#like i can promise you. its there. u just have to look

[aventurineswife]

hii there!! this is my first request ever— so sorry if its bad and u dont need to do if id you’re uncomfortable ofc :)) ive had to leave people whom i thought were good friends many times, or ive been abandoned by them and its happened again recently—

so may i ask that you write something with either aventurine or dan heng (u can pick one or both) seeing the reader in their room in the aftermath of having to leave another friend or group of friends? the scenario i have imagined is that the reader is also feeling alot worse than usual since they are starting to feel that they might be the problem. theyre crying about it in their room where the other hears them and comes to check the reader out of worry. the reader talks to them about it and the other comforts them and promises that they wont have to worry about having to leave or being abandoned by them.

so sorry if thats an odd, specific request 🥹🥹 i adore ur writing and i thought it would be cool to ask!! feel free to change anything as you see fit :)

“You Are Not the Storm”

Tags: Aventurine x Reader, Dan Heng x Reader, Hurt/Comfort, Emotional Support, Angst with a Happy Ending, Found Family, Reassurance, can be read as platonic or romantic.

Warnings: Mentions of loneliness and self-doubt, Emotional distress and crying, Themes of abandonment and self-blame.

A/N: I'm so sorry to hear that, anon 😕 i totally get where you're coming from, I had to leave a friend too because of personal reasons and this has happened to me throughout my life, so I totally understand you. I'll be your friend if you'd like. Hope you like this!

The room was quiet save for the muffled sound of sobs. The soft light of the moon filtered through the blinds, casting silvery streaks across the floor. You sat on the edge of your bed, head buried in your hands, your shoulders shaking. The hurt was raw, cutting deeper this time. The thought repeated in your mind like a cruel mantra: Maybe it’s me. Maybe I’m the problem.

A quiet knock came at the door. You barely registered it, lost in your spiral. Then the door opened gently, and a familiar voice called your name.

“Aren’t you going to sleep?” Aventurine’s voice was soft but carried an undercurrent of concern. His eyes were filled with worry. He leaned casually against the doorframe, trying not to overwhelm you with his presence. “You’ve been awfully quiet tonight. That’s unlike you.”

You sniffled, quickly wiping at your face. “I’m fine,” you lied, though your broken voice betrayed you.

Aventurine tilted his head, his hair catching the moonlight. “You don’t look fine, darling. And I don’t like hearing you cry.” He stepped into the room, crossing the space between you in a few strides before kneeling in front of you. He reached out, but his touch was tentative, giving you space.

You hesitated but eventually let the words spill out. “I had to leave again. Another friend, another group… It keeps happening. And I just… I don’t know what’s wrong with me. Why am I always the one who ends up alone?”

Your voice cracked, and tears welled up again. Aventurine reached out, this time cupping your hands in his gloved ones. His expression softened, his usual flamboyant charm replaced with a rare sincerity.

“Hey,” he said gently. “Listen to me. This—what you’re feeling—it’s not because you’re flawed. People come and go in life for a thousand reasons. Sometimes, it’s not about you at all. And sometimes… people just don’t see the brilliance that’s right in front of them.”

You shook your head, your doubts still gnawing at you. “But what if it is me? What if I’m too much? Or not enough?”

Aventurine gave a small, sad smile and squeezed your hands. “You’re enough. And anyone who makes you feel otherwise doesn’t deserve you in their life.” His eyes gleamed, his usual playful confidence creeping back in. “Besides, have you considered that maybe you’re just too fabulous for them to handle?”

Despite yourself, a faint chuckle escaped your lips, and Aventurine’s smile widened. “There we go. That’s better. Now,” he said, sitting beside you and throwing a casual arm over your shoulder, “let me make one thing clear. I’m not going anywhere. I’m stubborn like that. You’re stuck with me, darling.”

You leaned against him, letting his warmth and words sink in. For the first time that night, the weight on your chest eased, just a little.

Dan Heng stood outside your room on the Astral Express. He’d been walking by when he heard the faint sound of crying. At first, he thought it best to give you space, but his worry won out. Quietly, he knocked on the door.

“Come in.” you said, your voice weak.

Dan Heng stepped inside, his eyes scanning the room before landing on you. You sat curled up on your bed, clutching a blanket tightly.

“I heard you,” he said simply, standing a short distance away. “Are you… okay?”

You shook your head, and Dan Heng took a cautious step closer. “Do you want to talk about it?”

