breed forms only appear as enemies and you’re gonna be fusing your own variations for your party. I think pretty much anything fuses well with the snakes, they look awesome with any texture! And when they fuse with bugs they can actually gain lil wings and look like Dunsparce!
OH OH OH and ALSO I love how monsters in this game actually grow up! Like, they dont evolve, they just grow up like actual animals! They have very very subtle model changes in size for the first 20 or 30 levels, to symbolise reaching maturity. Its hard to even notice it happening unless you compare save files! And often you’ll be fusing monsters rather than keeping them in your party for a long time anyway. So I’m glad that the Shabs have some of the more noticeable changes! Their baby selves start off looking a lot more similar, and they only gain their giant variation in body shapes when they’ve matured. (Though you can still tell what one its gonna become)
OH AND ALSO ALSO The shabs look even cuter in the concept art, yo!!! Ingame it maybe loses a bit of the appeal cos of the low resolution and how everything is textures rather than model detail. (A necessity considering how the fusion system works, yknow?) On the concept art their faces look less like an eyeless snake with dot patterns, and more like a snake with eight buglike eyes. ITS REALLY CUTE!! Thats why I said they look like leeches! Cos they have the super light coloured undersides and the three-pronged jaw and the bug eyes! They’re scaly big leeches! they’re leechly small snakes! THEYRE THE BEST OF MY TWO FAVOURITE LONG ANIMALS!!!!
OH AND its good worldbuilding but I’M SAD The shabs The shabs get the honor of being in the worldbuilding in A SAD WAY The basic MP restoration item is called a Shab Liquer :( Yeah, its nice to know that they thought about how these magical monsters might be a part of everyday life even outside of a battle setting. But its sad to think about how they’re killed and used in medicine! And you have to use hundreds of this medicine, there’s no way to survive without MP restores! I DONT WANNA MAKE MY SNAKE FRIEND A CANNIBAL Tho I do appreciate how the name Shab Liquer just implies a lot of worldbuilding on its own. Like, you don’t just know that they make a medicine from the snakes, its implied its quite literally a snake oil. Like, does that mean snake oil is an idiom for a totally reliable and true thing in this universe? And Liquer is just a rather archaic and fancy way to phrase it, it fits very well with the setting! But seriously WHY DO I HAVE TO FEED MY SNAKE BABY DEAD SNAKE BABIES TO KEEP THEM ALIVE
OH OH OH AND that reminds me of another Fucked Up aspect of the worldbuilding! Your most reliable way of gaining money in this game is selling the monsters you catch. Which is dumb and impractical anyway cos I mean YOU WANNA FUSE THEM ALL!! And you get more money from selling your ones that you actually already fused and levelled up, like NO WAY am I doing that! I love them!! Even if I’m not using them, I’m just gonna keep them at home with Mahbu! NO MAKE ME SELL MY SNEKS But the REALLY FUCKED UP PART is that its explicitely said that by selling them you are killing the monsters.
...Okay so.. this kinda needs some explanation of more of the worldbuilding first...
