#like it's fanon to the point of forgetting it's not CANON

[queen-scribbles]

One thing that's funny about playing completely unmodded BG3: everybody and their brother draws/mods/gifs Gale with his hair in that lil (wonderful) half-ponytail, so when I go to play I have this moment of disconnect that he looks wrong. In game. With his default regular appearance. Because I'm so accustomed to the ponytail. xD

[feralnightwing]

the only show where i am okay with fanon completely overshadowing (lol) canon is danny phantom. like we took this at best pg-13 cartoon about a ghost boy and his adventures and turned it into a horrifying story of tragedy and pain.

the portal accident? let's expand on that: he was electrocuted to death and had a portal to another dimension open on him. the agony he felt as he died is something horrific and unforgettable.

his parents are ghost hunters that hunt his ghost half haha! no. his parents are ghost hunters that are hunting their dead-is-he-dead-is-he-alive? child. they want to capture him for study. danny is constantly living in fear of parents because they want to "tear him apart, molecule by molecule." he is afraid of his parents discovering his secret: would it be better if they didn't know he was their son as they vivisect him? or knowing and doing it anyway?

14 year old superhero! boom pow he punches bad ghosts! so fun! wrong. he is a 14 year old atlas, stuck underneath the weight of protecting his home and the people in it. there are people who hate him, but it's okay because... because. he fends off anyone and anything that tries to harm those under his protection at the cost of himself. it hurts and he hurts but what else can he do? he gives up on his dreams of seeing the stars as phantom takes him away from school, so can continue fighting and keep people (except himself) unharmed.

the giw are so funny because they're so incompetent. but what if they weren't? what if they managed to catch him? what if fenton goes missing and phantom is never seen again? stuck in a tiny cell; he's not human. he is lesser and thus it's okay to tear him apart and put him back together over and over again. he is a shell of himself, truly dead despite being alive.

i could go on and on and on. my point stands: this fandom has developed something so intricate from a cartoon that would've otherwise been lost to time. we saw ideas and concepts that could be fleshed out into a truly engaging and gruesome story and did it! that's crazy!

this show by itself wouldn't be anything great, but fanon just made it so much better (by A Lot). danny phantom fanon is better than canon, and that's the truth

[hadesknockedupintheunderworld]

Ngl it's weird finishing the Knuckles tv show and going to tumblr about it only for people (even who I consider bigger name fans) who also watched the entire show to claim that it "confirmed Knuckles Wachowski"

Like

I'm sorry

Did you somehow miss the part in the last episode where Knuckles had a whole montage of hanging with the Whipple family and Wade and saying "home" or something?

[the-golden-ghost]

Actually the truth is with any media analysis is that multiple interpretations of any source exist, which is why there is no point in debating "canon vs fanon" because even the "canon" stuff is subject to interpretation

[drop-the-curtain-123]

Yada and Muramatsu were in the same primary school, but there's more similarities between them!

Such as losing their heart to the class representative of the same gender... Peak gay/lesbian solidarity if I say so myself.

[neverenoughmarauders]

Sirius: what do you see in Evans anyways? James: she’s funny and clever and freaking hot Sirius: and I suppose that’s all there needs to be to it: humour, wit and good looks

The three others exchange looks

Remus: I’m not telling him! James: he’s a smart boy… Peter to James in a whisper: he has just described himself, hasn’t he? James conspiratorially to Peter: truth be told, I’m beginning to question the wit part Sirius, shrugs: I don’t get it… James: Mate, have you got dungs for -

Sirius flicks his wand while James is distracted. James is dangling upside down.

Sirius bending down to be level with James’ head: There’s so much more to me, Potter, and don’t you forget it.

[hazmatazz]

unpopular opinion: everyone should shut up :)

[kovacs-of-courage]

Cor Unum Ch-1

This is chapter 1 of a compilation of oneshots on A03, if you like this--go check the rest of it out! It's called Cor Unum and is listed on my A03 works

----------------

“There’s too many of them, they’re going to catch up with us soon.”

Wild rasped through bloodied breath, and shredded pleura. Breathing was torture, a hundred knives sawing his throat up from his chest. He’d been hit by an arrow, a lucky shot by a now-dead bokoblin that’d collided directly into his ribs, and then lung.

“I can stay behind--buy time.”

It was easy, almost compulsory for him to offer his own life for those of others. Wild knew that all of his brothers would do the same for him. It might be fate that begets these circumstances upon him again and again, or his stubborn refusal to accept his own limitations.

A short, tired laugh greeted his offer. More of a humorous exhale than anything. Neither of them had the energy to do much more than survive at the current moment.

“I’m glad to see you still have faith in my abilities. What kind of knight would I be if I left my men behind?”

Valor continued in step, unflattered by the suggestion, as he was by the distant hollers and heavy footfalls of the monsters behind them--always coming ever closer. The captain had Wild’s right arm curled around his neck and shoulders, keeping hold of his hand as they limped through the forest.

Wild opened his mouth to counter, and was interrupted by the ignition of fire and charred splinters that’d marked a tree beside them. A fire arrow from the oncoming band of monsters managed to find their position. He could recognize the heat, and the swallowing boom of its shockwave anywhere. He wasn’t happy to be on the other end of it, though.

The blast sent them reeling to the ground, their tunics stained with a charming mixture of dirt and blood. Wild tried getting up, to middling success. He was on the last legs of his energy, and having to balance that with one working lung wasn’t making that easier. 

He fell to the ground again, another maelstrom of flaming bark whipping over their heads. 

They were getting closer.

Wild reached for his bow, determined, and ready to sacrifice everything for the survival of his brother. A hero was only as good as the odds against them.

Valor had a different idea, however, lifting the younger hero’s body onto his shoulders, and around his head. He grunted at the effort, the battle, and the near-direct impact of the fire arrows had taken something out of the man.

“Don’t waste your breath, goddess knows you don’t have much of it.” Valor panted.

Valor eyed the coming mob of monsters, putting his freehand to his belt.

“When our comrades stumble, and fall, we carry them until they are strong again.”

A volley of arrows soared by their heads, narrowly missing them. 

Valor didn’t falter.

“That’s how it is.”

The monsters were close, nearly on their necks.

Valor readied himself.

“And that’s how it’ll always be.”

[metalomagnetic]

Canon Marauders meet Fanon Marauders

“I will kill him, James. I simply have to kill him. It’s a duty at this point,” Sirius whispers, at breakfast. 

James is morally opposed to murder, to say the least, but now when he opens his mouth to automatically tell Sirius he can’t kill people, the Abomination walks into the Great Hall, and James closes his mouth, with a sigh. 

He condones it. 

“Can you kill me, too, please?” Remus asks, as he watches his counterpart walk behind the Abomination. 

“Oh, come on! The Other You isn’t so bad.” 

“They’re all bad,” Peter mutters. “Just unbearable to watch.” 

They’ve only arrived in this cursed universe the day before, but it’s already too much to suffer. 

When Sirius met this universe’ version of himself, he had to be restrained from committing unspeakable violence. 

“What’s with the pranks?” James wonders. “Look, they’ve only just entered the Hall and they’ve already pulled a few pranks.” 

“You call those pranks?” Sirius sneers. “Those lame jokes?” 

“They probably take the ‘prankster’ label too seriously,” Peter bemoans. “And I’m missing again. It’s like I don’t even exist here, like those guys forget I’m their best friend.” 

After the Other Sirius, Other Peter was done the dirtiest. He’s much uglier than the real one, far shorter, and so stupid Sirius thinks he shouldn’t even be allowed to attend school. 

Not that Other Sirius is smart- oh, no. Other Sirius is a moron, apparently allergic to books. 

Remus got an upgrade- he’s now a wise genius to rival Dumbledore, and he spends his days giving people chocolate frogs.

