#like i appreciate the realism but also like not everyone loses ALL the time like darrow seems to be doing

[firthbetterorfirthworse]

2005 Pride & Prejudice

oh boy. I realize I am about to tread on dangerous ground here

I will say that I fully recognize that my prejudice (snort giggle) has influenced when I've seen this in the past. Colin Firth was my first Darcy and that's a hard thing to let go of, even setting aside my obsession preference for him.

That being said, this movie is visually GORGEOUS. Beautiful shots, sets, music, etc. I just...don't love the characterizations of the main characters. Most of the secondary characters I love! Explaining Charlotte's viewpoint for a modern audience and making her warmer, an awkward Collins (I could make a whole post about how if P&P were written today we would consider Collins autistic-coded), they did great! Also, Caroline gives the sassiest, bitchiest curtsies, which I adore.

I appreciate Lady Catherine, not just because I love Dame Judi Dench but because they clearly paint a picture of someone holding onto the past. Not that the costumes in this adaptation are particularly, you know....accurate. in any way. BUT she's got a style that more closely aligns with 1790s than 1810s. (Although maybe that was intentional? Cursory googling suggests the director wanted to bring it back in time but then why isn't everyon- you know what it's fine, it's fine I'm not gonna get into it here, but basically be hyper-accurate or throw all realism out the window, there shouldn't be an in between it just feels lazy)

I very much appreciate the heat in the proposal. It is a FIGHT. I think modern audiences can easily lose that feeling when they're reading the dated text on the page, but they are saying VERY impassioned things and making accusations and I really appreciate the energy this adaptation brings! And the almost kiss, it's hot I get it it's not true to the book but it's fine it's not fair of me to care so much for inaccuracy in this adaptation but not others. still gonna tho I miss the intimacy of her admitting the tragedy of Lydia only to Mr. Darcy, I understand that having the Gardiners there saves time and is more appropriate, but I have strong feelings about that scene where Elizabeth returns Mr. Darcy's trust when she doesn't have to and how it really speaks to her feelings.

Speaking of Lydia, LOVE that she's clearly so so young. Sometimes it's not as obvious.

And my dear Mr. Darcy, bold of you of all people to help Mr. Bingley practice a proposal

but oh dear if that scene isn't just absolutely adorable. I appreciate that this Bingley found some fortitude and requested a private audience with Jane. On second thought, maybe it's for the best that Darcy is the one to help him so he can be like "here's what not to say"

(I'm sorry, she even tells Mr. Bennet about what Darcy did for the family and they STILL didn't include the line about "I'll offer to pay him back, he'll rant and rave about his love for you, and that will be an end to the matter"?? How rude) (But I do adore Donald Sutherland, good scene for him)

The little epilogue scene is sweet, it's cute. I understand why people love this movie. It just doesn't hit me the same way please don't hate me

[quodekash]

guys jokezo just made out and now they have to share a bed together. just chew on that for a bit.

NO, DON'T GIVE ME THEM SITTING ON A BUS

GIVE ME WHAT HAPPENED WHEN THEY HAD TO SLEEP IN THE SAME FREAKING BED IMMEDIATELY AFTER THEY MADE OUT

👀

(they made out last night btw)

(just in case anyone forgot)

(and then they had to share a bed)

ass x7

also zo is fully just not doing anything lmao

everyone's pushing with all their might and zo is just 🧍‍♂️

FUIWEBSDGIOUVEWJBOGD

oh the desperate thigh grab

yeah, im with him on this, they need to talk about it. especially about how they had to slEEP IN THE SAME FREAKING BED AFTER THAT

welp. I guess joke's day was just ruined in a slap to the face disguised as a few words

AND THE WAY HE TAKES HIS HAND OFF ZO'S THIGH AFTER THAT????? OUCHHHH

I must say tho, this is really giving episode-6-of-bad-buddy

its very patpran-post-rooftop-kiss-core

the vibes be gay and yearning and very very sad

OKAY, THE MOTHER, FINALLY

a few things to say about her

1. she's gorgeous

2. DAMN she is SHORT

3. I was rewatching the first four episodes yesterday and today because I could, and I noticed in the first episode, zo asked his friends to not tag him in photos they took at the bar, because "I don't want my mum to see"

but my question is... why? he's just out drinking with friends, he's an adult, he's not being irresponsible or anything, so why doesn't he want her to see the photos?

is it something to do with what his mum thinks of him? is she overbearing? does she have high expectations of him? does she kinda suck?

she's probably lovely though, and ill end up adding her to my list-of-fictional-parents-to-get-adopted-by (it's a very long list)

I guess we shall find out today as the episode progresses

oh, honey, you're so queer

the amount of times ive done exactly this

she's so short its hilarious omg

also: ive decided I love his mum

she's so sweet

and neither of them know how to use a stove and I think that's so hilarious and endearing

HSDHSHFSHDHHS

(also: this scene is making me think of akkayan at aye's house having a meal with his mum and rhbgdhjgb)

he's putting two and two together

the few braincells he has that aren't dedicated to debating are whirring in his mind

I can practically hear his thoughts

"he kissed me back... he wants to talk about the kiss... we went on two dates together at his suggestion... he showed up at my house and charmed my mother... he says I have secret admirers..." cmon sweetie youre so close

"WAIT, DOES HE LIKE ME?" omg honeybun you did it!

or maybe he didn't do it

maybe he was still shuffling the pieces in his brain but hadn't put them together and then his mum said something and distracted him

either way: that was hilarious and I want to high five dunk for his acting there

HIGH EXPECTATIONS, I KNEW IT

still love her tho

high expectations suck but she seems wonderful so far (obviously my opinion will change if the circumstances do (like if it turns out she completely sucks) but for now she's made it to the adoption list)

brb, gonna go cry real quick

well now their thumbs are making out

you see, I understand the things he's saying. and I honestly agree with him. if I were ever somehow put in his position, id probably say the same things.

HOWEVER, I just want my bl boys to kiss again and be happy and together and I appreciate the realism over the usual fantasy kinda situation we go for in bls, but I just want them to kissssss

this is very good advice

I hope that jokezo kiss again this episode

also AAAGBRDHFKBG JENGPOK CRUMBS

YOU'LL NEVER GUESS WHO'S LOSING THEIR MIND OVER JENGPOK AGAIN

BERIUFDJKGBEORPVFD

I LOVE THEM SO MUCH

SHUT UP

SHUT UP SHUT UP

IM NOT CRYING YOU'RE CRYING

FHEWSDGFVESDV

THIS IS TOO FUNNY

im gonna start crying soon

its so funny

help me

girl is worried

I know this is what jeng told you to do but is during debate club really the right moment

im so certain that she ships it

awwhhhhh

HE SAID IT

HE SAID THE THING

AAAAAAAAA

hell yeah

GOUERJLHDGOBIERVLDNF

AAAAAAAAAAA

IM SCREAMING

THATS IT??

THAT'S THE END OF THE EPISODE??

THEY DIDNT EVEN KISS

OR ADDRESS THE FACT THAT - and I can't stress this enough - THEY SLEPT IN THE SAME FREAKING BED AFTER FULL-ASS MAKING OUT

omg next episode is gonna be amazing

I can't wait

gekjrdsbfd I love them so much

im like 70% certain they're gonna kiss next episode so fingers crossed

ALSO NITA DEFINITELY SHIPS IT

anyway. that was good. I should go to sleep now

[thiswaycomessomethingwicked]

Hello! i saw the ask game and i wanted to ask your opinions about my best guy Theoden!

Love your blog!

<3 <3 hello hello! Yess, he is the best!

First impression

I always loved him. It's the soft dad vibes that he gives off in the film and I always transposed those onto book version of Theoden as well, even if they aren't as front-and-centre.

Impression now

As you all know I have a soft spot for imperfection and Theoden is very much an imperfect leader who is trying his damndest in an impossible situation.

I love his fear of being like his ancestors (sure "lesser son of greater sires" but in the immediate memory Fengel and Thengel weren't anything to write home about and I'm sure Theoden had the "don't be like your grandfather" running in his head), which is a nice parallel to Aragorn's own fears and concerns. That certain weaknesses are "inherited" or you're somehow doomed to repeat the failings of your forefathers.

I also really appreciate Theoden's practicality and realism. This is definitly shown way more in the books than in the films.** But he is so pragmatic and realistic about what is happening and has a strong, stable workman-like air to his leadership as king and general. It's very grounding and a nice compliment to the high fantasy that is happening around them all.

--

**I have Views & Opinions on what PJ did with Theoden in the films in relation to Aragorn

Favorite moment

In the movies, I love all of his speeches. My favourite, favourite scene is "but do you trust your king/where is the horse and the rider" bit with Gamling. Second up are the paralleling scenes of "I know your face" with Eowyn. Soft dad vibes <3 <3

In the book, I naturally have my favourite scene is when he's missing Grima and having those complex feelings of "I'm angry at this man for what he has done and his betrayal, while at the same time I'm grieving the relationship we used to have/the man he once was." It's so very human.

I just love Theoden's deep humanity. A feature so often missing in the race of Man who are usually more High Arthurian, for lack of a better way to phrase it. Not that the likes of Aragorn and Faramir don't have their deeply human moments, they for sure do, but Theoden is consistently the most deeply human of the leaders, aside from Denethor, and I really like that.

Idea for a story

There's a part of me that's a secret Theoden/Grima shipper, so you know. Anything utterly tragic in that department with some bittersweet hope(?) at the end. Kill me where our love hurts most, my liege.

Otherwise, I would love an exploration of Theoden and his father's relationship and how he positions himself within the frame of his father and grandfather's legacy. Also his changing views on what it means to be Rohirrim - considering I am sure he has a complex relationship with that. He's more comfortable in Westron and Sindarin than the language of his own people! That's got to have some complexity to it.

Unpopular opinion

I'm not sure I have one on Theoden? I feel like most of my opinions are pretty par for the course.

Favorite relationship

Definitly Eowyn. I love the father-daughter vibe happening with them. I wish we saw more of it.

Favorite headcanon

When Theoden adopted Eomer and Eowyn he went around to everyone in Meduseld apologising in advance. People were like "?? your niece and nephew seem charming and lovely ??" and Theoden was like "ok but you don't understand: They are the Children of Eomund. This is going to be INSANE."

He always loved them, of course, but they were little terrors. You know that dual thing of dealing with grief of losing parents/being orphaned at a young age and how that can lead to lashing out plus natural peronalities being on the fiery side.

Theoden just like, put everyone on High Alert.

(lol Grima would have been like mid-late twenties and Theoden is like: New Guy, do you like children? And Grima is all: Abso-fucking-lutely not. Why? Theoden: No reason. Gamling, I was wrong, we can't put the new guy on baby-sitting duties.)

----

Thank you!!! Theoden is just, ah, one of my top tier faves. And thank you, I'm glad you enjoy my wee lil' tumblr :D

[ribbonverse]

Chapter 2

Notes on chapter 2.

Rukia is the most difficult to write for me, emotionally speaking. Maybe because she's the most like me, or maybe I appreciate her too much and don't think it's really possible for me to do her character justice when writing from her perspective.

This is also the only chapter written completely from Rukia's perspective. Most of the rest is from Ichigo's perspective, and occasionally from someone else's.

What I am satisfied with in the last two chapters is the charaterization of Ichigo's time with Rukia in terms of how hard the work was for him. I consider this a very lore friendly element.

Already in Bleach chapter 7, Ichigo complains about losing some of his sleeping time to Shinigami work. This isn't really brought up again as far as I remember, at leat not directly, but in the anime episode 10 (or at least one English translation of it), Rukia states how there's going to be more difficult fights in the future. Which indicates that things didn't really get easier for Ichigo over time.

In the same chapter, there's a pretty sweet moment where Ichigo is surprised to hear that Rukia cares about his well-being. We don't hear these thoughts of his in the anime episode, though you can still see his surprise.

In any case, this moment does make clear that Rukia does understand the need for a Shinigami to rest, but in my continuity, she doesn't yet understand how much rest a living human needs. This is one of the ideas I like the most, as it draws from Rukia's canonical background. Since she died as a small babby and has lived her entire life as a spirit, she would have had no personal experience on what being alive is really like. This would've affected how she treated Ichigo while he was helping her with Shinigami work.

