#like I know he's one of the “canonically��� (officially from the website) queer characters. But Idk what his sexuality actually is.

[gregorovitch-adler]

Translation: Junior, I have told you several times that Lily prefers to be single, remember?

Lily is the new aroace icon. That's all.

[teacup-captor]

Hey guys!!!

Do you enjoy Find Us Alive and/or Hymns For The Road?

If you don't... Do you enjoy supporting smaller creators and clicking buttons?

If you said yes to one or both of these BOY DO I HAVE AN OPPORTUNITY FOR YOU 🎉

If you go to the audioverseawards.net ( https://audioverseawards.net/vote/ <- type this link into ur browser) you can vote for Find Us Alive and Hymns For The Road, along with any other podcasts you may like! Voting closes this saturday (from what I've gathered)

Why should you do this? Well, events such as this give an opportunity for smaller podcasts to gain more visibility, which could be huge for them!

Why should you specifically vote Find Us Alive and Hymns For The Road, even if you don't listen?

The writer and director for both shows, Anna Maguire (any pronouns), is a lovely person and an amazing creator! They make canonically queer characters, she has wonderful neurodivergent representation, he's loudly pro-Palestine on social media and have I mentioned that they're an amazing creator????

Find Us Alive is a podcast that's been going since 2019! It's such an amazing concept, about an SCP facility that gets transported to some sort of pocket dimension by the only SCP in there, previously thought to be harmless. Now, the crew has to survive off of their limited rations, while fending off things such as... *checks notes* Living, dangerous, lemon trees. There's lesbians, there's autism, there's danger, drama and tears! And you don't even need to know shit about SCP to get into it!

Do you have hearing issues or problems processing verbal information? There's transcripts on their official website! (hodgepodgeaudio.com, press Find Us Alive once you're there)

Are you awful with big loud noises? Anna Maguire is very nice and considerate with their editing, so loud noises have the illusion of being loud, but they're the same volume as the rest of the podcast!

Now what about Hymns For The Road? Well, it's a story about four humans traversing the world after it's been taken over by the fae! EVERYONE's a they them! One of these characters is DEFINITELT neurodivergent (but it's a spoiler so I can't tell you!) And they very nearly always almost die! The world building in this is absolutely immaculate! While these four weirdos go about their adventures, you not only get to learn about the fae and how this new world works, but you get to learn about what our main casts' lives used to be like, and you truly get to see how different they are! There's so much potential for angst here, too. Maybe too much. I think Anna Maguire is planning on killing us with this one. But it will be worth it, because it's definitelt the best damn podcast I've ever listened to. I mean I changed my banner for it! I only do that with my most special of special interests!

Oh and the best part???? You already know enough about the fae to listen. It really gently eases you into things. And this one has transcripts too, of course! (hodgepodgeaudio.com, click on Hymns for the Road)

You're... Still readint this? Wow!!! I'm so happy <333 I really went off on a ramble here 😭😭 these podcasts are so special to me, I love them oh so dearly, and honestly? I think you might, too!

If you wouldn't mind, and you have 5 minutes, please vote for them! Maybe even give them a listen, if you're interested? :]

[endlessdreamerxoxo]

"Stop this War"

I will try to be nice with this post, but I really dislike people telling Hellcheer shippers to stop this war with st*ddies in the name of peace and harmony. Although, I do like the sentiment. I really do. I just can't be quiet about the bold harassment and the unnecessary toxicity against something I like and people I admire for their creativity. And I really do question whether those people truly understand the fundamental problem that Hellcheer shippers have with toxic st*ddies and the scope of the situation in general.

I'm checking the A03 tags as I write this post up and currently

we (Hellcheer) have 956 works on the website.

Steddie have 7,013 works on the website.

And Harringrove (a ship that has been around since 2017) has 8,415 works on the website.

For a better comparison, that means that Steddie has exactly 1,402 fics to go to meet the cumulative effort of 5 years hard work in a less than 3 months since the official creation of the ship. That's utterly insane. And if we did that math again, Steddie has 6,057 more fics than Hellcheer. That's the fucking scope that we are dealing with.

Their ship is the Lusitania, while our ship is a rowboat.