It’s a wonder the Abomination is so thin, with how much chocolate he’s getting from Other Remus. 

So thin and short. 

“Why am I short?” Sirius growls. “I don’t know mate, it’s like the creator of this universe misremembered our heights and switched them around,” Remus offers, watching his other self, a very tall bastard. He’s even taller than Real Sirius. 

Outrageous. 

“I could suffer you short,” James says. “But look at him, he’s - why is he so…is that ...nail polish? Gods, what have they done to my Sirius!” 

“I asked him if he still has the bike,” Peter whispers. “He said he does, but I mean- he’s so fragile and dainty, how does he even manage that monster bike?” 

Sirius shakes his head in horror. “I have to kill him, there’s no way around it.” 

The Other Sirius whines in the distance. “MOOOOONY,” he pouts, and that's it, Sirius stands-

“Not here,” James pulls him by his sleeve. “You can’t have witnesses.” 

(-)

It takes them a few days to figure out what’s wrong with Other James. At a first glance, he looked normal, compared to the others. Almost unchanged from his real version, if only stupider. But not as stupid as Other Sirius and Other Peter, of course. 

A chicken wouldn’t be dumber than those guys. 

When they do figure it out, James throws up. 

“There, there,” Sirius pats his back. “Breathe, mate. Breathe.” 

“I’m fucking your brother! Your brother, Sirius!” 

“Oh, no, that is not my brother. That is Other Brother.” 

This version of Regulus is apparently not a bigot at all, it’s all just a big misunderstanding. He’s an Animagus, too, somehow. 

Sirius actually thinks Other Regulus is an alright lad- nothing like his brother, mind you, but alright, in general. 

James throws up again. “Me! With Regulus Black! I’m not even gay! I love Lily, and she loves me-” 

“Well, apparently she’s gay, too, in this world.” Remus says, which only makes James cry.

That isn’t so bad, really. Many things are wrong with this universe, but Lily and Dorcas look hot together. Sirius had a wank thinking of them the other night. It’s fine, he tells himself. He’s not betraying James. This Lily is nothing like their Lily back home. This one is like a goddess of beauty here, hair far more vibrant than the Real one, flawless skin and overall perfect in everything she does. Extremely selfless, saint-like, to the point she apparently offered to carry Regulus’ and James’ baby after Hogwarts.

Real Lily would hate her. 

She’s still not worse than Other Sirius. Nothing is worse than that. Real Sirius has taken to bullying Other Sirius, daily. Hourly. The Abomination whines about it to Other Remus all the time. 

“I want a word,” Other Remus hulks over, ridiculously muscular and, for some reason, with scars on his face. 

What the fuck happened to this bloke? Who even is he?

Real Remus slinks back. He was never one for confrontations, their Remus, but apparently this upgraded version is all up for it. 

“Listen,” Sirius tells him, because he doesn’t hate the man- sure, he’s not Remus, but he seems like a nice lad. “Why do you put up with that insufferable drama queen? He deserves to hang, and you deserve better.” 

“That’s my baby! That’s my Pads,” Other Remus says, suddenly all violent, his eyes turn yellow- what the actual fuck? 

But Sirius is already nauseous, stomach turning as soon as he heard ‘baby’ and ‘Pads”  coming out of his mouth. 

Real Remus cheers from the sidelines as Sirius wipes the floor with Other Remus. The Abomination cries somewhere in the distance, all helpless, until Real James hits him over the head with a candlestick. Other James is too busy sucking Other Regulus’ face to notice anything. 

(-)

Other Snape has a split personality, as if someone out there can’t decide if he’s evil reincarnate or a mewling, innocent boy. 

It’s jarring to see the shifts, day to day, and Sirius doesn’t know which version he hates more. 

He never thought he’d miss Snape, but he does. He misses their Snape, gods damn it, the Real one. 

(-)

He finds out his parents- or at least his parents in this world- torture Other Sirius on a daily basis. With the Cruciatus, even. 

Other Regulus tells him this, all traumatised. 

“Well,” Sirius says, shocked to the core. He almost laughs at the absurdity of it. “To be fair, if I had a son like the Abomination, I’d torture, him, too.” 

(-)

Dumbledore is Evil. But stupidly so. Even a random eleven year old saw through his evil plans and humiliated Dumbledore at breakfast. Some smart arse kid, who’s apparently Lord Potter Black Gaunt Slytherin, and talks like an eighty year old politician. Apparently Dumbledore stole his money or something. 

“I wonder how Other Voldemort is like,” James says, anxious to consider it. 

“I don’t even care,” Peter says. “We should join him. It’s either him, or siding with these lunatics.” 

They all nod in agreement. Voldemort can’t be worse- nothing can be worse than Other Sirius and Evil Stupid Dumbledore.  

(-)

There’s two Voldemorts. 

One is practically a ‘cartoon character’ Remus says. Sirius has no idea what that means.

This Voldemort is Ridiculously Evil. 

Insane Bellatrix is his most loyal. For some reason Insane Bellatrix cackles all the time, and mutters about blood and the Cruciatus under her breath. She’s also dressed like a slut. 

Real Bella, like the aristocrat she is, would never be caught looking like that in public. 

Sirius takes her aside to have a few words with her, and then he finds out apparently she, too, was tortured daily by her parents, like Other Sirius. 

“And raped,” she remembers, with a shrug.  

Wow, and Sirius thought the Real versions of the Blacks were bad, but these people take the fucking cake. 

If the Real Blacks would find out what these Other Blacks are doing to their children, there’ll be hell to pay. 

His mum is a right basket case back in his world, insufferable and cruel with her words, unreasonably strict, but if she’d ever find out another version of herself is torturing her children- why, she’d cut that bitch in pieces. 

(-)

The second Other Voldemort is some misunderstood good guy with a sob story. He whines about his tragic childhood as much as Other Sirius. 

At least this Other Voldemort is still tall, unlike Other Sirius. 

“It’s all Dumbledore’s fault,” he ends a monologue. “He made me do all I did. Or-” he checks a list. “Apparently sometimes he simply framed me and I didn’t do anything at all. Also, you can call me Tom, in private,” he invites them. 

It’s a tragic state of affairs. 

They decide to join Ridiculously Evil Voldemort, simply because he’s the only one that wouldn't protest to murdering everyone. He talks about murder every single day, and Sirius promises him he’ll do anything If he’s allowed to kill Other Sirius. 

“Oh, by the way, you should deal with Good Guy Voldemort.” 

“With who?” 

“You know, the hotter you, the one that’s innocent of all wrongs and calls himself Tom.” 

Evil Voldemort has a heart attacks and dies. 

(-)

They’re on the run from everyone in that crazy world, when a hooded figure enters their tent.  

“Is it you? Is it really you?” the man asks. “Potter? Black? Lupin? Pettigrew?’ 

“Yes, it’s us.” 

The person lowers his hood. It’s Snape. Real Snape. With greasy hair and a large nose, but with intelligent, sharp eyes.

There’s no ‘Victim’ stamped on his forehead, nor is he an evil arrogant bastard, like the Other Snape.

“Fuck, Snivellus! A sane person! I could hug you!” 

“I’d rather not,” Snape spits at James. “Alas, I am...relieved to have found you. We need to work together. I came here after you-” 

“Of course you did, you berk! You were stalking us, as usually, weren’t you?” 

“Yes,” Snape says, unashamed. “I killed the Other me.” 

“Good job. I killed the Other me, too,” Sirius boasts. “I took my time with him.” 

“I killed Other Lily,” Snape says. “She had to go. She was all ...wrong.” 

James sniffles. “She was.” 

And then they all sit down, and plan how to kill Good Guy Voldemort and Evil Stupid Dumbledore. 

[1322daysofdoey]

Spreading my orange Kevin agenda... Read my ramblings... This is going to be stupidly long as I try to explain everything here so I apologize in advance.