Just a note on Rukia being a 3rd Seat now. I really don't like it when promotions are used in fiction as rewards. It's a dangerous way of doing things when it comes to running a serious organization, though that's sometimes how it works in real life as well, so I guess you could say it's realistic.

It's just really dumb when at the end of a story there's a time skip to show where everyone's life has gone since the story concluded, and instead of the characters having done something that fits their previous charaterisation, it turns out everyone and their mom has become a Captain/CEO/President/insert-highest-position-here. You know, because after everything that happened, the author still needs to highlight how the main characters are Very Special And Amazing People™ and therefore they must occupy the highest positions in the Hierarchy of Life™.

That's not why I made Rukia a 3rd Seat in this story. Similar to the Reiatsuppressors, it just arose as a device to fill a purpose, in this case to give her enough autonomy that she could leave for the Human World on her own initiative without getting into too much trouble.

The hierarchy within the Divisions isn't really covered enough where you could say how much power the position below a lieutenant would have, so I decided to just make her a lieutenant. And since the 13th Division doesn't actually have a lieutenant/2nd Seat and instead has two 3rd Seat officers, a third person sharing the position didn't really seem so far fetched.

It also served as an excuse for Rukia being buried in work and was the catalyst for making workaholism a coping mechanism for her. Her insecurity about her position also adds a dash of realism, I think.

I'm not all that satisfied with the conversation between Byakuya and Rukia. I say conversation, it's basically just Byakuya talking and Rukia listening, which is how it would go, seeing how their relationship is depicted by the end of the Soul Society arc. This part of the chapter was incomplete for the longest time and held up publishing the fic almost all on its own. I finally decided to just finish it up the best I could, even if it still leaves a lot to be desired.

One aspect of Byakuya that was mentioned but never explained in canon (as far as I can remember, anyway) was that Byakuya has never really looked at Rukia. In light of the reason for her adoption to the Kuchiki family, the reason should be pretty obvious, but IMO it should've been mentioned explicitly in canon. So I've just gone ahead and done it here.

For the record, I don't like "the Old Ways" as a name. It was originally just a placeholder or a colloquial in-universe name, and I intended to come up with an "official" one at some point. But I'm terrible with names and just couldn't come up with anything better. It would've held up publishing even more, so I'll just leave it as-is for now.

[dark-side-blog3]

if its ok can you please write general headcanons about yandere spaghetti? and your thoughts about him in this kind of setting as well if you dont mind. it’d be very entertaining to read it! especially from you

and also thanks a lot for your hard work! i’ve appreciated your writings since the second blog and I’ll definitely will be following and supporting you in the future

Thank you, anon; You're so polite!

Spoilers for Spaghettis voice lines and backstory.

+++++++++++++

Spaghetti portrays himself as a sadistic asshole, but after a little digging and some analysis... I think he pretends to be a sadistic category to hide that he's actually overprotective of his darling. He truly is that possessive, however-- and he doesn't attempt to hide it because he's delusional. This is acceptable behaviour in Spaghettis' mind, and it has to do with his backstory.

Specifically, I'm looking at how he talks to his Master. He seems so excited when you spare him the time of day, cheering when you show up, train him, assign him to lead a team of other foodsoul, and how his idle lines whine when you aren't paying him attention.

But Spaghetti also tries to assert his dominance by saying you're his toy, he's going to crush you, and you're nothing to him. Spaghetti callously uses those around him as tools to achieve his goals and "fulfill desires" as if he fancies himself some djinn or living monkey's paw.

The way Spaghetti acts and his backstory paints such an interesting picture. He knows that optimism is a fool's errand; that those kinds of people will spend their whole life walking blindly into the same traps over and over and will never figure out why it keeps happening to them. Realism is preying on the weak; only the cunning survive, by using the people around them as tools and toys.

And with a philosophy like that, who is to say you're spared from being used by him?

Spaghetti learned the hard way what happens when you care about others openly. The only way to keep someone near you is to have a designated power structure: The Master, and the toy. All nobles get to torment their toys, their toys have no right or ability to run away from their nobles, and the nobles can use anything at their disposal to make them stay.

This means, unlike last time, Spaghetti won't have to lose someone he cares about... So long as he claims ownership over you and makes it clear to everyone else that you are spoken for. You are his toy, and that means you can't ever leave. And as far as toys go, you'll be treated quite preciously... No one can harm you except Spaghetti, and your wounds are always tended to. You'll be told to take better care of yourself, scolded as he wraps bandages and rubs creams into everything new. You get to have your own room, you can maintain your own finances, you are allowed to lounge and schmooze in the restaurant's bar with Spaghetti after work is over, draped over each other as you focus on calculating your books-- you the restaurant, and Spaghetti managing his side-hustle as a wish granter with Borscht and a few other souls... It could almost be seen as domestic when your legs are tangled together, each enjoying a drink of choice and working in a silent tandem.

Of course, it's soured by the constant bullying. Spaghetti will call you his toy, and remind you he can crush you at any moment; usually by knocking you into a wall, pinning you to tables. Overwhelming you with his strength, but only enough to prove a point: If he chose to, he could kill you. And you should consider yourself very lucky that he only wants to keep you safe and subdued.

You're not allowed to develop a bruise he hasn't caused-- it causes him to freak out, and get defensive of you. But all the injuries he causes, well, that's to keep you close to him. If you're smart enough to pick up on the hidden meaning behind each scuffle is another thing... Spaghetti doesn't want it to be so obvious he cares for you, and his malicious sadism means he spends a lot of time messing with your head, sending you on exhausting tasks, and purposefully acting crueller to you when he has a small audience; anything too big and he'll be forced to stop, and if no ones watching Spaghetti prefers to tease and bully you gently, making it as clear as possible without demeaning himself that he wants to make you happy and affectionate with him.

And as much as Spaghetti thinks his lofty tone and aggression hide that he cares about you, it's very obvious. Spaghetti practically throws fits when you don't do what he wants, such as ignoring him or getting hurt by anyone other than him.

Spaghetti only throws you into danger so he can save you. Waiting and lurking just out of your sight until you're overwhelmed by the enemies Spaghetti insisted you face on your own, without a team, if you want the human-hating food souls to respect your authority. Boston Lobster would respect you if you proved yourself worthy, and things such as that... Taunting you until you get yourself in trouble. And then, Spaghetti swoops in to save you from whatever catastrophe he orchestrated.

It's a solid plan, to Spaghetti. To the outsider looking at the situation: Spaghetti has utter control over the Master of several foodsouls. This means, if he controls you, he's the one who really controls everything of yours-- including the restaurant, the work schedules, the money, the power is all his...

And in your eyes, there is the confusing light of a man who likes you, but can't stand you. He lounges with you in a dim room, and humiliates you when you attempt to go in public. Spaghetti huffs if you don't pay him any attention and whines that you wouldn't like it if he was so dismissive of you, and on the same day proceeds to forbid you from ruining the restaurant that's yours in name only.

It keeps you guessing. Does Spaghetti like you, is he just using you? And the less sure you are of where you stand next to him, the better.

Spaghetti loves you. He does. He knows he loves you, he knows he loves you more than he could ever bare to say. But if he keeps you at arms length-- and no further-- then no one can take you away, or use you against him.

And keeping you at arm's length means Spaghetti has to hold you in a painfully tight grip, so you don't slip away.

[aelin-galathynius]

Me at the end of Mornig Star: it’s not perfect but everything is ok

Me at the end of Iron Gold: everything is shit

[heywriters]

Do you have any ideas on how to decide which of your MCs have siblings and why? I’m aware that realistically not all MCs would be single children, but I’m struggling to find places or uses for them in the story.

Siblings! Why Characters Need Them

The biggest reason I feel characters need siblings is not just for realism's sake, but because siblings build character. Whatever your MC's personality, it was likely shaped by siblings. Siblings in most families are not accessories to each other's lives, but bear impact on them. As children, siblings are essentially a crash course in socializing with other humans---both positively and negatively. In many cases, siblings are more involved in one's upbringing, survival, and education than parents or other adults.

It helps to analyze your character inspiration. Where did your ideas for their personality come from? Are they based on real life people, and if so did those people have siblings? Do they have any insecurities, competitive traits, or familial attitudes that you don't have an explanation for?

I'll elaborate with general examples. Say your MC doesn't speak much and allows themself to be interrupted or talked over without fuss. This can imply they were not the dominant sibling and rarely got their way. Say your MC is always first to the dinner table or has to have the last word. This can imply they had many siblings or were the dominant sibling and struggled to get their way each day. Say your MC is protective of others, especially those younger than them or of the opposite sex, and always makes sure everyone has what they need and is feeling okay. This can imply they were the oldest or held much responsibility for their siblings and parented them. Early life with siblings often decides how people live as adults.

How your MCs feel about and interact with their siblings will inform the reader of their character. Remember, background siblings have lives too, and they can affect your MC. Say a sibling gets married, has a baby, loses a job, graduates college, gains money/influence, gets very sick, or commits a crime. These aspects of storytelling can temporarily alter your MC's attitude or pull them out of the story for a while, and that's good. They give readers a chance to see an MC in a new light while reminding them that they had a life before and currently beyond the main plot. That adds realism and more importantly authenticity.

There are alternatives to siblings if siblings don't fit in your story for some reason. Some only children are raised in a tight-knit friend group, maybe within their neighborhood, and pick up sibling habits that way. Others may not live with siblings, but they do spend ample time with cousins and other young relatives who treat each other like siblings.

Siblings don't always need a place in the story, they can simply be mentioned in passing. Their mere existence fills in backstory and helps readers relate to your characters. Siblings also serve as potential subplot or drama if needed, so they're good to keep in reserve.

I have a 'siblings' tag that links to other advice and anecdotes I've collected, so give that a shot!

+ If you appreciate my updates and replies, please consider sending a little thank you and Buy Me A Coffee!

[spacedlexi]

ok i got a few different messages from people so im gonna answer them under the cut but i dont think theres a whole lot more to be said so i think im done publicly responding after these

thank you to everyone who chimed in i really appreciate all the comments regardless of your opinion because in the end i just want to do better and i know this is all coming from a place of good will 💕

i get what youre saying here, and someone else mentions this down the post, but like, im drawing specific characters that are already defined. there is only so much i can exaggerate to the point where they lose their likeness and i dont want to Over exaggerate. like the other artist you mention is pretty cartoony, and thats not really exactly what im going for. spider verse is the Most cartoony id get but again its not my goal for my main art style, which is the one im assuming youre talking about. 

