#like my anime liveblog posts are like...getting so many notes

[killerandhealerqueen]

It amazes me how many notes an anime post can get...

[canmom]

The Flower That Bloomed Nowhere 049-064 (pt. 1)

Previously: 000-012, spinoff post about entropy, 013-032, 033-048 [all Flower posts]

Hoo boy this is a bunch of chapters. It's time for more Flower.

All together now: no, not that flower.

...yeah, I'm having to reach for flower-related videos to keep up this running gag at this point. But hey, look, hear me out here: Kanae Nozawa is really fucking good at playing the erhu. And it's called 'Flower Dance'. I think that's flowery enough.

...yeah, I will take suggestions for the next one. Send me your favourite flower-related videos. Especially if they're anime and kinda dark.

Anyway, welcome back to my liveblog of The Flower That Bloomed Nowhere, an ongoing serial web novel by @lurinatftbn. Our arc titles today are The Die Falls and Cut-Out Face.

And this time around, Umineko intensifies. I won't say too much more than that above the fold this time, because we're starting to get some mysteries answered (opening more mysteries, naturally). But if you don't mind spoilers, the space elevator awaits.

So where we left off last time, Su had discovered the body of (probably) Neferuaten. It's time to get into that part of Umineko where people are dropping like flies and everyone is desperately trying to figure out who's doing it before it's their turn. However, in this case, everyone involved is a wizard, so this makes things a little more complicated.

There was one important mystery missing from my list of mysteries, incidentally - the pantry with the signs of aging and the tally marks.

Someone on the Flower discord helpfully pointed out that I'd misremembered the rule on red text. I edited the previous post, but just in case: the rule is that if you get a description of a body in red, it's definitely a dead human (and that person is definitely really dead, it's not a spare body or anything). But which dead person? There's no rule that Su correctly identifies the deceased. So while Su definitely found a body, there's no guarantee that it's Neferuaten's body. It's not even guaranteed to be a member of the known cast, since we don't know how many people were already on the island.

Indeed, in this pair of arcs, we start to see characters question the identity of a corpse. So it's definitely intended that you keep that kind of question in mind whenever Su finds a body.

To broadly outline the events in this arc (as much to keep it straight in my head as anything):

Su finds Neferatuen's body and reports it to Linos and Lilith.

They link up with the rest of Su's class and break the news. Everyone freaks out a bit.

A broadcast is made to every computer on the island in which we get an Umineko-style challenge, declaring that everyone on the island will soon be killed by 'heavenly beasts', but it is - sportingly - possible to escape the security system and get off the island. Everyone freaks out a lot.

Fang, who apparently put all of their points into 'chill', takes charge of the situation. Linos explains how the lockdown works.

Linos sends Su and a few others up to get a map. While they're up there, Su bungles her way into confessing the body that she and Kamrusepa discovered earlier. The characters start to compare notes.

Moving as a group, they all set out to shut down the lockdown at the admin centre, covered by various types of magic shield. They blunder into a trap which involved Linos's gun being rigged to fire to cause a distraction, and then Bardiya is murdered while the party is split. According to Theo, the only witness, he was attacked by something which dragged him into the window.

The party share various recriminations and perform some diagnostic magic. Theo and Linos are declared Intensely Sussy, but Fang points out a narrow possibility that an external culprit could have dunnit while Linos's shield had briefly been disabled.

Mehit flips out and grabs Linos's gun. She takes Lilith away from the group of arcanists, intending to wait out the crisis in one of the areas where the Power is suppressed.

The gang moves out. Ran challenges Linos on some of his claims about the nature of the lockdown. It turns out he's been telling some fibs.

They travel through a tunnel that runs from the womens' entrance hall into the research dome. There, they discover a big bloody hole in the ground, and also Anna and Zeno are there.

Zeno's back in girlmode and is trying to transport a bunch of boxes. It turns out their actual 'main body' is a kind of a Made in Abyss 'cartridge' situation - surgically minimised, in this case to slow down aging as much as possible, and hidden. All their bodies are (according to them!) puppet bodies. I'm behind 7 proxy bodies or whatever.

Anna, it turns out, has age regwessied! We get a flashback narrated by Ran (notably not marked reliable) in which we find out what happened during Su's amnesiac episode - more on that later, but the upshot is that Fang brought a spike of true iron that they finished on behalf of Su's grandfather, which allows the Order to operate a giant machine built by Su's grandfather to interact with entropy. The Great Work is successful, and Anna was age regwiessed down to a young adult again.

Su has started to suspect Balthazar knows something time loop shaped. She and Ran and Linos go to confront him. Bal pretty much says yes: we are in fact in a time loop, we've already had thousands of iterations, and I get to remember it, and you should remember it too Su. Every single time, everyone dies and someone makes a tally mark in the pantry, which is for some reason not getting reset. Bal intends to wait out the timeloop where he is with a magazine and won't budge. He also says this is supposed to be the last loop. Ran and Su are dismissive. We the readers know better. Although somehow I suspect this isn't the last loop.

Anna hands out tracking bands.

A flashback sequence shows what happened when Ran found out about Su's situation. More on that later.

The gang go downstairs to find the admin console. On the way down, they discover a bloody magic circle with Durvasa's name written in it.

The three present Order members (Linos, Zeno, and Anna) are able to log into the admin console. They discover that it's not a standard lockdown, but a secret time-triggered protocol installed 20 years ago, around when Su's grandfather was fiddling with the computers. This means it can't easily be reset. Also, in a couple hours the security golems will turn on. Wuh oh.

They hatch a plan B. Everyone goes upstairs to 1. get masks from the mask room to bypass the golems (idk if I mentioned the mask room, there's a mask room) and 2. hopefully rewire re-rune the inputs to the security centre to spoof its inputs and activate the exit.

In the mask room, they discover Durvasa has probably been murdered, but the corpse is too severely mutilated to permit positive identification.

All the students are given masks in order to pass as members of the order. Su anticipates that these masks are going to create a situation where it's harder to identify who's who.

I think that's all the main points. Lots of moving around.

Having done what I promised not to do and write a plot summary, let's get on to the actual substance...

Mystery solution unlocked (somewhat): who is Su?

I feel like I should have been able to predict this one, in retrospect.

In logical terms, maybe not deduce it. But with this reveal, the narrative purpose of a lot of earlier scenes falls into place.

So, Su's unnamed childhood friend - the nerdy academic one who she met on the beach and encouraged her. Well, that friend is in fact Utsushikome of Fusai, or Shiko to her friends!

Wuh? Isn't that our dear protagonist? No - the character we're calling 'Su' is the mind of the other girl, our POV in that flashback. Or maybe it's the other way round, I'm a still little unclear on which POV was which in those flashbacks. I'm fairly sure though that POV girl is Su, and the other girl is Shiko. It's confusing because multiple flashbacks are narrated in the first person - the memories of the beach probably belong to Su, while the memories of the doctor's office where she learned about ascension probably belong to Shiko.

Anyway, we're told in chapter 55 a bit more about the mechanics of how arcanists work. Basically, the Tower of Asphodel, in addition to a few hundred thousand human bodies, also has billions of backup minds in the form of 'pneuma', a semi-biological element that interacts with the higher planes and basically amounts to a soul. The pneuma encodes memories (redundantly it seems), as well as preferences and habits - it's something akin to what Seth Dickinson calls the 'inner law'. In modern times, egomancy - the kind of magic that fucks with pneuma - is highly forbidden.

When humans are born in this world (perhaps more accurately 'instantiated'), stage 1 is to block the pneuma in the clone and permit a new one to form. Unfortunately this breaks the Power.

It was found that the new generation, the children born from this process, had no capacity to use the Power. Even though it had no visible effect on consciousness or intellect, this alteration to the nature of their pneumas damaged the ability of their minds to take on an Index, meaning that using the Power was impossible. There were cases where this didn't happen - where the 'trauma' healed just so - but they were one in a million. So rare as to be useless.

So, to set someone up as an arcanist, you download one of these backed up pneumas from the Tower, and install it over the existing pneuma. But the downloaded pneuma is deliberately weakened so that usually the downloaded personality dissolves quickly and reverts back to the identity of the person who became an arcanist. This process is apparently destructive to the backed up pneuma in the Tower.

So when Lilith said that all arcanists are murderers, what she means is that in a 'proper' initiation, you devour the soul of someone from a dead universe in order to steal their admin password.

In Shiko's case, something different happened. Instead of downloading the soul of someone from a dead universe, she's got the soul of a regular living girl from her own universe.

Here's how Su recalls the situation:

"One day, I got a letter. It offered me a whole bunch of stuff... My own house, shares in a bunch of local businesses that'd get me a stream of luxury credit.. If I agreed to go along with something for a couple weeks. That was what it said-- A couple of weeks." Under the table, I was having trouble keeping my legs still. "I thought it was some strange prank at first, but when we met, they seemed really serious. They said it would be best if it was someone who knew her." "Knew who?" "Oh..." I shifted reluctantly in my seat, my voice getting even quieter. "U-Utsushikome, I mean. I'd known her when we were kids... But we hadn't spoken in years." I cleared my throat. I felt so anxious about what was happening that I was shivering. "Anyway. They told me that her grandfather was dying, and there was something he'd been trying to do for years and years, but it was too late for it t-to work out. But they wanted to-- I dunno, do the next best thing, give him some peace--"

So, agents of Shiko's grandfather - who was evidently up to his fucking follicles in conspiracies - approached the girl we're now calling Su (her original name is not given, for reasons we'll see), operating under false pretenses. It's not clear how much they told her, just that it would involve Shiko. She agreed. They extracted the soul from her body and implanted it in Shiko at Shiko's induction. It seems likely that Shiko's grandfather intended to do this with his own soul, but could not for some reason? Why they did this with some random girl remains unknown. It's also not clear why Su of all people should have chmod +x for the Power.

Su was presumably supposed to dissolve back into Shiko's identity, but probably because the induction was far from normal, she retained her previous identity and Shiko was the one suppressed. Su did her best to try and figure out how to pretend to be Shiko, but Ran - not yet an arcanist herself - noticed her sudden personality change and confronted her. Su came clean, and Ran was all 'kill yourself, bitch' over it.

Seriously she does not let up. Here's some quotes:

This time, she did glance at me, a scowl forming on her face. "Don't try to act compassionate, you perverted fucking body-snatcher. You're not my friend." (...) She grunted. "Just be late next time. I don't want you messing with how she looks on your own impulse." (...) It was strange, us investigating it together like this. Even though I went along with it, acted repentantly, and had explained to her that the way things were weren't exactly my fault - that I'd been deceived at the premise of what I'd agreed to do - she wasn't willing to afford me much charity, but in a way, that was comforting. She was like a beacon of sharp reality in the dreamlike, dissociated existence I was now living.

And so on. Even when Su reveals that her original body is now months dead, and there is no body to go back to, Ran will not cut her a break:

"...this isn't you getting cold feet about trying to save her, is it?" she asked, suddenly suspicious. "Because you can't--" (...) Ran must have realized the absurdity of the statement, because a few moments later she spoke up again-- Disgust having crept back into her tone, even if that hint of conflict still remained. "Don't act sorry for yourself," she said. "It's your own fault for going along with something so perverse for your own gain. Blame her grandfather for being such a fucking lunatic, if you want, but don't act like a victim. No one gives a shit about you."

People in the comments start pulling out the word 'abuser' over this kind of thing and yeah, *sucks in air through teeth* they're not wrong. No wonder Su has such a complex nowadays.

It's notable how much Su's fantastical scenario here has in common with the experience of plurality/DID. Certain friends who are plural talk about how they may be able to recall alters' memories, but with difficulty, and it feels like they belong to someone else. And of course there's the process of forming new alters. Manifesting suddenly in a body full of memories of another person seems like a pretty distressing experience all told, but it's also something that the other people you're sharing with can make easier.

I talked a bit more about this in the Baru article on brains, so I won't reprise it all here. Broadly speaking, if someone is plural, their mind supports different 'alters', which are states of being which typically express distinct senses of identity, access to memory, preferences, stream of consciousness etc. Whether you think of them as distinct 'people' or distinct states of 'one person' seems like a matter of philosophical speculation, but 'co-consciousness' of alters is not an unusual thing, and sometimes I've witnessed externalised disagreements between alters. Since we don't have any ability to prove the existence of other minds in general, the only surefire way to know what it's like to be plural is to be plural already. Unfortunately the main way to inculcate plurality seems to be 'go through severe child abuse', so it's not easy to find out. But maybe tulpamancy is real?

Su's situation is not so different from the recent recurring 'lesbians and imperialism' subgenre device of having someone's mind inserted into a protagonist's body through some kind of scifi means. In modern 'plural system' terms, the word used is 'introject': in brief, an alter derived from another person, who often (but not always) understands themselves to be that person even in another body.

The big difference for Su of course is that the other alter she'd hypothetically be sharing this body with has just disappeared. Su can't talk to Shiko, Shiko's gone. It's not actually uncommon for alters to disappear like that, I've known people who very rapidly generate and discard identities in an intense traumatic situation, but the timeline doesn't really fit that here, and it's pretty much nonexistent I think for all alters but one to disappear and leave someone a singleton again.

