#like i want to be able to polish my sketches a bit without going for 30 hours holy crusade against render

[bowyooo]

‘lingerie’ prompt for kinktober week 1

Jude living her best life and treating herself like a queen (which she is)

and Jean providing zero help with the choices (the local man is short circuiting)

you could also check twitter for more piquantesse version 👀

[narfin-frood]

Silly question but how do you art?

Or more like, how is your process to draw? Your lines and posing are so loose and show the feeling of a character so well, like, how do you make your art so real with only a few lines is what most amaze me. Anyway I hope I'm not bothering you and that makes sense, thanks for reading!<3

you're not a bother, don't worry! i'm not sure if there's an appropriately concise answer to a question like this, but i'll try to explain my process for poses a bit, and if there's anything else specific you'd like to know about my process, feel free to ask, and i'll try to answer!

for posing, i find it's very helpful to start by thinking about what situation the character is in. you don't need a location or a background or anything (unless you're being #serious about it). for this, i chose "picking up something way too heavy" (cont. under cut, wall of text ahead)

keeping it very simple is key!!! do not worry about details!!! i am very bad at this. i love to add a little detail or two, like his eyes or his little expression, but i have to catch myself before i get too into it, otherwise i'll forget the point of what i was doing and/or get bored. use just enough strokes to get the point across, and stop there (for now).

i draw fast and loose, with long strokes, which also happens to help with the problem that happens if you start with any specific part of the body. it's important to start with... everything at once, or else you won't be able to see what needs to be changed or fixed until it's too late and you've already decided on where you want the head and the left arm to be!

to display effort & strain without just contorting the character's face, you gotta think about just how heavy the object is, how one would go about grabbing it comfortably, and whether your character is smart enough to lift with their legs.

wander is great (read: BEST CHARACTER DESIGN EVAR. i love him kisskisskiss) because he's not grounded in any sort of reality until necessary, and his limbs have no bones, but he still has specific proportions and volumes to refer back to if you get carried away with the wackiness. posing a character made up of several noodles of varying widths is very simple, because you can do basically whatever you want to push and pull and make it as clear (and/or as funny) as possible.

start with your line of action, in this case the long line connecting his neck and his left foot. think about where the floor is, so you can make the feet of your character and whatever else is touching it coexist in the same reality. think about clarity: big, simple shapes are your friends, and if you're not getting the gist of the pose through the silhouette alone, try again! there's NO shame in hiding the first layer and doing a couple more sketches until you land on something you really like. Don't polish a turd, especially if you yourself think it's a turd. it'll make you feel like you're wasting time, and drawing is about having fun and experimenting, so if it's getting boring or frustrating, it's time to try something else.

wander and other characters with no bones and no rules are great for posing because you can do things like make their arms bend the wrong way just to play with the clarity of the pose. this:

un-breaks the arms and makes a little more sense for somebody with elbows, but some clarity in the action is lost when the arms don't curve upward and away from the very heavy object he's straining to pick up.

grounding your characters is both more complex and easier than it sounds, and it unfortunately requires you to think about perspective (i know. i know. i know it sucks and it's confusing. i hated it for a very long time but once it clicks, you'll have it in your brain forever)

fudging a perspective grid is fairly easy, just draw several parallel lines and have them get closer to each other as they recede into the distance, and then do it again in the opposite direction. you can use the transform tool in whatever program you use most to fudge this for even less effort, by just getting a png of a grid and fucking with it

now that you've got your floor, think about those feet. the grid makes it fairly easy to envision how a shoe would look sitting on that floor:

this is also where having an understanding of volumes comes in handy, because things farther in the distance will in fact look smaller, but it's up to you to figure out just how much smaller it would be in comparison to the other identical thing with the same volume that's closer to the camera. usually it's almost negligible, but it becomes easy to spot if it's a little off.

and here's the pose i settled on! i made his noodle arms more extreme for extra XD factor and i put him on his tippy toes for that extra bit of height!

a lot of the principles i'm talking about in this post i mainly pick up from consciously watching my favorite cartoons (and live action shows) and if i really, really like the way something is done, or if i see something that i've never really registered before, i'll screencap it or i'll pause or i'll just keep thinking about it until i draw again.

this is called "building a visual library" and it's the #1 easiest and most important way to practice. it requires no drawing, unless you want it to. look at lots of art by artists you love, and if you see something and you think to yourself, hey, this looks really good, by all means, absorb it.

art is great and it's really fun and there's literally nothing wrong with taking inspiration where you can find it!! seriously!!! absorb your favorite parts of every art style you find cool and fun and put it into your own! you're the only person who can draw the way you draw, and while replicating an art style is fairly easy (or it can be, depending), matching it perfectly is Literally impossible, so don't worry about being derivative. Nobody will notice, and if they do, it's okay to say you're inspired by them! encouraged, even!

my own art style, like everybody else's, is a frankenstein's monster containing all of the things i've loved before!!! and i think thats beautiful and if anybody tries to tell you you've gotta be 100% original and have "your very own style", they're a filthy liar and they're definitely (consciously or not) already taking inspiration and reference from the things they themselves find cool and awesome.

ANYWAY. wall of text over.

TLDR: draw quickly, use long strokes (try not to pet your lines), have a specific situation to put your character in, get familiar with volumes and proportions, and have fun!!!

[comicaurora]

Hi! I'm a big fan of your work. Thanks for taking the time to read this.

 I'm an artist who's been working on a story with a close writer friend of mine since the pandemic. Together we've outlined a webcomic that we're both very excited and passionate about, and it's been a great experience. Late last year we started actually making the comic itself, and a little less than a year later we're 37 pages in. 

I wanted to ask you how you're able to somehow push out three high-quality pages every week? I work full time, and most days I'm too drained when I get home to immediately start working on the comic. Plus all the other stuff I have to take care of to be a functional adult. I'm not even that slow of an artist, but it just doesn't feel like there's enough hours in the day. At my current rate, I get about one page done per week. I'm 24 now, I don't want to be in my 50s still working on this story. Do you have any advice for increasing your output as an artist without completely overwhelming yourself?

Sorry for the wordy question. There's a reason I'm the artist and not the writer.

Oof, that's a tough one!

I mean, to start with, a fundamental difference in our schedules is I don't work full time. Everything I do for a living is very self-scheduled, and I can work far in advance to meet the deadlines I set and take entire days or even weeks off when I need them. Back when I was in college, dealing with outside schedule requirements, I definitely wouldn't have been able to keep up everything I do now.

That said, there are still methods to streamline and speed up the artistic process. I don't know the details of your methods, but I'd recommend sketching and storyboarding larger numbers of pages at a time and finalizing them at a more leisurely pace, rather than taking one page of comic at a time from a total blank to a finalized, polished version. The storyboard can be very basic; many of mine are little more than color-coded scribbles showing the characters and text boxes showing their dialogue. It's just enough to be readable to me so I can go in and edit it for pacing and timing, but it looks like absolute chickenscratch to anyone else. On the production side, that makes it much more feasible for me to work on multiple pages at a time, since I don't need to finish polishing one page before I can start boarding another.

This method can be expanded into a bit of a factory production line, allowing for a two-pronged approach of progress - one for finalizing older pages, the other farther along for storyboarding new ones. And once you have multiple pages done at a time, you can schedule them well in advance, which takes a lot of deadline pressure off and can make it less mentally daunting to work on. This also diversifies the space of things you can work on, depending on your headspace and energy levels - which is a useful option to have when you're wiped from outside responsibilities.

[luci-is-a-bitch-x3x]

Obey Me! Lucifer & Mammon with a Goth MC! : basically my thoughts on what the brothers reactions would be, how they would handle having a goth partner, ext.

━☆*:･ﾟ✧✧ ♡ ❀ ♡ ✧━

Hello!♡ this is my first time doing anything like this lol. Its probs gonna be bad at first, but ill work on it over time! Mammon couldnt be yellow, because i can't find the yellow, sorry. :< Feel free to reblog or leave you're thoughts in the comments! Add on to my ideas or whatever! Anyways enjoy my little idea. Sorry for any jokes, spelling errors, or grammar errors in advance! Without futher distraction, content!! ♡

━☆*:･ﾟ✧✧ ♡ ❀ ♡ ✧━━☆*:･ﾟ✧✧ ♡ ❀ ♡ ✧━

Goth MC! who does the make up, the white foundation the "crazy" eyeliner, the black/grey or dark color eyeshadow and blush. Classic black or red lipstick with matching nail polish on the Mc's fingers. The saggy looking hair that matches the make up, oh so well. Goth MC! Who has the unkept look, but at second glance you can tell their well kept. At least to some extent. The Mc has raggy, ripped looking outfit but upon closer inspection its clear the outfit is perfectly kept up with. Goth MC! Who has an over extent looking outfit, looking like rags on rags, and the Mc has a dead looking apperance appearing to have risen from the grave. Almost the perfect example of a goth baddie. How will the brothers react?

Lucifer

When Goth MC! tumbles down into devildom for the very first time, the most of a reaction they'll see Lucifer give is raise of eyebrows, a subtle hint of curiosity.

Lucifer is oddly intrigued by this Mc. Him being the Avatar of Pride he takes appearance seriously. Not as serious as Asmo. Lucifer finds this MC to be endearing however. The way the MC seems to not care what others think of their appearance, captures his attention.

Lucifer originally thought it was the freedom Goth MC seemed to have that captured his attention. Maybe he wanted to be free of his prideful nature and be able to do crazy things like this MC. Bit dramatic Luci. Lucifer wanted to believe this, but he found his mind wandering to Goth Mc as he worked on paperwork. He apprectiated the look the MC has going. He thought it fit the MC perfectly, eventually he would tell the MC in attempts to swoon them. But for now he continues to sketch paperwork occasionally getting distracted by thoughts of Goth Mc.

Once Lucifer is dating Goth Mc, he compliements them constantly. Yes, there is the personality compliemnts but im talking compliements to the Mc's gothy aesthetic. "My dear, you look as heart stopping as a vampire." You'll either crack up at the almost dad pun. Or swoon at how it matches you're aesthetic. And hey? Who doesn't like being compared to a vampire?

Lucifer will treat his Goth partner like Goth royalty. We're talking the best goth attire. This Mc gets the best make up, outfits, accessories, you name it, Lucifer will get it, top price too. Although he would love his partner no matter what he has a reputation to upkeep so the best as always MC. Stop saying you feel bad he wants to be you're sugar daddy silly.

Lucifer will proudly take Goth MC out. Fancy restrauants, cute little outings, just grocery shopping together? He will either hold the Mc's hand or the Mc should hold his arm. If not his hand is on the Mc's lower back guiding them. One, for protection, two, he wants to show this Mc off. Especially if the Mc has talked about people being ashamed of their goth attire. Lucifer is proud of his Mc. He's proud to call the Goth little human his. So you should be proud too!

Lucifer adapts easily to understanding you. (If you tell him goth culture he listens and remembers what you tell him well) He doesn't even realize it at first but he slowly adapts to doing things in a gothic sense. Normally lucifer would give his partner red roses, but for this Mc it was always a black or grey type of flower, whether roses or anything he could find, he would get the flowers in a color that would fit the Mc's aesthetic choices.

Mammon

Mammon comes to get the Mc after the Mc arrive in devildom. Luci orders him to babysit us. So here Mammon comes marching angrily to pick the Mc up from R.A.D but when Mammon marches into the student council room, he stops dead in his tracks at the sight of the Goth Mc. Although the Goth Mc almost reminded him of his debt collectors, (the witches or something similar, just dark aesthetics thats what I assume the people Mammon gets in debt to look like) Mammon couldn't help but find the Goth Mc attractive. Mammon is so lost in thought that he'd be standing there staring at the Mc with his jaw dropped.

His brothers begin to tease him and the Mc manages to snap him out of his lovesick trance, Mammon immediately goes tsundare on the Mc. "Oi' what do you think you're doing human?!? Looking like some kind of a freak!! Did yah just crawl outta' a coffin?!?!" Mammon manages to say this with his hand covering his mouth, muffling his words to an extent. He is blushing like crazy and avoiding eye contact, telling the Mc everything they needed to know.

Dating Mammon is quite interesting. Goth Mc is drawn to darker things, maybe things considered "odd" or "scary" to other. But- "The Great Mammon doesn't get scared!!!" Oh great. Now hes sobbing and clutching onto the Mc for dear life. Council him and pretend he was a brave boy. He needs it man.

Mammon is really good with fashion, and when he has Grimm, he loves spending it. So he will get the Mc goth attire and make a big deal about it, how they should be grateful. yada yada although Mammon will never outright say it, he's just grateful the Mc accepts his gifts and chooses to be with him.

If anyone gives the Goth Mc problems over their attire, mammon is quick to defend the Mc. Doesn't matter who's saying it. Their wrong. Mammon knows a gem when he sees it. Thats treasure standing there, as a perfect goth little human.

Mammon goes to lots of places. On errands for the witches. He sees lots of stuff, when he sees stuff that matches Goth Mc's aesthetic, he will gladly get it for them. If he has the Grimm he pays, if not.... "Hey! I'm a demon, whadda'yah expect?!?" Can you really blame him? He just wanted to spoil his partner.

━☆*:･ﾟ✧✧ ♡ ❀ ♡ ✧━

Thats all for now babes! Hope you enjoyed! ♡ I plan to do the rest of the brothers, as well as: Diavolo, Barbatos, Solomon, Simeon. I'm going to also do Luke but that will be purely platonic. Might even add more with these characters if the thoughts arise! So if you enjoyed this stay tuned! Lots more thoughts & drabbles to come! Stay safe & remember to drink water loves! ♡

━☆*:･ﾟ✧✧ ♡ ❀ ♡ ✧━━☆*:･ﾟ✧✧ ♡ ❀ ♡ ✧━

⟡˙⋆Masterlist⋆˙⟡

[color-craz]

AF MidWeek Round-up!

This is just a simple post compiling all of my attacks so far along with some artists notes! Mostly because I found myself much more active this year than last year (Minus these few couple days due to some appointments). I'll be tagging everyone and linking to other socials so you can see these lovely folks. Of course if you want to attack me, I'm ready to fight! Without further ado, here's all the attacks so far :>

@cosmicdenro @stellarknightz - Weekend Date The name of the game for these first few attacks was to get everyone who I was supposed to last year but ran out of time ^^;;. I decided upon Jesse's Zircon over Jesse the character (one in my bookmarks) b/c it seemed like Turquoise Zircon was less drawn this year but was his icon on AF. So easy pick from me :> (Btw doing Sodalite's stripes and copying Zircon's shape language was really fun!!)

@/clawothy (Twitter) - Chill Cat Another attack from last years bookmarks! It was definitely a soft but enjoyable opening into drawing furries since Claw's so human shaped. It was fun drawing his tail and patterns :>. This is just a nice character design all around.

