#like I said I'm not going anywhere!

[theshadowrai]

I've Come To Make An Announcement

Shadow the Hedgehog is a bi-no I'm just kidding lol

Just popping in to give you all an update! I'm doing a little bit better now. I had a rough day yesterday but today's been pretty good! (I did get jumpscared by a giant spider while cooking but aside from that lol!)

Now onto the big thing.

As you know, I've been taking a break for the last few days so I can really think about what I'd like to do going forward in regards to my writing and art. I want to feel better about my work and develop more confidence in myself as an artist. In order to do that, I have to clear a blank slate and start fresh. So sometime within the next week or two, I'll be deleting all my old posts from this blog.

Don't worry, I'm not going anywhere! I have way too much fun with you guys to leave. And it's not like I hate my old work, either. Sure, I cringe sometimes, but I also know I was at a different point in my journey as an artist. But every journey has to end at some point, and I've reached the end of the path I've been traveling. I'm ready to try a new one. (That probably sounded incredibly corny but you know what I mean LMAO /lh)

Anyway, I just wanted to say thanks so much for sticking with me all these years! I appreciate each and every one of you, and I hope you'll come along with me on my next art journey!

(By the way, if you ever did want to see any of my old art for whatever reason, most of it is uploaded on my Toyhouse!)

[ldpdluvr]

louis loves lestat, a part of the tragedy was/is that he loved/loves lestat so much and can't STOP loving him, that's why he couldn't fully kill him, why he lets him come back home after the drop, why dreamstat is even a thing during paris and stayed with him for 77 years, even when he tried to let him go he couldn't move on or forget about him because he LOVES him

[vintagerobin]

"Wally and Bruce's dynamic in the JLU cartoon only works because Barry isn't there to be a father figure to Wally" have you considered that in the comics that this cartoon was drawing from for inspiration Barry was dead? That he never got to see Wally leave Kid Flash and grow into the Flash mantle and become a member of the Justice League? And that this did kinda leave Bruce - someone on the League he was already more familiar with than he was with most others, someone who was close friends with his own mentor as well as being the mentor of one of his close friends - as a sort of intermediary mentor figure in the early years when he was adjusting to his role in the League?

Yeah their dynamic is somewhat different in those comics than in the show, but imo the shared history and relationships make them more interesting, and the lack of that in the show makes them less compelling.

[commsroom]

If Eiffel regains his memory what do you think is something he wants to do once he gets back to earth? (In other words, what would be a nice day for Eiffel as planned by himself?) Best of luck with your plane ride, I hope it goes smoothly for you!!

you know, that's a tough question, because i think there are two things that are simultaneously true about eiffel:

"a nice day for eiffel" and "planning" are not concepts that coexist

he loves to be the Guy with the Plan. he doesn't like organizing, he doesn't like it when he has to do something, he especially doesn't like schedules, but he enjoys coming up with a Crazy Idea.

also keep in mind that (excluding the booze) the things he misses most about earth are: cigarettes, pizza, sex, blackjack, porn, monster trucks, video on demand.

if he planned a nice day just for himself, i think that would be a day without any obligations: he sleeps in as late as he wants to, already has leftover pizza in the fridge he can eat cold for breakfast, lounges around in his underwear watching tv until he gets bored, and then maybe goes out and drives around until he finds something to do. but it has to be spontaneous.

if his plans include other people, there are some situations where i feel he could get carried away: a surprise birthday party, or a big date/anniversary, or if he gets to see his daughter again, he'd pull out all the stops for that. and then, because he's eiffel, he'd run into a million complications he didn't expect. but, also because he's eiffel, he's really good at thinking on his feet, rolling with the punches, and making something out of it anyway. that's something i like about him.

[dawnthefluffyduck]

New game interest unlocked

(crow in bottom right belongs to @patchwork-crow-writes)

[reddamselette]

“I’m here, Annabeth, I’m here,” he murmured as he held the back of her head and tightened his arms around her, pressure building in his chest as he could do nothing but listen to her cry. Percy had seen what she did, seen what she wanted and what she desired to have and he understood. He understood the pain of wanting something so much but never being able to have it, to let it simmer as nothing more than a dream. “Please don’t go. Just…I need you to stay, I can’t— I can’t handle anymore hear—“ “No me voy a ningún lado, te lo prometo.” Please don’t send me away when you’re tired of me, he wanted to say but the words fell flat on his tongue as he cradled Annabeth in his arms.