I admit I'm not familiar with all the modern taxonomy of what psychiatry terms 'dissociative disorders', so perhaps there are other related categories, that are closer to Su's situation. Of course, even ignoring all the flaws and limitations of the DSM approach, this is a sci-fantasy world in which souls are real and manifest in a specific organ (ironic given how I declared they definitely aren't real and 'the body is all that is' in the first post on this book), so different rules apply!

What's not clear to me at this point is whether Samium the egomancer is going to be capable of restoring Shiko's soul in any meaningful way. It seems like when you shove two pneumas into a body, only one survives.

Anyway, as for Ran, she's clearly backed off on the 'perverted fucking body-snatcher' talk, having spent many years building up a friendship with Su and losing sight of her original zeal to save Shiko. Despite this, she really hasn't owned up to the fact that she's a big part of the reason Su is so determined to do a special magic suicide.

We could only suppose that if Shiko was brought back at this point, she would be in the exact same situation Su was - suddenly inhabiting a body filled with memories that are not her own, surrounded by people she does not know, and forced to carry on pretending to be the previous occupant. None of Su's present classmates know Shiko. Shiko's context was the school, and that is now in the distant past.

Su, however, is carrying The Mega Traumas and has spent however many years defining her life's purpose as dying to bring back Shiko. She has fully internalised the idea that she's a monster and doesn't deserve to live, that it's somehow her moral responsibility for the twisted experiment that Su's grandfather performed on these two girls.

At this point, the 'healthiest' outcomes are one of two things. Maybe Samium the egomancer could reactivate Shiko's identity, but without destroying Su, and Su/Shiko can share the body. Being plural doesn't seem to be so bad. (I admit I don't know what it's like, but if there's anything I've observed from knowing people who are plural, it's that once that cat's out of the bag and you recognise that you're plural, you can't really just try and suppress it. Trying to just will yourself into not switching is going to fuck you up much worse than coming to terms with it and developing ways to interact comfortably and share embodiment with your new headmate. Apparently 'integration' or fusion of alters is possible, and was traditionally pursued by therapists, but if it's rushed it just breaks down. And that would be disagreed with by the modern plural identity movement.)

On the other hand, it seems fairly plausible that it won't be possible to bring back Shiko. In this case, both Su and Ran need to finally grieve their friend who was effectively murdered at a young age by Su's grandfather, and move on. Easier said than done, of course. And they're definitely not going to get there if they can't have a very honest discussion about it. Which doesn't seem very likely with all these distracting murders.

Anyway, that resolves a few of my list of mysteries...

what skulduggery happened with Su’s ascension that made it go so badly wrong?: Shiki had the soul of her childhood friend, now known as 'Su', instead of some rando from the Tower of Asphodel. why did Ran react so badly to knowing that Su can’t assimilate?: she was not yet an arcanist and did not know about what initiation entails. she sees Su as culpable, even though Su was deceived. Su is a stranger and she will happily let a stranger die to save Shiki, and rationalises this. what did Su’s grandfather have to do with it?: agents claiming to work on behalf of Shiki's grandfather deceived Su. it seems it was too late to do it with his own mind.

it also opens some brand new mysteries.

why did Shiki's grandfather carry out this sadistic experiment? how is this the 'next-best thing'? is it just to prove the body-hopping technology works?

did Shiki's grandfather and co. anticipate that Shiki's mind would be overwritten by Su, or did they expect Su to be killed, the same as minds from Asphodel?

who are the agents who carried out this weird plot? do they have any relation to the current murder spree?

can the mind of Shiki really be retrieved?

Now I've gone through all the ins and outs of it - this plot is really cool and spicy. So much drama to be had. Now I understand the point of those flashback scenes to Su's childhood, and it fits so neatly that I wonder how I couldn't see it before. Not enough imagination! But if this is the wavelength the story is operating on, I should try and imagine similar payoffs for the other mysteries...

Anyway, now that we've established that body transfers are possible, we might wonder if anyone else had one done.

Let me wrap up this section by saying... body-snatcher is a very specific term! It tickles me to think that Ran might have seen Invasion of the Body Snatchers (1956).

The time loop

This was described at the outset as a 'control' scenario, but we have several apparent divergences. And supposedly thousands of iterations of this experiment have already run with slightly different outcomes.

Su's memory is slightly leaking info from the other loops, but for the most part she remains immersed in the scenario. Balthazar, meanwhile, obviously has history with Su from previous runs. This explains Su's inexplicable feelings of animosity towards him, his knowledge of the name 'Shiki', and many of his remarks.

As mentioned up above, the pantry is somehow not getting rolled back after each loop. This explains why it's so old. I had previously been assuming it was some kind of 'hyperbolic time chamber' type scenario, and the tally marks were the time that someone was stuck in the pantry, but this is way more interesting and cool.

We have our equivalent of On the ninth twilight, the witch revives, and none shall be left alive. from Balthazar:

"When I said this is a closed circle, I meant it in every sense," he explained. "In absolutely every instance, for every marking made on that wall... By the time this is over, there isn't a single person here left alive."

Presumably either Balthazar or Su is the mark-maker, and they always end up dead after making this mark. I assume they usually mark the wall fairly early in the loop in order to make sure they don't die too soon before making it!

This actually means I think we have a fairly good suspect for the "who knocked out Yantho" case. If Balthazar came here to mark the wall (although why bother, if it's the final run), and Yantho was about to see him, maybe he'd have panicked and knocked Yantho out? I don't think that would extend as far as killing the cook and faking her suicide though!

Anyway, Balthazar claims this is the final run. One commenter had a little hissy fit about this not fitting the standard time loop story mold, but I'm more inclined to wait and see. Admittedly, I have the unfair knowledge, compared to when this chapter came out, that the story is hundreds of chapters long and still going strong, and given the murders are now going at a rapid pace, I feel like we'll surely see at least one more loop. Hard to say though. Just because it's inspired by Umineko doesn't mean it's got the same structure.

Anyway, let's revisit the very first chapter given what we now know...

They were also a woman, though you wouldn't have been able to tell. Everything beneath the head-area was buried under black fabric, without so much as an inch of flesh visible, and their face was covered with a expressionless, androgynous porcelain mask. Otherwise, the outfit evoked something like a funeral gown, with only subtle frills around the cuffs and hem of the skirt.

We can now recognise this is probably the outfit of a member of the Order, back when they hid their identities. The mask sounds similar to how Neferuaten's mask is described in chapter 31:

It took me a moment to realize which mask she was pointing out, since it was so unremarkable. It was little more than an oval of silver, with holes cut for the two eyes and mouth, and a little dent to accommodate the nose.

Though Nef's mask is described as silver, not porcelain.

We can also get to hear Su's victory condition.

"Understand this: Your role in the scenario has been elevated from that of bystander to that of the heroine, and your victory condition is thus," she continued. "You must ascertain the identity of your opponent, the cause of the bloodshed to follow, and prevent it before it comes to pass. In order to accomplish this goal, you must pay close heed to all which transpires, and use deduction, alongside your skills and past experience of the events to follow. Do you understand your role?" (...) "Should you deviate from your role, the scenario will be compromised, and a grave outcome is forewritten. But should you succeed, then you shall open the path to a brighter future." She paused for a moment. "That is all. Should we begin?"

It's not at all clear why this should be the final loop, given that Su seems nowhere near close to 'winning' at this point. It's hard to know whether 'the scenario will be compromised' applies beyond a single loop though.

Two more mysteries to put on the list: who is Su's interlocutor here? And what was Su's request?

One thing I noticed, incidentally, is that chapter 000 was written some time after chapter 1, released 27 July 2020 - the timestamp places it in between chapters 020 (24 July) and 021 (6 August). I don't think this means anything - the intended version of the story is clearly now the one with the prologue attached - but it's an interesting example of how a serial novel can evolve with time.

Anyway, if the time loop is a challenge for Su to solve, it raises the obvious question of why Balthazar gets to remember the loop. (There's also incidentally a thing where most of the students' clocks are mysteriously stopped, with the exception of Ophelia's and Ran's.)

Anyway, Su (like us) has to solve whodunnit and whydunnit. Though howdunnit is probably also relevant.

I'm going to wildly speculate that Su's identity stuff is somehow connected to the timeloop scenario, just because narrative efficiency. Here are some possibilities to consider:

the woman in the mask is Shiko

the woman in the mask is Su. the POV of the first chapter is that of Shiko, and her request is that a scenario could be created where Su has to take on the scenario.

the culprit of all the murders and shit is Shiko. she was not overwritten, but evicted into a different body again.

the culprit of all the murders and shit is Shiki, from Tsukihime.

Ran's chapters and the Great Work

Ran recounts some of the stuff that happened while Su was out of it. This is later shown to be a diegetic conversation.

These chapters are super cool and intriguing. That said, while it starts out fairly believable - Ran's summaries with her voice - there is something a bit weird about how Ran can quote long conversations verbatim. Admittedly, if Su is telling the story, she is also able to remember everything in incredible detail. But Su has been established to have something like an eidetic memory, at least as far as figures are concerned, so I can sorta handwave that part.

Though that said, it's just a minor stylistic quibble. Putting it in Ran's mouth is an interesting device. Ran's inner voice is quite sarcastic, way more so than Su, who is honestly painfully sincere?

More importantly, these chapters are not marked with a first purple letter to confirm they are reliable. This is a narrative that Ran is telling Su. We can probably assume the broad details are accurate-ish, but it's entirely possible that Ran is lying or omitting things according to the rules of the game.

Anyway, the students are all taken down to a huge chamber underneath the Everblossom that's full of fractal cables and complicated magic runes that use a city's worth of eris to interface with the Ironworker entropy machine. So far it lets them essentially perfectly recover information from the past, allowing them to do stuff like de-age Anna.

It's a little bit handwavey how it all works. Anna's memories appear to be intact, so her entire body can't have been rolled back. We could raise all sorts of questions about motion and the interface between brain and body but it's a nitpicking.

What we know is that after Fang brings out a piece of iron and it's integrated into the machine... Anna goes offscreen with the other members of the Order, and then comes back appearing much younger, and they claim the machine worked as intended. Not much time to celebrate though because shortly after, the murders start.

There remains the possibility that the younger individual we're being told is Anna is... not Anna, but someone else acting as her (perhaps even Neferatuen). Though why the Order would deceive the students in such a way I couldn't guess, so it's a pretty dubious theory.

The murders

The murder of Bardiya is fairly extensively discussed by the characters. The two scenarios raised are: Theo attacked Bardiya, then lied about it, or, an unknown party ducked in while the shield was lowered very briefly, then attacked Bardiya through the window.

Given the specifity of the window stuff, I'm inclined to believe the second story. Theo definitely has something going on with him (he's been super cagey about some personal business), but he doesn't have a murderer vibe, unless he's an improbably good actor. The capabilities of the adversary remain unclear.

It's also possible that the death somehow involved an adverse interaction with Linos's shield. This possibility was raised by a commentator.

...actually, fine, let me go into Linos's shield.

Linos's shield (or the inevitable nitpicking)

The main group of characters rely on Linos's high level casting of a shielding spell called energy-nullifying-projecting. This takes incoming energy and redirects it back out. We get more details later:

"The base component terminates all motion in anything that comes into contact with it and essentially acts as a brick wall on top of blocking incoming incantations, while the additional one conjures an electromagnetic repelling force, physically damaging any matter that tries to pass through it."

"Wait, uh, I'm kind of confused," Ptolema said, scratching her head. "If it works like that, wouldn't just moving it around damage stuff? Like, when you expanded it to cover the kitchen, shouldn't it have smashed the wall to bits?" "Mm, well, the energy nullification doesn't actually apply when I move the barrier, so as long as everything I'm expanding it through is motionless already, then it'll just pass through harmlessly. I do have to disable the repulsive component for those times, though--- There's an element of the incantation to give me dynamic control over it."

My nitpicks are two: firstly, Ran mentioned special relativity applies to this universe in an earlier chapter. 'Motionless' is relative, and in Newtonian physics and relativity, you don't have a 'preferred' reference frame in which things can be 'absolutely' at rest. So I wonder how the spell is able to distinguish between 'thing moving towards Linos' (block) vs 'Linos moving towards thing' (don't block).

My second nitpick is thermal motion. Even a solid object is constantly full of random lattice vibrations corresponding to temperature. Negating all motion that touches the barrier would amount to flash-freezing anything that comes into contact. Though perhaps you can 'code' it to identify macro-scale objects in motion and block them.

Neither of these are like important.

Anyway here's how Bardiya's death is described by Theo...

"I... Bardiya was right up near the window at the far side of the room, when I turned. I only saw him clearly for a moment before the lamp fell over... But the window was open, and he was staring out of-- No, rather, it almost looked like he was being pulled by something. One of his arms reached out to try and grab hold of something, but there was nothing." He shook his head. "When the light was gone, I tried to call out, but I couldn't hear a sound from my own mouth... Or from anywhere at all. And then, I... I..." He ran his hands urgently through his hair, as if trying to wipe something off them, and gasped urgently. Mehit, who was sitting next to him, stared wide-eyed. "I couldn't see well, but it looked like something was... Was feeding on him," he went on. "He kept being pulled out through the window over and over again, and every time, there was more and more blood when he pulled back. I could even feel some of it splatter on my face, see the light reflecting off the puddle... And more than anything, I could smell it. It was like a butcher's shop, but sickly sweet." He shuddered. "E-Eventually, whatever it was let him go, and he slumped down. I'd been too shocked to move up until that point, but realized I needed to help him, so... I tried to step forward. I still couldn't hear my own voice, so I tried to turn his body around. That's when I... That close, I could see..."