To try to break this down, basically the main reason I think Kevin is orange and not red is because of the arrangement of the heads in his monster form, which are arranged in a similar "triangle" fashion to the colors on Doey himself (one on his top-right, one on his top-left, one on the bottom-center). Not only that, but this color arrangement is ALSO present in his logo (two "tall" yellow and orange letters - d and h, and one "low-hanging" red letter between them - g), so I get the impression that this was done on purpose rather than a coincidence. So, looking at his monster form, Kevin is easily identifiable by his angry expression, and with this arrangement in mind he corresponds to the orange color placement.

So, then, between the last two heads, how did I determine which one is Matthew and which one is Jack? The answer is going back to the logo and looking at the hands. Each one is posed differently, and I feel that this is reflective of each boy's personality. The orange hand is a fist, which further supports that color representing Kevin due to his aggression. The red hand is pointing, which I feel is a good representation of Matthew's leadership and charisma. So then Jack is yellow, the open hand, by process of elimination. You could counterargue that a pointing finger could be accusatory, and that a fist in the air could represent leadership. But because of the previous point about the consistent arrangement of the colors/faces, I'm pretty confident about Kevin being orange, so that really just leaves me with the other interpretation.

I also think that these colors make more sense when thinking about the actual body parts that the colors are applied to. Orange is one of Doey's arms, which I think fits much better for Kevin than the legs would. Meanwhile, I think the legs work well for Matthew because he's the "support" and stability of the trio. It also makes the "three boys in a trench coat" jokes work better this way lol, you make Matthew the "legs" of the disguise because he's the oldest and tallest to carry the other two but then don't even make him the color of the legs? smh

Then my last two points are a bit more minor, but I wanted to mention anyway:

Firstly, the emotional association of the colors. I feel like the red Kevin fanon is specifically because red is seen as "the angry color" or "the bad color" (Kevin is NOT bad or evil FYI but you know how some people are about this sort of thing...), but then they're forgetting that red is also the color of love. (I mean hello, we're talking about the same game where Bobby BearHug exists?) Matthew has so much love for friends and family, I think it suits him well. And then orange is still a "fiery" color that can fit for Kevin's intense emotions, yeah?

Then secondly, the official "order" of the boys. Their experiment numbers are given a letter at the end to differentiate the three, with Jack being 1322A, Kevin being 1322B, and Matthew being 1322C. Youngest to oldest. And, if Kevin is orange instead of red, it would also make them ordered by color hue. A, B, C. Yellow, orange, red. It just makes sense, it feels right. It feels like something that would be done on purpose. Especially when combined with everything else I've already pointed out in this post.

Gonna finish this off with addressing another potential counterargument, though:

"But Doey's own character designer drew art where they color-coded the boys as yellow Jack, orange Matthew, and red Kevin! So doesn't that make those colors official?" Bro they literally say in their post that it "isn't canon" and is just fan art. You can already tell that it's not canon just based on Jack being a literal infant baby that looks nothing like the canon kid we see in the video lol. Furthermore, while Max is Doey's character designer, that doesn't mean they were responsible for any of the symbolism, foreshadowing, etc. regarding his backstory. They designed the character, but that doesn't mean they designed the logo for example. And, interestingly, in their concept art for monster Doey, you know what's noticeably different from the final version? The three heads inside Doey's mouth. They all share the same expression, so we can't tell which one is Kevin in this version. We don't know who was responsible for minor adjustments between this concept art and the final in-game design, so it's possible that someone on the team other than Max wanted that detail to be included. So in other words, I think that if each boy is indeed meant to correspond to a specific color on Doey, I don't think it was Max who chose which kid is which color, nor would they necessarily even know the "correct" color-coding since the possible hints about it that I talk about in this post are easy to miss if you're not hopelessly brainrotted like I am, and aren't important to understanding the lore. So they may have just fallen into the same "red = angry" logic that most of the fandom did.

But yeah whatever, man. I just wanted to get this out there.

[iconicname]

What I hate most about fanon woobie Tim drake is that he has to be the center of Jason's world. It literally doesn't matter what type of dynamic they have.

If they're acquaintances jason will be dumbed down and has to ask Tim for help, putting Jason in his debt.

or worse Tim will just insert himself without any social repercussions (as in no one fucking likes it when they're boundaries are violated even if they "need" it).

If you're going with the family routes where everyone is brother or sister, Tim has to be Jason's favorite brother (Dick Grayson who?). Because of how "nice and cool" he is or alternatively because tim is some poor wittle baby who needs big strong jason to take care of him.

Or jason and Tim are just "best friends" but it's never shown, jason just takes one look at this expensive saltless cracker and gets hit with the "omg child soldiers are bad! This poor kid 😟" but it only applies to Tim and Tim only.

If they're angst in the dynamic, there's never any nuance. Because they lovvveeee to hammer in the "titans tower incident😱😰😨😱😭😢���😩" but never how tim was speaking so nasty about jason (a dead kid he did. Not. Know.) Because he was insecure.

It'd be nice if it was a story about how Tim was insecure ( not in the cutesy uwuw baby kinda way i mean the i shit on the dead because i can't handle feeling inferior to my predecessor) and Jason just didn't like him, but they work their differences and they wouldn't exactly be friends or anything but they were least acknowledge each other in a positive way through being Robin and stuff but that would never work because Tim is a character who can never be lifted without bringing others down. Because outside of Robin, he literally has nothing for him, and he knows it.

And like it's one thing if jason was like Dick. (Got fired. Had a crisis. Moved on.) because at least Jason would have the ability to defend himself/prove tim wrong whatever. But he wasn't. He was tortured to death for the cause.

The total lack of empathy from Tim is astonishing. It reflects a lot on his character. Forget Jason for a second. what type of hero shits on the lives lost to your villains?

Imagine your crying because your loved one died in a villain attack and Superman is like "ummmm they died because they fucking sucked and were inherently inferior. Not me though, I would have survived I'm better than them"

Yall don't think that attitude didn't stay when jason got revived? It definitely would, jason is the pariah, and if Tim felt safe enough to shit on a dead kid who at that point has not directly "defied batman" you think he wouldn't say that type of shit to the other robins, around jason or to his face?

Even if he didn't, jason would know because let's be real 🙄

But no, there's no nuance. Instead, jason has to grovel at Tim's superior feet, while Tim gets to feel benevolent and magnanimous with every godamn interaction.

(Also Canonically jason was basically testing Tim's mettle as Robin which Tim supposedly succeeded, thats why Jason left instead of idk knocking Tim out or something. If Tim is truly traumatized and can't be in the same room as someone who aggressively sparred with you, what the fuck are you doing out in the streets in tights you bitch baby go back home.

And if Tim isn't traumatized, the flinching and godforsaken whimpering just reeks of someone using their higher status "elite class robin" to get someone of lower class "street rat, pariah" into trouble. Like Tim going, " All I have to is flinch and act scared to get Bruce and other vigilantes to hurt you. It doesn't matter what you do, they'll never take your side. "

Which sounds ridiculous, but I've seen fics do this many times, and it's never acknowledged outside of "jason should stop being evil and keep apologize over and over"

Because fanon woobie Tim is never with fault. Even if he does something that might hurt someone, it's always overruled because he was "right" or too socially inept to understand what he did wrong thus instantly forgiven (a trait Bruce shares)

Fanon woobie Tim's feeling and conforts is always the priority, it doesn't what any other character is going through, Damian, Jason, Dick, Stephanie, Tim is automatically more important, and if another character has conflict with him that means they're in the wrong.(another trait Bruce shares)

Fanon and Canon Tim is defined by his insecurities, and he refuses to acknowledge or overcome it.

