#like the author goes out of his way to make them flawed and bad but also let you see them as a person. very heavy on nuance

[dunmertitty]

i love internet brainrot because you’ll see someone type out a genuinely well thought-out and written comment critiquing how american prisons/justice system work and how they keep people in a cycle of poverty/crime and do nothing to actually rehabilitate people and how mental institutions don’t really rehabilitate people either and then someone responds with “we get it 🙄 americans are the only ones who ever suffer”❕❕

like congrats on the dogshit take of all time

[iamyourdailydoseofbi]

THE HISTORY BOOK ON THE SHELF. ( HOTD x Reader )

AUTHOR NOTE! Thanks for all the love. <3 pairing: King Aegon ii Targaryen x Targaryen! Little Sister! Reader prompt: When the small council plans to marry off once again, you turn to your older brother for help. word count: 1, 000+ words

You were the youngest and third daughter of Alicent and Viserys. A few months younger than Helaena and Aegon's little shadow in your childhood. Your older brother at first hated it, the way you cling onto him and gawk at him with an innocent awe.

It was your ninth name day, your Father had not paid much attention to it, but your Mother had ordered a celebration for it. You had trailed after him, babbling about nonsense as he tried to lose you. It was at dinner that night that everything had boiled over. Instead of receiving gifts, you had taken to giving everyone a gift.

He had not expected anything. He hadn't been the most kind to you. But was surprised when you had gifted him an embroidered cloth with Sunfyre on it. It was not the best and some threads were loose, but you proudly had told him you learned embroidery for him. Seeing those big doe eyes of yours his opinion changed. He adored you. You were the only one in the family that did not care about his worsening reputation. You just...adored your big brother, flaws and all.

It was why it killed him on your eleventh name day you were shipped off to the Reach, married off to a Lord as old as your Grandsire. He was haunted by your wails, of the way you clung onto Helaena and Aemond, the two of them wailing as Ser Cole carried you off to the carriage.

His young sister, the only one in the family who truly cared, was sold off like a piece of cattle. Not even your cold Grandsire was able to protest the marriage as politically it was a good match and good enough reasoning for the small council to approve it. 

As years ticked by, you gave birth to two children, a stillborn daughter and a healthy son. Your husband kept you away in the Reach, so no one in your family had seen you since you were twelve and given birth to your only surviving son.

He remembered the look in your eyes, so void and almost dead. Of how you tried to stay positive. Saying, "Tis' not so bad. He mostly ignores me, except when he wishes to bed me. But even then tis' not so bad, he finishes quickly."

When he became King, he swiftly ordered you to return home, regardless of your husband's wishes. No one would take his baby sister away from him. Not whilst he was still alive and had the crown placed upon his head.

Watching you bounce your son on your lap, he attempts to pay some attention to the small council, but his eyes keep straying back to you. It was odd to think that you were now a Mother and all grown up. Snapping out of his little daze, he glances back at the small council, each member arguing intently. Furrowing his brows in confusion, Ser Criston slides a piece of parchment in front of him, an uncomfortable look on his face. Raising a brow at what he had just returned to, he glances at the parchment, reading the words quickly. 

Your cunt of a husband was dead, finally croaked in his sleep. There was no reason for you to go back to the Reach. You could stay here in King’s Landing once more. Softly smiling at the good news, he goes to speak up when Lord Lannister stands up from his chair, slamming his hands down on the table. His face red from anger, his eyes wild like an untamable beast, and voice booming loud enough that it would make a dragon’s roar put to shame.

“To speak of the Princess in such a manner is dishonorable, I will see to it personally that your tongue is removed, Lord Wydle.” 

“The girl is of age, she has proven she can bear heirs, healthy heirs. To not give her hand to another Lord would be foolish.” 

“We need allies, the common folk are starving and soon the coin will run out. Surely as Master of Coin you can see reason, Lord Lannister.”

“Your grace, please, listen to reason we should⎯”

It takes a moment to realize what they had been discussing so intently. Then it clicks, they were speaking of having you remarry. 

"What?" He whispers, his voice shaky and full of disbelief.

"No, Aegon, please don't make me do this again. Please." You whisper, tears building up in your eyes.

"It would be best to have your sister marry someone⎯"

"Think of the war, your grace⎯"

Seeing the tears building up in your eyes, it reminded him of all those years ago when you were whisked away to the Reach. Struggling to speak up and dismiss their suggestions, you kneel in front of his chair, gripping onto breeches as you beg and plead for clemency to their plans. Your son starts to wail on the other side of his chair, making motions with his hands to be picked up. 

Feeling his heart break a little at the sight, he shifts his gaze from you then your wailing son then back to the small council. Everything is hectic and he doesn’t know who or what to focus his attention on. Does he console you? Does he tend to your wailing son? Does he handle the small council? Struggling to find his voice, he just stays frozen in his chair. 

“Please, please, do not make me do this again, Aegon.” You beg, “I did what was asked of me before. Please do not ask this of me again.”

“We need allies, your grace. The Princess is still desired by many men, men who will look past her past marriage and son. Think of the kingdom⎯”

“Send treaties, then!”

“Please, Aegon. I ask as your sister, not a member of the Court. Please do not make me do this again. I do not wish to marry again. Please do not send me away again.” You beg, your voice cracking. 

Watching as the tears begin to fall from your eyes, he clenches his jaw tightly, anger boiling up at the sight of you. His precious little sister, the one person in all of the Realm that he truly cared for, was crying by his small council's hand. Slamming his hands down hard on the table, the room goes deadly silent, minus the soft sniffles of you and your son. 

“There will be no marrying off my sister! If you wish for such alliances as much as you claim, do offer your daughters instead, for I will not be doing the same to my sister nor my daughter.” 

“Your grace, if you would just⎯”

“I am King, no?” He snaps back, “There will be no questioning of my decision. The matter is settled.”

----

@fragileheartbeats

@danytar

@nightvers

[darling-zain]

✮ ↳ The Show Must Go On ↰

♡ yandere! actor x gn reader♡

tw/cw: slight obsession, nothing too detailed

authors notes: first work and i wrote this in one sitting...it's okay we're fine ♥ also i may have based him off of myself and i will probably do that with a lot of my ocs! my bad i'm just a theater kid who likes to write

➼ yandere! Actor who first only knew you as one of the stagehands, always flitting back and forth behind the curtains.

➼ yandere! Actor who didn't even know your name until you got promoted to prop manager.

➼ yandere! Actor who never knew how every character that he played fell in love with someone at first glance, but as soon as you walked onto the stage and started giving out your orders, it was like the heavens had shone their light upon you and you only.

➼ yandere! Actor who was infatuated with everything about you. Your responsibility, your assured nature, the way you'd sternly correct him when he messed up his lines because he "should be reading off his script, not off my face".

➼ yandere! Actor who was always on top of his game, one of the best actors in his region, yet when you looked at him with your concentrated eyes it was like he was a rookie again.

➼ yandere! Actor who would be stuttering and tripping over his words on purpose just to get you to come up and read it with him, your warm body so close to his that he could almost taste the perfume you were wearing.

➼ yandere! Actor whose heart raced whenever you praised him, even a simple "good work today" would give him butterflies.

➼ yandere! Actor who knew that opening night was approaching, so he worked day and night to memorize his lines. The excited smile on your face when he was able to perform the whole dress rehearsal without flaw was something he'd never forget.

➼ yandere! Actor who, standing behind the curtain on the first day of their showing, suddenly started to shake. He's been in the industry so long that he forgot what it's like to have pre-show anxiety, and he doesn't even know how to deal with it. Suddenly, a warm hand is put on his shoulder.

"You're shaking." You point out, turning him around to face you. "Why? Are you feeling alright?" You place the back of your hand on his forehead to feel his temperature. "You're not warm, so you're not sick..." You think about it for a second, looking him in the eyes with a warm smile. "Are you...nervous?"

Aurelian doesn't speak, instead, he just nods. He's ashamed of you having to see him like this, the Aurelian Yavuz, getting jitters right before the opening night of one of his most popular shows.

"Hey, look at me." Your voice is soft, yet commanding, forcing him to look into your assuring eyes. You place both your hands on his shoulders, gripping them firmly to help ground him.

"You've done this show countless times before, and we've read the script together so many times that it should be burned into your brain by now." He laughs slightly, a sign that your motivation is working.

"You're one of the best actors I've ever worked with, and one of the most dedicated as well. You've spent so many hours reading, fixing, and editing this performance so that it's just right and absolutely nothing could go wrong. Am I correct?"

He nods again, making you click your tongue.

"Use your words. Am I correct, yes or no?" Your firm tone makes it hard for him to disobey, especially when you look at him with those fierce eyes.

He gulps, taking a deep breath before responding.

"Yes, you're correct. I've done so much to make sure that this show is perfect, so I have no reason to be nervous." He stands up straighter and walks backstage, adjusting his costume in the mirror. "Plus, I know that you'll be watching, so everything will be okay~." He winks at you from the mirror, making you chuckle.

"Exactly. We behind the curtain will be making sure that everything goes smoothly, so all you have to do is go out there and do what you do best." The lights start to dim as the audience applauds. You pat him on the back and adjust his collar for him.

