#like it's such a funny concept you don't understand

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[rootspiral]

Agatha All Along deep dive: episode 5 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2][3][4])

I was so looking forward to brighten this particular scene, it's the darkest yet and it's such a beautiful one it's a pity to miss even one detail

oh no lilia stop being so cute????

have you ever seen jen with a bigger smile? and she's quiet as usual, it's almost like more than the ride she's enjoying how much fun her friends are having. especially lilia, those two have been forming a bond that is equal parts bickering and a growing respect

I'm just glad alice had this moment of pure unadulterated joy before it came all crashing down

agatha is very, very quiet. despite never letting herself feel anything freely, she takes a moment to close her eyes and enjoy the beauty of it all

she looks back at rio, so sensual and confident

how can kathryn hahn convey so much with so little time? her breath catches at her sight. and then worry and fear take hold and she gives the tiniest shake of her head, as if she's forbidding herself to entertain any kind of thought about rio. she looks away. the blood moon behind her spells disaster

meanwhile billy is that kid who has the time of his life hanging out with the teachers during a field trip

I want to personally thank aubrey plaza for every acting choice she made as rio, but ESPECIALLY for this witchy laugh

(I just brightened the salem seven witch vomiting bees and it's actually pretty impressive! but I don't want to trigger any insect haters around here) (I love insects though so please talk to me about spiders if you want)

they couldn't get a good look at the cabin before rushing in and I couldn't either until now, do we know if it's something from Agatha's past? did she use to live there?

I'm salty that alice had to die in these stupid clothes

So. I think this trial is the most fucked up and humiliating yet. Billy knew nothing about jen except superficial facts, so he put her in a scenario that matched her work aesthetic, more of a personal insult than a wake up call (compare it with the broom lilia just made for her: roots and flowers, something that speaks about jen's work, beliefs and traditions.)

Alice's trial was entirely based on lorna, we know billy is a big fan so he ran with that concept creating something that really shook alice, and not in a good way. she was forced to sit in her dead mom's house and wear her clothes for god's sake. she took it as the Road wanting to teach her a lesson, when it was just a teenager with the grace and subtlety of a newborn puppy.

Now, agatha. billy doesn't know a thing about her because she's private to the point of paranoia. he has gathered that there's something in her past about a dead child and that's probably what makes her grumpy, so he... tried to make her talk to nicky. with a fuking oujia board. Despite having had his share of shock and trauma billy inevitably has a kid's point of view re: death, and even more so because he's functionally immortal. death is something that happens to other people, or far far away in the future. he thinks he's giving agatha much needed therapy, when he actually put a grown woman in child's clothes and made her relive her traumas for everyone to see.

btw I'm not in any way saying that the trials are bad writing. they are brilliant writing. they're just tragic and fucked up behind the funny exterior, just like agatha herself. sorry for the rant.

I mean I wouldn't be opposed to that. we could put billy back in a closet for a little while and get down and dirty with it. and ooh there's a little leaf on rio's shirt, I hadn't noticed it!

jen's retainer always SENDS me

agatha's face when she realizes it's her trial

agatha is irrevocably, eternally linked with death in all its forms

looks like rio is playing along and setting the scene, but she's also doing something more subtle that only agatha understands: she's provoking her, and it's becoming more personal and hurtful. she's testing and punishing more than she used to. she is growing angrier.

agatha wants to tell rio to fuck off but knows she deserves it. agatha is NOT happy to be in this trial for reasons that go beyond what everyone present (except rio) assumes, but she'll bite the inside of her cheeks until they bleed before she shows any of it

the way he says it with a straight face too (again, NO PUN INTENDED. forgive me joe, I would never)

oh great alice has only thirty minutes to live

everyone looks worried and on their guard, rio has her whole knife out, playing along. agatha is STILL trying to look cool and casual, it's painful to watch. girl is panicking, hard

meanwhile billy is always bringing a whole different energy, he's playing and having fun! think back to the second episode when they met lilia and then jen and alice for the first time. billy had no clue about the tension, the fear and hate between them and agatha. right now he's still more excited than scared. he's about to have a rude awakening.

do not taunt the spirits, AGATHA.

lmaooo. this motherfucker.