@twidaisi - Speedy Service Twi was also one from my bookmarks, but also a doorway down an ArtFight rabbit hole. Which will become apparent in the next two pieces. For this one, I had a pretty clear pose in mind so I placed it onto O.R.B.I and went from there!! His design is so neat and he seems so cool! The pose was also pretty fun to do as well, just an overall fun art piece (Also this one got a revenge!!! I still really really love thank you so much!!!!!)

@scratchgeist - Escapism Ho! This was a doozy! Twi had Scratch's profile linked so I ended up hitting him with an attack too. Drawing Scratch's mane turned out to be a pleasant experience despite me originally fearing it. This scene idea also came from a prompt of Scratch going outside. I ended up putting Polish on this because all those scratchy "ink like" lines I actually did manually (take a fuzzy brush and then go over it using a sketchbook eraser). It was nice dipping my toes into BatIM again and trying out more animal feature.

@/stylin.art Instagram @/crypticc0rpse Instagram - Pirates in arms One of those two people were linked on Scratch's profile and the person linked also linked to the other person. But I realized that both Stylin and Crypt had some shared characters. So this ended my little rabbit hole of people by attacking these two lovely fellows at the same time. This little crossing swords idea took me a nice minute to come up with but I liked how it ended up anyway. I really did like drawing James together like this (probably helps that I really like pirates in general). Also yes I know her hand is fucked up I noticed way to late to fix it.

@smoresthehalloweenqueen - Listen to the waves Once I finished up with that I moved onto the next bookmark, which was Smores! Originally I was gonna draw Brutus but then I was like "I like his sona it looks like fun!" So I drew them listening to music because why not :>. I struggled on the arms initially but it came out real clean and nice. Honestly might be my best work so far! (Fun fact, I color picked the waves + background from Seafoam's icon.)

@skittisketch - I got it! Mr. Sascachawean himself! I referenced this pose form the classic Objection point because I thought it would fit his personality. This was also a little bit of a test with a style I had only done in sketches (Basically my human style but omitting a neck which somehow shaves off a lot of time). This was a super fun pose to do with a pretty nice background! (Once again, fucked up hand I know I noticed too late again)

@justpainterrobot - Rare Nightly Sight I had this really really clear picture of what I thought up for this attack and I'm happy that I was able to make it a reality. I put the polish tag on this one because I almost got super super detailed of what the junk was below her (Stuff coming down from Elysium n all that) but due to a lack of references I just went with typical metal and wood. Fun fact, the night sky in the background is based on the one from Deponia itself (The first game's scenes with the professor at night). I think this rewrite of Toni was really cool from what I could find about her. Overall a labor of love type of attack.

@coelpts @swan-swanno - Boss Battle I thought to myself "Hm, I see Coelpts around a lot, lets hit him with an attack." and it turns out Ciel's gay married to Swanno's charater Mikhail, who was the last one in my bookmarks from last year. So another double attack for this one! It was a struggle starting this one mostly because I was debating whether or not to draw Ciel's Lord outfit but I ended up doing so because why not :>. It was a fun experience copying Swanno's more angular style, which is a stark departure from my more rounded shapes (As you can see here). Has a nice venture doing the lighting as well, overall a good experience.

@tailsylennon - Sweet Treats Mitchell showed off Tasily's proflie one day and I saw their sona and was I was like "Lemme draw it!" and did! I ended up following another prompt by her because it was their birthday! (By the time I started on this it was 8 pm and I freaked tf out and got to work). Her sona was really cool and I really loved drawing them. Fun fact, each of the set pieces references the Hallows Souls trio. The chair is decorated after Terra, Markus is the table, and Whistle pallet is used for the tea set :>. It was just a pleasant and cozy attack to make overall.

@ceaseless-enemy - Congratulations!!!! I've actually known about Voila for quite awhile now and thought his design n theaming is quite neat! I actually based the pose off of Ai from Oshi No Ko (I think one of her key arts before the anime released, ifykyk). But I skillfully cut out the legs because I can't draw digitigrade legs... Hooray... Otherwise it was quite nice to work on this attack in particular, especially the eyes and the hair :>.

@killbent - Getting Ready This is another one I had a real clear idea of prior to doing this, specifically because Killbent gave a prompt to give Mr Fairchime pink hair, so i thought a "pre-show" set up would look nice :>. The lighting was another new venture for me, because I usually do cool/night time like lighting but I think it turned out nicely for Fairchime. It was also fun doing the accessories and stuff on the vanity as well. Fun Fact, it's a bit hard to see through the watermark + lighting but the face paint and pallet both have the colors of his make up! Overall a pleasant and warm attack for this year.

And that's all of them so far! I picked up some new bookmarks + I gotta get Twi back for drawing Compact!! So those will probably be compiled by the end of AF so about, early August-ish if I keep up the pace. Anyway, thank you so much for reading and gracing me with the opportunity to draw all of these amazing characters!

Until next time!

-Gappy, Witch of the Stars

[river-muse]

That WIP ask game is seriously an underrated concept tbh, authors should be able to air out their works and ideas if they want to, even if those are unfinished.

Since I've been bugging you a little about MH I think I have to ask about the Monster Hunter Derelict WIP. MH Is an interesting setting for sure, but it's also hard to think of something to write in it, except maybe a dnd-like hunter party? Anyway, I'm rambling, definitely interested what you had going on There.

Also, I'm a filthy cheater and a sucker for time-themed fiction, so I definitely have to ask about Whatever Time May Bring. Feel free to ignore my filthy cheater double request tho

I agree! Being able to show off stuff we're working on without perfection being expected is super fun because I can pick out highlights and hold it up without needing to go "is this polished enough to be read?"

Since one is sort of a mini-fic that's an AU me and one of my close friends are messing around with for the funnies I'll answer both of your requests! I'm giggling and rubbing my hands together.

Monster Hunter Dereliction is the working title of a DMC MonHun AU that centers around a small Guild outpost in the Old World that pretty much has its shit figured out due to there not being many settlements in the area that need to be protected. My friend and I went "fuck it minimal family loss trauma in this department" so a lot of the cast is Around(tm) except for Sparda(we haven't decided what happened to him yet if anything).

There's sort of a plot figured out, though most of it's up in the air because we haven't had too much of a chance to talk more thoroughly about it and are just in the brainstorming department. We really just wanted to come up with our own biomes and monster designs for fun. It would involve a clash between two Elders breaking open a crevice in the earth that reveals an underground cavern system- and unknowingly awakening an Elder that has almost cosmic horror-esque traits to it. There's a sketch but it's not mine so I'd have to ask my friend later if he'd be cool with me sharing it.

For a little insight into some character placements, since I'm a bit obsessive about how lore in MonHun goes xD I won't go into what everyone is doing but I will share a handful.

I don't have much in way of writing, since I just got a few key ideas down- but have at it!

I think we decided Dante was the master in that area? He's mostly chilling around the outpost unless something super dangerous comes up that he's needed for.

Vergil is a high-ranking hunter who tends to do tasks for the Scholars that takes him into dangerous areas for the challenge and potential to explore old ruins. He's in and out of the outpost a lot on a whim so unless he's requested specifically good luck finding him.

Nero is an established hunter who tends to get a little babied by the others, which leads to him being more adamant about pushing his limits to prove himself and get them to stop worrying.

Eva regularly travels, recording locales and monsters in general peace.

Kyrie acts as the guild sweetheart for the location, handling quest assignments and making sure the hunters are properly prepared.

Credo is one of the residing guild knights, which is a rank in the guild that handles upholding guild regulation and deciding on punishment for anyone caught illegally poaching monsters.

Nell is the residential smithy! She's been training Nico for a long time now to take over in the future.

For now Nico tends to tag along behind Nero on a lot of hunts to observe them, swipe some new materials for herself, and experiment with equipment that diverts away from standard expectations.

Patty is a guild sweetheart in training, if I remember right? I only wrote her name in all caps in this post-it note and nothing else fdsgfbsdxjkgbj

-

Dante’s late to leave his room today, not expecting too many requests to come in if any. It’s been quiet since they’d sorted out the sudden influx of larger wyverns that had migrated South from their own territories. Which isn’t a good sign. It could mean something bigger is on the way soon. However nothing’s turned up. So to him the problem’s been solved. The peace lasts about as long as expected though, because the door pushes open without so much as a knock from the incoming visitor. It’s Lady. Not even in her armor yet but scowling as if she’d just gotten tossed around by a Diablos. “Where’s your fucking brother?” “Not even a good morning?” Dante yawns. “Passed morning a few hours ago.” Lady crosses her arms and leans against the doorframe “Now about Vergil-“ “Do I look like my brother’s keeper?” When It’s obvious Lady isn’t accepting that as an answer he groans and rests his feet on his desk “Out. On an expedition. That’s why one of the aptonoth aren’t in the stable. He’s North, checking out whatever caused that Wyvern displacement. Should be back in a few days.”

-

Vergil lingers by the ledge of the massive crevice, peering into the darkness to see faint shimmers of light that waver as if moving. It’s odd. With most of the trees decimated there should be plenty of sunlight shining down to show whatever’s down there. The darkness opens its eyes. Swirling colors and glowing light as faint pupils shrink to paper-thin slits when they focus on him. From the positioning of them Vergil isn’t sure if he’s looking face-to-face with a creature or with multiple. He doesn’t recognize any visible traits and stumbles away from the ledge. There’s a snapping noise and Vergil looks back to see the aptonoth has broken her binds in her attempt to flee, taking all of Vergil’s gear with her as she disappears into the treeline. A rattling, warbling noise that resembles a broken horn echoes loud enough that it hurts Vergil’s ears. He covers them with his hands and regrets not bringing earplugs. Something cold enough to leech the temperature through his armor wraps around his ankle, and drags him into the crevice. He grasps at the rock. His gloves dig in and he struggles to grab his blade. It slips from his hands and he falls with it. Darkness engulfs his vision made to feel darker by the eyes that fill his peripheral. One more eye, larger than all the others, opens up in front of him to blot out his last view of the sun.

-

Nero’s the first to volunteer and the first to be ready to depart. He shuffles about, fretting over what equipment to take and how long of a trip it will be. “Don’t you dare authorize that mission.” Credo objects, smacking his hand on the table “There’s no telling how long he’ll be gone, and if there is a wyvern strong enough out there to take Vergil down then I don’t feel comfortable sending him out.” “He’s qualified. Just as capable as the rest of us.” Dante insists “You need to stop babying him or he’ll never get his feet under him.” “How dare you accuse me of coddling one of our hunters?” “You’re not really beating the allegations. Especially since he’s got a crush on your sister.” “Do not-“ Nero objects. Dante stares, raises an eyebrow, and Nero clicks his tongue. Nero looks away while his cheeks flush red.

---

NOW onto-

Whatever Time May Bring. You have sniffed out the ONE NASNAH part that I think you're going to love the most, because it takes place when Nero's 15 and a certain 8 year old girl finds her way into Dante's life. It skims through the anime timeline and a bit beyond, since for reasons not yet revealed in the plot Dante decides to keep Vergil and Nero out of most of the details of his demon hunting work. It's a scene compilation like how "In Leaps and Bounds" was for little Nero. It's also finally the time where Nero starts questioning his family's behavior and secrets more than before.

-

Vergil watches the ensuing exchange with all of his attention he can muster. There’s something comedic about a young child pushing Dante to wits’ end when Nero at that age earned nothing but Dante’s adoration. He then notices Nero’s uncharacteristic silence. It takes just one glance to see Nero’s eyes are wide, watching Patty with an expression that he hasn’t seen before. “Nero?” Nero startles out of his thoughts, straightening up. “Uh, hi.” Nero says. He picks up his coat from the floor and dusts it off. “A little slow on the uptake. Did you overheat trying to wear that over here?” Dante asks. “No just-“ Nero looks away and seems to get his bearings “-wasn’t expecting to see you taking care of a kid. He’s being nice to you, right?” Nero looks at Patty with his question. “He’s horrible! He doesn’t clean, never explains anything until after it happens, and won’t eat anything but pizza and strawberry sundaes. I’m surprised he even knows what tomato juice is let alone drinks it.” Patty pouts and motions at Dante with a pointed finger.

-

Patty is- energetic. She’s outspoken and from how she speaks her mind is sharper than she leads others to believe. Yet she’s very much a child in how she behaves. Much like how Dante had been at her age to an extent. It had been obnoxious to deal with when younger, but Vergil can rationalize it as normal behavior for children in hindsight. Nero’s odd phase of having become quiet and calm as a child must have been a special case. “Would you advise I rescue Nero now, or later?” Vergil questions. “I think they’ll get along just fine without us hovering.” Dante pushes up from his chair and nudges a box of stuffed animals to the side with his foot. He tilts his head to the hallway door “Let’s leave them to it.” “And what will we be doing, instead?” “If you don’t want to know the weird details of the job, then I guess we can stay here and listen to Patty go on all day about that stupid show.” “Hey! I heard that.” Patty speaks up, looking over from the couch. “I wasn’t talking to you.” “But you were talking about me, so that’s pretty much the same thing.” Patty sticks her tongue out.

-

“What happened to my mom? Who was she?” Vergil’s gaze flicks away. Guilt passes over his face and he keeps cleaning without giving an answer. “Hey, you can’t just ignore me. I asked you a question-” Nero objects. “I can, and I will.” Vergil holds out the sauce pan “That is a topic for another time, Nero.” “Another time? Seriously?” Nero scowls as he uses a bit more force than needed to dry the pan “You’re gonna dare say that to me after years of this? I don’t even know what her name was.” Vergil pauses washing the dishes, resting his hands on the edges of the sink.

-

Thank you for letting me go insane and giving me a chance to share with you some Patty Propaganda! I had to seriously dig around and be careful with what I show since there's quite a few parts between the fic I'm currently uploading and this one, but I would be damned if I didn't give you something to look forward to. <3

[lotusprotocol]

dreamcatcher devlog: past 3 months (oops)

(screenshot from current wip level, out of orbit)

full devlog below the cut!

long time no see! really sorry for missing the past two months; i never ended up getting started and by then it was too late to post. i'll try my best not to let this happen again, though i can't make any promises.

anyways, there's been a lot in the past couple months! without further ado, here's everything(?) that's happened since the last devlog:

i started off in december by getting some of the core mechanics working, such as the camera, level transitions, etc. the visuals aren't completely done yet, but my main priority is getting the mechanics to actually work, and i'll make them look good later.

i did a lot of work on optimizing the performance and build size of my game, which i made a few posts about (big one about build size here)

i made another track for one of the levels, and i think i've been improving at music! here's the audio:

(i also tried making album art later in december but it didn't turn out good so i'll redo it at some point)

one of the most important things i did in december was get playtesters! i made applications open from the 15th to the 22nd, and chose 6 people who submitted. it was hard for me to leave people out though, but applications may be open again sometime in the future.

i set up a daily goals list to put 5 things on every day, and hopefully stay focused. admittedly, it's been a while since i used this list, and i lowkey forgot about it until i looked through my post history before making this devlog, but i think i'll get back into it this month.

i also set up a twitch channel! i'll be streaming over at https://www.twitch.tv/lotus_protocol if you want to check it out!

i was on break for the last week of december, so i was able to get a lot more done in that time. i also got a stylus, which is a really nice upgrade from drawing with my finger before, and did a lot of practice with it.

january didn't start off great, and i barely got anything done over the first couple weeks. i was eventually able to get back in the groove, but i had a sucky feeling during that time since this game's a big part of my life and my mood depends quite a bit on it (in a healthy way though, it's not out of control)

when i came back to working on the game, i polished some stuff up before pushing the first playtester build! i got some valuable advice, and it went pretty good.

i wrote down the outline for the entire story! there's still some wiggle room if i want to go back and change anything, but it's nice to have it down instead of only in my head, and i've wrote the dialogue for a few scenes already.

i've been improving my art a considerable amount over january and february! i've gotten a lot more confident in my art as well, which motivates me more to make it!

