#like a series of trigger words....

[spybiote]

every day, she lives in fear that someone will find out what her trigger words are

[miyuskye]

I found this scene in particular so odd and out of place in the new episode. Apart from the fact that Stolas has no right to be angry at Blitz for "not saving him" when Striker kidnapped him nor to be upset that he didn't tell him about Striker's attempt at shooting him. In Loo Loo Land he's perfectly capable of defending himself (even when he hired Blitz for protection!), why is he complaining that an imp, the lowest class on the hierarchy isn't protecting one of the highest?

In that scene Stolas accuses Blitz of not understanding "how much he cared about him", but has he forgotten that he was the one who couldn't stand up not to Asmodeous nor to the accusations of him "sleeping with an imp"?

This reaction shows the actual opposite of what he's telling Blitz he did.

I read that Stolas is supposedly also not aware of ~things~ but why is the narrative conveniently forgetting about his faults as well?

Onto the "apology tour" subject: I fail to understand why Blitz owes Stolas an apology. The only time he was shitty to him was actually in Ozzie's when he asked him on a (fake) date without telling him all the story. But they didn't talk about that not during that episode neither during Apology Tour. Is it because doing this would have forced the narrative to acknowledge that also Stolas was at fault during that episode?

All the other times they interacted (on and off screen, their chats don't really mean anything since it seems that's the way Blitz writes in general), Blitz was being good to him (not that he had any other choice, due to their society ranks and their deal).

To me, this looks like bad writing. But if someone has a different take, I'm happy to hear their interpretation.

[ar1mas]

- a rant

no because ive watched this stupid show 5 years ago, and i only noticed this now?? how???

ok. some context first. this is about fox' gotham, a prequel series to batman. or at least a potential one with slight changes. one of those changes is the relationship between oswald cobblepot and edward nygma (spelled with a 'y' for mayhap legal reasons? idfk its silly). whats their relationship like in the show? well...

theyre gay af. idk what to tell you.

okay so oswalds gay as fuck. edwards... ambiguous. totally ambiguous. he had a girlfriend or 2 and a half (kristen kringle, the-woman-who-shall-not-be-named (aka kristen but... blonde? this show is weird), and lee. not comfy counting lee, but technically shes one, hence the 'and a half')! very straight, much hetero (on another side note how tf is oswald the gay one, like i know he wears make-up and shit but eddies all about theatrics and showmanship and flair and hOW IS OSWALD THE GAY ONE NEXT TO HIM?? ok anyway).

so oswald was (is. be real.) canonically in love with ed, ed was.........., and 'penguin in love' is a piece of music composed by david russo for season three in which the whole "im in love with my best friend" thing took place.

that song has been used all over season three, as far as i can tell not once in season four, and once in season five.

.....or so i thought.

because yesterday, while in another obsession phase (of which i get one a few times a year. ive only ever watched the show once, in 2019, when it ended. still dream about nygmobblepot though. i dont dream about media, like ever, but with them, its different), i saw 5x8 to satiate my never satisfied craving of nygmob scenes, obviously skipping the main story bc i dont care about that straight shit. i got to the scene where oswald kills mr. scarface and frees arthur penn from said mr. scarface, after which ed shoots him in the head because thats what one does in such a situation, thought "aw how cute", again, as one does, and then realised.

what was that background music just now? rewinds.... oh. oh haha, its 'penguin in love'. how fun.

WHAT.

WHY IS THAT IN THERE. WHY DID THEY INCLUDE IT.

correction. it wouldve made sense to have it here. they used it in 5x5 for the speech about not backstabbing each other (wedding vows for murderers fr fr), so using it again after their relationship has solidified wouldve made sense.

note how im saying 'would have'.

because it would have made sense, if they used it when ed said "i accept you for the person that you are, just as you accept me for the cold logician that i am. thats why this friendship is great." they didnt, though. they used another equally heartfelt song for that. dunno what its called, it sounds a bit like 'penguin in love' but isnt, not sure if that one has a specific meaning like 'penguin in love' does.

so when was the song used? at 36:08 – 36:17. barely ten seconds, right before eds lines, right before ed kills penn.

...right when penn was sitting in oswalds lap because theyd been fighting for the gun and os fell on the ground.

now. the most obvious answer to "why in the fucking hell" would be because ooh this dudes on his lap so sexy, but no. no. 'penguin in love' is about one specific thing: love. the pure kind. the kind that makes you giddy with butterflies in your stomach, kicking your legs, while youre on your bed, writing in your diary about this guy you have a crush on. and oswald and penn do have history, oswald was more or less fond of penn, but not in love (i mean where would he have found the room in his heart if it was already filled with EDWARD EDWARD EDWARD martin my sweet boy EDWARD EDWARD EDWA-). im also definitely not thinking that penn was so happy about being free from mr. scarfaces influence and not having to kill oswald (oh yeah, the horror. who would wanna kill oswald, the guy with the big ego, who never does anything for anyone without some kind of endgoal- well, unless your name is edward of course) that he instantly fell in love with the guy. i can deal with the homicidal kind of crazy, but that? no. thats where i draw the line.

the next most obvious answer is that it was about oswalds love for ed. more believable, since its what the song was made for, but more believable doesnt mean believable. or likely. because even if i 100% believe that hes been loving this dude for so long its not something he has to think about anymore for it to be true, im pretty sure that itd be very random to suddenly focus on that when oswald was just about to die. so no, even if its what the song is intrinsically about.

so next most obvious answer is- wait. thats it. huh? theres no obvious answer anymore? everything else is brainrot? oh. oh well. its been five years, im sure its too late to worry about it now. what the hell.

im sure you know where im going with this. or maybe not. honestly idk what the fuck im talking about-

youre smart. you know what im about to say. if it wasnt about what oswald was feeling because he was otherwise preoccupied, and it wasnt about penn because that makes no fucking sense, then who was this song used for? who else was in the room?

...oh.

YOU.

YOU FUCKING IMBECILE. YOU STUPID DENSE PIECE OF-

inhale, exhale. no. don’ get mad, you know he cant help it. you know hes totally helpless when it comes to emotions. just breathe. ok.

i hate him. i hate him so much.

if the song wasnt for oswalds sake, it was for his. because i know hes in love with oswald, but does ed? does the producers??

'penguin in love' is about oswalds love. its about his love for edward. its about their love, their relationship. its about edward just as much as it is about oswald.

a-fucking-PPARANTLY, I DIDNT KNOW THAT!! I JUST THOUGHT OH YEAH OZZY BE THE GAY ONE HAHA FUNNY, I DIDNT KNOW IT COULD BE ABOUT ED DIRECTLY!!!

(why am i like this? what is my life? i will never be normal.)

ed has always been the obsessive one. first kristen (and the woman who shall not be named is just an extention of that ofc), then oswald, then lee. and as weve seen with kristen, when hes obsessed with someone, he can become possessive. absolutely not on the scale oswald is on, but still. theres a wee bit of jelly there. oh you have a boyfriend? better get rid of him! oh you wanna run away from me bc i murdered your boyfriend? better keep you right in place and- oh shit did i kill you? ono D:

this is a huge oversimplification, but you get the point. its there. or at least it has to be there because why else do you get so angy that someone is sitting in the lap of your just friend because they were fighting and they ended up in that position totally accidentally? like thats not normal behaviour, for anyone, unless you have possessive tendencies.

i mean its not like penn was a threat in any way. "he wasnt the threat, the dummy was the-" like i understand ed told penn about the submarine which was supposed to be a secret, but come on, like they couldnt make sure penn wouldnt say anything. so why would ed shoot him? its not even like penn was a random dude where that type of thing would be very inconsequential, oswald knew him. hed worked for oswald, and like i said, oswald was more or less fond of the guy. penns just a poor little meow meow, y u kil him eddie? 🥺

unless this fondness was part of the problem. unless ed saw how happy oswald was to see him, got annoyed but let it slide, then used penn attacking os and knowing about the sub as an excuse to kill him. and why would oswald being happy to see penn be a problem to ed? it wouldnt be. it wouldnt be, unless ed thinks oswald is his.

which makes sense. i know im calling him names and calling him out, but like. oswald told him he loved him like 5 times 2 years prior, i dont blame him for believing that maybe theres something to it (especially since that was the point of 3x14, oswald really being in love with him and surprising himself with it). but i thought ed didnt feel the same way? because hes very hetero? because he had a full-on girlfriend before, twice, technically? because-

"the truth is oswald, you would sacrifice anyone to save your own neck. even me."