also not sure how you mean “when you push to exaggerate you can find more realism” because i feel like those things are at odds. you also talk about proportions which, i do try to keep, well, in proportion. i dont like pushing my proportions too much because then it becomes too exaggerated and thats not what im going for. also to reiterate im drawing already defined characters so im trying to keep their likenesses and i dont want to push them to the point where they lose that. the artist youve been referring to mostly seems to draw original characters, which is fine, but theres more freedom in that

but like ive already said im always aware of trying to make features identifiable and unique without losing that likeness. arcane has been a big inspo in that regard recently and im only just starting to really break that down specifically so youre really just gonna have to give me time to improve on that,,

thank you for the nice words and yes noses and lips can be harder for me to differentiate, more specifically lips, and the nostrils over the bridge or roundness/sharpness of the nose, but it does also come back to keeping a characters likeness so its a fine line to walk. especially when the character is more realistically portrayed and i have to figure out the best way to stylize them without Over stylizing them or missing the mark 😓

ive seen some artists with Severe same face syndromes and its always sad for me to see even when i like the art overall, so i do things like making those charts to compare features to make sure theres not too much of a visual overlap between anyone. theres only So much you can do when youre drawing a pre established character because you want them to look like themselves, but also youre stylizing them, so you gotta be careful to not push too hard. at least in my case where i dont want to be overly exaggerated bc thats not what im going for

i used to be more exaggerated in the past but over the years ive done more portrait studies and am trying to be closer to the realism side of the semi realism spectrum. at least for my main style. sometimes im more cartoony but thats not my main goal its just when im being lose or messing around. i like exaggeration of expression more than exaggeration of features, but its not like im Not defining features, theyre just not pushed to cartoony extremes. and Again im limited in how far i can push if i want a character to retain their likeness especially for a semi realistic style

so thank you for thinking im doing a good job at differentiating between characters 😭 i really do put a lot of effort into it without being too cartoony

ok yeah heres the one that pointed out im limited in just how far i can push features without a character becoming unidentifiable. everything i do or change when i draw a preestablished character is in an effort to make them look as much like themselves as possible, and Very Rarely altering things (really the only thing i can think of is i give clem slightly larger lips bc hers in game are so tiny and my girl doesnt deserve thin lips lol. theres a specific piece of concept art from s3 of clem that i absolutely adore and its where i get the blocked in upper lip from. that piece of concept art is my biggest inspo when it comes to drawing her bc i feel like its near Perfect aha the eyes are just like Slightly too far apart proportionally)

and youre right that sometimes people conflate a consistent style with same face, but i dont want to be quick to jump to conclusions, because again im trying to hear everyone out bc i know this is all coming from a place of good will and i always want to do better, especially in this regard. but some of the critique has sounded like they want me to alter my style to be more exaggerated. right now my biggest art inspo is arcane because they have such a beautiful array of distinguished faces while still being imo perfectly stylized

im glad you think i do a good job making everyone distinct,, thank you for the encouragement,,

yeah this is why ive been so confused because im being told i have same face but also that i have variation of shape and im ??? like im trying to make it make sense. this feels like a good summation of whats been going on and where the disconnect is happening. again ive been trying to not just boil it down to “thats just my style” because i want to take it seriously, but i do feel like im being asked to be more exaggerated which begins to push that line im toeing of stylized realism

in my college painting class we dove into proportions Extensively and theres so much to keep in mind when laying out a face specifically

this is just off the top of my head so i think im forgetting a thing or two, plus its fast so its a little off but this is the general idea (like i think theres about another eye length on both sides of your face between your eyes and the side of your head but idr 100%), but like no matter what your features are or how big or small they are they will Generally line up like this. so you can use this method with small faces or long faces or slim faces or wide faces, these proportions Usually hold up regardless. just like with the proportions for the rest of your body. did you know your foot is the same length as the inner part of your forearm? did you know your face is the same size as your hand? unique for everyone BUT still holds up proportionally to yourself

but the fun part about knowing proportions is being able to work with them to create identifiable faces, and thats what im trying to do. ive learned the proportions but now im just trying to push them in a way that is still “correct” but stylized, and identifiable by character

--

ive come a really long way in just the last few years, and that was off the back of a 5 year burn out hiatus. so im really happy with the progress ive made but obviously theres always room for improvement and im always looking to do so. whenever im happy with my art i always get excited thinking about how im going to continue to improve and what my art will look like in the future :) so i do appreciate people wanting to help see me do better, but on my personal blog where i post things for fun, maybe just ask if you can give critique first,, and depending on what it is maybe we can just keep it between us. i promise i wont bite aha 💕 i just need to be emotionally in the right space to receive it

[lassieposting]

Hi i havent read the books post-resurrection so im kinda lost on why you dont like phase 2 val? She was easily one of my favourite characters ever, she was flawed (and the books took time to acknowledge them) and relatable and still really admirable (intelligent, brave, loyal) and i really liked her and really appreciated that she wasn’t perfect unlike every other young adult heroines. What went wrong😢😢😢😢

Okay I'm gonna put this under a cut because I very strongly dislike phase 2 val and I know it bugs people who don't feel the same, so. Dead dove dont eat

Okay so first off, phase 1 val and phase 2 val are completely different people. literally. phase 1 val was based on an ex-friend of lardo's who used to apparently be involved pretty heavily in like, editing the books and "she'd react like this" or "val wouldn't say that", and that val she was one of my favourite fictional characters from when book one came out to the release of resurrection. phase 2 val is based on his whiny little girlfriend who likes to start shit with 14yos on twitter, and you can absolutely tell she is no longer the same person. so the long story short of "what went wrong" is "the original irl val's friendship with dirty laundry ended for whatever reason and he decided to retcon her entire personality to suit his gf"

Phase 2 Val, in my opinion:

Weak, like won't even fight back when she gets jumped bc boo fucking hoo she's so awful, bitch get up already, nobody signed up for ur pity party

Whiny. So fucking whiny. All the time. And she's the POV character so it's inescapable.

"Pacifist" but in a really pathetic virtue-signalling kind of way like "Oh, I've done such terrible thiiiiiiiiiiings I'm so awfulllllllllllll look how good I'm trying to be nowwwwwwww pay attention to meeeeeeee" kind of way, it was both boring and a massive eye roll. It's a book about magic and asskicking. Kick some ass. We're here for escapism not "realistic" whining. Yes, irl she'd be a mess. As an author it's his job to strike a balance between the "realism" he wants to portray and making his readers so depressed and done with his heroine that they quit reading, and in my case, he absolutely failed.

Everything must be about her at all times. Skug is having personal problems? Fuck him, they're about her now. Everything is about how it affects her, and her feelings, and be damned to the person actually having the problem. Fucks phase 2 val cain gives about anyone except herself: 0

Bitter and jaded. Which yeah I get why but it's like jesus christ what do we get out of reading about this? It's not even good bitter and jaded where it makes you empathise or admire her strength in adversity or whatever, she's just become a really nasty person with no redeeming features that I could see. Which? Landy outright said she's based on his gf? If your boyfriend is gonna drag ur entire personality through the dirt like that and write "you" as just a collection of incredibly negative traits...yikes.

Really ungrateful about the awesome life she leads? Which bugs me bc I fucking hate mundanity and knowing that all there is to life is fucking working and bad mental health. I would kill to live her life. All she does is moan about it. Like? Quit then. Fuck off back to being a mortal if it's that bad and live the shitty life you wanted to get away from in the first place. That way we'd get no more books, and quite honestly, thank fuck for that. But anyway, she needs to pick one, stick with it, and stop complaining about whatever she chose.

The girl wallows in self pity. And if someone else isn't indulging her enough, she'll wallow harder and louder and more obviously. Yawn.

Her POV is now so depressing to read that Resurrection literally tanked my mental health. I'm not kidding. I fell off the self-harm wagon, the suicidal thoughts came back, reading her dissociating would make me dissociate, I just did not cope whatsoever. Being in her head was just like being in my head during my worst points, and I hate myself, so naturally, I hate her too. Like I get why some people like phase two val. I get that her depression is "realistic" and that trauma does just make some people completely dislikeable and self-pitying, and if people want to read about that, then...sure. you do you, my dudes. But I live that reality, I am that person whose trauma made her a dysfunctional, isolated bitch, and I hate, passionately, having it infest the media I consume to escape.

Essentially if I wanted to engage with a bitter, spiteful, depressed piece of shit in her 20s who pushes everyone away and sucks at everything, I'd live my gd life. Yall see me tryna engage with my real life? Hell nah I'm on tumblr dot com burying my head up the ass of whatever fandom will force my brain to produce some s e r o t o n i n and that is what I need this series for

Also? The dynamic she had with skug in phase one? "Until the end"? "You save me, I save you, that's how we work"? Forget that, it doesn't exist anymore. I stopped reading after Midnight, because she was written like he was a coworker she could barely tolerate. They went from "Lardo confirms on twitter that they talked on the phone a bunch while she was in america and he'd always ask her to come home" to "she comes home and proceeds to blank him for five months while she sits in her fuckin multimillionaire's mansion feeling sorry for herself". Their friendship completely disintegrated, they were totally separated for most of the book, she's written as not giving a single shit about him. She treated him like dirt, and their dynamic basically felt like it was becoming "Local Man With History Of Gravitating Towards Abusive Women Makes Same Terrible Choices For Fifth Time" and? that was the point of no return to me. he supports her unconditionally, no matter what he's going through at the time, he's walked on broken bones to try and get to her when she was in danger, she can tell him anything and he'd never use it against her. I did not, for one second in phase two, believe she felt the same about him. tbh it felt like she could - and wanted to - drop him at the first opportunity and not even feel bad about it, and that's not the dynamic that made me so emotionally attached to phase one. i signed up for "until the end", not whatever bullshit phase two has going on.

Apparently she's "less depressed" now and their relationship is "better" in the books published since midnight, which! might well be true. but I haven't read them and don't intend to, and she's gone from one of my favourite fictional characters ever (which! was impressive! because i almost never bond with the female lead - i normally get attached exclusively to the character i crush on, which would be skug here. val was the first female lead i actually cared about since xena! so im deeply salty about losing her!) to a character i? honestly prefer to pretend doesn't exist. i live in war era dead men/generals crackship land because that way, i don't have to acknowledge her or the fuckin character assassination phase 2 pulled on her.

so yeah, no hate towards phase one val at all. phase one val was awesome and flawed and gave me something to aspire to despite my shitty mental health and trauma, and if she'd kept her original personality she might still have been those things. but the original "real life" val is no longer involved (and doesn't talk to landy at all anymore, apparently), and the val based on landy's insufferable gf? i cannot get behind her at all ever, four for skug and none for phase two val cain bye

(tldr; you're not missing anything by quitting after spx)

[life-rewritten]

SAYING GOODBYE TO START UP-FATE, DREAMS, AND LOVE STORIES

I thought I wouldn't get to say this, but I finally had a new Kdrama that took up my attention and heart. And it was a surprise. When it comes to this show, I'm familiar with the works of Park Hye Ryun; Dream high was one of my first Kdramas to dive into, and I loved it, didn't particularly enjoy Pinocchio and was obsessed with the scriptwriting of Why you were sleeping before I got bored of it as well. I absolutely adored the drama with I can hear your voice. These are unpopular opinions. Obviously, this woman is known as a great experienced writer with a lot of hits on her portfolio, and I think Start-Up made me finally get why:’

Ratings: Plot: 8.5/10 Directing: 8.5/10 Acting: 8.5/10 Satisfaction: 9/10 Overall: A Rewatch factor: 8.5/10

3D Characters and Their Journeys

From Episode 1, I was hooked into it emotionally; I had already found my self connecting to all the characters, their dynamics, their flaws, their story arcs. I was excited at the thought of Cyrano de Bergerac being used as a base for a love triangle, and this show focusing on a love story between the characters Christain (Dosan's base) and Roxane (Dalmi's base). Normally the new modern takes on this story gives Cyrano the girl because he's the one who knows her deeply and truly. But this drama swerved on that; instead, it made me fall for Han Ji Pyeong as Cyrano, he had the qualities in the first episode, he was the one who wrote Dalmi the letters that got her out of depression, he was the one who was close to her family, and he was a bit jaded, not trusting, and had a harsh upbringing but it made me root for him and care for him so much.

I didn't understand how Dosan would be better; I was very intrigued by where the story was going. But it's not just the love triangle that caught me with this show; it's the title, actually two of its titles;

THE TITLE

We have Startup basically a business term for companies that are starting up with dreams of becoming massive; that's intriguing you have entrepreneurship, inspirational ideas, inventions, innovations in the world of business, that's really great cause I like watching how businesses grow and how people discover or make their dreams a reality. So I already felt connected and ready to feel inspired by a drama like this. Our characters all start broken, down on their luck, mocked and seen as nobodies and failures. They have to start all over again.

The second title is even more intriguing; Sandbox the actual place where they start up their companies, the place where our characters are destined to go and learn and grow; for me, the idea of Sandbox is already interesting it ties back to our main character her family, her father's aspirations to find a way for entrepreneurs to be safe and survive through the obstacles, like falling soft sand when they fall,a safe space to land, it was his inspiration and her dreams. It's a place of learning, the place where she's going to grow and become who she's meant to be. And for me, I found it so interesting and I wanted to see how she fulfilled her purpose of being the girl who inspired Sandbox.

 And how the other characters found theirs as well. And this show did not fail me with that expectation; it left me so hungry to know, so desperate to discover, and just so intrigued about my self. Not only was the show focused on the business aspect of things, but it made a deal of focusing on our self-doubts, hates, and worries, all the obstacles that life throws at us; that make us feel small and make us feel like our dreams and wants are impossible. 