— snippet of poisoned youth; part two of the sting of loss

[stardestroyer81]

Can you guess who my favorite Pizza Tower character is? 💙✨

[s0ckh3adstudios]

EVERYWHERE I GO I CAN'T AVOID MARTLET SHIPS. /NEG

[all-souls-matinee]

Quick-bite reviews: The Night Flier (1997) dir. Mark Pavia

Asshole, alcoholic, good-at-his-job tabloid reporter Richard Dees (Miguel Ferrer) is tasked with investigating a serial killer who flies a matte black Cessna and drains the blood of his victims. Dees' boss is eager to market the guy as a vampire, but Dees doesn't believe in the stories he covers. He just gets them at any cost.

This is a 90s HBO movie based on a Stephen King short story of the same name, and it feels it. Too drawn out for its goofy premise, with pacing calculated around the audience getting up for snacks approximately nine different times, many old Mainers telling stories within a story, and many more groaner lines of dialogue that must've come straight from King. The climatic 'battle' is the worst part of the film rather than the most exciting, and production decisions are consistently bad and weird. I'm front-loading the negatives here to say I understand why this is not a well-regarded movie, but I think it's one of the greatest vampire movies ever made.

I love that the titular Night Flier isn't just a 90s TV vampire, this is a dracula that adheres to all of the most interesting dracula rules And Then Some (I screamed in delighted disgust at least twice.) If you can avoid being spoiled* on the big reveal his vampire form owns, and I think the dog scene is genuinely frightening; hints at things to come in a surprising way for a very unsubtle movie. The plot is all about 'vampire vs Dees,' so 'bright-eyed rookie coworker vs Dees' feels a little half-baked and tacked on, but I like their characters and I really like what it ultimately does for the story. The scenes that bookend the climax with Night Flier and Coworker respectively? Flawless. The thing I liked most about this movie was, surprisingly, the way it looks. I think it's really well-shot and there's a lot of interesting stuff going on with bodies and environments. Americans kind of stopped shooting TV in the style of The X-Files or Sex and the City because that look is more melodramatic than 'real,' but here it works in favor of the plot, and coupled with film language starts to feel like more than the sum of its parts. The flashbacks pull off a format that was never intended for film with good framing, editing, and acting alone (special shoutout to John Bennes, a character actor who seemingly only ever played weird old men he KILLS IT as the first guy Dees interviews), and Dees' state of mind is always clear even when the movie isn't. I suspect part of the reason The Night Flier flopped is because it has an insane tone problem, torn between 'extremely lonesome and gruesome' and 'silly,' but it looks great doing it.

Buy a ticket? Night flyyy with me let's night flyyy night flyyy away~

[mnty-bubblegmyum]

So how much ppl coming with us to Canada (including us)? 7?

I thought it was 5 in solid

[aetheternity]

"Venti stans are low key annoying complaining about Venti not being the main focus of the Windblume festival."

First off we do not care. Second off ok???? Literally every character stan complains about their fave not getting enough screen time hop off.

It isn't even about screen time for me. It's about the fact that Venti hasn't truly felt like Venti in several updates. The last time he truly felt like himself was during Weinlesefest but even then he still didn't feel like the Venti we met all the way back during the first archon quest. And I don't wanna hear "hE hAd cHaRaCtEr dEvLoPmEnT." Cause no that isn't what happened, he regressed as a character. He's becoming fanon Venti in game. He gets used for alcohol jokes and Paimon calls him lazy then he dips. 🙄

"He was just in the Lantern Rite.." Shut Up. Shut Up. Shut all the fucking way up! He was terrible in LR and honestly if you cut Venti out of LR you basically have the same event. He did literally nothing of substance and he shouldn't have been there at all.

The first Windblume festival centered around Venti and showed us more of Venti being Mondstadt's archon. The second Windblume festival has barely anything to do with him. Excuse us if we're fucking disappointed, we have every right to be. Like I said literally every character's stans complain about them not getting enough screen time. Yeah sure if every Mondstadt event centered Venti it'd get old but the biggest problem is they decided to center a MONDSTADT EVENT around fucking SUMERU CHARACTERS. Fucking Collei gets more screen time than any Mondstadt character. Which wouldn't be a problem but this is a main Mondstadt event. Even though Venti was in LR 3 he wasn't a main focus he was a background character to the rest of the cast. Which is what Collei should've been cut out Tighnari and Cyno.