Getting pulled out of the window by an unseen force and torn to bits definitely sounds kinda like getting caught in a repulsive barrier, right? Then again, there's no reason Bard would stick his hand out the window unless forced.

It's a shame, I liked Bardiya. Had a good head on his shoulders. But hey, I guess that's the point! You always kill the fan appeal character first for maximum tragedy points. (By the same token, I expect Ezekiel will last a long time.)

Durvasa we have less information to go on, since the corpse was arranged decoratively post killing. As we've observed, it might not even be Durvasa.

I'm too tired now to try to solve this one, but I might do a followup, to comment on any other stuff that stands out, later.

Great story, anyway. I'm so intrigued by all that's going on. I accidentally posted this instead of sending it to drafts, so I'm gonna unprivate it now, see you next time for more on these chapters or maybe just advancing straight to the next batch!

Thanks for reading my liveblog! And if you read this Lurina, great work, this book kicks ass, so many intriguing ideas and moving parts, I have no idea how you keep track of it all lol.

Umineko liveblog to pick up after sleep hopefully. We'll see though.

[angiefsutton]

Quantum Leap (1989) Re-watch

So, now that I've fallen headfirst back into QL slash, I decided to give the show a re-watch. Probably the last time I watched it was in 2001 or so, the LAST time I was obsessed with slash.

Figured I'd liveblog some of my thoughts. I'll be using the tag "#Quantum Leap Re-Watch" if you want to follow along.

Episode 1 & 2: Genesis part 1 & 2 / the pilot episode

And here we go....

Al's first appearance: "I'm a lot friendlier than HE is." And I didn't fall in love with him right away WHY?

I remember reading back in 2000 some meta about how many similarities Sam has with Tom Stratton, and fanoning it that GTFW was making that first leap 'easy' (both testing new things, best friend who's a hound dog, etc.).

Poor Sam - while I know he goes through a hell of a lot worse later ("Shock Theater" anyone?), I can't help but feel for him as he tries to figure out what's going on. (best bit: "Oh, I gotta couple of them." with regards to 'new' ideas)

And THERE'S that Mike Post music we all know and love. (Sounds a lot like his Law & Order theme.)

Ah - shirtless Scott Bakula RIGHT from the get go. Yay!

"You'll snap back faster than a pimp's suspenders." Oh, Al - promise me you'll never change!

huh - Al being an astronaut was in the pilot? Could've sworn that wasn't put in until "The Wrong Stuff".

God the ADR is horrible in this episode.

miniskirts and panty hose and streaking - obviously written before they decided to make Sam a goody two-shoes. ;-) (also feeds the fanon that Al started doing it specifically to get Sam to 'behave' himself)

Also - he apparently remembered a LOT here? (Or maybe Al helped him fill it out? <G>)

Sam trying to remember his last name so he can call his dad, who is alive: my dad died of lung cancer in 1986 (when I was 12), and so this scene always hits me hard. If I could time travel, that's what I'd want to do.

Late because of a Laker's game and meeting Martha? Al, Al, Al....

I remember noting this LAST time I re-watched: Al says, "I'd trade my ex-wife for any wreck they got." SINGULAR ex-wife. I know this is Bellisario just being Bellisario (canon? what canon?), but the very next episode is where we run into Donna: I know I wrote that that was a timeline change in one of my stories. (Sam getting together with Donna causes Al to get four more ex-wives <g>.)

Ah - the unofficial theme song of the show: "Que sera, sera".

God, I love how Scott Bakula kisses. He just puts his whole body into it, doesn't he.

While we do get an 'Oh boy' when he sees a pregnant wife, he does NOT say it when he leaps into the baseball player. Curious when that becomes a 'thing we do'.

Huh - we get an 'animals can see Sam as Sam and Al' in this first two episodes.

Al in that silver jacket. Lord have mercy. And our first 'Al sneaking up on Sam'!

"No wonder they're in the cellar: they've got as much enthusiasm as a $10 hooker." God bless you, Al Calavicci. And GOOSHIE made Ziggy print out X-rated pictures?

And the first 'let's go to the bathroom to talk'. Huzzah!

"Seems like someone wanted both Tom and Samantha to survive." - the dual meaning of that when you know the whole show. :-)

"I could be bouncing about forever." / "Nobody lives forever." - adds to the fanon I remember hearing that Sam died in the Imaging Chamber (which is why he's able to leap, because he now knows the 'end' of his life for the string theory) and is why he can never leap home.

Ziggy's 'afraid to print it out' - huh, no voice yet.

Yay - magnafoozled! One of my favorite words from this show.

"You hold six doctorates" - ah, a true canon moment.

Oh, Al looks so heartbroken that Sam can't remember his last name.

"I've named my boy Sam." - not my youngest boy. Tom doesn't exist in this timeline! :-) (Katie does, though. Huh.)

Damn, both Scott and Dean are phenomenal in this. No wonder they won so many awards.

Oh my God - the look they share when Sam comes back after calling his dad. MY HEART.

Ah, Scott Bakula's butt in baseball pants. Can life get any better? ;-)

And the first 'homage' - this one to The Natural.

Had to look this up (don't know much about baseball prior to the '80s <g>): 'Al says "You know who that kid kind of looks like out there?" According to the script, it's supposed to be Tom Seaver, although at this point in time, Seaver is playing for the New York Mets.'

And that's episode 1 & 2. You know, considering this was 1989, it holds up surprisingly well. It's got a good hook, the acting (no surprise) is amazing, and Bellisario does a good job of balancing out 'getting the premise of the show' with 'having an actual plot happen'.

[couldbebetterforsure]

I already gave out my big thoughts about the Final Performance arc of Suzu’s route in over a dozen different individual posts (sorry for spamming the Jack Jeanne tag 😞) so I won’t repeat myself too much on that.

Basically I am super duper wholeheartedly in love with Suzu’s route. It was incredibly well written, had great characterization of both Kisa and Suzu. I also think Suzu’s route flowed well from the common route, like a natural progression. I loved how the rest of Quartz was like on the route too, how supportive and loving they were. Once again, special shout-out to my boy Sou for being the funniest fucker during this arc. Boy really put the fear of God in poor Otori…Fumi and Kai were able to happily pass along their titles as Quartz’s Al Jeanne and Jack Ace to Kisa and Suzu with no regrets. Neji got to have fun with this last play and with how many references to the plays from over the year this one had, seems like he was feeling pretty sentimental. And Mitsuki really showed off how ready he is to be Quartz’s next leader, he knows his class so well! And yeah like I said before, Otori did end up growing on me, he’s such an entertaining gremlin!

Also all the people who tried saying Jack Jeanne isn’t romantic were definitely exaggerating. If you’re looking for spicy romantic contact or lots of physical affection, you probably won’t get it (at least that’s what I’m understanding after doing Suzu’s route). But to say it isn’t romantic at all??? LIES!!!! At the very least Suzu’s route is so incredibly deeply wonderfully romantic!!!!

I already mentioned this but Sissia of the Central Nation is my favorite of Quartz’s plays. Everything about it was beautiful, I felt like I was watching an anime, and like I said before if the developers wanna make a separate visual novel based on the play 👀👀👀👀👀 Though preferably with an ending that leans more towards the sweet side over the bittersweet (seriously you asshats you couldn’t wait for Sissia and Chance to get down first????)

The music was sheer perfection. Departure was a beautiful solo from Kisa, like no wonder Sissia was immediately picked to join Kielce. Kielce the Nation at the Center was without a doubt my favorite, it was such a catchy hype song for the circus troupe! Quartz Anima was a VERY close second, like it so narrowly missed out on being my favorite, it’s beautiful and has so many callbacks to Quartz’s past plays and I found out it also apparently references all the Quartz members’ names in the lyrics too!!! And Over the Wall was another gorgeous solo from Kisa!

The ending song, I think it’s called Where the Wind Blows, was absolutely beautiful and I loved that for me it was a duet between Kisa and Suzu 🥰🥰🥰

So yeah, Jack Jeanne is such a good game and deserves way more attention. I have only played the one route so far but I can confidently call it my favorite otome game and one of my favorite video games in general!

Before I get to the other routes I wanna take a break to play Radiant Tale! There’s another red haired genki sweetheart voiced by Yuma Uchida in that game but I can’t access his route until I woo all the other boys first 😡 So I need to get to work on that!!! When I come back to Jack Jeanne I likely won’t liveblog as extensively as I did Suzu’s route. I probably will give general thoughts at the end or make note of anything major.

But yeah, thanks everyone for reading my thoughts! And sorry again for spamming the Jack Jeanne tag so much! 😅😅😅

[knownbyanothername]

liveblog (Currently liveblogging ultrakill!)

Freakazoid! Blog

writing blog (mostly for original characters)

playlist blog

nsfw blog

(generally i try to stay sfw here due to my writing also being geared towards minors but like occasionally i may rb something a lil 'suggestive' bc i don't want to be disrespectful by rbing it to my nsfw blog-- if anything ever toes a line please do tell me!! it's sincerely not my intent to be Weird)

tags r #pichu barks (personal), #pichu writing (well, writing, but more rbed from different blogs now), & #pichu snarl (for if i think a post has gone into vent territory)

I try to tag things as follows:

#I live here for stuff I'm into, #I don't even go here for stuff I'm not but think is Neat, #the funnies section for shitposts, #The fridge for pieces of art i like of all sorts, #picture frame for any neat aesthetic posts I like. #Bebes will be for any cute animal stuff. #a quarter in the jukebox is for tunes. #for the funniest clown and #angelic pss pss pss for two very special people in my life :), #rats nest is for stuff that reminds me of Me :-). #mutual my friend is for stuff i rb from mutuals (i try to tag this when i can!! sometimes i forget who my mutuals are). #feels goods is for, well, feel good posts-- stuff that makes you feel all nice looking at it. :) #wisdom is for posts i just think are really good advice/words. #add to the library is for texts/written works i like. #designed delicately is for designs i like a lot. #i like your words is for good analyses. #database updated is for nice facts! #author notes is for writing info since I'm writer and want tabs on all that. #for future reference is for refs in general. #resipes is for any recipes i wanna find again. #activities section is for any games/interactive stuff I think is Neat. Will add more as needed. also old posts on my blog/posts i've queued won't be tagged but after a certain point they should be tagged. sometimes i still won't tag things bc it's a Feeling yk.

Otherwise, feel free to ask me to tag other stuff-- I can't keep up w other people's tagging systems if I don't know them well enough.

General abt is i'm a lesbian who uses any pronouns, leaning towards he/him. Generally inclusionist.

Trying to get myself out there to socialize more-- granted most of all I'd prefer a discord server I could vibe in so if you wanna possibly invite me to one i'd be open to it (obviously healthily cautious), or if you wanna start a convo we can see if we hit it off-- apologies though if it falls off at all, sometimes people don't vibe.

Not about to give out my discord willy-nilly but if you DM me and you seem chill i'll give it out-- and probably like, make a discord server if anyone/enough people ask me for it. That's like, the happy medium to me of like, making a random discord server and just putting it out there all willy nilly nally.

i will also state in advance i am a tad more careful around minors due to having so many experiences where adults have disregarded their safety, but if we cross paths we cross paths.

Current projects:

(Note: most of my writing projects I'm planning on making enjoyable via their own merits-- so if you don't know the source material, if you'd like to check out my writing regardless, you can read them regardless! )

[sparrownnax]

I posted 25,858 times in 2022

That's 4,112 more posts than 2021!

1,119 posts created (4%)

24,739 posts reblogged (96%)

Blogs I reblogged the most:

@they-thespian666

@kryptic-krab

@transgender-rex

@crownquill

@satansellscookies

I tagged 5,684 of my posts in 2022

#homestuck - 550 posts

#cows - 172 posts

#asks - 86 posts

#prev - 49 posts

#spouse posting &lt;3 - 43 posts

#rqg liveblog - 43 posts

#skeleton war - 35 posts

#unreality - 34 posts

#tma - 34 posts

#the magnus archives - 31 posts

Longest Tag: 135 characters

#also numerous eyes. how many? who knows! who cares. e y e s. 👁️👁️👁️👁️👁️👁️👁️👁️👁️👁️ but like on stalks or whatever like a snail

My Top Posts in 2022:

#5

mcr and tma trending at the same time this is like november 5th for podcast people

130 notes - Posted October 12, 2022

#4

some things about jonny d'ville:

-yeah yeah jonny killed his own father but "i know that your hands are already red" can we talk about this??? who else did he kill before???

-the fact that he was probably around 18-ish when he was mechanized (if i recall literally anything correctly) means that 1. lmao permanent babyface 2. this guy Died in a barfight and he canonically just. looked so excited to die. imagine you're in a fight and this kid get shot and hes just absolutely ecstatic about it. what. im aware that jonny sims aged so the character on stage isn't gonna look the same age the whole time but like i don't think any of the mechs physically aged very much? idk.