(pencil sketch from mid february; there's quite a few mistakes here and there but i still really like it)

i continued working on one of the levels, which was what i did for the rest of the month. not much i can say here, but it's been shaping up pretty good so far!

to be honest, february wasn't a good month for development. i had a lack of motivation and a lot of work to do for other things in my life, and there was barely anything new from last month.

the main thing i did in february was work on the tas tools for the game more, which are coming along nicely. i've been having an issue with consistency and don't know exactly what's causing it, but i'll figure it out eventually.

(unrelated to dreamcatcher but) during february, i took some time to make a side project i had been wanting to do for a long time: an upgraded level editor for red ball, a flash game that i enjoy. there's still plenty of work to do on it, but so far it's pretty nice, and it's not my main focus right now.

(screenshot of the tool, you can find it here it you're interested)

i've also been delaying the next playtester build for a long time, and it was originally supposed to come out at the start of last month; if there's any playtesters reading this, sorry again! i'll hopefully have it done this month.

i finished off february by making some more music! here's a wip from a few days ago:

and that's it for the past 3 months! with all that being said, here's what i plan on doing next month:

get the current wip level done, and hopefully do another full one

finish all story scenes for the demo

push at least two new playtester builds

do some story art if i have time

enjoy the process :]

that's all for this devlog, and if you made it this far, thanks for reading! right now, i'm trying to get the demo out by august this year, so expect to see something done by then. also feel free to join the discord server, where you can get more regular updates, ask me questions, or chat with the community! anyways, signing off now, have a great day!

[vertebrae-entertainment]

12.07.2023 - Recycling programming

Fangst will be our first commercial release, meaning we're charging money for it and putting it up on stores and all that stuff. But it's not our first game. Since starting a student business at Folkehøgskole (Translating to… county college?) back in 2016 we've worked on: -3 free browser games under Vertebrae -3 edutainment games on commission from Aluminiummuseet in Holmestrand -6 gamejam games each at Global Game Jam Hamar And we've spent 3-4 years working on Liquid State, a previous commercial title that had to be put on hold due to lack of funding.

(screenshot from a presentation we sent to a funding org)

All in all that adds up to 18 and a half games. Roughly speaking. The smallest gamejam games have been opportunities to try new things and experiment with features we haven't touched before, the browser games demanded optimization to make performance good enough to run in browser, the edutainment games tested our ability to work under pressure with hard deadlines, and Liquid State gave us a clearer idea of what works and doesn't work when working on a big long term project. They have also given us a backlog of previous works to pull from when developing new games. Not just in terms of lessons learned and getting used to workflows, but also straight up pulling bits of reusable code here and there.

I'm Åge by the way. This blogpost is mainly written from my point of view as a programmer and is going to be focused on programming. But I asked Hauk and he let me know the following:

Liquid State in particular had a big impact on Fangst's animations. Liquid State used traditional animation for the main character and puppet based animation for enemies, which gave him experience with both forms of animation and a clearer idea of how to make effective individual frames with good poses and how to polish the puppets.

Left: Liquid State. Right: Fangst wip sketch.

As for programming, here are some examples of reused/informed code.

Stepping Stone is a 2D platformer that required somewhat competent collision and input code. It was meant to be a frustrating experience to play through, but the frustration was supposed to be built on the repetitiveness of the gameplay not on things outside of the player's control like clipping through walls or not jumping when you wanted to. I spent much of the game's development tweaking the player controls and collision code, and this got ported into Fangst as the beginning of the main character's movement code before adding some of Liquid State's player physics.

Throughout 2021 I spent some time on an unreleased project with a top down camera titled No Future Towers. I made a twitter thread about my process here. I wanted the buildings to have depth to them so I made a fake 3D effect with 2D parallax but it was kind of a pain to work with. Then I read a blogpost by Matharoo about GameMaker's built in 3D camera features. I ended up using this for the 3D effect in that project, and then reused that effect in Fangst to quickly set up depth without having to program in layer parallax manually.

No Future Towers also had an ocean theme with a soundscape of seagulls and crashing waves and creaking wood. I threw this soundscape together with royalty free sound loops, and then ported the sounds into Fangst for some placeholder atmosphere to test the vibes before getting a sound designer on board.

Liquid State had a pretty dramatic impact on Fangst. One of the reasons we're confident in having combat in a game that has a lot of moving parts already is because we've been able to port a lot. Liquid State was a combat focused beatemup, which required things like hitboxes that can remember who they're allowed to target and who they've already collided with, spawning hitboxes at specific positions in specific frames of an animation, changing the hurtbox of the player on the fly, enemies getting stunned while in knockback, and basic enemy AI. This carries over pretty directly to Fangst, so the lucky few who got to try early demos of Liquid State back in 2017-2019 may recognize some of the overall feel.

Liquid State's camera also makes a return. Most of the pain points in the previous camera blogpost were lessons I learned during Liquid State and I managed to reuse some of the equations for following the player/moving ahead of the player.

Fangst is made with GameMaker Studio 2, now formally known as just GameMaker. I previously worked with GameMaker Studio 1.4 (oh how I miss you, old sprite editor) but when GMS2 came out I knew I had to transition over to the new version eventually despite my stubbornness. GMS2 is a pretty substantial rework of the engine with a lot of changes under the hood and a different workflow, which means a lot of frustration and wasted time in the transition period. We ended up doing the switch to GMS2 when we started working on educational games for Aluminiummuseet, figuring that we'd need to overhaul our workflow anyway. Getting this pain point out of the way early made it a lot easier to continue using GMS2 for later games, and let me build up a backlog of useful GMS2 scripts for major changes like window resizing, the layer system, etc.

The Aluminiummuseet games ran on Android devices and the browser games ran on, well, the web browser. These platforms are much weaker than the average PC and have various quirks of their own, requiring a lot of consideration of how to make sure the game runs as optimally as possible and avoiding platform-specific bugs. This is evident in the games themselves, the latest games run better than the oldest games. I had to look into things like ordering sprites so they're packed on the same texture page, avoiding transparency on backgrounds when viable, and using the debugger to find out where the game loses the most performance. This has informed how I program things going forward.

And finally, Antidote had a big impact on how text is structured in-game. Antidote is a very text-heavy game with a lot of dialogue boxes, and we originally planned on having a Norwegian language option in addition to the existing English language text. This meant that the game's text had to be saved in a way that made it easy to access, because having text hard-coded in and spread out across many different objects would make it a pain to keep track of and would waste everyone's time when it was time to edit/translate it and it would also risk weird edge-cases where it pulls the wrong language's text. So I programmed it in a way where all textboxes pull dialogue from this one big script that holds all the dialogue in one place. This type of text system serves as the base for text in Fangst as well.

These were some examples of wholesome program cannibalization, and I can't wait to see what we end up cannibalizing from Fangst in the future.

We plan on coming back to the office and resuming work next week. Thanks for reading!

Love, Åge

[peterparkers-bad-youtube-apology]

The Angel Nextdoor

Pairing: Artist!Tom Holland x Reader

A/N: This is the first Tom fic I’ve ever posted and I’m a little nervous, but I’m really proud of it. I hope you guys really like it, I’d love to hear your feedback. Now, this is my Valentine’s day special, and I know what you’re thinking, “Ashley, how can you post a Valentine’s say special on February 15th? It doesn’t make any sense.”. But to that I say, you’ve just never seen this kind of innovation, I’m an artist and I have to take risks like this sometimes. I hope you can understand, love you all xx

Summary: Tom’s latest assignment might just give him the push he needs to finally confess his feelings. 

Masterlist

Promt list

//

“This is the handout for your final, we’re going to talk about it more next class, but for now just look this over and start brainstorming,” Ms. Miller passed a stack of papers down the row with a smile, “You’ll have a full month to work on it so I expect really polished pieces for this.”

Tom glanced over the requirements before settling at the prompt.

‘Paint someone close to you (friend, family member, significant other, ect…) in the style of their favorite artist or painting.’

It seemed simple enough, and he could think of a handful of people to ask. Definitely not family, he didn’t want to travel home and back that frequently. He could ask Harrison, and he was sure he would say yes, but there was one person who really stuck out in his mind. It was (y/n) of course, who better to paint than the most beautiful person in the world? And could anyone really expect an artist like him not to want to paint the object of her affection? Of course actually doing it was a different story. Asking her to let him paint her was a daunting task, one Tom was sure he couldn’t complete. So he was going to paint Harrison.

“Try to come to class with a narrowed down list of who you may end up painting, you’ll need to know for sure by Friday,” Ms. Miller sighed as the class began packing up, “I’ll see you all on Wednesday.”

Tom shoved everything in his bag and went straight for the dinning hall, where he was supposed to meet Harrison and (y/n) for lunch. He debated again trying to ask her, but quickly shoved the thought from his mind. She had inspired his work before certainly, it was inevitable that she’d inspire him, or her image would wander to his mind when he was working, but he had never painted her. Of course he wanted to paint her directly, but it was intimate, it always felt wrong to do without her permission. Just asking to paint her surely would have revealed his feelings too, something he wanted to do on his own terms, when he was ready, with concrete proof that she liked him back and he wouldn’t embarrass himself.

“That’s not a happy face,” Harrison hummed as Tom sat down in front of him, “Bad grade or something?”

“No, we just got our final already,” he sighed, letting his bag fall besides him.

“Already?”

He nodded, “Yeah, she wants it to be really polished.”

“Does it seem really hard?”

“It’s nothing I can’t do, I’m gonna need your help though.”

“I’m sorry, you’ve seen me paint before right?”

Tom rolled his eyes, “Obviously not with that. I’m just supposed to paint someone close to me and I don’t want to drive home every other day so I was gonna ask if I could paint you.”

Harrison knit his brow in confusion, “Why wouldn’t you ask (y/n)?”

Tom flushed, “Absolutely not.”

“Why not? You two would get to spend a lot of time together, alone. Isn’t that what you want?”

“Yes, and I’d like to paint her, but it’s so intimate. I want to be the one to tell her I like her, not a painting. Plus she could say no and then I’d never be able to show my face in public again.”

“There is no way she would say no,” Harrison rolled her eyes, “Just ask her, she’d be happy to help and you might just finally see that she’s into you. Then I can stop watching you two pine over one another.”

“No, just drop it,” Tom ordered, spotting (y/n) approaching their table, “Don’t say anything to her.”

“Hey boys,” she smiled as she sat besides Tom, “How were classes?”

“Mine were fine, Tom’s already getting his finals though.”

Tom shot him a glare while she sighed, “That’s brutal, I’m sorry Tom.”

“I’ll survive,” he hummed, “It’s not anything too rough.”

“What is it?” she asked curiously.

“Just painting someone I know,” his cheeks dusted pink, “Nothing too hard.”

“Too bad I can’t help you out with it more,” Harrison bit his cheek, “Maybe (y/n) could pose for you.”

Tom decided he’d have to push Harrison out their dorm window when they got home. 

“Oh yeah, I don’t mind,” she smiled kindly to him.

“It’s okay, it’s probably going to take me awhile and I know you’re busy, I can just ask one of my brothers,” he insisted.

“And drive home every other day? That’s ridiculous, I’ll just do it.”

Tom sucked in a deep breath, trying to decide quickly what the right decision to make was. But he was a painter, he couldn’t give up the chance to paint something so perfect in good conscience, and he didn’t really want to say no either.

“Thanks, I really appreciate it,” he smiled to her.

“No problem. So what do I need to do?”

“I’m supposed to paint you in the style of your favorite artist, or painting.”

“Well…” she tapped her lip thoughtfully, “Oh, they guy that painted those little cupids, and he did that Birth of Venus you showed me with all the cupids in it, I really liked his stuff. What was his name again?”

“William-Adolphe Bouguereau,” Tom pursed his lips, “I could do that, it’s not too far off from what I like to do anyway.”

“Cool, I guess I should start practicing my poses then?”

He chuckled, “No, we’ll just do something comfortable for you,” he bit the inside of his cheek, “There’s a bit of planning to do first, like what you’re gonna wear and the colors I’m gonna use, and sketching, I’ll just need a few days.”

“Well why don’t you come over and we can raid my closet? Maybe I can help with some of the other stuff too.”

Harrison was smiling like a proud dad when Tom glanced over at him, “Um, yeah, that would be good, I could come over after class Wednesday?”

“It’s a date.”

/

“I laid out some clothes already,” (y/n) smiled to Tom as she led him to her room, “I mean you’ll know better than me, but I tried to pick some things I thought would paint well.”

“Thanks, I was thinking something really simple would be best,” he began examining the clothes on her bed, smiling when he spotted the same white, babydoll dress she liked to wear whenever it got hot, “How about this one? It has that sort of angelic feel.”

She picked up the dress and held it against her, “It’s the comfiest too.”

He laughed, “Well that one for sure then. Next would be location, and I know you really like L'Amour et Psyché, enfants, so I thought it would be nice to have you sitting on a cloud to reference that.”

“Whatever you think is best Tom, you’re the artist,” she hummed, “I think that sounds nice though.”

“I think we’ll do that then. Do you want to toss the dress on so we can run through some poses?”

She nodded and Tom stepped outside, allowing her a moment to change. He’d thought about the painting all night, sketching out different poses and swatching colors he wanted to try. The anger he’d felt towards Harrison at lunch had faded almost instantly to excitement. He’d hung out with her a million times before, but he usually let his nerves get the best of him if things started getting flirty. Painting always relaxed him though, and he was sure that he would be able to make his feelings known once he was behind the canvas.

Of course, unbeknownst to Tom, her feelings were quite similar. Tom was handsome, of course, and funny and kind, and she got along with him better than anyone else. She had never felt the way she felt for him with anyone else, but flirting was hard. She always got nervous and backed off, there was just too much at risk. She didn’t know if Tom felt the same way, and she didn’t want to risk damaging their relationship by telling him she was into him. Of course she was happy just to help Tom for the class, but she thought it was a good chance to tread the waters.