another moment when billy sounds chillingly cruel. being jigsaw without realizing it

I'm not pointing it out every time but whenever agatha does this with her arms she's really, really really nervous

what does agatha do when she's scared or overwhelmed? she puts on a show. like clockwork. and rio has already guessed what's about to happen

I really want to continue this so there will be more later today, stay tuned!

go to episode 5 part 3

[mattsmiddlepartt]

The study session. Pt.2

Warnings: Chris’s relentless charm and refusal to take “no” for an answer (but in a flirty, harmless way). Mild academic stress and teasing. Banter-heavy dialogue with a strong dose of cocky quarterback energy. Subtle tension that might leave you screaming, “JUST DATE ALREADY!” Reader possibly getting flustered against their will (because Chris is that guy).

!nerd reader × !popular boy chris!

Chris was late. Again.

You sighed, glancing at the clock and wondering why you bothered to show up on time when he clearly didn’t understand the concept. As you flipped through your notes for what felt like the hundredth time, Chris strolled into the library, his signature smirk in place.

“Miss me?” he asked, sliding into the chair across from you like he owned the place.

“Not even a little,” you replied, refusing to look up from your notebook. “You’re 15 minutes late.”

“Fashionably late,” he corrected, dropping his bag onto the table. “Keeps things exciting.”

“Exciting isn’t going to pass your test,” you shot back, pushing a worksheet toward him. “Now, let’s get started before I regret agreeing to this.”

-

For the first half-hour, you managed to keep Chris focused. He worked through the problems with minimal whining, and you couldn’t help but feel a little proud when he actually started to get the hang of it.

“See? I’m not just a pretty face,” he said, holding up his worksheet triumphantly.

“You’re still only halfway through,” you reminded him, though a small smile tugged at your lips.

“Details,” he said, leaning back in his chair. “Let’s take a break.”

“No breaks,” you replied, flipping to the next set of problems.

Chris leaned forward, resting his chin on his hand as he stared at you. “Come on, Y/N. You’ve gotta let loose once in a while. Live a little.”

You didn’t bother looking up. “My idea of ‘living’ doesn’t involve watching you procrastinate.”

He smirked. “What about going out with me?”

That made you pause. Slowly, you raised your eyes to meet his. “Excuse me?”

“You heard me,” he said, his grin widening. “You, me, dinner. You deserve a reward for all this tutoring, don’t you?”

You blinked, trying to process his words. “Is this some kind of joke?”

“No joke,” he replied, completely serious. “I think you’re cool, Y/N. Smart, funny, and you keep me in check. That’s rare.”

You snorted. “Let me guess—no one’s ever said no to you before, have they?”

“Not yet,” he said, leaning back with that infuriating confidence. “And I don’t think you’ll be the first.”

You rolled your eyes, but your cheeks betrayed you, heating up under his gaze. “You’re unbelievable, you know that?”

“Unbelievably charming?” he offered.

“Unbelievably annoying,” you corrected, shoving another worksheet at him. “And the answer’s no. Now focus.”

Chris chuckled but didn’t push it—this time. Instead, he picked up his pencil and got back to work, though you could still feel his eyes on you every now and then.

By the end of the session, he’d finished every problem, and you couldn’t deny that he’d actually made progress.

“Thanks, Y/N,” he said as he packed up his things. “For real.”

“Don’t mention it,” you replied, stacking your papers.

As he stood to leave, he paused, glancing over his shoulder. “By the way, that wasn’t a no forever. Just a no for now.”

Before you could respond, he was gone, leaving you flustered and wondering how on earth he managed to get under your skin so easily.

Taglist!: @stvrnioloslvt @slvtf0rchr1s @chrisfavoritewhore @ineedchriscock @idontcare4urmom @adoreechxmpion @dominicfikeenthusiast @delilahsturniolo @dykes4chris @ddrellaa

Inspos!: @bernardsbendystraws @muwapsturniolo

(If you don't wanna be tagged dm or go into my inbox! ♡)

[mooniemilkieway]

Laughing Jack Headcanons Part 2

this is literally my character app lmfao I've been coming up with ideas about him since I started fangirling (badly) for him again so let's go.