-yeah thats all i got i just wanted to share

170 notes - Posted April 25, 2022

#3

*A skeleton approaches you with a wizard hat*

Hello fellow wizard, I am also a wizard, would you like to discuss our weaknesses together

of course, but i think it is much more important to the war effort to discuss skeleton weaknesses. do you happen to know anything about those

254 notes - Posted November 12, 2022

#2

another stuffed animal would fix me i just know it

309 notes - Posted August 20, 2022

My #1 post of 2022

1,396 notes - Posted October 13, 2022

Get your Tumblr 2022 Year in Review →

[macgyvertape]

BSD spring '23 season liveblog

The most annoying thing is in some places eps 38-50 are season 3 and are season 4 in others 

Ep1 has phenomenal use of color where its greyscale and basically monotone except for a few details, but its done so well that there’s depth and contrast with the grey on grey. The full color showing up from Ranpo’s PoV then is a shock and drives home the different viewpoint. Even the fight choreography of Oda vs Fukuzawa comes across clearly and better done than most full color fights in other shows 

Living for this Ranpo serious character focus. The glasses transition as the world shifts into color. I’ve said it once but its so fucking good

Fukuzawa being featured in the flashback arc makes me appreciate him so much more, like I hadn’t paid him as much attention as other secondary characters because he got so little spotlight and seemed to have his shit together

Oh shit, there’s Fyodor Dostoevsky! I was expecting the Port Mafia but not him 

What the name of the music that plays post credits ep 3

Thrilled by Poe getting to star in a 2 episode plot, his focus episode was one of the things that made the Guild arc my favorite current day arc

Lmfao Poe being filthy rich and Ranpo having such a bad reaction was hilarious

The mysteries in the show are such fun

Tripping out on Poe’s ability synth wave room 10 hours

Lmao what did Rampo expect, that Mushitaro wouldn’t immediately be killed?

Nikolai’s psycho showman killer routine is super annoying and the episode isn’t even halfway

Love to see the trap build up very obviously with viewer knowledge

Great dark with red color pallets with ep7

Damn the hunting dogs get a cool music intro (they get it twice!)

From the word criminal i expected the Port Mafia to show up, but damn Chuuya has a great entrance

Kunikida is really going through it ever since the tunnels, i love when good writing stresses a character’s ideals hard, so this plotline where things build and build and build has been great.

Kunikida made what looks like a sacrifice play, time to stay up to watch this. He has such plot armor that I can’t believe he’s dead.

Really enjoying how many other characters than Danzai and Atsushi get to be in the spotlight this season

Soon as I say that Danzai shows up as a plot twist. His intelligence is very much a plot device, which is why (IMO) fandom Danzai fic falls flat a lot of the time where its “he would not fucking say that/he’s not this much a woobie and is smarter than this”

I've been playing a drinking game for the number of anime eyeglass flashes this season

Yosano gets a PoV episode, and peak example of how this shows can explore darker themes even with a healing ability, and also nail the emotional impact with the camera pan on the medallion and suicide note

Into my drinking game and I’m really noticing and appreciating the little bursts of music for 10-30 seconds  

Hmm Hirotsu is the 2nd character where it seems the hunting dogs have got a kill but body isn’t shown to the viewer 

Was not expecting Tachihara to be the last Hunting Dogs member. I better rewatch earlier seasons

Glad Mushitaro is alive, he’s a fun character haunted by the death of his best friend

Ango is getting some fun reveals this episode

Wtf is this sky casino, this helicarrier looking thing

“Most terrifying thing is a mediocre man who’s desperate”. Unfortunately true

I thought it was obvious that Sigma and Sky Casino came from the Book, but they’re making sure to spell it out 

Wow the Hunting Dogs have to go through fucked up surgeries every month or they’ll die horribly. It explains so much. (Wish I could find more fanworks that are this quality of “the limits these characters will go for their objective” and less shallow fluff)

The good outro music is back again in ep 13

Cliffhanger nooo! This ranks as new best season of BSD really enjoyed the amount of angst this season. 

Once again I wish this fandom would stop spam tagging things especially when I want to find secondary character focused works.

[your-turn-to-role]

TELL ME LITERALLY ALL YOUR THOUGHTS ON THE START OF THE LEGEND OF VOX MACHINA

alright hello! was saving this for after i finished the three episodes that are currently out, there are some liveblog posts i've made already but plenty left to put here :D

1) the first word spoken in this show after the intro narration is by david tennant and it's "fuck". you could not ask for a better opener

2) percy has had at least 5 suuuuper anime moments and we're only three episodes in. i love this dramatic child

3) making vex's primeval awareness involuntary is actually a really fun character choice? both bc she deserves the magic powers and bc she tries her best not to be an instinct driven character so giving her so many things she just knows (her twin sense as well, though that's canon) puts her in some really interesting positions

4) i really loved how well the opening bar fight introduced everyone's character quickly but pretty in depthly? it was extremely fun to watch

5) speaking of character - vax is the heart of this team just as much as pike and sometimes more so, so giving him that moment to empathise with the town attacked by brimscythe and then to be the driving force behind them avenging it was just. so good

(but also he killed brimscythe in the original campaign, and when it looked like vex had i was so hoping she'd get to retroactively steal the kill from her brother 😂)

(alas it went to grog)

6) the first two parter really did do a great job of summarising the important pre stream events and GOD that segue into briarwood plot, with ep 3 immediately throwing you into percy backstory? Good Shit

7) i will say though... have they aged up cass? because she's the youngest de rolo, i honestly mistook her for vesper until the arrows

and sure you could say she just looks old for her age but then who are these children?

is this whitney and oliver? they should be older than cassandra

but also. seeing a cass who's this age (and like. the oldest she could have been when the briarwoods attacked is 14, she was more likely around 12-13 and looked like this) would have made that, a lot more horrific, whether that's a good or a bad thing is up to personal preference there

(though i mean they definitely committed to the percy being a teenager thing! and i'm excited to see more of this story)

8) percy and a fistful of broken glass at the dinner party. percy. percy i know you're not okay but you're bleeding, this is one of the few animated shows where they let us see that. percy put the glass down. please.

9) on a much lighter note, proportional to plot events, scanlan sings about as much as he does in canon. however, given that this is a much shorter show, it's this close to becoming a musical 😂

i love it 😂

10) kids....... there they are...... my darlings....

[defying-gravityfalls]

Here we are, 10 years later

Hey folks. It's been a while. I really wanted to have something to post in time for the anniversary but I've gotten held up and was unable to make anything in time for the date. We are however on 618 today! So I'll take what I can get lol.

You may have noticed this account has been pretty barren the last couple years, and it's not hard to guess that is because I had moved on, I have fallen into other hyperfixations, and I'm also an adult now with more responsibilities than I had when I was running this account as a teenager. I almost have some sort of guilt from leaving this behind and even wonder if anyone still cares about what's on here, which is part of the reason I haven't posted much. But I'm feeling nostalgic and I want to talk about Gravity Falls and this is the perfect place to do it! So I thought I'd give you all an update on what I have going on and how I've circled back here.

Let me just start off by saying I'm sorry for falling through on a giveaway I had promised right before I had left this account, I still feel bad about it, I was at a real low point in life and should have never promised something I felt I could not follow through on. I didn't know what else to do except run away from it. But I'm better now, and to anyone who is still upset at me over this I encourage you to contact me for a free commission of your choice, because I'm actually serious about art now! (Seriously you have no idea how bad I feel about this I am so so sorry yall)

I have had one major hyperfixation since my GF one faded, and that would be Hatchetfield. I guess I'm just drawn to small towns where weird things happen! In the same way GF changed my life, Hatchetfield also has, I would not be where I am today without either of them. And if you also like Hatchetfield I have side account if you wanna check it out! This is definitely where I'm most active these days. I actually have a fic for it with a premise which many times has been compared to Bipper, and yes I do think that is an accurate callout lol

I've also gotten into The Owl House quite a bit lately, I wasn't too into it when it first started airing like I was with GF but once season 2 hit I started watching pretty regularly, and I'm sure many of you also watch it because of Dana. I'm definitely not as into it as I was with GF but I'm having a good time! A thing doesn't have to take over my life to be good lol.

On a personal note I have moved back to Minnesota! I'm currently a waitress trying to save up enough money for an apartment, I haven't finished college yet but now instead of animation/writing I'm hoping to get/finish my degree in theatre with a focus on costuming and SFX makeup. While I still love animation and could see it as something I would like to be a part of, theatre just seems more realistic to me at this point, and I like it and am already kinda good at it! I've always done theatre, this makes sense for me.

Back to why I came here. With all the hype recently leading up to the 10th anniversary I have been missing Gravity Falls, and I have been missing the community, and I want to get involved again. I don't think I ever truly left Gravity Falls behind, it stayed with me one way or the other, having this presence in my life I couldn't deny, and I think I want to come back home to it. My life has changed a lot the past 10 years, i wanna look back on something that made me so happy.

So I'm gonna try to be more active on this blog! I'm gonna start a long overdue rewatch on the series and maybe liveblog some parts of it. I think that's a good starting point. I'm happy to be back, and I hope I maybe still have friends here after being absent for a few years, and I'm willing to make new ones too. Thank you everybody, for everything. Stay weird.

[yamayuandadu]

Circe by Madeline Miller: a review

As you might have noticed, a few of my most recent posts were more or less a liveblog of Madeline Miller’s novel Circe. However, as they hardly exhausted the subject, a proper review is also in order. You can find it under the “read more” button. All sorts of content warnings apply because this book takes a number of turns one in theory can expect from Greek mythology but which I’d hardly expect to come up in relation to Circe. I should note that this is my first contact with this author’s work. I am not familiar with Miller’s more famous, earlier novel Song of Achilles - I am not much of an Iliad aficionado, truth to be told. I read the poem itself when my literature class required it, but it left no strong impact on me, unlike, say, the Epic of Gilgamesh or, to stay within the theme of Greek mythology, Homeric Hymn to Demeter, works which I read at a similar point in my life on my own accord.