“Ready,” (y/n) smiled as she left her room, “Where do you want me boss?”

“The couch is fine,” he was holding his sketchbook now, holding it firm against his chest, “If you could sit kind of sideways and put your arms on the back of the couch.”

She sat as he told her, glancing over her shoulder at him, “Like this?”

“That’s really nice, very reminiscent of the original…” he glanced down at his sketchbook, “Are you comfortable?”

“It’s a little awkward,” she admitted.

“Then it’s a no. How about with your hands in front of you, just resting.”

“This is better,” she smiled as she switched positions, “But if you want me the other way I don’t mind.”

“I just want you to be comfortable,” he assured before glancing back at the sketchbook, “Why don’t you try on your stomach, with your arms under your head.”

She giggled as she moved, kicking her legs like a child, “This is like the fifth grade slumber party position. I feel like we’re gonna play truth or dare.”

He rolled his eyes, “You’re never going to break into the modeling industry if you mess around like that.”

“You’re lucky I’m not a model or I’d be charging,” she stuck her tongue out before laying her head on her hands, “Is this right?”

“Almost, just cross your arms like this,” he set her arms in the position he wanted before stepping away again, “Are you comfy like that?”

“Yeah, I could sleep like this.”

“Good, there’s just one other pose I wanted to try. Could you roll over?”

She flipped to her back and set her hands over her stomach, “Do I look like an angel now?”

“Almost,” he moved one of his arms, extending it above her head and leaving the other over her stomach, “Perfect,” he declared, looking her over with a smile, “Very angelic.”

Her cheeks dusted pink and she bit down on her cheek, “Thanks.”

“I think this is the one,” he scribbled a few things in his sketchbook, “What do you think?”

"I could lay here all day."

“Perfect, can you stay there for a few so I can sketch you?”

She nodded, drumming her fingers along her stomach, "Did you get a better explanation of the project today?"

"Yeah, she said our grade is going to be focused on the emotion of the piece since we're painting someone close to us. She wants us to focus on portraying them how we see them."

"How are you gonna portray me then?" she blushed as she questioned him.

"An angel," he spoke without thinking, his cheeks flushing instantly, "Not with wings or anything, just sort of what I'm going for."

She was sure her face was about to catch on fire, "You don't have to do that, I mean I like the angel paintings, but you should portray me how you see me."

"I am, it just happened to fit with what you like," he tried his best to conceal his face behind his sketchbook as he spoke, "You're really sweet, and you always make everyone around you really happy, I think an angel is fitting."

“I think you’re like that,” she met his eyes, just barely peeking over the edge of his sketchbook, “You always make me happy.”

“I’m really glad I do,” he bit the inside of his cheek nervously, “I think I’ve got everything I need for today, I’ll do some thumbnailing tonight and go pick up some supplies.”

“Cool,” she sat back up, twirling some of her hair nervously, “So when do you want to start?”

“You have that essay right? Why don’t we do Saturday? I don’t want to take up a bunch of your time.”

“That’s sweet but I’m gonna procrastinate no matter what,” she giggled, “Saturday is good though, then we’d have all day to work.”

“I’ll be over at ten then,” he closed his sketchbook before shoving is back into his bag, “If you really want to procrastinate you could come to the store with me. I mean I have to make sure I can match your skin and hair and everything…”

“Well sure, but if you want even more of my very valuable time I at least expect you to buy me some tea.”

He laughed, “Fine, fine, we’ll stop for tea.”

/

Day 1

Tom was surprised by how awake (y/n) was when he arrived, she was never much of a morning person. When he showed up she had brewed some tea for them both and was already wearing the white dress they’d agreed upon. Tom had drawn about a thousand thumbnails before finally deciding on exactly what he wanted the painting to look like. He decided he’d start on it Friday night, figuring it would be good to get most of the background out of the way so he could focus on painting her while they were together. She gushed over how good the painting already looked, telling him they were the most perfect clouds she’d ever seen while he set up his work station. She was always hyping him up, he appreciated it, even though he was nervous to get started.

“You ready?” he asked finally.

She nodded, “Yeah,” she sat down, doing her best to mimic the pose she had earlier in the week, “Am I good?”

Tom nodded, “Perfect.”

“Awesome, I won’t move a muscle.”

He chuckled, “You can move. Just not too much,” he sighed, picking up his palette and taking one more moment to stare at his canvas, “Okay, time to start.”

(y/n) watched him quietly at first, watching the cute way he stuck out his tongue when he concentrated. She had never seen him paint, the occasional sketch sure, but with painting she’d only even seen finished pieces. They were always amazing, but she felt like getting to see the work in progress was something special. Most people never got to meet someone as passionate or as talented as Tom, let alone get to be the subject of their work.

“Do you mind if I draw the curtains?” Tom broke her trance.

“It’s your painting.”

He laughed, “No, I mean open them. Why on earth would I add a window to a painting of you in the sky?”

“I don’t know how your artist brain works, maybe you think clouds have windows,” she laughed in response, “Go ahead, I thought you wouldn’t want the lighting changing all day.”

“Well I’m going to paint the light source where I want it to be,” he explained as he stood, “But I want to make sure I’m painting you how you’d look in more natural light. Maybe angels have windows, but I’m nearly certain they don’t have iridescent light bulbs.”

“You seriously think heaven has fluorescent lighting?”

“I think they use the sun,” he deadpanned, though a smirk tempted the corners of his mouth, “You can turn on the tv or something.”

“That’s okay, I like watching you.”

He furrowed his brow in confusion, “Why? I’m just staring at a canvas.”

“I don’t know,” she shrugged, “It’s something you're passionate about, it’s cute watching you get in the zone.”

“Oh,” he blushed and turned his attention back to his work, “Thanks. I’ll be more talkative once I get a little further along, I just really like to concentrate in the beginning.”

“It’s fine,” she assured again, “I’m not bored Tom, I don’t mind a bit of quiet time.”

“Okay.” 

Truthfully he didn’t mind it either, at least when he was with her. He just liked being in the same room together, even if they were just studying or watching a movie, it was nice to just be together. 

/

Day 2

“Would you mind if I came over after class tomorrow?” Tom questioned, breaking (y/n)’s attention from the tv.

“That’s fine by me,” she smiled to him, “It’s not like I usually have plans with anyone else on a Monday afternoon.”

“Yeah, no one else can stand you,” he chuckled while she feigned offense.

“You know I could be charging you for this? I’m doing this for free out of the goodness of my heart.”

“You think I have money? I’m a starving artist darling, free is all I can afford.”

“You better be nice then,” she teased with a smile.

“I’m cooking you lunch aren’t I?” he sighed before setting his paints down, “Speaking of which, I think I’m ready for a lunch break.”

“Me too,” she rubbed her stomach, “Break time?”

He nodded, “Yeah, you still want pasta?”

“You know I do,” she winked as she stood up, stretching her arms up above her head, “Can I peak?”

He nodded, “It still doesn’t look like much, but I’m making good progress.”

She bounced over to the painting, smiling ear to ear as she took in all he had done, “It looks more and more amazing every time I see it. This is amazing Tom, seriously it looks so good already.”

He smiled, blushing at the praise, “Thanks, I think it’s coming along really well.”

/

Day 3

Tom was making much quicker progress than he had expected, he just found it very easy to find his rhythm every time they sat down to work. Part of it was her, part of it was the subject matter, also her. He was pretty sure all the hours he’d previously spent staring at her had something to do with it too. So far he was proud of his work, though he was sure it wouldn’t have been possible for a painting of her to look bad anyway. When he sat down to paint her he didn’t have to think about it much, just paint, it came very natural. It just felt naturally to immortalize someone like her, but the talking helped the most. Normally he painted alone and he’d wear himself out or hit some kind of wall and be forced to stop, but he hadn’t had that problem since working with her. It was like his hands moved on their own while he just hung out with his best friend. It was just easy...

“Tom?”

“Yeah?”

“How do you stay so clean when you paint?”

“I figured it out around the same time I stopped fingerpainting.”

She laughed, “Okay well when I try to paint I still get at least some paint on my hands and arms and stuff, you never get paint anywhere.”

“This is the third time you’ve seen me paint, I’ve gotten messy plenty of times but I’m trying really hard not to get paint all over your house.”

“Have you ever painted a girl?” she giggled, “Her body I mean, like gotten naked and painted on each other?”

He flushed suddenly, “No, have you?”

“No, but it would be fun wouldn’t it?”

“It would be cold,” he pursed his lips, he was well hidden by the canvas, so he had a lot more confidence in his ability to be cheeky, “We can take a break if you want to try it out.”

She went quiet for a moment, Tom thought he might have to throw himself out of her window but when he looked at her her cheeks were just as red, and she decided to press on, “What would you paint?”

“Depends where I’m painting.”

She bit her bottom lip, a playful smile overtaking her despite her pink cheeks, “Well I would paint a grid and play tic tac toe on your abs.”

She burst into laughter at her own awful joke and Tom did his best to fight off his own laughter, “That was not funny.”

“Yes it was that’s hilarious!” she kept laughing, clenching her stomach and rolling onto her side, only to find there was no room and roll onto the floor with a thud, “Ow.”

Tom started laughing, “You deserve that for making such a shit joke.”

“Fuck off,” she groaned.

/

Day 4

“Do you ever get lonely living here all alone?” Tom knit his brow as he tried to perfect her nose.

She nodded, “Sometimes, but I don’t really want a roommate you know? I need a boyfriend or something so I can just call him over when I decide I want someone to spend the night.”

“You could call me,” Tom didn’t dare peek out from behind the canvas after that comment, “I wouldn’t mind if you wanted me to spend the night sometimes.”

“Really?”

“Yeah, we could even build a pillow fort and play truth or dare.”

She laughed lightly, “Well who could pass up an offer like that?”

/

Day 5

Rather than painting the whole night, Tom and (y/n) had decided to get some studying done, putting them at a much later start when they eventually did get to the painting. (y/n) seemed tired, and Tom had told her they could skip the night, especially since he was making such good progress already, but she had insisted she was fine. So they started working, and (y/n) watched tv, half away while Tom started working. The painting was coming along amazing, and Tom had planned to just get some of the more tedious, detailing work done and let her get to bed, but of course once he actually started working it was a different story. He had quickly gotten wrapped up in his work, not stopping until the noise of the tv stopped, the screen flashing to ask if anyone was still watching. 

“Sorry, I was just getting in the zone I-” Tom stopped mid sentence, spotting her already passed out on the couch. Her head was tossed to the side and one of her arms hung off the couch. The sight was endearing, but Tom felt bad about not noticing, “Oh dear,” he set his pallet down and stood up, flicking the tv off before approaching her, “Well come on darling, let’s get you to bed,” he nudged her lightly, “(y/n), time to wake up.”

She stirred slightly, a small groan leaving her lips before her eyes peaked open, “Tommy?”

He nodded, a small smile on his lips, “I would have carried you, but you’ve got to lock up behind me.”

She yawned, “Sorry, I’ll stay awake Tom, you can keep working.”

“You’re exhausted sweetheart, you need to get some sleep,” he smiled, setting a hand on her cheek carefully, “I got a lot done today anyway, promise.”

“Okay,” she yawned again before taking his hand, “I’ll help you clean up.”

“I’ll take care of it, why don’t you go get ready for bed?”

She nodded again, pushing herself up sleepily and padding off to her bedroom. Tom smiled to himself while he cleaned up, thinking about how nice it would have been to carry her off and tuck her in, or better yet fall asleep besides her. He could only hope he’d get there one day, if he could ever force out his feelings. It was seeming more and more possible everyday. Just as he’d suspected, hiding behind the canvas had made it much easier to flip the conversation to something flirty, and much to his delight, she didn’t seem to mind, if anything she flirted back.

“Looks good,” (y/n) hummed as she glanced over the painting, “Tomorrow we should be able to start early.”

“Thank you, honestly at this rate I’ll only need a few more days.”

“That’s awesome Tommy, I can’t wait to see it all done.”

“Me too,” he tossed an arm over her shoulder with a smile, “Come see me out.”

“I am, I am,” she smiled as he led her to the door, “Drive safe.”

“I will, get some sleep darling,” he kissed the top of her head before heading for the car.

/

Day 6

The doorbell made Tom jump, and nearly swipe a black line through one of her eyes, “Fucking hell,” he swore under his breath,

She giggles, “It’s just the pizza Tom,” she jumped off the couch, heading straight for the door, “Which means stop working busy bee we’ve got a pizza to devour!”

He pushed himself up with a sigh, “I’m in the homestretch here, I just need to push through.”

“No, you need to nourish your body and keep your mind sharp,” she winked to him as she opened the door accepting the pizza with a quick thank you.

“Smells delicious,” he plucked the box from her arms, “I think I’ll pretty much finish up tonight, but I’ll want to really polish it tomorrow when I’ve got fresh eyes. And I probably won’t want to stop once I’ve got started so eat and pee before I get here.”

“You’re lucky you’re cute or you wouldn’t get away with bossing people around like that,” she passed him a plate before tossing open the box.

“I know,” he winked to her, dishing them both a slice, “You know I probably only need another hour or so tonight, so we could watch a movie or something while we eat, then I could finish up after.”

A swarm of butterflies fluttered around her stomach, almost making it impossible for her to answer, “That sounds nice Tom, you definitely deserve to relax.”

“We both do,” he grabbed her remote as he fell down on the couch.

“I’ve been laying on the couch, relaxing is currently all I know.”

“Nah, I’m sure it gets tiring sitting there looking pretty all day,” he sucked in a sharp breath when she sat down, pressed right against his side.

“It does,” she nodded in agreement, “Alright, you pick for us alright?”

“Sure.”

He didn’t pay much attention to what he was picking, he was much more concerned with their proximity. They’d watched plenty of movies and tv shows together during their friendship, but they never sat so close. It gave Tom a lot of confidence, since she’d opted to sit besides him, he took it as a sign that his flirting was landing. So after they finished eating he decided he should also initiate something and wrapped an arm around her shoulders. Without even thinking she had laid her head on his shoulder, it just felt natural. Tom pressed a quick kiss to the top of her head and turned his attention to the tv.

/

Day 7

Tom stood up, stepping back a few feet to examine his work. He did it fairly frequently so (y/n) didn’t think anything of it and turned right back to the tv, until Tom spoke.

“It’s perfect, I’m done,” he declared with a small smile.

(y/n) raised a brow, “Seriously?”

He nodded, “Yeah, I have to seal it and everything, but the actual painting is done. I’ll turn it in on Monday.”

“Don’t you have a few more weeks?” she asked as she stood.

He nodded, “I don’t need them, I’m finished, it’s gorgeous, I don’t need to do anything else.”