Which is why even in "jason centric" stuff Tim is always there in his face, and jason HAS to have a good opinion of him, he HAS to say you're a good robin. He HAS to say you're my favorite brother. He HAS to constantly affirm that Tim is smart and a good person. It doesn't matter if the titans tower Chapter is included or tim was on a victim blaming spree. jason has like/admire him anyway and should feel so stupid for not seeing it sooner.

[lethargylol]

I love minecraft fandoms because it always comes to a certain point where any given character is like 90% collective oc of the fandom and the line between canon and fanon is blurred and in general you forget what is and isn’t canon because eventually everyone just agrees on a certain thing that has never actually been discussed

[saintsenara]

Thoughts on Peter Pettigrew? And if you ship him with anyone, who?

thank you very much for the ask, pal! peter is a fascinating character and i always enjoy properly thinking about him.

because - let's be honest - he really goes under the radar, in both canon and fanon. he's extraordinarily cunning, ruthless, powerful, adaptable, emotionally literate, intelligent…

and yet you wouldn't get that impression if you take harry's narrative at face value. even after peter escapes at the end of prisoner of azkaban/cuts his own hand off in goblet of fire.

[which is one of harry's most interesting character traits - his tendency to split the world into black-and-white "good people" and "bad people" is something we talk about a lot, but he also has a tendency to split the world into "special people, who have agency" and "unspecial people, who don't"... hence his attitude to characters such as stan shunpike.]

but the main thing i find fascinating about peter isn't actually the way his talents are overlooked by the text. it's the way he embodies one of the series' central messages: that "it does not do to dwell on dreams and forget to live" [PS 12].

when dumbledore says this to harry, it's as advice on how to deal productively with grief. and obviously that's a good and healthy message to receive - especially for the children who are philosopher's stone's intended audience.

but the statement has another application, which ties to another one of the series' themes: that all that glitters is not gold.

so much of the overarching seven-book narrative is about jealousy and longing - harry's longing for a family, ron's jealousy of harry's fame, petunia's longing for magic and jealousy of lily, snape's longing for lily and jealousy of james, etc.

and it's also about how this jealousy and longing leads us to see what we want to see - ron becoming convinced that harry's feelings for hermione are romantic, lupin's inability to criticise james leading to his rage when harry's appalled at him walking out on tonks, the death eaters being convinced that voldemort is a champion of pureblood oligarchy, fudge refusing to believe that voldemort has returned etc.

as both ron and harry learn after ron stabs the locket-horcrux, you have to live the life you actually have and you have to know the people you know as they actually are. you can't imagine them into something they're not, become sad and/or angry when they fail to meet expectations it was always impossible for them to fulfil, and then let that sadness and anger fester until the poison within you can no longer be contained...

which is the peter pettigrew special, really...

sirius' assessment of peter in prisoner of azkaban comes in clutch for us on this point:

"Because you never did anything for anyone unless you could see what was in it for you. Voldemort's been in hiding for fifteen years, they say he's half dead. You weren't about to commit murder right under Albus Dumbledore's nose, for a wreck of a wizard who'd lost all of his power, were you? You'd want to be quite sure he was the biggest bully in the playground before you went back to him, wouldn't you?" [PoA 19]

i love this line for a lot of reasons - especially sirius' tacit admission that he and james once met that criteria of "biggest bully in the playground" - but i particularly like the way it aligns peter with [dumbledore's assessment of] voldemort's school friends:

"As he moved up the school, he gathered about him a group of dedicated friends; I call them that, for want of a better term, although as I have already indicated, Riddle undoubtedly felt no affection for any of them. This group had a kind of dark glamour within the castle. They were a motley collection; a mixture of the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty. In other words, they were the forerunners of the Death Eaters, and indeed some of them became the first Death Eaters after leaving Hogwarts." [HBP 17]

peter is fundamentally someone ambitious seeking shared glory. and he does this - like, it's implied, quite a lot of death eaters - by putting on his rose-tinted glasses and deluding himself into believing that the person he expects to share that glory with him actually will share it... until everything comes crashing down and he's forced to see that they actually think of him as unworthy of sharing anything with. and his fury becomes toxic.

because peter is someone who inherently views himself as a follower.

lord voldemort would never - to borrow sirius' phrase - do something for someone else unless he could see what was in it for him. but voldemort's selfishness is because he sees himself as the unparalleled superior of everyone he meets - there's no need to help those under you if they're the only people who benefit!

peter's selfishness is slightly different - everything he does is in pursuit of vicarious glory. he wants to be praised and rewarded by a leader he's made more powerful. he doesn't want to be that leader himself.

peter the marauder

indeed, canon emphasises that this is what attracted him to james and sirius:

To Sirius' right stood Pettigrew, more than a head shorter, plump and watery-eyed, flushed with pleasure at his inclusion in this coolest of gangs, with the much-admired rebels that James and Sirius had been. [DH 10]

obviously this is harry's subjective view ["much-admired rebels" is a bit of a stretch, let's be real…], which the text does acknowledge ["or was it simply because harry knew how it had been, that he saw these things in the picture?"].

but harry's assessment of the teenage peter here matches the one we're given across the series:

"Pettigrew... that fat little boy who was always tagging around after them at Hogwarts?" said Madam Rosmerta. "Hero-worshipped Black and Potter," said Professor McGonagall. "Never quite in their league, talent-wise." [PoA 10]

James was still playing with the Snitch, letting it zoom farther and farther away, almost escaping but always grabbed at the last second. Wormtail was watching him with his mouth open. Every time James made a particularly difficult catch, Wormtail gasped and applauded. After five minutes of this, Harry wondered why James didn't tell Wormtail to get a grip on himself, but James seemed to be enjoying the attention. [OotP 28]

peter is set up as someone who's understood by everyone not to occupy the same role in society [both "society" as in the social ecosystem of hogwarts, and as in wizarding society more generally] as james and sirius.

this is almost certainly for class and blood-status related reasons - and hello to another anon on this point:

the fact that the only parent mentioned in the text is his mother strongly suggests that he's a half-blood with a muggle or muggleborn father [which his narrative parallels with snape, his narrative relationship with voldemort, and his narrative contrast with barty crouch jr. also support].

the way his mother is spoken about by other characters in prisoner of azkaban - especially fudge: "black was taken away by twenty members of the magical law enforcement squad and pettigrew received the order of merlin, first class, which i think was some comfort to his poor mother" [PoA 10] - sets her up as the passive figure in her relationship to the state [the ministry deigns to provide her with comfort], thus implying that she was ordinary, middle-class, and respectable, but lacked the class-based social power to occupy a more active role in the relationship.

[contrast her, for example, with someone like augusta longbottom, who is a much more active figure narratively.]

but she also can't come from a working-class background, because otherwise voldemort wouldn't seek to humiliate peter by making him live in snape's slum house as his servant.

but peter is also set up as someone who - while he accepts that james and sirius are his superiors and doesn't want to usurp their positions - nonetheless thinks that the two of them will do all they can to increase his chances of helping them accrue more glory, thus allowing the glory he shares in to be all the greater.

and why not? after all, he has plenty of evidence that they'd be capable of doing this, given the lengths they go to for remus…

i think he can be very easily understood as somebody who thinks that - once the three of them have nailed the animagus transformation and achieved their goal of supporting remus during the full moon - then the next thing on james and sirius' list of priorities is putting in a similar level of effort on his behalf.

indeed, the text does imply this - in snape's worst memory, peter goes from being positioned with remus as james and sirius' inferior:

Snape was on his feet again, and was stowing the O.W.L. paper in his bag. As he emerged from the shadows of the bushes and set off across the grass, Sirius and James stood up. Lupin and Wormtail remained sitting.

to being physically positioned with remus but clearly wanting to be an active member of james and sirius' shenanigans:

Lupin was still staring down at his book, though his eyes were not moving and a faint frown line had appeared between his eyebrows. Wormtail was looking from Sirius and James to Snape with a look of avid anticipation on his face. [...] Wormtail was on his feet now, watching hungrily, edging around Lupin to get a clearer view.

to physically joining - but still being excluded from equality of power with - james and sirius:

"How'd the exam go, Snivelly?" said James. "I was watching him, his nose was touching the parchment," said Sirius viciously. "There'll be great grease marks all over it, they won’t be able to read a word."   Several people watching laughed; Snape was clearly unpopular. Wormtail sniggered shrilly. 

to being positioned as sirius' equal under james' leadership:

"Well," said James, appearing to deliberate the point, "it's more the fact that he exists, if you know what I mean..." Many of the surrounding watchers laughed, Sirius and Wormtail included.

to being included as both james and sirius' equal:

But too late; Snape had directed his wand straight at James; there was a flash of light and a gash appeared on the side of James' face, spattering his robes with blood. James whirled about; a second flash of light later, Snape was hanging upside down in the air, his robes falling over his head to reveal skinny, pallid legs and a pair of greying underpants. Many people in the small crowd watching cheered. Sirius, James, and Wormtail roared with laughter. [OotP 28]

but this symbolic ascent towards james and sirius recognising and including him isn't what actually comes to pass, is it?