What motivated me to pick up this novel was the slim possibility that for once I’ll see my two favorite Greek gods in fiction, these being Hecate and Helios (in case you’re curious: #3 is Cybele but I suspect that unless some brave soul will attempt to adapt Nonnus’ Dionysiaca, she’ll forever be stuck with no popcultural presence outside Shin Megami Tensei). After all, it seemed reasonable to expect that Circe’s father will be involved considering their relationship, while rarely discussed in classical sources, seems remarkably close. Hesiod’s Catalogue of Women and Apollonius’ Argonautica describe Circe arriving on her island in her father’s solar chariot, while Ptolemy Hephaestion (as quoted by Photius) notes that Helios protected her home during the Gigantomachy. Helios, for all intents and purposes, seems like a decent dad (and, in Medea’s case, grandpa) in the source material even though his most notable children (and granddaughter) are pretty much all cackling sorcerers, not celebrated heroes. How does Miller’s Helios fare, compared to his mythical self? Not great, to put it lightly, as you’ll see later. As for Hecate… she’s not even in the book. Let me preface the core of the review by saying I don’t think reinterpreting myths, changing relations between figures, etc. is necessarily bad - ancient authors did it all the time, and modern adaptations will inevitably do so too, both to maintain internal coherence and perhaps to adjust the stories to a modern audience, much like ancient authors already did. I simply don’t think this book is successful at that. The purpose of the novel is ostensibly to elevate Circe above the status of a one-dimensional minor antagonist - but to accomplish this, the author mostly demonizes her family and a variety of other figures, so the net result is that there are more one dimensional female villains, not less. I expected the opposite, frankly. The initial section of the novel focuses on Circe’s relationship with her family, chiefly with her father. That’s largely uncharted territory in the source material - to my knowledge no ancient author seemed particularly interested in covering this period in her life. Blank pages of this sort are definitely worth filling. To begin with, Helios is characterized as abusive, neglectful and power-hungry. And also, for some reason, as Zeus’ main titan ally in the Titanomachy - a role which Hesiod attributes to Hecate… To be fair I do not think it’s Hesiod who serves as the primary inspiration here, as it’s hard to see any traces of his account - in which Zeus wins in no small part because he promises the lesser titans higher positions that they had under Cronus - in Miller’s version of events. Only Helios and Oceanus keep their share, and are presented as Zeus’ only titan allies (there’s a small plot hole as Selene appears in the novel and evidently still is the moon…) - contrary to just about any portrayal of the conflict, in which many titans actually side with Zeus and his siblings. Also, worth noting that in Hesiod’s version it’s not Oceanus himself who cements the pact with Zeus, it’s his daughter Styx - yes, -that- Styx. Missed opportunity to put more focus on female mythical figures - first of many in this work, despite many reviews praising it as “feminist.” Of course, it’s not all about Helios. We are quickly introduced to a variety of female characters as well (though, as I noted above, none of these traditionally connected to the Titanomachy despite it being a prominent aspect of the book’s background). They are all somewhat repetitive - to the point of being basically interchangeable. Circe’s mother is vain and cruel; so is Scylla. And Pasiphae. There’s no real indication of any hostility between Circe and any of her siblings in classical sources, as far as I am aware, but here it’s a central theme. The subplots pertaining to it bear an uncanny resemblance to these young adult novels in which the heroine, who is Not Like Other Girls, confronts the Chads and Stacies of the world, and I can’t shake off the feelings that it’s exactly what it is, though with superficial mythical flourish on top. I should note that Pasiphae gets a focus arc of sorts - which to my surprise somehow manages to be more sexist than the primary sources. A pretty famous tidbit repeated by many ancient authors is that Pasiphae cursed her husband Minos, regarded as unfaithful, to kill anyone else he’d have sex with with his… well, bodily fluids. Here she does it entirely  because she’s a debased sadist and not because unfaithfulness is something one can be justifiably mad about. You’d think it would be easy to put a sympathetic spin on this. But the book manages to top that in the very same chapter - can’t have Pasiphae without the Minotaur (sadly - I think virtually everything else about Pasiphae and Minos is more fun than that myth but alas) so in a brand new twist on this myth we learn that actually the infamous affair wasn’t a curse placed on Pasiphae by Poseidon or Aphrodite because of some transgression committed by Minos. She’s just wretched like that by nature. I’m frankly speechless, especially taking into account the book often goes out of its way to present deities in the worst light possible otherwise, and which as I noted reviews praise for its feminist approach - I’m not exactly sure if treating Pasiphae worse than Greek and Roman authors did counts as that.  I should note this is not the only instance of… weirdly enthusiastic references to carnal relations between gods and cattle in this book, as there’s also a weird offhand mention of Helios being the father of his own cows. This, as far as I can tell, is not present in any classical sources and truth to be told I am not a huge fan of this invention. I won’t try to think about the reason behind this addition to maintain my sanity. Pasiphae aside - the author expands on the vague backstory Circe has in classical texts which I’ve mentioned earlier. You’d expect that her island would be a gift from her father - after all many ancient sources state that he provided his children and grandchildren with extravagant gifts. However, since Helios bears little resemblance to his mythical self, Aeaea is instead a place of exile here, since Helios hates Circe and Zeus is afraid of witchcraft and demands such a solution (the same Zeus who, according to Hesiod, holds Hecate in high esteem and who appeared with her on coins reasonably commonly… but hey, licentia poetica, this idea isn’t necessarily bad in itself). Witchcraft is presented as an art exclusive to Helios’ children here - Hecate is nowhere to be found, it’s basically as if her every role in Greek mythology was surgically removed. A bit of a downer, especially since at least one text - I think Ovid’s Metarphoses? - Circe directly invokes Hecate during her confrontation with king Picus (Surprisingly absent here despite being a much more fitting antagonist for Circe than many of the characters presented as her adversaries in this novel…) Of course, we also learn about the origin of Circe’s signature spell according to ancient sources, changing people into animals. It actually takes the novel a longer while to get there, and the invented backstory boils down to Circe getting raped. Despite ancient Greek authors being rather keen on rape as plot device, to my knowledge this was never a part of any myth about Circe. Rather odd decision to put it lightly but I suppose at least there was no cattle involved this time, perhaps two times was enough for the author. Still, I can’t help but feel like much like many other ideas present in this book it seems a bit like the author’s intent is less elevating the Circe above the role of a one note witch antagonist, but rather punishing her for being that. The fact she keeps self loathing about her origin and about not being human doesn’t exactly help to shake off this feeling. This impression that the author isn’t really fond of Circe being a wacky witch only grows stronger when Odysseus enters the scene. There was already a bit of a problem before with Circe’s life revolving around love interests before - somewhat random ones at that (Dedalus during the Pasiphae arc and Hermes on and off - not sure what the inspiration for either of these was) - but it was less noticeable since it was ultimately in the background and the focus was the conflict between Circe and Helios, Pasiphae, etc. In the case of Odysseus it’s much more notable because these subplots cease to appear for a while. As a result of meeting him, Circe decides she wants to experience the joys of motherhood, which long story short eventually leads to the birth of Telegonus, who does exactly what he was famous for. The final arcs have a variety of truly baffling plot twists which didn’t really appeal to me, but which I suppose at least show a degree of creativity - better than just turning Helios’ attitude towards his children upside down for sure. Circe ends up consulting an oc character who I can only describe as “stingray Cthulhu.” His presence doesn’t really add much, and frankly it feels like yet another wasted opportunity to use Hecate, but I digress. Oh, also in another twist Athena is recast as the villain of the Odyssey. Eventually Circe gets to meet Odysseus’ family, for once interacts with another female character on positive terms (with Penelope, to be specific) and… gets together with Telemachus, which to be fair is something present in many ancient works but which feels weird here since there was a pretty long passage about Odysseus describing him as a child to Circe. I think I could live without it. Honestly having her get together with Penelope would feel considerably less weird, but there are no lesbians in the world of this novel. It would appear that the praise for Song of Achilles is connected to the portrayal of gay relationships in it. Can’t say that this applies to Circe - on this front we have an offhand mention of Hyacinth's death. which seems to serve no real purpose other than establishing otherwise irrelevant wind god is evil, and what feels like an advert for Song of Achilles courtesy of Odysseus, which takes less than one page. Eventually Circe opts to become mortal to live with Telemachus and denounces her father and… that’s it. This concludes the story of Circe. I don’t exactly think the original is the deepest or greatest character in classical literature, but I must admit I’d rather read about her wacky witch adventures than about Miller’s Circe. A few small notes I couldn’t fit elsewhere: something very minor that bothered me a lot but that to be honest I don’t think most readers will notice is the extremely chaotic approach to occasional references to the world outside Greece - Sumer is randomly mentioned… chronologically after Babylon and Assyria, and in relation to Persians (or rather - to Perses living among them). At the time we can speak of “Persians” Sumerian was a dead language at best understood by a few literati in the former great cities of Mesopotamia so this is about the same as if a novel about Mesopotamia mentioned Macedonians and then completely randomly Minoans at a chronologically later point. Miller additionally either confused or conflated Perses, son of Perseus, who was viewed positively and associated with Persia (so positively that Xerxes purportedly tried to use it for propaganda purposes!) with Perses the obscure brother of Circe et. al, who is a villain in an equally obscure myth casting Medea as the heroine, in which he rules over “Tauric Chersonese,” the Greek name of a part of Crimea. I am honestly uncertain why was he even there as he amounts to nothing in the book, and there are more prominent minor children of Helios who get no mention (like Aix or Phaeton) so it’s hard to argue it was for the sake of completion. Medea evidently doesn’t triumph over him offscreen which is his sole mythical purpose. Is there something I liked? Well, I’m pretty happy Selene only spoke twice, considering it’s in all due likeness all that spared her from the fate of receiving similarly “amazing” new characterization as her brother. As is, she was… okay. Overall I am definitely not a fan of the book. As for its purported ideological value? It certainly has a female main character. Said character sure does have many experiences which are associated with women. However, I can’t help but think that the novel isn’t exactly feminist - it certainly focuses on Circe, but does it really try to “rehabilitate” her? And is it really “rehabilitation” and feminist reinterpretation when almost every single female character in the book is the same, and arguably depicted with even less compassion than in the source material?  It instead felt like the author’s goal is take away any joy and grandeur present in myths, and to deprive Circe of most of what actually makes her Circe. We don’t need to make myths joyless to make them fit for a new era. It’s okay for female characters to be wacky one off villains and there’s no need to punish them for it. A book which celebrates Circe for who she actually is in the Odyssey and in other Greek sources - an unapologetic and honestly pretty funny character -  would feel much more feminist to me that a book where she is a wacky witch not because she feels like it but because she got raped, if you ask me. 

Circe evidently having the time of her life, by Edmund Dulac (public domain)

[theguardianace]

Art by my incredible boygirlfriend /p @soleiltido

Hey hey hey!!!

I’m Ace! Nice to meet you :)

Update- I have a Card in my Bio now! Please read that instead :) This is outdated!

A bit about me-

If we’re friends, I don’t mind you using nicknames for me! (Acey and Aceyroni are the most common ones)

I’m aromantic, asexual, and non-binary (demigirl), and I use she/they pronouns.

I am a minor, but 15+

Platonically married to @soleiltido, my girlboyfriend that is not afraid to throw hands :)

My top kins are Tsukidate Keisuke and Sugawara Koushi, if that tells you anything about me.

INFJ and 9w1 (if that means anything to you)

I tend to use tone indicators! If you want to learn some of the most commonly used ones, I have a Quizlet. Just ask me for the link :)

Unless specifically stated in the tags, all my posts are 100% a-ok to reblog :)

Most things I say are /lh and/or /j so if you are like “are they being mean?” Nope! Just playful :) It makes me feel icky to be mean.

I post a lot!! Me and my friends are no strangers to the post limit.

My ask box is always open. If you want to send something, go ahead!! If I don’t respond, it’s because I’m saving it for something or simply forgot to answer. You can always ask if I got something, I won’t be annoyed!!

Feel free to tag me in whatever. If I don’t respond, it’s either because I already have been tagged in it or I forgot.

Don’t worry about spam liking or reblogging! I love to see my friends in my notes :)

I personally don’t swear, but some of the things I reblog may contain mild language

I try and tag long posts and triggers as often as I can, but if there’s something I missed or you want me to tag in the future, please let me know!

I’d really appreciate it if you tagged fanart that includes kissing with #kissing, as well as a tag warning for chewing noises and cracking knuckles. If you’re reading this that means you also get access to my weird fear: wild mushrooms. So like. If there’s a photo of a mushroom. Yeah that would be nice to tag too

I’ve started to add image IDs to my own posts. Let me know how I can make them better!

What do I post?

Short answer: whatever I want. Long answer:

Anime I like (watch list down below!!)

Asexuality/Aromantisism/some Gender stuff

Frogs. Many frogs.

I will go feral over any mention of any of my comfort shows or characters (eg Sugawara Koushi, Pokemon, HTTYD, you name it)

Art! side blog is @gilbertandrivers. Requests are always open :)

Pokémon sideblog is @aceymon

Me and the mutuals hanging out <3

And occasionally I make a good joke

Ace, you mentioned anime. Which ones have you seen? (If parentheses, state next episode to watch)

Bakuten!!

Mob Psycho 100

Haikyuu!! (S4E1 [please don’t yell at me Zuzu I will finish I promiseeeee])

Pokémon (Journeys 69) (nice)

Puraore! Pride of Orange (E4)

Violet Evergarden

Heaven’s Official Blessing

Given

Erased

Stars Align

Toilet-bound Hanako-kun

A Silent Voice

The Disastrous Life of Saiki K

Sarazanmai

Yuri!!! on Ice

The Promised Neverland (S1 completed, not watching S2- will read manga instead)

Bungo Stray Dogs (S2E1)

Link Click (E3)

Sk8 the Infinity (E3)

Re-Main (E3)

Jujutsu Kaisen (E8)

Demon Slayer (E8)

And some non-anime honorable mentions

Avatar: The Last Airbender

Gravity Falls

The Dragon Prince

How to Train Your Dragon

Big Hero 6

My personal tags (only apply to my own posts, not reblogs)

Show liveblogs

#ace watches pokÉmon (Pokémon live-blogging)

#ace has dragged zip down with them (Pokemon live blogging, but it’s my friend Zip watching it instead);

#ace watches the show with the turtle (Re-Main live blogging)

#ace watches violet evercrying (Violet Evergarden live blogging- completed)

#ace watches Saiki Kageyama 100 (Mob Psycho 100 live blogging- completed, for now at least (s3 pleeeeeaaaase) )

#ace watches the show purely because she got such intense gender envy from riza hawkeye that they legally had to (Fullmetal Alchemist Brotherhood live blogging- not started)

#ace watches NOT kappas: the musical! featuring angst (Idol 7 live blogging- not started)

#ace watches kappas: the musical! featuring angst (Sarazanmai live blogging- completed)

#ace watches gay fish: Disney edition (Luca live blogging- completed)

Game liveblogs

#ace plays BOTW but its mobile and the target audience is bisexuals (Genshin Impact)

#ace plays the game that makes her inner Greek myth nerd and art appreciator very happy (Hades- hiatus)

#ace plays their ideal game (Pokemon Snap- completed?)

#ace plays shield (current Pokémon Shield tag, may change)

Miscellaneous

#ace answers an ask! (asks)

#ace answers an ask!: game edition (ask games)

#ace’s poketober (inktober 2021, using Pokémon prompts)

#pokemon posting hours (I have a problem with reblogging Pokemon fanart. Was on a queue, moved to @aceymon!)

#tw (insert trigger) (trigger warnings, let me know if you need tags!)

#(insert name) hit the post limit (post limit shenanigans)

#ace go to sleep challenge (I need to go to bed. If you see me active after I post one of these, please yell at me)

#ace’s archive (favorites)

#acey’s gay liddl thoughts (I guess it’s a writing tag? Basically me being incredibly gay)

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#sol my sunshine :) (My beloved Sol’s tag)

#tea dear <3 (My beloved Tea’s tag)

Please don’t follow if you are

Exclusionary/phobic of any LGBTQIA+ identities (including but not limited to panphobic, aphobic, don’t think neopronouns are real, etc)

TERF

NSFW blog

And other standard DNI criteria

My core belief is that everyone deserves to be treated with respect. If that somehow offends you in any way don’t bother hanging around here.

I think that just about covers it! Have a nice day <3

[vulturevanity]

And that would be my cue to word vomit about my gripes with Fate as a plot device... but I'm too gosh darn tired for that, and frankly I'd much rather end this liveblog on a positive note.

I've watched this anime a few times before.

Not literally, no; this is my first time watching through Bishoujo Senshi sailor Moon. But I've watched many, many shows that came after it; I've watched Shugo Chara, some of Tokyo Mew Mew (I'll get back to it any day now), three Pretty Cure series so far (I don't like calling them seasons, I get confused when an iteration has more than one season e.g. Futari Wa and Yes! 5), and I've watched plenty of western series that have paid tribute to Sailor Moon in some way, shape or form. The classic transformation sequence has been remade over and over dozens of times, and I don't recall there ever being a day where I didn't know about the sailor uniforms.