You hesitated before nodding, your voice trembling as you spoke. “I’ve had to leave my friends again. I feel like I ruin everything. Like I’m the problem.”

Dan Heng was silent for a moment, his expression unreadable. Then he sat on the edge of the bed, his posture calm and unthreatening. “I don’t believe that. You care deeply about others—that much is clear to anyone who knows you. Losing people hurts, but it doesn’t mean you’re to blame.”

Tears streamed down your face. “But it keeps happening. How can it not be my fault?”

Dan Heng looked at you with quiet intensity. “Because sometimes, people grow apart. Or circumstances force things to change. It’s painful, but it’s not always within your control.” His voice softened. “You don’t have to carry all that blame alone. And you don’t have to worry about me leaving. I’ll stay by your side, no matter what.”

His words settled over you like a soothing balm, and you felt yourself relax slightly. Dan Heng reached out, his hand hovering before gently resting it on yours. “Take your time,” he said. “I’m here.”

And you believed him.

[jokeroutsubs]

[📝ENG Translation]: Souvenir Pop Through the Eyes of Joker Out Members

Original article written by Boštjan Tušek, published 27.11.2024 on 24ur. Photos by Miro Majcen. English translation by @kurooscoffee, review by drumbeat, proofread IG GBoleyn123.

Full translation under the cut 👇

We visited Joker Out in their rehearsal space, where the band members shared their thoughts on their new album and explained all the songs from their third full-length album, Souvenir Pop, in their own words. The album has already been released on digital platforms and CDs, and they are promising a vinyl edition as well.

About the Title SOUVENIR POP:

Bojan: We were sitting here in the rehearsal space, struggling to find a short, universally understandable way to summarise everything that happened to us during this time. After some serious thought, we realised that the music is essentially a collection of memories—“souvenirs”—that we’ve gathered. For the first time in our lives, we traveled so much and spent so much time away from home. Everything was very “pop,” and we lived out all the pop star dreams we used to admire. We shortened this journey into “pop,” making it a souvenir pop journey.

Photo: Joker Out recently unveiled their third album, Souvenir Pop. Together with Bojan, Kris, Jan, Nace, and Jure, we analysed all the songs on the album. PHOTO: Miro Majcen.

On the Cover Photo Taken in Bed:

Jure: The cover photo was born long before the album got its title. It was captured on the morning of the semifinals last May in Liverpool. We kept it under wraps for almost a year and a half. We liked it already back then and immediately thought it could one day work as an album cover. When we started looking for a cover, it still best reflected our feelings.

Bojan: It was taken on an iPhone during the filming of a promotional video, so basically a completely randomly captured moment.

On the “Circus” Surrounding Them Because of the New Album:

Kris: What's particularly noticeable is the mental and emotional fragmentation. The songs are quite diverse and colourful, and at first glance, they didn’t seem to belong on the same album. But as Bojan said, they remind us of fridge magnets, which perhaps reflects that we were “all over the place,” and that we were exploring ourselves on a broader musical, lyrical, and instrumental level than usual.

Nace: You can tell the songs are “hyped up” because we were in that mindset. Different things influence you, and it would have been quite different if we had stayed home for a month before that instead of being on tour.

PHOTO: Miro Majcen.

On Lack of Time:

Kris: We had to intentionally carve out time to write and record songs. We spent two months in London, a month in Hamburg, and last year we took a week in Kočevje to work on 'Everybody’s Waiting'. Carpe Diem took 14 days. We were maybe even under a bit of pressure, knowing we had to produce something.

On Three Languages on the Album:

Bojan: We spent a lot of time with all three languages; speaking, listening, and thinking in them. The stories naturally emerged in all three languages, and we didn’t resist that because it would have been truly foolish.

I see language as just another tool for conveying information, like how a specific guitar effect suits one song but not another.

PHOTO: Miro Majcen.

On Egos:

Bojan: Egos have to clash because they’re an important part of our drive. I wouldn’t say our egos fight; they occasionally disagree, but everything generally moves in the same direction—to create something the five of us like. We have a healthy dose of competitiveness, and we’ve never truly had a fight. We separate the person from the musician, which I think is important.

Kris: There was never much ego, but for this album, we threw out what little was left. On this record especially, we faced moments where someone else did something on your instrument that you should have done. But that opened new possibilities and ideas—a fresh perspective. This happened to all of us except Bojan with vocals.