"The stage is yours, Auri." you nod at him as he takes a deep breath, walking out onto the large wooden stage to loud cheering. His voice booms through the stage, and soon enough, the show is over. The cast takes their final standing bow and walks back to their dressing rooms. Aurelius makes a beeline for the lighting booth where you are usually sitting; he bursts through the door backstage, only to find your seat empty.

"What...?" he looks around for any trace of you, but it's like you've disappeared. He takes a seat in your chair and waits for what seemed like hours to him because of how tired he was. 15 minutes after the show ends, he hears your voice from outside the door. he gets up to open the door, but as soon as he does, the door opens with a creak. There you are, standing in the doorway with a coffee in one hand and your bag in the other, looking up at him surprised.

"Auri, why haven't you changed? Everyone's already leaving, you should go too-"

"You weren't watching." He cuts you off, looking at you with cold, dead eyes.

You look at him confused, setting your bag down on the floor. "What are you-"

"Why weren't you watching?"

[mintacle]

My hot take is that the same people who call Jason copaganda, pr-gunviolence or etc are from the same vein as people who blame schoolshootings on videogame violence, who blamed crime on Metal and satanism.

Instead of taking a critical look at a system within which a symptom of a problem is making itself known, you look if there is an outside influence, a kind of "virus" that you can blame for making it "sick".

DC comics are a little fucked up. That's the agreement you entered when reading them. All characters are inconsistent and sometimes in the wrong. Jason is a Bat, so at least it feels like he's maybe substantial enough to blame for the whole batclans issues, in a way that Helena Bertinelli (for example) can't be, because she is less closely tied and has less appearances. Congratulations, you have an identified patient! Jason is the problem that is rippling out and causing all these nasty and unsatisfied feelings the readers have about how crime is handled in these comics.

We see crime being fought in imperfect ways and our current cultural consciousness goes off with warning bells to identify the problem. But what you were taught was to identify what outside influence happens to be present and connecting the issue, and how to justify that all evil stems from this malignant influence. So surely if we could just remove this bad thing, we could go back to the wonderful world we knew where everything was ok.

That world never existed. The thing we are nostalgic for, is the world before we became aware of it's flaws. The problem has always been there, has always been an integrated part of this whole you used to love and admire.

But because the kind of people blaming Jason for "copaganda" do genuinely and truly come from a good place of wanting social justice (I'm saying you are good people. I disagree and think you are making a logical error, but we do care about and want the same thing. Good People) because you come here with the right intentions, you use the buzzwords of copaganda. Or gunviolence. You know from what you have heard that the issue is systematic, but you are struggling to find what that system equivalent is in DC comics. You are falling victim to the fallacy of assuming a main narrative perspective. Just as irl cops are hard to identify as the problem bc you might have to first struggle through the cognitive dissonance that your old worldview of good cops was wrong (so so wrong), you experience cognitive dissonance if trying to read comics with someone like Batman being wrong and flawed.

Looking beyond any superficial similarities to cops Jason is called out for (uses a gun, kills, enforcing his vision of justice) he really doesn't have much more similarities. He isn't a figure of authority, he lacks the nigh god-given justification to do whatever he wants whatever the outcome and is questioned at every turn. Just the sheer instances of Batman or another Bat showing up to beat Jason up and lecture him on what he does.

Extending this, he does not have the pervasive and persuasive power to shape a narrative. Jason's narrative is so far out of his hands. Which has been a core truth about him since for ever. From his maleable origin story, to his death, the years of him being gone and having No Voice Whatsoever, his resurrection in utrh showing him trying, struggling to have a voice against Bruce's story and being drowned out and denied his perspective, the inconsistency of his character after, each writer trying to shape him into something. Now cops fucking have a narrative. Their narrative is the main one we are fed. Their violence is structured and oppressive. Jason is neither a structural systemic power, nor is he oppressive of anyone. If you disagree with his violence for the sake of the moral highground of condemning killing.... Then, just, there are other media, you know.

Cop violence is systemic violence. It is violence that is "justified" to the extent it requires no justification. It is above being questioned. I am genuinely willing to hear an argument how Jason is cop-coded. But to me he is the punk resistance based "violence" that is only organized in the anarchical but organical sense of caring to protect the community that surrounds you. He doesn't approach Gotham as a paternalistic force of protection shielding it from above, but as one of them from within, showing up for the people who are suffering the way he has suffered too.

[rangercorpstherapy]

There is a post about ableism in the sorcerer/siege of Macindaw books. I'm not going to reply directly to the poster because I don't necessarily think they're wrong, but there's a bigger problem I want to touch on without derailing their post.

The post by @bronze-oakleaf Sorry, but John Flannagan isn't an ableist for describing disabled people as disfigured, Will is. John, although in his usual hit-and-miss style, goes out of his way to show us that the people Will and others are afraid of are not monsters. It's been a while since I read these books, but I can remember there being a few backstories and instances in which it's made clear that Malcolm’s people are just very normal people who have fun, interests and hobbies and love each other deeply.

Will's apprehension of disabled people is very clearly presented as a character flaw. John is a children's author and cannot go into depth about how monstrosity isn't physical but something that manifests in the soul a la Victor Hugo's Hunchback of the Notre Dame. Still, I don't think any child (at least I didn't) finished reading Sorcerer and Siege thinking that disabled people were any less deserving of respect and love than others and Will kinda had a point there in the beginning.

I think the only example of bigotry where there is a high chance of it reflecting John's real-life views is the way he characterises Romani and Sinti in that horrible short story. Without going into depth the key difference here is that not a single person in the story thinks that Alyss and Will are doing or thinking anything wrong. Nuance, even if it wasn't much, visible in Sorcerer and Siege is missing.

Now I have that out of the way, this post is actually about character flaws. I'm not trying to be smug by pulling the historical accuracy card, but honestly, Will's views of disabled people are one of the few ways John established the world of Ranger's Apprentice as a Medieval society. I don't know how to say this without sounding kind of like an asshole, but if you want to critique Ranger's Apprentice flaws you also have to apply the same critique to the characters within Ranger's Apprentice. Separating art from the artists in this case doesn't really work because the art exists within the context the artist created. I don't think we have to be overly critical of characters because otherwise we're bad people and not woke, but viewing your favourite characters as flawed makes them inherently more interesting. I think viewing Will as an enforcer of feudal oppression (cop), extremely privileged (has an education and can bear arms) and classist with a very obvious disdain for those who are below him (this man should be nicer to farmers who can't read) is way more interesting than a perfect boy who fell victim his author's bigoted world view. Will, and all Rangers tbh, think they're better than other people. Rangers are smart they aren't like the uneducated masses who think wizards are real and the devil will claim your soul if you sleep lying down. But are they really?

Will is confronted with the fact he is like everyone else. He's also afraid of the “dreadful caricatures of normal people”, but why? The treatment of disabled people in Medieval society was very complex, and without getting into the nitty gritty, most of the cultural feelings towards them weren't because they were 'just ugly' but relied heavily on superstition. Will might be educated, but he still grew up in a society where disabled people were viewed as cursed, their ailment a deserving divine punishment. Him not being confronted with his hypocrisy in these books is the true moral failing of John to be honest.

Now to my final statement: pleasepleaselpleasepleaseplae let the Ranger's Apprentice characters be bad people. Because they ARE. I guess this post was a very elaborate way of saying Will isn't an UWU soft boy but a grown man with hairy balls. So are Halt, Gilan, Horace, Crowley (I didn't forget the time you enslaved a man king) and Duncan (Truly truly sick a twisted individual for sitting back and doing nothing as his daughter was sold into slavery because 'We need everyone here'. That wasn't a convenient plot point so Halt could save the day but misogyny). This doesn't mean Will isn't/can't be trans (because he is) or Cralt isn't canon (it is) for the sake of historical accuracy. I just want to say that these characters are all very privileged and classist individuals with many flaws thanks to the society they were raised in, which makes them more interesting. Remember be gay AND do crime.