Now, watching it today, as a whole adult, after consuming so much post-SMoon media, I don't particularly find it to be an impressive narrative. That is, of course, by no fault of its own: it has been 30 years, and so other things have come around and done what it did in different, sometimes better ways. With the knowledge of everything that came after it, SMoon ends up becoming predictable and tropey.

But that's just the thing, though. Many other shows took what it did and improved on it, because SMoon did it first. And that is why this show is revolutionary. To see the origin of so many tropes, of the modern magical girl genre as we know it today, is a marvelous thing in itself.

And also, for a 30-year old show? It aged pretty well, all things considered. Sure, there is the weird obsession to make every male love interest an adult, and I personally find myself not that invested in Usagi and Mamoru's love story (which is the driving force of the show's plot), but like... I'm here for a good time, and I got it. All the characters are fun, even the minor ones. Most episodes are written well enough, and those who aren't at least have their moments. And most of all, I love the friendship between the senshi. It's what I keep coming back to the show for. I look forward to more of it as the show continues.

So as I said before, I'll be taking a break from SMoon to continue my Pretty Cure binge. Thank you for coming on this journey with me, and in the meantime: stan Hino Rei.

[wisteriawatching]

🐣🐨🦔🐢🐄🐸🐧🦭

DID YOU LIKE MY COUNTDOWN!? That was fun! I had fun. That was actually more fun than I thought it would be! There were too many good posts to name. It was very fun reading all your comments and theories.  Though side note: animal anon has no problem with people joining her BUT it must be animals and it must not mess with my countdown. No statues! Animal anon does animals, not statues. Side side note: can someone settle the debate of if that emoji is a hedgehog or a porcupine? Because I have no idea. Side note side note side note: sorry if you got multiple asks in a day...my system isn't perfected yet so sometimes I send two (or three) because I forgot I sent one and didn't want to accidently miss anyone (also sorry if i did miss you, still perfecting the system, no one has been animal anon blacklisted, i promise!)

Anyway, GUESS WHAT TODAY IS!!! 🎉🎉🎉🎉🎉 It's been one year since I started animal anon! How exciting is that?! Phew, what a year we've had together! I mean what better way to start this second year than some chaos since that's how animal anon started to begin with! I will admit, it was slightly stressful coming up with something to meet the occasion of this event. I hope the countdown and this post live up to it. No, I'm not going to reveal myself just yet.. maybe that will be for year 2...😏😏. BUT I will give you some fun facts about me! So let's see; first, I'm from the Midwest (so not Canadian, but close so I do have a slight accent), but I currently live in the TriState area. Second, I am a MASSIVE theater nerd. No, seriously I have been to 21 shows since Broadway reopened in September and I'm actually going to my 22nd tonight. I don't know if this makes that fact better or worse, but I've really only been to about 12 different show because out of those 22, 10 of those are one specific show. Third, I am fluent in German and English. Though, I suck at writing in German, I never learned how to, so don't ask me to do that please. Fourth, my favorite color is red, so you can guess my favorite Taylor album (and coincidently also the show I've been to see 10 times on Broadway...). Fifth, I love to talk A LOT if you couldn't tell by the essays I send yall. And lastly, I can also confirm I am not Taylor...but I will say that I do share something very important with her... tell me your guesses down below as to what very important thing you think Taylor and I have in common, and I'll send some extra animals to whomever I see gets it right first!

So contuining on with my dissertation here, this week I have been trying to figure out a prompt to live up to this occasion. As I already mentioned, my system isn't perfect! And I've been thinking a lot about community lately and how that's been lacking for so many because of Covid. So what I want yall to do is if you get this dissertation of mine, please send a message, post, anon, whatever you want to at least 1 other blog (though you can do more), telling them something you like about them and giving them an animal emoji! That way we can keep spreading the love all day long to as many as possible! 🥰

As always, you are all brilliant, kind, worthy, beautiful and as this past week has shown, hilarious and unique human beings. No seriously, some of your posts had me kneeling over in laughter. If you would so like, you can tag #animalanon so I and everyone can read all your lovely posts! IM STARTING EARLY TODAY SO WE CAN PARTY ALL DAY LONG BECAUSE I LOVE YALL SO MUCH 🎊 🦥🦁🐯

Wow okay I have several thoughts which I shall liveblog:

I did not think I was relevant enough to recieve animal anon asks!

According to the unicode it is a hedgehog

This may be the longest ask I have ever received

Animal anon uses she/her pronouns... I am taking note

omg wow wait we're getting so much info here

I really want to know what show you saw ten times...

Wait omg you just alluded to it; I am doing such good active reading

Do you and Taylor share a birthday?

This is p cute and I do love how you've given people something to talk about!

I will send some kind animal anons when I'm off work later

Thank you for visiting me on this special day!

[bedlamsbard]

Putting aside aesthetics and characterization (inasmuch as I can), I have been trying to logic out why Mando Ahsoka feels so different from Rebels Ahsoka (to me, personally; I know many other people feel fine about it), especially in terms of having a character who’s known in Rebels for her “I am no Jedi” line going to a character who is specifically introduced as “The Jedi” in The Mandalorian.  (And who is identified as “Ahsoka Tano, Jedi Knight” on merch -- merch is merch, it’s essentially meaningless, but it’s still a choice that was made somewhere along the line.)

“Shroud of Darkness,” Rebels 2.17

“Twilight of the Apprentice,” Rebels 2.21

This is strictly Doylist and not Watsonian; I don’t care what went on in the character’s life in between Rebels and Mando; I’m trying to guess what was happening in the writers room.

I was noodling through this on Twitter, in case it looks familiar.

My first thought was Dave taking a cut scene from Rebels as canon going into Mando, something he shared on Twitter back in the lead-up to S4.  Looking at this again I’m not sure this was a cut scene or a scene that he wrote that never made it into the actual script. (Certainly I can’t see how it would have fit into the episode.)

Here Bendu specifically identifies Ahsoka as “former Jedi Knight.”  This is also obviously not canon, because Twitter posts aren’t canon, Dave.  (Though that doesn’t mean that he might have taken it as part of his working backstory for the character anyway.)

I was then thinking about TCW and the unused TCW arcs as they existed in 2016 when this aired (with the rough guess that Rebels S2 was probably written in 2014).  There are three Ahsoka arcs that were written and existed in 2016 in some form (”scripts and some artwork” is what Pablo Hidalgo says, and some pre-viz and recordings from the original Walkabout arc that were shown at a couple Celebrations), but which hadn’t made it into S6 (which came out in 2014): Ahsoka’s Walkabout (in its original form with Nix Okami instead of the Martez sisters), the Siege of Mandalore, and an arc which would have taken place between those two, “Return to the Jedi.”  We know about these because of a panel from Star Wars Celebration Europe in 2016 called Ahsoka’s Untold Tales -- I was actually at this panel, but I haven’t thought about it in a while.  Here’s the SW.com liveblog of it; here’s the video.

I remember hearing somewhere that the TCW team had nine seasons or so written, but can’t find the source for that number now.  When S7 was made, there were obviously a lot of compromises made that we’ll never really know about, minus a tell-all memoir or documentary, which probably isn’t coming any time soon.  Knowing that this Return to the Jedi arc existed, I wondered if at one point Dave had tried to get all three Ahsoka arcs into S7 before having to give one up for the Bad Batch arc (especially as we now know there’s going to be a Bad Batch TV show); it’s also entirely possible that at one point in the production process there was the possibility of a full 22 episode season floated, which would have made three Ahsoka arcs in one season less unbalanced.

I went to go look up what the Return to the Jedi arc actually was, since 2016 was a long time ago and I haven’t really thought about this panel since.  My guess is that it had been intended for one Ahsoka arc per remaining season (7, 8, 9).  Pablo Hidalgo says that after the Walkabout arc, Ahsoka would have stayed on Coruscant as “an under-city vigilante of some degree, helping people who can’t help themselves,” and Dave points out that he talked about this with George Lucas, as well.  The Return of the Jedi arc would have involved Ahsoka finding out about a nefarious plot targeting Yoda and working with the Jedi to figure out what’s what with that -- this revealed that below the Jedi Temple was an ancient Sith shrine. (Some details of this were revealed at Star Wars Celebration Anaheim in 2015.)

Ahsoka would have been protecting the holocron vault from Darth Sidious, putting her lightsaber blade through the door while Palps shoots Force lightning up the blade.

“The whole purpose of that particular arc would have been to bring Ahsoka back. She’s not a Jedi, she doesn’t change her decision, but she gets involved in Jedi business again.”

The next Ahsoka arc and the final arc of the series would have been the Siege of Mandalore arc, which “reunites Ahsoka with the clone troopers, with Anakin.”  My guess is that the end of the Return to the Jedi arc would have involved Ahsoka making the decision to go to Mandalore because the Jedi themselves couldn’t get involved in that conflict at the time (especially the emphasis in the panel that Pablo and Dave put on Ahsoka as being “a responsible person” who couldn’t ignore that the war was still going on, and because Ahsoka knew Satine).  (It would be interesting to know when if this arc would have fallen before or after the Darth Maul - Son of Dathomir comics, which are based off another unmade TCW arc.)  This would probably have put as much as a season between this arc and the final arc -- given TCW’s funky timeline that doesn’t mean much, but in terms of audience expectation it helps.

(also, damn, the context of the beginning of Siege of Mandalore in the original concept vs. how it actually happens in S7 is very different -- like, on the surface identical but the emotions involved are totally different.)

Before going into the next part of the panel (post-war), Pablo Hidalgo adds “We consider it to have happened and that’s how we inform the writing in Rebels, because that’s the history that these characters carry in their heads.”

So going into Rebels, the writing team was working with the background that Ahsoka had not only left the Jedi Order once, in “The Wrong Jedi,” but had reinforced her decision not to go back to the Jedi by not returning to the Order during the Return to the Jedi arc.  That explains why in Rebels she’s so adamant about not being a Jedi or being in the Order; it’s a decision that she has made not once, but twice.

Fast forward four years to 2020, where we have the Siege of Mandalore arc in S7.

It’s heavily implied that Ahsoka was planning to go back to the Order after the end of the war, and in fact Yoda treats her as such.

Now, there’s no way to know if this exchange was in the original Siege of Mandalore scripts short of those being released at some point (which is possible but seems unlikely when the character is still in play), but because of the way S7 plays out there is no way to put the Return to the Jedi arc back into the story, which means all the emotional context and Ahsoka doubling down on not returning to the Order is thrown out of the window.  That’s a fair chunk of backstory to take into the Rebels writers room.

(It should also be noted that presumably E.K. Johnston wrote the Ahsoka novel with the assumption that that arc was still part of Ahsoka’s working canon, though she may not have seen scripts for it; I feel like I read somewhere that she had seen scripts for the original version of the Siege of Mandalore, which changed quite a lot between original concept and the eventual 2020 version, as is evident from the novel vs the show.)

Going into The Mandalorian, then, Dave Filoni is not only working without a writers room (as Mando has only had two writers, Dave Filoni and Jon Favreau), but working with an entirely different continuity than what the Rebels writers room was working with.

Trying to backtrack when various scripts were written is an exercise in futility to some extent; I usually guess anywhere from a year to two years out from when the shows air.  (I seem to remember that around this time in 2016 it came out that Katee Sackhoff was doing something for Disney, which ended up being the recording for Bo-Katan in Rebels S4, which wouldn’t air for another year, but don’t quote me on these dates.)  Dave ends the panel by saying that “After the season 2 finale for Rebels I was very adamant that that was it for Ahsoka...in Rebels...but after this reaction it might just be possible...it might be possible to see her again. She might have something to do. Maybe.”  (For those trying to run dates in their heads: the con was in July 2016, the season 2 finale aired in March 2016, WBW aired in February 2018.)  My guess is that they hadn’t recorded for that part of S4 yet (and S4 is so weirdly paced that I have questions about how it was made), but that the initial scripts for S4 had already been written at this point.

Looking back at the Star Wars Celebration Chicago 2019 TCW panel where Ashley Eckstein talks about getting the news about TCW S7 from Dee Bradley Baker (rather than from Dave Filoni, and hoo boy is this uncomfortable to watch knowing that the script for “The Jedi” had almost certainly been written and Dave may have already made the decision not to talk to Ashley about it), there’s still not like...a clear way to tell when that happened.  Except that Dee talks about “wine tasting with the Rebels,” which likely puts it back when Rebels S4 was either still actively airing (2017-2018) or before it had wrapped filming (2017).  (I actually vaguely remember seeing pictures from this wine tasting but I can’t remember whose twitter it was on and going to look feels creepy.)  Probably the scripts weren’t fully revised at that point but they may have been -- still, this was certainly after S2 and could potentially be before S4 had been fully finalized.  We got the TCW renewal announcement in 2019, but the animation wasn’t fully completed yet so didn’t get more than that teaser trailer.  This is only important insofar as it involves which set of backstory was being used for WBW Ahsoka, an episode that Dave Filoni wrote and co-directed.  (Honestly? I think Mando Ahsoka matches okay with WBW Ahsoka but is a little off Rebels S2 Ahsoka, but that’s off my memory of WBW, an episode I refuse to rewatch.)  Certainly with the epilogue he knew he was setting up for something else.