Kris: Today, a friend sent me a message from Venice; they were playing 'Carpe Diem'. Last year, we made it onto the top 40 charts of a Lithuanian radio station. PHOTO: Miro Majcen.

Comments on the songs from the album SOUVENIR POP:

1. MUZIKA ZA DECU (Serbo-Croatian):

Bojan: When the idea came to me, I was thinking about how much I liked what was coming out of the speakers; quite grown up. Then I had a flash of cynicism and sarcasm: it’s all just for girls, for kids. Hence, “muzika za decu” (music for children). Initially, it was called Zlatna kosica (Golden hair), haha. I wrote the intro, then improvised the rest of the lyrics in Hamburg while we were playing it.

Nace: You might have changed two words.

Kris: The intro I play on guitar was originally done by Bojan on the piano. While recording, I was strumming along, imagining a piano intro. But when we listened to it later, everything felt so wrong that we started liking it. That’s how it stayed. We recorded it all together in one room, in one go.

Bojan: Žare was thrilled that he had to “clean up” the vocals (laughs), which we recorded in the kitchen.

Jure: This is one of the songs which features guest performers; a children’s choir at the end.

Nace: The kids from our crew and their relatives sang. The first group sang too in tune, so we recorded another group that was a bit less perfect. In the end, we combined the two recordings, and it turned out just right. There were about 15 to 20 kids altogether.

Jan: The guitar sound came from my Whammy pedal, which the producer Žare Pak didn’t always like, haha.

Nace: We have to commend Žare for producing in such a way that everything unnecessary is stripped away. He never hides anything like some other producers might.

PHOTO: Miro Majcen.

2. ŠTA BIH JA (Serbo-Croatian):

Kris: This was the first song we created in London. Within a week, we already had the structure, though it initially resembled Bijelo Dugme. Some elements were later removed.

Nace: Yeah, Žare came in and said, “Guys, this is unnecessary” (laughs).

Kris: His reaction was hilarious. When he heard it, he said, “Did I send you to the UK to make yugo music?!” (laughs). It was our first Balkan reaction to being foreigners in a foreign country, and it just poured out of us. Bojan already had the lyrics “šta bih ja u ovoj crnoj noći bez tebe radio” (what would I do in this dark night without you), and we recorded it.

Bojan: I actually prefer hearing my voice in Serbo-Croatian over Slovenian, the position of the voice seems more natural.

Jure: It's interesting how the colour of Bojan's voice changes with different languages, which is actually quite normal.

Kris: Yeah, Bojan, in a 'Balkan language,' your rocker alter ego comes out even more, I think.

PHOTO: Miro Majcen.

3. CARPE DIEM (Slovenian):

Bojan: This is the original souvenir. And pop. It’s hard to believe how one song can change everything for you like that. It’s literally just one of our songs; not necessarily better than the others, maybe not even one of my favourites. But as our Eurovision entry, it perfectly conveyed our message. The whole story and image of the band are captured in those three minutes. It’s an excellent channel for our energy, which got people to believe in us and become interested.

Kris: Today, a friend sent me a message from Venice; they played 'Carpe Diem' there. Last year, we were on the Lithuanian radio top 40 charts.

Bojan: The most bizarre thing I’ve ever seen in my life was when an older Mongolian singer and his band played and sang Carpe Diem live at a reception for our president, Nataša Pirc Musar, in Ulaanbaatar. We also received a recording from Zanzibar, where someone played it on a hotel terrace.

Bojan: I wouldn’t say our egos fight; they occasionally disagree, but everything generally moves in the same direction—to create something we all like. PHOTO: Miro Majcen.

4. STEPHANIE (English):

Bojan: Of course, Stephanie isn’t really Stephanie, but these are real people who exist.

Jure: I didn’t have any part in this one since there are no drums; everything is programmed (laughs).

Nace: Yeah, everything was done by Casio, haha.

Kris: For many songs, we had a sample beat to practice with, and in some cases, it stayed in the final version. 'Stephanie' is one of those songs as well.

5. AKO TOGA VIŠE NEČE BITI (Serbo-Croatian):

Bojan: You believe in Santa Claus until you realise he doesn’t exist. It’s the same with love; until something destroys everything so thoroughly that you simply stop believing in it. This is a song about very raw disappointment with love.

Nace: I’m in a long-term relationship, and when you leave home, it’s a sacrifice both partners make. In the spirit of it being good for both of you and your partner supports it, everything is okay.