Mondstadt has so many underutilized characters and their screen time got spliced for the Sumeru fuckers who already have too much screen time. The entire last five updates have had Cyno in almost everything and Tighnari as well and while Collei has less screen time than them she has yet to be under used. If this was about Collei meeting up with Amber again they could've had that in a different event. If this was about Collei facing her anxiety it could've happened in a different event. They should've just had Sucrose helping Mondstadters cause guess what? You think this is going to be the last time a nation's event gets characters bombarding in? Hell no Fontaine is coming soon we're one hundred percent going to get nation festivals with random characters that have nothing to do with anything probably until the end of the game.

We'll see how happy ya'll are when your fave gets less screen time for some randos that have nothing to do with the nation you care about.

[zafiro-anyejo]

So so tired of people, like... trying to one-up each other. i'm not even 30 but i'm so tired of trying to fake it. please just give me a damn job it is a fucking bookkeeping job i don't even have to talk to anyone i am one of the most passive and chill people you will ever meet. sometimes i quote movies or make jokes that don't often come across as well as i want. that's all. pleaseee.

[einaudis]

.

[heloflor]

Ok so for about a good two-three months now I had a post in my drafts about how I realized I ship Powser, and long story short I started comparing Bowser to what I think to be how most villains in media interact with their damsel in distress if they express “love” for them. Issue is, I don’t have nearly enough knowledge/examples on this topic to know how truthful this comparison is, but said comparison is also the main thing tying this post together. So when thinking of ways to remove this element while still having all the same info in this post, I kind of came up short. Plus, I like the way the post is structured as is.

In other words, here’s the post as I originally wrote it, but be aware that the comparison is probably very flawed. Maybe there’s some truth to it, probably not. In any case, just focus on the Powser side of it, the villain comparison is just there for the structure. Enjoy! (long post ahead, a bit over 3k words)

So I recently realized that I really like Powser which I did NOT expect given I’m usually much more of a “friends to lovers” type of person, and trying to understand why I like it led me to think about how villains tend to be presented in their relationship with the “damsel in distress”, and it’s actually very interesting when you compare it to Bowser.

TL;DR: Unlike most villains who showcase sexual attraction (I think?), Bowser is shown to be romantically attracted to Peach. And while his actions are still very much shitty and should be seen as such, man is he adorable sometimes ! Plus, the way his feelings are shown to be genuine makes him look better than most villains, whose “love” for their victim is portrayed as """creepy lust""" by their medias.

(Obviously there is absolutely nothing inherently wrong with sexual attraction. I’m talking in the context of medias that sometimes tend to vilify it, especially when it comes to the antagonists, hence the language used in this post.)

So the first thing that came in mind while thinking of other villains was Dis//ney’s Alad//din (the 90s/animated one) and how Jaf/ar treats Jasm/ine at the end of the movie, more specifically when he wishes for her to fall in love with him and she ends up pretending to be as a distraction.

Thing is, Jasm/ine doesn’t act like she’s in love with Jaf/ar, she acts like she’s thirsting for him, and the way Jaf/ar reacts shows that this is pretty much what he had in mind when saying he wants her to love him. This isn’t love, it’s lust.

Now, I can’t say I’m someone who watches a lot of movies, especially not live-actions ones, so take what I’m about to say with a huge grain of salt. Basically, I kinda feel like what we see in Alad/din is the norm when it comes to villain/victim relationships? Like you have those antagonists who want the damsel in distress to be horny for them, who don’t see those women as people and don’t give a shit about them, only keeping them to get what they want out of them and having no issue discarding them afterwards if they get bored with those poor girls.

Btw that’s not to say that every single villain who kidnaps someone wants to sleep with them. But when it comes to villains who claim to love their victim, there does seem to be at least some sexual tension here, or at least some uncomfortable touches.

And then there’s Bowser. To give a few examples of what he does:

- In that one 1986 anime movie thing, he gets very soft around Peach, gushing about how he’s in love with her and wants to marry her, trying to cheer her up when she’s sad, and let’s not forget that “it’s more of a bracelet, shows that my love is bigger” line with the ring.

- In the mainline “platformers” games, you have “Mario Sunshine” in which Bowser wants his son to have a mother, and “Mario Odyssey” in which he tries to marry Peach, going around the world gathering all the absolute best things for the wedding. There’s also the New Bros U intro with Bowser gently moving Peach’s chair, making sure she doesn’t get hurt by his attack, showing he doesn’t want to hurt her.