[pumpkinpie59]

“the 2012 family isn’t abusive” and “the 2012 family all have toxic traits that can affect each other badly” are both takes that can coexist

i think out of all the tmnt shows (except maybe rise, but i could go back on that if i think about it for more than two seconds; this post isn’t about them tho), 2012 has the most dysfunctional family.

this is not a criticism tho. it’s an observation and it can lead to interesting storytelling.

splinter in 2012 suffers from ptsd and it affects how he teaches his children and how he views the world.

he’s been through a lot and was lead to believe he lost his first child.

so yes it’s not shocking that he’d make bad decisions as a parent.

he’s not a bad person by any means, but his attitude about strangers, enemies, and relationships are off. he shows favoritism towards leo, though that’s not his intention. he fails to give his other children the attention they need. etc etc

so it’s not that surprising that his children also gained flaws that affect each other negatively.

leo is dedicated to his training, which isn’t bad but it gave him an ego. he believes he’s the good example, that he’s better skilled than his brothers. he has good skills that make him the best choice as leader, but sometimes his ego and his authority make him downplay his brothers’ opinions and chastise their choices.

it’s mostly seen in his arguments with raphael and donatello. raphael is stubborn, but he values his family like leo does. their opinions on how to protect their family and do the right thing aren’t always on the right page, which frustrates them. raphael goes through growth that makes him a lot more patient with leonardo, but he still calls leo out when leo makes bad decisions, and leo often refuses to listen to him bc he’s the leader. he’s in charge. why should he listen? which is not what a leader should be and he needs to learn that over the course of the series (he,, rlly doesn’t but i digress).

as for donatello and leonardo. donatello is smart and leonardo knows that and ends up using that to his advantage. he puts a lot of pressure on donnie and overworks him. donatello is smart so he has to be the one to track things down, fix mutations, learn what is going wrong. and when donatello’s attempts go wrong, leonardo gets frustrated and orders donatello to just. do better. keep working on it. since donatello struggles with insecurities, this is just added to it and he is super hard on himself when he fails.

having so much pressure put on him by splinter certainly doesn’t help his attitude either.

is he hard on michelangelo? eh not rlly but mikey’s a nothing character so moving on

raphael very obviously has his temper. he’s probably the most criticized of the team so his faults are kinda obvious. he has the most growth in the show tho so i’m not gonna go into too much depth.

obviously his temper and habit to get violent when he’s angry affects his brothers negatively. tho he’s mostly physically violent with leonardo or michelangelo. with donatello they usually are more verbal ig? when raphael is rough with donatello, it’s usually playful. idk

also his temper affects his focus and skills so he’s often chastised by splinter, which comes across to him like leo is so much better and splinter likes him more.

donatello’s turn. this guy has his heart on his sleeve and ik i mention his insecurities constantly but it does affect him more than anything else. he’s insecure about being a mutant, he’s insecure about his weapon and fighting skills, he’s insecure about his feelings for april, he’s insecure about whether he’s smart enough, he’s insecure PERIOD. he has so much going on in that brain so ofc it’s gonna affect his brothers

he snaps at people all the time. he lets his insecurities affect the way he interacts with other people (see: casey jones).

even the pride he does have about his scientific accomplishments can be easily crushed when they’re ruined or criticized in some way.

he isolates very often and sometimes when he is confident it comes across as rude.

and when he acts out of concern for april, he goes about it wrong and ends up being creepy.

it doesn’t help that splinter hardly corrects any of his behavior. plus he doesn’t get the affirmation he needs.

as for michelangelo he’s a bad interpretation of someone with adhd— oh wait no that’s not what i’m trying to talk about hold on—

so michelangelo is playful and naïve and fails to take many things seriously, which frustrates his brothers a lot so it’s hard for them to take him seriously when he is being genuine.

and for karai, we already see how flawed and rebellious she is, and it rubs off on her brothers often, particularly leo.

this family is just a wreck but that’s why they’re so interesting to explore and see them grow. it’s why i wanted more from the series. their dynamics have positive parts as well and it’s nice seeing them talk through things. but the series sacrifices a lot of that for plots that don’t rlly matter tbh (most of season 5 <3)

they are not abusive at all but they are extremely flawed and that’s okay

[mal3vol3nt]

hello!! I randomly spent like 30 minutes stalking your blog and!! 2 thing!!

bro I just got into atla and WHAT IS WITH THE FANDOM DUUUDE.. what’s with all the discourse it’s literally not that serious damn and how could people misinterpret literally every character so bad 😭😭 why are people so mean to my boy aang. he’s literally just a little guy. sunshine personified literally HOW IS IT EVEN POSSIBLE TO HATE HIM WHAT!! and just. everyone misinterprets everyone so bad, zuko too, also it is kind of annoying how most of the fanworks are about him, I love him too, both he and aang are my favourite characters, but it would be nice to see stuff focused on other characters too.. also people in the fandom woobify him so bad and it’s just like. why. his flaws are what make him interesting!!! also I have no strong feelings on z/k, I think it’s a pretty mid ship but it can be done well (one of my favourite fics does it really well and the reason I really liked it there is bc IT WASNT EVEN THE FOCUS THE FOCUS OF THE FIC WAS AANG AND ZUKO’S FRIENDSHIP, and the author wasn’t even planning for it in the first place it sorta just happened with the way they wrote it, so it actually made sense in that context, so it can be done well but imo it doesn’t work within the context of the show and kataang is objectively so much cuter cmon y’all have bad taste smh) anyways yeah. atla fandom is wack as hell and I will not be joining it lol a lot of people here need to go rewatch the show bc they seemingly completely forgot what it’s about and also touch some grass (but tbh aaaall the sequels will never be canon. to me. lok and most of the comics butchers the gaang so bad and it makes me so upset so I refuse to acknowledge them as canon. there are no atla sequels in ba sing se :)

ok wow sorry for the random long ass rant in your inbox I hope you don’t mind!! have been thinking about that and I guess reading a lot of your posts sorta made me want to get that out somehwre

anyways what I ACTUALLY wanted to ask is if you read fanfiction, do you know of any good aang centric fics? since. it should not be that hard to find them he’s the MAIN CHARACTER why is he so unpopular in his own show he’s literally the little guy ever <//3 more aang appreciation pls

AH sorry for taking so long to answer! i haven’t peeped my inbox in quite some time lol

BUT THANK YOUU and i agree 100%!! joining the atla fandom is like being dropped in the middle of a war zone so i’d definitely recommend staying away and just sticking to the actual show and fanfics lmao

now as for aang-centric fics i’m so glad you asked. lemme put yall on (a lot of this is aangst sorry)

1. 🧡

Aang's 18th birthday stirs up a lot of unprocessed grief and with the inauguration of the United Republic just around the corner and increasing expectations the pressure of it all is becoming too much

Republic City shenanigans, drunken truth or dares, complicated visits home and a semi-arranged marriage inbound!

Complete — 24 Chapters

Part 1 of the finding our way series

⭐️ now this is by FAR my favorite aang-centric fics of all time. it goes into aang’s repressed anger and grief in a way that is so well done i can’t believe it’s free to read. if you’re someone who loves aang, you will love this fic that is a guarantee. i seriously can’t recommend it enough

⭐️ this brilliant author also has another fic uploaded to the same series titled “beautiful boy” that is bumi ii and cloud family-centric. i’m currently reading it and it is a masterpiece so i’d highly recommend that as well

2. 🧡

A sound carried on the winds lead Aang and Katara to hope for something seeming long lost.

Complete — 3 Chapters

3. 🧡

Aang meets one of the firebenders who took part in the original Air Nomad genocide, and Suki deals with the aftermath.

One Shot

4. 🧡

Hakoda and Aang have both lost too much in the war. Together, they learn what it means to live.

One Shot

5. 🧡

In which, Aang still suffers from the guilt and shame after having abandoned his duties as the Avatar resulting in the Airnomad genocide and his friends, remind him that he isn't alone, not in this fight.

Incomplete — 4/6 Chapters

6. 🧡

A collection of ficlets written for Aang Week 2021, hosted by @ aangweek on Tumblr.

Complete — 7 Chapters

7. 🧡

Being the Avatar is a burden as heavy as the weight of the world. But as long as Katara is alive, she swears that Aang will never have to carry it alone. Written for Kataang Week 2023 Day 2: Injured.

One Shot

8. 🧡

Aang goes to Kyoshi for advice, and learns that they might have more in common than he imagined.

One Shot

9. 🧡

Raava was ancient. The spirit of order and light, created to serve as a peacekeeper among the spirits. That was her purpose. When she had fused with Wan, she had fully anticipated the years of strife and war.

What she had not anticipated, however, was the feelings. The feelings of love, joy, fear. The feelings of humanity.

And no such feelings were stronger than the love she experienced the first time she looked into the eyes of her newest incarnation. The first time she met Aang.

One Shot

10. 🧡

“I want you to make me a promise, Avatar Aang,” Katara whispered. This time, when she placed her hand on top of his, he didn’t pull away. “When this is all over, when the war is won… Promise me that you’ll grieve.”

(alternatively: grieving is hard. aang’s friends work harder. a series of missing/expanded scenes from a:tla exploring aang’s grief through his friends’ eyes.)

One Shot

(continuation in reblogs)

[pan-magi]

Happy Mother's Day!

(for those who celebrate and for the countries it's celebrated in. I know that not everybody does).

The mothers of Magi are great. I don't necessarily mean all good. The quality (how good they are as mothers) ranges largely from amazing to Gyokuen. That, in itself, is amazing. I like to see parents that aren't the same note, whether good or bad. It's also nice with the variety of mothers especially.

I want to take the time on focusing on one of them, and my conclusion that the most interesting character study in this regard is Scheherazade.

She is a deeply flawed person in this regard. She's a shit mother for the majority of the time with Titus. However, I do not believe it is intentional on her part, or something that she even recognizes right away.

I want to make clear before I get too deep into this that I still love Scheherazade as a character, and this isn't an attack against her but more so an examination of how her motherhood compares to being decent and how it doesn't.

The root of the problem is Scheherazade is the parent who just expects her children to be like her. So much so that she ignores all the agency that they have to be their own person, which will determine that they have different things to give a shit about, ones that do not align with hers.