“Well can I see?”

“Of course!” he grabbed her shoulders, quickly pulling her to face the work, “What do you think?”

She went wide eyed, taken back by how good he’d made her look. It was strange, seeing herself in a painting. It was done well of course, and it looked just like her, but better somehow. She couldn’t put her finger on exactly what it was, maybe the background or the romantic theme of the painting, but she just looked better. She looked like an angel, perched on a bed of pink and blue swirling clouds, reminiscent of the paintings she likes, but distinctly Tom’s work.

“Wow,” she turned to him with a big smile, “Tom it’s incredible, I don’t know how you made me look like that.”

“That’s just what you look like.”

She shook her head, “It’s better somehow, like the perfect version of me or something. You did incredible.”

“No,” he shook his head, “That’s just you, but thank you. I’m really proud of this, I think it’s one of my best.”

She blushed, “Yeah, you’re gonna get a killer grade.”

He hadn’t thought much about the grave, the assignment had taken a back seat to just painting her, “Yeah, I hope so,” he grabbed her upper arms and smiled down at her, “You’re incredible you know that? Thank you so much for doing this for me.”

She bit her lip and nodded, “You don’t have to thank me, I had fun.”

“Me too,” his eyes caught her lips for just a moment, soft and supple and more than kissable, “I, uh, we should do something to celebrate, dinner or something.”

“That would be fun too,” she tucked some hair behind her ear, leaning towards him just slightly.

He found himself leaning in too, but as much as he wanted to kiss her, something just wouldn’t let him. He kissed her forehead and backed away awkwardly, “I, uh, need to pack everything up, I have to get the sealant on pretty quick and I left it at home so…” 

The sealant was in his bag, but he felt like running away suddenly, his nerves truly getting the best of him.

Her cheeks burned in embarrassment but she nodded, ‘Y-Yeah, no problem, I’ll help you pack up.”

/

“Wait so let me get this straight, all this flirting and pining, you chickened out on the kiss?” Harrison’s jaw fell open in disbelief. 

Tom nodded, hiding his head against his arms, “Yes, and I nearly died the first time so let's not talk about it now.”

“Dude,” he gaped, “Are you kidding me? All you had to do was pucker up!”

“I know!” Tom groaned, “I know, I don’t even know what happened, I just froze up. I mean what if I misread it? She probably didn’t want me to kiss her, in fact I know she didn’t.”

“You said she leaned in first!”

“I thought she did but I’m stupid! There’s no way she was trying to kiss me.” “It literally could not be more obvious that you two like each other so I don’t want to hear it. You need to just call her up and tell her you froze up and ask her out.”

“I can’t, I will literally drop dead.”

Harrison rolled his eyes, “Then I’ll do it.”

“Dude no! I’m not ten, I can’t send you to ask a girl out for me, that’s a guaranteed no at this point.”

“Then just tell her,” Harrison groaned, “Before I lose it, please.”

/

Tom was coming to terms with the fact that he was going to die alone by Wednesday morning. It was hard to accept, but easier to accept than almost kissing his dream girl and chickening out, so the choice had been easy. But apparently the universe had other plans for him, as Ms. Miller decided to pull him aside after class.

“I want to talk about your final,” she placed his painting on an easel.

He blushed, “You don’t like it?”

She shook her head, “No, no, Tom this is incredible. I was going to suggest that you enter it into the National Galleries up and coming contest.”

“Seriously?”

She nodded, “Yeah, this is amazing, it would be a shame if the world didn’t see it,” she chuckled lightly, “And I’m sure it would get you some brownie points with your girlfriend.”

“Oh, she’s not my girlfriend,” he spoke softly, pretending to cough to try and hide his words, “Just my friend.”

“You painted just a friend like this?”

He nodded.

“And remind me of the title.”

“The Angel Nextdoor.”

“Do you call all your friends angel?”

“Uh no, just her,” he bit his lip while she raised a brow at him, “She doesn’t know I’m into her.”

Ms. Miller glanced at the painting with a hum, “Has she seen the painting?”

He nodded, “Yeah, she was there the whole time.”

“I think she knows.”

He began to blush again, “Really?”

She nodded, “I could tell just from looking at it that you must really love this girl, I’m sure she can tell too,” she smiled and leaned back on her desk, “Anyways, I just wanted to let you know about the competition, I’ll have your marks soon.”

He nodded, “Thanks, I’ll, uh, think about it.”

He scrambled out of class quickly, wondering if maybe he didn’t have to die alone. Maybe he could confess, and maybe (y/n) who had gushed to him about the painting he’d poured all his love into, would reciprocate. Maybe she had leaned in to try and kiss him, and maybe, just maybe, she really did like him back. Instead of stopping at the dining hall where he was supposed to meet Harrison and (y/n) he paced right past it, towards (y/n)’s class, trying to hype himself up the whole way. 

(y/n) had spent the past few days with her mind full of questions. She had leaned in, hoping Tom would get the hint and they would kiss. It seemed to be going that way but then he stopped. Tom had seemed flirty while he was painting her, and she tried her best to show her own interest. He had even held her while they watched a movie, but then he didn’t kiss her. He just kissed her on the forehead and left. She was worried she had misread everything, and almost certain she had. She was anxious about seeing him for the first time since the almost kiss, worried things would be tense or weird. So she was quite worried when she spotted him outside of her class, worried he was about to tell her to never bring up the incident and forget anything happened.

“Hey,” she smiled to him, “What are you doing here?” “I came to talk to you,” he blushed a bit, “Uh, Ms. Miller really likes my painting, she thought I should enter it in this competition for up and comers.”

“Really? Tom that’s awesome, congrats!”

He nodded, “Yeah, thanks, I thought it was really cool too, but she said she thought it was good because she could really see my emotions.”

“Also awesome, you’re gonna ace that class.”

“Okay, but, um…” he trailed off for a minute, unsure of how to force the words out, “The emotion was love, that she saw I mean. She said she could tell I really loved you, a-and I know you know that I do love you, but I love you way more than any of my other friends, and it’s different too… I mean I know I’m like a struggling artist, and that’s not the most desirable thing, and I’m not this perfect, beautiful person like you are, but I do love you, and I love you so much it’s overwhelming sometimes. The best thing I’ve ever painted is you because I love you so much, romantically.”

She stood totally frozen, with wide eyes and her mouth hanging open, making Tom’s heart pound nervously against his chest. He thought he might black out but she moved suddenly, grabbing him by the neck and kissing him hard. Her lips were plump and soft and so much better than he could have imagined. He grabbed her waist, leaning into her with a smile.

“I love you too,” she smiled as she pulled away, “I think you’re perfect and I am totally crazy about you.”

“Seriously?”

She nodded excitedly, “Of course! How could I not? You’re incredibly talented and you're funny and your kind, Tom you’re amazing, of course I am so totally in love with you.”

He smiled and sealed their lips again, “Maybe we could go on a date sometime then?”

She nodded again, “Of course, but I’ve got one condition.”

“Anything.”

“There has to be more kissing.”

He laughed before pecking her lips again, “I think I can handle that.”

[am-i-space]

Charlie Weasley headcanons🐉

All my Charlie headcanons (some of them are picked out from fanfics i´ve read at some point and I might add some over time)

1. He loves to sing and actually has a beautiful voice

2. I can totally see him with piercings maybe a lip ring or even nipple piercings idk

3. Several tattoos (at least 2 dragons and I think more of a Viking style if you know what I mean)

4. His hair is a bit curly and a darker orange tone

5. Likes to braid his hair to get it out of his face 

6. Likes nail polish (it's always chipped because of his work and scratches it off when he gets bored)

7. Likes to wear jewelry of all kind but usually doesn't because it's impractical for work

8. Likes to wear a bit of eyeliner and smudge it a bit 

9. He has beautiful brown eyes 

10. He's super affectionate and loves to cuddle 

11. Has many scars because he loves to cuddle with his dragons

12. All in all he's a soft boy who loves adventures

13. Loves Rock/Punk/Metal music but he also melts at sweet soft songs 

14. Adopts a dog and trains him so he can come with him on adventures without getting in danger 

15. He is the best Storyteller and can make everything sound like you were right there 

16. He was the one who his younger siblings always begged to read them bedtime stories

17. He always did it 

18. Idk why but he's closest with Bill and Ginny 

19. He's an Aro Ace king

20. He absolutely adores Fleur they are best friends 

21. (She calls him her Chérlie)

22. He's an early riser and loves to get up and watch the sunrise or even start working already

23. He's not the best cook but he loves baking and is great at it

24. Doesn't want to admit it but sometimes he prefers coffee over tea

25. Is a good listener but would totally get distracted by cute animals

26. He has a ton of freckles on his whole body but mostly face, shoulders, back and arms

27. He hates being sick and as long as he is just a little bit sick he'll still try to go to work  (he tries to argue his dragons will keep him warm)

28. As soon as he really get's sick and that little coughing turns into a full blown cold he gets super whiney and wants to get cuddled all the time 

29. He speaks several languages and loves learning about different cultures ( I think like English, French and Romanian)

30. He likes to speak French when he's only talking to Fleur not just to practice but also because he knows she misses France 

31. (Also they like to make fun of other people, primarily Bill who can't speak French (or at least not well) and make it sound super flirty while talking about the weather or work)

32. He is writing scientific books about dragons and everything him and his team are learning about them that is either new and not published yet or when he notices that some books have wrong or outdated informations in them

33. He would love to be able to draw his dragons and add sketches to his notes and books but he can't draw well enough to satisfy himself to actually publish it

34. He is interested in Muggle culture (tho not obsessed like his dad) he often asks his muggleborn coworkers if they can explain him something or take him to a city and show him more of the Muggle world 

35. He likes to eat. I'd say that he's like Ron but I think he has more dignity and instead he just eats a lot. He sometimes gets a bit softer around the edges but he has a good metabolism and his work always keeps him on his feet.

36. He never really thinks about how his body looks he just likes to keep fit and healthy so he can take care of dragons for as long as possible

37. He's a nervous eater and he has a sweet tooth. He loves chocolates of all kind but when he gets nervous he tends to go for chewier sweets like gummies

38. I don't think he blushes a lot I think when he gets embarrassed or nervous he tends to stutter and gets a bit clumsy

39. He used to have a bit social anxiety at school because he just isn't very good at talking to People he doesn't already know well but once he gets a connection with someone he gets comfortable and opens up

40. (He still gets anxiety as an adult that didn't just disappear but since there aren't many people at the Reserve that aren't there full time he just has his co-workers who quickly took him in and became his friends)

41. He knows how to do household spells and how to knit, Molly wouldn't let him leave without making sure he knows how to take care of himself

42. He has a messy but still readable handwriting

43. He's left handed 

44. Charlie doesn't like horror movies he always gets scared but not by jumpscares more the psychological horror (and not by Monster movies  because he has too much empathy for the monster)

45. I can also see him being (partly) vegetarian/vegan because he doesn't love the thought of eating animals

46. He has dimples

47. He can handle big injuries like a pro (breaking his arm won't make him leave work early) but he can't handle smaller more annoying injuries like abrasions very well and gets whiney 

[its-short-for-jackalope]

I love music videos very much and have wanted to create fan art for musicians I like for.. several years 🥲 without actually doing so (except for noahfinnce, somehow I've actually done a teeny bit of fan art for him lmao)

HOWEVER... tonight I started rewatching some of my favorite music videos and taking screenshots for reference, so I think im actually gonna be brave and try doing some shit with it soon!

here are some of the goals I have with this long-term/never-ending project. hopefully I can tick a few of them off and feel like I did stuff and grew as an artist!!! :D

actually make/draw things! at least a good number of sketches, hopefully some polished pieces too!

find a good balance between using references and using my imagination. I dont want to just totally redraw these screenshots and draw super realistically, I want to try to stylize stuff a bit!

be able to capture these artists' likenesses even when stylized

learn how to combine digital and traditional art! I think it'd be super fun and cool to try doing the sketches and inks traditionally, and then go on CSP to put color in. so maybe I can also take baby steps towards learning how to use my tablet better?

actually learn how to use CSP 😂

get some practice drawing people! poses, proportions, anatomy... could not get into it when I tried just drawing poses and doing studies, so maybe doing fan art will be the perfect way to trick myself into this kind of practice!

have fun and loosen up and get a little silly and not worry about being perfect (the no. 1 goal, tbh.) seriously, I already have a few ideas for goofy/memey drawings that I really want to do, and I want to actually do them w/o talking myself out of it or feeling like it's too dumb to share.

be able to show my appreciation for these artists i adore. they might not even see my art but I still want to put it out there in return for everything they've given me. <3

lol okay I could keep rambling forever but I wanna go to bed so that's all for now! tomorrow I might dip my toes in and start doing some Sub Urban sketches...... (also, stream his debut album HIVE, it's awesome. highly recommend.)

[letswritesomenovels]

My Revision Plan

I’ve been posting a lot about finishing a first draft of something new. So I thought it might be helpful if I also included my plans about what to do next. 

Step One: Preserve the Draft

I work in Scrivener, so my first step is to compile, save, and preserve my draft. For me, this means I’m:

Capturing a snapshot of the current version of my chapters in Scrivener, so I can keep editing the main ‘manuscript’ files without losing access to the current version.

Exporting and saving the entire manuscript as “[TITLE] - First Draft - July 2020″ so that as I finish further revisions, I’ll always know which version this one is. 

Emailing the draft to myself, saving it in iCloud, and printing it. Whatever it takes to ensure its safe keeping. This way, no matter what happens--if my computer falls into a pool and is destroyed--my entire first draft of this book will be safe somewhere. 

This way, I can revise and edit and generally make a mess of things again without having to worry that anything I do going forward is going to affect the contents or completeness of my first draft. 

Step Two: Second Sketches 

I don’t want to dive into the editing process just yet, so before doing a serious re-read or re-plotting my entire book, I’m going to set about re-sketching my settings and characters. 

In my first drafts, I treated my settings and characters as flexible. When I realized something about them wasn’t working, I changed that thing and kept going. Events changed locations, buildings changed distance from one another, Three of my characters had abrupt job changes in chapter ten, when I realized I could remove an extraneous plot and weave their storylines into a more central plot by doing so. Somewhere immediately after I tell the reader my protagonist has glasses, I forgot to ever mention them again. 

This means my initial character and setting sketches are all--well, not useless, but not quite useful anymore either. Now that I’ve figured out where and what things and people need to be in order to make the story work, I’m writing down new “character/setting rules” to guide me through my first revision. I want to make them consistent. 

For settings, this means I’m going to go through and decide on:

A “map” of the locations of the story and figure out exactly where things are in relation to one another

The layouts of individual settings 

What specific places look, smell, and sound like 

The “rules” of the world 

For characters, this means I’m going to go through and decide on their:

physical characteristics

personality and backstory

relationships both with other characters and the world around them

character arcs: their wants, their fears, their internal conflicts, and how they’re supposed to be growing and changing throughout the novel

And if I decide my protagonist does wear glasses, I’m going to make sure she’s wearing them throughout the entire story. 

