#like can non canon females have some attention pls

[pastelmusings]

Newest OC so I can start building up my repertoire. So have some really messy headcanons (or just canons—?) about both him and his species, as usual pls interact or ask questions or anything ^^

Meet Ellis! He's a young dove hybrid prince (design loosely based off a wild pied ringneck dove, and I will draw a character sheet for him later cause he's a cutie), part of a sub species of Columbidavien hybrids known as Topeliaviens

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• For appearance he's really pale (not allowed outside), with round brown eyes, big white and light brown wings, and the same colored hair, and he's like 5'3

• His species generally stays pretty small (average male height 5'4 or so, female being closer to 5'8) and has a general lifespan of 65

• He's a complete utterly sheltered mess

• Spent most of his life kept separate from pretty much everybody, so he latches onto people quick, and is real easy to get taken advantage of...

• Doesn't actually have any political power, since he's like the third son and it's basically a matriarchal species anyway

• Lots of bird tendencies

• Nesting, preening, courting, cooing and chirping, poofing up when trying to look big and intimidating (despite really just looking like a little ball of particularly loud angry fluff)

• His species mates for life and become really depressed when separated, which does shorten their lifespan

• Excessive stress also shortens their lifespan

• They're just a really fragile species—

• Though with the dimorphism in the species the women are bigger and general stronger and less likely to just die at the first inconvenience

• The males also need less sleep, and have a natural inclination to scatter sleep for a hour or so at a time so they can be hyper alert

• They can mate with non-avien humans, but it's not recommend cause humans don't exactly mate for life, and breaking up isn't something they can really do—

• Horrible with direction, they absolutely don't have any homing ability like their pigeon counterparts and will become hopelessly lost real fast

• He, in particular, is kinda constantly sad and clingy, like a soggy piece of paper in living form

• Also an obsessive mess and prone to never letting his darling out of his sight

• Displays his discontent very loudly (the bird boy is going to constantly screech for an hour, making it everyones problem)

• Surprisingly very impulsive, in the sense that it's his natural instinct to fight tooth and nail to protect his love from any perceived threat

• Once spent twenty minutes fluffed up and chirping aggressively at a tree branch that kept tapping the window, and he wouldn't let you move from under him to show it was nothing

• He folds so easily

• People pleaser to the max and will cry if you're so much as slightly unhappy at him, I'm talking big watery eyes as he trembles like a leaf

• Actively hates being touch by literally everybody except his mate, and will cling to you like a second skin

• He gets kinda stupid when his instincts cloud his actions, like he'll try to bite at any hands that get too close to you and will probably accidentally smack you in the face with a wing a few different times, bit always fusses over you after

• He's obsessed with pretty shiny things and constantly gifts you both complete worthless little trinkets and priceless jewelry, expecting you to have the exact same reaction for both

• He will cherish every little thing you get him of course, even if it's just a little scrap of shiny wrapping paper (the kinda guy who'd be over the moon over getting a 'shiny box', like no babe, the gift is in the box—)

• Needs you to smell like him, he will whine and cry if you don't let him rub his head against your neck until you don't smell like anything else to his keen senses

• He'll usually 'nest' by just making a pile of all the soft things in the general vicinity and calling it a day, which happens more often if he is super anxious about you being gone

• If you don't sleep in it he'll cry

• Adhd as hell, he has the attention span of a leaf and the memory of a goldfish, also can never get anything done ever

• This is getting long so I'll wrap up by saying wings are sensitive and petting them will turn him into a poor cooing mess

• (Also despite how pretty they are, he can't actually fly because they're clipped ;-;)

[chososdiscordkitten]

⋆ ˚｡ ⋆୨ Rules ୧⋆ ˚｡ ⋆

General blog rules:

No bullying others just because theyre into something your aren't. You don't like it? mute or scroll. I pride myself in running a safe space blog.

Absolutely no racism / bigotry will be tolerated. if I see you being rude I wont hesitate to block you.

I have some sfw stuff on my blog- ofc all are welcome. But if you are under 18 pls pay attention to the posts that have mdni on them!!!

think I mischaracterized a character and you don't like it? scroll. being rude does nothing.

What I will write:

♡ Adult characters, as long as their canon age is over 18 they're fair game ;)

♡ I write fluff and smut!

♡ Non binary, male, female reader- I always try my best to be as vague as possible in what I write!

♡ I will write for most fandoms! I'm not exclusive to jjk!

♡ Dubcon

♡ Anything you can think of, I'm open to it!!

What I won't write:

✘ MINORS!!! smut or fluff. I refuse to write for any minors! even if they're aged up- if their canon age is under 18 I will not write about them.

✘ v*mit, noncon, sc*t

✘ inc*st (YES. That INCLUDES stepcest.)

✘ Sukuna. I refuse to write for him.

✘ ddlg dynamics/undertones.

[spliita-blog]

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[blood-sucking-whore]

Gender in Killing Eve and Hannibal (TV Series)

WARNING: LONG TEXTPOST!!!

(pls tell me ur thoughts)

Both Killing Eve and Hannibal feature characters who perform gender (or don’t) in particularly interesting ways.  Killing Eve’s subversion of female gender roles is rich and complex, especially for a crime drama - a very male dominated genre.  In crime shows, female characters are typically either non-existent, or badly written props for insufferable male protagonists.

The women of K.E. (namely Villanelle and Eve) are not only extremely intelligent and driven, but have a sensitively-described moral greyness.  It is fascinating to see both women’s moralities evolve throughout the series, especially in relation to each other.  

There are consequences to their actions, but the writers allow them to do bad things, to be bad people.  It is refreshing to see ‘strong women’ written in this way: they don’t have to make women look ‘good.’  Often this moral flexibility is only tolerated from male characters.  

That’s not to say that Villanelle and Eve are never vulnerable.  They are people: their worth as characters cannot be based on filling the age-old mold of cold, dull, emotionless male detective characters.  Eve is manipulated by her employers, by Villanelle, affected by the death of her friends, and is a victim to her own guilt.  Villanelle, similarly, is subject to the needs of her employers, is orphaned, and is overall dysfunctional.  