Kris: Full respect to your partner for enduring how you went from ‘zero to a hundred’ in six months.

Nace: We have to commend Žare for producing in such a way that everything unnecessary is stripped away. PHOTO: Miro Majcen

6. BLUZA (Serbo-Croatian):

Bojan: I wrote 'Bluza' a long time ago, up to the chorus, about three years ago. For a long time, nothing happened with it until I presented it to the guys on an acoustic guitar. From there, it developed quickly, in a day or two. We even played it on tour before its release. Initially, it was more guitar-driven than it is now. The title, 'Bluza', literally just comes from the lyric “u ritmu tvoga bluza” (in the rhythm of your blues), but I quite like it.

Jan: A lot of our songs are titled after a phrase from the first verse that has no connection to the chorus.

Bojan: Similarly, back in university, my friends kept nagging me about 'Gola' (Naked), why we gave it that title, but nobody thought of the phrase “za naju” (for us), haha.

Kris: It’s probably because, during the creative process, we repeat the first part a lot, and that phrase naturally becomes the title.

Bojan: The story of a song always takes shape in the first verse.

PHOTO: Miro Majcen

7. LIPS (English):

Bojan: We heard there’s a lot of money in music for films, so the song sounds like an apocalyptic ballad (laughs). Initially, it was quite Franz Ferdinand-esque. We even considered a duet with a French singer but didn’t have a clear vision, so we dropped the idea. Later, Žare and I restructured it, and then Nace tied everything together into a cohesive piece.

Jure: The song went through quite a few iterations.

Nace: Originally, it was a completely different song called 'Je t'aime'.

PHOTO: Miro Majcen

8. MESTO DUHOV (Slovenian):

Bojan: Trumpeter Luka Ipavec collaborated on this track, adding trumpet parts to the choruses. We created it in England and named it after the street we were living on; it had quite a dark vibe. Initially, the song was about a girl who cheated on me, leading to my suicide. Then we introduced the “papapapa” part, creating an atmosphere of a funeral, a procession. When we decided the song should be in Slovenian, we tied it to how the current social climate feels incredibly negative overall. People are always ready to quickly react to something negative. It’s no longer pleasant to go outside; everything reflects the weight of what’s happening around us. There’s unfortunately an air of superficiality around us.

Jan: The solo came to life in Hamburg. Later, when we were finishing the songs, I had the idea to rhythmically slice the solo so that it spells out “baby boo” in Morse code.

Jan: A lot of our songs are titled after a phrase from the first verse that has no connection to the chorus. PHOTO: Miro Majcen

9. SONCE (Slovenian):

Jan: I play the keyboards on this one. Bojan had already outlined the song on guitar with chords. The idea was to create something orchestral, like in 'Novi val'. I, however, approached it differently and arranged the piano part. I showed Bojan a melody that, in my view, reflects the essence of the song.

Bojan: This song is a direct reaction to events in Palestine. It’s the story of a deceased son speaking to his mother. It’s undoubtedly the most emotionally heavy song on the album. The structure is also unconventional; no part repeats, and the chorus appears only once. Jan captured perfectly what the vocals are saying with his piano part. It’s like a haiku, a single thought; not a classic pop song. Jan nailed the final take on his first try.

Kris: We could quickly get stuck creatively if everyone only insisted on their own instruments. Many songs only broke through when someone pressed something different. There were many moments where we needed that kind of freshness.

PHOTO: Miro Majcen

10. EVERYBODY’S WAITING (English):

Kris: This was a song we didn’t know what to do with until Žare offered the most basic beat, and Jan started working with the Rhodes electric piano, which set the direction for the album.

Bojan: Jan picked up the Rhodes out of nowhere and according to Žare, he plays better than 90 percent of Slovenian keyboardists (laughs).

Kris: Žare’s modus operandi is to break your conventional thinking and enhance your intuition. He believes intuition is superior to thinking.

PHOTOS: Miro Majcen

[daisymbin]

13. "i kept this photo of us—don’t laugh." with dk 😂 the photo is from an embarrassing night out where y/n joins dk’s silly antics to make the members laugh

NDHDJS how do u keep coming up with these funny ideas omg 😹

request your own: full prompt list!

check out my masterlist! // seokmin's m.list

fluff prompt #13: "I kept this photo of us—don't laugh."

you hear him laughing before you even reach the bedroom door—a soft, almost giggly sound that immediately makes you suspicious.