This makes sense as she makes them as clones, to do something she cannot or else the main one to keep her youth. They are her in the most literal sense. Titus has had self-awareness sustained to where he develops his own thoughts and perspectives. Then Scheherazade doesn't recognize it right away. Eventually, but not right away.

The second flaw for Scheherazade being a good mother is that she loves Reim and the nation she fostered to a fault.

Again, this is something that she recognizes and relents to after being confronted with it. That the love of the country she helped foster and built is actually fucked in some ways. That maybe, quite possibly, being an imperialist slave-trading/owning state is fucked. No shit. How does this impact on how she's a mother to Titus? She uses him as a rally to her troops when invading Magnoshutatt. Scheherazade acts as if he was kidnapped, and that a goal of taking Magnoshutatt is to take him back and bring him to safety. Since it is a message given to the whole battlefield, Titus does hear it and recognizes the bullshit, not that any of the Reim soldiers can see him.

That is messed up to use your authority over a child (or anyone dependent on you) as a reason to harm anyone else and acting like the child endorses the behavior. If someone is fighting for someone else, with the knowledge and consent of that person, yeah, that's cool. If it's defending someone else, like someone standing in between one party and danger, yup, checks out. Using someone else and their perceived safety to actively attack someone, when you know explicitly that goes against their wishes. Nope, not cool.

Some precise examples outside the broad strokes:

When Titus is reporting to Scheherazade, He goes off topic since he is a child who is finally able to be out and about in the vibrancy of the world. That is what he focuses on. She dismisses him and tell Titus to get to the point. It is understandable from her position, but it is unnecessarily harsh. For Titus, he is talking to his mother and hoping to get positive affirmation with sharing his experience. The best case I can describe Scheherazade is she treats him more like an employee. Not an inaccurate descriptor, but Titus is clearly distraught and thrown off guard from the dismissal and Scheherazade shows nothing in addressing it.

That's an awful look for her. However, when meeting up again she tells Titus he should go back to Marga after telling him their lifespan is almost out. He seems taken aback that Scheherazade remembered her. She paid attention to some degree and could guess what he would want to do at the end of his life.

The second is when she overrides her rukh with his to stop Titus from Falling. It is an emergency situation, and her safety is as at risk as much as his. That said completely ignoring his bodily autonomy is uncalled for. Scheherazade does not leave it at that. She takes the opportunity to threaten Mogamett and his country while possessing a child's body. Same as above when I mentioned her using Titus as a reason to be an imperial bitch, this time manipulating Titus quite literally.

All that said, I do see Scheherazade as a decent mother. Why? I think what separates her from say Gyokuen, or Aum Madura, is that she is ignorant on Titus being his own person. She's not used to her clones to have the degree of autonomy that Titus has. She treats him as an employee and extension of herself but despite it all I have never felt malicious intent. It doesn't excuse her, but it is understandable. Unlike the latter two, who fully know they are destroying children's lives for their benefit and have no compassion for them.

Scheherazade lets him go. She apologies to Titus, and he does not have to forgive her. He does because he's precious, and he sees her as someone who was his anchor and who told him about how wonderful the world was before he could see it. Titus was so hurt by her coldness because he believed she cared. She shows she does. Scheherazade is heartbroken and furious when she realizes that Titus died and used the last of his energy to try to save Mogamett.

What she does, at the end of the day, is give up her prolonged life as a reborn magi. She has lived long enough and recognized her flaws in being conservative and stuck in her ways while passionately loving the country she fostered. None of that matters though because her goal and final desire is to give her child life. The cost is meaningless. And of course Ugo listens. It is the same promise he fulfilled for Sheba with Aladdin. Kids are all right. And they deserve to live.

I think Scheherazade is one of the most interesting characters in Magi. I wanted the opportunity to talk about this part of her. Once more I need to mention how I love the mothers in Magi. A lot of the time, there's a crapload of breakdowns and devotions on how father's can differ, especially in a male targeted demographic like shounen. Not that there isn't the same for the father's in Magi (honestly there's more to pick at for father's in Sinbad no Bouken imo). The best in the main series is Sinbad and Alibaba. And I'm okay with that. Don't think I will have the time to have a similar breakdown by Father's Day. Maybe another time then.

[llawiletisjesus]

so like two or three years ago i wrote this short essay on death note. it’s kinda bad but also like really expresses my ideas so i thought id just post it now! (it was written in the form of how i thought all essay should be written, so the middle school format)

In 2006 Japanese animated series, DEATH NOTE, one of the main battles is between top high school student Light Yagami, also known as Kira for his murders, and the very private and very gifted detective who goes by L. This struggle against sides can be seen as many things. Some fans see it as a homoerotic rivalry. Most see it as Good v.s. Evil, though what side is good does change from person to person. I, personally, see it as two authorities, both corrupt in different ways, fighting for power and control. Neither side is good or bad, and neither should be fully justified.

With the character Light Yagami, the flaws are easy to point out. He is insane, showing multiple symptoms of insanity throughout both the manga and the anime. Light also finds pleasure in murdering people and actively manipulates Misa Amane, his girlfriend/fiancée. With these points, his actions are justified in certain ways. He only kills terrible and violent people, like himself, and says that it is for the good of the world. While taking human lives is bad in any context, there is a truth to Light’s thinking. The point in the story where he becomes the corrupt authority figure is when he becomes a detective of the NPA. He became a detective to be able to further his plan of purifying the world. Light’s power and success make killing criminals both easier and harder. Light Yagami’s morals are complex, though they generally lean towards terrible things.

Light’s counterpart, L, also know as Ryuzaki, is the character that Death Note fans associate with good morals a majority of the time. L is a detective tasked with tracking down Light Yagami, known for his murders as Kira. He is an extremely gifted human who was essentially raised to be a detective. The one thing that makes him less of a good guy is the extremes he is willing to go. He goes behind the NPAs back and starts an investigation with the FBI. L doesn’t stop his investigation with the FBI, even when the lives of the agents are threatened and endangered. It is almost as if he cares more about proving he is better than Kira, than saving the people who are dying. L is very untrusting of his colleagues, and is even selfish. From the beginning it is clear that L has power. He is rich, he is famous, and people can’t tell him what to do. While he is significantly better than Light when it comes to morals, L’s principles aren’t the best in the show.

In Death Note, L and Light Yagami are very close, physically. They are even handcuffed together for months to clear Light from the suspect list. The two share numerous qualities, such as being childish and not wanting to lose. Light and L battle with their minds, and sometimes their feet. But in the end, despite neither of them being worthy of success, Light Yagami’s mind overpowers L’s resources. 

thx for reading all that ur a real one *gives kiss* lemme know what you think!

[ceruleanwhore]

Aang As a Father, in Response to LoK

⚠️CAUTION⚠️

This post is full of Aang and kataang hate. If you like Aang and/or ship kataang in any capacity, scroll on for the sake of your mental and emotional wellbeing. Thank you!

When Avatar: Legend of Korra came out, I remember there being tons of discussion around how much Aang sucked as a father and how surprised everyone was, even some of us who never really liked him as a character. However, I’ve been thinking about it today, and the conclusion I’ve reached is that not only is it not surprising that Aang was not a very good parent, but it was inevitable. The one thing I disagree on that I’ll get to at some point in here is how he sucked at parenting in canon as opposed to how I think he was set up to fail at it given the direction he was headed with his canon characterization.

I’d like to start by getting into that characterization and discussing some of the elements of Aang’s canon personality that I think are relevant. In the series, yes, as we all know and as Aang stans love to point out ad nauseum, he’s just a mere bitty child, but we can also see some of his flaws that, even in his 12-year-old self, have some serious consequences at times. Canon Aang is a messy cocktail of toxic positivity, selfishness, avoidant tendencies, impulsivity, and a dangerous lack of emotional control. He does things like casually throw away the fate of the whole world over his god-given right to have a crush on a girl and then, in the next season, compare that same girl’s experience of losing her mother to his radically different experience of losing his pet for a couple weeks as he tells her to get over it. He also has a tendency to go into the freaking avatar state when he’s upset about something and cause serious damage to everything around him until Mommy calms him down. Even when he doesn’t go into the avatar state, he does things like verbally abuse his friends and abandon them in the desert when Appa goes missing.

All of this is completely relevant to who a hypothetical adult Aang would be and what he’d be like because, all throughout the series, there is never any accountability from Aang. He literally never takes responsibility for the things he does and makes amends or even just apologizes in a meaningful way because he never has to — the narrative makes sure of that. That’s the key part of Aang’s flaws, that Bryke genuinely thought they made a perfect good guy and had nary a crumb of self awareness that they accidentally made him a raging asshole who is constantly being rewarded for his shitty behavior. Even when he’s clearly in the wrong, like with the Bato situation in s1, they somehow turn it around so yeah, I guess he fesses up and apologizes but, at the end of the episode, Sokka and Katara are apologizing to him and there’s no lasting consequences for the shitty thing he did. Because of this crucial element of the story and Aang’s character, it is very likely that he’d go his whole life being a dickhead while continuing to never have consequences for that and somehow managing to maintain his friendships and relationship with Katara.