This inhibits their control of their own situations.  But both characters make decisions, and take power for themselves.  And while their intentions are muddied along the way, they both keep fighting for something, even if it's just for themselves and each other.

The two central characters of Hannibal, Will Graham and Hannibal Lecter, exhibit a similar relationship to that of Eve and Villanelle.  While they (Will especially) don’t flout the rules of gender as decisively as Villanelle, for example, they also are not typical male crime protagonists.

Will Graham is vulnerable, quiet, and uncomfortable with power.  And, unlike other male underdog characters, this isolation isn’t resolved by, or blamed on a woman.  These descriptors apply most obviously in the first season, but even through Will’s development, he doesn’t exactly become masculine or powerful (at least in the traditional way.)  He is consistently affected by mental illness, which is sensitively depicted, and (character-wise) is sympathetic to other mentally ill characters.  This is a point of weakness which is constantly exploited by other characters such as Jack and Hannibal.

Hannibal, on the other hand, is not very vulnerable (until he becomes more sympathetic to Will.) He is always in control, always able to manipulate the situation to his advantage.  But even he isn’t exactly masculine.  He enjoys art and music, and even through murder, is opulent and flamboyant.  

This is easily comparable to Villanelle’s (fashion, visuals, performance) 

Both Hannibal and Will are very clearly queercoded, and in a relationship that can’t really be described as platonic.  Scenes with them are written, acted, and framed in an intimate way.  Even when stabbing each other, there is romantic tension. This is a union between two people who understand each others’ deepest, most hidden nature. 

I am hesitant to compare murder entirely to queerness, because of how this has been used to suggest evil inherent to queer people.  But murder, and wanting to murder, is sensitively and subtly compared to the way queerness is viewed by society, and to an extent how it can be experienced by queer people and their own self-discovery.  The way both characters talk about murder is intensely intimate.  And Will’s development as a murderer, and someone who understands murder, is parallel to his evolving relationship with Hannibal.

Villanelle and Eve are canonically bisexual, and have scenes that are clearly romantic.  They share a similarly obsessive relationship.  It is endlessly entertaining to watch this relationship play out.  It is infinitely toxic, as opposed the clean, unpassionate lesbian romances we’re used to seeing on TV.  It’s also not an oversexualised, voyeuristic male fantasy.  

TV writers need to stop avoiding making queer characters that are bland, moral, nice and boring for fear of making something problematic.  That’s just lazy writing, and it’s up to them to write these characters well.  I am tired of clean, easy ‘girl power’ types, or tick-box diversity.

Another interesting facet of gender performance in the two shows is fashion and costume design.  In particular, Villanelle’s penchant for two or three piece suits is considerably masculine, but not a masculinity typically performed by men in crime shows.  She chooses fashion outside of the default, minimal idea of masculinity, and embodies gender performativity.  

However, Villanelle is just as likely to wear overly feminine clothing (eg. pink tulle dress, black tulle dress) in a way that is just as deliberate and theatrical.  She is fully aware of herself and how she is perceived, and is able to manipulate and enjoy it.  This is an especially enjoyable rebuttal to the ‘beautiful but doesn’t know it’ trope, which I despise.  Her self-confidence is not granted by a man: she seizes it herself. 

Eve is almost the opposite of this.  She wears very neutral, almost utilitarian clothing throughout the show, and rarely considers what she wears, except when she has to.  But this doesn't give way to the aforementioned display of female insecurity.  Both women show a performance of womanhood that is unconventional on TV.  What I think causes this is that the male gaze is rarely applied to either woman.

Will and Hannibal have somewhat of a similar visual comparison to Eve and Villanelle, simply: Hannibal is very attentive to his clothing,  Will, for most of the series, is not.  Hannibal, despite dressing in typically masculine clothing: three piece suits, does it much more deliberately and precisely than many masculine male TV characters.  Will’s clothing is perhaps a choice, less by him than the writers, to make him seem unthreatening and unaware.  This changes in the third season when Will begins to wear fitted suits, and seems to brush his hair more often.  

Some interpret this as Will mirroring Hannibal, but it could be read as Will rivalling Hannibal.  Hannibal was able to, quite literally, keep up appearances of himself as competent, sane and respectable.  He asserts himself as Will’s superior.  However, Will understands that maintaining his appearances is beneficial to him, and shows the viewers, and Hannibal, that he understands the way he works.  He is, by season three, no longer a vulnerable stray, but not a ruthless, efficient killer.

Both series display complex, well written characters: and this is their strength.  But I do wish the writers of Hannibal had developed their female characters better.  

[gimme-mor]

ACOTAR THINK PIECE: ELAIN ARCHERON, UNTOUCHABLE

*DISCLAIMER*

This will be a long post.

Please take the time to read this post in its entirety and truly reflect on the message I am trying to send before commenting. My goal is to use my background in Gender and Women’s Studies to deconstruct the comments I have seen on Tumblr and Twitter and bring awareness to the ACOTAR fandom.

The reason I am tagging “Elriel” in this post is to call attention to the arguments in the Elriel fandom that: weaponize Elain’s femalehood to shame real life people for their opinions about Elain’s character and her relationship with Lucien; victimize Elain’s character in fandom discussions; and coddle Elain’s character, which limits fandom discussions about her narrative development and prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions in the same way that the fandom holds other characters accountable for their actions and inactions. It is for these reasons that I WILL NOT remove the “Elriel” tag from this post because all of the above points contribute to the toxic discourse surrounding Elain’s character.

I urge those who use these arguments to understand their implications, why they are problematic, regardless of intent, and reexamine their contributions to the ACOTAR fandom. I WILL NOT tolerate anyone who tries to twist my words and say I am attacking people and their personal shipping preferences. In fact, I AM CRITIQUING THE ARGUMENTS THEMSELVES NOT THE PEOPLE USING THE ARGUMENTS.

Also, I highly encourage the Elriel fandom to read this post because it addresses how the concept of choice as an argument enables arguments to exploit social justice and feminist languge in order to vilify Elucien shippers, among other problematic things.