[and as a little shipping-related aside... this is an immaculate wormbucks or padtail premise.]

clearly, peter's experience from the beginning of his sixth year onwards [so from the autumn of 1976] is one in which his hero-worship of james and sirius [and it is just james and sirius - if he felt aggrieved enough by remus that he wanted to implicate him in the potters' deaths he absolutely could have done so] begins to crumble...

and then to fester...

until he's reached a point where the following isn't something he believes is actually true:

"THEN YOU SHOULD HAVE DIED!" roared Black. "DIED RATHER THAN BETRAY YOUR FRIENDS, AS WE WOULD HAVE DONE FOR YOU!" [PoA 19]

[this - as an aside - is one of the major differences between harry and james/sirius. harry's understanding of loyalty and sacrifice is much less transactional: "dumbledore knew, as voldemort knew, that harry would not let anyone else die for him now that he had discovered it was in his power to stop it" [DH 34].]

and decides that he should probably transfer his loyalties to the much bigger bully who's just arrived on the scene.

enter lord voldemort.

peter the death eater

while there are some key differences [peter is the one who has to approach voldemort, rather than the other way round, and - as i've said here - i think voldemort withholds the dark mark from him to keep him striving], peter's recruitment by the death eaters has a huge amount in common with draco malfoy's.

[more on which... here.]

voldemort must win him over by validating his belief that james and sirius [and also dumbledore/the order] don't take him and his talents seriously, that they need to be punished for this, and that when peter has humiliated them, he will have the time of his life basking in the glow of the victorious voldemort, who will also reward him spectacularly.

this is what voldemort does with quite a few of his minions - including regulus [another fantastic ship for peter], barty crouch jr. [likewise], and, of course, snape [which flops], all of whom have that corrosive perception of themselves as always being overlooked.

in the first war, then, voldemort must be pretty nice to him.

[or as nice as voldemort ever gets...]

the threats and the punishment come later.

[as another aside, the implication of canon is that voldemort's use of violence against his minions is relatively infrequent - and only used in specific circumstances - in the first war. the egregious torture he subjects them to in the second - and the fact that he does this publicly - shocks, terrifies, and humiliates even the most ardent first war loyalists. i think we can assume, then, that peter returned to voldemort expecting to find him in the same "you catch more flies with honey" mode as in the first war. he was mistaken.]

the contempt 90s!voldemort holds peter in is iconic - so many of his best lines are times he's mocking him!

but something which always stands out to me is that voldemort's contempt for peter is inextricably linked to his previous position as one of the four marauders.

[indeed, i find it fascinating that voldemort says that peter "faked his own death to escape justice" [GoF 33], because the only thing he can mean by "justice" in this context is that peter should have let sirius murder him...]

and the most explicit demonstration of this is the fact that he always calls him wormtail.

this is a fascinating twist on the way voldemort plays with the language of intimacy with his death eaters. his favourites get referred to by their given names, while the rest are referred to more formally, using their surnames:

"Severus, here," said Voldemort, indicating the seat on his immediate right. "Yaxley - beside Dolohov." [DH 1]

and, of course, his ultimate favourite gets referred to by her nickname.

but peter isn't being called wormtail by the dark lord as a show of affection... it's an expression of disregard.

it's clear that the voldemort of the second war deeply understands that peter's life between the potters' deaths and his unmasking at the end of prisoner of azkaban [that is, the period when he didn't get the glory he wanted, he just got a dead james, two friends who want to murder him, and a master who hates him] made him start to regret his resentment of james and sirius for not living up to the versions of themselves he'd invented in his head - especially following sirius' death, when he receives a second demonstration of voldemort's contempt for him, since the moment sirius is out of the picture, the dark lord declares him surplus to requirements and dumps him on snape.

voldemort also knows that peter can only suppress these regrets and pretend they don't exist for so long...

and so everything about their second war relationship is voldemort pre-empting a betrayal he knows will come, when peter's long-buried grief for his friends comes roaring back. hence him setting up peter's silver hand to kill him when his loyalty wavers.

or, more succinctly:

"You returned to me, not out of loyalty, but out of fear of your old friends. You deserve this pain, Wormtail. You know that, don't you?" [DH 33]

peter the [un]man

there's one final thing which i think is really interesting about peter's portrayal in the text, and that's his relationship with gender.

he's someone whose presentation as unmasculine is consistent across his appearances - and is consistently intended to be belittling. but he's also someone whose lack of masculinity is used both to underscore his villainy [and to emphasise that it's the worst type of villainy - to quote jkr, "i loathe a traitor"; peter is the most reprehensible villain in the doylist text's eyes] and to misdirect the reader away from it.

before he's unmasked at the end of prisoner of azkaban, peter is associated narratively with neville:

A hatred such as he had never known before was coursing through Harry like poison. He could see Black laughing at him through the darkness, as though somebody had pasted the picture from the album over his eyes. He watched, as though somebody was playing him a piece of film, Sirius Black blasting Peter Pettigrew (who resembled Neville Longbottom) into a thousand pieces. [PoA 11]

and - therefore - is associated with a lack of masculinity in a fond way. neville is a character the reader is supposed to like, but not a character the reader is supposed to aspire to be like.

the text uses both peter and neville's appearance - especially the fact that both of them are noted to be fat [neville gets described as "plump", which is understood as slightly more polite, but the meaning is the same...] - to emphasise this. they're soft and shy and unsporty. they're passive, in contrast to harry [and james'] masculine vigour. they're both followers, but in a good way.

or, they both occupy the role female characters tend to: conduits for the male characters' deeds and desires, but lacking the agency to have deeds and desires of their own.