The way you catch monsters in this game is by using magical cocoons, hence the name of the story. Monsters are meant to be like spiritual creatures, they’re called Minions cos they’re literally the minions of this setting’s deity, Elrihm. The religion of this culture states that humanity (or ‘The Beasts Of Knowledge’) committed a great sin in the past. We were god’s attempt to grant free will and intelligence to animals, but we used it to do evil and he decided the whole species was beyond saving because of the actions of a few. So he created these monsters/demons/avenging angels in snake form, and their mission in life is to destroy all of humanity so that the world can be reset. Which is why minions attack humans on sight, yet coexist perfectly peacefully with animals and plants in the forest. So like... humanity obviously Did Not Want to all die for the sins of one or two dumb kings, yknow? We stubbornly persist! We hold out our vanguard and keep our little towns amidst the Doom Forests, living life as normal with just the Doom Forests being a thing in the background, yeah. Defending against occasional attacks of minions banding together into swarms and chewing on the walls a little, but yeah, no biggie. And sometimes one of them manages to get in and eat some of our garbage or something. People live normally in these fortified wall villages, and the religion still worships Elrihm, and revolves around begging his forgiveness and trying to prove that humanity deserves to live. And never advancing too far with industrialism. lest we be punished again! And I mean, maybe that actually IS how everything happened, or maybe its just a story and Minions have always existed as a natural part of the ecosystem and they’re not evil things destined to destroy us or whatever. Its ambiguous! Even when you get to see Elrihm’s avatar at the end of the game, it’s just a big magical tree that the monsters come from, you never get any idea if it’s sentient and you’re not able to ask it if our legends have the right idea about it’s role as god. (Or if its gender is actually male, or if it even has one XD)
Anyway, that’s the legend of where the monsters come from, and it kinda explains why people might be a bit callous towards them, if they can be tamed as cute friends but also the wild ones are such a big threat to civilization. And if mythology says their threat to civilization is the natural order of existance, that they exist to kill us under orders of a god who abandoned us centuries ago... But yeah! Anyway! There’s a bloodline of magical people called the Nagi who have the power to purify the anger out of minions and make them friends. And the game has a cool way of keeping the usual mons show aspect of ‘catch a monster inside a certain item that has a limited amount of uses’, while making it fit with this ancient times mythological setting! Instead of the pokeball equivelant being some sort of manmade machine, it’s... cocoons! Since Minions are spiritual creatures, they can be like.. de-manifested and have their souls stored, to be re-summoned later. And for whatever reason, the way the magic works is that their souls have to be contained in cocoons. It’s... actually never fully explained? Where do the cocoons come from? Is it like you take any cocoon from a regular bug, and you seal the monster soul inside? But how would you even get an EMPTY cocoon? Is there a special bug in this universe that makes cocoons not for metamorphosis? or do you like.. fuse the soul with the bug inside the cocoon, and thats why all the monsters in this game are inspired by bugs? But they have the same bug-inspired designs even when you find them in the wild before catching them. So is it like the Nagi magic can create magical cocoons and you use those? or is it like you dont actually carry the empty cocoons, you carry something or other that turns into cocoons when a monster is sealed inside it? the catching animation is very vague, the protagonist is only holding his magic flute and a nebulous white glow in his hand. Then the cocoon forms around the monster and its sucked into his hand... ANYWAY I’M GOING OFFTOPIC SORRY! The point is that Nagi people can purify minions into friends, fuse minions into new powerful forms and (probably?) create the magic cocoons that can catch them in the first place. But it doesn’t mean that Nagi people are actually equipped to fight and catch the monsters themselves! the usual setup is a married couple where the Nagi can stay at home and focus entirely on their magic, and the regular human partner learns warrior arts and catches the monsters for them. Also catching monsters requires magic music, so you need to be a damn good bard too! I liked that they even showed that different Cocoon Masters (official name for peeps like the protag) can use whatever instruments fit best with their soul. The protagonist has an ocarina and [important endgame character] has a fancy lute guitar thing? I wish the game had told me what those are called... I think a name for an ancient japanese string instrument is a shamisen but i have NO IDEA if the one shown ingame is actually that or there are more different ones..? I mean its only shown in cutscnes so there’s no good ref image for it- I’M GOING OFFTOPIC AGAIN Anywaaaaaayyyy, its also in the worldbuilding that (for some reason) Nagi men are unable to use magic, and thats why the mages are always the wives and the warriors are always the husbands. Its interesting how this mythology is kinda presented as an opposite of adam and eve, too! Men who try and use magic are sinful and will be punished for stepping out of their assigned roles by becoming demons. Its the sad story of the protagonist’s parents, alas! His mother was