Elain Archeron is one of the most polarizing characters in the ACOTAR fandom. Though opinions about Elain vary, arguments in the Elriel fandom cite society’s perception of traditional female characters in comparison to non-traditional female characters as the reason behind the hate, and this belief is used to provide an explanation as to why other characters in the series are favored over her. In the series, Elain is portrayed in a wholly positive light and this image carries over into the Elriel fandom, painting her character as a good and kind female who has been unfairly wronged and a victim of circumstances that were out of her control. When arguments in the Elriel fandom oppose other viewpoints in the fandom, they fall into one of three categories:

Category 1: Weaponize Elain’s femalehood to shame real life people for their opinions

Maybe people who hate Elain are just jealous of her in a weird way similar to when someone hates the pretty, nice, and charming girl in school just because she is too perfect

Disliking Elain is misogynistic

What happened to feminism? What happened to women supporting women? What happened to she can say no? All of that disappears the second you force Elain to be with Lucien

Elain antis are misogynistic

All Eluciens are Elain antis

Antis claiming they’re feminists when in reality they hate on Elain and Feyre but love Nesta

Elain antis are such sore losers. Y’all were that bunch of people who could not get over being rejected from hanging out with the cool kids so y’all are projecting your hatred towards pretty people now to get validation

I don’t get how Elain’s love for gardening equals boring for some people. I’m sorry your misogyny finds traditionally feminine activities boring

Why are you attacking a female? What did Elain do? Where are your feminist voices?

The fandom is misogynistic towards Elain

If people loved Elain they would ship Elriel

If you hate Elain it says a lot about your feelings toward women

If you hate Elain because she has no “development” then you must hate Azriel because otherwise you’re misogynistic

Eluciens are turned off by the idea of a woman that has the autonomy to reject a man for the simple reason that it is her choice

Eluciens are all about feminism and “it’s HER choice” until it comes down to females not wanting a male

Eluciens don’t respect Elain’s feelings when they ship her with someone that was part of her trauma and makes her feel uncomfortable

The way some Elucien shippers completely disregard how uncomfortable Elain is around Lucien is so hilariously not funny. Prioritizing being mates over Elain’s feelings is just regressive

It’s hard as a fan of Elain to see someone ship her with a person who makes her physically uncomfortable to be around. Wouldn’t you want both characters to be happy to be around each other

Imagine if SJM saw all the awful things her “stans” had to say about Elain

It’s true that we know comparatively little about her, but is she really boring or do you just not value stereotypically feminine traits?

So y’all are just gonna tell me you prefer Elucien over Elriel? Even though Lucien treats Elain as if she’s something that belongs to him? The only reason he wants to be with her is because she’s his mate, he doesn’t respect her, doesn’t treat her as his equal, even though that’s what mates should be? He doesn’t bother to look past what’s on the outside to see her for who she is. And Elain is obviously repulsed by the idea that she should belong to anyone or have no choice in who she can be with. Azriel is her friend and the only person who sees her quiet strength. He has so much faith in her, in her abilities; he’s the one who kept her company when no one else did, he’s the only one who bothered to see her for more than her brokenness. You’re going to tell me you still prefer Elucien over Elriel?

The more I see Gwynriels that ship Elucien out of their hate for Elain, the less I can understand Elain stans that ship Elucien. Pls Elain has made it very clear that she doesn’t want Lucien, why would you ship her with him? Do you hate her too? Smh

The real question would be, if you care and understand Elain why would you ship her with Lucien (where she canonically shrinks when he is near)?

People crying over Helion and Lucien’s mom not getting to be with each other and her being forced into a relationship she didn’t want, but also ship Elucien? Just say you hate Elain

When Elain’s book is out, Gwyn stans will look like clowns and I will laugh because they set her up by shipping her with Azriel just because they hate Elain. Watch them play the victims now because Elriels are clapping back the hate they’ve sent towards Elain

As romantic as wanting girl who is visibly uncomfortable around a guy who caused her trauma to end up with the said guy. Guess their standards for romance are in hell

Category 2: Victimize Elain’s character

Gwynriels only want Gwyn with Azriel because they despise Elain

Gwyn stans and Gwynriels are Elain antis

No one in the books dislike Elain, so why are there so many people who do?

Elain hasn’t done anything wrong or questionable to warrant the hate she gets

Not having Elain’s POV makes it easy for people to be swayed a certain way about her character if you already don’t relate to her in some way

It’s been years since this series came out and we haven’t gotten a lick of an Elain POV, but people still hate her for what? We don’t know her thoughts, dreams, or aspirations

We haven’t even had Elain’s perspective yet and people are passing these judgments off on her

Elain antis who say she’s boring are just cruel when she has obvious symptoms of PTSD like Feyre and Nesta

Gwyn is one of the most overhyped characters and that’s only because most people hate Elain and they couldn’t wait to find a random girl to ship Azriel with

Nesta was abusive to her sisters but Elain (who has only ever been kind) is painted as the villain

From the text we know that Elain is the epitome of feminine stereotypes (gentle, gardening, baking, non confrontational for the most part). Yet people still call her boring or deny that she has any interesting character traits?

You can’t love Nesta and hate Elain

People hate Elain because of internalized misogyny and lack of taste. All the girl does is tend to her garden and mind her business and they treat her worse than Tamlin

Does Gwyn deserve all this support? Of course yes! She is amazing! But where’s that support when Elain was in the same situation as she? Where’s that support for her right now? Why do they idolize Gwyn for her interactions with Azriel and hate Elain for having any interaction with him?

It’s not even a ship war anymore, they just hate Elain

People hate Elain for no reason

Some of y’all don’t like feminine traits and it shows

We know less about Eris and Helion but people don’t call them boring. Why would rejecting femininity make Elain more interesting?

Elain has had a lot forced upon her

The main reason I believe most people love Gwyn so much is to get Azriel away from Elain. It’s not a secret that Elain has been a widely hated character for years so suddenly we get a new female who has a minimal amount of interactions with Azriel and BOOM. New ship that once again doesn’t make sense (just like Azriel x Emerie after ACOFAS)

Elain hasn’t done something so terrible for her to get this hate. At this point some of you are just being misogynistic and you don’t want to accept it. Don’t call yourselves feminists and then say bs like this, it’s embarrassing. She’s pretty and everyone agreed to hate on her

Just a personal feeling, but I feel like a lot of the Elain hate stems from internalized misogyny. That to be a strong female lead, you need to pick up a sword and fight. That to be strong, you need to adapt traditionally masculine traits

Elain is feminine. She is beautiful. She loves to bake and garden. She is docile, quiet, observant, and a people-pleaser. All traditionally feminine traits. Yet for some reason, she’s like the worst in these people’s eyes?

