#like maybe the issue wasnt the scene itself but the fact that we as viewers didnt get proper context within the show as for her trauma and

[oh-wow-snow]

was feeling kinda iffy at first about the s&b hallucination scene because i was screaming at my laptop screen that IT'S HARD FOR INEJ TOO!!! KAZ'S TRAUMA ISN'T THE ONLY TRAUMA TO GET IN THE WAY!!!!!! SHE ALSO HAS TOUCH AVERSION!!!!! but after sitting on it for a couple weeks i've realized that... yeah, that's the point. in the hallucination we see kaz disarm her, disarm himself, remove his gloves before ASKING FOR PERMISSION TO TOUCH HER, and inej just... stares at him, with fear and hope and confusion and Want and she wants to pull away so badly because she knows that this is wrong but what if it isn't and god she wants to be closer to him she wants to feel his hands on her body but it Hurts AND YOU CAN SEE ALL THAT IN HER EYES, IN HER WIDE EYES AND HER HESITATION AND HER LIPS ALMOST TOUCHING HIS BEFORE SHE PULLS AWAY, HURT BECAUSE SHE KNOWS IT ISNT REAL AND SHE KNOWS HOW HARD IT IS TO BE WITH HIM LIKE THIS AND I THINK THAT'S SO FUCKING. BEAUTIFUL AND FUCKED I NEED THESE TWO PEOPLE TO GO TO THERAPY SO FUCKING BADDDDDDD

[hallaevak]

skam thoughts

hi ok i’m bored n sick so i’m here to give my (maybe unpopular? idk) thoughts on skam + remakes. i have seen most* remakes, but i’ll mention if i have not seen a particular season or not

first off: basic opinions (favorite remakes, favorite characters, etc)

fav jonas/eva remake:

- skam nl (kes/isa) - isa is, in my opinion, the most relatable eva remake. she’s so sassy and lovable! in general i’m not the biggest fan of the season 1 plot, but i think all jonas/eva pairings, chemistry wise, have been phenomenal. isa/kes are just a little bit more impressive in my opinion.

fav noorhelm remake

- this will be of no shock, as this is quite a popular opinion, but wtfock (senne and zoë). most william remakes kind of suck, and the general character dynamic between noora and william is not something i like. i enjoy the plot but a lot of williams are just...ew. i’m interesting in skam españa interpretation (nora and alejandro) but i can’t fully judge their season until it’s over. zoë is such a wonderful character and senne is actually not a dick! i sobbed when they broke up in s3.

fav evak remake

- i’m tied. either skam france/wtfock. i love the (for some reason controversial) dynamic between sander and robbe. i also love elu, like the basic bitch i am. elliott demaury OWNS me.

fav youssana remake

- honestly, i kind of didn’t like any of them (that are released). there’s only two out there, druck and skam france, and i didn’t like any. i’m sorrryyyy i just love sana bakkoush and no one could ever be better than her. oof! disclaimer i have not watched all of amira’s season/druck s4. i wasn’t personally interested but the acting was phenomenal.

alright now to remake-specific comments.

SKAM, the original, the og, love of my life, scandi legend that started this obsession

- honestly one of the best teen shows i’ve ever seen. the development of characters is so prominent. the acting, for mostly amateur teenagers, is mind blowing. maybe american shows just suck? but i’m absolutely in love with every character. they show such realistic stories and i applaud the skam team + actors for portraying their stories so well.

- the one comment i have is the noorhelm relationship. i just? i don’t like it. when i first watched skam i loved it. noora was hilarious (still think that) and the perfect independent woman model. i also liked william. i just wished they showed more of his vulnerability because his kind of static character is not doing it for me. he doesn’t show any evolution or change. idk, he’s still a wet fish in my eyes. obv this has no shade to the actors, thomas hayes is lovely. his character? not so much. i could write a whole essay on how flawed and dislikable william is.

now, the first remake: skam france

skam france, oui oui baguettes this remake really tickles my fancy

- as someone who kind of understands french, i really do like this remake. i have some issues with s1 and s2 but overall it is a solid remake. being the first, it makes sense for the seasons to seems little unoriginal. i still love emma and manon but their characters aren’t very authentic.