We see Dosan someone who is incredibly genius and honestly amazing with his talent, but he has no self-love or trust or experience in how to be the person he should be. And we see how Fate/Destiny keeps moving him forward through the ups and the downs to get to where he's meant to be, to be the person he's meant to be, and to find the girl he's meant to be with. She had already held and waited for him in her heart, and he showed up becoming her dream as she was his.

LOVE STORIES AND DREAMS

That's the basis of the romance in this show, and I loved it. Because both our main characters are equal to each other, we watch the writers show us through subtext, hints, clues, plots why they should be together, why they fit, why they need each other, why they inspire each other, they were so made for each other it made my heart soft, but also it wasn't just for romantic purposes, they also were each other's partners from day one in this start-up environment they were thrown into.They found each other, in this harsh world that felt cruel, and impossible to them, they helped each other grow, find their voice, their dreams, their goals, and they found it with each other. So, of course, it made me bawl like a baby seeing Dalmi and Dosan hold hands at the end of this episode as CEOS of their now big company named after her father, who inspired her the whole time.

FAMILY; DESTINIES AND LEGACIES

This drama also delved deeply into family, again Sandbox is inspired by Dalmi's father's last wishes, and the first episode shows you, family is important; we see the break down of the Seo family, the break down of unity, happiness and dreams they had for each other as they all end up being separated because of different mindsets on what is more important. Money or Dreams.  

This brings me to another character, the sister Injae, just as much as Dalmi is the main of this show fulfilling her father's dreams and hers and becoming great, Injae also goes through her own journey of self-learning, discovery and acceptance. She and Jipyeong are similar in this way; they learn as the show moves on to leave the idea of material things, and obsession with money, to find the meaning of family with Dalmi and her grandmother. Everyone returns back to the Seo family, healed, grown and matured. And everyone discovers what it is that they want to do and they come back full circle to complete their character arc from the beginning.

It's beautiful, family, love and dreams are what this show is focused on. How sometimes life seems purposeless, and a lost cause, a place where we have to keep gruelling and pushing and working with no purpose or meaning, but Startup showed that if you're brave enough, trust in your abilities enough, and do the right thing, work hard, open your mind and fight for what you want, you can make your dreams a reality. You can manifest what you wish to because Fate is on your side, driving you, pushing you and showing you clues for what it is you're meant to do.

We all have our own dreams, our own destinations, our own thing that make us feel complete, or we're still in search for that, just by not focusing too much on the future and just being brave and doing all you can in the present with a right attitude, and hope, you'll find who you're truly meant to be. You'll find your way; for why you do what you do. And I think that's what Start-Up was in a nutshell, a show about manifesting and believing in the hope that you can be who you want to be, and you can make a difference. Cheesy I know, but it's how I felt at the end of this show. I know people like to focus more on realism of the business aspect of things, focus on the logic and rules of the world that make Start-Up motto seem childish, unreal and cheesy, but sometimes in life, the things that happen for us, things that push us to our dreams, destination, to find our best self, happens illogically, weirdly without explanation. We call it luck, we call it Fate. Like Dosan a lot of people don't believe in that, but I do, and I liked that this show believed in that. I like how inspirational and positive this show made me feel, and I like how it affected me. For others, it may not be your cup of tea, but it was mine, and I am so incredibly grateful for this show.

CYRANO DE BEGERAC; LOVE TRIANGLES AND THEIR PAINS

Now I can continue talking for ages about Manifesting, becoming big and successful, following your dreams, meeting the one, as this show showed, but I also need to mention the next part of this show that was a slight negative. The Love Triangle. Now remember this show has a literature base Cyrano, so of course, the love triangle was meant to be a big focus, the love triangle was part of the big picture for this show. People have said repeatedly that they hated that the writer focused on the love triangle, but when it was her aim from the start to flesh out her own characters based on Cyrano and tell her own love story through that, fans refused to accept it. And that's okay you don't have to like a love triangle, I didn't, I hated it too. 

Mostly because it made me dislike the character's actions that didn't still get the memo, i.e. Jipyeong. But what I do have to say about the love triangle is that it was needed, it was the most important device needed to push both Dosan to his growth and acceptance of himself, it made him have to tackle with his idea of how he sees himself, how he had no dreams, how he felt stagnant and alone, it made him have to deal with it when he was fighting for Dalmi.

And Jipyeong learnt about his flaws, how he hesitates, how he is too obsessed with material things, and money because that's all he's ever relied on, how he had to humble himself and finally become a good mentor. Jipyeong went through it because of the love triangle; he learnt a lot about himself and what he wanted because of losing in the love triangle. Plus Dalmi made him see how much he wanted to be part of her family.

The love triangle wasn't the best thing about this show, there were times it was too drawn out or damaging or filled with plot holes, but I appreciate this new twist on Cyrano. Like I said, usually Cyrano gets the girl (not in the original version but its adaptations in modern times).  The audience wants Cyrano to be with the girl because Christain is normally daft, and does not really know her etc. Christain is generally seen in a negative light, so for the writer to make Dosan, a newer version of Christain, someone who ultimately gets the girl from the start, who inspires her, who knows and loves her for her real self, who is her helping hand more than the Cyrano of the story, someone who grows and becomes so incredible. It's amazing. She got me, she made me like Christain and want him to be with Roxanne. And I loved it. 

JIPYEONG A GREAT SECOND LEAD

I loved this twist because even though it was apparent, it was Dosan, Jipyeong wasn't just a bland second lead, he wasn't stagnant, he wasn't stale with no personality, he wasn't just villainous for no reason, he was broken, and he was three dimensional, flawed, but understandable, petty but lovable. He had his own story to tell. He was important, he was Good boy, and he had his own way of making the audience root, and hurt for him. And that's excellent writing. For people to be so obsessed with his character, to find similarities with his character, to feel for his character, that's good writing.

That's a writer who made all her characters mean something. For me, Jipyeong is a second lead, and I'm not too fond of second leads, but I liked Jipyeong, and I cared about his journey for a long time. I may have become upset and disappointed at his character later on, but he was a good second lead, he made me feel conflicted at times not just because he wrote the letter, but some of his actions for her were sweet and cute. But it was nothing compared to Dosan. So as much I understand why so many people loved Jipyeong, I won't forgive the fangirls who became so delusional because of their obsession with his actor and their own feelings for him, they refused to see where the writer was going with the story.

It's not she like she lied or did things out of the blue, the writer set this up, she put clues, subtexts, foreshadowings, quotes, moments to show you; Jipyeong wasn't the kind of guy she wanted her character to be with. I wouldn't want to be with someone like Jipyeong, and that's why I'm happy he didn't end up with anyone as of that time in the ending, he wasn't still ready, he still had a lot to learn. This writer doesn't care about looks, or on the surface shows of affection, she makes you pity and care and understand the second lead, but it doesn't mean she accepts what he's doing as right. That's why she made him realise he was the one who needed to concede to Dosan, that's why he had to apologise, that's why he was the one at the end begging Dosan for an investment, he was never a good mentor to Samsan Tech, but now he will be.

So it's interesting to see what people saw in Jipyeong that I didn't, because it shows we all have our own perceptions of what we think is a good boyfriend, true love or soulmate. And fine you can have your perspectives but don't hate the writer for wanting to show a love story between someone who was not problematic, is not your typical Kdrama tsundere, cold chaebol character, but he's sweet, honest, proactive, genius and hard working. There was nothing wrong with Nam Do San, he might be unknowledgeable and slow to things because of lack of experience, he may have had such low self-esteem, but it made him modest, it made him kind, and he wasn't problematic, manipulative, toxic or whatever people liked to call him because they needed Jipyeong to be the hero. Nam Do San was a tremendous male romantic lead. And I hope I see more characters like him for our main girls in other dramas. I want a guy like Nam Do San, not going to lie, I truly fell in love with his character, and their love story so touched me despite the fact I disliked the noble idiocy plotline. The love triangle was annoying, but I enjoyed how it ended. And I hope people stop ruining the ratings of this show because they're petty that Jipyeong didn't get the girl.

THE WOMEN

I also want to mention how much I loved the women in this show, they were great, smart. important and fleshed out again. All the women Dalmi, Injae, Grandmum, Mum, Saha every one of them had something to do in the show, they all grew, they all learnt, they all became so great. I like how this show even though Dalmi relied on people, she still had to learn and rely on her self later on, with the help of Injae. I love how this show was focused on the two sisters journey and manifestation of their father’s legacy. Not only were they the mind of the company, but they did speeches, the invented, they helped with other inventions and they were the face of Sandbox. They were absolutely great and inspirational to watch. And I loved that about this show as well. 

I can talk a lot about Start-Up, about all the devices, all the subtext, foreshadowings, clues, hints, metaphors, meanings, that this show had in 16 episodes. In fact, you know  I can because that's all I've been doing since this show aired on my two blogs. I enjoyed analysing this show, and I think this show is now my favourite drama of this year, and I'm so grateful for it. On a serious note, it might be cheesy to believe in manifesting-dreams. All that finding true love business because sometimes life isn't easy like that, luck is very different in reality. Still, for me Start-Up really inspired me, and pushed me, it made me question what I want to do, what I have to do for my own dreams/ purpose to be a reality, it made me ask my self about how I see my self, and how I work. It taught me a lot of business terms, and it also inspired me to write an analysis. It made me look deeper into Korean dramas yet again, and I appreciate it. I have really enjoyed this drama, and I don't want to say goodbye. Maybe when I 'mature' and become colder this will all seem like rubbish to me, but I hope I keep on being this way, the girl who believes in love, the girl who believes in making dreams come true and fighting for what you want, the girl who believes in Fate and Destiny. Laugh all you want, but I like to be that girl, and I like to think that one day like Dosan and Dalmi, I'd get to where I'm meant to be and survive and make my own dreams, wants, aspirations become a reality. Thank you Start Up. And thank you to all who read my analysis of this  show. It was a great time and it won't be forgotten

[inevitably-johnlocked]

Hi Steph! How you’re doing? First of all, I wanna say that I love your lists. So, I was wondering, do you have some long Johnlock fics? Like, with a bunch of chapters and all that. Thank you!

Hey Nonny!! 

I absolutely do! And you know what?? I’m gonna be selfish: No one has ever EVER asked me for my shorter long fics, so I’m going to take this opportunity to finally release this list, because it’s been sitting in my drafts for YEARS lol. BUT you can check the list below for the links to all my longer-fics lists! Happy reading!!

NOVELLA LENGTH FICS: 20-25K

See also:

Novella Length Fics: 25 to 50K (Aug. 2019)

Novel Length Fics: 50 to 100K (Nov. 2018)

Novel Length Fics: 50 to 100K Pt 2 (May 2020)

Novel Length Fics: 100K+ w. (May 2019)

Novel Length Fics: 100K+ w. Pt 2 (Aug 2020)

Through the Clouds by Mazarin221b (E, 20,004 w., 6 Ch. || Retirement, Home Improvement, First Time, Romance) – Sherlock takes a remarkably early retirement at 47, and convinces John that a change of pace would do them both good. They buy an old cottage on the South Downs, and exchange their nonstop life in Baker Street for quiet contemplation, bee studies, and book writing. They might go completely insane, but sometimes it takes stepping outside of the life you're living to find the life you want. Part 1 of Through The Clouds

A Life Well-Lived by Kate_Lear (E, 20,121 w., 1 Ch. || Original Male Character, Sherlock Woos John, Jealous Sherlock, Reluctant Bi-John, Past Abuse, Insecure John, Reassuring / Caring Sherlock, Protective Sherlock, Understanding Sherlock) – John got scared off men by an abusive past relationship. Sherlock has to try and woo him while not scaring him off with protective possessive rage.

The White Lotuses by SilentAuror (E, 20,340 w., 1 Ch. || Slow Burn, Domestic, Romance) – One day John realises that he just isn't where he belongs, which is back at Baker Street with Sherlock. So he goes back and Sherlock, in his own way, courts him. Romance.