I think also maybe a lot of people can’t relate to her femininity? That her being so beautiful and quiet doesn’t allow for the people who dislike her not to self-insert? Most of the hate stems from people not wanting Elain to be with Azriel. It’s mean, but maybe the people who hate Elain literally just can’t self-insert if they have a story and that’s why they’re vehemently against it?

Poor Elain. The Cauldron dealt her a bad deal. Upon emerging as Fae, she is immediately declared by Lucien as his mate, never mind that she was already engaged to a prick. Her love life is not good

It blows my mind how they really think that they can compare all the shit that Elain gets with some dumb jokes about Gwyn on Twitter (and yes, the “hate” towards her started mostly because Elriels are clapping back, it was bound to happen)

I would think of it as anti-feminist with Elain and Lucien because she has consistently stated that she does not want him so if she was forced to embrace the bond that would be taking away her right to have a choice but with Az she feels comfortable around so if they were mates then Elain would be happy and feel safe which again should be the priority for women to feel safe in their relationships with anything and to not be forced into any type of situation aka the mating bond in this

Category 3: Coddle Elain’s character

Elain has value the way she is, in all her domestic girly glory. Not every character has to be badass

We don’t speak of Elain’s flaws frequently because everyone else already speaks badly of her, mainly in an unfair way

There is definitely something deeper going on with Elain but by no means will she ever be evil or any less feminine. That goes against everything we already know about her

It’s ok to critique Elain because she needs growth but y’all keep forgetting the shit her and her sisters went through

The last “bad” thing Elain did in ACOTAR was not help Feyre when they were impoverished and I’m tired of people acting like she’s a terrible character when it was their father’s responsibility. It happened 4 books ago and Feyre has forgiven both Nesta and Elain

Elain’s character and the evil Elain theory are a great example of the trend where people only consider female characters interesting if they reject femininity

We don’t know enough to hate Elain

Many people want Elain to turn evil (which in my opinion seems to come from a place of internalized misogyny)

However we don’t tend to talk about her faults, at least not publicly, as that has been, and still is, done to death, and I--personally, at least--find it much more fun to theorise about potentially interesting aspects of the overall plot, than dwell on negatives

And ultimately, I would be shocked if Elain has a more karmically-charged story than Nesta, considering that Elain’s “wrongs” are so much less severe and bad than Nesta’s, and Elain has already apologized for them (or paid the price in other ways, like through what Graysen did)

I guess I also think Elain has suffered and been punished enough. I hope her story is about finding hope in terrible situations, and learning to love her new life, and choosing her own path after everything that has been done to her. I don’t think she needs to be punished anymore or face any additional trauma

Also, why is she being judged on her decisions as a human at all? Fae are monsters to humans! They enslaved them for thousands of years, and the Wall was erected to keep them out

Like I’m sorry, but think Elain would want to leave her ONLY FAMILY AND FRIENDS for the Spring Court where she has no one because--oh look, lots of flowers!--is the craziest thing I have ever heard

Her sisters are in the Night Court. Her nephew is in the Night Court. Her closest friends (Nuala and Cerridwen) are in the Night Court. Her love interest is in the Night Court. Her extended family is in the Night Court. Her home is in the Night Court

SJM isn’t going to keep two sisters together and split up the third. Especially not keep Feyre and Nesta together and separate Elain. They were either all going to end up in separate places, or together. Not 2 here and 1 there

Compared to the other female characters in the series, Elain is the only character whose femalehood is at the center of conversations; this is because arguments in the Elriel fandom fixate on it when discussing her character. While Elain, Feyre, Nesta, and Mor are all representations of white womanhood and white beauty, Elain epitomizes the most fragile version of white womanhood. It’s easy to blame society’s perception of traditional female characters in comparison to non-traditional female characters when it comes to the discourse surrounding Elain’s character because it: falls in line with the fixation on Elain’s femalehood to silence opposing viewpoints; is a simplistic explanation that fails to tackle the underlying issues with Elain as a character, the same issues that are downplayed in-universe; absolves Elain of her wrongdoings; prevents the ACOTAR fandom from holding Elain accountable for her actions and inactions within the series; and diminishes the impact Elain’s actions and inactions have on those around her. It’s not that Elain is hated in the fandom because she’s a traditional female character; it’s the fact that arguments in the Elriel fandom deflect a critical analysis of Elain’s character because she’s a traditional female character who embodies the ideal white woman in need of protection. White fans and white-aligned fans of color, especially white women, have a tendency to vehemently defend, gatekeep, and coddle white female characters in fandom; this makes it difficult for other fans to engage in critical discussions about these white female characters because they’re viewed as flawless and all around perfect characters despite evidence to the contrary. Since Elain is viewed positively by the other characters in the series, it has rendered her character untouchable to any perceived slight or criticism in fandom discussions because those negative opinions challenge what has been said about her character thus far. And as a result, her character has been placed on a pedestal and implicitly hailed as the epitome of white womanhood; and when she’s criticized, it’s seen as a direct attack against white womanhood. Arguments in the Elriel fandom: exploit feminist language and perpetuate white feminist tactics under the guise of defending Elain’s character; center Elain in conversations about female oppression in the ACOTAR world and uphold white feminist ideologies in their critique of ACOTAR’s patriarchal society; and use the fragile white woman narrative to victimize Elain in Lucien’s presence, playing into racial biases that are associated with white supremacy’s defense of white womanhood.