- s3 is where they really nailed it. elu’s immense popularity is only a testament to how truly wonderful the season is. the acting, the characters, slight changes in plot. i loved it. a lot.

- i wasnt impressed by s4 but it might just be my extreme love for iman meskini. no one could ever replace her.

- BUT S5. OH BOY. ROBIN. MY BABY. he is such a good actor and i love arthur he MUST be protected! i love that his shame is not romantically related. also as someone who is interested in deaf culture wow! i’m impressed by the research done by skam france. not only is his the first original season but it is excellently executed. noee is my mother i love her.

druck, likely the most liked remake to which i do not disagree with that statement

- druck is legendary. i really appreciate the small changes in plot and character dynamics that create an identity for each remake and druck is so so good at doing that. mia’s season is lovely and so is matteo’s, as well as the other two. i did not finish amira’s season as wtfock s3 started and i was a little too invested in that haha but i liked what i saw. the mia/noora drama annoyed me but it was okay. i saw it in the way how we all beg for evak/elu/nicotino/etc content in later seasons but then complain when noorhelm/jonas and eva content occur in later seasons, which is weird at best or just fetishization of gay couples at worst. take ur pick. i like it when previous plot lines kind of intertwine into the current ones as it shows that people’s shakes are not temporary and have immense effects on others (which is the point of skam, right?

skam italia, the controversial remake that said bye and then uno-reversed itself (thanks netflix)

- a lot of people don’t like skam italia. it’s understandable, as the actress for sana is not a woc or muslim. however, it is slightly understandable (but not defendable, i was way too disappointed when i found this out) given italy and it’s cultural background. it astonished me that they could even produce an isak remake due to their pretty strong religious beliefs. italy is very much roman catholic, and gay marriage isn’t even legal there (this is the only skam where gay marriage is not legalized). so i give them major props to facing potential backlash in producing s2/marti’s season. it makes sense for there to not be a muslim/woc actress because of the demographics in italy. ww1 and ww2 really spun a number on italy’s race, as many jews and romas as well as pretty much any non-italian ethnicity were kicked out. this creates barriers especially when it comes to hiring a woc actress. skam italia is already breaking barriers when it came to controversial topics (literally all of skam would be controversial in italy’s alt-right view, it seems). tl;dr: kudos for being able to produce a pro-gay show but shame for not being able to hire a woc actess.

- i loved marti’s season as was a fan of the other two seasons. they’re well produced and beautiful and more dramatic than the other skams imo! the soundtrack is absolutely gorgeous.

skam austin, the american cousin no one seems to like that really lives up to the american stereotype

- ok. when i first saw austin/the fact that they made an american remake, i hated it. disgusting. i hâte america as it is. it was cringey, the acting was bad (i’m sorry i’m sorry), and it got rid of the charm that skam had.

- when i watched it a second time around, i changed my mind. i think grace’s season redeemed it a lil bit. it’s living proof that skam remakes must be watched twice or more to fully formulate an opinion. it’s still cringey but i mean, it’s very accurate to american culture. i’m ashamed to say that i, an american, have said many phrases that austin has used.

- skam austin isn’t THAT bad as people make it out to be. i think americans esp are uncomfortable with a skam from their own culture, myself included. and it’s fine to not vibe with it and prefer other skam remakes. i think the actors are okay, better when i saw it the second time, and the editing/music/videography is beautiful (ofc julie andem is a part of it). people give it crap for being american.

skam nl, may she rest in peace or pull an italia and 180 us

- man i was so depressed when i heard that lucas vdh was not getting his season. lucas is downright one of my favorite isak remakes and his story would’ve been so interesting.

- besides that, skam italia has one of the best eva seasons. it is my favorite and is usually a lot of others favorites as well. isa is just so relatable. liv’s season is also incredibly well produced. i didn’t hate noah! it was a miracle come true. he redeemed the william character if only for one remake.

- my one comment/critic isn’t even that serious. it’s just? dutch? it sounds so...weird. i’m a stupid american but i cracked up at things that were definitely NOT jokes because of the language. i’m sorry netherlands/holland i do not mean to laugh.

skam españa, also controversial for good reasons but also conflictingly good

- alright folks. i am confused with skam españa. i don’t know if i love it or like it.