"like i said! you will always fail, because youll never change."

hm. i know this is a bit off topic, but i just got a war-flashback and... why did ed sound so hurt when he said that? "youll never change." "you would sacrifice anyone. even me." why does he care? they were friends, best friends, yes, but why does he sound like a heartbroken wife who just found out her husband cheated on her again? why does-

"honestly you deserve this. you are opportunistic, your loyalty is.. shaking, at best, and you will hurt anyone, anyone, to get what you want."

"and yes, i was not a good friend. to you or anyone. its why im alone. but i saw you for what you are and i valued that!"

...why would edward nygma, the man who literally said "i dont love you" to oswald, be jealous of even the idea that maybe penn could have something going on with oswald? and why would he act on it if hes usually so careful to not reveal his feelings (unless its about kristen. the original obsession, the american dream, the just be normal, show them you are normal, and people will accept you)? he wouldnt.

unless oswald just told him that he knows he messed up. that hes sorry for it.

and unless that made him think that maybe theres a chance.

"love is about sacrifice. its about putting someone elses needs and happiness before your own."

"you gave up your revenge for me?"

a chance... for what?

"life begins anew."

"shall we get to work?"

and if theres a chance, hes not about to risk losing it. not this time.

so maybe 'penguin in love' is about more than just oswalds feelings. maybe they were trying to tell us that, yes, we see you traumatised gay kid, were sorry this is all we can give you, but here you go, eds in love with him too, but don’t tell the channel. subtlely. just for barely ten seconds. and maybe it can be enough.

nope, it wont be. im gonna sit here crying about the injustice of not having them kiss on screen in the finale as was originally intended for the rest of my life. seriously though, what is this, nbc's hannibal, where im noticing something new details every single time i watch the show, causing me to spiral? no, i was already spiralling. the spiralling was the reason i rewatched the scene. the scene simply made it worse.

so yeah, im done freaking out about a mediocre show that was cancelled 5 years ago and is honestly not worth anyones time (like, its ok. it might even be better than i remember since its been so long. i doubt it. but its ok).

tl;dr: ive only now realised that a specific gay song plays in a specific episode of a show i watched 5 years ago and the only reason theyd include it in the episode is if the dude that was not canonically in love with the other dude was in fact gay, they just werent allowed to make it canon, so they added the gay song to subtlely tell us about it.

have a wonderful day, hellsite. dont do what i did and go crazy about fictional gay people. i know you will though, that’s why im here too. i hate gay people. these two make me homophobic so bad, i wanna gauge my eyes out and skin myself-

[firelise]

Sand + Ray + their triggers [Ep 1 → Ep 5 → Ep 7 → Ep 9]

Ep 10 preview: Sand: I got you the information, the rehabs in and out of Bangkok. Ray: I can go if you want me to, on one condition. Will you go to your dad and tell him you're his son?

[irithnova]

....about that post going around again saying "hetalia isn't real sweaty :))" yeah dipshit anyone with a fucking brain cell knows that hetalia is not real but this take is one dimensional and incredibly tone deaf considering the nature of this fandom.

Having the liberty to participate in a fandom and create content does not absolve you from criticism; Freedom to be creative within a fandom is not freedom from tactfulness or good judgement. Especially within a country personification fandom.

You can cry "hetalia isn't real" all you want in order to deflect and belittle people who have to deal with discrimination by people in the fandom but it's very telling that these sort of posts usually come from people who's nations aren't targeted when it comes to this sort of crap.

Hetalia isn't real, so you can draw racist caricatures and write racist fanfics? Hetalia isn't real, so you can romanticise colonisation? Hetalia isn't real, so you can participate in historical revisionism? Hetalia isn't real, so you can excuse imperialism?

Maybe you can aim your "hetalia isn't real :))" garbage at people who blorbify the likes of Japan and Russia and America so much that they excuse actual Japanese, Russian, and American imperialism. Maybe you can aim your "hetalia isn't real" horseshit at people who use hetalia to showcase their prejudiced biases at certain groups.

If you think I'm joking, I've seen a certified Russia blorbifier post something saying "Go Ivan!" in regards to a news article about the invasion of Ukraine. I've seen people say that Japanese imperialism wasn't that bad because they blorbify Japan so much (Filipino here, if you think that please go fuck yourself!) I've seen people who criticise American imperialism get called vatniks/Russian agents by people who blorbify hetalia America.

Instead of telling people who are tired of dealing with this shit that they should get over it because hetalia isn't real, maybe go and tell the historical revisionists, imperialism apologists and downright racists to keep their trash out of the fandom, because you know. Hetalia isn't real.

[sophiethewitch1]

me, finishing any piece of writing: go to hell you awful piece of shit. i hope I never have to see your monstrous face again :D

[angorwhosebabyisthis]

i just realized setrákus is just ra ra rasputin But Evil and it took an inch off the front of my skull

[pokkop15]

Also let's go into the potato chip angle too actually. Bruce has spent an enormous deal of his life picking himself to pieces, delving into his psyche so that he can know himself better than his enemies— so he can know his foes even half as well. So why does it feel so strange to those who doubt his reasoning that killing might not become a potato chip for him? That this boy who turned his rage and despair at his childhood tragedy into extreme control issues and crime fighting— that that boy would hold within himself a fear of the fact that if he ever did cross that line he would never look back? That his read on himself that is Unwavering Code of No Killing WAS the only thing keeping him from breaking— from being EXACTLY like The Joker.

Because maybe it's not a potato chip. Maybe it's an opioid that gnaws at his mind since the first time he held a life in his hands and no one to stop him from ending it on a whim. A shortcut he knows would alleviate his pain and that he would not have the strength to stop taking at every opportunity— Killing and killing and killing until the high is more important than the motive. Because Bruce knows all about the suffering that is addiction. Both first hand and through the eyes of the people in the city he loves.

and I want to be clear that I don't make this comparison as a demonization of addiction or opioid use; prescribed or otherwise. I make it as someone who has that gnawing at the back of my mind. That trusts their gut when it says not to touch something because if I do I'll let it consume me. Addiction is initially a product of tragedy and unmet needs yes, but afterwards it's just there— gnawing at the back of your mind.

It Is There.

Even when you've built yourself a life you're happy in, with people who care about and for you. It Gnaws At The Back Of Your Mind.

It Gnaws At The Back Of His Too.

Batman is not a good man because it comes naturally to him. Bruce Wayne is a good man because he has spent his every waking moment since he saw the reflections of his enemies in himself forging himself into a good man like the ones he saw in his role models— like the one he wished could've been there in that alleyway…

I hate Bruce's "I don't kill because once I start, I wouldn't be able to stop"

Like I simply do not buy it. Murder is not a potato chip Bruce. I think he is full of shit and a messy bitch who lives for the drama. I am certain Bruce has some kind of valid reason for not killing, but I don't believe that this is it.

[b0mblover]

The Promised Loptson

By: J

i meant this to be really fucking short but uh. idk i just started going???

i wrote this bc i promised id write and post loptson when my phone got fixed, and i really want to work on some other writing projects so here you go ig!

lopt strolled down the stairs somehow, dead set on seeing his 'beloved', or as mason called it, husband.

as he creaked open the abnormally squeaky door, to the obscenely dark room, his partner was nowhere to be found, no glow of a computer, no fan running, nothing.

Had mason disappeared? How could a person vanish out of thin air though? Humans dont just do that do they?

He clicked on the light that hadnt been turned on in for what seems years, two lights blown, how? who knows.

Even with what little light one shown, there was no mason to be found.

He looked under the desk, behind said desk, even in the closet! Yet no mason.

Part of him started to worry, had mason left without telling him? Why wouldnt he tell him? Mason nearly never leaves his room for an extended period of time unless lopt bothers him and to sleep, even then only sometimes.