Out of the Woods by SilentAuror (E, 20,471 w., 1 Ch. || Post S4, Romance, Slow Burn, Flirting, Drunk Sex, Practical Jokes, POV Sherlock, Bottomlock, Possessive John, Pining Sherlock, Frustrated Wanking, Frottage, Hand Jobs, Blow Jobs, First Kiss/Time, Virgin Sherlock, Love Confessions, Soft Sherlock, Dancing, Bum Appreciation, Hanging out with the Yard) – Sherlock is fairly certain that John has taken to flirting with him of late, but can't be entirely certain of it. At least, not until a case takes them into a forest, along with Lestrade's team and something happens that will change everything about their lives...

You're On the Air by prettysailorsoldier (M, 20,616 w., 1 Ch. || Unilock, Matchmaking, Radio, Christmas, Christmas Fluff, First Kiss, Friends to Lovers, Sherlock POV, Pining Sherlock, Flirting, Bisexual John) – The Consulting Detective and The Woman dominate the airwaves of their university radio station, doling out advice on everything from meeting the parents to sexual positions. When their ratings start to dip before the holidays, however, manager Mike thinks it's time for some fresh blood, and who better to fill in the gaps than rugby captain--and notorious flirt--John Watson? Part 1 of 25 Days of Johnlock

whiskies neat by Ellipsical (E, 20,660 w., 15 Ch. || Alternate First Meeting, POV Second Person Sherlock, Slow Burn, One Night Stand, Rimming, Blow Jobs, Anal, Soldier John, Crying, Emotional Lovemaking, Switchlock) – Home and hearth and whiskies neat, or, alternatively, Sherlock Holmes falls in love.

Achieving the Together-Coloured Instant by teahigh (E, 20,776 w., 1 Ch. || Est. Rel, PTSD, Codependency, Fluff & Angst, H/C, Smut, Demisexual Sherlock, Experiments) – John wonders if this is how it’s going to be: A life speaking in code, because they’re both too stupid to figure out how to say, “I love you.”

Winter's Delights by Kate_Lear (E, 21,173 w., 1 Ch. || Holmes Family, Christmas, Fake Relationship, Friends to Lovers, Bed Sharing, Domestics) – Sherlock takes John home for Christmas to meet the extended Holmes family. Part 1 of Winter's Delights

Once More, With Feeling by cellard00rs (T, 21,178 w., 7 Ch. || John’s Family, Fake Relationship, Romance, Fluff, Humour) – To put off his meddlesome, matchmaking mother, John convinces Sherlock to play the role of his significant other. Unparalleled awkwardness ensues.

Love Is by SilentAuror (E, 21,508 w., 1 Ch. || Angst, UST / URT, Post HLV, Romance) – At Mrs Hudson's urging, Sherlock finally decides to tell John how he feels about him. Part 1 of Love Is

echoes through time by chellefic (E, 21,619 w. || First Time, Romance, ACD & BBC, Epistolary) – Mummy sends a trunk from the Holmes cottage in Sussex to 221B. Its contents alter the way John and Sherlock see themselves and one another.

The Real Meaning of Idioms by feverishsea (T, 21,691 w., 1 Ch. || Texting, Humour, Post S2) - After two weeks away, John finally texts Sherlock. He doesn’t expect Sherlock to respond. He doesn’t expect Sherlock to keep texting him. And he really doesn’t expect things to spiral out of control so rapidly.

5 Times John Got the Girl (and lost her) and 1 Time John Got the Guy (and kept him) by LiviKate (M, 21,695 w., 6 Ch. || 5 and Ones, Kissing, Oblivious / Awkward Sherlock, BAMF / Sexy / Stud John, Embarassed John, John’s Scar, Hurt/Comfort, Jealous Sherlock) – John has always had good luck with the ladies. He's charming, friendly and funny, not to mention great in bed. However, his usual skill with the opposite sex is constantly being thwarted by Sherlock and his outbursts. How will John ever get a leg over when Sherlock is always cockblocking him?

Brief Conversations with the Woman by May_Shepard (E, 21,906 w., 20 Ch. || Pining, Love Fairy Irene, Filler Fic, UST/URT, Drug Use, Clueless Sherlock, Relationship Advice, Angst w/ Happy Ending) – Sherlock has a puzzle to solve, and his name is John Watson.

When to Let Go by KendylGirl (M, 22,109 w., 8 Ch. || Friends to Lovers, Reverse Reichenbach, Sacrifice, Forgiveness, Angst, Love, Implied Drug Use) – What if it were John who had to die to thwart Moriarty's plans? John's supposed death shatters Sherlock, and when he returns, it will challenge the pair to forge a path of forgiveness, to peace, and to find a way back to each other. Part 1 of When to Let Go

A Shipless Ocean by myswordfishmind (M, 22,135 w. 4 Ch. || Post-TRF, John has a Kid) – Ten years after the fall Sherlock goes back to London to find that John no longer lives there. Instead, he resides in a seaside town, a widower, and the father of a seven year old son. Now, Sherlock must struggle with the fact that there may no longer be a place for him in this new world.

Ghost Stories by SwissMiss (M, 22,256 w., 1 Ch. || Pining, Holmes Family, Christmas, Friends to Lovers, Slow Burn, Bed Sharing, Fluff, Hurt/Comfort, First Time) – Sherlock's parents think he and John are a couple. They might be onto something.

The One With the Proposal by kim47 (E, 22,375 w., 3 Ch. || Fluff, Romance, Marriage Proposal) – Proposing shouldn't be this difficult.

Sonatina in G Minor by SilentAuror (E, 22,574 w., 1 Ch. || Case Fic, POV Sherlock, Angst, UST, Sherlock’s Violin, Post-S3, Romance) – John has come back to Baker Street, but Sherlock doesn't understand the strange tension between them, even after he begins teaching John to play the violin at John's request.

Dear John by wendymarlowe (E, 23,031 w., 64 Ch. || Post-TRF, Online Dating, Pining, Epistolary, Cybersex, Long Distance Romance) – With Sherlock dead, John eventually (under duress) makes a profile on an online dating site. And falls into a long-distance relationship with an enigmatic partner who reminds him of Sherlock in all the right ways. (Hint: it turns out to be Sherlock.) Part 1 of Dear John

Knotted by naughtyspirit (E, 23,166 w., 4 Ch. || UST/URT, Cuddling, Sharing Body Heat, Confessions, Kissing, Mastrubation, Frustration, BAMF!John) – John has to cancel a date because of Sherlock's case, which leads them to be tied up in a basement from which they have to escape. They get wet, get tied up close and John has to step up and save them. Because he's pretty. And hot. And just a little bit of a BAMF.

You Can Imagine the Christmas Dinners by ardenteurophile (T, 23,584 w., 9 Ch. || Pre-Slash, Drama, Fluff & Angst, Humour, Romance) – Sherlock takes John along for Christmas dinner with Mycroft and Mummy (And "Anthea", too). Over the course of the evening, John realises that everyone in the room - apart from him - seems to think that he and Sherlock are a couple. Part 2 of Xmas Dinners Verse

Once Upon a Beast Becoming by antietamfalls (T, 24,042 w., 6 Ch. || Beauty and the Beast AU || Magical Realism, Folklore, Celtic Mythology) – An act of pride, a druid’s curse, an enchanted leaf; Sherlock’s torment has lasted an age. Hope arrives in the form of one John Watson, a man uniquely suited to break the spell. But with a single night to win his affections, Sherlock finds his carefully laid plans disrupted by a monstrous killer whose sights are set on the only thing he has left to lose: John.

The Kepler Problem by kinklock (E, 24,270 w., 1 Ch. || Sci-Fi AU, Alien Sherlock, Space Repairman John, Alien Biology, Horny John) – Working in uncharted space exploration was not as exciting as John had hoped, especially when it turned out to be mostly bot maintenance on uninhabited planets. However, the mystery of the repeated, unexplained malfunctions on planet BAK 2212 might turn out to be exactly the kind of adventure he'd been craving.

Maintaining A Personal Life by Gingerhermit (E, 24,284 w., 6 Ch. || Alternating POV’s, Bisexuality, BAMF!John, Jealous Sherlock, Romance / Drama, Sort-of Case Fic, Peril & Angst, Love Confessions, Toplock, Soft Idiots in Love, Post S3) – Sherlock and John discover some interesting revelations about each other’s sexuality, which lead them both to question the assumptions they've made about one another for years. In the midst of their mutual discoveries, a dangerous psychopath looms on the side-lines who threatens to destroy their new beginning.

The Sexual Awakening of Sherlock Holmes and Dr. John Watson by suitesamba (M, 24,579 w., 10 Ch. || Post-TRF, Case Fic, H/C, First Kiss/Time) – Sherlock owes Mycroft a favor. Mycroft calls in that favor by offering Sherlock's consulting services in a charity auction. Sherlock and John soon find themselves at the country manor of Mrs. Ives-Patton Smarmington III - not very coincidentally a long-time friend of Sherlock's mother - where they are reluctant participants in her Murder Mystery Weekend. It's a play within a play for Sherlock and John, and their roles for the weekend event bleed over into their real lives, waking the sleeping dragons within.

Tomorrow's Song by agirlsname (M, 24,645 w., 5 Ch. || Post-TRF, POV Sherlock, Angst with a Happy Ending, Virgin / Repressed Sherlock, Love Confessions, Slow Burn, Pining, Jealous Sherlock) – How can he think a relationship with me would be a good idea? I am the sort of person to take a break from my life and when I come back after two years, I expect to find it exactly as I left it. In reality I find it shattered to pieces. (I actually equate you with my life. When did I start doing that?)

State of Flux by Atiki (E, 24,655 w., 4 Ch. || Sherlock POV, Slow Burn, First Kiss/Time, Friends to Lovers, Frottage, Cuddles and Snuggles, Awkwardness, Insecure/Virgin Sherlock, Romance) – John’s marriage is over and he is finally back home (i.e. at Baker Street, where he belongs). Sherlock is awfully insecure and John is awfully hesitant, and they're both awkward idiots, of course, but they figure it out. Many First Times happen.

[technofantasia]

A little thing I really appreciate about Rise of the TMNT is just how subtle the writing can be at worldbuilding and characterization!

Like... a very common problem in all kinds of fiction, let alone kids' shows which tend to think their audience is too stupid to put 1 and 1 together, is telling over showing. How do you let your audience know how your world works, what characters' names are, how they know each other, all that kind of stuff? Usually, the answer is to find some way to shove in exposition. Have the characters introduce themselves to someone new so the audience can be introduced to them, or have the information come up in (hopefully) natural conversation, or find some other way to tell the audience exactly what they need to know. While writers can get creative in how they deliver that exposition so it isn't outright immersion breaking, depending on how much they need the audience to know, a little bit of immersion breakage can seem like kind of a necessary evil. Exposition is still exposition, no matter how you dress it up; it's always going to be the writer telling the audience what they need to know through the characters' mouths instead of showing it gradually through their actions.

...If you notice, despite being ostensibly a kids' show, Rise doesn't really have any exposition!

The first episode drops you right into the turtles’ life, without any foreknowledge or expectations or anything really, and proceeds to not really try to explain anything. You can clearly see they are not human, and can assume that they are turtles by the title of the show and the shells on their backs; at no point is it actually explicitly said they are turtles (at least, at no point is the audience told they are turtles. it comes up sometimes, but more as flavor than exposition). The same way, at no point in the first episode do they really say the characters’ names; it comes up in conversation sometimes, as names often do, but there’s no “these are the character’s names!” part of the conversation where they all consecutively say each others’ names or anything like usually happens in first episodes. You just have to pay, like, minimal attention to figure it out, which the entire audience can easily do.

Actually, a thing I REALLY like is that, throughout the series, they almost never say their full names? Which makes sense, because why would they ever say their full names, they’re long and unwieldy. It makes them seem a lot more realistic. But that’s particularly noteworthy because the audience is never explicitly clued into the fact that they even have full names at all! If you legitimately knew nothing about TMNT going into the show, you’d need to figure out through context clues that “Mikey, Donnie, Raph, and Leo” are nicknames at all, let alone what they’re nicknames for. Then again, it’s not exactly impossible to find out through context because they have multiple nicknames for each other (which is a thing you’d only do if someone has a particularly long, nicknamable name)! Just in the first episode, Leo is called both Leo and Leon, which clues you in that Leo is probably short for something. Combined with later episodes where Donnie calls him “Nardo”, it then would become pretty clear that his full name is Leonardo even without having to hear it spoken out loud! The same thing holds true with the other characters; sometimes their full names come up, but when they do, it always feels completely natural and like it only so happens to be revealing information to the viewer. It trusts the viewer to understand and put together the subtle context clues it lays down so it can just tell a story without stopping to explain everything, which feels just fantastic!