I want to kind of go through these one at a time, starting with the lack of accountability. Since Aang is the avatar, literally no one in the whole world of atla actually has authority over him, at least once he’s an adult. His peers are his equals but, even though Katara, Toph, and Zuko taught him his bending, they don’t really have any tangible authority over him as his teachers. Combine that with the fact that none of Aang’s friends really ever criticize him or hold him accountable for his actions and it becomes very clear that, as a father, he will never actually be held accountable for being a bad parent. What goes with this is that he also won’t be open to advice because he assumes he always knows best and the narrative also supports and rewards that. Between the two, he’s set up so that when he inevitably turns out to be a lousy father, there will be nothing anyone can say (assuming they would even say anything at all) to help him improve.

With this in mind, let’s start into the actual character flaws that, as concluded above, won’t be corrected at any point, starting with the toxic positivity. One of Aang’s most recognizable characteristics is his bright, cheery disposition which can be a good thing but also leads to him being very dismissive of anyone else’s problems or negative emotions. As a parent, he would never take his children’s problems seriously and would simply brush them off and tell his kids to practice detachment and just let go of whatever is bothering them, regardless of how serious the issue is or how much it matters to the kid. This will teach the kids both not to even try to bring their problems to at least one of their parents and also that any problem they have is actually inconsequential, so even when they do have really big, serious issues in life, they won’t be able to recognize it as such and get whatever help they might need. It also will convey to them that their own father just doesn’t really care about them, at least not enough to engage with them in any capacity about anything serious.

Next up is Aang’s selfishness. Throughout atla, we see time and time again that Aang struggles greatly with prioritizing literally anyone else over his own comfort and desires. He was more than willing to sacrifice the whole world for his ability to avoid having to engage in conflict and then, in season 2, he showed that he was 100% willing to sacrifice the whole world for his crush on Katara. It’s not just that he tends to thoughtlessly give into his impulses and desires without giving thought to how it affects others, it’s also that, because of who he is, that has the potential to cause immense damage and he still doesn’t care. As a father, he would always put himself before his wife and his children. He would treat Katara at least as badly and unfairly as he did in canon and his children would have the lovely experience of watching that and also growing up in a household where their wants and needs don’t really matter to their own father.

Another key factor when it comes to Aang’s personality is his avoidant tendencies. We see multiple times throughout the series just how far he’ll go to avoid doing things he doesn’t want to do, like preventing the world from complete destruction. In his household, I imagine he’d want no part of any of the real, ‘messy’ aspects of parenthood and would just have Katara do all those things. Anything to do with the mess of child care (changing diapers, cleaning up spit up, any sort of wound care for scraped knees, etc.), conflict resolution between quarreling siblings, or correction of misbehavior would fall to her. He, like plenty of real men, would only want to do the cute, fun parts of parenthood, like taking the kids to Disney, while making Mom the ‘bad guy’ who has to do all the real work. 

Then there’s also the impulsivity. Aang tends to get these ideas of things he wants to do and then, without any further thought, just goes and does them. This can be pretty harmless when it’s something like wanting to go penguin sledding and then going off and doing it but, as we’ve seen, there’s plenty of times where it isn’t, like when he hides Hakoda’s correspondence from Katara and Sokka in s1 because he’s feeling pissy. In parenthood, I think this is where we ended up with the unfair treatment showed in LoK because it’s his impulsivity driving it, but I don’t actually think he’d be out here treating his kids differently based on bending abilities, I think they’d all be pretty equally getting the short end of the stick from him. 

The way I see his impulsivity coming out with his family is either with grabbing the kids to go do something on a whim (like riding the elephant koi) or going off on his own or with Katara on some spur of the moment trip that leaves their kids alone or drags them away from home for weeks at a time with no notice. If they’d leave the kids alone while going off without them, that could lead to trauma around neglect and abandonment while, if they take the kids with them, the kids get stuck being dragged along and then ignored while Aang goes off to do all the stuff he’s there for that the kids weren’t really ever supposed to actually be part of. I think that, with stuff like this, the avoidance, and the toxic positivity, he’d think that he’s setting himself up to be the cool, fun dad with Katara being made out to be the ‘bad guy’ when, in truth, he’s out here fucking up his children and they’re going to know and hate him for it in the end.

The last part is the matter of his inability to regulate his emotions. It’s bad enough for anyone to have to sit there and watch as the same toxic positivity dickhead then struggles with anger issues he never even so much as apologizes for, but for his kids, I’m sure it’s unbearable. My dad has struggled with anger issues my whole life, as have I, but we take responsibility and we’ve both spent over two decades working on ourselves, trying to get better. Aang would never do that in any capacity. For his children, they’d get this environment where they can never be upset at all because it bothers Dad but then Dad can fly off into the fucking avatar state as soon as he’s even mildly inconvenienced. This model of ‘you being upset is just a little inconvenience you need to get over but when Dad’s upset it’s a huge deal and he’s actually allowed to be upset’ would be downright infuriating to live with and would definitely contribute to their children’s childhood trauma. It’s not just that you’re not allowed to be upset, it’s also that you always have to be walking on eggshells trying not to set this guy off.

Another thing I would add to this last point is something I learned from my family that I think is relevant here. My dad genuinely thought he was totally normal and didn’t have any anger issues until my brother and I were born, and he also was always really great with other people’s kids and never had problems there until he was working on the railroad with two babies at home. Yes, we’ve already seen Aang’s anger issues in canon, but I would also speculate that his mood and stuff would get worse once Tenzin’s born. This could either lead to him being absent for most of the kids’ early childhoods as he’d just avoid being around them if they’re triggering him or his anger issues could get worse and more prevalent once there’s kids in the mix. Either would be detrimental to his children’s mental health.

So I guess my point here is that LoK having it so Aang’s whole issue with fatherhood is that he treated his kids unequally doesn’t really cover the ways in which he’s set up to be a terrible father. I really don’t think favortism would even be an issue (I think all 3 kids would get dragged around to air nomad stuff, not just Tenzin) but Lord knows there’s other issues to be considered here. As a father, Aang would be selfish, impulsive, dismissive, thoughtless, and hypocritical as well as probably struggling with completely unchecked anger issues. His children would have trauma because of him and they would hate him, but not because he would leave two behind while dragging the eldest around on vacations. The cherry on top of the shit sundae of Aang’s fatherhood is that he would have no self awareness whatsoever as all of this would go unchecked by his wife and friends, so he would genuinely believe that he’s a good, fun, loving father all the way up to the moment of his death.

[eluxcastar]

── ୨୧：guren ichinose, shinya hīragi, kureto hīragi x reader (separate)

୨୧﹑synopsis :: you try not to notice how he adores a certain woman in his life, you keep your feelings about him to yourself, quiet and never acting on them solely because you know that you could never hope to compare to her.

୨୧﹑genre :: slight angst

୨୧﹑content :: nothing to warn I don't think but I wrote this at like one a.m. and did not read a word of it 👍 lmk if there is something you want me to tag though (*￣︶￣)

୨୧﹑words :: 811

hiii I'm back again (I have a second degree burn now 💀) (I touched the oven rack while it was on max) (now I have a funny mark on my knee) this is kinda rushed because tbh I am not in the mood but I don't wanna up and dip again even though I was hit with like that curse that plagues fanfic authors and ten bad things happened in a day

this is from like March I believe??? I am so sorry to the person who sent me this in my DMs istg I was gonna do it but then I just forgot after that really long break I took 😔 I don't think I ended up sticking to it exactly because I'm not actually sure if the whole request was sent?? I also ended up cutting Crowley to put him in a standalone post 👍

─ ୨୧： guren ichinose

your feelings for the Ichinose boy run deep, a little part of you crushing on just his looks when he first arrived at this school, only growing on you since then. His personality when he really got comfortable was charming, and he always had that goofy look on his face when students pulled mean tricks on him like he didn't care. A pretty face. He never lets others bother him it seems, even when he talks all lesson to the boy beside him and tries to ignore him. You could look past the Ichinose Clan part, that was the least of your worries. After all, even Mahiru Hīragi could look past that.

you see her around him a lot, and they seem to know each other and get along well. She's always smiling around him, and while he doesn't exactly look like he's having the best day of his life he looks happier to hear from her than most other students. You suppose he would be with a smart and pretty girl paying attention to him, let alone one quite so impossibly beautiful as her. A once in a century genius. How could you ever hope to compete with a person like that?

it was a nigh impossible task, so you give up, and you watch. You know that he is only yours in your little daydreams, and the moment you blink them away and return to reality he goes right back to being Mahiru's as he always was.

　

─ ୨୧： shinya hīragi

since you joined the army you had at least a bit of a liking toward him, though it was quite minor at first, nothing too big. You just liked how nice he was to you, even helping you out at times when he noticed you were struggling a bit with your weapon. With his help you got closer to him at least in your eyes, the confidence he oozed enough to make you feel safe and in good hands. You trusted he knew what he was doing and it kept paying off to trust his advice.

it kept you asking for more of his help, knowing that slowly the help was becoming less of your focus and it was slowly shifting to the man himself. Something about him is so handsome, yet also quite cute.

then you heard he had once had a fiancée, and you realised that if that was everything he wanted in a partner that you would be stepping way out of your league. She was a Goddess put on earth in the form of a high school girl, perfect if not for her one fatal flaw in which she was dead after committing acts that disgraced her family. That explained why nobody spoke of her until you heard it from the girl's own sister.

slowly you were inching your way further into his life, and slowly you will inch your way back out. Even as a dead woman, You know that to that standard, you are still just a bumbling and confused little child.