- Not sure exactly if this counts as this could be a form of objectification, but you know that cliché of villains getting that all-powerful thing they wanted and immediately betraying/discarding all the people they worked with and/or claimed to love? Well, in the Galaxy games, Bowser gets the power to create a whole new universe, and yet still takes the time to capture Peach, claiming in the first game that he wants her to rule along with him. Again, this could be a form of objectification, especially when looking at his dialogue in the intro of the second game, but it’s still interesting how Bowser doesn’t really fall on that trope, still having his army and Junior on top of Peach (btw the intro of Galaxy 2 is very funny on that front because Bowser literally has enormous powers and yet still makes a detour for Peach, thus causing Mario to be on his tail. Like, let her go dude, she’s not that into you. You got all the powers of the universe, who cares about that one specific woman when you could have literally anybody else?).

- In the first Paper Mario game, Bowser tells Peach that he would fulfill her wishes if she wants (as long as he likes them) and gushes in his diary about how he hopes Peach likes him. And in Thousand Years Doors, he keeps trying to look for her upon hearing she got kidnapped.

- In Super Paper Mario, he gets overjoyed about the wedding but still immediately shows worry for Peach when Nastasia uses her mind control on her, and in general Bowser spends the game clearly loving being able to call Peach his wife, and joins the team again in 7-2 out of concern for her safety. Same with 8-1 where for all he knows he’s about to die and yet his main concern is her safety, to the point where he's willing to ask Mario to protect her for him. His priority is not being with Peach, instead it's Peach being safe.

- In Color Splash, the first thing he does when first getting back to himself during the fight is ask if Mario brought Peach with him.

- In Origami King, he doesn’t want her to see him as a wet floor sign and later asks Olly if Peach is safe and comfortable, which as I’ve seen pointed out implies that him capturing Peach is mostly a forced vacation/sleepover until Mario arrives and she’s put on the spot for show.

(- In general Paper Bowser is a huge hopeless romantic, at least from what I’ve seen of him.)

- In Superstar Saga he helps Mario and Luigi reach the Bean Kingdom for Peach’s sake. Then in Bowser’s Inside Story his most beloved and protected memories are his memories of Peach + he makes saving her his priority towards the end. And in Dream Team, he hears a rumor that Peach might have gotten kidnaped and immediately flies all the way to Pi’illo Island to find her.

- You cannot convince me that his car in Mario 3D World wasn’t an attempt to impress Peach, given this is one of the only two games (three with Wonder) where you play as her and face against him. /hj

- In that one old comic people kept bringing up after the movie came out, Bowser spends a lot of time gushing about marrying Peach. Also despite Peach being very temperamental in this comic, I don’t think Bowser once tries to hurt her? Obviously you have the Magikoopa brainwashing her at the end which is fucked up but outside of that does Bowser ever get angry or menacing when it comes to her?

- In general, outside of the games where Peach is playable and the intro of Inside Story (which comes off as OOC for Bowser tbh, I get him being pissed off but him trying to burn Peach is just really off), do we ever get to see Bowser raise a hand on her and/or try to physically hurt her? Same for his anger, how often do we get to see him raise his voice on her? And no the sports and party games don’t count since everyone is doing the same thing to everyone else in those, and in the party games it'd be unfair if playing that one character led to Bowser going easy on the player.

Now I might be missing some more moments, especially since I’m far from the most knowledgeable on the sport/party games and some RPGs (slowly making my way through them), but there’s one thing that is very obvious: while most villains express sexual attraction for the damsel in distress, Bowser expresses romantic attraction.

Bowser genuinely cares for Peach. She’s one of his most precious memories. In Super Paper, he snaps out of the joy of getting married when Peach is getting brainwashed, showing how much he values her safety. He absolutely adores her and isn’t afraid to express it, especially Paper Bowser.

Those two instances (Inside story and Super Paper) especially really seem to lean into how much Bowser loves Peach. In Inside Story, the fact that she’s his most well-preserved memory shows just how much he values the little time he spends with her and how important she is to him, not as some pretty face but as a person he genuinely wants to create more memories with. And in Super Paper, Bleck is giving him the one thing he’s always wanted, and yet he still shows some reticence when Nastasia uses her mind control, making it look like Peach being safe and sound is more important to him than them being a couple. Idk, those two moments just really get to me when you think about it this way.

(Btw in Super Paper I adore that Peach hesitates to leave him in 8-1 because, while we know Peach is incredibly kind so of course she’d be worried for a teammate, for once it feels like Bowser actually earned it. He spends the whole game being caring towards Peach, and wouldn’t you know, being nice and respectful to someone actually makes them care for you! I swear the Powser potential from this game is unmatched!)