ETA: I FORGOT AN IMPORTANT PART OF THIS TIMELINE AND THAT’S THE RISE OF SKYWALKER because I try not to think about TROS, frankly, but as we may remember Ahsoka is included in the “be with me” scene in the final confrontation.  This always struck me as weird given the “I am no Jedi” thing from Rebels, but she’s the most well-known female Force-user so I had just mentally written it off as easy shorthand and JJ Abrams being lazy about it. HOWEVER, presumably JJ talked to Dave about which prequel era Jedi to include (there’s a note in one of the previous SWC liveblogs about Rian Johnson being in the Rebels writers room at some point).  TROS came out in December 2019, I can’t recall exactly when they did the voiceovers for that scene (if anyone has ever mentioned it), but it was probably fairly late in the process since I believe that there were still edits being made up until fairly soon before the premiere.  (I have a completely different theory that the Lego Star Wars Holiday Special from this year was written off an earlier version of TROS.)  If Dave had already moved towards making Ahsoka more inclined towards the Jedi, with a full-on return to calling herself one regardless of the existence of the Order (as Mando implies), then her inclusion here makes a LOT more sense than it did a year ago.

Anyway this is all very conspiracy theorist, but it does explain something that was puzzling me: Rebels S2 Ahsoka and Mando Ahsoka (as well as TCW S7 Ahsoka and potentially Rebels S4 Ahsoka) were written off slightly different backstories which differed in one very key thing: how committed Ahsoka was to no longer being a Jedi.

Now, this sort of thing happens all the time in anything with an ongoing continuity; obviously TCW makes major changes to how viewers might read or write Obi-Wan and Anakin/Vader in RotS or the OT.  I was just trying to narrow it down in this particular case because until I started thinking about it I had assumed that it was all being written off the same assumed backstory. And many people read Ahsoka differently in Mando than I did or found her perfectly in character, this was for me to track references down about something that was bothering me in hopes of an explanation that would satisfy me.

[middle-class-trash]

Rise of the Titans liveblog!!!

that intro made me unexpectedly emotional

So if Blinky is narrating, he can't die, right? Right????

BRO THE SUBWAY SCENE!!!! We're getting right fuckin into it!!!

Steve, my son!!!

I wish Toby wasn't a constant punchline 🙃 it just makes me not take his character seriously

CLAIRE!!!!!!

Something about Douxie decking Skrael at the first opportunity is just so sexy of him

Jim is incredibly brave but it's really reckless to go hand-to-hand with a demigod without proper armor

My heart goes BUMBUMBUMBUM when Douxie looks out the traincar window

Sexy traincar tracks spell WHO

THE WRECKAGE AWWWW

Oh my gosh the people stuck in the magic circle because they wouldnt get out of the way

NO NO NO DOUXIE NO

So they were arrested that early?? Jeez

Nari's such a cutie

"None of us will be talking to you" *cut to Toby spilling every bean*

TOBY'S FACE AT THE END HAHHAHAHA

Something about Nari's voice coming out of Douxie's body is so deeply odd

Oh hey, Krel to the rescue

AREA 49 HAKSHDKSKD

"And your mom."

Oh my gosh he's still broken from Wizards 😂

The Guardians are just dead set on pissing off local authorities huh

JIM!!!

STRICKLER?????

BARBARAAAAA

Stricklake supremacy 😌 they both look so good

Claire listening in 😭😭😭 she's so cute

AWWWWW ENGAGED ENGAGED ENGAGED

......does that give them death flags? Fuck. Fuuuuck fuck fuck fuck. It totally does.

AWWW DOUXIE!NARI HUGGING ARCHIE

Aja!!!!

Your majesty!!

Oh yikes, here's that running gag everyone was talking about.. pregnant Steve

Oh hey, Eli's hot now. We been knew 😂

"Mazel tov!" HAHA

Poor Jim needing a bunch of support to walk 🥺 he's such a trooper

I will simply pass away if Blinky dies

I hope Douxie is okay, we haven't seen him in Nari's body and that makes me ✨nervous✨

OH JKJK

Nari is so goddamn pretty

"Only your presence, not your commitment" is such a rapey saying

"Abra-cadabra, buttsnacks" I love that he still says that 🥺🥺 he loves his friends so much

"Do your worst" *cue both Douxie and Nari absolutely screaming in pain*

Krohnisfere? Alrighty then, that's the first mission

"I wouldn't be so sure of that" AWWW

They fixed the amulet???? DUUUUDE

"For the good of all..." 😭😭😭😭

"Or I could lock onto Nari and portal us there" *dead fucking silence*

I hate how Toby's used as a constant punchline.. a penny? Really?

TRAINTRACK MAGIC CIRCLE GO BRRRR

Poor Nari 🥺 Douxie's in so much distress

Oh no, the new amulet isn't working?? Fuckk

That absolutely gorgeous screencap of pissed Aja

Part of me is glad Nari was forced to do this and wasn't actually a traitor

Ice titan awakening sequence? Ice titan awakening sequence.

Oh Nari. Oh sweetie

Oh my gosh she's fucking tied to her titan

Boiling water!!! Or underwater explosion, that works too. Much more dramatic but that's Bellroc's style

Oh wow Steve actually has a bump?? What the fuck???

Oooh, TrollDragons?

Charlie!!!

"We still don't have a trollhunter" Aja, honey, not helpful

"Does he even trust himself? AJA, HONEY, NOT HELPFUL

Barbara being proud of her son 😭😭

OOH fusing excalibur with the armor?

Aja is so full of confidence, it's a good look for her

Steve being preggo is..really fucking weird. When they said

AWWW BLINKY AND AARRRGHHH

Your honor, I love them

OOH IS IT SOFT JLAIRE TIME

Ohhhh it's soft Jlaire time

He's always looking out for his mom 🥺

"I will always be here (head), and here (heart)" just fuck me up fam

Charlie!!!

Zong-Shi?

"Only death will come to those who go looking for it" oh dear

"The troll with many eyes" how does Charlie know Blinky? 😂

AYYY this where the banner that I found first is from!!! it was so cool seeing my screenshot circulate when we were starved for content 😂😂 everyone was posting various rott icons and banners that they got hoping they'd find a new one

Oh dear.. government

Blinky dear they can't understand you

"Holy frijole" Claire I simply adore you

WOW THAT'S PRETTYYYYY

Troll slaves???

So is Zong-Shi this ugly ass pear-lookin ass

Aja chilling with Jim even though she has doubts is an interesting strategic choice

Douxie, AARRRGHHH, and Nomura? Talk about rarepare

NOMURA CATCHING HIM 😭😭 SEXYYYY

DOUXIE RESCUING NOMURA 😭😭😭😭 SEXXYYYYY

If I havent said it yet, the animation is breathtaking

OH SHIT JIM

aaaaand here come those frozen wings

Nari cant be in control of herself, there's no way. She's still tied to the titan for Pete's sake

NOMURA????

Please dont let this be a sacrifice

PLEASE NO

BOTH CHANGELINGS????

STRICKLANDER??????

No on-screen death, so it's not real. No on-screen death, do it"# notbsmejelreal

NO ON-SCREEN DEATH BUT IT'S NOT REAL

THEYRE TALKING AHOUT HIM PAST-TENSE NOOOO

THEY RBOGUHT UP HIS DADDDDDD

"There's no revelation I can give you" is a great way of saying he's not relevant, genuinely

Oh wow this guy's freaky

Ohhhh so the green thing from the trailers and promo photos is the Krohnisfere

Archie to the rescue!!!

"That's my boy!" AWWE

"Claire nooo, no no no no YESSS, I'm free!!!" Blinky, never change 😂

Oh wow, they're already in contact with Bellroc's titan??

Different note, but the titan's designs are just different enough to make them interestun

VARVATOS??? Okay jk somehow it's gun robot lmfao

WAIT NEVER MIND HAHAHAH HI BUD

....if the bridge falls, can't Charlie just fly them across

LMAO he just saw his death?? That is what he wanted to see 🤷🏻‍♀️

It's too early to celebrate, there's no way Bellroc is down after just a few pinches

Yeahhh

Oh dear... is Varvatos in danger?

Claire being the warrior of the group is incredible and sexy and hhnnngggg

Toby is a Hufflepuff. I will not be answering questions

OH WOW THAT'S HOW HE BURNED HIS HAND??? THE HONRGAZEL?????

ARCHIE SAID GOODBYE??? NO NO NO NO NO

Douxie's gonna be a flat mess!!!

God, plus Nomura and Stricklander

NOOOO DOUXIE YOU BIG SWEETIE

Oh my gosh this is the scene with Douxie trying to connect with Nari, it has to be

"I need to try again" AWWW HONEY

That shot of Mexico was incredibly stereotypical

DOUXIE SWEETHEART 🥺🥺

He's trying to hold her hand???? AWWWW

Oh my gosh he's being choked 😳

NARI BABY!!!!

The huggos 🥺🥺

Jim being frustrated is totally realistic

Wait wait wait waittt do they have the entire titan at their disposal?

"There's absolutely nothing all the way out here" cue a titan. Any of them.

And there it is.

CLAIRE SUPREMACY!!!!!!!

White haired Claire? White haired Claire???

Oh dear it's like.. a little over halfway and there's so much left that could happen

COACH. COOOOACH

OH THANK GOD!!! Steve doesn't need another paternal figure dying on him

Time for Skrael to fuck shit up 😬

I find it interesting how Bellroc and Skrael's titans are both bipedal but Nari's is on four legs, much more animalistic

NARI, NOOOOO PLEASE NO

At least Skrael's done????

We kinds knew Bellroc was the final boss but NOT LIKE THIS

DOUXIE SCREAMING FOR HER

NOOOOOOO

No more running. GODDAMNIT

The three can no longer unite but Bellroc can still fcuk shit up

A HIDDEN PAGE??? FUCK THE WORLD IS TO BE REFORGED WITH FIRE

THE HEARTSTONE??????

Oh shit, the explanation for why Arcadia's the center of everything!!

The only heartstone?? Really???? That's scary as shit, trolls could go instinct without a reliable hearthstone!!

EXCALIBUR TIMEEE

JIMMMMMM

Come on honey, you can do it!!

Aja, honey, I love you so much but now's not the time

THE HEARTSTONE???? FUCK DUDE

.......Steve

Eli the midwife?? ...gross

Jim, my love, my baby boy!!!

The nine of them!!!

AWW BLINKY BEING THE BEST DAD

THEY WORK TOGETHER 😭😭😭😭

FUCK YEAH!!!!!!

"Quiet desperation" is a great word for it

Are we coming on to the big final battle?

Ohnoohnoohno they all said the thing 😭😭😭 someone's gonna die. At least one more is gonna die.

HE'S DRIVINGGGG. LOVE THAT FOR HIM

STICKY SPELL TIME!!!!!!

"Some sort of stickum!" Bro 😂😂

I love how he calls them all Trollhunters 😭 throwback to the OG show where the three of them were all called that

Aja Terron supremacy

Oh it's weird.. it's very weird. Why did Steve have to be pregnant again

Oh dear, there's half an hour left.. this has to be the final battle

JIM

Varvatos shielding Claire and Krel 🥺

Fuck, man, people are getting thrown left and right

DOUXIE MY LOVE

Oh here we fucking go, rematch

NEW AMULET???

Jim's about to get royally fucked up

LIKE THAT

FUCK

WHY IS SHE TAKING HIM??? GOD NO

Anti-magic beacon??

Helloooo that's smart asf

This gives Mount Doom vibes

"Embrace your loved ones for the final time" FUCK MAN STOP IT

"I already was" DAMN RIGHT BUD

NEW AMULETTTT

GO GET JIM GO GET 'IM

DAYLIGHT ARMOR!!!!!!

He was ready to just sacrifice himself like THAT

DAYLIGHT ARMORRRRR WITH EXCALIBUR??????? FUUUUCK

Jim being great at combat is just the best fucking thing

Oh fuck. OH FUCK.

STABBED??????

PLEASE NO, GOD NO

FUUUUCK

"I'm powerless" "You get used to it" WE DONT HAVE TIME TO UNPACK ALL OF THAT

JIM HONEY PLEASE DONT DIE

Is that....is that it?? Oh dear god, is that it????

JIM WHERE ARE YOU

I'm calling it now it's too early to be celebrating

Oh god the weird babies

WHERE IS TOBY

WHERE

NO

MY JAW FUCKING DROPPED

NO WAY, NO FUCKING WAY

HE'S GETTING A DYING MONOLOGUE??????

ALWAYS HAVE BEEN, ALWAYS WILL BE

"Itll be the two of us at the end" WHY DOES THAG SEEM LIKE JIM WILL GO OUT TIO

THERE'S NO WAY TOBY JUST DIED

THHERE'S NO WAY

That was sad as fuck but in a narrative way I hope it's permanent

Oh dear, Jim's going back????

Oh shit

WWHAT IS HE DOING

NOOOOO

"I have cherished every moment with you" STOP IT HE'S HIS FATHER

"I FYOU WERE MY OWN SON" STOPPPPPP

WHAT'S HAPONEINGGGGG

CLAIRE

NOOOO

THIS IS WHERE IM SOBBING

THIS IS WHERE IM LOSUNG IT

"Dont give up on me" FUCK STOPPPP

"I WILL ALWAYS BE HERE AND HERE" FUCK IT STOPPPPP

"I would date you for a hundred lifetimes" IS REALLY BEING TESTED HUH

THERE ARE 10 MINUTES ELFT WHAT THEBFUCK

AND WE'RE BACK TO TROLLHUNTERS?.????