Many of us have always say this over and over, we were minding our business for a good solid week or two (I came around June 9th into the tumblr fandom) before claims were being made about Chrissy's age. Personally I didn't even know that people were shipping Steve x Eddie (cause they have no chemistry in my eyes) because no one was talking about them in the 'edssy' tags and I don't have twitter. People were just making fanart and other things to celebrate our cute ship. So I literally discovered Steddie's existence as we got called out for  p*dophilia (which is not the correct term, but go off) and homophobia. From my viewpoint, we got dragged into a shipping war against our will as we kicked and screamed at the the top of our lungs that we didn't want a war. I know for my "Joe Quinn was Right" posts, I danced around my actual feelings to preserve peace and minimize hate. I know a lot of my mutuals did that and continue to do that with those who are stalking their accounts and sending them threats. We have been vocal about not caring whether someone ships St*ddie or Hellcheer. Nevertheless, we are also been very clear to point the obvious flaws in shipping Steddie and or their sketchy behavior, while acting as holy than thou than the rest of the fandom:

The misogynistic harassment of Grace (and Amybeth).

The biphobia and bi erasure.

The fetishization of attractive white gay men.

The constant whining for some or better wIw rep in Ronance, but than ignoring the canonical lesbian ship of Rockie in the show or failing to give Ronance the same amount of love as your mIm ship.

Only making Chrissy a lesbian because they want her away from Eddie under the guise of allyship.

The stealing of lines from other scenes or characters in order to make their ship more cute and fluffy.

The mass reporting of Hellcheer artwork.

The invalidation of people's queer identities/sexualities because they ship a heterosexual ship (or a straight passing if they see it that way).

The obsessive nature that people have formed a parasocial bond with Joe Quinn to the point where they are assuming his sexuality, stalking his family's social media for pics where he was a minor for some twisted reason, and harassing him on his family vacation.

Like we can't bring up those facts because we don't want a shipping war? We didn't even bring up those fact until recently because we have been poked for a entire two months straight. Grace literally thought her safety was in danger, going to an con because her friend was attending the same event. Are you really telling us not to say anything? Are you telling them to mind their own business and go to their corner of their internet with their 7,013 fics and their shit ton of fanart? Because the reality is this extremely tiny Hellcheer squad can't stop this war. Even if we decided not to call people out and did our own thing, people would still be harassed and made to feel like crap about themselves for liking this ship. Even if Joe came out tomorrow and say stop this war, toxic St*ddies would think that Grace is holding him hostage at knife point. St*ddies are the only one who can stop this war, but they wouldn't until they get Steve x Eddie as canon (which they will never have). We are truly just trying to defend ourselves and just want to be left alone.

[sophiapathic]

Sk8: The Infinity - A Take on Love

Because my six unfinished assignments can wait until I throw this into the void, scream for five hours and after my voice gets hoarse, I resort to watching the beach episode on loop until next Saturday.

This was entirely sparked by the recap episode, which really pressed the reak havoc and theorize button in my brain. I am truly losing my grip on reality. Help. I apologize in advance, creatures of Tumblr. 

Me right now:

Anyways... 

I saw people mention here and there screaming that “we need canon relationships and they will get trust issues if a romance isn’t confirmed by the end of the series”. I think that mindset is harmful to have in this case. You can’t really avoid being disappointed if you get into the series expecting it to deliver on your wishes of gay romances. So, this might be controversial, but stay with me please. The anime and manga are both confirmed to be based primarily about the characters themselves and of course the sport -skating. I was hoping to take a closer look at what the series intends to do with certain dynamics and relationships according to yours truly. I also want explain my reasoning behind it not being queerbaiting, though it being inherently queer-coded, through the current lense of the canon.

Sk8: The Infinity is unquestionably a love story.

We need to state the genres this series is in, because some of us tend to forget. It is in fact not a shounen-ai, not a yaoi, not a romance, not even a josei. Say it with me it is a series in: COMEDY and SPORTS.

(Source is the official US Sk8 website.) The spotlight is udoubtedly on skating and what it means. Another important highlight of the show is how the definition of the sport relates to the characters, and how vastly different they are from what we expect. For example, when we see Shadow first, we pigeonhole him into this vulgar indecent rock and roll persona, only to find out later that he is actually a stweetheart at a flower shop. Joe is another very good case study. When we first see him we think of him as a womanizer muscle-head, later we find out he has a heart of gold and is very emotionally intelligent. We’re also quick to judge Miya as the cold, unfeeling prodigy then we discover how lonely and normal he is on the inside. And so on and so on. 

The show continues to defy our expectations of what each character should be like. In a way it is about breaking the conventional stereotypical roles we subconsciously assign to certain looks. We see that even in anime, multifaceted characters can exist without distrupting or damaging the delicate dynamics of a traditional sports anime. We successfully established the second focal point of the series as disproving stereotypes and presenting strong, diverse and unexpected personalities.

How about the defition of skating? What does it mean in the context of Sk8: The Infinity then? Where does a love story come into the picture? Skating is repeatedly described as a ritual of love within the anime, an idea that our villian, Ad*m, is obessed with. In a sense skating is a language of love canonically.