Step Three: Read

Writing Advice

In the next few weeks, I’m going to read and reread books and blogs on writing. I am going to soak it all up. I’m going to learn or remind myself about what makes a story good. Refine my knowledge of writing craft. These are the ideas that are going to help me make my revised draft better than my first one.

Fun books!

I’m also going to read for fun, especially the books I was avoiding because they were in a similar genre/category to the one I was drafting. I want to know how good the “competition” is, and also see those “writing rules” I’ve been reading about in writing advice books/blogs in action. 

The First Draft

Finally, I’m going to crack open my own book. 

This is the hardest part of a revision: critically reading what I’ve written so I can prepare to tear it to pieces and rebuild it. 

Oof.

For this, I recommend changing the font, either printing it out or putting it on an e-reader, settling down in your favorite spot to read, and reading it in one go. I’m probably going to print mine out and put it in a binder. This will help me see it with the eye of a reader/editor instead of an author, and hopefully help me put some emotional distance between me and the work I’ve done. 

I’m going to keep a notebook nearby and take notes about things that are working, things that aren’t working, ideas for changes, and other stray observations (like words I’m using too often, or where I’m repeating myself, or abandoned plot points, etc.). 

Step Four: Re-Outline

This step itself has many steps.

Step One: Identify the core idea of the story. In clear terms, write out in one or two sentences what this story is about, English-major style. ie. “This story is about a girl finding the courage to pursue the life she wants, not the one her parents have planned for her. Her struggles are reflected back on her when she encounters the ghost of a princess who cares so much what history thinks of her, she’s letting its opinion turn her into a literal monster.” 

Step Two: Outline the events in the story as it currently exists. 

Step Three: Evaluate how well it conveys the core idea, and how the current structure works. Identify:

the purpose of various scenes (ie. inciting incident) 

Extraneous scenes/plots/characters

Plot points that should be in the story but are missing

Key moments of character arcs

Events that support the core idea

Events that either don’t support or work in opposition to the core idea

Step Four: Rebuild the outline so that the story has a strong structure that supports the core idea. 

Step Five: Share

I know I’m going to struggle with figuring out exactly how to rebuild my story, so I’m going to share both my first draft and my unfinished plan with my writing friends. I’m going to ask them for their ideas and advice. With their feedback, I’m going to solidify my plan for my new outline, hopefully a bit more confident that it’s the right one. 

I know not all people have a group of writing buddies they can easily do this with. If you don’t have a critique group, don’t sweat it. It helps and it’s worth an attempt to try to find one, but it’s not a vital step.

Step Six: Revise 

Finally, I’m going to go through my work chapter by chapter: editing scenes, trashing scenes, and writing new scenes entirely from scratch until I have a manuscript that’s hopefully much better than the first.

If I revise this book like I did my last one, I’ll probably polish the chapters as I move through them, so that when i’m done, some chapters will be on their twelfth drafts, some will be on their second, but overall it’ll be the best version of the story I’m currently able to write. 

--

It’s a lot, and it seems like a very daunting process from my current standpoint, but finishing the first draft seemed daunting too, just a few weeks ago, and I got through that process. With time and effort, I’ll get through this one too. 

[writingforfunsies]

The Demon Brothers: Creative Outlets Headcanons

they are all immortals and when you've lived longer than you can remember, you're bound to find a creative outlet to destress, alleviate boredom, or you know, to just have fun!

Lucifer

He’s a busy demon. If he’s not working, he's sleeping, or cleaning up one of his brother’s messes, so he doesn't have that much time to just relax and explore his creative sides. 

That said though, it doesn’t mean he has no hobbies at all.

He plays the piano. He used to play it every morning, back when he’s still in the Celestial Realm, when he’d taught Lilith how to play the piano every morning and she’d sat besides him as his fingers moved across the keys slower so she could copy him. 

Nowadays, playing the piano feels very nostalgic and bittersweet, but you’ll hear soft, bittersweet melodies drift from the music room once in a while.

He also composes his own music, but that's an even rarer occurrence. The last time he created a new music piece was centuries ago. 

(Ever since MC came to Devildom though, he's been itching to write music for them.)

Practices calligraphy for fun. He has a whole set of brushes and ink and lettering pens. His handwriting is already beautiful but his calligraphy is even more amazing.

Another thing he does is gardening. He's got a great eye for landscape architecture, he's the reason why the house's backyard is pretty. 

He plants decorative plants and likes to cross breed flowers so the House of Lamentation's backyard is full of pretty shrubs and unfamiliar flowers. 

He is usually joined by Beel as he is the other brother that finds gardening very relaxing.

Mammon

He definitely shows his creativity by coming up with the most absurdly brilliant, out-of-the-box, original schemes to make money.

Mammon can draw, like really good. His drawings are very realistic. He prefers to use traditional media: charcoal pencils, graphite sticks, blenders, erasers, drawing pens, brushes, and maybe some watercolors.

He usually does architecture sketches.

But if you check his drawers, you’ll find several sketchbooks of his brothers in different candid poses. MC alone has taken up three whole sketchbooks. Mammon makes sure MC doesn’t see those sketches though.

Crashes Asmo’s Art Day regularly, claiming that if Levi’s invited then the Great Mammon should be too. Asmo and Levi always complains but they let him stay anyway.

Mammon also has a natural talent on jewelry making and metalwork. He makes jewelry from buttons, beads, pearls, diamonds, and crystals. From small pendants to elaborate neckpieces, simple anklets to ornate hairpins. 

Mammon has made metal bookmarks for Satan because the book lover always misplaces his bookmarks or destroys them in fits of rage when he doesn't like a book's ending.

He sculpts wood. It takes him months to finish one small piece because he only does it when he's really, really bored, he prefers to make his much more profitable jewelry. 

He keeps all of his sculptures in his room, small and detailed pieces of wood engraving of Devildom native animals lining up on one of the shelves.

Leviathan

This is canon but he draws! He doesn't think he's very good at it, but he really enjoys it. 

Unlike Mammon who likes to draw with his charcoal pencils and drawing pens, Levi prefers to draw digitally. He still switch to traditional media now and then though.

Has a monthly scheduled “Art Day” where he and Asmo hang out together, Levi draws with his sketchbook or his drawing tablet and Asmo paints. They basically just gossip and hype each other’s art.

Dabbles in making short animations but feels like it’s just not something for him. He makes short comics though.

He wants to be able to make his own video game someday though. Maybe after he learns programming.

He makes the most detailed cosplay outfits for his own cosplays. He sews really good and patches his brothers clothes when they ask. Where do you think Asmo learns how to sew his own clothes from?

Really good at dancing and he really likes it too. He's a natural at it. From the most intricate traditional Devildom dances to freestyle dancing. He can make new moves on the spot and can copy any moves from one look.

He’s a shy baby though, you’ll rarely see him dance when he’s sober.

Except when he’s playing DDR (Demons Dance Revolution). Then, it’s like he’s the most confident demon in Devildom.

Satan

Satan writes poetry when inspiration strikes him. He has also written short stories but he always comes back to creating beautiful poems. He’s got a way with words.

Photography is something he has only recently taken interest in but he has a great eye for taking breathtaking shots. 

Has become the family’s go-to photographer.

“Satan, take a picture of me and Mammon!” “Satan, take our picture, quick!” “Satan, help me get a picture for my Devilgram!”

He’s the reason Asmo’s Devilgram pictures always look like they’re taken professionally in a photo studio or something.

Satan loves art, likes to stroll through museums and stare at paintings for hours, but has little talent in creating them. Even so, he still likes to paint even if he's not good at it. 

Sometimes he just wants to slap paint on a canvas and make a colorful mess. It's fun. 

He joins Art Day every other month.

Another thing he does is knitting! It relaxes him. It gives him something to focus at when he's angry (um, angrier than usual), just to give his hands something to do that doesn't involve breaking anything. The simple patterns he makes are easy enough that they don't frustrate him. 

Rarely ever finishes his knitting though, you'll just find this 5 meters long knitted fabric in one corner of his room with the ends coming undone because he calms himself down enough to stop knitting.

Asmodeus

Regularly designs, cut, and sew his own clothes. 

Has a lot of sketchbooks full of drawings of flowy dresses and stylish coats and many aesthetically pleasing shirts. 

He has started his own clothing line and sometimes collaborate with Majolish. 

But for the most part, he designs clothes for himself and himself only, he doesn't want anyone else to wear clothes as fabolous as his.

Nail art? Nail art. 

Asmo paints all of the brothers nails and sometimes he'll persuade one of them to let him do a complete manicure, with glitter polish and shiny studs and all. 

Yes, even Lucifer. You just never see the results because Lucifer wears his gloves almost all the time.

Asmo creates beautiful makeup art. He doesn't really like a lot of makeup on his own face though, so his brothers' faces are his canvases.

He also has a great eye for interior decorating and flower arranging. He restyles his room every month.

Not many people know it but he paints. And he's very good at it. He has done a painting of each brother, the paintings can be seen on the walls of the House of Lamentation's hallways. 

Art Day with Levi (and sometimes Satan or Belphie) is spent with him in front of canvases, chatting with his brothers, paint splatters on his hands. It's the only day that he doesn't mind looking a little messy.

Beelzebub

He cooks, of course!  And bakes too!

It's one of the times he’s willing to wait to eat because cooking the ingredients first rather than just straight up eating them will make the foods taste better. 

Half of the food in the kitchen are his creations. Anything he can make on his own from scratch, he will; jams, ice cream, sauces, juices, bread, chips, etc. 

Likes to experiment and always do something different than the original recipes. 

He garnishes his cooking like it’s something you order from a five star restaurant.

Beel is another demon who has a green thumb. He likes taking care of plants and doesn't mind getting a bit dirty doing it so gardening is another hobby of his. 

If Lucifer plants ornamental plants, Beel grows useful plants like herbs and vegetables and small fruits. He's also good at topiary.

Always has an idea for a DIY project. 

His creations is scattered all over the House of Lamentation. Belphie's drawer divider is made out of yogurt cups. Broken drawer knobs recycled into Asmo's jewelry organizer. The coat rack. The bathroom towel holder. 

Even Lucifer's hanging Demonus rack is handmade by Beel when he's bored one weekend, with Mammon's help for the engraving decorations along the sides of the rack. Beel's got a bit of Bob the Builder in him.

He is very good at singing. His voice is clear and he has a broad vocal range. Has been caught unconsciously humming in class many times.

Has definitely sang Belphie to sleep.

Belphegor

Does his pranks counts as a creative outlet though?😂 Between him and Satan, Belphie's ideas are the most creative and out of the box, resulting on some of the best pranks they did.

Belphie does origami. It's relaxing, easy enough to learn, and doesn't take much effort and energy to do it. 

Has stacks of origami papers in his room: standard origami paper, foil paper, traditional Washi ones, the leather-like Momigami paper, all kinds of paper. 

He especially loves to make little origami stars and keeps them in glass jars in his room.

Belphie also has adult coloring books. 

And kids coloring books.

Coloring is relaxing to him. It's very calming to just lay down and fills a page with pretty colors for a while. It's not a tiring way to destress, he can color without moving from his bed, and it feels satisfying when he finishes a whole page. 

He sometimes joins Art Day if he's not too lazy to move. Still prefers to color alone where it's quiet though.

He also journals. It's another thing he can do that is inexpensive and not energy consuming. He writes about anything that comes to his mind, his thoughts, his ideas, memories. 

Definitely keeps a dream journal.

Also I headcanon that as the Avatar of Sloth, sleep and dreams are some of the things he can manipulate. He enjoys creating dreams; the worldbuilding, the story, the details. He can be really creative when it comes to making them, spinning the most vivid and imaginative dreams. 

They’re not necessarily good dreams though. After all, he is still a demon, his dreams will most likely mess up your mind than make you smile in your sleep.

[sergeant-donny-donowitz]

The First Basterd: DonnyxFem!Reader

requested by @marlenemarauders

A/N *Reader is Polish & Jewish, but you don't have to be either to read it :D

@owba-chan @war-obsessed @inglourious-imagines @tammykelly @struggling-bee @frozenhuntress67 @kwyloz @sodapop182 @marlenemarauders @what-the--curtains @taikawho @spookybearlandtaco Let me know if you wanna be added to the IB or OUATIH taglists! :) _________________________________________ ***November, 1943***

You huffed as you walked through the dense forest. A puff of cool air forming a cloud before your lips as you marched through the winter. Your sniper was slung over your shoulders. You gave the bright grey sky a rare glance with a sigh, before returning to the constant scan of forest floor. You were once a lone sniper, far from home. You had been, since 1939. Lone sniper or not, you quickly learned that in order to survive in war, you had to make a few allies. By late 1942, you had more than a few. Things would change then, though you hadn't anticipated that just yet. By late 1942, you had made a name for yourself. Now, none of your enemies quite knew your name. All they could call you was the Basterd. A composite sketch of you from descriptions from nazis who'd barely survived your gaze was sent halfway around Europe and back. By late 1942, every nazi west of the Vistula River knew your face, and knew you as the Basterd. By 1943, they'd learn you were only the first basterd. 