Sure he was perfectly capable of leaving whenever he wanted, but why would he? As much as lopt pesterers him about it, hes never actually made any effort into correcting it.

Lopt took a deep breath, theres probably a logical explanation to it all, hes just not thinking right, thats all.

Maybe some fresh air would help him think, yeah.

He walked over to the glass door, unlocked it, and slid it to the side, only leaving it slightly cracked when he got outside.

It was cloudy, and smelled like it was going to rain.

Theres no way mason would be out in this weather right?

He walked off the side walk, and laid down in the grass, staring at the grey sky, and trees in his peripherals.

It felt peaceful, but lonely, it was nice, but it didnt feel the same without someone to share it with.

He felt a few drops of water his his face, then one in the corner of his eye, making him flinch. 

He took another deep breath, maybe it'd all be alright, maybe mason was just somewhere else, the mans allowed to move after all!

But it didnt stop him from worrying considering how strange it was.

Maybe he was being too clingy.

Maybe mason had gotten tired of his clinginess.

Mason didnt need this.

No.

He didnt need this.

Not at all.

He felt more droplets fall onto his face and hair, the rain was about to pick up for sure.

Maybe he could just rot here.

It's not like he really had all that many responsibilities, and that he did he could complete at a flick of his fingers if he so pleased.

He knew this day would come, he'd been preparing himself for it since the day they met.

Yet that didnt stop it from hurting so badly.

Why were the most beloved people always ripped away at the oddest times? Often feeling like its out of thin air.

There may have been warning signs sure, but you always expect it to get a bit worse before the inevitable.

You'd think with how long hes repeated this cycle he'd know that by now.

While in tranced with his more than unsavory thoughts, a door slid open.

"Lopt get your ass inside before you get a cold" 

He jerked, come on not now. Please dont make me relive it now.

He closed his eyes, praying to ignore it, of course not, that never works.

He wished to lock himself in his own mind, were he could replay the good moments over and over again without the pain. 

As he was unsuccessfully trying, he felt a hand touch his upper arm, mumbling a "go away".

"Come inside or im dragging you. Im not playing Lopt." A warm? voice spoke sternly.

He moved his arm away from his face to look at the assumed illusion, "I said go aw-" He cut himself off.

Oh. 

Oh.

"Uh, yeah, hah! sorry oops! thought you were someone else!"

He hated being actually caught off guard, he knew he looked and sounded off. He always did.

"Uh, okay then, just hurry up, foods getting cold"

Food?

Mason made food?

Why?

Its only 17 something?

Lopt shoved himself upwards, supporting his body with his arms, god his joints feel like theyre going, can they do knee replacements on gods?

Oh wait he could just do that himself-

He finally stood up, damn it was pouring, how didnt he notice?

He hurried his ass up and walked to the awning, before stepping inside, taking a fucking nother deep breath.

Its okay, he doesnt need to know, just act normal. Act. Normal.

He grinned in what he could only describe as stupidly before sliding the door open, stepping in, and sliding it closed.

Once fully inside, he shook himself off like a wet dog, he didnt feel like getting a towel, not when something smelled impossibly good.

Seriously when did mason cook this?

Homade macaroni and cheese, damn did it look good.

They both dished out their own portions, and sat down at the bar together.

It was So. Fucking. Good.

Sure mason could cook well ish, but where did this come from?

Once he'd finished his own, he decided to ask the million dollar question.

"Hey uh, where were you earlier? Seriously i couldnt find you anywhere"

Mason finished chewing and swallowed.

"Huh? I was in here cooking? You walked right past me? I literally asked what you were doing?"

What? He'd never heard anything besides his own footsteps on the cold tile.

"Huh? I didnt see you though? Or hear you?" Could he really have been that worried he missed him?

"Well, you did seem really focused on something"

"I was looking for you."

"Then how the hell did you miss me?"

Mason grinned and laughed slightly

"I'd love to know that myself honestly!"

Mason took his last bite, again swallowing.

"I uh, Look i know you hate the idea i *know* but really, i think you need to get checked out"

No.

No.

No no no no no no.

Nononononononononononono fucking No.

"Just to make sure y'know? Even if its something as simple as a vitamin deficiency, it can be really detrimental to a lot of things."

Its out of love.

Its out of love 

its out of love its out of love its out of love its out of love. Right?

It wasnt a punishment.

Right? 

Had he messed up that badly? No right? Mason would talk to him first right?

He hadnt he wasnt he-

"Hey whats with that expression? I know you hate the idea, but i promise its for your own health"

Lopt turned his head to face mason, apparently his expression was unpleasant 

"Okay okay then jeeze, whats with that expression? Calm down, please."

As much as he wanted to say something, anything, he couldnt.

He couldnt think of anything helpful to say.

"Chill out, please? I promise i wont do anything without telling you. It was just a suggestion, Please?"

Mason put his hand on lopts back.

Right

Right.

Its just for his health.

Not to leave him.

Just to make sure.

Yeah.

As he took his next breath, it hitched.

"I- I'm sorry god i didnt mean to upset you I"

"It..s okay!" He smiled slightly, he could feel the fakeness nearly pouring off his lips. Theres no way mason didnt notice.

How long could he keep this up before having to address it?

Why couldnt he just keep it up?

Why was he so easy to read.

Mason gave him a smile in return,

"Anyways, wanna watch a movie or something?"

Well, at least he got the memo to change the subject.

"Whats gotten into you? You never want to watch anything!"

"Is that a no then?"

He grinned playfully

"No! No! Im just asking!" He put his hands up defensively 

Mason laughed, sliding himself off the bar stool, picking up his and Lopts dishes to rinse and put them in the sink.

"As long as i get to pick the movie for once alright?"

"Yeah yeah sure suree, I'll get the blankets?"

"Sounds good!"

Lopt strolled out of the 'room' and up the stairs to a closet to get blankets.

Dread set in oncemore of masons words, it wasnt a punishment, but it sure felt like it.

But, mason did say that he wouldnt do anything without asking or telling lopt first, he put it to the back of his mind for now, he just wanted to enjoy tonig-day? for now.

He carried around 5 blankets stacked absurdly high covering his eyes down the stairs, somehow not tripping, to the couch.

He sat, well more like dumped, the blankets on the couch so he could finally see, Mason had made popcorn, ah so thats what that smell was!

He moved the blankets to the floor, sitting down and getting comfy and cozy™️ before laying the blankets out on them both.

Mason put the popcorn inbetween themselves.

While flipping through movies that werent absolutely boring as shit, he paused.

"Hey, you know i love you right?"

He asked while still staring at the screen

"I- Yeah? I mean i hope so? I love you too, but why are you saying it right now?"

Mason turned to face lopt

"Dunno, just felt like it"

He smiled, before grabbing Lopts face, kissing him gently on the lips.

Lopts mind blanked for a second, Mason, kissed, him. ? 

As mildly confused as he was, he couldnt complain, he loves masons rare initiated affection. 

Mason continued flipping through movies, still smiling.

Lopt leaned over and kissed him on the cheek,

"Just don't pick a boring one please?"

He whispered in his ear.

"I wont I wont!"

"You said that last time and i fell asleep in the first 10 minutes!"

"Thats because you took melatonin!"

"Oh potato potato!"

"you know that only works verbally right-"

"Quit breaking the 4th wall!"

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[jtownraindancer]

hello! i would LOVE to watch jamestown but am a little apprehensive because of possible triggers? so i thought i'd ask! is there anything i should watch out for? in the vein of like... sexual assault, hate crimes (tho this is a given bc period piece but like. how violent would it get?), and frequency of character death? thank you!

​ Hello Anon!

Absolutely a fair question, and one I'm very happy to answer! I'll address each of these one-by-one, and if there are any other possible triggers you're wondering about, please feel free to ask~

This is going to spoil some of the show, so I'm putting my full reply below the cut.

​Sexual Assault:

Right off the top of my head, there is one very distinct instance of sexual assault, right in the beginnings of Season 1 (may even be Episode 1 if memory serves). The rape itself is not graphic- there's a build up, but the scene ends before anything is actually shown. However! The attack is a defining moment for quite a few of the main cast- relationships are formed based on reactions to it (all resoundingly in the victim's corner!), and it is mentioned off-and-on again throughout the series.