Then skating itself is love. Throughout the series we see varied styles of skating therefore different ways of expressing love, affection. We get to experience several metaphorical ways of “being in love” through characters skating with each other. Each dynamic shows us a type of love. Healthy, disfunctional, outright abusive. 

The way Reiki teaches Langa to skate can be interpreted as a direct metaphor for someone learning to love again after losing a person close to them. Langa’s father has died and Reiki literally brings him out of his shell again. It can also be interpreted as a queer kid’s experience of a world of romance that feels similar to his previous one, that being snowboarding, yet it still being new and different. Skateboarding. When due to Reiki Langa’s potential is discovered and his hunger for more and more develops, especially next to Ad*m, Reiki’s main frustration stems from them not being well-matched or on equal footing anymore. He feels like he cannot give Langa what he needs anymore. Which would obviously go againts the literal description of a healthy romance. Two people with mutual respect who both bring equal assets to the table. He feels like he needs to catch-up to be with Langa again. The only thing he doesn’t consider is Langa’s deep appreciation of him and the fact that literally he was the one who helped Langa experince the feeling of love again.

Kojiro and Kaoru’s relationships, to me, is very much representative of two people  wanting to be in each other’s presence, but due to their different language of love, miscommunicating horribly. Them bantering and insulting each other is the only way they know what to do with the other. The only way they can ensure the other’s attention and eyes are on them. This has worked so far. They are literal opposites, but both have a very clear definition of their form of love. To Joe skating, or love itself, is about the feeling and going with the flow. Being spontaneous. Whereas for Cherry, every move needs to be calculated and executed perfectly in order to be “efficient”. Their frustration comes from both wanting different things from the other, but not communicating their need properly. Despite this, they stick together due to a magnetic pull they obviously feel towards the other. The attraction is there, the trust is there, they are even well-matched in skill as we see them neck-to-neck constantly. They could give each other what the other wants. Only if they could express themselves well... This is why Joe pushes Reiki towards reconciling with Langa. he wants them to not fall into the same trap of not stating their  needs and thoughts properly.

Now Ad*m and Langa are obviously problematic and I don’t really want to have to explain, honestly guys. I really don’t  (since I have trauma regarding this subject), but I need to go into this a little bit. This is a textbook toxic predatory relationship. Where the older, twisted, damaged person, has an obsession with a young, outstading child. He wants to lead him into “Paradise” and show his “Eve” what love is really about. (Ain’t that disgusting you guys...) His form of love is inflicting pain, so I really can’t imagine a scenario where he and his “Eve” live happily ever after and everything is fine and dandy. He needs someone who he can torture. He literally is looking for someone who can handle his way of expressing affection, his “love hug”, who has the same type of crazy eyes for adrenaline and danger. His Eve. In his distorted mind, this all makes sense and Langa is that someone he was looking for thoughout the years. The problem is, he disregards Langa’s side where the relationship becomes problematic.

Cherry and Ad*m during their younger years seems to be a very innocent infatuation on Kaoru’s end. It is a one-sided relationship where someone is in love with the idea of a person long gone. They were discovering the world of skating, or the world of love together with Ad*m taking the lead. Cherry immediately became infatuated with him, wanted to learn his love language, wanted to be at the same level he was. It probably started very innocent. At first, Ad*m being gentle, because that’s how Tadashi was with him too, then after whatever happened between those two, Ad*m, disappointed in the way of love, or skating, Tadashi showed him, returned to what his aunts taught him. Maybe after injuring Kaoru with the “love hug”, therefore eliminating him from being his potential partner, started looking for his “Eve”, gradually became more agressive in love as in skating. Kaoru was distraught and wanted the Ad*m he originally learned love from back. Holding out some hope even years after. Trained to get used to his “love hug”, to literally condition himself to be able to get close to him. Ad*m, however showed Cherry brutally that he truly cannot handle his way of love.

Ad*m and Tadashi. *sighs* As of this post, I don’t really have enough information to give you a good overview of what I see this relationship representing. As far as I can tell Ad*m was abused horribly and to ease the pain and make him forget, Tadashi showed his another way of expressing affection. Skating or love. Basically a first love gone horrible bad, scarring an already abused child and turning them into a monster. Tadashi himself reinstates this during one of the episodes. It was his fault that Ad*m turned out the way he did. Their love slowly became strongly abusive throughout the years. Tadashi is stuck in it because he feels like he deserves it. This is a metaphor for  dangers of an emotionally and physically abusive relationship, where one person feels responsible and the other is using power. Tadashi’s guilt keeps him next to his master and he even endures abuse, now he is trying to break out and show Ad*m he messed up and I think this could potentially be a good representation of how difficult that process truly is. 