“seokmin?” you call, poking your head into the room. he’s sitting on the edge of the bed, shoulders shaking as he hunches over something in his hands.

he startles at your voice, looking up with wide eyes. “oh! hey!”

your brows furrow. “what are you doing?”

“nothing!” he says way too quickly, shoving whatever he’s holding into his wallet and snapping it shut.

“uh-huh,” you say, stepping inside. “why do you look so guilty, then?”

“i don’t look guilty!”

“you do,” you insist, crossing your arms. “you were laughing to yourself and now you’re hiding something? definitely sus.”

he shakes his head, his laugh edging on nervous. “it’s nothing, i swear.”

“seokmin,” you say, moving closer. “just tell me already!”

“no way,” he says, clutching his wallet like his life depends on it. “you’ll laugh at me!”

“you’re being ridiculous,” you say, rolling your eyes. “just show me what you’re hiding!”

he groans dramatically, flopping back onto the bed. “why do you always have to be so persistent?”

“because you’re terrible at keeping secrets so its fun,” you reply, grinning.

he sighs, sitting up and holding his wallet tightly. “okay, fine. but promise you won’t make fun of mr?”

“i can’t make that promise,” you tease, earning a pout from him.

“then i’m not showing you!” he declares, flopping back again.

“fine, i promise!” you say, holding up your hands in mock surrender.

seokmin sits up slowly, giving you a suspicious look. “you better mean it.”

“i mean it,” you say, holding back a laugh at how serious he looks.

after a moment of hesitation, he finally opens his wallet, pulling out a small, slightly crinkled photo. he holds it out to you but doesn’t meet your eyes.

“i kept this photo of us—don’t laugh,” he mumbles.

you take the photo, your eyebrows shooting up when you see what it is. it’s from a night out a few months ago, during one of the infamous “try not to laugh” games.

in the picture, seokmin has 2 thick fat stripes of fake eyebrows drawn on his face, holding up a rubber chicken like he's just won the biggest award. you’re next to him, wearing a pair of hansol's alien sunglasses and striking the most ridiculous pose imaginable. the two of you are grinning like you’ve just performed the best performance of your life.

you bite your lip, trying not to laugh, but a giggle slips out anyway.

“hey! you promised!” seokmin says, pouting.

“i’m not laughing at you,” you say quickly, though you’re barely holding it together. “it’s just… this picture! why would you keep this?”

“because!” he says, crossing his arms. “it makes me happy, okay? every time i look at it, i remember how much fun we had that night & how... you aren't ashamed of being like that wild and letting loose in front of everyone with me.”

your teasing fades as you look at the photo again. it is a happy memory—a night filled with laughter, silliness, and the kind of pure joy you only feel with someone who truly gets you.

“that’s so sweet of you,” you admit, smiling softly.

“yeah?” he says, peeking at you hopefully.

“yeah,” you say, sitting down beside him and holding the photo out. “you know, you’re kind of cute for keeping this.”

he grins, his confidence returning. “kind of?”

“don’t push it,” you tease, nudging him with your shoulder.

he laughs, leaning into you. “you know, i’m glad we did that game. no one else could’ve kept up with my antics the way you did.”

“somebody had to,” you say with a shrug. “you’re impossible to control.”

“thank you,” he says, his grin turning mischievous.

you roll your eyes, but you can’t hide your smile.

he nudges you back. “you know, i think we should recreate this photo. maybe at the next game night?”

“what ideas do yoy have in mind?” you asked playfully, laughing.

seokmin smiles down at you as he counts his blessings.

[kakusboyfriend]

so many evil furries . png

mostly filled while watching eps 295-300 - started with kalifa and lost control of myself afterwards

one day i'll make lucci a hybrid form that suits my tastes

[fluffyartbl0g]

The one piece reread only makes the hardest moments hit even harder,,,, even when you’re rereading it poorly in portugese

Or AKA, i found out today that HINATA SHOYO reads one piece and I haven’t recovered since

[opikiquu]

aventurine pl. Plea s e . PLLEEEEEEASE

[boxwinebaddie]

so i was shooting the shit with the girlies in the group chat earlier and we were talking about the great outdoors, which, of course, are great to everyone...EXCEPT JERSEYKYLE who is basically a spoiled brat and pampered house cat and the only thing he thinks would be great about the outdoors...is if one of them would Fucking OPEN and take him back inside to civilization, cable tv and air conditioning.