Hate Crimes:

I don't… I can't quite say there are many hate crimes as we would know them, but some general things to look out for…

There is a very tentative relationship between the Colonists & the Pamunkey Tribe, a tension which builds up into the final episode where a lot of characters are killed on screen- mostly background. (Season 3 was arguably the most graphic of the lot, starting with the private execution of an alleged "traitor" to the governor.)

​The slave trade hangs heavily over the series starting at the end of Season 1, an introduction that tastes even more bitter when it's discovered that they were acquired illegally (and against the wishes of a majority of the colonists). I… I have much I'd like to say about it, but to do so would spoil a lot of plot points later. I will say however that there's nothing particularly graphic in this end (and Pedro and Marie alone are worth watching the show for!)

For queerphobia, there… wasn't much? The most that comes of it are a few instances where Thomas & Jocelyn both make jabs at Nicholas for his 'tastes,' though in the end it's clear they both really do care for him. Also in regards to an intersex character, the only fault found in her is the deception that allowed him to come to Jamestown to begin with. There's also the strong implication that not only does another character remain open-minded about folks pursuing certain 'bedfellows,' but the possibility that he himself may be queer. (Kind of a blink-and-you-miss-it moment, but definitely there.)

Religion-wise, there is definitely a period-accurate bias towards Protestantism (and a hatred/suspicion of Catholics which will come up several times), and references are made about wanting to "convert" the indigenous population, but that's about the extent of it? Some characters do use ''Christianity'' as a cover, but uh… Spoilers on that end. Put succinctly… In spite of a period-accurate lean towards Protestantism, there are still a few characters who definitely are not of the same mind. In the main cast alone, I can think of at least three Jamestown residents who stand apart from the others in terms of spirituality (or lack thereof).

Violence:

While there's not a lot of gore in this show, there are certain scenes that can seem gruesome in the context. As I found this show through PBS, I wasn't expecting a lot of gore itself, but the implications involved, and the very rare, rare moments where things are actually shown, carry enough weight on their own. (There is one scene that comes to mind with a smuggler and some molten metal, but I couldn't seem to look away; Farlow was fucking terrifying. 💀)

Character Death:

Some great news! Most of the characters survive this series!

Bad news! The characters who do leave will probably hurt!

Would like to again offer a warning for the finale of Season 3, which leads into the very real beginnings of the Indian Massacre of 1622, a slaughter that took out nearly 1/4 of the Virginian colonists. The show does not get graphic, but the implications, and the brief hints we're shown on screen do plenty of damage.

Overall:

There were quite a few liberties taken with this show, and at times it feels vaguely soap opera-esque in the writing choices. But overall I did enjoy this one, and I would recommend it! Even if you decide to watch just for Alice, Verity, and Jocelyn, I would still ask you to give it a try because there are so many interesting characters to meet in this series, and it does offer a decent (if over-exaggerated) glimpse into life in Jamestown.

If you're still interested in giving Jamestown a whirl, I hope you enjoy it! (And please feel free to scream in my inbox and/or DMs about it.)

Thanks for the ask friend; I hope this helped, and if not, please don't hesitate to reach out. Love and light!

[kalashtars]

it's been five days i'm going through withdrawal symptoms for 'a crooked touch'

[acid-ixx]

(12/30/24) — again &. again masterlist

by the bird and the bee

ft. platonic soft! yandere batfam! x gn! neglected reader

✮ MAIN MASTERLIST ✮

— TRIGGER WARNINGS !

- lowercase writing, emotional neglect, allusions to sexual assault, prostitution & physical abuse, kidnapping, alcohol abuse, drugging, themes of depression, dissociation, vague traumatic events, mentions of murder, amnesia, other warnings would be added soon.

— SYNOPSIS !

who would have thought that living with your rich, billionaire father and endless supply of sisters and brothers would actually end up being the worst thirteen and a half year of your life?

when your mother was taken away from you at the ripe age of five, you were forced to live at the solemn wayne manor with nobody to accompany you but the butler, alfred pennyworth.

there, you learn that giving up was better than trying to gain the attention of your ever-growing family. so you left, and never once tried to look back at the decades of neglect they left you with.

but when alfred, your kind caretaker, had started leaving clues of your sudden disappearance; that's when they all take notice and then on starts the ultimate race of chasing freedom, and escaping what once was your gilded cage.

little did you know your mother's dark past manifests itself at the worst of times.

— CHAPTERS ! ; 48k+ words

00. — oh, please leave me be.

01. — because you only notice me once i'm out the door.

02. — and you don't even remember my face?

03. — i need a drink, away from everyone.

04. — mors tua, vita mea / your death, my life.

05 : 01. — a halo in the pit of darkness.

05 : 02. — to be his child is all i want.

— DRABBLES ! ; #series: again &. again

dick grayson calling you his baby bird

why now? (yan! damian wayne)

brutus (villain au concept)

brutus: out for blood

what if you were never neglected?

just a taste (yan! conner kent - suggestive)

laughter is the best medicine (yan! dick grayson, jason todd, tim drake, damian wayne)

to you, my greatest passion (non-neglected au-verse)

brutus: both arms cradle you now

bruce finding your graduation picture

how to be a heartbreaker! (yandere harem)

mea culpa (mini chapter)

conflicting comfort scene with jason todd

dialogue spoilers related to above drabble

more about jason todd and hurt/comfort

dick and his baby blue eyes

time travel au concept

sharing the same features with damian

brutus: the only fucked up thing in this world is you

cause you're takin' it like a champ, sweetheart! (yan! conner kent - suggestive)

brutus: just a burning memory (yan! conner kent)

young, just us?! (yan! young justice au)

that's my type! (yan! john constantine)

— ASKS ! ; #series: again &. again

dick's spiral into yandere-ism

leaving gotham, resenting alfred, changing last names

your mysterious identity &. conner being your love interest

dick seeing you as a child & damian's need to be your favorite

damian and his cool, matching bracelets

does dick close the door on you? nah, he doesn't even know you were behind the door

wally west as your love interest

you care now?

conner as your angry, protective bf

jason trying his damn best to be a brother to you

calling bruce by his last name only

calling alfred your dad ft. jealous bruce

how are damian and jason obsessed towards you

their nicknames for you

how bruce and damian would try to bond with you

will you still go to college after being kidnapped?

will the series have a happy ending?

why does damian hurt you? and why do you justify his actions?

the family stalks you even in-game

— INCORRECT QUOTES ! ; #a&a: incorrect quotes

yan! villains kidnapping you

hostage situation

how to become a target to the wayne family

dick and you miscommunication trope in a nutshell

— FANART ! ; #a&a: fanart

happy birthday by @luffyadolover

diary by @luffyadolover

another reason they're broke &. finished art by @oh-nowo-i-got-uwu

a take on the reader's appearance by @luffyadolover

reader trying to study ft. the batfam's endless calls &. finished art by @ghostdoodlen

reader finding bruce and damian watching a movie by @luffyadolover

again &. again mv by @luffyadolover

reader and their playlist by @luffyadolover

a comic panel by @lucioleestolie

conner and reader flying through the skies by @ghostdoodlen

when all of a sudden, i hear this agitating noise by @punpunsonny

villain au reader by @lazyemmy

a&a oc: emile by @questionthegrapevine

graduation pic, conner comfort, and mirrors by @ghostdoodlen

neglected &. non-neglected reader by @lazyemmy

jason calling you his angel by @ghostdoodlen

alfred gives you a christmas gift by @luffyadolover

— TAGLIST ! ; taglist is under construction!