When most villains say “I want this woman to love me”, they usually mean “I want this woman to obey and submit to my every want”. When Bowser says “I want Peach to love me”, he means “I want to be able to wake up everyday by her side, make her smile and laugh and be happy, see her be a mother to my kid(s), learn more about her and spend as much time with her as I can”. Bowser isn’t trying to marry Peach because he wants to “own” her, he wants to marry her because he quite literally wants to spend the rest of his life by her side.

Now that’s not to say that Bowser doesn’t feel any form of sexual attraction. But since Mario is such a kids-friendly franchise, the focus is much more on his romantic feelings. Also, I'll admit, whether Bowser is in love with Peach or with the idea of Peach is up for debate.

I think that’s the main reason why so many people are quick to call Bowser sweet/adorable when seeing the way he talks about Peach. Because the thing is, Bowser is still being a complete asshole here. He’s constantly kidnapping her, putting her in a cage on several occasions, forced her to marry him like 6 different times, very often disregards her body autonomy by grabbing her (+ the kidnappings), terrorizes and sometimes even tortures/kills her people, and his phone pic in the parental controls video + the picture frames in Nintendo World make him look like a creep. Despite his feelings for her, there’s definitely a level of objectification here that should not be ignored.

Hell, I didn’t mention the 2023 movie on the list because I’d argue he was more obsessed rather than in love. Plus the scene where he proposes to her low-key feels like the very first time they meet, making his previous actions creepier (or at the very least they barely know each other, heck Peach didn’t even know Bowser likes her!). And he’s quick to use blackmail and violence against her, especially in the end. The wedding cake toppers also show he cares more about himself than Peach and sees her as an object rather than a person.

(I actually take back what I said in my movie reaction post about Bowser being like the one from Super Paper. He might be goofy when showing his softer side, which was what I was focused on when comparing the two, but he’s also clearly not as genuine and sweet as Paper Bowser. The way he mistreats his army and especially Kamek in the movie is also different from most games, most notably the RPGs since that’s when we see him interact with his people and he’s a relatively good king to them.)

Compare 2023 Movie Bowser to the 1986 movie in which he tries to get Peach involved in the wedding preparations, tries to cheer her up, never gets angry at her despite how much she’s resisting him and never once raises his hand on her. Even when she outsmarts him by making him shapeshift, he’s amused by her attempt. Literally the worse he does in this movie is grab her against her will on many occasions (and obviously the kidnaping and forced marriage, that goes without saying).

Going back on topic, despite Bowser being very much horrible in the way he approaches Peach, since every other villain out there is lusting after the woman they capture, making them appear creepy/predatory, Bowser comes off as an angel in comparison. He’s one of those rare cases of a villain who is truly sincere about his feelings for the woman he captures, and since we see other occasions of him being a sweetheart (with Junior) and a dumbass (the RPG series), he becomes an incredibly endearing character. So his feelings for Peach come off as adorable despite the bad elements because we’re aware he has a soft side so we know he’s truly sincere. Him being sometimes more of an antihero in the RPGs + his inclusion in sports games and the like probably also help seeing him in that good light.

(Also yes I’m very much aware that there’s a huge issue when it comes to how fandoms perceive female characters, and I will absolutely believe you if you tell me this is one of the reasons why you have people who talk shit about Peach so much all while defending Bowser’s actions, especially since his feelings for Peach are so rooted into his character. Oh and obviously you have the people horny for Bowser who love his softer/romantic side and value the moments where he displays this part of himself, that goes without saying.)

I’m especially surprised by the 1986 movie showing such a characterization of him, considering it came out 1-2 years after the very first Super Mario game (aka Bowser’s first appearance, at least I think?). Like imagine making a movie about those characters and going “hey you know the giant turtle monster we fight in this game? What if he was a huge lovable dork who just wanted some love in his life?”. Tbh I adore that choice.

Overall, it’s just interesting to see how Bowser differs from other villains on that front. It’s very interesting to see a villain who does pretty terrible things to a girl all the while being genuine in his feelings for her, idk it’s a very cool contrast. I also like how “true love” tends to be a motivation for the heroes, seen as something good, so it’s fun to see stories where villains have that very same motivation without it being “““twisted””” with lust. And yes I know that last point applies to many more antagonists than just Bowser, and not just for feelings like love.