like i think in the future when j.k. is working his full-time guidance counsellor job ( mr. bro, you are everything to me, baby ) they coerce him ( probably with pastries, paid vacation time and peer pressure ) into chaperoning the 5th grade weekend overnight camping fieldtrip, which ravenstanley marsh, of course, tells him is a great idea and it’d be fun to be out in the forest....It Was NAUGHT.

i am picturing him in like the big puffy orange jacket and like the grown up version of the green ushanka/ear muffs, shivering, snifflin, shrieking, crying about bears or red, blotchy, completely sunburned, totally bugging about bugs, tear-gassing everything with insecticide,

ready to End It All...

meanwhile future ravenstan, who i like to think went back to school, minored in wildlife, became an badass emergency travel veterinarian, is constantly on the move and on location ( and by that i mean like srsly impoverished third world countries, the amazon rainforest, rural new zealand where they desperately need vets, australia with all the shit that can fkn Kill You, buttfuck -40 siberia saving the polar bears )

working with non-profit wildlife protection and conservation efforts, has a little squad of hyper-vigilant zoomanitarian search and rescue emergency animal doctors that specifically head to dangerous places doing intense emt roadside surgeries, goth boy apothecary hot boy shit, foraging for supplies, making life-saving medicine out of tiny mushrooms and pieces of tree bark, running through fields with possible landmines in it to save endangered species, going full emo indistana jones adventuring and saving the world as captain stanet in no mans land w/ all his tattoos and piercings ( hero KING! )

...just pointing and laughing at teacher yersey when he finally gets thirty min of service on the helicopter flying out of snake island, brazil having nearly escaped having his flesh melted off by pit vipers doing important smart boy science research on different poisons and his fiancé calls him bc he got a bug bite and he thinks he's Cooked.

live laugh love ravesey style, everybody.

[carcarrot]

9 people i want to get to know better tagged by @bawnjourno thank you pal!!!!! 💖

last song: my baby must be a magician - the marvelettes

favorite color: purple!!!

currently watching: cheers (new) twin peaks (rewatch) night court (new) and movies every dayyy

sweet/savory/spicy: sweet!! if i don't have a sweet little treat i pass away actually

currently playing: not a gamer but im playing a game called august where i make it through every day of august

current obsession: the latest addition to my assortment of goofy guys, slowly collecting vintage clothing and books, even more slowly working on my film screenplay (and documentary idea. and tv show idea .), very very excited for my upcoming vacation to california for the 3rd time in a row! and if i ever repair the dvd drive on my laptop im gonna start making my own dvds of movies with embedded subtitles that dont already have them on a dvd release bc i cant hear!!!

tagging @footnoteinhistory @bicolumbo @starringvincentprice @mariocki @eddie-rifff @jefffreybeaumont @seaofreverie @jellojellyroll and @crystalblast !! no pressure if you dont wanna!

[gingerbreadmonsters]

organ music + writing about vampires is a classic for a reason

[slamrink]

klay 0 points but he looked sexygorgeous doing it + lockdown defense + mavs WIN and dubs clinch so im leaving here with something 🙂‍↕️🙂‍↕️

[murcielagatito]

the funniest thing to me is when i saw someone refer to ava/janine as a crackship bc crackship by definition is a pairing between two characters who have never interacted in canon and ava and janine literally cannot stay out of eachothers business

[lazaruspiss]

not sure how i manage to be bad at making a self insert lmao, i always end up developing them into an entire OC in the end

[cinnabeat]

this interaction and friendship is exactly how i made friends on the playground at the park as a kid

[miiilowo]

I told our TFC William fictive and he just blankly stared at me, asked if i was joking and then left the headspace room.

When i asked him about it again he simply said "I think i'm glad to be from a seperate universe at this point" and then "if Scott ever decides i did that too, i will get out of this body somehow and explain to him how to actually write my personality"

WAILING

[paul-simon-juggling]

The Paul Simon Special and it's increasingly cursed box art and their insistence on using images from anything except The Paul Simon Special.

[bearsgrove]

feels fucking great when people do something without you. especially something you have been wanting to do for over a YEAR but its so fucking hard to get a full team of people for this because yeah i get it its one of the hardest achievements in the game but then they just fucking do it on a whim out of nowhere with some new guys like. i have. been wanting to do this. for more than a Year. and no one. was ever. down.