Back in November of 1942, just before the basterds left England to jump over France, they were informed at the last minute that a special agent working undercover in France would be guiding them when they landed. They were expecting an older, more experienced, serious, mysterious agent. Probably a British spy, or a rogue Soviet. The kind of thing they saw in old movies. They got you, instead. And they loved you... Maybe a little too much, you'd say. It had been a year since then, and you loved them all to pieces, honestly. But, you were a little more than a little annoyed by now. Each and every basterd loved you in his own way...and consequently, became overprotective. Every time you had to risk showing your face to nazis, Aldo hung around dangerously closely, which only made it all riskier. Smitty tried to convince you to only use your sniper, and never even get close enough to have your face seen at all. Omar called him all sorts of names over that, but then acted even more ridiculously by making a Robin-esque kind of mask for you. Hirschberg ceaselessly and shamelessly flirted with you, and stole your kills, insisting you shouldn't waste your time. Wicki was a little more...mature about it. He was still overprotective, but quiet about it. None was more head over heels than Donny. You liked to hang around with him a little more because he made you feel less like a liability, and more like a basterd. Still, it took every ounce of patience and strength to not remind them every waking moment of your life that you were once the Basterd. Until today. Donny took a bullet for you. Well...it was meant for you, but it was a whole meter away from you. The bullet grazed Donny's shoulder, but it could have been so much worse. When the scalping and interrogating was over, you were fuming as you paced back and forth, gathering all the supplies you needed to take care of Donny. "The basterds need you, Y/n. I need you." He knew exactly what you were thinking, and it scared him. What scared you more was that this was not the first time one of the basterds had done something stupid like that. And, you weren't so sure it would be the last. You were tired of it, and you were tired of thinking that if some day, something happened to them, it would be because of you. "Not now, Donny." You shook your head, and clenched your jaw, knowing that if you didn't, you would raise your voice and all hell. "What?" "Not like this," You were exasperated, shaking your head, "Not now. Not in the middle of a fucking war." You were livid. You and Donny had joked about it before. As time went on, you had to actually talk about it.  It kept you both up till two am. It got you both through gunfire, through rain, through sleepless nights. But you'd both come to the same conclusion. This was war. This was no place for love. "Fuck a duck," Donny reached for your hand, but you pulled away as he called out, "I couldn't fucking let them hurt you! Y-" "I was a whole meter away from the bullet! I am not a child in need of protecting." You did your best at cleaning the wound, focusing directly on the blood. If you looked at him, at that smirk you knew he had, you would probably punch him. "When you Americans were still arguing about joining the war, I was already out here, alone, with a stolen gun, running out of bullets, far from home, and far from any allies. I've seen it all, done it all. I've survived." You muttered, "I don't know what more you expect from me." You finally looked at him, with a reproachful glance that stung him,  "I don't know why you expect so little when I'm one of you!" He stammered for a moment, not able to find any justification for it. "It's not that we expect little from you, it's just that....we....I mean..." Donny wasn't the kind of person that stuttered, stammered, and stalled. Whatever he had to say to you, he was having a hard time putting into words, and you were not happy about it. You gave up, uncrossed your arms with an exasperated sigh, and turned away.  "For fuck's sake." "It's just that..." You stormed out of the tent to grab some more bandages, and he followed you. "What? That I'm a girl? I should be sitting behind a typewriter on a fucking base? I should just stick to being a nurse? Let me re-fucking-mind you that I was not trained to be a nurse, I learned all of this out here on my own, years before you even fucking enlisted." All the basterds were sitting around, and could hear it all too clearly. It didn't matter to you, and it didn't embarrass you as much as it would have any other day. They could hear anyway, and...you wanted them to hear. You wanted all of them to quit it. Omar munched on a sandwich and remarked with a shrug, "...She has a point," not yet realizing how serious you were. "Omar!" Smitty put up his hands in exasperation, shaking his head. Aldo muttered, as he opened his tin of snuff, "Just keep your fucken mouth shut."

"Unbelievable. After a whole fucking year..." you muttered, rifling through the supplies for at least one clean, spare bandage. Wicki turned to the others, whispering "So she's mad-mad..." "What else is new?" Hirschberg chuckled, and all the basterds glared at him, not wanting to collectively face your vengeance. Because, as much as they acted like big bad basterds around you and the rest of the world, they were just a tiny bit scared of you. And rightfully so. You shook your head, "I have a higher body count than all of you combined." That alone would have struck fear in anyone's heart. You finally wrapped a bandage around Donny's wound tightly. "Ow! Fuck, Y/n!" "When will you stop acting like I need saving?!" You put your hands at your hips, finally looking at them all, effectively terrifying them. The only thing more terrifying at the moment would be to lose you. "I'm sick and tired of this ridiculous shit. If this is as far as we can get without one of you biting a fucking bullet 'for me', then maybe I should quit." You were dead serious.

You turned your back on them, walking east, which terrified them even more, as they all jumped to their feet, and rushed toward you. "Where are you going?" Wicki asked, completely concerned. Honestly, that was his thing. Being a bit older than all the basterds, he was usually genuinely concerned for all of you. But...mostly you. "You were all ordered to be on this team. I chose it. Now I'm choosing to go to Frankfurt. If you want to come, be my guest. But don't ever do anything stupid, like that again" You gestured to Donny, and he only grinned, wanting desparately to believe that you were bluffing. But, even he knew better than that. "What the hell's in Frankfurt?" Aldo asked, packing up his few belongings, quickly followed by the others. You turned back to look at them, beginning to grin a little. "You ever hear of a man by the name of Hugo Stiglitz?" There was a resounding no. You sighed, "If you want to know, then walk and talk," you shrugged, slinging your sniper over your shoulder, as you walked east. The basterds trotted by, as you revealed a particularly interesting anecdote. _____________ It was 1939. Sirens had been blaring so long and so often, when they stopped, everything sounded as if you were underwater. There was nothing and no one left in Krakow that you could recognize. There were nazis in the streets. There was glass on the ground. People were missing. You had only one chance to escape. It was on the shore of the Vistula river, under the cover of the dark night sky, and the shroud of a thundering storm that you took that chance. You killed a nazi. You took his sniper, and you took off, hoping to make it to Denmark, which was still free at the time. Then, you were sure you'd find a way to help. You'd been running for days on end. When you finally had a moment to breathe, you were in a land you did not know. You didn't even know what day it was. It had felt as though years had gone by. But when you looked around in the dimly lit streets of a strange and small town, your hands shook, your heart stopped, and you watched as your world collapsed. You were in the middle of Germany, nowhere near Denmark. You were only beginning to panic... You had nowhere to go. You had no way to hide a sniper. You felt a thousand eyes falling on you accusingly. You had just caught the eye of a man in a gestapo uniform. He walked over to you, and people turned away. He had been alerted about a "suspicious figure." When he spotted you, he  walked down the street, not raising any alarms or orders. He walked by you, ushering you to a side street, then to a quiet, isolated alley. He saw how terrified you were, and quickly began explaining he knew a place where you could hide. You looked at him, with wide eyes, and hardly breathing. You saw blood on his knife. (And years later, you'd learn he'd just killed one of his officers, minutes before finding you.) He smiled kindly, thinking for a moment, finding the string of Polish words he'd learned not too long ago. "Nazywam się Hugo Stiglitz." 'My name is Hugo Stiglitz.' You didn't know if you could trust him, but when you saw his eyes, you knew you had no choice. When you realized he was putting himself on the line for you, you spoke to him in whatever German you could piece together, "Ich kann von hier aus gehen. Ich kann es schaffen. Geh, bevor du erwischt wirst." You looked so frightened, he could hardly believe what you'd just said, "I can go from here. I can make it. Go, before you get caught."

Hugo simply shook his head, with an assuring smile. "Frag mich nicht Dinge, die ich nicht tun kann." "Don't ask me things I cannot do."

Hugo hid you in the home of a friend, and then another, and another. There was a chain of them. Some of them were hiding neighboring families, some were hiding childhood friends. Some were hiding complete strangers, like you. Hugo visited you every day, wherever you were hidden. He couldn't help you get to Denmark, but, France was an option. He warned you that part of, if not all of France would probably be invaded in a matter of time, and urged you to find a way out. Anywhere. As far as you could. You promised him you'd stay safe, and stay in France, but...he wouldn't find out, would he? He sighed as he escorted you himself to France, knowing you'd be safe there. But, something told him you wouldn't do as he'd advised you to do. No, you had that restless fire in your eyes that belonged to the rebels and the righteous. He smiled, knowing wherever you went after that moment was out of his hands. But fighters like you were never out of his mind. Only months later, he saw the sketch of your face, and he sighed. He wasn't surprised, but he wished you the best. _____________ Four years later, you studied the bloodied papers and 'wanted' picture in your hands. It was a warrant for Hugo's arrest. He was on the run, believed to be somewhere in France. He was to be brought in alive. You only hoped he hadn't been found yet. But if he had, you were going to do something about it. It was only fair, you smirked. Donny found your smirk incredibly cute, though he was undoubtedly a little jealous seeing you get so worked up about some guy. Some guy that wasn't him. He went along with it, trying to stay out of your way. He'd annoyed you before, but this time you were not budging. Every one of the basterds followed you without question. You broke them in and out of a high security prison all the way in Frankfurt. Aldo had his usual spiel ready, of course, being a slave to appearances and all.  Now, he had you to thank for this new recruit. Hugo nodded briefly at Aldo. But, a faint flicker of his old smile graced that grim cell when he realized just who had led the basterds to him. When Hugo was free from his cell, you hugged him. He couldn't remember the last time someone had hugged him. Donny wasn't too thrilled, but you'd both laugh about it some years later in a diner, back in Boston, far from the war and all the ruins it left. It'd be a long time till then. And you were still upset at the boys. If leading them directly into Germany, and in and out of a high security prison, without loosing a single basterd wasn't impressive enough, you didn't know what was. Needless to say, it only took a few hours to find out. You walked at the end of the group, in case any nazis were still on your trail. You were, after all the best marskman they had. Hugo was just ahead of you, but barely. He was tired, more tense then when you had last seen him, which seemed utterly impossible. You spoke in broken German. Wicki was way ahead, he wouldn't hear. "Du bist verletzt." "You're hurt." When Donny heard your voice, he slowed down a little. You smirked, already knowing that basterd was jealous as hell. Still, he muttered something to himself about not knowing anything other than English, and some Italian. Hugo nodded, simply, acknowledging that though you'd known him briefly, you were the only living person who knew him at all. He said one simple word in your language, "Tak." 'Yes.' knowing there was no use in denying it. "If someone comes up behind us, leave me behind." You smiled and shook your head, "Don't ask me things I cannot do." He sighed, remembering that, but still shook his head, "You made it this far without me, why-" "Without you? That's a laugh." It was then that you noticed Hirschberg making a mistake you had made back in 1941. "HIRSCHBERG GET AWAY FROM THERE!" He was on thin ice. Literal, thin ice. Listening to the roaring bellow of the frozen lake. "HIRSCHBERG!" He was listening to everything but you. "GEROLD." He turned to you with wide eyes, knowing to be fucking terrfiied if you ever called him by his first name. "FOR FUCK'S SAKE, GET OUT OF THERE!" Just as he started to get up, the ice beneath his feet began to crack. Donny, through the throbbing, searing pain in his arm, instinctively flung forward, running, and reaching for Hirschberg. "DONNY DON'T!" He slipped away from your grasp, dropping his bat on the ground as he lunged to save his brother in arms. The ice, already fragile and shattered, could offer Donny less time than it had Hirschberg. Now both of them were flailing in the freezing water, in shock from the slicing and searing cold. "NOBODY FUCKING MOVE." You warned, thinking quickly, knowing all of the basterds were liable to follow without thinking. "BUT-" You turned to Smitty. You'd apologize later, but...there was no time to be sorry now. "SHUT IT." "Y/N." "SHUT IT." You turned to Hirschberg and Donny, calling out, "RELAX. FLOAT HORIZONTALLY, BELLY DOWN! BELLY DOWN, HIRSCHBERG!" Though you were shouting, your words seemed soft, and cut through the panic and adrenaline. They slowed down, and did as you told them to do, as you picked up Donny's bat, tying your jacket onto it, praying the knot would hold. You wandered to the edge of the frozen lake, holding on to the sleeve, and sliding the bat out to the boys, "GRAB ON." Donny made Hirschberg go first. "D-donny, I-I c-can't. I-" His teeth were chattering, as he shook his head, along with everything else. Donny stammered, "Th-that's a f-fucken o-order. Go." Your eyes widened, as you felt the ice beneath you pop. "Y/n, no-" Aldo stepped forward now, but you pushed him away. "It won't hold both of us." You looked back, as Hirschberg shakily grabbed on to the end of the bat. "Stay down, I'll pull you back here!" You slowly and steadily pulled Hirschberg. You would've loved to do it quickly, to save Donny. But, that would only make the ice even more unstable. You couldn't bring yourself to look at Donny yet. You could hear him stammering and chattering, trying to encourage Hirschberg through, with some colorful language here and there to keep himself awake. After what felt like an eternity, you finally looked at Donny. His face was blue, his nose was bright red. "DONNY COME ON!" He wrapped his stiff, blue fingers around his bat, as you pulled him over the edge, and close to the shore. The basterds gave up their coats and sweaters for them, and you looked around. You knew this part of the forest. No one would come near it. Not in this winter. Aldo knew that look in your eye. You'd been a basterd longer than they had. You knew what you were doing, and where you were going.  He understood that look meant you were safe. He nodded, agreeing silently with you. "This here's a p'rty good place to stop, boys." Far from the eyes of murderers, hidden from gunfire and planes, you built a fire, and found a place to set up camp. When the sun set, only Donny remained by the fire. Hirschberg, and the rest of the basterds had gone to sleep. Even Hugo with fresh wounds, fears, and insomnia, was able to slip into a dream or two. "Hirschberg's doing ok. " You sat by Donny, smiling softly as you handed him some makeshift soup that Smitty was made. (There was a 50% chance it was edible, and 50% chance the OSS could use it as a torture device. But that's a story for another day.) "Y/n..." The way he looked at you was different. In fact, it was almost the way the rest of the basterds looked at you for the past few hours. There was a form of awe...An unspoken shield of respect. The only difference in the way Donny looked at you, was that there was a shade of love entwined there. "See, and I didn't have to get shot to save you," you chuckled, playfully leaning your head on his shoulder. He slowly lifted his arm, resting his hand on your head. "Where would I be without you..." He was serious, and spoke softly, which was not something you could say happened often. "Probably with a gangrenous arm," you shrugged, and he smiled a little. You looked into his eyes for a moment, and he looked into yours, and he kissed you. "What took you?" He raised his eyebrow, almost offended, as he raised his voice a little, "What took me?! What took you?!" You both laughed about it, your head resting once again on his shoulders, and his head resting over yours as you watched the dancing stars and the rising trees, as snow began to fall softly. There was a long road ahead to occupied France. And longer still was the road to the end of the war. But, in that moment, that was ok. You'd make it out together. All of you. Once, you'd taken pride in being  the one and only basterd. You'd been proud of being the only one who's face could bring the enemy to their knees, and make them beg for mercy. But things changed in 1942. It took some getting used to, but you knew all along it was the only way for any of you to make it out. Together. You were reminded of that when you saw Hugo's face on that warrant. But here, in Donny's arms, it was clearer now more than ever. The only way out of the war, was just like that.

[agarthanguide]

How I Did the Mosaic Effect

You asked for it, so here it is- a shoddily composed but nonetheless candid and hopefully useful tutorial on the Mosaic Effect I used in the Mollymauk portrait.  Those of a stout and courageous spirit, read on.

Start with a sketch.  I was heavily referencing the Byzantine mosaics found in Ravenna and Istanbul, so my sketch is boxy and simple.  The detail and structure comes from the shape of the tesserae, so there’s no need to put in a lot of fine lines in the sketch. In fact, you probably won’t be able to replicate really small details.

Next lay in the gold textures where you want guilding to be.  I used multiple layers of gold textures, piecing things by where I wanted the visual interest.  Blend the edges by erasing with a soft brush, but don’t make anything too smooth.  Sparkle comes from the difference between dark and light. You can see I placed the highest texture in the halo and in his chest, and darkened the sides by his arms a lot.  NOTE- I eventually found this color gold to be too warm, and cooled it down significantly.