the previous Nagi priestess of the village, but her husband committed the ultimate sin and then all we know is that his corrupted self fled into the forest and was never seen again. And everyone marks you as a failure for what your father did, so becoming the new cocoon master is quite hard at first. And its SUPER DUPER SAD cos your dad did it because performing minion purification is painful for the Nagi, and he couldn’t bear to see his wife hurting herself for his sake. So even though he knew the risks, one day he just tried to purify his minions himself so she could get some rest. And.. like.. ultitmately it did work. Cos she could never bear to remarry, and thus the village didnt have another cocoon master until their son grew old enough to marry. At least he succeeded in letting his wife never have to do magic again, even if it was because she stopped doing it out of grief for him.. :(
ANYWAY Now i’ve explained that worldbuilding and why it is cool and awesome and sad, I can explain the worldbuilding of a random gameplay element and why it is also cool and sad! So yeah, like I said before LONG TANGEANTS... The only really reliable way to make money in the game is to sell your monsters. And it makes me feel SO BAD! Cos the game very much outright tells you that selling them is killing them. And I guess it makes sense cos I mean, only Nagi wife-husband pairs can actually summon the monsters, there’d be no point trying to sell living ones to anyone else. So, since minions are sealed inside cocoons, in order to sell them you spin their cocoons into silk thread. This village’s primary export is weaving, so you can sell these silk spools to the big ol building of spinning wheel people and make money to keep going on your journey. Apparantly silk infused with monster souls is higher quality and can grant various effects and stuff, hence its value. Its a shame they didnt make a crafting system with this! Instead its just a standard ‘more powerful weapons and armours appear at the shop as the plot advances, for no real reason’. I mean, wouldnt it have been cool if you could add your monsters’s particular resistances to your main character’s armour? i would feel less sad about betraying them so utterly if they could protect me from beyond the grave. BECAUSE SERIOUSLY THIS IS SO FUCKED UP Seriously! These monsters faithfully served you! You purified them of their anger against humans, and instead of taking that opportunity to love them and show them the good sides of humanity, you just kill them! You kill them after they gained free will! You specifically HAVE to give them free will in order to kill them! Poor babies... I mean seriously I know that animals have to die to provide humans with food and materials and stuff, this is just how society works. But there’s something so much more viscerally terrifying about imagining taking an animal and literally weaving its SOUL into thread, then wearing it! There’s so many metaphysical questions that need to be answered before you can even figure out how much pain they would experience! And like.. god.. even the way they do the gameplay is so.. even more sad. Like, you can’t just hand the monster to someone else and its implied that they kill them. You have to hit an actual button to turn it into a sellable item. You have to cull it yourself. The death blow is on your hands, even if someone else weaves its dead soul into a nice scarf... So yeah, I pretty much always deliberately play ‘hard mode’ on this game, and refuse to make any damn money. Well, I mean, you can still find items in forests and sell them, but its infinately harder that way. You really are supposed to be selling your monsters to progress. I SAY NO! Big ol giant interface option sitting there on the menu unused forever. I love my sneks. You will not take them!!!
Oh but MAN I do really like the moral ambiguity of this worldbuilding, aaaaa!! The whole setting is so.. like.. realistic. There’s the dark realities of life in an ancient times setting. They take care to establish how the society functions and what their main trading export is, and what role monsters play in a non-battley setting! And seriously even the lil Shab Liquer thing! The casual implication that other villages might have different industries with their captured monsters, and someone somewhere out there found a way to make this medicine out of snakes. it manages to imply a wider world even as you’re confined to this one single village and the long forest that divides it away from every other human settlement. Plus.. like.. I really like the ambiguity it gives to HUMANITY. That seems like the MOST realistic of anything! Seriously, the game starts off establishing that in mythology humans are said to be evil, that the creation myth says we’re living in a post-fall society as the corrupted form of what true humanity should actually be, that god has abandoned us and we follow religion because we have to prove ourselves good enough to regain our former status. Like.. seriously, its refreshing compared to how boring and samey a lot of fictional religions are! They’re often just copies of existing religions, or of the general most popular religion template of There Was One Or Two Creator Gods And They Made Humans And Humans Are Destined Important And Animals Were Made To Serve Us. Instead in this game humanity’s mistreatment of animals and the environment is our absolute sin, and the definition of holiness is to be more similar to animals. And big scary demon monsters are GOD’S HOLY CREATIONS, SENT TO PUNISH US! No stereotypes here! No corner-cutting bullshit stolen from real life religions! And then like.. its nice how ambiguous it makes humanity nowadays, even beyond the ambiguity of the