@.lilyalone, @.secretomelettetroops, @.earlqurl, @.simpingfor-wakasa, @.amber-content, @.ruiroku, @.okaybutfullhomo, @.trasshy-artist, @.obsessedwithromance, @.jjsmeowthie, @.fairy-lenaa, @.ilovvmyhusband, @.6uuyuuhgy, @.plsfckmedxddy, @.lavender-moony, @.sweetheart-era, @.chemicalsandghosts, @.darling006, @.starringyau, @.samanthahanes, @.rosecentury, @.jaythes1mp, @.pi1nkl0ver, @.i-thirsty-boy, @.sharks-are-cool-l, @.silverklaus, @.samanthathanes, @.traumaramacenter, @.maddimoon, @.anxrq, @.thedarknesslord, @.h0rr0r-10ver-69, @.lazy-idate, @.cupids-pretty-boy, @.alishii, @.mel-star636, @.sitepathos, @.freakyotaku059-blog, @.dirtydiavolo, @.sunbleachedantlers, @.24hrsoflanii, @.ceramic-raven, @.une-lueur-dans-la-nuit, @.tdickensstuff4, @.thickerthanthieves, @.arlandvery, @.distressed-lezbo, @.bunbunboysworld, @.bellethesleepypotato, @.naina326, @.nebuluma, @.alliwantisadonut, @.alishii, @.kusakiguzen, @.sirenetheblogger, @.emmbny, @.ryukyuin, @.solkara, @.starsdotalk

[inkdrunkworddrunk]

my friend and i share this stupid Gen Z Dark Humor shit that always leaves the Older People flabbergasted. it's always the i-want-to-kill-myself's and i-want-to-die's that get thrown around our conversations. and of course, i know it's a joke.

but the joke only ever applies to him.

every time he delivers another doom-ish line, something along the lines of this-life-is-not-worth-living-at-all, i would give him the inevitable "same," like any digital native would. what always happens after, however, is, i get—and let's use the internet's misused/overly used therapy word—"triggered" by it.

my mind would echo with his words "i hope i die tomorrow..." over and over again until i'm chanting it to myself. i would respond to a shitty TikTok he'd send with an equally shitty meme that would make the both of us do that infamous exhale sharply through my nose but not really laugh thing.

and after the conversation has gone quiet, i would find myself curled up in my bed, doing that whole staring at the ceiling thing that people who are lonely do at 3:10 a.m., going over, once again, for the billionth time, the steps i would take before i do in fact execute what cannot be undone.

i will first write letters. to my friend, as we have joked, told me i should at least write him 2 whole pages of a letter. so i will do just that. 2 whole pages just for him. then i'd write to my parents, probably 5 for each of them. my siblings, maybe 1 for each. and then i'd write on my sticky notes that i never seem to run out of, and i guess would never run out ever, my passwords, to my phone, my bank, my social media accounts. i will also delete my history, so they could at least remain to know me as i've shown them and not someone with an extremely wild imagination and very much so down bad for a fictional character.

then i will tidy up my room, give it a thorough clean. i will wipe down my book shelves. dust away the cobwebs that appears a month after cleaning it off. i will organize my desk. throw out things i don't need to keep. fold my clothes. change my bedsheets. scrub down my bathroom and make my windows squeaky clean. that way my family wouldn't need to clean it out. or maybe they still will.

i will kiss my dog good night.

and of course, i will not deprive myself the opportunity to die pretty. i will wear this blouse that i needed to buy for a university event and pair it up with the flowy floral skirt that i really loved.

the thing is, what my good friend doesn't know, and i guess, never will, is, i already have a plan. i have it all mapped out in my head. how i would do it, where i would do it, when i would it. and it's such a stupidly funny thing that that phrase "you don't really know what's going on with a person" could apply to me, his self-proclaimed best friend. and as far as the best friend thing goes, we are supposed to tell each other every thing, right? we tell each other how our parents are so annoying because, well, they're parents. we talk about how we can rent an apartment together and live like two best buddies would. except, well, i don't tell him anything. he does all the talking. he tells me every single thing, from his first girlfriend, his first car, his solo trips, annoying meetups, to his insecurities that i don't know how to help him with.

my misery has consumed me in ways i have never thought it would. i always thought i would be able to punch my way out of it, crawl if i had to. i didn't realize that the floor would be slippery and made of thick cement, something i definitely cannot punch or crawl my way out of. my fingers are bleeding and my knees are bruised.

i'm tired.

(same💀)

[safetypin-louis]

a hill i will DIE on is that all books should have content warnings right before the dedication. this is not to say that books should be gate-kept from younger audiences or anything like that, it’s mostly because i’ve read some really uncomfortable things in books that i would liked to have been aware of before going into the books, so i could make an educated decision about whether reading the book was the right thing for me.

[nereidprinc3ss]

do you believe me now? | 2

in which fem!reader is feeling insecure about how inexperienced she is around spencer's friends and seeks his expertise to amend the problem

series masterlist

18+ (smut) warnings/tags: inexperienced reader, oral f receiving, (MUNCH!SPENCE RETURNS), fingering, (very) insecure reader, softdom!spencer, sub reader, nipple stuff, kinda sorta implied age gap, god i'm probably forgetting things pls lmk if i missed something important a/n: i've been laboring at this bad boy every day for so long i had to immediately post once it was completed lol. there will be a part three ... maybe i already started it ..... anyway i love u guys and i hope this is a satisfactory part two!! PLS lmk if you liked it!! hearing from u makes my day :')

When Spencer dropped you off at Penelope’s apartment for your first girl’s night—the hostess had promised you, JJ, and Emily lots of gossip sans 'icky men'—you had been ecstatic. You wouldn’t stop rambling to him about how excited you were. 

When he picks you up two and a half hours later, he can hardly get a word out of you. 

It’s not his fault, of course—well, not really, anyway. It’s just that all the girls had wanted to talk about was sex. A topic on which you held very little expertise and had essentially nothing to contribute. Out of the four, you were the only non-FBI agent, the youngest, and undoubtedly the least experienced. It was like high school all over again, except you actually desperately wanted to impress Spencer’s friends. All in all, you weaseled your way out of sharing without giving away that you were still very much a virgin. Sure, you could have said ‘we did hand stuff two weeks ago’, but you had a feeling these women wouldn’t consider that very impressive. 

But you can’t easily relay that information to Spencer—even when he immediately picks up on your sullen mood. He asks you what’s wrong as you make your way down the echoey staircase, but you hold back, muttering something along the lines of we’ll talk about it later. 

Later doesn’t come on the sidewalk outside. It doesn’t come in the car, or at any point during the twenty minute drive, but you feel it rapidly approaching as you climb the stairs to Spencer’s apartment. He unlocks the door and holds it open for you, doesn’t speak as you kick off your shoes and wander aimlessly into the living room.

“Did you eat?” He finally asks, hanging his keys on a hook by the door and glancing over to where you linger in the center of the room like a ghost. 

“Not hungry.”

You both know that wasn’t the question, but he lets it go. 

“Alright... well, I was thinking—“

“Why haven’t we had sex?”

The question flies from your mouth before you can stop it. It tastes like metal and you wish you could take it back as you stand there, cheeks hot and awaiting a reply. It seems you’ve thoroughly astonished Spencer as he gapes at you like a fish out of water for several silent moments, eventually opting to shove his hands in his pockets and shake his head at the wall as he processes the question. 

“I… I don’t know. We just haven’t. Does that bother you?”

Suddenly your whole body feels intolerably warm. Your fingers twitch against your thighs. Of course it bothers you. 

“Do you just not want to? You aren’t attracted to me like that?”

God, you despise how fragile your voice sounds—how much you obviously care, how insecure you clearly are. Spencer picks up on it, despite your most fervent wishing that he wouldn’t, and approaches, stopping a few feet away. You stare at the span of oriental design on the floor between your feet. 

“That’s not at all what I said, angel. I wish you wouldn’t put words in my mouth.”

“Well, then… say something else,” you plead quietly, childishly, still unable to meet his eyes. Prove me wrong. 

He sighs, which does not bode well for you. You wonder if you accidentally triggered the early demise of your relationship and christ do you wish you could rewind. When he steps closer, when his hands find your arms, you’re not sure where to look. But the low, sweet tone of his voice entices you to finally meet his gaze, charmed like a snake as his eyes dart between yours. 

“You know that’s not how I feel.”

You shake your head earnestly, looking up at him with wide eyes as he slowly rubs your arms. 

“No. No, I don’t know that.”

Spencer frowns, glancing at your lips as he speaks. It’s impossible to not do the same when he’s standing so close. 

“But I’ve told you. I don’t understand how you couldn’t know how far from the truth that is.”