- hear me out. we all know of the controversy with the panphobic comment that nora made. it was stupid and uncalled for and really disrespected the whole pan community of viewers. now, not many people are pan but for a show where an original character (even bech næsheim, love of my life) is canonically pan? it was kind of a slap to the face.

- besides the comment i loved cris’ season. it was refreshing to get an isak season where it was a she, one, and where isak was not living with his eskild but instead had a family. it was also beautifully shot and i love irene with my entire heart.

- that said, i liked eva’s season. nora’s season is interesting. maybe it’s because it’s the first i’ve watched multiple seasons live (españa and france) and have no attention span and is more interested in skam france s5? idk. the clips aren’t really doing it for me. i love the viri clips but the nora clips are eh. she just seems very...in genuine? idk. i also hate miquel get his ugly ass out of here. i can’t fully analyze the season until it’s over but i’m not really interested in it. i also don’t like the noorhelm plot or dynamic at all so that may be it.

wtfock, or another controversial remake that imo shouldn’t be controversial

- wow. i love wtfock. s1 was rocky and i wasn’t sure of how it would be. s2 SLAPPED ME THRU THE ROOF. god i love senne de smet so much. zoë is actually redeemable??? and oh my god milan is my favorite eskild like please adopt me.

- season 3 was the first one i watched live. i arrived to the skam scene late so i didn’t get to experience march madness aka 5 live skams at once and i wish i did. but wow. willem ds and willem h really are one of the main reasons why wtfock s3 did so well. they’re amazing actors with incredibly chemistry.

- the controversy that imo should be controversy: the gay bashing scene. i was surprised at the backlash. people were upset over the fact that they showed such...intense events without immediate remediation. it’s understandable to be mad but? they were criticizing things that had no correlation with the scene, like the willems’ acting or the music picked. it was very wild. they also did a lot of bitching about how lgbt people should see gay bashing because it’ll bring back bad memories and that skam was for the gays only and should cater for only lgbt people. which i heavily disagree with. 1) gay bashing in media is so prevalent and downright important. things can’t be fluffy gay all the time. this happens in real life and does such a great complement to noor’s comment about how no one cares that robbe is gay because it’s 2019. THAT. IS. SO. IMPORTANT. it’s so so important to realize that despite the strides made for lgbt people, gay bashing and violent homophobia. still. exist. also. i would like to direct you to these examples of gay bashing where no one blinked an eye : queer as folk, where s1 justin gets bashed in at his prom and has difficulties drawing; s2 (i think? may be s1) skam españa where lucas rubio gets bashed; skam s4 where even and isak encounter a homophobic dick; these examples are endless. the one thing that miffed me the most was that many critics acted as if they were forced to watch wtfock and therefore criticize its every move. like no? you have a choice? no one is forcing you. quite the opposite! wtfock is geoblocked! you’re actually forcing yourself because you’re taking the time to find illicit resources in order to watch it! alright man i’m done with this rant. many also criticized the writing of the show. it was shaky but watching it a 2nd time, where all clips were released, was so much better when it came to clarity. many ‘poor writing choices’ made sense in the larger picture. again another example that you should watch skam remakes twice to understand the big picture.

- tl;dr wtfock is lovely and should not be criticized for one wrong move.

thank u for hearing me out. i have strong opinions but a frail heart. pls be nice!

[i-am-the-entertainer]

RevieWBY: Volume 6

This has been stated so many times, but Volume 5 was bad. Okay, it wasn’t terrible, like I don’t feel offended by it being bad (unlike certain folks), but looking back on it I don’t have anything to say to really defend it as something Rooster Teeth should have talked up as much as they did at the time. It had some good things going for it, but the amount of problems it had in terms of animation and writing really put a sour taste in everyone’s mouth. So for Volume 6 to deal with all that fallout, it was going to have to do a lot. And to their credit, CRWBY accepted the criticism in stride, and actively worked to make Volume 6 something that people who despised Volume 5 might enjoy.