　

─ ୨୧： kureto hīragi

a bad little habit you have with Aoi is the gossip once work is over, going to shower and change in the showers together one stall apart just to talk about various tidbits you'd picked up throughout the days. You'd learned many…interesting things that way. Most notably however was in the midst of washing your hair, letting the water wash out the product when she so happened to mention that she might just have deeper feelings for Kureto than she usually lets on. It's more than just respect, at least as she put it. You almost got shampoo in your eyes.

of course you couldn't blame her, her feelings are something you can quite easily understand in fact, it's just… How are you supposed to be pitted against someone like Aoi who is loyal to a fault at her job? Thinking about it really…she is quite beautiful, and her family is in higher standing, she does anything that he asks of her, most importantly she is strong. You think if anything Kureto would value power, wouldn't he? He probably wouldn't be fond of protecting his lover all the time out of necessity, he'd prefer someone capable of doing that themselves, and while you certainly could, Aoi could do it better.

you can hear her as she knocks her hand against the wall of the shower stall, "Did you drown in there?" her voice brings you back again, and you give a quick no in response. You're out of the shower soon enough. It'd be easier to forget the conversation if not for the fact you both pass him again on your way back to the dorms and finally notice how she looks at him.

even without the threat of her own skill over yours, you're not sure you can take that away from her.

[magpie-trove]

October Reads

Wishtress • Nadine Brandes | everybody clap I finally finished Wishtress it only took me *checks watch* three years. Overall it would have been pretty mid to me except I loved the aesthetic, the audiobook narrators had fascinating accents, and there’s one part at the end that broke me and rearranged me a little. Those three things were good. There were maybe other things and maybe more specific criticisms but I forgot them

How Lovely the Ruins • Annie Chagnot & Emi Ikkanda | poetry anthology, I wished it had been a little more on theme. There were a few good ones in it though

Women in the Valley of the Kings • Kathleen Sheppard | non fiction about the women in early Egyptology. Either there was a statistically improbable concentration of lesbians running around Egypt or the author kept mistaking the way Edwardian women wrote affectionately to each other as romantic overtures, not sure. She also seemed to want to acknowledge the flaws in Egyptology while saying that the women in it were less bad than the men though because they were also overlooked victims. But ma’am. These women are smuggling a mummy in their cabin. And they threw it out the window cause it smelled bad. MA’AM. However. I did enjoy learning about the women involved in Egyptological development and she picked a good variety of them working in different departments and positions that were crucial but overlooked.

The Flight of the Swans • Sarah McGuire | i looooove you <333333 she got redemptive suffering good good good YA six swans retelling

The Patron Thief of Bread • Lindsey Eager [2/3] | EXCELLENT middle grade fiction. It’s a little slow which can be good but my brain got bogged down in the middle and I was going to have to return it soon so I skimmed the second third and read the whole last third and the writing is beautiful the story is beautiful good good good

Who Could That Be At ThisHour • Lemony Snicket | this is like if Humphrey Bogart was thirteen and nobody understood him because he didn’t want them to. It’s got sentences so polished I can see the plot in them but only when it wants me to. It’s got deep character connections you feel with just three details attributed to them. What can I say. I was having a pretty good time in the middle grade film noir parody. I do recommend.

Poetry for Young People: Edgar Allen Poe | just wanted to reread the Raven and a bit of the Fall of Usher with pictures :) if that’s what ur looking for this is the book for you

Call Me Iggy • Jorge Aguirre | YA graphic novel about a Colombian immigrant family. The son starts getting love and Spanish class advice from his Grandpa’s ghost. I liked the art.

Pride • Ibi Zoboi | YA Pride and Prejudice retelling about classism/gentrification in the Bronx. I think it could have had insightful things to say about P&P but I also think it would have been better if it weren’t P&P. Those were its weakest elements, plus I personally didn’t enjoy the voodoo spiritism awakening stuff going on in some parts. But the writing was well done and it was full of such palpable love for a neighborhood that I sobbed at the end about it.

A Pictorial History of Sea Monsters • James B Sweeney | yeessssssssssss a fun silly old nonfiction book I found at the library that just goes through and talks about various sea monster sightings from log books. Very fun, I skipped the second half which is real animal facts only because the book was from like the 80’s and definitely not up to date, but it was a fun read.

The Perilous Gard • Elizabeth Pope | retelling of Tam Lin in the Elizabethan era. WHAT an atmosphere, what a story, what a time!!!! Loved it. Was side-eyeing a few parallels she seemed to be making (was she? tying Queen Mary to the scary pagan human sacrifice goddess fairy queen? did seem kind of like it which is hm. tastes a little bad but I’m going to pretend I do not see it.) the faith & fairy worldview integration should go in a book about non human status in a Christian worldview.

The Secret Lives of Booksellers and Librarians • James Patterson and Matt Eversmann | we all know James Patterson didn’t touch this except for the two paragraph intro you can all stop kissing up to him in your essays ok. But it was a quick easy read full of love. Did get a wee bit repetitive by the end, but overall I had fun thinking about books and libraries <3

Bea Wolf • Zach Weinersmith | Zach Weinersmith the hero that you are for using proper or proper enough Old English poetical devices throughout your entire Goonies-esque graphic novel of Beowulf for kids <333333333

[lord-squiggletits]

Something about being an IDW OP fan is that even in positive works about him I feel like his problematic aspects are brought up way too often even in an appreciative way.

Ignore the haters of IDW OP/other characters I'm using as an example bc I'm talking about how fans talk about their own faves.

Like with Prowl fans, they know he's problematic but they pretty much just go "yeah he's an asshole what about it" or just don't acknowledge it at all and write/draw what they want to see. Some might allude to ACAB stuff but they don't do a disclaimer on every post about him with "btw I know cops are bastards and war crimes are evil I just think he's neat"

Pharma stans make content about him, whether apologism or just fun haha chainsaw doctor, without having to constantly be like "medical malpractice is bad and all but" or "He kills people and that's definitely important to talk about but" they just write about Pharma being a tragic/evil character and that's that

Megatron fans definitely are willing to talk about him being problematic, but again that element of self consciousness isn't there and ppl write headcanons and fics and stuff without Megatron having to turn around in the narration and go "oh I'm evil I'm so awful no one should be like me" as a sign to the audience that the author doesn't condone Megatron's actions and thinks colonialism is bad

I'm sure I could come up with other examples but like it's just weird to me that even among ppl who like IDW Optimus (and I'm not immune to this either), there's like this self-effacing attitude where ppl can't just say "I like him" or "It was cool when he did this" without almost ALWAYS preceding it with some sort of "He is a cop but" or "He's kind of a jerk but" or "I would hate him IRL but" as if there's some sort of Transformers fandom panopticon saying that you're not allowed to talk positively about IDW OP without first mentioning all of his flaws/problematic aspects. People sort of speak about him as if he's enjoyable or well written DESPITE being problematic, or that enjoying him has to be justified bc him being problematic automatically makes him repulsive. As opposed to merely talking about IDW OP as he is, and the problematic parts of him are thinks you can talk about or not talk about just depending on your mood and what angle you want to approach. No, every post or conversation has to always allude to how "IDW OP is an asshole, but he also has positive traits" or "I know he's problematic, but hear me out."

Hell even tho I'm seeing a little more fic about IDW OP or OPs with more IDW elements, it still feels as if most writers put him in situations where he goes "yeah I'm sorry I'm problematic and did bad things" as if he has to confess his sins publicly before being allowed to be a person. Or that the author feels the need to write him as such to reassure the audience "No actually I know ACAB just because I like IDW OP doesn't mean I'm not progressive look here I'm writing a story about everyone calling him an asshole for being a cop and OP kisses Megatron's ass because revolutionaries are actually right and it's only state propaganda that maligns them as violent and capable of wrong."

Idk I just think that among people who enjoy problematic characters, there are still a lot of fans who are either immature or self-conscious in their enjoyment of problematic characters. Where they DO have that enjoyment but they feel the need to make public disclaimers constantly or write their stories in a moralizing way to demonstrate how well they know that character is problematic. To contrast, I think true "problematic character" enjoyment comes when people can just LIKE A CHARACTER and it's a morally neutral act where they don't feel the need to make demonstrations about how transgressive it is and how their taste in fictional characters definitely doesn't reflect their real life morality.

It's just saddening bc even tho these days, there are lots of people who like IDW OP and there's fewer people being assholes about him, it still feels as if content about him is self-conscious of the fact and won't let him exist as a character/funny guy in your brain/vessel of themes and plot and instead it's some sort of Hays Code-esque thing where every time he appears on screen at least one person has to call him a cop bastard so the audience knows the fanfiction isn't copaganda.

But what if instead IDW OP fans and fan content had the same energy as other problematic character fanbases like Prowl or Megatron and we could just go "yeah here's a story about my favorite guy" without making a whole disclaimer about it

[glamlet69]

Little rant

This might be controversial, but I have to say it because it has been bothering me so much when reading comments on Snape posts.