* . °•★|•°∵ ∵°•|☆•° . *

(gif/animation by @/ijustwannahavefun)

┊͙✧˖*°࿐

★。＼｜／。★

⛧ Laughing Jack is essentially corrupted by Lucifer to be used as a weapon to obtain his vengeance on God for casting him out. When an angel was traveling the Jack-in-the-Box to Isaac, Lucifer sent one of his demons to attack the angel and put a "curse" on the box. This could explain why Laughing Jack-even before Isaac abandoned him-seemed to be murderous as he mutilated a cat when him and Isaac were playing outside.

⛧ LJ does have more of an "virtuous" voice. He has a gentle, almost father like, voice. It's usually for when he wants engage with someone he genuinely likes or if he wants to calm someone down. However, don't let this deceive you as it could be because of manipulation. Once he starts showing his true motives, his voice would become more sinister.

(His "innocent" voice headcanon that being Sebastian Michaelis: https://www.youtube.com/watch?v=OgBWOTtTp4Q)

(His "malicious" voice headcanon that being Alex Brightman's Beetlejuice: https://www.youtube.com/watch?v=QMrt9demNeA)

⛧ He takes interest in porcelain harlequin dolls. He was first introduced into making them around the late 1900s when he was targeting one of his victims and their brother was a merchant for harlequin dolls. Obviously LJ killed his victim and the brother because they were scamming and being evil by abusing their nephews and based on his new hobby, he captured their souls and sealed them in two porcelain harlequin dolls he created. They are both in a small, glass display in on of LJ's carnival tents.

⛧ Relating back to the previous one, Laughing Jack doesn't kill innocent children or people for that matter. Sure, he may scare or tease you, but he would never lay a finger on you unless if you are that of vile soul. Especially if you abuse children.

⛧ Laughing Jack loves studying astronomy. Whenever he walks outside on a full moon with stars aligned in the night sky, he would always wonder what it'll be like to travel across the galaxy. He even thought about if there's other life forms on different planets. This can explain why he is more stronger magic wise during the full moon period.

⛧ He is also a writer. When he began writing was as the same time Isaac was still being homeschooled. He learned how to do cursive writing. He would definitely write letters either warning someone about the dangers that lie ahead of them or would write a threatening one to his victim.

⛧ Laughing Jack has photophobia or has sun-sensitive eyes. This is most likely because he has been stuck in a dark, enclosed area for almost 13 years. He can technically be in sunlight but he'll have discomfort. So if you want to get away from him just shine a really bright flashlight in his eyes. One of the people Laughing Jack was protecting noticed this and offered him a pair of their old glasses because they had the same condition. LJ does wear them but only when no one can see his as he doesn't want to seem "vulnerable."

⛧ He is also very...old fashion. He prefers listening to music by a vinyl and a record player and doesn't understand the concept of technology or what the new generation is into. He is also very concerned about the "Get Alpha" slang...

⛧ If Laughing Jack gets stabbed or has one of his limbs cut off he could easily attach it back by sewing that area with just needle and thread and wrap it with his iconic bandages and it'll function like normal.

⛧ He loves the snow. Especially when it's at night. He finds it very magical and would take someone out with him to a snowy forest so they could have a walk and talk to each other about their deepest feelings.

⛧ His scent is that of a victoria sponge cake. It is actually a strong smell that you probably wouldn't even think it came from him.

⛧ For funnies, yes Laughing Jack does know all of the Sanrio characters.

.𖥔 ݁ ˖꩜

[just-a-little-unionoid]

#TRANS ADAM HC STRIKES AGAIN!!! #if no one else writes it soon i might fuck it #i love this idea so much

please do and tag me, I'm obsessed with the idea

Husk isn't paid nearly enough for that bullshit

(he isn't getting paid at all)

may try to redraw it a little more properly later? errrr probably not

[sodrippy]

this post about inverting the 'vampires are snobby upperclass' and 'werewolves are working class' tropes irks me soooo bad i dont even know why im just like. werewolves are my best friends vampires dont need a pr campaign theyre doing fine being lame and dusty. why are you slandering working class heroes like this bro.