You think back to two weeks ago—the first and only time he’d ever done anything more than kiss you. A different kind of flush replaces the shameful one in your cheeks as you try to make your case and not get distracted by the memories of his hands all over you.

“So why won’t you prove it?”

It’d been intended to come out cool, but instead you sound a little desperate, a little out of breath as you realize you and Spencer somehow ended up so close to each other you can feel the warmth radiating from his body. 

“Is that what you need from me? More proof?”

He speaks so lowly, his fingers press into the flesh of your arms portentously, and you think maybe you’ve poked the bear one too many times. But you won’t back down now—not when you think you might actually get what you want. 

So you look up at him and nod, throat too dry to speak. His eyes are deceptively soft, but you don’t miss the big bad something lurking just beneath the surface of the placid hazel. 

“And how do you think I should prove it?”

“I told you what I want,” you whisper, speaking above your pounding heart. 

“Not tonight, honey. Choose something else.”

“Well—that’s not fair,” you stammer, “the whole point is for you to want to have sex with me.”

Spencer smiles a little, tucking hair behind your ear. “I do want that. I promise you I do. But there are other things I want us to do first.”

“Then I want to do that, too! I just—I don’t know what I’m doing, and you do, and I’m already out on a limb by asking for this much. I know this is what I want but I need you to take the lead here. I trust you, Spencer.” You top off the monologue with an imploring gaze—hoping it delivers even a fraction of the impact that his puppy-dog eyes always have on you. 

He seems to study every square inch of your face as you wait in suspense for him to say something. At long last, his lips part—to no avail for several more seconds as he regards you. 

When the words finally do come, they’re an immense relief of pressure. 

“You’re going to promise me that you’ll communicate honestly. That means telling me if we need to slow down or stop, or if you don’t like something—”

“I promise,” you say, perhaps over-eagerly, offering him your extended little finger. 

An incredulous smile narrows his eyes. 

“Is this a pinky-promise?”

“It is.” You wiggle the finger in emphasis, and he shakes his head, smiling wider as you link pinkies. 

“I left you with Garcia for far too long.”

You shush him, disentangling your hands to cup his jaw and press your lips to his. It’s sweet and smiley until it isn’t—until everything slows down like sticky molasses and his hand is ghosting over your cheek, your neck, the curve of your waist, finally substantiating itself on your hip—the other encouraging you to tilt your head back as he deepens the kiss and you feel yourself melting under the heat of his touch. 

The pressure of his body against yours builds until you’re forced to take a step back, and then another, and another. Without question you allow yourself to be herded toward the bedroom, walked slowly backward as he keeps kissing you and blindly trusting he’ll make sure you don’t run in to anything. The bedroom door clicks shut behind him, and it is in all practicality a pointless gesture—but you find it incredibly comforting nonetheless.  

It’s too warm beneath your sweater and his hands are cool as they slip under the hem, sliding against the curve of your hip. Spencer’s never seen you without a shirt, you realize, as he pulls away from the kiss by only centimeters.  

“Off?” he mutters, thumbing at the knit fabric. And while you’re far from confident, you’ve certainly been making progress in this area. You help him tug it over your head without a word, noting a distinct and surprising lack of terror within yourself as you watch for his reaction to you. Hands glide slowly up your waist and you find yourself enchanted by the slight furrow of his brow, the parting of his lips. He traces down the lacy edge of your bra, skimming sensitive skin as he goes. 

“Pretty,” he murmurs. “You’re… so pretty.”

It seems you’ve rendered him uncharacteristically prosaic. The reaction might be underwhelming if it were anyone else—but Spencer Reid is a man who probably knows every synonym for pretty in the English language. Looking at you, he can’t think of a single one. In an odd way, it’s the highest compliment he could pay you. Your cheeks heat and your stomach flips as he drags a knuckle up the center of the cup, and you can feel it through the layers of lace and fabric. He leans forward, ghosting his lips over yours and continuing to run his fingers over the sensitive spot. “Do you know how pretty you are?”

This is one argument you will not be winning—one he’ll keep bringing up at the most inopportune times until he gets his way. 

“Spencer…”

“Don’t Spencer me. I’m asking you a question.”

The words don’t seem nearly as harsh as they really are when they’re delivered velvet-soft, with his lips and hands on you—when he’s so deftly popping the button on your jeans and dragging the zipper down with all the quickness of a slight-of-hand. It makes it hard to focus, even harder to speak. 

“We have… we have differing views on this matter.”

Generous handfuls of your hips and ass are taken as he helps you tug down your jeans before you kick them off, now left just in your underwear. 

“I thought I argued my point fairly well last time you were here. You didn’t learn anything from that?”

“Mm… maybe you just need to remind me.”

“Oh, I think I have to,” he agrees through a smile you can only hear. Gentle fingers skim up your back and tap the clasp of your bra. “How about this? Can we take this off?”

Any confidence from earlier crumbles and you loose a nervous hum—which is not the enthusiastic yes you’re sure Spencer will be seeking all evening. He pulls away, features etched with the beginnings of concern and a searching gaze. Asking would be unnecessary; the words simply come tumbling out of you. 

“What if you don’t like how I look?”

Spencer doesn’t even blink.

“That’s not going to happen.”

How you wish you could have the same assuredness in yourself that he seems to. 

“But what if… what if you’ve been with other girls who are more, like—I don’t know, just—better? Prettier?”

“Honey, you’re—” a sigh, a pause as he searches for the words—his eyes dart up and down your form, assessing, and when he looks back up at you, they’ve cleared and softened. He pulls you a little closer, rubbing circles into your back with his thumb. “I’m not thinking about anyone else right now. I’m not interested in anyone else right now. I already think you’re perfect, and I’m going to keep thinking that regardless of how you look. When I look at you, I’m not looking for things to critique. Do you understand me?”

As far as sentiments go, it’s a nice one. But the pressure of being seen still feels like an impossible burden. You whine, leaning your head against Spencer’s chest. He accepts your weight and runs his hand over your back as you look up at him. 

“But what if I’m hideously deformed?”

His eyebrows raise. 

“You’re not.”

“But what if I am?”

“Okay. It seems like you don’t feel ready yet, which is completely fine, we just won’t—”

“No!” you protest. “I am ready. I am. But… you have to promise to be nice to me no matter what. Or break up with me if you don’t like what you see so I don't have to wonder.”

“You’re ridiculous,” he says, kissing you, “and the only thing I’m willing to promise is that I’ll think you’re perfect. Me being nice will come as a natural byproduct of that which is very different than being nice by artifice. Take it or leave it.”

A moment of hesitance—but it’s short-lived. This is more important than your insecurities. Spencer is more important. 

“Take it,” you mumble against his lips. His fingers trace up the smooth skin of your back, all the way to the fabric and metal hooks on your bra. 

“Thank you.”

You wouldn’t have thought Spencer’s genius would manifest in being really good at undoing the clasp of a bra, but you can truly say you’re impressed by the ease with which he does it. It falls to the floor, leaving you completely shirtless for the first time in front of him. 

“Well?” you murmur, arms crossed defensively underneath your chest, because you understand overtop would sort of ruin the whole thing. “What’s the verdict?”

“You,” Spencer manages after a moment—you literally watch him memorizing every square inch of your body— “are ridiculously beautiful.”

The way his voice gets quieter makes your stomach flip. It sounds genuine. Too genuine to be faked. 

“So… no breakup?”

It seems that the more vulnerable you feel, the less likely you are to take a compliment. Spencer, who is always seeking patterns, probably recognizes this one, and doesn’t push you so hard this time. After a silent moment, he sighs and cradles your face in his hands. 

“You’re gorgeous. I hate how incapable you are of seeing that. We’re going to talk about this.”

“Yeah, but not right now, right?” you murmur, standing up on your tiptoes to kiss him. 

“Not right now,” he agrees. 

His lips are so soft and gentle against your own it feels like love, it feels like being talked down from the ledge of your own insanity. Somehow the way he strokes your hip feels more nurturing than sexual. It’s like he has sex and chaste affection on tap, able to turn them on and off at will. You’re happy to drown in either. Ideally, both.