[hence why i am extremely compelled by @whinlatter's theory that the best lightning-gen parallel for peter is ginny...]

this is the tone of the secret keeper swap. peter is chosen by james and sirius precisely because they understand him as a vessel. he can contain and surround and envelope the potters and keep them safe that way, while sirius - who embodies the active qualities of a masculine protector - protects them by fighting and running and being hunted.

but - of course - peter doesn't perform this feminine protector role. he corrupts it. and this another way the text underscores that he's its worst villain... he bastardises a role typically associated with motherhood.

he and sirius are set up narratively as the parallel to james and lily: sirius is the masculine figure, the father, the "take harry and run"; peter is the feminine, the mother, the "refuses to stand aside".

once peter is unmasked at the end of prisoner of azkaban and his corruption of his maternal role is revealed, the text's presentation of his unmanliness then becomes something used to emphasise how vile and creepy the reader is supposed to find him.

it does this while maintaining the corrupted motherhood metaphor - hence him having to nurse voldemort's pseudo-infant form in goblet of fire, and hence him being positioned as inferior to barty crouch jr., who joins voldemort and peter, his "wife", to take the narrative role of voldemort's son and heir.

this is extremely interesting, since the text typically uses a lack of maternal or pseudo-maternal experience to indicate that its female villains [especially bellatrix and umbridge] are to be understood as villains by the reader. the exceptions, petunia dursley and walburga black, are fascinating parallels for peter, given the way that they also embody the corrosiveness of resentment and the impact it has on truly being able to grieve.

but peter also becomes a second, specific form of unman once he's unmasked...

the eunuch.

it's really striking that - from the latter chapters of prisoner of azkaban onwards - peter is frequently associated with the theme of voyeurism:

But Ron was staring at Pettigrew with the utmost revulsion. "I let you sleep in my bed," he said. [PoA 19]

Snape held up a hand to stop her, then pointed his wand again at the concealed staircase door. There was a loud bang and a squeal, followed by the sound of Wormtail scurrying back up the stairs. "My apologies," said Snape. "He has lately taken to listening at doors, I don't know what he means by it." [HBP 2]

the sexual undertone to these associations is really significant, because - when combined with the presentation of peter as a follower/an outsider looking in and with the presentation of him as lacking in virility - it renders him sexless, but in a specifically jealous way. he's not voldemort, whose canon presentation as aromantic is used to underscore his villainy by implying there's something "wrong" with him... he's someone who should have been able to access the "normal" structures of love and family, but who has self-castrated himself from this "normality" due to his corruption arc, and who is forced to watch from the sidelines coveting what others have and regretting his decisions and loathing himself.

[hence my absolute conviction that the reason he's not at home on halloween 1981, when sirius goes to check on him and finds his safe-house empty, is because he's snuck into the potters' house in rat form to watch james and lily be murdered...]

and this idea of peter as somebody unsexed or castrated is really interesting as a lens to examine one of his most sinister moments - his role in the torture and murder of bertha jorkins.

nb: there is a discussion of rape in what follows.

i liked this post by @pangaeaseas - and the discussion in the notes -about voldemort's treatment of peter surrounding his capture of bertha jorkins. but i thought it was interesting how a lot of this discussion focused on the ways voldemort is insulting peter's intellect in this context... and not the ways he's attacking his sexual prowess.

the text is pretty clear - not least in the enormous victim-blaming undertone to the way many characters [especially male ones] talk about bertha's disappearance - that peter brought bertha to voldemort after convincing her that he wanted to engage in some form of consensual sexual encounter [described by voldemort, in pg-13 terms, as a "nighttime stroll"]. voldemort's astonishment at peter managing to accomplish this isn't so much him being shocked that he had the way with words/quick thinking abilities to talk bertha into going with him, it's him being shocked that someone he considers to be so unmanly as to be impotent managed to pull.

and then - it is heavily implied, both in the text itself and in jkr's statements since publication that her editor looked like she wanted to be sick when she described how voldemort was restored to a rudimentary body - to rape:

"He was the penis able-bodied servant I needed, and, eunuch poor wizard though he is, Wormtail was able to violate a woman follow the instructions I gave him, which would return me to a rudimentary, weak body of my own, a body I would be able to inhabit while awaiting the essential ingredients for true rebirth." [GoF 33]

[paperclipninja]

I think I'm in a minority and lordt knows I've been very wrong about stuff like this before, but I have zero concern that Good Omens will end with Aziraphale and Crowley being human. None. Not even one iota of worry about it happening.

Why?

Because Neil Gaiman is a really good storyteller. And he, as a really good storyteller, knows that would be an unsatisfying ending.

Obviously this is pure speculation on my part, but a really good storyteller doesn't go to the effort of constructing such an intricate story, in which the challenges and desires of having eternal life but not being able to share it with the one being you want to, are so carefully laid out only to have them end up mortal. Because then what? Crowley ends up back in hell anyway and maybe Aziraphale does too? Or they end up back where they started? Nah.

My guess is that it is not going to play out as a rom-com might (I mean, it's not a rom-com), or with anything particularly overt being shown between Aziraphale and Crowley, and any "it may not be the ending you want" is, in my mind, getting way out in front to manage expectations.

By the time season 3 airs we will have been consuming years of fanfic, fanart and fanon and of all people, Neil knows the way that begins to shift the expectations and hopes of a fandom. It's really easy to drift away from canon or forget the kind of show it actually is (and that's totally fine, gimme all the fics and art that take me to where I want my faves to be), but it also means that fandoms can end up "disappointed" that some of the fan thinking and creating didn't come to pass.

So mah point is, any comments from actors or creators about a season not being what we want- that doesn't mean it's going to be rubbish storytelling. It means that some of the things people are hoping for won't happen.

And until we see what actually plays out on our screen, I, for one, am going to keep immersing myself in the brilliant creativity of this fandom and just

EDIT TO ADD: also need to acknowledge that Terry Pratchett is also an incredible storyteller and these two had it all figured out nearly 20 years ago and one thing's for certain, and that is that neither author, or Neil in seeing through the vision they both had, is going to drop the ball at the last minute

[dragon-ascent]

I love how you characterise Zhongli! I didn't realise earlier that ppl treat him to be like a western dragon when hes more of an eastern one. When you explained the differences in one post, it clicked for me on how Zhongli acts, which is fantastic cus Ive always been meh abt his character for quite some time.

Though a question: the game has depicted zhongli to be somewhat broke? I mean, cus he generously spends mora but its usually other ppls since he forgets he is no longer an archon. Heck i cant rmb which event but at one point when Zhongli actually treats the traveller and Paimon, Paimon comments abt "wow Zhongli is the one paying for once?". Im wondering abt your opinion on this.

Aaaaa I'm so glad my little essay on that matter got you to understand his character better! <3333 I hope you appreciate him even more now~

Going off canon material, it's not that he's broke, per se, but rather that he just forgets to bring his wallet with him on outings. Plus, he's part of the bourgeois tier of society (middle class, wealthy, but not royalty-level filthy rich; but still elite and way above the working class). This was mentioned in a line in the Liyue AQ.

Canon text has never actually stated (or even implied) that he's broke or doesn't have money, that's just a popular fanon meme.

If one wants to argue that his 2022 birthday art implies he's broke, I'd still disagree. His dialogue there just says that having a wallet makes him more mindful of when to spend and how much, not that he doesn't have Mora in the first place.

And yeah, when Paimon comments on him finally paying, that's just because he remembered to bring his wallet :) every other occasion, as I stated before, is just that he didn't bring his wallet, relying freely on others to do the paying.

Besides, he made the Mora. I think he has every right to consider even other people's money as his own, lol- but I digress.

If I may slot in a personal headcanon here: I reckon that, as the God of Wealth, he just naturally attracts money to use for himself in any circumstance, be it through his own money, Hu Tao, Childe, the Traveler, etc. He will never be left wanting for Mora as he will always be able to pay for the things he likes, or straight up finesse his way into getting stuff without needing to pay (like the part with the painted Rex Lapis fans).

[evilbihan]

This is probably the most unpopular of all unpopular opinions out there, but hear me out for just a second:

Can we please start to acknowledge Kuai Liang's flaws? It's perfectly fine to like a character while also acknowledging their negative traits and the bad things they've done. I'm genuinely confused by the whole "aww Kuai Liang is so nice :)" thing the fandom has going on. I understand that, being a Bi-Han fan, I might sound biased, but I promise this is coming from a completely neutral standpoint.

I don't see how any of the positive traits fans associate with Kuai Liang (kindness, selflessness, a caring nature) are backed up by any canon material we know of. Those traits belong to Tomas, not Kuai Liang. The version of Kuai Liang that is a loving brother to Tomas and the prime example of a good man only exists in fanon.

Vengeful, short-tempered, regressive — those are Kuai Liang's actual traits.

May I remind you, the real Kuai Liang looks like this.