Feminism is a social movement that seeks to promote equality and equity to all genders, and feminists work toward eradicating gender disparities on a macro-level, in addition to challenging gender biases on a micro-level. As feminism became more mainstream, a flat and oversimplified version of feminism emerged: mainstream feminism. The mainstream feminist movement is meant to represent all women, but rarely does it center conversations around issues that concern most women. The problem with mainstream feminism is that it’s just a popularized version of white feminism. White feminism has relied extensively on an individualized understanding of women’s oppression, exclusively from the lens of privileged white women. White feminism only focuses on the oppression experienced by white, able-bodied, affluent, educated, cishet women; and it views gender as the key mode of privileged white women’s oppression, isolated from the privileges granted by their other social identities. White women can be and are oppressed under the patriarchy but only because they are women; their identity as women does not exempt them from the privileges granted by their whiteness. The term white feminist does not mean any feminist who is white, but refers to feminists who prioritize the concerns of privileged white women as though they are representative of all women. However, the term is not exclusive to white people. Because white feminism is so pervasive, people of other racial and ethnic backgrounds often buy into white feminism, believing that if they work hard enough, they may be able to reap its rewards.

Just like white feminism, mainstream feminism only recognizes the identity of being a woman, assumes that all women share common experiences of gender oppression, fails to address other social identities in relation to overlapping systems of oppression, and disregards privilege in relation to various social identities. Just like white feminism, mainstream feminism is palatable because it doesn’t seek to challenge the systems in place, instead its goal is to succeed within them. Essentially, mainstream feminism and white feminism are extensions of performative feminism. Performative feminism is a type of performative activism that’s used to describe feminist views that are surface level and solely for the benefit of one type of person. It’s a pretense which often has nothing to do with genuine activism. Arguments in the Elriel fandom normalize and promote performative feminism because the topic of feminism is only referenced when discussing Elain. This indicates that these arguments are engaging in disingenuous discourse to push a personal agenda within the ACOTAR fandom, and it becomes more apparent when they use white feminist tactics to shut down opposing viewpoints:

White feminists weaponize and exploit feminist language to silence the opinions of other women, especially when they’re called out for their problematic behaviors

White feminists use the phrase “Women supporting women” to defend other white feminists who exhibit problematic behaviors instead of holding them accountable 

White feminists weaponize phrases like “Women supporting women” and “You just hate women” to attack other women who disagree with them on any given topic

White feminists use phrases like “All women face challenges” and “Stop pitting women against each other” to sidestep conversations about privilege

White feminists divert conversations away from privilege and towards the Trauma Olympics to equate their struggles to the oppression of marginalized people 

White feminists skirt around the realities of other forms of oppression and discrimination, downplaying the experiences of marginalized people

White feminists diminish or ignore the ways in which gender oppression affects other marginalized people

White feminists paint those they harmed as aggressive, mean, or divisive when confronted with the ways they have harmed a marginalized group

White feminists deflect criticism by focusing on the anger or emotions being expressed rather than the issue that is being discussed, invalidating the concerns of marginalized people

White feminists speak over marginalized voices in an attempt to sound “woke”

White feminists get defensive and insist there’s no way they could be a part of the problem because of what they’ve done to help marginalized groups already 

White feminists say they don’t see color in an attempt to obscure racial issues that need to be addressed

White feminists center and victimize themselves in conversations about racism, which derails necessary conversations from taking place

White feminists who are white weaponize the intersectionality of their race and gender to avoid accountability

Feminism is not meant to be approached from an individualistic perspective nor is it only about addressing the experiences of privileged white women, it involves addressing the intersections of race, class, gender, sexuality, (dis)ability, and other social identities as well; and it involves addressing how these social identities relate to privilege. Moreover, feminism is not about women upholding complete loyalty to other women because of a shared gender identity, and to claim that it does implies that women should be held to different emotional standards than men. If men are able to dislike and criticize other individual men, real or fictional, without their characters being compromised, why aren’t women granted that same privilege?

It’s clear that SJM set up the ACOTAR world to mirror a patriarchal society, and that the imbalance of power between males and females stems from sexism. Arguments in the Elriel fandom analyze the ACOTAR world through a feminist lens to show how ACOTAR’s patriarchal society, to which the mating bond is innately tied, contributes to female oppression and limits their agency. When choice and free will are emphasized as part of Elain’s arc, they imply that Elain, through the mating bond, experiences female oppression under ACOTAR’s patriarchal society because of her identity as a female with that identity being the focal point of her oppression in the world. Elain is one of the most privileged characters in the ACOTAR world: she’s High Fae; she’s the sister of the High Lord and High Lady of the Night Court, which gives her access to wealth and political influence because of that connection; she’s able-bodied; she was magically blessed by the Cauldron; and she lives in Velaris, a place that grants females autonomy and power because of the beliefs of Rhysand and Feyre. Arguments in the Elriel fandom trivialize female oppression in the ACOTAR world because they disregard the fact that Elain’s privileges prevent her from experiencing female oppression in the same way that other marginalized females in the world do. The mating bond being one such example because those around Elain are not forcing the bond on her, instead they’re allowing Elain to reach a decision about the bond for herself; a privilege that other marginalized females in the world probably wouldn’t have. Just because Elain has endured hardships in her life and is a female in a patriarchal society, they do not erase the privileges she holds within the ACOTAR world. The failure to include Elain’s privileges in discussions about Elain being a female in a patriarchal society feeds into white feminist ideologies because white feminism operates from a very narrow perspective; it doesn’t take other intersecting identities into account when it examines gender oppression, leaving no room for discussions about privilege (or lack thereof) in relation to those intersecting identities. When discussing oppression in hierarchical societies, it’s imperative that privilege is also included in the conversation because privilege and oppression are not mutually exclusive; they equally affect the ways in which people navigate those societies through their social identities.