And that’s only one example of the writers doing this. They do it for everything. Like, just going back to the first episode again, first scene. What happens? The turtles zipline over some shady crime stuff to canonball into a pool which April got them access to, They come across Mayhem, they fight some jogger guys who turn into magic horsemen or whatever, they lose and the bad guys get away with Mayhem and April. Cool. Now, what does this scene let the viewer know about without ever explicitly saying anything?

They’re ninjas (they’re in the shadows, doing cool flips and stuff)

They’re not very good at being ninjas, presumably because they’re teenagers and not fully fledged heroes (They ignored the shady deal going on on the roof, they completely failed the fight and showed very little skill, they act like teenagers who care about things like jumping in pools)

They’ve known April for a long time (dialogue shows them being very close, close enough that she doesn’t really need to ask anything or say anything in order to be understood)

The basic personalities of all the characters, just through dialogue

Donnie has some kind of high tech stick that has lots of cool features, but they aren’t very well implemented, presumably because he was hasty in adding them (nice little nugget of characterization there, showing he’s more of a scatterbrained scientist type than an exhaustively-pedantic one)

Donnie also has some kind of a backpack thing that can let him fly!

Mikey can pop into his shell, but none of the others do that, leading to the conclusion that he might be the only one who can (which is kind of up in the air anyway, but at least for the most part hes the only one who DOES)

...plus a bunch more. But all that is expressed more through stuff just happening and you getting to see it than any kind of easy to digest exposition. If you really aren’t paying attention, you could miss all of that! It’s surprisingly subtle.

Then there’s stuff like how none of the turtles’ weapons are ever really explicitly named in series (again, as anything more than an aside), Donnie’s battleshell is never officially named OR introduced, the fact that Donnie has multiple battleshells with different functions is never really explicitly brought up, what exactly it is that any of his inventions do AND how they work AND that they’re controlled by his wrist doohickey are all left up to the audience to notice, a good number of important side characters (Hueso, Hugninn and Muninn, the foot guys, FOOT RECRUIT,,,,) are never really explicitly introduced, like, with names and everything, the fact that Raph is the oldest and Mikey is the youngest and Leo + Donnie are the middle children only comes up in passing... so much of the show’s details and lore is never brought up in exposition form, and as a result needs to be just. Noticed, and put together.

It even does this with major plot stuff! Like, you learn that the Battle Nexus is 1) controlled by Big Mama, 2) in the Hidden City, 3) incredibly popular and basically a cornerstone of the city, and 4) Big Mama as a result basically controls the city, all through context clues without ever needing to be told. Or, most of Splinter’s backstory, the biggest continuing mystery of the show, is NEVER actually talked about at any point! It’s only shown to you, never told except in the most sideways fashion (like in Goyles, where, despite being ostensibly an origin episode, Splinter and the turtles aren’t even the focus!)

Heck, thinking about it, most of the show’s mysteries are only mysteries because the writers decided to put some context clues in that hint to there being more to the situation, even if not everyone would realize that! The viewers are TRAINED to take every bit of information given by the text and try to work it into their internal sense of the world and characters, because that’s just how the show works. The writing is consistently INCREDIBLY subtle like that.

And in a way, it makes sense that it would be written like that, even if TMNT isn’t usually known for its subtlety, This is a show all about teens being teens and doing stuff that teens would do, if they were ninjas and also had magic and enemies and stuff. Despite being a very wacky premise, the show relies on a certain amount of realism and groundedness in the characters in order to ground all of the crazy circumstances they get into. Even if they’re being forced into eternal 80s makeover montages by a magician hippo, the characters still act like people, and more importantly, like relatable, semi-realistic people, with realistic reactions and realistic interests and realistic insecurities. The characters are supposed to feel, in a sense, like real people.

How much do you know about any real people other than yourself?

The writers just dropping you into these characters’ lives and not explaining them to you is a way to make them feel more real, I think. It forces you to try to understand them and what they’re all about like you’re meeting them for the first time, getting to know them through their actions more than anything else. It makes the show and especially the characters feel a LOT more personal and, in a sense, real, which is a feeling the show absolutely benefits from and uses to its full extent.

But anyway, this has gotten really long, soooo... Rise is a show that always treats its audience with respect, and it’s just so nice to realize that respect even extends to trusting us to figure out lore as basic as the characters’ names. That kind of subtle writing really makes the show stand out!

[itswildwinters]

Hello lovelies and welcome to my October 2020 fic recs. These are the fics that I read these last few months. The main pairing is Louis Tomlinson/Harry Styles.

This is also an appreciation post to all writers out there. Thank you for contributing so much to the fandom, for making all these incredible pieces of work for us all to read!

I’m wishing you all a happy Halloween in advance!

If you check out any of those incredible fics below, don’t forget to leave kudos and comments to show your appreciation!

Enjoy!

From What I’ve Tasted of Desire by @evilovesyou 

When Louis moves to the small Scottish town of Fortrose to spend some time with his father, he thinks he's come to terms with the fact that the next two years of his life will be rainy and dull. That changes when he meets the ever-elusive Harry Styles in his Biology class and he makes it his goal to find out the big secret surrounding him and his family. Louis unexpectedly finds himself in the eye of a storm of secrecy, age-old myths, friendship and romance.

Twilight AU / Vampires / Werewolves / Slow Burn / Highschool & College AU

eyes off you by @soldouthaz

“Just promise me you’ll do whatever it takes to keep us all safe while we’re in there,” Liam says.

Through the crack in the door, Louis can just barely make out the broad curve of Harry’s back, the slope of his curls as they tumble down all sleep-soft and lazy, and the sharp twist of his arm - all leading down to where he’s got his pointer and middle finger crossed over each other behind his back.

“I promise,” he tells Liam firmly, “I promise.”

--

or; a charlie’s angels inspired fic where louis is the brains, harry is the charm, liam is the muscle, and niall drives the getaway car - and zayn is there, too. sometimes.

Action / Pining / Assassins (kill bad people)

Walls by Travis_Crux 

Following his line of sight, he frowned and shook his head, "What's wrong?"

"Wasn't your timer on your ring finger?" Liam asked, at that the Alpha immediately swapped the tumbler and looked down at his finger which sported a string of tiny blue flowers on the underside of his ring finger.

The two of them looked at one another.

"You could've touched nearly fifty people by the time you grew delirious," Liam advocated, always the voice of reason. "Comrades, nurses, doctors."

Sighing, he turned away and continued drinking the water. Literally, the only fucking thing remaining in the middle of a fucking war.

Or

Harry has his soulmate timer stuck at zero from the beginning of time but suddenly the fates show mercy and a lovely forget-me-not takes the place of his timer. In between finding his soulmate in a war camp and solving the puzzle of the charismatic doctor who is treating him, all he can hope for is to live.

ABO / World War I / Soulmates / Angst / Hurt-Comfort

works like a charm by @falsegoodnight

Ever since Louis joined the team in fifth year, a few facts have become set in stone.

One: Louis is the best chaser in Hogwarts.

Two: Harry is the best beater in Hogwarts.

Three: They do not get along.

So it’s really unfair of Liam to think that forcing them to spend time together as Louis recovers from his injury will make them the best of friends. The last thing Louis would do is get along with that git.

Harry Potter Setting / Porn With Plot / Enemies to Lovers

(quiet like a fight) fingers laced together by @letthemkissyou

It’s a thin hope, frail and as thin as the silver strands of a spider web, desperate in the way Louis keeps clinging onto it even when he’s already expecting and preparing for the worst. Maybe one day, he’ll have a home, a place where he can feel safe and sound, tucked away safely from the world that has the tendency to treat him horribly and then even worse, that maybe there will be someone in his life who cares for him, even if in the smallest of ways, and does not just use him for whatever they tend to need at the moment.

Or, the one where Harry is gifted a hybrid and it's a whole new world for the both of them.

Hybrid Louis / Past Abuse / Fluff / Angst 

We’ll Cast Some Light (You’ll Be Alright) by fondleeds 

There’s tense silence, the whole room completely hushed. The other teams on surrounding tables look between each other. Then, Louis pushes himself away from the table noisily, chair scraping. His face is angered and crumpled, red at the ears. The door slams behind him as he rushes out. The surrounding teams look at Harry simultaneously.

“God, Simon is going to kill us if we don’t die on this mission first,” Niall moans into his hands.

-

There’s a standard procedure for this. Scan, track, kill. But with a solar eclipse and a Greater Demon with unfinished business looming, the path to keeping England safe from harm becomes complicated and shadowed by mystery and secrets. For Harry and his team, times have never been harder, especially when a few old friends turned foes show up. Harry is left with just over forty days to overcome the hurdle of tension between them and reconcile their past, and figure out just what Louis is hiding from him before it’s too late.

Demons / Enemies to Lovers / Violence / Angst / Fluff / Demon Hunters / Smut

Three Days in February by @mercurial-madhouse

“We have to get out of here, outside,” Harry whispered, turning his hand in Louis’s grip to hold on and pull them both to their feet. “And how do we fucking do that?” Louis hissed, carefully rising and pulling Harry to his feet before Harry could do it. His gaze darted to the front then back of the arena. “None of the doors are where they’re supposed to be.” “What?” Harry looked around again too, couldn’t see any doors, only knew that they must be there, somewhere. “How do you know?” Confusion slid over Louis's features. “Because we’ve been here before, Haz. It’s the O2.” The show. It must be the first night of their tour. They were too late; they were out of time.

Louis is cursed after a night out with the lads and the five have just three days to figure out what happened and how to break it before Harry and Louis both lose their sanity and maybe something more. Louis can hear everything Harry thinks and Harry isn’t sure he can keep his feelings for Louis a secret from his own mind.

Ridiculous amounts of banter and angst, a lot of Harry and Louis alone together, a healthy dose of OT5 friendship, and one very magical weekend.

Friends to Lovers / Fluff / Angst / Action / Adventure / Magical Realism / Hurt-Comfort / Slow Burn

Soaked In The Blood Of Angels by @crazyupsetter

The boy looks drugged, caught between a man who’s almost twice his size and a girl who looks like she wouldn’t even break a sweat snapping him in half despite her small stature, eyes closed and mouth open as he pants, arching up between them almost as if he’s trying to escape.

Normally, Harry would ignore it and continue on his search for someone to drink from, someone who wouldn’t mind his sharp teeth and rough hands. He’s seen plenty of boys like this one, ones who picked the wrong playmates, and if he stopped to rescue every single one of them he would have died from thirst a long time ago.

This one, though. There’s something about this one, the sheen of his bright blue eyes as he blinks slowly, looks around as though he doesn’t know where he is, the weakness of his hands as he tries to push the girl off of him and make his escape.

Explicit Sexual Content / Vampires / Incubus / Dubious Consent / Blood / Violence

The Compulsion to Find Love by Toomanytears

The most prestigious English third-level institution, Candling University, accepts omega students for the first time and Louis Tomlinson applies with bright eyes and brighter ambitions. There he encounters personal obstacles, traditional mindsets and a beautiful boy who inverts every prejudice Louis has ever known.

ABO / Omega Louis / Alpha Harry / Worldbuilding / Slow Burn / Fluff / Angst

Just a bit of work by missyoutoosweetscheeks

It was quite painfully pathetic, really. Twenty five, stable job, stable flat, stable mind (well, quite), a painfully non-existent love life with an even more painfully intact virginity.

Marcel didn't think his life was going to get better with his painfully aparent sociopathic tendencies to block anyone who showed interest in him.

Until, of course, he became Louis Tomlinson's next prey.

OR

In which Marcel is a virgin, and becomes his office's amorous co-worker's next big conquest.

Top Harry / Bottom Louis / Office Sex / Dubious Consent / Porn Without Plot 

Fuck U Betta by @jacaranda-bloom

There’s something about having Louis like this, exposed and desperate, that makes a primal urge bubble up from deep inside Harry’s chest. Desire mixed with something else, something unquantifiable. It’s the thing that makes them want this, need this. Nothing else will satisfy them or quench their thirst.