The whole Snape vs. The Marauders thing is not an either/or debate. They were all deeply flawed individuals with their own issues and trauma that made them act out in ways that deeply hurt each other.

Severus' childhood was shit. He was an outsider and the only one that treated him kindly was Lily. But then he called her a slur, which in the Harry Potter universe, is just about as bad as saying the n-word (even though I hate making that comparison). It was in the heat of the moment because he was embarrased and hurt, but that does NOT JUSTIFY IT. He also abuses children in his adulthood on a daily basis. That is also NOT JUSTIFIED JUST BECAUSE HE WAS BULLIED AS A CHILD. He also abuses Harry so much just because he looks like his dad. THAT IS NOT JUSTIFIED JUST BECAUSE HE WAS BULLIED BY JAMES.

Sirius Black (I'm going to focus on him because he was Snape's main antagonist) grew up in an incredibly toxic and blood-supremecist family. He hated it and saw how evil it was. It was the start of the war. People were literally being murdered by Death Eaters. And then his own brother wanted to become one. He knew what they were capable of. THAT DOES NOT JUSTIFY HIS BULLYING OF SNAPE, especially because he had not become a Death Eater yet. He was absolutely awful to him, even into adulthood, when he was fighting for the good side, and that is not okay. BUT lets not forget, Snape did become a Death Eater for a period of time. His sad past does not justify it. Sirius went to prison wrongfully and lost 12 years of his life. That does not justify his incredibly immature behavior towards Snape or his toxicity around Harry.

Same goes for James. I consider Remus a little bit more of a victim in this whole thing, because he was suffering as a werewolf, and Snape wanted to expose him as one, even though it would mean his expulsion from not only Hogwarts, but society. Even into adulthood, Snape spent Remus' entire time at Hogwarts literally trying to ruin Remus' life. That is simply NOT OKAY.

Lily really didn't deserve any of this and I hate the hate she gets from Snape-lovers, just because she didn't want to be his friend after getting called a LITERAL SLUR. She was literally defending him. Snape messed that up for himself. Also, Lily didn't get with James immediately afterward. They grew up a little and grew as people a little and came together.

As you can probably tell, I am a tad more sympathetic to the Marauders (I've been in the fandom since I was in sixth grade). But I understand that ALL OF THESE PEOPLE are INCREDIBLY FLAWED AND NUANCED. SIRIUS AND SNAPE ARE EQUALLY FLAWED. I understand why people love Snape as a character and I believe that is completely valid even though I do not love him as much myself. I also think that the author who will not be named did a pretty shitty job on Snape's redemption arc, but I can appreciate it for what it should have been. Really, this comes down to bad writing on her part. We should have gotten a much better and more fleshed out redemption for Snape (and better character motivation for that matter). We should have had Harry reckon a little more with the Marauders as flawed individuals. Someone should have called Sirius out on his bullshit and someone should have called Snape out on his bullshit as well. But we didn't get that due to poor planning for the series.

What I'm trying to say is, I wish people would stop utterly trashing these characters in order to justify the shitty behavior of their favorite one, because they all suck as people.

[i-read-that-manga-for-you]

Given

Admittedly, I read this manga a long time ago. Like when chapters were still coming out. I was still in high school at the time (holy fuck) and couldn't really articulate my feelings as well as I can now.

I had left this review (bits and pieces of it) on a manga site and decided I might as well put it on my tumblr, finetuning it, of course. First post, because in spite of its flaws, Given is still close to my heart. And I reread it again (somewhat) to make this a better review. I hope each person who reads this will reimburse me with 50 cents each (jk don't). So here it is. My impression of Given, with !!some!! talk about how SA is treated in BL/Yaoi culture in general.

Or not, this is just my two cents with no anthropology degree.

Do take what I say with a grain of salt, a piece of creative media does not exist in a vacuum, but this review treats it as one at times because I'm not really skilled enough to talk about any wider implications. I'm just some guy giving my review.

Spoilers ahead. Go ahead.

TW: Sexual Assault.

Honestly, this manga made me feel a lot. Good and bad feelings. But let's focus on what I liked.

Ugetsu.

He's on the phone, shhh.

I found Ugetsu to be a very compelling character, and it was a huge shame that he vanished partway through the manga. Basically? I have no criticisms about him as a character, he has his flaws and he's nuanced. He's interesting and compelling, and it's clear that he's someone who is still growing and learning to walk on his own two feet. I won't deny that his relationship with Akihiko was very toxic, but I definitely think this isn't something that can be blamed solely on him.

But with this out of the way. Let's talk about the pairings.

Let's talk about Akiharu.

Kizu Natsuki is an amazing artist... Even when I have certain issues with this manga.

Well. I have a lot of qualms with Akiharu.

For starters, Akihiko assaulted Haruki. I'll never forget that. The fact that they ended up getting together anyway was a huge point of contention for me. Given was framed as a story about love more than a traditional story about BL/yaoi which (sorry) usually leans towards the sex. (This is not to say that sex and romance are separated, well they are but they are linked rather than being one in the same. You can have either, like they're hot/cold water but they come from the same faucet.)

But I feel that having this scene in rather than an argument feels completely wrong. I'm someone who will digest pretty much anything the world throws at me, but the Akiharu assault scene came off wrong and it came off scary. (Note: I say scary but I definitely mean much more than that, I just feel like "shouldn't be romanticized" doesn't encapsulate all of it. This topic is not something I'm qualified to talk about, so I don't want to overstep any boundaries.)

And to be honest, that's good because SA shouldn't be romanticised, for that, a big well done to our author. I just wish the aftermath was dealt with better.

This is terrifying. Please retract your words.

In spite of the SA scene being scary, afterwards all seemed to be resolved the moment it was revealed that Akihiko had nowhere else to go.

Everything for them goes uphill from here. Yay.

I just have to wonder what was the point of that buildup if you were just going to allow things to end nicely like that. With a scene like that, you'd think that the manga was saying that "SA is scary, it's terrifying and it's something that you shouldn't forget even if it's BL/Yaoi." But, why did it end up like this.

What I'm trying to say is: What does it matter that Akihiko apologised (twice), he still assaulted Haruki, he assaulted a friend. Even worse is the way that they're framed as a healthy couple afterwards, this just made me all the more uncomfortable. I feel like this is saying "SA is scary" but also saying "the power of love and friendship absolves everything". I've seen some people talk about the fact that SA happened, but haven't seen them say how it was "resolved". I think it's more to do with yaoi/BL fiction culture, that we've grown to accept SA that is unaddressed in our media to the point that Akihiko's apology is like a prayer more than something that's not even worth a second glance.

Saying that Akiharu started off rocky is an understatement, but if I pretend it never happened, I can say for sure that they are much healthier than Akigetsu, and they deserve each other. It's just not good storytelling especially because I don't really understand the motivations of Haruki liking Akihiko.

I once said that Haruki's character arc was based on Akihiko and that was my bad. I was wrong. Haruki, in fact, has a minor character arc, that isn't really to do with Akihiko, about how he feels insecure surrounded by geniuses in the band and this gets resolved by Akihiko saying that they wouldn't be able to function if all of them were geniuses, and Haruki himself seeing Akihiko hard at work. But I had completely forgotten about this arc, my bad, but my point still stands. Haruki deserved a better character arc.

I don't have a smart comment for this unfortunately. Eat your veggies??

In spite of saying this, I'm not an Akiharu hater, I swear. But I just found that ship much less compelling than Akigetsu in general. Akigetsu was a relationship where they were both incredibly toxic towards each other, there was an imbalance in the fact that Ugetsu literally owned the place they were living in, as well as how he'd kick Akihiko out whenever things were rocky. However, I think the end of their relationship was dealt well on both sides, their toxicity towards each other was framed in a negative light as it should have been. They ended the relationship and went their separate ways, this was the best ending for them. For Akiharu and Akigetsu: The difference between these two relationships is that one was dealt well and the other was dealt wrong. Akiharu deserve each other and Ugetsu deserves to learn how to grow by himself.

Anyway, another point of contention was, in spite of the healthy nature of Akiharu. Somehow, the friendship between the two couples seems to have waned and it was pretty disappointing to see. I think it started before this, but the first time it was obvious to me was this scene.

I know you're in the middle of something, but don't be mean to Mafuyu >:(.

Context: This is Chapter 40. Akiharu are in a moment of intimacy and Uenoyama is knocking at their door trying to get advice.

We've seen that Mafuyu is a very reserved person, to see that Akihiko was so ready to tell Mafuyu to stop coming over (even if it is to stop him from coming over so suddely) right to his face was extremely immature.

Basically, imagine if that had been Mafuyu. Personally, I feel like Mafuyu would have been hurt like hell and closed right back up. This scene is something played for laughs and that's something so disappointing. Given is shown to be a band of friends, but in the end it seemed more like two couples who hang out sometimes. Also the fact that both Akihiko and Haruki are pushing Uenoyama to get Mafuyu to rejoin the band. That's something else that bothers me heavily. That they're treating Mafuyu as Uenoyama's responsibility because they're dating. It's a band that is sure to fall apart if you are not making an effort to support each other equally. I mean, it doesn't have to be entirely equal but points for effort and they get no points here. It's funny because they were at least a little self-aware of this prior.