Still, one had to go into this season with the understanding that some people were never going to be completely satisfied with whatever CRWBY did. Because at the end of the day, the RWBY that Rooster Teeth currently makes is not Monty Oum’s show anymore. No, this isn’t saying CRWBY is in any way disrespecting his legacy, it’s just Monty Oum had a certain method to running the show that only he could really get away with: epic fight scenes, suddenly throwing giant curveballs into the series’ mythology, taking vital time away from storytelling so the fights looked cool. I mean, there are people who criticize the show for doing that now when they didn’t give two shits when Monty did it, because Monty did it in a manner that somehow worked. I don’t know how he did it, but he did, and, well, he’s not here to do it, and there’s no way even a huge animation team can collectively do things like him. And they shouldn’t: if they can use a better industry standard animation engine than Poser, than the fact that Monty Oum didn’t like animating with Maya shouldn’t stop them.

Blah blah blah...this is all about FNDM reception. What did I think of Volume 6?

Well...

Focus

In my mid-volume review I cited this as Volume 6′s strongest aspect, and as far as I can tell this remains the case. By focusing our hero storyline on one group and for the most part the villain storylines on only a few characters who were paired off, Volume 6 effectively told a story that didn’t force the viewers to juggle multiple things and find some semblance of a continuing story. Everything happened linearly and the whole thing made for a more enjoyable watch overall.

Tone

Building off of that renewed focus, this volume felt like it had more of a consistent tone that lasted from beginning to end. RWBY markets itself as an anime show and uses a lot of that anime-style of humor (slapstick and comedically exaggerated emotions), but honestly it’s always played fast and loose with using that humor in a way that doesn’t feel out of place. In this volume it was more consistently used, and that’s largely thanks to the nailed down focus that allowed character interactions to utilize the humor in a natural way. Ruby and Maria Calavera were especially good sources for humor.

Now, things did get a little more screwball when Cordovin came into the mix, but it was interesting seeing CRWBY take that humor to a logical extreme for the first time in a while (not since the Beacon years). It interrupted the tone for a bit, but not in a manner that overall changed the genre this show is going for.

Animation

Beautiful. The improved production pipeline that we’ve heard about really came through. These episodes were the best they’ve ever looked, minus a few errors here and there, showing just how amazing RWBY can look when you give the animators time to add their own touches. There was some really great fight animation to boot: none of the fights this volume felt awkward, and you could tell the animators had a lot of fun.

Worldbuilding/Storytelling

It feels weird saying that Volume 6 did a better job with worldbuilding than Volume 4, which took place on four different continents and traveled across one, and Volume 5, which took place on two different continents and featured the second major skirmish between the villains and the heroes. I think this has to do with just how well it was integrated into the story: insight into the world came at points where the story needed it and when the viewers wanted it. Nothing ever felt like a massive info dump better suited World of Remnant; where there was just too much information delivered that wasn’t relevant to what was happening in the show. Volumes 4 and 5 had this same problem with establishing the world, often telling us too much in a way that just didn’t feel natural to the story. With Volume 6, almost every chapter up until the final Argus arc included some form of that insight:

Chapter 1 showed us how ordinary civilians deal with traveling through Grimm territory––the steps they take to protect themselves

Chapter 2 showed us some aspects of the Mistral criminal underground, not telling us too much about it but suggesting it was much larger than what Cinder encountered.

Chapter 3 showed us...so many things.

Chapter 4 offered a sense of the stakes RWBY faced in relation to all of Remnant.

Chapter 5 and 6 gave us a glimpse at another form of non-city life in Remnant.

Chapter 7 introduced us to Argus, my favorite of all the Remnant cities we’ve seen; plus a glimpse into the life of the silver-eyed warriors; and a more representative depiction of what domestic life is like in Remnant

Chapter 8 told us what Atlas personnel who aren’t Ironwood or Winter are like, plus the long-awaited insight into how the silver eyes work.

Chapter 9 shows something of the effect the Battle of Beacon, and by extension Pyrrha’s death, had outside of our core group.

Things kind of teeter off with the finale arc, but that’s because worldbuilding became a little less important to what was going on. This is kind of a stretch, but the mech fight and the arrival of the Grimm in Argus give us an idea of how large non-capital cities defend themselves without just spelling everything out.

All in all, this volume delivered on some impressive worldbuilding, probably the best the series has had in a while. It wasn’t massive info dumps unless it needed to be (e.g. Chapter 3), and it offered just enough for other important things like the storytelling and the action to still be in the forefront.