Rather than attributing Elain’s uncomfortability to her new life as a Fae female or the mating bond itself and her trauma to the Cauldron, the King of Hybern, or Ianthe, they’re placed on Lucien to cast his character in a negative light. Moreover, fandom discussions portray Lucien as a possessive character to further emphasize Elain’s discomfort despite the inaccuracy of this characterization in canon. Arguments in the Elriel fandom play into racial biases when it comes to Lucien (a male character of color) because they mischaracterize his character in order to victimize Elain (a white female character), placing her character in the role of the white damsel in distress. In Western society, the concept of womanhood has been conceptualized from a Eurocentric perspective with femininity and feminine attributes favoring white women. It’s the idea that a certain type of femininity is only inherent to white women as they are seen as the embodiment of an ideal womanhood. White womanhood has been a symbol of innocence and purity, and white women have been viewed as fragile beings in need of protection. The reason white womanhood functions within white supremacy is because it’s the same idea that has motivated white men to kill and beat black and brown men. The so-called protection of white women has been used as a justification for the horrific violence committed by white men because black and brown men were stereotyped as aggressive and seen as a threat to the virtue of white women. The white damsel in distress trope considered white women as worthy of protection because of their perceived innocence and purity; women of color were not granted that same treatment because they did not fit into the ideal image of womanhood. Over the years, this trope became a means for white women to exercise limited power in a patriarchal society with white women weaponizing their status as the damsel much to the detriment of black and brown men. It’s through the white damsel in distress trope that white supremacy sustains its dominance in Western society. The misrepresentation of characters of color in fandom, the dismissal of their importance to the overall story, and using them as tools in arguments centered around white characters are the foundation of fandom racism; they’re examples of how racism moves silently in fandom spaces. Instead of examining their behavior and taking constructive criticism from fans of color, white fans will often double down on their bigotry and center their uncomfortability in the conversation when confronted with their complicity in fandom racism. White fans expect fans of color to swallow fandom racism in its many forms in order to not ruin the experience of fandom, dismissing the fact that racism is prevalent in nearly every aspect of society. This mentality ensures that no one is held accountable for the harm they caused and alienates fans of color in fandom spaces.

To reiterate what I mentioned in my first think piece: terms like “oppression”, “the right to choose”, “feminist”, “feminism”, “anti-feminist”, “anti-feminism”, “internalized misogyny”, “misogyny”, “misogynist”, “sexist”, “sexism”, “racist”, “racism”, “classist”, “classism”, “discrimination”, and “patriarchy” are all used in specific ways to draw attention to the plight of marginalized people and challenge those who deny the existence of systems of oppression. Yet these words and their meanings can be twisted to attack, exclude, and invalidate people with differing opinions on any given topic. When social justice and feminist terms are thrown around antagonistically and carelessly to push a personal agenda, it becomes clear that these terms are being used to engage in disingenuous discourse and pursue personal validation rather than being used out of any deep-seated conviction to dismantle systemic oppression. Being an ally, activist, or feminist is not an identity, it’s a practice. It requires: ongoing self-reflection; holding ourselves accountable; listening to marginalized people; educating ourselves; dismantling implicit biases; challenging those around us who are exhibiting problematic behaviors; and action behind our words.

It’s important to be aware of the language that is used within the fandom when defending or critiquing characters and ships. It’s also important to question how an argument is framed and why it’s framed the way that it is to critically examine the intent behind that argument: is it used as a tool to push a personal agenda that reinforces problematic behaviors, or is it used as an opportunity to share, learn, enlighten, and educate?

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Tagging: @spell-cleavers @bookofmirth @m0bulidae @ilya-boltagon

[husbandits]

Requests are Semi-Open

Ver 3.0, now with blog navigation!

we’re in the heavy-depression period of the year right now, and work’s going to pick up like crazy as it gets closer to christmas, so i can’t say for certain i’ll have much time/attention until like... february? but i’m still taking requests, and will get to them... at some point... 

As usual, my complete guidelines can be found here, but the jist is pretty simple stuff: nothing nonconsensual, or ‘too gross’ (scat, emeto, watersports etc), and I also won’t write pregnancy asks or asks abt motherhood because I find the subject triggering. Smut is alright, but I’m really picky. I also tend to write gender-neutral!readers by default, but will write female readers (and esp male readers) upon request. I write Reader Insert, X Character, and Genfic content; I’m also really into meta stuff/character introspection, if you have a need

Fandoms I currently write for

Klaus- yeah, I know it's not Christmas anymore but what is time, really?

Transformers! mainly tfa, as that’s the only canon i’ve absorbed in whole, but i’m up to phase two on idw and looking into tfp, and after that i’ll be tackling gen1, so hmu if you want something and see what happens

Homestuck- okay so i know we’re supposed to hate hs^2 or whatever, but... I kind of love all the new kids? And sme of the directions the older ones are going? I’ve been a little lazy abt keeping up with the games, but i promise to get on it in the next weekish. i’m also more obsessed with quite a few characters that didn’t make it, like eridan and tavros, not srry

Intermission- This one gets it’s own bulletpoint despite still being homestuck because! im love!!

Venture Bros- Okay I know this fixation got overtaken prtty fast, but i still love this show a lot, and have some Thots, so like...there are things in the works... 

Marvel Comics- I’m currently working on a big au for this, so stay tuned! My focus is rlly on Fantastic Four/X-Men stuff, but I’m a slut

Overwatch- tbh i haven’t given much of a shit about ow-canon since like... 2018? but I’m still very much in love with a lot of the characters and I think brainrot has set in

Team Fortress 2- has lived rent-free in my brain since like 2014 and will continue to do so, whether or not I get my shit together and actually write something

The Dark Crystal- don’t think I’m ever going to rlly be over Age of Resistance, you guys. I’ve been... slow to get into the expanded lore, but I’m working on it™

Star Wars- Unrepentant Prequel lover, very into the Sequel Trilogy, admitting that it needs Work™

Red Dead Redemption 2- My most prolific fandom, but I’m looking to branch out/avoid burnout, so rdr stuff will be on the backburner for the time being

my ocs uwu

There are a couple cartoon fandoms I’ll happily write genfic/introspection stuff for, but not rlly self-ship

Steven Universe

Adventure Time

She-Ra and the Princesses of Power

Kipo and The Age of Wonderbeasts

The Owl House

My complete masterlist can be found here! (while you’re looking tho; check me out on AO3?)

Prompts I’m still happy to receive asks for:

headcanon prompts

dialogue prompts

nsfw headcanons

headcanon meme

Alternately, you can request an au and i’ll give you my take on how that character/s would look in 

Godtiers

ABO

Fairytale AU

Soulmate AU

His Dark Materials

SU Gems

Furry/Anthro

Pokemon Trainer

Wings

Domestic/Modern/What have you

Something else, perhaps???