OR the one where Harry likes the thrill of the chase, Louis likes to be chased, and everyone gets what they need… in the end.

Porn Without Plot / Light BDSM / Top Harry / Bottom Louis

push you out, pull you back in by @behisoneandonly

Harry grips his head in his hands helplessly, yanking the base of his dark curls and squeezing his eyes shut.

“Fucking hell,” he whispers, knuckles turning white from how hard he’s gripping the strands of his hair.

“Hey, hey,” says the petite stranger in front of him, quickly standing up. “Stop, you’re hurting yourself.”

–

Or Harry hates feeling vulnerable. Louis is set on breaking through his tough facade.

College/University AU / medical student Harry / Fashion student Louis / Strangers to Lovers / Pining / fluff / slight angst / Hut-Comfort / Anger Management

might we be stardust stories by ryanreynolds

"It was easier being at war."

In which werewolves and vampires have been fighting each other for a century, and Harry and Louis' marriage is what's gonna bring peace to the realm. Hopefully.

Werewolves / Vampires / Arranged Marriage / Slow Burn / Falling in Love / Pining / Fantasy

Like Candy In My Veins by littlelouishiccups

“Um…” Harry said slowly after a moment. “Okay. That’s��� this is… Let me get this straight.” He lifted up a hand and swallowed. “You told your family that you have a boyfriend… and my name was the first one you thought of?” “Harry Potter was on TV, alright? It wasn’t that much of a stretch.” Louis pinched the bridge of his nose. He couldn’t believe he was explaining himself to Harry fucking Styles. He couldn’t believe he was stooping this low. “Forget it. I’m sorry I even thought about bringing you into this.”

Harry snorted. “What? Did you want me to pretend to be your boyfriend or something?”

(Basically the A/B/O, enemies to lovers, fake relationship, Christmas AU that nobody asked for.)

ABO / Fake-Pretend Relationship

until this blood runs cold by @soldouthaz

In a town as small as Louis’, everybody knows everybody and gossip spreads faster than the wildfires that rage on just outside their backdoors in the sweltering heat of summer. When something happens here everyone knows about it within seconds. Neighbors call neighbors and notes are left on doorsteps, old telephone lines ringing until there isn’t a single person who is left in the unknown.

So it’s definitely hot gossip when a vampire moves in across the street from him, the very same one who’s just become Louis’ boss.

Vampire Harry / Frottage / Blood Drinking

call you mine by @falsegoodnight

“I have a request.”

That’s what Louis Tomlinson says to Harry when he opens the front door a bit too aggressively. The latter feels justified after a round of annoyingly incessant knocking that was much too loud in the drowsy sludge of early Saturday morning.

“Zayn’s asleep,” is Harry’s tired, hoarse reply, irritation prickling at his skin. Less than a minute ago he was in bed, feeling perfectly content sprawled out on the mattress with the chilled air from the fan cool against his bare skin. And now he’s leaning up against the wooden door frame in nothing but his briefs because Zayn’s best mate decided that showing up unannounced at seven in the fucking morning was a brilliant idea.

“I’m not here for him,” says Louis curtly.

-

Or, Louis’ curious about how it feels to be bitten. Harry’s going to need more than just one bite.

Plot What Porn / Vampire Harry / Bottom Louis

your biggest fan by @soldouthaz​

Just like everyone else, Louis has a few habits that he can’t seem to break. Guilty pleasures, rather. His nails are perpetually short because he can’t quit biting them, the bottom of his shoes scuffed from tapping his foot constantly. Sometimes his leg gets a cramp from bouncing it so often underneath his desk. That isn't too bad, he reckons, just some average teenage coping mechanisms.

And also, occasionally, minor instances of theft.

Top Harry / Bottom Louis / Porn What Plot / Nerd Louis / Jock Harry

give me love by @falsegoodnight​ & @soldouthaz​

Despite being an omega, Louis’ always had a blatant dislike of alphas.

-

Or, Louis doesn't feel like a good omega, Harry doesn't remember how to be an alpha, and they figure it out together.

ABO / Alpha Harry / Omega Louis / Bottom Louis / Past Relationship Trauma / Slow Burn / Angst / Fluff

The Stars Look Very Different Today by @kingsofeverything​

For Harry Styles, child genius turned glorified spaceship mechanic, rescuing lost or broken down ships is a fairly common occurrence.

There’s nothing common about his latest mission, the ship, or that ship’s captain.

The last thing he expects to find in a distant galaxy is the one thing he’s been missing on Earth.

Space / Time-Travel / Science Fiction & Fantasy / Enemies to Lovers

The cat is out of the bag by 28sunflowers

Harry somehow gets himself stuck as a black cat on Halloween and needs help from Louis to change back into his human form.

The problem is: Louis doesn’t even know witches exist, much less that Harry is one. And there’s also the fact he thinks Harry is ghosting him after they had sex for the first time.

So the situations isn’t ideal. But it’s okay. Harry will figure something out.

Light angst / Witch Harry / Potions Accident / Fluff and Humour 

[adoras-jacket]

LUZ APPRECIATION WEEK (DAY 1)

18th-Human World

Luz opened her eyes at the sound of her alarm buzzing, she couldn't believe that one of her most awaited days of her school year was finally here!

Today she would audition for the school play Romeo & Juliet.

It wasn't all the time that she would willingly take part in a school play, but she loved books and she loved romance, she has been growing up with stories that talked about finding the one and she dreamed of maybe one day finding someone who could understand her quirks.

She was ready to blow everyone away with her amazing reminiscence of Juliet.

She wondered why she couldn't be Romeo or maybe even County Paris though, she really wanted to take part in the fight with swords the book described. However, she knew her school… And it was the kind of school that sticks to rules no matter what.

What a shame, she was ready to show the other kids how she, Luz Noceda, was an amazing actress. She was ready to make new friends, or who knows maybe she could find her own Romeo or Juliet, she didn't mind which one came first.

And– well let's say she had everything planned for her big audition, she would combine her act and add a bit of realism, she already had all the things she needed inside her bag and– dress, she just hoped her mother wouldn't notice the few sausages she– took borrowed from the fridge...

She jumped out of the bed and rapidly brushed her teeth. She only had to put on her white sneakers – the only color her school allowed them to wear – though hers already looked gray like they had been used for too long.

She ran all the way downstairs, didn't bother to get changed because she slept with her clothes on the night before. Jean shorts over black leggings and a half white half purple hoodie she insisted her mother buy for her… because it came with what she considered was the best thing ever– her hoodie had cat ears!

Oh! She couldn't wait for all her classmates to see it and think of her as a cool kid and not a weirdo anymore.

She was really excited, you couldn't get her down from the frenzy state she was in.

Luz entered the kitchen like a tornado and saw her mother already up and preparing breakfast, she got near her and kissed her on her cheek.

”Morning Ma!”

”Good Morning Mija” her mother shook her head. She always knew how excited Luz would become when she would take part in a special activity in school, she just wished she could always see this side of her daughter, carefree, cheerful, and not wondering why most kids of her school avoided her or thinking about how many times she would see her sitting in the principal's office.

Luz had more detention papers that any mother would be proud of. But she loved her daughter dearly and she wouldn't change her at all.

That's what made her so special.

Luz went to grab a seat and started jumping, she couldn't sit still to save her life, always with energy.

Her mother put the plates on the table and she rapidly munched the breakfast her mother made, which consisted of fried eggs, mashed green plantains, salami, and white cheese.

It was called mangú, a special dish that her mother would prepare for her on special occasions– like her birthday or important school days like this one.

”Slow down mija, or you will choke”

Luz slowed a little bit down but still ate at a quick speed. ”Sorry ma– just– you know how I love the food you make,” she said with her mouth full.

”Lo sé mija” she smiled ”you seem really excited”

”Yeah!! Today I will be taking part in the Romeo & Juliet’s tryouts– the ones I told you about!” she swallowed the last piece of food, her smile far from fading. ”And I hope I get Juliet’s part, ¡ah sería increíble!”

“Well, yo creo que podrás obtenerlo cariño, you are amazing”

Luz smiled, loving the words of encouragement her mother would give her, she got up and took her dishes to the sink when she heard a sound coming from outside her door, the school bus.

“The bus!! Ok mom I need to go!”

“Alright mija, te amo, cuídate mucho” she kissed the top of her daughters head and hugged her “Suerte”

“Thanks mom! I love you too!”

…

“Ok next Miss Luz Noceda, for Juliet’s part”

Luz was a little nervous, she saw the other girls before her doing an excellent job and some were really good at acting, she could do this, after all it was only a couple lines and she had already memorized them. Also let’s not forget her special addition for the big finale.

Luz took a last encouraging breath ok Luz you can do this, you read the book like a hundred times, oh how she wished she was like an anime protagonist right now, so she could gain that increase of power like them, unfortunately she knew that kind of things could only live through her imagination, but hey! her creativity was something she would never trade.

Luz took the stage, she was dressed in a light green dress and cone-shaped hat, just like a part of novelty she has seen on so many videos– she was going to be someone who was just about to stab herself but a novelty nevertheless.

Luz started reciting her lines and then she got to the big finale, she prepared the little plastic dagger she had on her right pocket ”Yea, noise? Then I’ll be brief– O, happy dagger! give me death!”

Luz opened the top part of her dress and soon a lot of sausages came flying from the inside of her chest, just like if those were her guts, Luz dropped to the floor, the last things she heard were the screams of her classmates, she had her eyes closed so she didn't know if those were screams of surprise or maybe awe.

It was neither.

…

”Mija, you know I love your creativity but– let's say not a lot of people would– enjoy it too”

They were back to their house, after a chit chat with the principal again.

Luz thought her act was amazing, and yeah she could have maybe scared the life out of a few kids but she knew her act was great.

She'll find another way to make new friends.

”Yeah mom” she didn't like to see her mom upset with her though.

”Ok baby– and you know I'm not upset, but try to keep it down next time, ok?”

”Yeah”

”Mija wait come here for a moment–”

Luz was about to take a few steps when her mother called.

”Mija I don't like seeing my baby so upset... And I know you birthday it's a little far from now, pero– tengo algo para ti”

Luz got closer to her mom, she was carrying a wrapped rectangle, Luz didn't know what it could be, maybe a box, but then what could it maybe had inside, maybe her mom finally decided to get her a pet! But she guessed it was too narrow to maybe contain one.

She took the present and opened it. When she started removing the wrapping paper, she started to see it, she couldn't believe it!

It was the book series she had been trying to search for on the internet for the past month, after trying a few times to read it through bad resolution images and pages on internet full of ads, she gave up, but now her mom got them for her. She couldn't contain her smile.

“The good witch Azura” she murmured, but it came more like a squeak, she was really happy. Now she could finally start her Azura collection, the book series already had three and the author was already planning on writing two more!

“Thanks Mami!” she embraced her mom with force.”I will read them right now” she detached and went running upstairs.

“You're welcome mija, and remember to eat something!”

”Yeah mom I will try!” Luz could lose a little her track of time when she was doing something she loved.

…

Luz read the books in a few weeks, sooner the novel became her new world, she really resonated with Azura, the main character, having doubts if she was the chosen one to later find out she had always had magic inside her. She even made a few drawings of her in Azura's clothes.

Little did she know that this book would later become her ticket to a new world.

[flabotanum]

The AoS Finale - Where Everyone Ended Up

A Positive Review:

I’m just gonna preface this by saying: I don't think this was a perfect end to the show but in my opinion it came pretty close and I'm happy with it, so this is a positive outlook on where all the characters ended up. I’m not super interested in dwelling on what could have been and this show means a great deal to me so the fact that I’m overall happy with where everyone ended up is something I was hoping for and glad came to be. (This also ended up being way longer than anticipated hence the “keep reading” if your interested in my rambling)

The Nature of Family:

“Yet, this is the nature of families; I have seen it countless times on countless worlds. People arrive so we celebrate, and people leave us so we grieve. We do what we can with the time in between but the cycle is always there - no-one escapes it, not even me.” - Enoch (7x09)

The found family has always been my favourite aspect of the show, so finding out that the team wouldn't be together at the end (ever, because Deke stayed behind but also just them not staying a team) hit me hard. But after seeing it and how it was done, it honestly feels like a pretty realistic and bittersweet ending that fits the characters’ progression without ruining what I loved about their relationships. Because it doesn’t feel like they've really broken up the family – in fact, they feel like they're practically an actual family despite being apart now. That VR meeting they had was very reminiscent of an awkward family reunion, except we can clearly see that they all still love each other and aren’t interested in losing contact – there's no longer an imminent threat and so life goes on; the team members have their own lives now and those lives involve them not being together beyond meeting up every so often.