And a bit off-topic but I also really like how you can easily explain Bowser’s behavior here (not justifying it tho!!!). In the Yoshi Island games, we see he was raised as a spoiled brat who was always given what he wanted, made worse by him being a monarch. We even still see some of that behavior in his adult self, for example when he gets angry and starts stomping his foot like a kid throwing a tantrum.

As a result of his upbringing, Bowser likely just doesn’t know how to take a no. He’s used to always get what he wants, and take it by force if necessary. So when Peach refuses him, he does just that, incapable of understanding why she doesn’t want him.

The 86 movie is actually an excellent example of this. In two scenes (the one with Peach outsmarting him and the ring dialogue) we see Bowser getting worked up when Peach is upset, showing he genuinely wants her to be happy. But at the same time he’s incapable of realizing that he’s the reason why she’s so upset and the one thing he should do is let her go. The ring scene especially shows it very well. When Peach throws the ring and starts crying because she doesn’t want to get married, Bowser thinks she’s upset due to the ring being too big and immediately tries to soothe her by promising to get a better ring. Again, it’s kinda crazy how this movie was made when Bowser only existed for a single year and yet they already made him genuinely in love with Peach.

I’d also add that Bowser seems to have a pretty high opinion of himself, thinking he’s awesome and shit (or maybe he’s overcompensating, that seems like a possibility). As a result, it’s possible that his mentality on the situation is “Well I’m in love with her so surely she must love me! How could she not?”, making it even harder for him to comprehend why she doesn’t love him.

Again, it doesn’t justify his actions in the slightest but it’s still interesting how you can somewhat understand why he’s like this.

And as to why I ship Powser, honestly I still have no idea ¯\_(ツ)_/¯ I think it has to do with the storytelling potential of a unrequited love/it’s complicated/they have history situation in regards to their roles as monarchs, especially in the case of Peach whose character is brimming with untapped potential. I actually like to describe their relationship as “I hate the effect you have on my life but I couldn’t imagine a life without you in it” or “Our kingdoms are enemies for a good reason but if anything happened to you I’d rush in to save you without hesitation”. It's just that idea of them being ex-lovers who had a bad falling out and how Peach still cares about him to an extent and how their lives constantly intertwine with villains trying to take over their kingdoms + Bowser's kidnappings.

And since we’re talking Powser and since wondering whether they know each other or not in the movie got me to question how we can tell they know each other in the games: the best way I could describe their relationship in the games is familiar/”comfortable”, like you have the way Peach tries to convince Bowser to join the group in Super Paper, the way she talks about him in general in the Mario and Luigi games, or stuff like most cutscenes in Odyssey where she never seems afraid of Bowser.

I’ve also seen that Switch Tennis game with the evil racket and how Peach is the one who tries to get through to Bowser when he steals it, straight up saying “listen to me” which makes it seem like she knows she’s the one person who could get him to stop, or you have the first Rabbids game where she comments on how “Junior is sometimes even worse than his father”, plus the way she looks like a mother about to reprimand her child in the cutscene where Jr learns Bowser is coming home (which I find hilarious; lady that’s not your kid, I thought we’d been through this already in Sunshine!). Oh and CAN WE TALK ABOUT THE WAY SHE’S LOOKING AT HIM IN (spoilers in link) THAT CUTSCENE FROM THE NEW RABBIDS 2 DLC!!!

I don’t know how to fully explain but, looking at these kinds of interactions, you can tell that the two of them know each other, and to an extent Peach knows that Bowser won’t hurt her, hence why she’s not afraid to oppose him. It’s pretty funny actually how in the games Peach tends to be exasperated by Bowser more than anything else. Like he’s not a menace, just a weekly annoyance. And again, when you compare it to the movie where there’s only hostility and awkwardness between them, you do get the impression that they’re two complete strangers meeting for the first time. The fact Movie Peach had no idea about his feelings for her doesn’t help either. Then again, about the hostility, Peach in the games is much sweeter so maybe she shows a nicer side to Bowser because that’s just who she is.

[mila-carat]

I was watching this Chinese variety show just to see Ricky and Zhang Hao but then I saw one of the hosts was Zhang Zhenyuan and now I want to cry… 😭💔

[best-enemies]

You know what I don't see people talking about enough? Catherine and Warrick. Yeah, they're good colleagues and friends but at the same time they have this insane chemistry that drives me up a fucking wall every time they share a moment. And they do feel an attraction to each other, as has been shown many times (Catherine being jealous when Warrick got married and wondering what could have been, that scene when she nearly falls and he catches her...). I know they had to follow the rules but god they had such a good relationship and worked so well together. I loved their scenes, including the platonic ones.