mythology and history. Humanity is trying to redeem itself, humanity is following this religion worshipping the god that cast them down for being corrupted. But still, it shows that some people believe in this doctrine, and some people believe that the things that are ‘corrupt’ about us are actually good. Cos it shows how some people believe that like.. ALL progress is sinful, any sort of machine is sinful, any attempt to improve society or change on what’s traditional. And it shows how some people who believe this are the bad guys, and some people believe this in a way that actually makes sense. And similarly, some people who follow the traditional ways are good- like Mahbu and her grandma. But then there’s the village chief who just follows religion blindly and doesnt seem to actually understand what’s morally correct at all, he’s just like ‘if I do what I’m told, I’ll be freed!’ instead of getting the goddamn lesson. And he tries to pretend to be a reasonable authority figure at first but then he gets more and more corrupt as the game goes on. He’s the representation of how forcing our two heroes into an arranged marriage is a morally ambiguous thing, even though they actually were in love and would have got hitched anyway. They’re still way too young to get this destiny of being the only ones who can save the village, AND keep the economy alive by spinning poor lil monsters into silk! And then he keeps giving you more and more orders, and they go from the actual duties of a cocoon master into just fullfilling the chief’s own greed and paranoia. And its interesting that him and the vizier lady who represents ‘lets abandon the rules and do everything for the benefit of humanity’ actually end up teaming up in the end and becoming even more goddamn corrupt together. Excessive progress and excessive stagnancy are both evil, and honestly they both have very similar selfish motives! Tho I do think the only problem is that they put a bit too much emphasis on this whole ‘these two looked like reasonable authority figures but were really evil’ thing, and don’t have enough good people in the town representing the other side. So its harder to care about saving this place when its literally just your wife and your mom who represent the goodness of the human race. And like.. technically I dont want the asshole lil kid to die, cos even though he’s a jerk he’s too young to be 100% responsible for his own actions. Even if I dont like him as a person, I’d still rather wanna take him away from this trash town and hope he can get raised by better people...
But seriously goddamn THOSE FUCKIN ASSHOLE CHIEFTAIN AND VIZIER PEOPLE!! Even after me and mahbu just saved the city from a deadly disease, after like 12 hours of gameplay and three forests worth of fighting for my life against monsters, where I’m expected to have sacrificed like 30 monsters to feed their stupid fuckin silk industry, even after ALL THAT they show no gratitude! The opposite of gratitude! The chief is still paranoid of the Nagi people for being foreigners, even though they dedicate their whole damn life to leaving their families and going on journeys to settle down in different cities and give their power to protect un-magic humans. And they’ve been doing this for all of history despite persecution, and like.. they lost their home and now the only ones who exist are the nomads and various half-nagi children who’ve never seen anyone of their own race before and are losing all the culture. Mahbu is an orphan who was just found by her ‘grandma’ and raised here, the only other Nagi in the village are the protagonist’s mum and technically the protagonist is half Nagi. (Tho like I said, the worldbuilding is that men cant use the magic, so protagonist is classified as a regular human and would just pass it on if he had a daughter.) So seriously Mahbu is a GODDAMN ORPHAN who was raised here all alone and hated by the village even as a kid! And the protagonist was her only childhood friend cos he could understand the feeling of being hated for having this blood, so no wonder they ended up falling in love. And then their love is at risk cos they were forced into this political marriage when they’re really young, and now have to risk dying everyday to protect this town that still hates them. And they work so hard to prove they don’t deserve to be hated, they don’t even think ‘the town is assholes’, they think ‘this is my home and i love it and it must be my fault everyone hates me so i have to work harder’. And the game doesn’t give you any option to do otherwise!
And it progresses even worse than just not getting gratitude! After you save the village from the disease, the evil chief and vizier wreck the day that you just saved, by pulling their goddamn bullshit evil plan! The chief decides to cut down the god-tree because of his paranoia, the vizier decides to cut down the god-tree because of her greed. And like... GAHHHH but its SO GOOD cos its all moral ambiguity still! The evil duo are definately evil, but they get to be evil for different reasons. They represent the two darkest sides of humanity, and no matter how much you represent the light of the world you cannot change them just by passively obeying them and hoping they’ll react like goddamn rational people! But you can understand why the masses might be tricked into following them, yknow? Humanity has been living in this tough life for as long as human memory, and mythology says that we’re being punished for the sins of our ancestors and we’re just BORN EVIL even though we weren’t the ones who did that shit. So you have good reasons to be angry against god, even if the evil duo DONT have good reasons, and they’re not doing something that will actually help.