I also have a couple others blogs- though tbh i’m even less active on them

jasper-bee- selfship blog; still kind of setting this one up? idk i feel like i’m annoying whenever i post there

engibee- my flightrising sideblog- lore is... tenuous, tbh, but pls give me a look if your interested

trollbandits- OC askblog (current non-operational, as I’m still getting the character page up)

[liuwdere]

the gay ass anime masterpost*

*not actually a masterpost, since i give about two and a half fucks about keeping this updated or properly categorized. real loose classifications to follow. shit i haven’t seen in italics; stuff i’d highly recommend in bold. now updated w/ streaming links (some are US-only tho, sorry)

no predatory lesbians or okama joke characters or else we’ll be here all day. k? k.

LGBT-THEMED: anime that directly addresses LGBT identity as one of its primary focuses

Revolutionary Girl Utena

the ez one

Yurikuma Arashi

Class S is bullshit, did u know that. Also, thirsty-ass bear girls and a real angry takedown of the patriarchy

Flip Flappers

I don’t know how you can read this show as anything but lesbian sexual awakening, especially given the Class S Yuri Hell episode

Wandering Son (Hourou Musuko)

pls pay attention to the T friends

Aoi Hana (Sweet Blue Flowers)

Showa Genroku Rakugo Shinju

Kikuhiko is def not cishet and i will fite u if u insist otherwise. Half the show’s choices make no sense without that lens

Yuri!!! on Ice

fite me

LGBT-THEMED; LIMITED REP: anime that addresses gender or sexuality as a secondary focus, though perhaps lacking explicit representation (e.g. LGBT narratives in the secondary cast). 

The Woman Called Fujiko Mine (from the director of Yuri!!! on Ice)

One of the supporting characters is a gay man struggling w/ masculinity

Gay schoolgirl episode all about female sexual repression

did i mention the titty is good

Princess Jellyfish

Prominent focus on gender presentation

Kuranosuke can be read as a closeted trans woman

Paradise Kiss

Heroine’s love interest is bisexual

Trans woman in the supporting cast; trans identity plays a major role in her story

Ouran High School Host Club

Discusses gender + gender presentation, though protagonist isn’t explicitly stated to be nonbinary

Protagonist’s parents implied to be genderqueer; father definitely bi

Plenty of gay subtext among the male cast

Scum’s Wish

Strong focus on female sexuality; main character is bisexual

Central cast also includes a lesbian

Simoun

Discusses gender as more of an abstraction? Takes place in a world where everyone is born female to later choose a permanent gender. It does less to directly address gender than you’d expect, though, which is why I’m sticking it here

From the New World (Shin Sekai Yori)

Future dystopia where societal norms practically mandate bisexuality. Honestly, I dunno where to put this; the story’s more concerned with sexuality in general than with LGBT identity

Devilman Crybaby

Classic characters reinterpreted through a queer lens; important theme of coming to terms with one’s own sexuality and identity. Ryo is the definition of disaster gay 

LGBT REP: anime w/ positive depictions of LGBT characters, though not necessarily concerned w/ addressing queerness directly. 

Samurai Flamenco

Four words: gay naked gunpoint proposal. the show makes about that much sense but it’s a lotta fun

i don’t care what the director said

bisexual girl in a poly relationship 

No. 6

boys kissing tho???

Miss Kobayashi’s Dragon Maid

pls ignore the manga and its magic dick nonsense

Haruchika

One of the two leads is a gay boy. He explicitly says so in the first episode. Avoid the live-action movie like the plague.

I should probably list Kase-san and Bloom Into You here

Mikagura School Suite

The heroine is REALLY THIRSTY for all the cute girls

Gankutsuou: The Count of Monte Cristo

Beyond the obvious homoerotic overtones of Albert/the Count, there’s Franz’s gay crush

Sympathetic trans girl character in the secondary cast

Michiko and Hatchin (from the director of Yuri!!! on Ice!!!)

Girls are good ok

Atsuko is gay

Macross Delta

two girls in the supporting cast do a hell of a lotta cuddling on screen

some versions of Sailor Moon

namely the ‘90s anime

Sailor Moon Crystal and the manga do address gender in… questionable ways

Tokyo Godfathers

Trans woman in the main cast

Tiger and Bunny

Reasonably respectful portrayal of a gay man once it gets going

Central relationship between two men could be read as romantic

Genshiken

Whispered Words (Sasameki Koto)

Psycho-Pass

One of the officers is a lesbian. She gets a focus episode

Monogatari series

Really just limited to Kanbaru, but she’s the most accurate depiction of the constantly horny dank meme problematic gay (e.g. me) i’ve ever seen, ironic propositioning of her straight dude friend and all. The rest of the franchise is obnoxious though, so ymmv

Kill la Kill?

i don’t know how else you interpret one girl kissing another on the mouth

Attack on Titan

If you’ve been living under a rock and somehow haven’t heard about it Ymir and Christa are all but explicitly stated to be in love with each other

Kino’s Journey

Kino asks people to use non-gendered pronouns, apparently? I haven’t seen this yet.

Knights of Sidonia

Non-binary character in the main cast

The manga goes some iffy places with their character tho, be warned

Really though, I mostly like this show for the sentient pink penis alien

Gatchaman Crowds

Several gender non-conforming characters

Trans girl in the main cast

Cardcaptor Sakura?

Fuuka

One of the dudes is canonically gay, not that it makes much of an improvement to the show

A Centaur’s Life

there’s a moment where a lesbian objects to her PDA being considered more obscene than the straight equivalent, which is nice but pretty off-the-cuff

Rose of Versailles

Oscar’s debatably genderqueer, though the show goes some real questionable places towards the end

Gay ladies?