Characters

Volume 5, despite the fact it involved the major reunion of Team RWBY after two volumes, felt like it was simply putting the main characters through situations without those situations really doing anything to develop them or define them as anything beyond what we already knew. Some characters fared better on the development front, namely Yang, but others, especially Ruby, just seemed to be along for the ride without us getting any insight into them. This is where the writing issue that came from separating everyone starting with Volume 4 really came to a head: too many different characters with their own story to cover, and sometimes those stories just didn’t do much for the character beyond existing as a situation they were in.

Volume 6 feels like the refutal of that, and that mostly has to do with the fact that we’re not juggling so many storylines anymore. When a major event happens to the heroes, everyone gets affected at the same time. The train crashes? DEVELOPMENT! Jinn’s story? DEVELOPMENT AND INSIGHT! Snowstorm? INSIGHT! The Apathy? DEVELOPMENT! Telling team JNR about Jinn’s story? DEVELOPMENT! Adam ambushes Blake and Yang for the first time since Volume 3? DEVELOPMENT! WITH A HEALTHY DOSAGE OF ANGST!

Surprisingly, the same thing is happening to two of our favorite villains, Mercury and Emerald: even though they only really appeared in three chapters this Volume, we actually got a surprising chance to see how their defeat at the Battle of Haven affected them, and their increasingly strong misgivings about working for Salem. We get more of an idea of them as people rather than Cinder’s blind followers, understanding why they stuck with such an evil person for so long. It’s the most we’ve learned about them since Volume 3, and we didn’t even need lengthy flashbacks.

Even Adam got some more insight. RWBY has been following the path that Adam was an abusive ex-boyfriend for quite a while now, but there was always this underlying thought that he got into the White Fang business for a seemingly noble cause. The problem was the show hadn’t depicted how he got from Point A to Point B. The Adam Character Short offered us some of that much needed insight, putting some of his actions up to this point in a new context, even if it was set-up for clearing up some things so they could get rid of him.

Of course, there are still exceptions to characters getting character development, and honestly they’re kind of glaring ones. Oscar’s development arc, where he came to accept he was his own person, completely happened offscreen (for reasons that I’ve brought up before and will reiterate in the final section), robbing us of really witnessing his growth as a person. I enjoyed some of the stuff Cinder did this volume, especially her escape from the vault and her fight with Neo. But honestly she continues to be a pretty bland villain with little hints at her motivations for being such a terrible person: the Battle of Haven was such an utter defeat for her there needed to be some form of consequence that would’ve affected her character while also telling us more about her. Maybe it would’ve been her strategizing her revenge, which would’ve gotten more insight into how she thinks as a master planner. Instead, we get her leaving the vault, more or less going back to what she used to do but in a more low-key setting, fighting with Neo, plotting with Neo, and leaving with Neo. It felt more like “Hey, she’s alive, and here’s what she’s doing,” which while I appreciate it feels kind of a waste of time if you’re not doing anything with her beyond that. Honestly, a post-credits reveal that she was alive and then a pre-Volume 7 character short detailing how she made it to Atlas that covered her and Neo’s entire storyline this volume would’ve been more helpful.

Before I go on to my most major critique of this volume, I need to address the two Goliaths in the room.

Adam

I’ve said it before and I’ll say it again: they needed to get rid of Adam. The way things have been going, there was only so much more you could do with his character before he became a nuisance that was overstaying his welcome. I understand people wanted some deeper insight into him, but the fact was he was never introduced to be a major villain to anyone beyond Blake and later Yang. They could’ve had him have a thing against Weiss, but they didn’t, they focused the time that would’ve made him a major villain for everyone else on making people like Roman and Cinder and Salem the big villains. They decided on the path of abusive ex-boyfriend a very long time ago, and if you hadn’t figured that out after the Adam Character Short I honestly think you were being willfully ignorant to what’s been building up.

The best I can say is that Adam and his history is a missed opportunity for some pretty interesting storytelling and worldbuilding, but the fact remains: it is not his story that they want to tell, it is not his show. It may make something interesting to think about, but Adam’s story is supplementary, and works better in supplementary material, a la character shorts and maybe mangas.

Jaune

Y’all need to quit it with the “Hrrr drr Jaune took up time again moan moan Miles Luna is self indulgent” talk, he barely did anything this volume beyond Chapter 9 and having a sister that the whole fandom loved.