Anyway so yeah thusly they trick mahbu and the protagonist into helping them trap the god-tree so they can cut it down. Again its a lil annoying that the game doesn’t give you a choice, though! And they dont even bother writing it a bit more ambiguous so the player could be fooled too, its pretty damn obvious you’re being tricked yet the only way to progress the game is to keep going. So you accidentally end up casting the evil magic on the god-tree and its like HOLY SHIT NO! And as you run back to the town you cant get back in time to stop anything, and you just get to see cutscenes of what’s happening while you’re gone. The evil duo cross the line EVEN FURTHER by MURDERING MAHBU’S GRANDMA! Mahbu’s grandma is the BEST CHARACTER, you fucking fuckface! She was such a nice helpful mentor and one of the only people who genuinely treated you two like human beings even though she wasn’t related to you. And she tries to stop the evil duo from doing their evil plan, she tries to reason with them, and she even gets desperate enough to try and reason with them within their own logic. Even if they’re sacriligious and selfish enough to not care that they’re trying to kill god for personal gain, they should at least understand that their plan WON’T FUCKIN WORK, and they’re just gonna bring god’s wrath and ruin humanity’s only chance at redemption! You’re gonna lose all your goddamn money and power if you get bitchslapped by the heavens, dumbass! AND you;ll kill the rest of us too, who never did anything to deserve it! And they ignore all her attempts to be reasonable, and ritually sacrifice her to try and save their own asses once their stupid attempt to kill god backfires. FUCK YOU TWO, SERIOUSLY!
And then something I really like is the revelation of grandma’s backstory! Cos seriously, who exactly was this mysterious woman who found this orphan and rescued her from the forest? She wasn’t a citizen of this town, she just stayed here to raise Mahbu once the town residents acted like assholes and tried to kick the poor kid back out. It turns out that grandma is actually the mortal incarnation of one of the minor deities! She’s basically this world’s psychopomp. The evil duo were actually RIGHT when they said she was a demon in disguise, but NOT when they thought that she was the evil one and they were good. The psychopomp figure of this mythology is hated, but it seems to be that she gained that reputation because she disobeys Elrihm and tries to help humans. She saved this Nagi girl from dying like the rest of her people, and even bound herself in human form in order to try and redeem this town of jackasses. And even though she was part of their village for so long and did nothing but try and protect them, they still ultimately betrayed her... And it was a very vague plot element that was only casually mentioned here cos its Endgame Time and we have to move very fast now. But it was implied that the chief and vizier are the reincarnations of the original evil king and evil sorcerer who did the same sinful nonsense all those centuries ago to get humanity kicked out of god’s domain in the first place. I dunno if its just meant to be that they’re naturally stuck in a cycle of reincarnation as punishment for their sins? But I always liked to interpret it that psychopomp grandma chose to never take their souls, because no matter what they do to her she still believes that one day they might be able to be redeemed in their next life. I feel like maybe she’s gambling with god, she’s keeping humanity alive by holding this one last wager to prove that they’re worth saving...
And then spoily endgame stuff happens and ultimately the protagonist fullfills some ancient prophecy and calms god and etc and MAKES UP FOR THE BULLSHIT ADULTS RUINING ALL THE SHIT, SERIOUSLY And seriously i haaaate how abrupt and rushed the ending is, and how that in this abrupt rushed ending they had time to show that the trash town comes back to life but not show that Mahbu does! You’re told beforehand that she will, but like.. with how many times you get lied to in this game, it would have been nice to get some damn confirmation in the end. Plus seriously, I cant even be happy seeing the town come back! Thats not a very climactic ending! Seeing protagonist smooch his poor long-suffering girlfriend would be way better! Seriously SERIOUSLY everyone else fuckin died cos of their own fuckin fault cos they MURDERED A GRANDMA my nice sweet ETERNAL GRANDMA, the ANCIENT DEITY OF ALL GRANDMAS, the fuckin DEATH GOD SATAN FIGURE WHO SACRIFICED HERSELF TO BECOME A GRANDMA AND PROTECT US AND THEN THEY KILLED HER, AAAAA they fuckin deserved to all die and be frozen in stone unable to even find peace But Mahbu’s life was instead in danger because she used too much magic purifying monsters IN ORDER TO SAVE THE DAMN TRASH TOWN And after all that they had the goddamn gall to be ungrateful and just cause a second disaster and ask us to fix it again! THAT is why mahbu was gonna die! Because she was a good person who listened to your bullshit and tried to save you, and loved me, and just SERIOUSLY SO MANY EMOTIONS you repayed her by KILLING HER GRANDMA