HUHHHH

Fuck, man. FUCK, MAN.

Oh, Toby. Ohhhh Toby

CLAIRE 🥺

ROMEO AND JULIET!!!!

Oh my fucking god

"IF YOUD COME OVER TO DINNER" AYYYYY

His smile at Steve 🥺

HE'S HAVING TOBY TAKE THE CANAL???? But wouldnt the amulet still call for Jim?????

"Nothing interesting ever happens in Arcadia" VERY FUCKING FUNNY

Destiny is a gift. Some go their entire lives living in an existence of quiet desperation, never learning the truth- that what feels as though a burden pushing down upon our shoulders is actually the sense of purpose that lifts us to greater heights. Never forget that fear is but the precursor to valor. That to strive and triumph in the face of fear is what it means to be a hero. Don't think. Become.

.......it actually called his name. I can't believe it actually called his name.

The fuck is that ending??? Let Jim REST

[duhragonball]

BEGIN: Battle Tendency Liveblog.   JJBA Ch. 45-47

🇺🇸🗽🧗‍♂️🧼🪀🌵Part 2, Hell Yeah!🌪️🎈🛩️🌋🚬

I'm pretty friggin' excited for Part 6 anime, and Part 6 is one of my faves, so one could understandably assume that Part 6 is my favorite.  And I post a lot of other JoJo stuff on this blog, so it's probably not obvious, but Part 2 is the best.   

I got into JoJo in 2017, watching Parts 1-4 in anime version, then reading the scanlations of Parts 5-8 while I waited for the anime to catch up.    Then I re-liveblogged the Part 5 manga because there was finally a proper translation available.   And technically the Part 8 liveblog never ended, since the manga is still ongoing.  

As I developed an appreciation for the manga, I started to feel like I should go back and check out the comic versions of Parts 1 through 4.  Where better to start than my personal favorite?   But I never got around to it, until now.

There's a few things I want to explore with Part 2.    First, I want to go through and work out why exactly I like it so much.   It's kind of tough to articulate, but usually I just say that it's fast-paced and something's always happening.   Part 1 takes a while to get going, and Parts 3-8 rely on the Stand concept, which means that each of them occasionally fall into the trap of becoming formulaic.   Part 2 doesn't have the hassle of introducing all the lore, and it doesn't have the luxury of just doing a gauntlet of Stand Battles to pad out the story.   But I think there's more to it than that.  Battle Tendency has a charm all it's own, and that's what I want to talk about.

Second, now that I've become familiar with Parts 1-7 (and most of 8), I want to go back and see how 2 holds up as part of this mythos.   BT sort of gets overlooked, I think, and that's fair, since it doesn't involve Dio, Stands, or the more outlandish costumes of the later installments.  A lot of fans write off Parts 1 and 2 for being "boring", but at least Phantom Blood carries the prestige of starting it all, and providing the origin of Dio.  Something I think a lot about is whether or not Part 2 "connects" with the later entries in the JoJo series.  It forms a trilogy with 1 and 3, and Part 4 features Joseph's legacy in an important way, but what about the later ones?   Parts 5 through 8 owe a huge debt to Stardust Crusaders for introducing Stands, and to Phantom Blood for introducing JoJo's, but what does Part 2 give them, if anything?   

Third, I'm interested in seeing how BT holds up in isolation.    It's a direct sequel to Part 1, and it ends with a prelude to Part 3, so it's clearly designed to function as part of a larger saga.   But Parts 4 and 5 really don't operate that way, and that got me thinking that maybe Part 2 is more self-contained than I give it credit for.  

But enough about that, let's get this started.

There's two plot threads in these opening chapters.  One reintroduces Robert E. O. Speedwagon, now a 70 year old oil tycoon, and Straizo, who has succeeded the late Tonpetti as the Ripple Master.   Speedwagon has been using his oil fortune to fund a research organization called the Speedwagon Foundation, and it discovered something major during an archaeological expedition: an engraving of the stone mask, the same one Dio used to turn himself into a vampire 50 years earlier.   Note that the mummified corpse lying on the slab with the engraving has vampire fangs.   Whoever this guy is, he didn't just know about the masks, he used one personally.

It might get revealed later in the comics, but I'm pretty sure the anime version had Speedwagon explain that he primary purpose of his foundation was to learn more about phenomena like the Stone Mask, which is probably why they were digging up an Aztec temple in Mexico to begin with.   As I recall, the Stone Mask was discovered in that part of the world, and taken back to Europe, where it eventually came into the possession of the Joestar family.   Speedwagon would know this tale, and so if he wanted to find out more about the mask, he would have known where to start.   Fifty years later, he seems to have hit paydirt.

But the mask engraving isn't why he called Straizo all the way in from Tibet.   Deeper in the temple, there's a weird looking area that looks like something from out of an H.R. Giger painting.   In the center stands this column, or pillar, if you will, and mounted on the pillar is...

...This guy, surrounded by more stone masks.   When I first watched this part of the anime, I though the big reveal here was that there were lots and lots of Stone Masks, which would be a big problem, since Part 1 made a big deal out of destroying the one Stone Mask that started all the trouble.   And maybe the guy in the pillar was the one who invented the things, I thought, but the bigger problem is that he made so many of them.   But no, Speedwagon explains that the "Pillar Man" is not an image carved into the stone, but a living being, in some form of suspended animation.  He even has a pulse.   

So who is this guy and why did he create the Stone Masks?   Speedwagon does not care.   He only wants this Pillar Man destroyed before he wakes up, and that's the sole reason he called in Straizo.   The two of them were the only survivors of the battle with Dio 50 years ago, and Straizo's Hamon power, also known as the Ripple, can destroy vampires that were created by the Stone Mask.    So he's desperately hoping Straizo can finish off the Pillar Man the same way.   But Straizo doesn't seem as concerned about it, and he asks about Joseph Joestar instead.    So I guess I ought to circle back to the other plotline... 

Fifty years after Jonathan Joestar sacrificed himself to defeat Dio Brando, his wife Erina and his grandson Joseph have moved to New York City.   Joseph tries to buy a Coke, but this kid swipes his wallet.   Kind of funny how Joesph's first and last appearances in JJBA are him getting robbed. 

But the kid runs afoul of the local corrupt cops, who bludgeon him with their batons and threaten to put him in jail for 20 years unless he agrees to give them a cut of whatever money he makes from pickpocketing.   When Joseph catches up to this scene, the cop even says he's going to keep Joseph's wallet "as evidence".   I gotta say, not everything from Battle Tendency has aged well, but this police brutality stuff has become incredibly relevant.  This could be 2021, except the cop would have had a gun, and he would have shot Smokey, then Joseph because he mistook the Coke bottle for a rocket launcher.  

Joseph tries to defuse the situation by claiming he gave the wallet to the kid as a gift, but the cop doesn't believe that story, and he wouldn't care even if he did.   He even smears boogers in Joseph's face just to prove that he can say and do whatever he pleases.    Up to this point, Joseph looks and seems a lot like Jonathan.  Later artwork tries to downplay that resemblance, probably just so it's easier to tell them apart.   The anime gave Joseph different color hair, and Hirohiko Araki himself started drawing young Joseph with aviator goggles all the time, even though he doesn't wear them that much in this story.  But starting out, the idea was that Joseph is the spitting image of his grandfather, and it almost looks like this is just an clever way to sneak Jonathan back into the story and transport him forward in time, except....

Coming through, coming through, coming through now  

Coming through, coming through, coming through now

Coming through, coming through, coming through 

Shake it like it's heat, Overdrive!

Yeah, so Joseph can do Hamon/Ripple tricks just like his grandfather, and all the others guys who could use Hamon back in Part 1.   The difference is that when Joseph does it, it looks coooooool.  After breaking Officer Hulk Hogan’s trigger finger, Joseph takes a big swig of soda, because it’s awesome.

To Smokey’s surprise, Joseph did all that badass stuff a second ago, but he’s terrified about his grandmother scolding him for it.  So Joseph wants to run for it, and that suits Smokey, so they rush off together, beginning a long tradition of JoJo’s running from things.   Enemies, consequences, you name it. 

Smokey asks Joseph how he learned how to do that trick with the coke bottle, and he says he has no idea, he’s just always been able to do it.    He knows his grandfather had the same power, but he’s dead, and so are his mother and father.  Curiously, Joseph’s father did not have Hamon powers, so it seems to have skipped a generation. 

And that sets up the other side of the plot.   Speedwagon wants Straizo to destroy the Pillar Man immediately, but Straizo first asks about Joseph.   He had heard some time ago that Joseph had innate Hamon abilities, and he had used them once to rescue Speedwagon from a kidnapping attempt in midair.   A flashback shows us this moment, with guys threatening to ransom and kill Speedwagon, but Joseph is just chilling in the back with a Superman comic. 

Okay, time out.   This panel rules and all, but the Superman comic book didn’t start until 1939, a year after Battle Tendency begins.   Superman was featured in the 1938 magazine Action Comics, but this scene on the plane is a flashback to Joseph from his early teens.   Also, the earliest DC bullet logo didn’t appear until 1940, so what is this?  Some kind of magic, time travelling comic book?    I hope someone got fired for this blunder! 

Anyway, Joseph was content to ignore the hijackers until one of them struck him, and even that wouldn’t have upset him except he got his own blood on his clothes, which Erina bought him, so that sends him into a rage.   Speedwagon was worried that Joseph might clobber the hijackers, but instead he knocks out the pilot, then drags him and Speedwagon out of the plane before it crashes.    The main thrust of that story was that Speedwagon was more worried about what Joseph might do than the hijackers who had already threatened to murder him.   Joseph is slow to anger, but once you piss him off he’s going to go to war, and he doesn’t always think things through.

But he’s never been trained to use his powers like Straizo’s order.  Upon hearing this, Straizo kills his own disciples, and all of the Speedwagon Foundation guys, then knocks Speedwagon himself out.   This will anger Joseph when he hears about it, but Straizo is counting on this.    As he explains, Hamon power can slow his aging process down considerably.   He and Speedwagon are both about 70 here, but he looks much younger.   Even so, he’s feeling his age, and he confesses that he always admired Dio for his immortality and power.   So now that there’s Stone Masks available, he’s decided to use one on himself, become a vampire, and become “a being that surpasses all”.  

And that’s a theme that runs through all of Battle Tendency, along with the rest of the JoJo franchise.  The main villains always seek power to position themselves above the rest of humanity.  At first, it seems kind of random for one of the men who opposed Dio to suddenly switch allegiences like this, but in truth, it’s human nature to be tempted by this kind of power.  Dio succumbed to the lure of the Mask, and now we find that Straizo would have done the same.   He just didn’t have the opportunity until now.

But the reason he’s concerned about Joseph is that he’s thinking this through.  Dio was defeated after all, so Straizo wants to eliminate anyone who could potentially defeat him.  Aside from himself and Speedwagon, the only others who know about the battle with Dio and the Stone Mask are Erina and Joseph.   Once he eliminates them, he’ll be free to do as he pleases.

Back to New York, this is a pretty sweet drawing of a car.    I’m not a car guy, but even I can get behind this.  By now, Smokey has met Erina Joestar, and he finds out some of the backstory from Part 1.    Erina’s husband died at sea, and she was pregnant with their son, Joseph’s father, and had a baby girl whom she rescued from the same incident at sea.   The two children grew up, married, had Joseph, and died, the father in World War I, and the mother of some unspecified illness.  Perhaps out of loneliness, Erina is “unflinchingly kind” even to someone like Smokey Brown, who doesn’t seem to think he’s worthy of her favor.

Anyway, Erina wants to take Smokey out to dinner at this nice Italian restaurant, but this racist mafia guy makes a big stink about a Black person being allowed to eat there.    Joseph gets up to kick his ass, but first he has to check with Erina to make sure it’s okay, and she’s like “Yeah, destroy that guy,” because even though she doesn’t approve of Joseph beating up people, she can’t abide disrespect to her friends.   This leads to the memorable fight scene where Joseph is like eight steps ahead of his opponent.  He goes for his brass knuckles, but can’t find them, and Joseph deduces where they are because of some bloodstains on his shirt.  He even suggests what this guy is about to say next because he’s so predictable.

Then he dodges every blow, moving so quickly that this jerk thinks he was hitting Joseph, when in fact he was punching a hat rack behind Joseph, and somehow he didn’t notice that he impaled his hand on broken wood until Joseph explained it to him.     And honestly, this feels like the prototype for a lot of Stand Battles down the line.  I’ll have more to say on that later.

What puts Battle Tendency over the top is how Joseph not only outwits this big lummox, but the rest of the diners at this restaurant all start applauding him for doing it.    They’re just honored to be present in this insane comic book where literally anything can happen.   “He made that asshole punch a hat rack!   This is awesome!”

Then this dude suddenly speaks up.   He’s not only the mafia guy in charge of the first guy, but he’s also heard a hot tip about Speedwagon getting murdered in Mexico by a Tibetan man.   He knew Erina would be interested in hearing this, but he’d never met her before.  Small world, huh?  

How would this guy already know about it, though?  I guess Straizo deliberately leaked the story, specifically so Joseph would find out about it sooner, but it seems awfully convenient.   But that’s how Battle Tendency rolls.   This thing’s only seven volumes long, and we’ve got a lot of ground to cover...