Pacing

This...this is where Volume 6 ran into trouble.

Overall, from the season premiere to the finale arc, this was probably the best-paced season of RWBY we’ve ever had. Major story events happened right when we needed them, and for the most part they didn’t drag out story arcs for any longer than they needed to be.

Well...until they reached Argus, that is.

At face value, a lot happened in the final couple of chapters. Chapter 8 gave us Maria explaining the silver eyes, Chapter 9 had the scene with Pyrrha’s statue and the mysterious Red-Haired Woman (I’ll headcanon whatever I want about who she is, Jen Brown) Chapter 10 started the Cordovin fight, Chapter 11 reinforced Blake and Yang’s partnership, Chapter 12 killed Adam, and Chapter 13 had Ruby finally use her silver eye powers to defeat a Grimm and they made it to Atlas. Yeah, it was a pretty eventful set of episodes.

So then why did it feel like it dragged? Here are a couple reasons that I’ve identified.

1. The Cordovin Battle sidelined story arcs for too long

I’ve said this before, and I’ll say it again: the finale arc should not have been split up like that over so many episodes. It afforded us some pretty well-animated fights, some of the best the series has ever had, but the volume hadn’t been relying on that action to keep up the forward momentum, but on actually telling the stories of these characters. I get the need for CRWBY to prove that they can do well-animated fights, but as I’ve come to accept action should never take precedence over storytelling (I know, that’s hard to swallow when parts of the fndm spends hours complaining about how Monty’s not animating the fights anymore). And it’s clear to me in this final arc put emphasis on the action over the momentum of the story, bringing the actually pretty good storytelling the volume had had up to that point to a grinding halt.

Now, historically RWBY fights have delayed telling stories, but it’s never been for too long, at most maybe two chapters? But if you spend three chapters on a single fight, thereby devoting three weeks of your viewers’ time to high-octane action, people are gonna notice that the story is basically going nowhere.

What could’ve made this less of a problem? Well, perhaps establishing Cordovin earlier and making her less of a buffoon would’ve eased my hatred of this arc. Volume 6 lacks a clear antagonist for the story, but the way Cordovin was treated as a big deal in this final battle made it seem like she was taking up that role, except we didn’t even see her until the final half of the volume, and in her debut we couldn’t take her seriously as a villain, much less an antagonist, because of the pure comedy they used in her intro. There needed to be something about her at least a few episodes early––take this with a grain of salt because I think following JNR in Argus would’ve killed the balanced pacing of the first half of the volume (and just made the Jaune haters apoplectic), but maybe a few quick scenes of JNR arriving in Argus and getting rejected by her would’ve been helpful. Or honestly easing off on the comedy of her intro. Such a one-note character who we are primed to not take seriously isn’t interesting as a major force, so identifying her as a more threatening roadblock for the heroes would’ve made the stakes of the final fight a little more...present.

2. Important storylines got trimmed for time’s sake and weren’t addressed properly.

@hypeathon (whose excellent production analyses for this Volume are well worth a read) identified a tweet Miles made back in October, prior to the premiere and most likely when they were finishing storyboards, about “killing your darlings.” For those unaware and who may have severely misinterpreted that comment, “killing your darlings” is when writers have to sacrifice something they love or want to do so that the story works better. The timeliness of this tweet (after they would’ve finished the script but before they’d wrapped on storyboards and voice acting for the final episodes) suggests the writers’ room had to cut a lot of material from Volume 6 (what Miles called a massacre of darlings), most likely due to production limits or not having enough time to cover them.

Think about it: the story from Chapters 1-7 was really good: everything was properly spaced out, the scripts felt polished, there was a balance of action and comedy and legit storytelling, the good pacing lasted longer than it ever has within a single volume.

Then we hit Chapter 8 and suddenly it all changes: storylines don’t get the proper time devoted to them, arcs come to a screeching halt due to the big fight. Unlike previous volumes, where the imbalance was pretty much the entire volume, there’s actually a clear point right in the middle of this volume where things suddenly took a turn for the worse. And the fact is, some of the problems with the story in the final arc suddenly make more sense if you accept that time that would’ve been devoted to it got sidelined in this “purge”: Qrow’s alcoholism suddenly getting brushed aside after Chapter 9 hopefully to be addressed next volume, Oscar disappearing and all his development happening offscreen, Adam’s completely unsubtle return after only a vague hint in Chapter 1 that would’ve been stronger if he’d kept popping up in Argus. I’d even go so far to say the odd pacing of the final few chapters could easily have been the result of the writing team not being able to devote a single chapter to such a grand fight, so they needed to stretch it out so CRWBY could actually animate it within reasonable deadlines, which meant sacrificing time for those arcs that so desperately needed development.