And i mean seriously her form of death was quite literally death from being TOO HOLY AND MORAL. She wasn’t strictly ‘dying’, it was more like a death of personality, I guess? Becoming something holy and leaving this world, when she didnt want to leave you. Everyone called the painful Nagi markings ‘cursed’ and shamed her for it and made her cover them up so their poor goddamn eyes wouldnt be offended by having to look at them. And poor mahbu was worried her goddamn love of her life would be disgusted with her if he saw! So it was like.. simultaneously cathartic and sad to learn that tradition was wrong in this respect. That it was still a BAD THING, but it was holy markings instead of a curse. Nagi priests who succum to the ‘curse’ are just shedding their humanity as a reward for their service, because from Elrihm’s perspective this is a good thing. So Mahbu becomes a tiny fairy angel type Minion, and then its just sad and intense because soon she’ll lose the ability to speak and forget about you and grandma :( So you have to seal her inside a cocoon in order to halt the spread of the holy markings, and can only let her out to talk to her for very short amounts of time in case it starts up again. And then you have to face the gauntlet of the penultimate dungeon alone without the ability to fuse monsters, until you get through it and find the original Nagi hometown whose demise was greatly exaggerated. And then nobody there has any time for character development cos its endgame time, but seriously it was thematically really damn cathartic to walk through that door and see the place! And meet this actual good guy chieftain who actually finally answers some goddamn questions and helps you! Even if its super sad to have to do fusion with these new stranger shopkeeper twins, instead of the wife you’ve grown to love. And also SERIOUSLY just imagine how fuckin atmospheric that whole penultimate dungeon would have been if the player character got to have a voice! It was all atmospheric to me cos I got really into it and imagined it, but I wish it coulda been canon, yknow? I’m just imagining the poor protagonist dude fighting through this horrifying gauntlet all alone with his final team of monsters, struggling to keep up without any of the magical reinforcement they usually get, unable to restock the last few items he has left in his bag. Fuckin DESPERATE HORROR, fuckin having to sleep overnight in the forest for the first time, fuckin terrified. Fuckin.. clinging to the soul of his wife sealed in a cocoon, keeping it safe against all costs, fuckin wakes up in the middle of the night and just how terrified he’d be that he can’t find her, until he remembers what happens T_T And then like.. imagine him summoning her and only getting a few minutes to hold her tiny fragile fairy self in the palm of his hands, and strain to hear her quiet voice as it gets fainter and fainter, and she struggles to remember herself. Thats somehow EVEN SADDER than if you could actually use monster-Mahbu in your party to fight alongside you! (tho that would have been AWESOME) I felt so bad that after all the horror these two had to go through, we never get to see the happy ending they earned, and instead the game wastes time showing the trash town coming back and just... GAHHH
oh and also that is THE ONLY THING about the sequel that i agree is bad! I liked the sequel a lot! And.. I mean.. in theory its a very interesting concept to have the protagonist of the last game be this sadman morally ambiguous broken mentor man. But seriously fuckin hell give the man a break! They literally say that he got blessed/cursed with immortality cos he fullfilled the prophecy in the first game, so Mahbu died long ago and he desperately wants to die too. Thats such a fuckin sick thing to do to your protagonist! And I mean, he doesnt even look like the same person anymore, and so much about the gameplay and the setting and etc are wildly different so it doesnt seem like the same world in th future, why even bother trying to claim its the same world in the future... I mean even.. monsters come from eggs instead of cocoons now, and you cant catch them or merge them, only buy them in stores! Shoulda just made it a separate game and let it stand on its own merits, it would have actually succeeded. I love all the characters in JC2, there’s no problem of ‘man i dont wanna save these guys’, the only character I dont like is fuckin... SADMAN FORMER PROTAGONIST WHO WANTS TO DIE At least in the ending after spoily stuff he gets to pass away. But lets just say the spoily stuff spits on the poor man’s legacy even more, sheesh...
ANYWAY I FEEL A LOT OF EMOTIONS FOR PROTAGONIST AND MAHBU And this game has great worldbuilding and i love it even if the ending is rushed and you’re forced to fall for stupid villain assholes’s stupid tricks ok end of bunni’s rambling
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