[butts-bouncing-on-the-beltway]

I feel like the post I just reblogged pointing out the all-or-nothing in how many people interact with their deconstruction of systems of oppression is resonating for me right now with so many different moments in my life where someone decides that because some part of myself has access to some of the levers of control/influence/etc that come with the relationship to power, and decides what that must mean about all the other parts of me that might be explicitly refused access to those same levers.

It has happened in so many spaces/aspects of my life, and it can be so hard to feel safe and seen and trusting of others when that's my chronic relationship to being perceived - half truths and obfuscation.

It doesn't really change regardless of who's doing the assuming either. Like, where they land in relation to systems of power may influence which direction they lean in their assumptions about me, but even that is often inconsistent. Both sides of the equation (those who share my marginalizations and those who exist in spaces of closer proximity to power) will still do it nonetheless.

When I was doing my liminal social identities work in undergrad, this was actually a big part of the conceptualization we explored of traumtic alienation of self as individual from self as collective, and what it can do to people to exist in this liminal relationship with your environment and the people in it. As I'm starting to gather my thoughts about my stress modeling, this conceptualization is bubbling back to the surface. I'm finding myself meandering through it on both a path specifically my own, and in an effort to better understand what other paths may be available to people during their version of the process/experience.

Selfhood is so fragile, and so in need of balance between self-construction and co-construction for us humans, and that gives us so many beautiful, even spiritual, experiences of meaning making and generativity of self. It also createa many pivot points where we may find room in our path for vulnerability or blurring of self. As much as these pivot points can be distressing, I think they also sometimes become our foundations of change/personal evolution, when we find that through the distress of existing in shift, something meaningful is occurring or observable in our experience of self-in-transition.

I think something I've valued especially about my own relationship with self is its transience. It doesn't always end up somewhere I would be happy to sustain, but it always allows me a degree of comfort in complexity that I think has made my body-mind a safer place for me overall.

[sleepingfancies]

sorry for oc posting . it will happen again

[truecorvid]

reddit is such a great reminder that cis people do not understand gender or anything about modern gender theory at all. like no hate. i get it. but oh my god

[outlier-roddy]

I'm fucking frothing at the mouth

[leyyvi]

ay three months till paychecks celebrates one year of being update-less 🔛🔝

damn this ask about to make that another year imagine that!!

[abyssembraced]

Perhaps surprisingly, Ghost is actually quite merciful in a fight!

In general, they're a lot more reactive than they are proactive.

They do always give it their all in battle, and I suppose in that sense they could be considered rather ruthless. They'll never "go easy" on an opponent, since they don't actually know how to. They've never been in a situation before where doing such a thing would be relevant or useful. Everything they've fought during their life has either been Infected, a lesser creature that they're hunting for SOUL, or a highly skilled warrior that warrants them using their full capabilities. If someone asked Ghost to go easy on them in a spar, they'd probably just be confused about what that even meant?

The closest thing they've experienced to "going easy" on someone is simply not wasting unnecessary resources on a weak opponent. For example, if a lone, regular Vengefly has decided to harass them, Ghost isn't going to bother expending their gathered SOUL and Void with a spell when it'll fall in one hit from their nail.

Though, they are also cautious about how Void affects non-Void beings when they're around someone they care about not killing. Hornet has probably drilled it into them enough that the substance their body is made of is extremely dangerous to regular bugs dgshshfs. Plus they've seen examples of what Void can do to a bug from sources other than themself. Fortunately though, their Void infused spells (Abyss Shriek, Shade Soul, Descending Dark) are generally still safe enough to use in spars!

But, whether they fight and how long the fight lasts actually depends entirely on the other person. Ghost doesn't typically make the first strike or initiate a battle, and in cases where they do (such as the Mantis Lords fight), they make their intentions very clear with a challenge first. They aren't one for sneak attacks.

If someone attacks them, then they will fight back with all their might. But, if their opponent stops fighting, then they will too.

Against Infected foes, this usually means a fight to the death anyway, since due to the Radiance's influence, the enemy will not stop trying to kill Ghost until they either succeed or die trying. But against uninfected opponents like Hornet and the Mantis Lords, they can surrender, retreat, or even talk to Ghost safely without Ghost trying to go in for the kill. Even if that opponent was intending to kill Ghost themself. And for Infected and uninfected opponents alike, if they stagger, then Ghost will stop and wait for them, just to see if the fight is done or not.