After a while, his hands begin roaming farther, become bolder in their excursions over your flesh. Up, down, over your waist and ribs. Clearly Spencer had been trying to ease you into it, but you still can’t hide your sharp inhalation when his thumbs graze the sensitive skin of your breasts. He pulls his lips from yours, hands splayed over your sides. 

“Sit down.”

It’s much too gentle to be a command, but you frown. 

“Without you?”

“I’m not going anywhere,” he chuckles, lightly squeezing your waist. “Just sit. Utilize patience.”

You sit on the edge of the bed with an atypical reticence—you’re just a little too nervous for a snippy comeback. Spencer picks up on this, features softening sympathetically as he undoes his tie with nimble fingers. It lands somewhere on the bed and he leans over you, resting his weight on his fists and offering you a quick kiss. His voice is soft and designed to soothe as he speaks, mere inches away from your face, and so quiet it could only be heard at this range. 

“Are you nervous?” Cloth from the duvet pinches between your fingers. For a moment you don’t reply, dropping your head to watch when Spencer runs his hand over your thigh. “It’s okay if you’re feeling anxious, baby. We don’t have to do anything tonight.”

You expel a frustrated huff. 

“I want to. Just because I’m nervous doesn’t mean I don’t want this. I can handle a little bit of anxiety.”

He hums, dropping to a crouch and inserting himself directly in your line of sight. 

“I know you can. But you don’t always have to push yourself so hard.”

“I’m fine pushing myself a little. I pinky-promised I would tell you if I wanted to stop, remember?”

“Oh, how could I forget a pinky-promise?” he smiles. 

How could you forget anything, you think, becoming flushed and silently insolent at his dulcet teasing. 

“Please, do something.” It’s a whisper, brushing his lips as you lean down until you’re nose to nose. His hands are on the back of your legs. 

“I’m working on it.”

“It doesn’t look like it.”

“You’re smart, angel. Tell me why I've got you naked on my bed and I’m kneeling in front of you. Where could I possibly be taking this?”

Oh, you have a pretty strong inkling—but you’re scared to voice it and be wrong. Instead of risking it you shake your head slowly, shyly. What you’re not expecting is for Spencer to duck his head down, slide his hands up the side of your thighs and press kisses to the delicate skin there. It feels good—better than you’d have thought. 

“You don’t know?” he asks, looking up at you through burnished gold-rimmed pupils. “No guesses?”

“No guesses,” you agree breathlessly, hotter than you were when you had your clothes on and all the energy in your body condensed into one point between your legs. Spencer hums like he’s considering your answer, smoothing his thumbs over the soft skin of your thighs so gently it feels like burning. 

“I don’t think you’re being entirely truthful. Lie back, sweetheart.”

You do as you’re told, scooting up on the mattress and falling back on your elbows. Spencer wastes no time in climbing over you, leaving you in much the same position as the last time you’d been in his bed. The sheets feel cool against your bare skin, but he is exceptionally warm and solid over you. 

“I’m being honest.” Lie. “I don’t know what you’re going to do.”

Lips find the most sensitive spot of your neck, dancing over it torturously. The front of his shirt brushes your chest. Your thighs clamp together. 

“I don't like being lied to. Just say it, baby. I know you know.”

“Spencer,” you whine, fists bunching the excess fabric around his waist. Warm breath condensates on the skin of your neck as he chuckles. 

“You don’t like being teased, huh?”

“Please, Spence,” you whisper. You notice the pattern of his breathing pause momentarily before it all comes rushing out at once—and you catalogue that particular plea for later usage. 

“I can’t say no when you ask me like that.”

You push your fingers into his soft hair. 

“I know.”

It was a lucky guess. 

He’s still for a moment, relishing the feeling of your hands in his hair, before darting up to kiss you. 

“I’m going to use my mouth this time,” he murmurs against your lips. Though you knew that was what he intended, your heart stumbles in its perpetual march. “Is that okay?”

“What if I…”

You trail off. This is a very intimate situation which you’re not quite sure you have delicate enough language for. Or maybe you’re just stalling. Either way, Spencer is eternally patient with you. 

“You need to stop worrying so much, pretty girl. I’d love to do this for you. But it’s your call.”

“Love is a pretty strong word.”

“Sometimes I think not strong enough.”

The way he’s looking down at you so tenderly, brushing hair from your face, makes you think maybe he’s not just talking about how much he would love to go down on you. Regardless, it fortifies your trust in him. Spencer is the kindest person you know. He’s so clearly an enthusiastic giver. Why not allow him to give you this? 

“Okay,” you breathe. “You can—yeah.”

As usual, you’re impressively awkward, but he doesn’t seem to mind. In fact, you think he not-so-secretly delights in being the one to fluster instead of the other way around. Rarely has he mentioned his past romantic and sexual exploits, but gathering bits and pieces, you assume he was a fairly late bloomer. He probably knows what it’s like to be nervous and so deeply unsure of yourself. 

“Do you remember what you promised me?” he whispers, pressing butterfly-light kisses to your jaw. Your eyes flutter shut as his lips traverse down your neck, teeth skimming over the delicate skin while your breath catches. 

“Mhm.”

“You’re not gonna break that promise, are you?”

His voice, soft and muffled by your skin, is the most exhilarating and disorienting high. Your entire body buzzes with anticipation, satisfied only where his lips soothe and his body presses against yours. It takes a moment for you to remember to reply. 

“No.”

Reward comes in the form of his thumb brushing over the peak of your breast at the same time as he murmurs, “good girl.”

Your stomach flips at the endearment—you squeak and arch into him slightly. Spencer’s hand slides down your ribs as he chuckles, lips pressed just above your collarbone. 

“You’ve never called me that before,” you shudder as he continues kissing over your neck. 

“It’s not appropriate in most conversational contexts. But I can tell you’ve always been good.”

“Really? How?”

Spencer pauses, pushing himself up to regard you with searching eyes. The places he’d kissed feel cold without him. 

“I just can. You’re thinking too much, baby. I need your focus on me.”

“It is on you,” you huff. 

You watch his expression shift minutely. He loves games. Of course he’d love playing with you. That knowledge is why you’re only partially surprised when his thumb catches on your nipple again. 

“Is it? You’re only thinking about how it feels when I touch you here?”

A stammering nod. 

He toys with the sensitive flesh only a second more, amusement lighting his eyes, before dragging his hand down, down, down until it’s between your legs. Fingers trail over your clothed core, skimming the most sensitive part of you while your breath hitches.  

“Tell me how it feels when I touch you here.”

“Really good,” you admit, a heavy exhale escaping parted lips as he pins you with his gaze. 

“Really good, right. I can make it feel even better. Do you want me to make it feel better?”

Your thighs drop fully open and he adds just a bit more pressure until you’re pushing against his hand in search of more friction. 

“Yes please.”

“Then no more questions. I need you to trust me.”

Your answer is a breathy, dreamy sigh—you’d do anything, say anything for him. 

“Okay.”

Spencer kisses you, absorbing your noises of protest as his hand ceases between your legs and settles on your hip. But you’re trusting him. No whiny complaining. No unnecessary questions. 

Things go much quicker once you’re not interrupting him every twenty seconds to say something. His lips reattach to your neck, retracing their path (albeit quicker) until he’s below your collarbone. You watch in rapt fascination, twisted brows and parted lips as he peppers kisses down over your breast before dragging his tongue over your nipple. A jolted little moan spills out because you hadn’t been prepared to hold one in. Waves of hair fall over Spencer’s face, obscuring him from your vision, but you don’t think to push it away—your body is too busy processing the sensation to be much use on any other front. He darts his tongue over the peaked flesh, eliciting more little open-mouthed exhalations of pleasure from you. Earlier you hadn’t really thought it necessary for your bra to come off—you had no idea this could actually feel so good. A moment later he begins toying with the other nipple and you gasp as a bolt of heat goes straight to your core. 

You curse, further words catching in your throat as he suddenly switches, mouthing at your other breast and letting the cold air chill the other until you have goosebumps. It feels a little like hypnosis—you’re unable to move or speak as his tongue laves over you. Soon he’s replacing his mouth with a thumb again, sucking a mark onto your tit just above your nipple. You whimper a little at the pleasant brutality of it, hoping as he releases that it won’t soon fade. Spencer swipes over the stinging skin and presses a tender kiss to it, almost like an apology—but you sincerely doubt he’s actually sorry. 