Hunter x Hunter

Trans girl in the supporting cast. Her story’s extremely minor in the grand scheme of things but it’s there and it’s good

Love and Lies

potato-kun gets a harem that includes his male best friend

Land of the Lustrous

non-gendered rock people searching for meaning in life

Bodacious Space Pirates

via @madscientist212​: “two explicitly lesbian characters who are lovers, and one of the story arcs involves the crew helping one of them avoid being forced into an arranged marriage to a dude by her uncle”

Banana Fish

Extremely dated BL-flavored crime drama; unfortunately falls into the pitfalls of old-ass exploitation films: csa, sexual assault, etc. It’s such a problematic fav tho

Kiss Him, Not Me

Reverse harem includes a lesbian

Double Decker! Doug & Kirill

heavy gay subtext between leads and secondary cast members; well-intentioned trans representation that’s... kinda clumsy, tbh

Zombie Land Saga

one of the zombie girls is a trans girl who dies from the shock of puberty. it’s p incidental to her character but the show’s real cute otherwise so go for it

Anima Yell

apparently one of the girls admits to having a crush on a female teacher. or something. idk this show looks hella boring why bother

THE SUBTEXT IS STRONK: not textually gay (some you could argue could fall under category #2 and vice versa; not the point of this post) but can be read that way, even though these shows aren’t super concerned w/ romance in general

Puella Magi Madoka Magica

Neon Genesis Evangelion?

Depending on the version, Shinji’s sexuality can be read a variety of ways. Manga Shinji is pretty clearly bi; TV anime Shinji you could debate. 

Free, I guess

Love Live (Sunshine esp.) if I’m counting Free

Symphogear

Dear Brother (Oniisama e, otherwise known as BE STRONG)

Kids on the Slope (Sakamichi no Apollon)

Nominally they’re straight and pining for the same girl but BOY do Kaoru and Sentarou have a LOT of chemistry with each other, so much that it’s hard to read them otherwise

Marimite (Maria Watches Over Us)

Izetta: The Last Thing I Would Watch Even If I Had a Gun Pointed at My Head

Despite what you may have heard, this show is bad and 100% plays in bait territory. Also, obnoxious gun fetishism and way. too. much. goddamn. phallic imagery.

Tanaka-kun is Always Listless

Umamusume: Pretty Derby

Princess Principal

Spiritpact

I have complicated feelings about this goddamn trash fire of a show, but halfway through the second season it turns into a genuinely compelling gay pseudo-romance (?) about two boys navigating heteronormativity. also i guess the main couple exists, tho they spend a ridiculous amount of effort no-homoing

Amanchu

basically any sports anime ever tbh 

Golden Kamuy

MADE FOR THE STRAIGHTS BUT STILL OK: the yuri, BL, etc. that’s clearly targeted at a heterosexual audience but respectful enough to be enjoyable for the people they’re about

Doukyuusei

This Boy Caught a Merman

This Boy is a Professional Wizard

Strawberry Panic

Love Stage??? I have some qualms about putting this here but of the trashy BL anime that exist this is probably the least offensive

Maria-Holic

TEXTUALLY GAY BUT BLUGHHHH: the yuri and BL that just sux

Sakura Trick

Junjou Romantica (how the hell does this thing have three seasons)

Sekaiichi Hatsukoi

Gakuen Heaven

Dramatical Murder (POTATO DOGGO)

Super Lovers UGH

idk Gravitation and all that other crappy BL I don’t have the patience to list

GIMME THE TRASH NOW: problematic as all hell but i sure ain’t complainin b/c i’m gay ass trash

Netsuzou Trap (NTR)

Riddle Story of Devil

Love to Lie Angle

if you ever wanted a generic ass harem comedy except with a potato girl instead of a potato guy, here’s that compressed into 3 minutes

Citrus

Corpse Party wwww

Gakuen Handsome FITE ME

NOT TOUCHING THIS HORNET’S NEST WITH A TEN FOOT POLE: pls,,,, save me from the Disk Horse

Sound! Euphonium

One of these days I might organize this a lil better. Maybe if/when Tumblr figures out how to make editing not a pain in the ass

[rorykillmore]

lucille and ur two (2) heathers

heather mason

How I feel about this character:  she’s pretty much the best tbh?? she’ll always have a special place in my heart among silent hill protagonists. i love her backstory and how it ties into the first game, i love how her motivation is REVENGE (metal af) for a very personal loss, i love that she absolutely takes no shit ever. she’s a great female game protagonist, especially for her time, and more than deserves the popularity she has in the fandom.

All the people I ship romantically with this character: nnnnno one really? there’s no one to really ship with her in the context of her game. when she gets a bit older you could talk me into shipping her with some of the other silent hill girls though.

My non-romantic OTP for this character: heather and douglas have such a great dynamic throughout the game (but also i’m a sucker for surrogate parent-esque stuff). ALSO HOW COULD I NOT MENTION HARRY AKA THE SINGLE GREATEST DAD ALIVE (well, besides ed and volle, probably)

My unpopular opinion about this character: um…. boy i’m suddenly blanking on all my silent hill salt. i know people have bad sh3 opinions definitely but none of them are coming to mind rn?? rain check…

One thing I wish would happen / had happened with this character in canon: honestly i would’ve just liked to see her spend more time with harry?? idk maybe it’s more effective that we never see him up until he dies but i’m speaking from the part of me that’s super invested in their relationship. i would have liked to have gotten a scene or two with them. oh also more development of heather’s POWERS.

also i already did lucille and heather c so i’m giving you a special bonus….

heather duke

How I feel about this character:  a constant meme in my life who i am 500% willing to joke about at any given time but also like? lowkey pretty interesting to me?? i feel heather duke is the heather i’ve explored the least and as such i’m always curious to see what other people have to say about her and stuff. i think there’s definitely some solid character stuff to think about if you really pay attention to her.

All the people I ship romantically with this character: heather duke/starscream; they can be co-conspirators together  (nah no one really but that’s probably just because i don’t think about it much).

My non-romantic OTP for this character: heather/heather/heather! nah but since i mentioned chandler/duke in a previous ask i was gonna say i wish they’d given a little more time to like. duke and mcnamara’s relationship and the emotional fallout of duke going Mad With Power

My unpopular opinion about this character: hey fandom she’s not… your scapegoat… if you’re gonna take the “these characters were teenagers who were in a bad situation” stance then you can’t leave her out of it for the sake of making someone the villain… also don’t ignore like. serious issues like her eating disorder pls.

One thing I wish would happen / had happened with this character in canon: honestly she’s easily the least. like. LIKEABLE heather in the musical and that’s okay to a certain extent (she’s kinda sorta meant to be) but i think they should have tried to write her slightly less cartoonishly tbh. she should get a sympathetic moment if mcnamara gets one.