So what overall is gonna fix RWBY’s pacing in the future? Well, I think at the moment the show is too ambitious. If it wants to keep to a reasonable production schedule, they need to control the scale of their finales so that it can be completed without needing to sacrifice other storylines. If it wants to hold onto that ambition and make the finales as grand as they want it to be to do their boy Monty proud, then they absolutely need to delay the actual release of the volume so they can put in the proper amount of time to both the story and animation. And I don’t think anyone would mind waiting a little longer for Volume 7 if it meant this show got the care and attention it needs to tell the story it clearly wants to tell.

Conclusions

Evaluating Volume 6 is impossible without evaluating what came before it. RWBY was never a perfect show, but when you lose someone who was responsible for the show’s popularity in the first place and have to change how it’s made to make up for his absence, there’s going to be backlash. Backlash from the fans, and, uh, backlash from inside the company. The fact is, people are never going to be satisfied with the RWBY that Rooster Teeth makes today, and Rooster Teeth is never going to push out a RWBY that will make everyone happy. All they can really do is keep moving forward.

And move forward they did. Despite my problems with the finale, Volume 6 was good. I’ve always been sort of ambivalent about the show (I was drawn to it by my brother shortly before Monty’s death and have been watching it out of respect for him and the company as creative artists), and even if I thought some of RWBY’s critics were being too harsh (or seriously needed to find something better to do), I didn’t find Volumes 4 and 5 enjoyable enough that I felt like defending them. But guys, Volume 6 did something amazing: it made RWBY fun to watch again. Focused, consistent, and compelling storytelling plus gradually eased-in worldbuilding made for a story that I could follow along without having to juggle so many different plots. Improvements in the overall animation made things nice to look at and when fights happened they were always entertaining, never making me cringe or grimace, always making me think “Hell yeah, beat the shit out of them!” Just like I felt back in the old days of the show.

I feel as though what’s holding RWBY back at this point, however, is adhering to the production schedule that its old vision called for in making its current vision. And it honestly cannot keep doing that. RWBY is a show trying to reach grand heights, and its rushed production timelines and lost story arcs are keeping it tethered to the ground. Yet I can’t help but say: Volume 6 is RWBY at its finest so far. It can’t fix the problems that previous volumes have had, but it builds on the void those problems left to build a story that makes this show feel like something worth following once more.

So, I can safely say I’ll be following along when RWBY returns for Volume 7...hopefully later rather than sooner (again, it needs a better production schedule).

[deadgirlwalkingtaylorsversion]

This

was feeling kinda iffy at first about the s&b hallucination scene because i was screaming at my laptop screen that IT'S HARD FOR INEJ TOO!!! KAZ'S TRAUMA ISN'T THE ONLY TRAUMA TO GET IN THE WAY!!!!!! SHE ALSO HAS TOUCH AVERSION!!!!! but after sitting on it for a couple weeks i've realized that... yeah, that's the point. in the hallucination we see kaz disarm her, disarm himself, remove his gloves before ASKING FOR PERMISSION TO TOUCH HER, and inej just... stares at him, with fear and hope and confusion and Want and she wants to pull away so badly because she knows that this is wrong but what if it isn't and god she wants to be closer to him she wants to feel his hands on her body but it Hurts AND YOU CAN SEE ALL THAT IN HER EYES, IN HER WIDE EYES AND HER HESITATION AND HER LIPS ALMOST TOUCHING HIS BEFORE SHE PULLS AWAY, HURT BECAUSE SHE KNOWS IT ISNT REAL AND SHE KNOWS HOW HARD IT IS TO BE WITH HIM LIKE THIS AND I THINK THAT'S SO FUCKING. BEAUTIFUL AND FUCKED I NEED THESE TWO PEOPLE TO GO TO THERAPY SO FUCKING BADDDDDDD