Then he resumes his descent, leaving soft kisses down between your breasts, over your ribcage and stomach—when he reaches your hips, he doesn’t pull off your underwear all at once. Rather, he slides the fabric down centimeter by centimeter, kissing the revealed skin like it’s precious. 

This time you don’t need to be told to lift your hips. He helps you slip the final piece of clothing down and off of your legs, flinging it somewhere blindly before getting comfortable between your thighs once more. Your heart pounds with arousal and anxiety as his arms wrap around your thighs and his hands rub up and down the tops of them slowly. 

“God, you’re fucking beautiful,” he mumbles, loosening his hold on one leg to thumb at your folds. They glisten in the dim light of his bedroom as he gently reveals your clit. A soft whine escapes you when he nudges at the aching bud, slipping over it a few times and alleviating a bit of the pressure that’s been building. “Shh, baby. I know. I’m gonna take care of it. You’re being so good for me.”

Fuck. The way he talks to you makes your brain turn to mush—you’re utterly incapable of forming an intelligent thought. Spencer has rendered you a complete idiot, and you’re not upset about it in the slightest. 

He presses more gentle kisses to the creases between your thighs, just above your clit—everywhere except for where you need him most. Everything aches for him in the best way and at least you’re too turned on to be very insecure anymore. All you want is relief. But you’re trusting him. 

Thankfully, he delivers. 

The tip of his tongue grazes so lightly over your clit that if you weren’t this worked up you may not have felt it at all. In your current state, however, the stimulation echoes through every atom of your being. Every muscle is tense, frozen in place—you can’t even breathe for a second. He does it again, a little flatter, with a little more pressure, and you whimper. It’s a delicate thing, almost pained and definitely overwhelmed as he gently begins working his tongue against you. Your head cranes up to watch, your jaw drops. Approximations of curse words try to form, but come out only as, “f-fu—oh,” so whiny and soft it doesn’t even sound like you. He hums sympathetically, but you suspect it morphs into a chuckle as you continue to gasp and mewl. 

There are times where you can hold back sounds of pleasure. When you’re by yourself, it’s typically not a problem. Two weeks ago when Spencer was knuckle deep in you for the first time, it had certainly been a challenge, and you’d pretty much given up. But this—this is something else entirely. It feels like religion. It feels like compulsion. Even if you had the slightest modicum of control over yourself, which you currently don’t, you wouldn’t want to keep quiet. You want him to know what he’s doing to you. 

So you let every cry, every whine and whimper drag from your lungs, unbidden and unshaped. You’re new at this, after all—every broad lick feels so good that you have no fucking idea what do to with your hands or how to stop rolling your hips or how to censor your sounds. 

“Spencer,” you keen in one of the moments you remember to breathe. He moans against you, taking you into his mouth and sucking lightly. Your hips buck. “Oh, my—fuck!”

The hand that’s still around your thigh rubs soothing lines up and down. The one that’s spreading you open pulls your folds apart a little bit further, granting him more access to your clit. He flicks his tongue and you almost come then and there, vision going gray for a split second. 

“Wait, wait, Spence—“ you squeak, writhing and trying not to squeeze your thighs together for fear of hurting him. He pulls back and looks up at you, lips shining with your slick and eyes glazed with lust. Fuckfuckfuck he looks so fucking good. “Please, just… slow down, or I’m gonna… or it’s gonna be over.”

The corner of his mouth twitches as he rubs circles into your inner thigh. 

“It’s over when you say it’s over. You don’t have a refractory period. We don’t have to stop at one.”

“Oh—you don’t—you don’t have to do that,” you stammer. 

“I know I don’t have to. But if you want me to, I want to. You taste so good, angel girl.”

Well, shit. 

He looks absurdly sexy between your legs like this. You have no idea how you got so lucky, but you don’t plan on taking it for granted. Your fingers tangle in his hair. 

“I don’t know if I can do more than one,” you admit shyly, slightly embarrassed by how little you know about yourself and in general compared to Spencer. Hazel eyes sparkle in the warm light. 

“How about we start with one and see how it feels?”

Your voice is breathy when you respond, “okay,” already impatient for him to get back to it. Spencer seems just as eager, immediately kissing between your legs with a passion that makes your lips jealous. 

The flat of his tongue presses circles against you and your hips buck, already ramping up to that point you’d been at before calling a time-out. Slowly his fingers find their way to your entrance and he teases you with them, dipping in to the first knuckle before withdrawing again. If you could form words, you’d beg him to just do it already, but all you can manage is an affronted whine as you tilt your hips down, hoping he catches the meaning. 

Of course he does—pushing two fingers inside you at once. The intrusive stretch adds a sharp edge to the pleasure, makes it more interesting, as your brain short-circuits and you choke out a moan. It only takes a few slow pumps of his fingers in tandem with the pressure of his tongue until your hips are writhing and you’re and mewling desperately, more overwhelmed with pleasure than you’ve ever been. You push his hair back, able to see him for the first time, and fully appreciate the hollow of his cheeks, the way he looks up at you with perfect, glassy half-lidded eyes, the rhythm of his hand and tongue—he takes your clit between his lips once more, sucking lightly, and you’re done for. A pornographic sob escapes from deep within you as you come, but he doesn’t stop. The orgasm lasts longer than you knew one could—although, it’s only your second time, so you don’t exactly have a lot of data to go off of. Your entire body feels warm and floaty, and what he’s doing feels so good you want him even deeper—but you know he won’t give you that yet. Instead you focus on the slow burn of your orgasm, allowing him to carry on for a while until you begin slowly drifting back to earth and it becomes a bit too much. He recognizes the barely-there whine for what it is and pulls his fingers from you carefully, pressing one final kiss to your clit that makes your legs twitch and summons a weak little moan. 

Spencer’s lips find other avenues, over the delicate skin of your thighs and hips and stomach as he slowly drags himself up again. By the time you’re face to face again you’re still breathing hard. You sort of feel like prey underneath his weight, studied so scrupulously, known far more intimately by him than anyone has ever known you before. But there is so much light and kindness in the way he looks at you that you almost can’t make sense of it. 

Maybe it’s possible to be known and still wanted. The possibility spins like a coin on its edge in your mind. An idea you spent so much time trying to nurture and is only just now beginning to sprout. Maybe someone could see you at your most vulnerable, and still find you worthy of kindness. Appreciation. Affection. 

Spencer certainly could, it seems, as he ducks down to kiss you. You dodge it, turning your head demurely. He nudges his head against yours, speaking so, so softly, utterly cloying as he teases, “what? You’re not gonna kiss me now? Is that how it is?”

“No!” you balk, equally as quiet and especially bashful. “Not when you… no.”

“Let me kiss you,” he pleads, so earnestly you turn your head back to face him. His big eyes are hazy, reflecting all the warmth and dizziness you feel. “Let me kiss you. Please.”

You whine.

“I don’t wanna… taste… myself.”

Spencer doesn’t miss a beat. 

“Hm. We’ll need to work on that. Because one day, I’ll make you come just like that again, and then I’m going to fuck you, and you’re really going to want me to kiss you then, angel.”

Something flickers in your core. 

Suddenly you’re not so squeamish. You really want him to kiss you now. But it seems he’s going to have his fun, first. 

“Open.” Without even thinking about it, your lips part. He really ought to be careful with what he tells you to do—you’re all too compliant. Even as his fingers slip between your lips, you’re obediently hollowing your cheeks around them, watching him with big eyes as his own mouth falls slightly open. “Oh, baby,” he croons. “What are we gonna do with you?”

That flicker has returned to a full-fledged throbbing once you open your mouth again, slightly dizzy from lack of oxygen. 

“Can you make me come again right now?” you whisper, grasping lightly at his shirt. He grins like he loves the idea—and you let him have his way, accepting his lips on yours with no complaint. After a few moments, (the taste is surprisingly unobtrusive), he pulls away.

“I would love to.”

-

part three