Dating in a band is something that is nuanced, of course. But it sure is funny to see them practically go down the same route they condemned.

That's my criticism of Akiharu.

So, what about the other instance of SA? I'm talking about Shizusumi and Hiiragi, of course.

Let's talk about Shizuragi.

Here they are! Let's talk about them!

Admittedly the first time around, I wasn't particularly into Shizuragi, I was too busy mourning the absense of Ugetsu. But it was during their sex scene where I realised something was very wrong. I was having flashbacks to the Akiharu assault chapter but this time it was played as "love" rather than something reprehensible. Once again, assault was in the manga and it, once again, resolved with badly.

I feel like sexual assault being played off as "love" and being resolved literally the next chapter with the victim being all kosher with it, should be garnering people's "??? what the fuck"s and not to bat for the opposing team for once but where are the complaints. I've actually seen some people talking about this chapter, but I would have expected more.

Hiiragi said he was scared and was crying, but they still fucked anyway. :D <- smile of shock.

Um what. Haha... ha........ :D <- terrifed smile of shock.

I don't know whether it would have been worse that he knew he was assaulting Hiiragi or whether he didn't know at all. But he knew.

Shizusumi confessed his love the morning after and it was all okay. But, to be honest, the fact that it was played off as being "all okay" makes this even worse. It's normal in yaoi/BL for SA to be played off as love, but you'd think that the last place you'd see this is in Given of all places. SA is SA and the fact that Hiiragi was so accepting of what happened to him afterwards says something about this the culture of BL/yaoi and how we just go along with it says something about this sentiment of how "yaoi is always going to be yaoi".

We're done? We're done.

There are no more SA scenes (that I can remember). But I do want to touch on Mafuyu and Uenoyama as briefly as possible (This is a recount of my experience after all). So, Mafuyama.

Ah, yes. The start of everything.

Admittedly, I didn't actually find their relationship super compelling. This is because I tend to get tunnel vision on characters I like (in this case, I heavily tunnel visioned on Ugetsu). I do like them both, they just didn't fit within my vision. I thought they were sweet but I also see a lot of complaints about how Mafuyu was stuck on Yuki and Uenoyama was getting backseated and I do agree with this. Kind of.

I think Mafuyu's story is about growth as a person, it's like what people say: You don't move on or lose your grief, you grow around it. Grief doesn't get smaller, you just get bigger. The person he loved died and I don't think it's fair to say that he has to get over Yuki. Grief is something that sticks with you everywhere, something you have to carry every day. They're still teenagers, they're still young and still have room to grow.

But as a story? Sheesh, instead of Haruki having no place in their circle. I felt like Uenoyama, even when he's the protagonist, wasn't given his spotlight in his own story. There is no character arc for him, there is nothing for him and that's just not fair. There are two people in a relationship, so why does it always feel like, narratively, Uenoyama always comes as an afterthought?

You could have had a character arc about this... Relationships are meant to be balanced, sweetie...

I just think it's a shame, but they're nowhere near as unhealthy as the other couples in Given, so I'm giving them a gold star.

(Minor irk, I do not remember when this happened but why the hell does Yayoi (Uenoyama's sister) get a character arc (where she comes to an understanding about Mafuyama feelings for each other, but also the gay in general) but the man himself doesn't?)

So, with Mafuyama, I feel like the story could have focused a little more on Uenoyama's side. But I feel like it's similar to how Haruki's story kind of got the backseat to Akigetsu drama happenings at the time. Shrug, we can't have it all.

He's beautiful...

That's honestly... all my thoughts. Wow! That was a lot of them. I think there's a lot to be said about how yaoi treats SA and dub-con in general, even in a manga that's not even focused on the sex.

With that said, I don't think BL shouldn't have SA or dubious scenes but the aftermath should be dealt with better afterwards. I think with Given, it's a start that the SA (at least with Akiharu) wasn't romanticised, but the aftermath was just poorly executed.

But I'm not the yaoi police, I hold no authority and I don't support purity culture. I'm not an anti-anything and I also believe that fiction should be fiction. What people enjoy should no way equate to a person's worldview. But, this was just all my perspective and my opinion. I said it and now I'm done. Haha... Anyway, my paypal is—

[that-ari-blogger]

That Which You Are Fighting For

Stray Gods is a story about change. It's a story about choices and consequences. And overwhelmingly at the start of the musical, the consequences are very clearly bad.

But this is also a story about family. About repairing relationships that have gone horribly wrong, or at least setting them on a less self-destructive path. The early songs establish what could happen when these relationships fall too far. And as a result, there is a sense of directionlessness. You know what you are running away from, but not what you are running towards.

Enter Asterion and Hecate, and the joyful disaster that is You Cast A Spell On Me. It's fun, it's awfully sung on purpose, and it is heartwarming, if you play your cards right. This song proves that there is a hope for the idols.

Let me explain.

SPOILERS AHEAD

Cast A Spell is not eloquent or well sung. I need to get this out of the way because it is one this song's chief criticisms. The reason I want to address this is because this isn't a flaw, this is the entire point of the song. Yes, the song isn't going to be played at any karaoke parties, but a song's worth isn't limited to how well you can sing along to it.

First up, lets break down what this song is doing. This song is about a whirlwind romance between two nerds, and that isn't an obvious decision for the writers to make. The minotaur and the goddess of fate. Why these two?

I said that Stray Gods is about family, and so it draws upon myths with that theme in mind. The Minotaur is part of that. Possibly an original way of rationalising earthquakes (According to Matt Kaplain's Science Of Monsters, published in 2012), the minotaur's story picked up its most iconic form from the Roman Poet Ovid, a man known for having some strong views on authority. The story is very likely to have predated Ovid, but other than artwork, which is notoriously difficult to quote, Ovid is the earliest source I could find (If you have an earlier one, please let me know).

In any case, the story goes that king Minos of Crete prayed to Poseidon for a beautiful bull to consolidate his power as king, in exchange he would sacrifice the bull to Poseidon. Poseidon agreed, but when the time came for the bull to be sacrificed, Minos bailed on the deal. This lead to Poseidon conspiring with Aphrodite to make Minos' wife, Pasiphae, to fall in love with the bull. I will skip the next part of this, to keep things PG. But the footage refocuses, and Pasiphae has given birth to a son, named Asterion, that's our minotaur. This minotaur, however, has a penchant for eating people, so Minos imprisons it in the labyrinth and sacrifices people to it once every few years.

You still following me?

So the minotaur is a child of a truly weird and messed up family, and with the Stray Gods decision to skip over the cannibalisation bit (with the exception of notorious bell-end Theseus), it becomes a family who cast him into the labyrinth for no fault of his own. That theme of messed up family dynamics is here in full swing.

Hecate doesn't have a concrete origine, in mythology or in history. There are theories that she was originally an epithet (regional form) of Artemis, although this doesn't really hold up, and there are theories that she originated in Egypt or Anatolia. It is unclear, and that fits for a goddess of magic and mystery.

She is also sometimes represented as one of three goddesses, according to Pausanias this is because of a sculpture that is now absent, but it's a visual that has stuck around. It's why she has those three faces on the front of her outfit.

Another thing to note are that Wikipedia notes her as a household deity alongside Zeus and Apollo, although the citation for this is dubious, so I would advise taking this with a grain of salt.

In any case, Hecate is mysterious, at least in our modern age. Compare that to the Minotaur, which is iconic, and you have a unique pairing. This is what I am getting at. These two are so incredibly different from each other, in a romance that is so storybook it is bordering on cliche, that it contrasts with the rest of the story. If you can help these two get their happy ever after, what can you do for the rest of the cast?

Next, let's talk about the lyric writing and the singing. Because in my opinion, they are terrible, and I love that. This is a world where you can magically make people start singing, and this song points out that not everyone you do this to will be able to sing well, or improvise lyrics, for that matter.

And this is meant to juxtapose with the rest of the cast. Athena's songs are eloquent and perfectly imperfect (I do not mean this as a compliment), Aphrodite's vocals are filled with pain and regret, and Apollo and Persephone's music is rich with passion and anger. Contrast this with Asterion and Hecate. Hecate isn't bad, by any stretch of the imagination, but her music isn't elaborate. It's simple, direct, and effective. Asterion meanwhile stutters and stammers, its cute and heartfelt, but its not powerful. Asterion isn't a singer.

The reason why is simple. This is a metaphor for one of the main struggles of the rest of the cast. They are stuck in pomp and ceremony, in fantastical displays, in lies and deceptions, and here is a pair of characters who don't really care about that. Sure, Hecate is quirky and has the whole Dr Manhattan thing going on with her sense of time. But its deliberately simple to foil off the Olympians and their flaws.

And that's kind of what this song is doing. While everyone else is singing the same songs over and over again, Asterion makes a choice, sings something new, and gets consequences that are beneficial. Not all choices lead to death and sadness, sometimes you need to take a risk.

If you want to fix your life, you need to first get over yourself and start actually making choices.

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