(Also, the spirit of a found family isn’t lost with the addition of Kora and Alya into these characters’ lives - sure, Daisy now has a biological sister and Fitzsimmons have their own kid but that doesn’t negate any of their other relationships to the team but instead makes it so that Kora and probably more so Alya are extensions of this larger family - like Deke was)

Happy Endings and New Beginnings (Each Character’s Ending):

LMC!Coulson: I fully expected LMC!Coulson to deactivate himself at the end of the season, but I actually like what happened with him in the end. Real Coulson being denied a peaceful death is what started this show and so when season 5 came, I was honestly happy that they ultimately let him die and it was a major concern for me that LMC!Coulson would take away from that, so seeing that in the end he was given full autonomy over that choice made me very happy. He's still with SHIELD but is also being allowed to do his own thing, and he is finally being left in charge of his own fate: the team obviously wants him to stick around but they are respecting his choice to decide that for himself. Plus, ending with him and Lola 2.0 flying off felt like a very good and satisfying bookend for the show to me.

May: I'll start with Philinda – I couldn't see any way for Coulson and May to end up together because the real Coulson had died and LMC!Coulson is ultimately not him; as much as I enjoyed their scenes together this season, it wouldn't have felt right to me for them to end up in a relationship together (and as for saving Real Coulson – they didn't go anywhere near that time and honestly saving Coulson would've been unfair to both him and LMC!Coulson, so I don't think it would've worked properly, especially with only 13 episodes)

So for May's actual ending: I think it's great. Over the course of the season it seemed to me that she was getting semblances of emotion back and in the VR meeting it looked like she was almost back to normal (I’ll admit that this should have been confirmed explicitly and overall explained a bit more but I digress). And as for being a teacher, she has been a maternal figure and S.O. for the majority of the show to several agents (primarily Daisy) and so ending the show with her retired from active field duty and becoming a teacher for a whole new generation of SHIELD agents (at Coulson Academy no less) felt like a wonderful ending for her character. It also felt - to me at least - like she and LMC!Coulson still have a bond (her offer was the only one he really responded to) and I think leaving it open was the best thing they could’ve done.

Daisy: I was always one of the fans that wanted Daisy to be the director at the end but given the character’s progression, I’m happy with what we got. Daisy has always been shown to be a good leader for small teams; we saw that with the Secret Warriors and the Space Team at the start of Season 6, so giving her a team and her own Zephyr to go out and explore space felt appropriate. She's in a place where she's comfortable with who she is and so allowing her to fill the role that Coulson had in her life with Kora brings her story full circle. She's "loving the journey" with Sousa and seems to be actually happy with her smaller space family. She was definitely the least comfortable with leaving the team for good, as shown by her looking at all the empty chairs at the end of the VR meeting and everything she said to Mack in 7x11, but I think it was important to show that despite the team splitting up, she still has that family - it’s just that she doesn’t see them all the time and that’s okay because they’ll still always be her family. (Also, Coulson asking her to give him a call when she got back felt a lot like a parent who’s kid had moved away which drove home that idea for me)

Fitz and Jemma: Not much to say for these two – they got their happily ever after with Alya and I think that's beautiful. Fitz fully retiring felt like the right call given that being a SHIELD agent was the cause of a lot of pain for him (I'm not saying it didn’t result in a lot of pain for everyone else because it definitely did, but I've always felt like Fitz would be better off living a peaceful and uneventful life since he's never really much enjoyed the good parts of being an agent like the others did). Jemma sort of retiring but helping Daisy with some stuff was also great. Honestly, just the two of them raising Alya is a good ending for them (not to mention Alya having this massive extended family that spoils her - it just warms my heart)

Deke: Deke probably has the most bittersweet ending because he doesn't get to see the rest of the team again. I have no doubt he'll look after the versions of the people he loves in his new timeline (like he told Mack he would) and he also has his own little found family with the Deke Squad (if I recall correctly, they said they’d be at the Triskelion after a few weeks so I don’t think they got killed when it went down) so I think he'd ultimately be happy. Sometimes you don’t get the girl but Deke made a major sacrifice for the girl he liked and the family he'd grown to love, and that’s a testament to how much he had grown from the guy we met in the future who didn’t understand how people would be willing to sacrifice like that. (Also, as much as it'd be nice for Alya to actually be Deke's mum - they kept saying “maybe” so I think they know the odds are extremely slim and are just being very hopeful - this ending made it so that messing up another timeline had actual consequences that Deke has to deal with and I can appreciate that)

Mack and Yoyo: I don’t have much to say for these two either. I was surprised that Mack remained at SHIELD but honestly, he's really grown into the job so him being the Director of a fully re-established SHIELD and getting to continue working with Yoyo, May and Coulson (and Daisy I think) in some capacity is nice – it also seems like he's enjoying it so that's great. Yoyo being a highly decorated agent, getting her own team and working for an institution she trusts (in no small part because Mack is in charge) is also a great ending for that character, because when we met her all she wanted was to make a difference which she can continue to do with SHIELD. (also Yoyo usually seemed to, for the most part, enjoy being an agent so that’s a happy ending I think).

All in all, I think that the way in which the show ended and where we see all the characters after a year was handled well. They’re all pretty happy but there’s a bittersweet realism in that they’re no longer all together and sometimes you have to embrace that life goes on. As far as I’m concerned, they’re still a family but they’ve entered new chapters in their lives - like Mack and Daisy said in 7x11, it’s not the same but that’s okay.

[tristala]

To Distant Lands...

It has been quite a journey.

I have been a fan of Adventure Time for over ten years. But it wasn’t a great start.

Foolish 12 year old me disliked it at first glance just because I wasn’t used to the art style and didn’t take it seriously. I ignored it for almost a year. Then on one faithful day in my tutor’s house, I watched the newly aired episode Mystery Train with her kids.

I was... charmed by it. 

This new kind humor spoke to me and I... actually wanted to see more of it. Of course at first I was in denial for a bit but I got over that quickly. So from then on whenever I see it play on Cartoon Network I wouldn’t skip it anymore. I began to look forward to more episodes until I noticed that this series had an overarching plot.

The episodes that I thought were one-shot had purpose. Not all of them are great but they were satisfying for the most part. Like pieces of a puzzle being slowly formed over the years. When I got used to going online I started watch every single episode until I got to the latest. I would wait every week for a new one to drop.

Not everything was all sunshine and rainbows however. Around the mid seasons I thought that the plot was dragging, that the writing became pretentious in some episodes. I began to lose my love for it after 3 years by that point. So I just became a casual viewer.

It took 2 years for me to get back on going crazy over Adventure Time again and by then I was already 18 years old. But I was never ashamed by loving cartoons and my peers were also obsessed with this show so I had no problem getting back on track.

I know that they use storyboards to tell their stories and that writing was secondary. It’s a very risky way of creating a show. But for some reason it kind of works with a show Adventure Time. 

A world were the unpredictable happens, a world were your own imagination is the limit. 

The songs were always such a treat. They may sound simple but that’s what makes them so memorable and heartfelt. They capture the moments where the situations are laid out. The way they were made sounded on the spot and incorporated what the characters felt at the time has a touch of realism.

I will forever be astounded with the way they incorporated Jake’s powers. The ways the spells, the jokes and the characters work and being alive. The Land of Ooo has infinite possibilities. I love all of that jazz.

But what I love most about this show were the characters and their relationships. 

Sure they’re zany but the situations they find themselves in still felt real no matter how ridiculous they got. There were moments when everything suddenly just made sense and I just began to feel for them.

Marceline was a character that I felt infatuated with the first episode I saw her in. It was when she was ‘helping’ Finn ‘woo’ PB into going to movies with him. I was like “Who’s this vampire chick and why is she so fun?” 

Yeah I liked her, but I never thought that I would fall in love with the immortal known as The Vampire Queen.

Marceline is just a tragically beautifully written character. And the show has done something I never thought they would do: Address how being an immortal affected her and other people.  

This silly looking cartoon has tackled topics regarding existential crisis and put with a lot of thought on it and I live for that. What Marceline felt when she lost the people she loved over the years, how messed up her whole situation was. She didn’t know what to do and instead dedicated her life in killing vampires because she wanted to protect the memory of only one person she had left who couldn’t even be with her. It was so heartbreaking. 

Never had my younger self thought that Marcy would have relationship with Simon. When I saw the still image of them when I was about to watch Remember You I was psyched. Many scenarios were flowing in my head before I clicked the play button. I thought I was ready but I was so wrong. That episode was the first episode that made me cry watching this series. Afterwards I always looked forward to Simon and Marcy interactions. 

I felt the utter hopelessness when Simon was declining onwards to becoming the Ice King we’ve always seen but never really known. 

But even in his maniacal state, there was a semblance of the Simon who loved his Betty and Marcy with all his heart. It could be called hopeful but it could also be cruel. And that is the beauty of this tragedy.

Immortality will mess anyone up and they all cope it with different ways.

Princess Bonnibel Bubblegum is another immortal but had different priorities. She already had a goal set in mind and went through with it with almost no hesitation. She committed numerous acts with questionable morals in mind. She pushed everyone away and just focused on her kingdom. In her own way, she was winging it. 

Her way of thinking clashed with Marceline and it was all the wrong timing for them. Her closest friend’s care for strangers was already almost nonexistent and she herself was too stressed. 

In the process of finding their purpose and having the weight of responsibilities on their shoulders and just living, these two have lost themselves and are just so tired and broken.

This is one of the main reasons why I ship Bubbline. They are so different yet they understand each other in an unspeakable level. The lost moralities they had were slowly gained when they found each other. And it wasn’t even immediate. There were so many ups and downs with their relationship and it took them centuries to figure it out. Even in the present they’re still figuring it out but now they are healing and that’s what matters.

And let’s not forget the titular characters.

Finn and Jake’s brotherly bond is one of my most favorite things in all of the fictional media I have consumed. Because going through reincarnation together and being with each other for all eternity is literally the definition of their love not knowing any bounds.

Together Again was the perfect send off for Adventure Time. And while they’re brotherhood isn’t flawless like Jake not always being the best role model but he’s always there for his brother and Finn would do anything for the people he loves. They have went through so many things together, good and bad.

Their bond is unbreakable.

Finn’s breakdowns in losing his best friend was so painful to watch and I cannot help myself but cry for what these brothers have lost. I know people have to let go but maybe we don’t have to “let go” let go, you know? So imagine my surprise and delight when Jake decided to join his brother and said these very words:

“Because it’s great being alive with you.”

That sentence broke my soul into a million pieces and restored it at the same time. I just bursted into tears the second I heard that. It was so simple yet one of the most touching lines I have ever heard in my life.

This show had so much heart that it’s overflowing. The bonds that these characters have for each other. It has brought me so much tears of sadness and joy. It broadened my imagination for the unknown. The creativity of this series is absolutely outstanding.

I was the same age as Finn when the show started so you could say I grew up with him and the show. I wasn’t young enough for it to be a part of my childhood but it was there for me till I reached adulthood. And I think that it’s much better that way. It did help me grow up and let me see that there are a lot of things that while everything stays, they still change. 

Adventure Time’s had a lot of messages strewn over its seasons and always had a melancholic vibe to it. 

That’s life... and that’s okay.

It may get ugly and terrifying but Adventure Time has told me to just live. 

Sing, dance, cry and laugh. Something simple as hanging out with family and friends has so much meaning in the grand scheme of things. Life goes on and things will seem to be familiar yet foreign at the same time. Linger on nostalgia, but also appreciate what’s happening in the present and look forward to what will happen in the future.

I am so grateful to have been on this wonderful adventure.

Like what they always said: 

The fun never ends.