His face expresses arrogance, he's looking down on whoever is in front of him. He doesn't smile, doesn't display any expression that one could interpret for kindness. He looks cold. Does that arrogance and coldness look familiar at all?

It's the same expression as this one. Bi-Han is also shown looking down on others, with the exact same confidence stemming from the idea that he is superior to others. Kuai Liang mirrors that expression perfectly. They're brothers, they're similar in the way they act and think, in the way they were raised. Let's not forget that Kuai Liang was second in line for the grandmaster title while with the Lin Kuei. He is grandmaster of the Shirai Ryu now. They are both arrogant.

Tomas is the only one of the three who smiles and has a warm, kind aura to him. I'm not saying he's a perfect ray of sunshine, he's certainly capable of being ruthless just like his brothers, but he doesn't share their overwhelmingly negative traits.

There is no warmth to Kuai Liang at all, which is ironic given that his element is fire. Kuai Liang's fire, however, burns cold to match Bi-Han's ice. They are not opposites, they are the same.

Hanzo as Scorpion was driven by grief and ultimately love for his family, Kuai Liang's fire is only fueled by hatred for his brother.

While Bi-Han is obsessed with power, Kuai Liang's obsession with honor and tradition is crossing the line to fanaticism. Am I the only one to find it concerning how he worships his father and his father's ideals almost religiously? It's pretty much all he ever talks about at any given chance.

to Bi-Han: "His teachings did not pass with him. They should still guide us." to Bi-Han: "Father would turn in his grave if he saw this." to Smoke: "We must chart a new course. One that both honors our Father's legacy and serves Earthrealm." to Kitana: "Death before dishonor." to Smoke: "Only if we honor tradition."

Is this how a normal person talks? I don't think so. Admittedly, Bi-Han's methods are wrong, but since when is it a good thing to be completely against progress? Kuai Liang is stuck holding onto outdated traditions that don't allow for growth. It's not necessarily a bad thing that he looks up to his father, but idolizing someone to the point of never questioning anything they do or say and giving up any critical thinking is dangerous.

There's plenty more examples in the story mode and intros where Kuai Liang brings up honor and tradition, but this post is going to be long enough as it is so I only named a few.

I want to focus more on how Kuai Liang treats other characters throughout the story.

Tomas:

Why does the fandom claim he's such a good brother to Tomas when this is the only scene in the story mode where Kuai Liang expresses any sort of care towards Tomas — in a moment where he needs Tomas on his side?

Oddly enough, he's playing at Tomas' vulnerability here by bringing up family and reassuring him that they're brothers even if they don't share blood, in direct contrast to how Bi-Han said Tomas' blood was not Lin Kuei earlier. Words he chose carefully and deliberately, not out of the goodness of his heart because he wanted to comfort Tomas, but to achieve the desired effect: to sway Tomas to his side.

Similar to Bi-Han, Kuai Liang is a manipulative and calculating character. I would even dare to go as far as to say he's even more manipulative since Bi-Han lacks the charisma and patience to be a successful manipulator. Bi-Han makes no effort to convince Tomas to join him. He can't even keep up the lie he told Kuai Liang for very long. Bi-Han's actions are impulsive and poorly planned out, he's the naive one being manipulated by characters like Shang Tsung while Kuai Liang makes smart, calculated moves. He knew exactly what he was doing when speaking to Tomas.

I don't see how that was even necessary since Tomas would have picked Kuai Liang's side regardless simply because it's the one aligning with his own beliefs, but Kuai Liang's words were a subtle "Hey, remember that I'm the one who considers you part of this family and he does not. If you don't side with me, you're going to betray your own brother."

One of the key signs to recognize a manipulator by is how they try and convince a person close to them that it's "the two of them against everyone else" or in this case "them against their older brother". Manipulators know someone's weaknesses (Tomas' desire to be a part of their family) and how to exploit them to get what they want.

There was never even the slightest chance that Tomas would have sided with Bi-Han in that fight anyway, but he also appears way more passive in it as opposed to Kuai Liang. Tomas doesn't want to fight his own brother, but at the end of the day he cares more about doing the right thing and saving innocent lives than about his inner conflict. For Kuai Liang, it's a quest for vengeance and the pursue of his own goals above all else.

I also think it's interesting that Tomas looks slightly surprised/ confused at the hand being placed on his arm by Kuai Liang. It's almost like he's not used to being reassured like this which makes you wonder how often Kuai Liang really comforted Tomas or showed any support towards him. Like Liu Kang and everyone else, Kuai Liang barely acknowledged Smoke's presence before. They're only seen exchanging occasional glances.

What has me doubt the sincerety of Kuai Liang's words even more is this scene.

Personally, I don't believe that Bi-Han has ever snapped at Tomas like that before this incident here, but I know the fandom likes to think otherwise so just for this take let's go with the wrong assumption that Bi-Han used to put Tomas down like that regularly.

Why did Kuai Liang not step in to defend Tomas in this scene? If he knew where this was going why did he let Bi-Han finish his sentence? It's certainly not out of respect or because Bi-Han is their grandmaster. Kuai Liang has no issue talking back to him and contradicting him in other situations but he was surprisingly silent when this whole thing went down.

He was either just as surprised as Tomas that Bi-Han would snap at their brother like that because it hasn't happened before or because he simply didn't care to interrupt since he had nothing to gain from it, unlike later when he wanted Tomas' loyalty for himself.

Kuai Liang could have been standing up for Tomas in this situation if he was the good brother everyone sees him as, but for some reason he didn't. Make of that what you will.

As for the intros between them, there's only one where Kuai Liang asks about Tomas' family. In every other intro with Tomas he only speaks of his own goals. Honor, tradition, training the Shirai Ryu, defeating the Lin Kuei... At one point he praises Tomas for his loyalty towards him, only to question said loyalty later on.

Scorpion: Our resolve cannot waver, brother. Smoke: I'm offended that you think mine has.

If I'm not mistaken, that's a prime example of manipulation right here. Guilt tripping/shaming someone into doing something they don't even want to do.

Kuai Liang seems to always be working an angle with Tomas. Why is he suddenly doubting him? Because he knows Tomas wants peace, not war between the brothers?

Ultimately, it seems he doesn't care about what Tomas wants. We know that Tomas is torn in this conflict, he resents Bi-Han, but he also doesn't want his brothers to fight. Otherwise, he wouldn't have asked for Liu Kang to reunite them.

Tomas' intros are a whole paradox of their own.

Smoke: Are we to be enemies for life? Sub-Zero: Unless you submit, Tomas.

Smoke: I'll never forgive Bi-Han. Scorpion: His betrayal has seared both our hearts.

Scorpion: We'll soon meet the Lin Kuei in battle. Smoke: It will be our last with them. Smoke: For Earthrealm's sake, my brothers must reunite. Raiden: There's little hope for that, Tomas.

Smoke: Can I get the brothers to reconcile? Liu Kang: They must choose their own path, Tomas.

What Tomas says to other characters contradicts everything he says to Kuai Liang. But why? Why does he never tell Kuai Liang directly that he'd just wish him and Bi-Han would stop fighting? Why if not because he's afraid of Kuai Liang's reaction and that he will lose him as a brother unless he agrees with everything Kuai Liang says?

SPOILERS: It's interesting how Kuai Liang in this scene asks Tomas to help him bring Bi-Han back with them so he won't be able to aid Shang Tsung, but according to leaks he's going to leave Bi-Han behind with Havik in the dlc, not even caring about the consequences that might have for Bi-Han or for Earthrealm. Now that Tomas isn't there he no longer has to keep up the facade. Tomas' absence also makes me wonder if he maybe got tired of Kuai Liang's spitefulness and blind hatred.