If their opponent insists on fighting, though, then Ghost will never retreat themself, no matter how badly they get hurt. They'll keep fighting until their mask breaks, and even beyond that once they have Void Heart and can survive without it. Even in simple sparring matches. Self-preservation... Is not their strong suit dhdhshf.

This also means that my Ghost would not have killed the non-aggressive Infected enemies under most circumstances. In particular, they definitely never killed the other maggots (False Knight's siblings). Not only were those guys non-aggressive; they were sapient, terrified of Ghost, did not want to fight and very clearly showed this by actively running away. Ghost did not kill them. There was no reason to. Hell, I always feel really bad killing them for the Hunter's Journal entries lmao.

Regarding the Hunter's Journal entries, actually, for the enemies that they wouldn't have killed many of (if any at all), and perhaps even just in general, I'm inclined to say that Ghost still has the entries written down, but did so after just observing the specimens rather than killing them? Plus maybe also by inspecting the bodies of already dead creatures, like how you get the Garpede entry.

At least the initial entries anyway, which I like to think were actually written by Ghost. They probably don't have any of the "second tier" entries physically in the journal, considering that some of them (e.g. The direct quotes from the Warrior Dreams) make no sense for Ghost to know. But for the ones written specifically by the Hunter, maybe Ghost would pop by to show him their journal from time to time, and that's when he'd give them his input on Hallownest's creatures?

[jewishcissiekj]

Hey um. Here's the thing. The Clone Wars movie but. Asajj is a Jedi Master. Don't ask me how or why. Quinlan Vos is Dooku's assasain/Sith apperantice. Asajj is on Christophsis with Obi-Wan and Anakin. Her new padawan is about to arrive. She (Ahsoka) arrives. Ahsoka says Yoda sent her to be Anakin's padawan. Asajj doesn't get it. Obi-Wan is smirking in the background. Anakin also doesn't like this. He says he doesn't need a Padawan. Said Padawan and Anakin go to take down the Separatist shield generator anyway. Asajj and Obi-Wan go to negotiate with the Separatist General. Anakin and Ahsoka take down the generator like they do in Canon. Asajj & Obi-Wan fight the Separatists. Ahsoka tells them they need to go find Jabba's son or however it happens. They go together, but Asajj is also there. Everything goes the same as it does in the movie (Quinlan filling Asajj's place) but Asajj and Anakin argue much more. Until the landing platform scene where Quinlan now is starting to cut through the door. They see the Twilight. Asajj tells Anakin and Ahsoka to run with Rotta the Hutt while she holds Quinlan back (yeah Quinlan has a homoerotic fight with Obi-Wan first). They (Ahsoka & Anakin) go to Tatooine. All that shit happens. Asajj, Anakin, and Ahsoka go before the council to figure out what happened with the Padawan mismatch. Asajj really doesn't like Anakin. She tells the council he isn't responsible enough to have a Padawan etc. Anakin agrees yet he already bonded with Ahsoka so he doesn't know what to think about it. Asajj is hellbent on having Ahsoka as her Padawan basically. The council asks them both to exit the room so they can ask Ahsoka privately. Ahsoka has no idea bc she bonded with both of them. The council decided to do something that has been rarely done in Jedi history and let her be the Padawan of them both. Because it's war and weird things are happening anyway. Asajj and Anakin have to deal with it. It's funny as fuck. Workplace comedy. Romantic comedy but not romantic. The Clone Wars is much better. They're all idiots. Boom. Just made TCW interesting for myself.

[madamegemknight]

I know it’s a funny joke on this webbed site to be like ‘haha I know my blorbo better than the person who writes them’ but it is no longer a joke for me. I know ork-0 better than rob david and I need to break into mattel to save him right now

[icharchivist]

one unanimously good thing about the ff7 remake though is that i see more and more people realizes that Cait Sith/Reeve is such a funny character worth talking about. Hell yeah.

[necrothezma]

I feel like I have to apologize for reblogging from a random ass person but sometimes I go to people's to study them then I find content from a deactivated person and it's like fuck! I have no choice now