Time to paint!  Try really hard to block things in without lines.  If you do draw lines, make them bold enough that they can serve as a line of tesserae in the finished piece.  Use motifs that echo the style you are going for, and the end texture will do the rest.

For example, I cribbed the diagonal square pattern on Molly’s coat from a famous mosaic in the Hagia Sophia. Also make note of the shifting line patterns of the gold tiles, which create a circular shape in Alexandros’ halo, while building mostly on geometric patterns in the background.  That’ll come up later.

Apply a stone texture to the painted section. Once again, it doesn’t have to be perfect or absolutely convincing, it just has to break up the brush marks that inevitably make up the underpainting. I went with a marbled look, but you can go in any direction you like.  Most Byzantine mosaics have satin polished stones making up the tesserae, so I wanted a smoother look.

Okay here is the magic part- Place a stone or plaster texture over the whole piece.  I used a photo of a plaster wall from textures.com, but I’m fairly confident anything will work.

Now darken the plaster texture to a midtone, something that matches very few areas of your underpainting, in terms of darkness levels.

Put the following layer style setting on your plaster texture layer.  There’s a purpose here- you are making a very tiny shadow around every tesserae you draw.  It makes a huge difference on areas of the finished painting where the tesserae colors are similar to the background color.  Lemme give you an example-

This is Molly’s hair without the Inner Glow styling.  See how you can hardly see the individual tiles on the lighter sections?

Here’s the same section WITH the layer styling.  Big difference.

Now- apply a layer mask to your plaster texture.  Set your texture to a lower opacity- say 70%. Get yourself a slightly geometric brush with hard edges.  Choose the color absolute black and choose your layer mask to paint on.  Set your brush to 100% opacity. Are you ready?

BEGIN TO PAINT OUT THE TESSERAE. This takes practice. You’ll probably have to go back and forth between making the texture layer 30% opaque and 70% opaque.  The goal is to be able to track the shapes you are making while still being able to see the underpainting.

This part takes a while to get the hang of and even after you’ve mastered it, it takes forever.  Keep turning your background to 100% opacity to check how it’s going.

My advice is to start with the outlines of everything.  I know I finished the face first, but by the time I was patching up the other interiors I had learned so much that I basically had to do mass parts of the face over again in their entirety.

At some point I decided that Molly’s skin wasn’t purple enough- color choice is one of my weaknesses, so I had sampled colors off of actual Byzantine mosaics.  They don’t really include violet as a tone at all, so I eventually had to make the decision to abandon historical accuracy in pursuit of lavender.

Okay so that’s the interior finished!

For the external background, I made a brush.  Well, I took a hard square brush and took away all size jitters and transfers.  Then, after a few lines, I added a 1% angle jitter so that it wouldn’t look Too Perfect.  Actual Byzantine mosaics have very regularly irregular backgrounds.  They try to make as much of it out of square stones as possible, but then they keep the matching ones all in one little patch and then just sort of bang that patch into other patches.  So, in an effort to imitate that, you can see my hastily-developed system. I picked a size and plotted out a small area in that size.  Then I built lots of other small areas of various sizes until they started to collide. I left the imperfect spaces alone, for a minute....

Then I went back and filled them with my hard brush, by hand.  This was an absolute necessity in curved areas, like the edge of the halo, but also looked really slick where tiles didn’t line up quite right.  It gave it that imperfect, handmade look.

Okay DAMN ALMOST DONE!  I made the damaged bits by taking a cloud brush, setting it to pure white, and going to town on the layer mask. When you feel good about the shapes, take a hard brush and bust up the edges to that it mostly takes out whole tiles instead of just... ghosting them to death.

NOTE-  I almost gave myself a heart attack because I forgot to duplicate the texture layer first and ended up having to recover the original finished pic from some Well of Lost Souls in the back of my computer.  So learn from that and do elegant damage AFTER DUPLICATING YOUR TEXTURE LAYER.

OKAY THAT’S IT!  Go into the world with this knowledge and make me a bunch of mosaic effect drawings.  It was tedious but fun, right???

[professorsnape394]

The Potions Master’s Apprentice

Chapter Nine: Letters, Lovers and Loyalties

A/N: This is the ninth part to my fanfiction ‘The Potions Master’s Apprentice (Severus Snape x OC)’. Chapters 1-16 can be found already uploaded on Wattpad under the same name. Feel free to leave requests in my inbox for anything Snape related you want me to write. Leave a comment below if you wish to be added to my tag list.

Pairing: Severus Snape x OC (Dumbledore’s Granddaughter)

Summary: A talented young witch is employed as an apprentice professor at Hogwarts, but who will she be working under? Severus Snape is not best pleased with his new responsibility of taking on an apprentice, however she is relentless to create a friendship between them. Will she be successful? Or might the friendship just go a little two far? With the eyes of her grandfather constantly watching over them, an attempt at a relationship might not be in the cards for Aria Dumbledore and Severus Snape.

Word Count: 2185

Warnings: n/a

Credits to Gif Creator

Yet another letter dropped into the lap of Aria Dumbledore as she sat absentmindedly sketching. Dropping her quill back into the small pot of ink which balanced on the arm of her chair, a small sigh escaped her lips. She had been expecting another to arrive any day now.

Aria allowed herself a small glance in the direction of her desk where the ever growing pile of unopened letter sat gathering dust. Disregarding her drawing, Aria traveled to her desk, fingers fumbling with the edge of the envelope. Admittedly, Aria's mind had been focused on that small pile of letters the past few days, and consequently the man who sent them. She couldn't bring herself to reply to his constant inquiries, but she had considered there was no harm in opening a few of them. She longed to hear from him, though she had been in denial for so long now she wasn't sure what to expect from his most recent letters.

Waiting no longer she ripped the paper from its wax seal, her eyes quickly scanning every word on the page.

My dear Aria, Though I know you say you cannot reply to my letters, I write them all with the hope that you will find the time in your busy schedule to at least read them. As always things are quiet here without you. Too quiet. I miss your voice. I miss hearing you sing to yourself in the shower thinking no one can hear you, I miss hearing you hum as you wander aimlessly through the house, I miss watching you draw as I pose for you, but most importantly I miss holding you in my arms. I long for the end of the school year when we will be reunited and I will have nothing to miss except maybe writing these letters. I long for a response to my letters, my darling. I simply must know that you miss me as I miss you. In the mean time I will continue to write to you to keep myself distracted from everything terrible happening in the world, by simply thinking of you. All my love, S.

Aria couldn't help but feel a great pang of guilt in the pit of her stomach for ignoring the letters, but she couldn't bare the thought of reading them, while she was still coming to terms with how she felt when she decided to leave for Hogwarts. She knew immediately she would not be able to maintain a long distance relationship with him. Though he was the first man she had ever loved she had been too cowardly to confess her feelings for him in person, let alone on a piece of parchment. She knew she was a pathetic coward from the moment he told her he loved her and she could not find it in her to return the favour. Her cowardice was more than proven the day she left for Hogwarts. Aria had planned to break up with him, to avoid further heartbreak down the line. But she could not even find the courage to do that.

Instead she was living in denial. In her mind they had broken up, and refused to face up to whatever she was truly feeling until it was absolutely necessary. Her plan had been to distract herself as much as possible, suppress her feelings and just forget about the situation completely. And to be totally honest her plan had been working for her, with the exception of a few off days such as today. However when it came time to wake up and face the music she had no idea what her plan would be then.

Leaving the letter open on her desk she took a stroll around the grounds of Hogwarts to clear her mind. The time to figure out all of her problems was not now. She was still a young, carefree woman and she didn't want the burden of guilt stopping her from living her life however she so wished.

Arias walk led her to the village of Hogsmeade, and after working up a light sweat, the young professor opted to pop into the Three Broomsticks to quench her thirst.

Unsurprisingly for a late Tuesday evening the place was barren. Besides for a drunken wizard practically falling off his bar stood, a crazy witch whispering to herself and two well dressed men, sitting out of place in a side booth, the place was completely deserted. Planning to only stay for a pumpkin juice Aria took a seat at the bar and begun chatting to the same barmaid who had served her and Severus all those weeks ago.

"Busy night?" Aria joked, rolling her eyes at the drunk to her right.

The woman laughed in return, handing over a glass of pumpkin juice. "This is pretty much the standard, at this time." She shrugged, polishing off a perfectly clean glass, to keep herself busy. "That one over there doesn't even order anything, but its not worth the hassle kicking her out." She gestured to the old hag in the corner, her perfectly polished nails glistening in the dim bar light.

"I wish I could say I felt sorry for you, but a break away from the chaos that is Hogwarts is a slight relief." Aria sighed. She was still not used to being around so many people all the time having spent the past few years alone, besides her mother, she often needed time alone to breathe.

"Oh, then you must be new. I've had my fair share of lonely professors spend an evening behind my bar, and I usually remember who's spilled their whole life story to me. Though you do look familiar, what do you teach?" She finished up with her glasses, leaning her elbows on the bar to get a closer look at the younger woman, her breasts practically falling out her blouse.

"I'm just an apprentice for now. I'm the new Potions Mistress." Aria smiled, taking a small sip of her drink.

"Oh yes, now I remember. You came here with that Severus. He's not unfamiliar with our whiskey selection, if you know what I mean." Both women rolled their eyes in unison. "He doesn't seem to talk much though, I can't say I know anything about him. I must admit I was surprised to see him with a gorgeous young witch like yourself."

"You weren't the only one." Aria scoffed, finishing off her pumpkin juice.

"Well it makes a little bit more sense now." She laughed, a set of pristine pearly teeth emerging from her red glossy lips.

It seemed Aria was not the only one who had been admiring the woman's beauty, and almost right on cue the drunk decided to look a little bit more lively, demanding another pint. Reluctantly the barmaid obliged, shooting Aria an apologetic look.

Aria couldn't help but notice the gruff looking man practically throw himself over the bar in order to get a good gawk at the barmaids behind. The slightly older woman seemed unfazed by the mans actions, in-fact Aria wasn't entirely unsure she wasn't enjoying the attention. Choosing not to interrupt as neither party seemed to object to the altercation, Aria kept her mouth shut.

That was until the man's attention turned to her. The barmaid disappeared from view, presumably to refill the barrel the drunk had practically drowned himself in. "Haven't seen you around here before." He started harmlessly, though Aria did not miss the way his eyes seemed to scan the whole of her body.

"Just moved into Hogwarts, haven't seen much of Hogsmeade." Aria admitted, but made the conscious decision to turn away from him, hoping not to engage in any further conversation.

"You a friend of Ros'" He asked, intrigued, while downing a good half of his pint.

"Not really, no." Aria shrugged. "I didn't even know her name until just now."

"Rosalind Rookwood." He edged his seat closer to Arias. "Fantastic barmaid, though I wouldn't say it was her best profession." He winked.

"I'm sure I don't know what you mean." Aria turned her nose up at the man, just praying he would leave her alone.

"Well, you know, bein' a barmaids fine an all, but it doesn't always pay the bills. Miss Rookwood's got her fair share of stories to tell, and not all of them her own." He laughed, the potent stench of his alcoholic breath suffocating Aria as he leaned in closer, wrapping a heavy arm around her shoulders. "If it turns out teaching isn't for you, just know you'll have a loyal customer in me." He hiccuped, his free arm, reaching down to stroke the woman's exposed thigh.

Instinctively Aria gripped onto his wrist, forcing it off of her. "What the hell do you think you are doing!?" Aria exclaimed, pushing the man away from her. "Don't you dare lay your hands on me again."

The drunk showed no sign of guilt or remorse, he simply chuckled to himself, revealing a shocking lack of teeth. Disgusted, Aria made to move but found herself cornered against the bar.

Fortunately the altercation had caused enough disruption to alert the two men having a casual evening drink. Instantly one rushed over to her aid, stupefying the old man. The second man followed suit and made it his business to remove the frozen figure from the bar.

"Are you alright?" The first man asked, his brow furrowing with worry.

"I'm fine, thank you for stepping in." Aria smiled, brushing herself down, as though she was riding herself from the drunks disgusting touch.

The man returned a boyish grin, his eyes bright blue and full of kindness. Aria had never seen anyone like him. His presence was almost cartoon like, with positivity radiating from him. Aria couldn't help but let out a nervous laugh, her smile growing just by looking at him. His energy was contagious.

"Is... is there anything I can do to thank you?" She tried your shake herself back to reality though remained entranced by him.

"Nothing at all. I'm just glad I was here to help." He extended a hand, almost nervously, introducing himself. "Alexander Turner, pleasure to meet you."

"You too." Aria blushed, unable to break eye contact with the man, and was now incredibly aware of how dumbfounded she must look. "I'm Aria" She stuttered, the sound of his friend retuning sending her back to reality. "I apologise for staring, but I just can't seem to take my eyes off you, you have an enchanting aura about you. I'm sorry if I may seem a little strange."

"There's no need to apologise, I get it all the time." He laughed, though not arrogantly, it was sweet and innocent. "My mother's a Veela." He added, almost embarrassedly, upon noticing the slightly look of confusion appearing on Arias face.

The couple shared an awkward smile, both at a loss for words.

Alexander's friend passed by the pair silently, slapping him encouragingly on the shoulder before disappearing behind the bar, Rosalind following closely behind.

Aria noted the difference in both attitude and appearance in the two men, finally able to distinguish between the two. The friend was tall and broad shouldered, his hair messy though not long. He gave off a sort of American football, "bro", fratbroy vibe. In other words kind of arrogant and full of himself. Clearly he saw himself as the one in control. Alexander on the other hand was more slim, but not skinny. Tall but not lanky. Innocent but not naive. His clothes appeared similar to his friends but presented more neatly and well put together. She assumed he felt sorry for his friend, knowing his Veela parentage would gain him lots of female attention, and in return Alexander simply allowed himself to get pushed around to boost his friends ego.

With a roll of his eyes Alexander practically confirmed her theory and Aria couldn't stop herself from laughing once more.

Knowing that while Rosalind and 'Braydon'; as he turned out to be, would not be returning any time soon, Aria and Alexander chose to occupy one of the booths and get to know a little bit about each other, where Alex truly confirmed all of Aria's suspicions.

Upon Braydon's return, he flashed his rather large biceps, kissing each one in turn as he flexed them, before letting out a hearty growl, presumably this was a display of male dominance among his kind. His kind being; douchebags.

With another roll of her eyes Aria bid farewell to the men, thanking Alexander once more for his heroic rescue.

"How about a date?" Alex called nervously as Aria had just about reached the door.

"I'm sorry?" She replies, caught off guard.

"A date, here, with me. What do you say?" Aria shook her head unable to look away from that damn charming smile of his.

"I'll agree to a few drinks." She clarified. "Just send me an owl, you know where I'll be." And with that she disappeared once more down the path to Hogwarts, the grey sky above all the while threatening to rain down on her.

Taglist: @ayamenimthiriel @lizlil​