To sum it up, here's what we know about how Kuai Liang treats Tomas:

Kuai Liang initialy doesn't defend Tomas against Bi-Han's harsh words

He picks an odd timing to comfort Tomas at the Ying Fortress, possibly to assure that Tomas will join his side, not Bi-Han's

He's trying to push his own agenda onto Tomas who agrees with him in their intros but doesn't seem to share Kuai Liang's goals when speaking to other characters like Liu Kang or Raiden

SPOILERS: It seems that Tomas won't be attending Kuai Liang's wedding as he's not mentioned at all in any of the dlc leaks. He might be trying to stay out of the fight between his brothers entirely.

Bi-Han:

Another detail I've noticed is how quickly Kuai Liang comes up with the idea to create the Shirai Ryu. How likely is it that he made the decision to form an entire new clan on the spot? He seems way too prepared for this scenario.

Smoke: Once he's exposed, won't you be grandmaster? Scorpion: You forget Cyrax and Sektor. Their loyalty to Bi-Han is absolute. They'll sooner abet his corruption than follow me. We must chart a new course.

Why did Tomas not know about this when they're part of the same clan but Kuai Liang knows the answer immediately? It's almost like he has thought it through before, tried to figure out exactly who would side with him and who wouldn't if it came down to important Lin Kuei members choosing between him and Bi-Han. And that's because he has. It even says so in his official bio.

Kuai Liang always intended to overthrow Bi-Han.

He admitted that he was aware of Bi-Han's frustrations all along and yet he never brought up his concerns to Liu Kang or anyone else. It seems that he intended to take advantage of how mentally unstable his brother was in order to become grandmaster himself. I'm not saying he always wanted the title to himself, Kuai Liang doesn't care about power, but his obsession with tradition equals Bi-Han's obsession with power. He wanted to rule the Lin Kuei himself to enforce his own ideals and when he realized that wouldn't work out, he settled for the next best thing: creating his own clan.

Kitana in comparison also knows that Mileena is impulsive and many people doubt that she's fit to lead but she supports her sister regardless. Her loyalty to Mileena is unwavering. Kitana loves and supports her sister unconditionally. It doesn't even once cross her mind to take Mileena's place on the throne.

Kuai Liang and Kitana share similar values, yet Kitana's loyalty to her sister outweighs all that while Kuai Liang didn't hesitate to plot against Bi-Han way before Bi-Han even sided with Shang Tsung. Just Bi-Han's frustration alone was reason enough for Kuai Liang to want to overthrow his brother.

Ashrah, a complete stranger, cares more about redeeming Bi-Han than his own brother does. And no, Kuai Liang's actions can't be justified by bringing up that Bi-Han let their father die or betrayed Earthrealm etc. because Kuai Liang gave up on him long before any of that happened. In fact, the way Kuai Liang constantly brings up their father at every chance he gets probably added to Bi-Han's frustrations and is part of the reason why he was driven to madness.

Scorpion: Glory? We fight for duty. Sub-Zero: Does our father's ghost possess you? All I hear is his voice.

Bi-Han seems haunted by their father's ghost and Kuai Liang knows, yet he doesn't shy away from bringing it up at every opportunity. Was it done on purpose? Who knows.

But it's noteworthy that it's again manipulative behavior. The way Kuai Liang constantly criticizes Bi-Han, undermines his authority, compares him to their father whenever he can although he knows about Bi-Han's frustrations, then claims a shadow has fallen on Bi-Han's soul when he at the very least partially helped cast that shadow.

I'm not sure why people claim Kuai Liang was supportive of Bi-Han before his betrayal because there's no evidence of that at all. At least, none that I could find. Kuai Liang seems reluctant to follow Bi-Han's orders and he also doesn't seem to respect him much. Again, compare that to how Kitana shows actual concern for Mileena while Kuai Liang just seems fed up with Bi-Han.

Personally, I believe Kuai Liang's goals are far bigger than we know at this point. Something about the line "The Shirai Ryu won't rest until Bi-Han is defeated and the Lin Kuei's honor is restored" suggests that, while he built his own clan, Kuai Liang still has some interest in the Lin Kuei. I doubt that he's just planning to take down Bi-Han to let someone else be grandmaster in his place. I think that Kuai Liang wants to merge both clans once Bi-Han is defeated. After all, Kuai Liang's bio mentions that he's willing to fight his brother for control of the Lin Kuei's legacy. He might think it would be in his father's interest if he became grandmaster of both clans. However, that's just an educated guess and might not be true at all.

How Kuai Liang treats Bi-Han:

Kuai Liang never trusted Bi-Han's leadership skills or acknowledged his authority

The conflict of interest between the brothers always existed, even before Bi-Han switched sides and Kuai Liang always planned to take the grandmaster title from Bi-Han

Kuai Liang attempted to (and would have) killed Bi-Han but was interrupted in doing so

He's eager to fight Bi-Han, while Tomas is reluctant

He seems to have always held very little love for Bi-Han, if any at all, although he claims they used to be close once

Harumi:

Does no one else think it's a little bit suspicious that the woman Kuai Liang ends up "falling in love with" is a capable fighter and head of her own clan, someone with exactly the resources, knowledge and means to provide Kuai Liang with everything he needs to build his own clan? He even names the Shirai Ryu after Harumi, a clan whose goal it is to take down Kuai Liang's hated brother, someone Harumi probably knows little about or never even met. Maybe I'm the only one to think that's kind of messed up and not a romantic gesture, but at least he's giving her some credit, right? Does Harumi lead the Shirai Ryu with Kuai Liang or did he take her own clan from her to build his own? I couldn't really find any information regarding that but it would be even more messed up if the Shirai Ryu are originally Harumi's clan that Kuai Liang simply took over.

Another weird detail is how Smoke calls Harumi Kuai Liang's "good friend" in his own ending, which makes you wonder if he left the Shirai Ryu before Kuai Liang and Harumi became a couple? Does he know Kuai Liang doesn't actually love Harumi? It's confusing because Tomas is the person closest to Kuai Liang. Shouldn't he be the first to know if his brother fell in love and is planning to get married?

Kuai Liang's reaction when Kitana congratulates him on his marriage is rather cold as well. He doesn't seem like a happy, newly married man and it makes me think their marriage wasn't necessarily out of love, at least not on Kuai Liang's side.

How Kuai Liang treats Harumi:

There's not enough known about their relationship yet to really know if Kuai Liang's love for Harumi is genuine

He benefitted a lot from his friendship with her when creating the Shirai Ryu

It's strange that Tomas only calls Harumi Kuai Liang's "good friend"

Final conclusion:

Kuai Liang seems to follow a pattern of binding people to him emotionally (Tomas, Harumi... ) to be able to use them to his own advantage. I'm not saying that he doesn't care about them at all, but first and foremost, they're assets to him and family second.

For someone who claims to care about honor, Kuai Liang sure has very little of it. SPOILERS: The fact that Kuai Liang is willing to let Bi-Han die and deny him treatment when he gets infected with chaos magic says a lot about the type of person he is. How is it honorable to kick a man when he's down? How is it honorable that he wants to kill Frost during his own wedding and Harumi has to beg him to spare her life?

To get this straight, this is not an attempt to paint Kuai Liang as the epitome of all evil or to say he doesn't care at all about the people in his life, just that he's much more cold and calculating than people give him credit for. Just because Kuai Liang has chosen the good side while Bi-Han went down the wrong path doesn't necessarily make him a nice person. He's still vindictive and selfish. He still shows toxic behavior.

I know someone will try and twist this post into something it isn't, so let me say this is NOT a personal attack on Kuai Liang fans or an attempt to spread negativity, it's just my opinion that you're free to disagree with. I blame the writers and their obvious bias for Scorpion that Kuai Liang's bad traits are so often overlooked. This post is only me sharing my thoughts. If it offends you, block me. I don't want to see this reblogged with paragraphs from people trying to defend Kuai Liang.