As far as Reiki’s, Miya’s, Shadow’s skating goes. Their main arc relating to love is first and foremost learning to accept themselves and aprecciating their uniqe way and style of skating. Only after can they become people who can truly be accomplished in love/skating (in Miya’s case I’m obviously talking about platonic feelings). Each of them had a preconception of their persona in love/skating, which gets questioned heavily throughout the series. Miya gets defeated, Shadow’s soft side gets discovered, Reiki... well. I get sad. :c Even though he taught someone to love again, to appreciate life again, he ended up discovering how dissatisfied he truly is with himself... These three all need to learn to love every aspect of themselves to reach fulfillment and to really experience healthy human relationships.

Sk8: The Infinity is unquestionably a love story, without explicitly being a romance, meaning that it is a tale about love, both romantic, platonic and everything inbetween through a queer-coded lens, showing both dysfunctional, abusive and healthy relationships, ways to express emotions and even delves into self-love and the idea of nature versus nurture in the villian’s case.

That is why I, personally don’t scream for a canon couple. To me, the show gets its main point about affection and love across, without making any of these relationships explicitly stated. Not to mention that it does justice to both of its assigned genres. Comedy and Sports as well. Yeah sure, I wouldn’t complain, but I think these dynamics are more than satisfying to watch, and much deeper than bishounens wanting to bang each other, which is, in my opinion, inherently sexualized. If they want, yeah they can confirm, make it canon without forcing it to be a center storyline. Hell, I would even be happy about it. I would clap with all of us. BUT, as the series currently is, I really see it taking the other route because of the above. This way audiences who want a yaoi or ikemen going at it, won’t be disappointed with the series when they find doesn’t revolve around that, straight viewers will just find it flamboyant, and people who look for subtext and want to read between the lines will certainly do that with the amount of crumbs and hints the writers gave us. 

We don’t need outright, written in black and white gay representation in Sk8 to experience very real types of love. The queer theme is secondary to me, just like queerness is, in most people’s lives. Yeah sure, it is a big thing, but not the only attribute a person has. My life doesn’t revolve around my queerness. I rarely talk about it. If I was a main character this would be a side-arc. Just like Sk8 doesn’t revolve around the characters coming out. It’s just them living their lives and possibly being queer while doing so. If you look at it this way, it is almost normalizing attraction between same-sex people by just showing it as regular love. If you can, why not interpret it this way, so it can be a liberating experience instead of a disappointing one.

Please don’t attack me! I am fragile and this is only my opinion. c:  *crawls back into her hole*

[alastorseye]

About Remadora

When I say I really hate the HP fandom, I'm talking about the "fans" that hate everything about the saga, but still having Harry Potter accounts. They change the original story, claim that fanonical facts are canon, and launch hatred and death threats at those who simply like HARRY POTTER JUST THE WAY IT IS. Yes, I'm mostly talking about Marauders fans, which I joined after reading the books because I thought it would be interesting and funny. I suddenly realized how toxic and hateful that fandom was, it's like a cult dedicated to deifying Remus, Sirius, James and Regulus, and it seems that hating Snape, Dumbledore, and Remadora is a requirement to be a part of it.

At the beginning I used to consider Wolfstar as something funny, a bromance, it never bothered me, I mean... every fandom has fanon ships and I respect that, but the way they always hate Remadora and their shippers is something that MUST stop.

"You see!" said a strained voice. Tonks was glaring at Lupin. "She still wants to marry him, even though he's been bitten! She doesn't care!"

"It's different," said Lupin, barely moving his lips and looking suddenly tense. "Bill will not be a full werewolf. The cases are completely -"

"But I don't care either, I don't care!" said Tonks, seizing the front ofLupin's robes and shaking them. "I've told you a million times. . . ." And the meaning of Tonks's Patronus and her mouse-colored hair, and the reason she had come running to find Dumbledore when she had heard a rumor someone had been attacked by Greyback, all suddenly became clear to Harry; it had not been Sirius that Tonks had fallen in love with after all."

"And I've told you a million times," said Lupin, refusing to meet her eyes,staring at the floor, "that I am too old for you, too poor . . . too dangerous. . ."

When I read this part of the HBP I realized that Remadora was my favorite Harry Potter ship. Of course I wasn't aware of the death threats I'd receive later. I've read some "reasons" why some fans hate Remadora.

"Tonks forced him!"

We all know how insecure Remus was. I don't have to explain what's written in Wizarding World (Pottermore). This is the Remus bio:

Well, we can read that Remus was really attracted to Dora.

"Remus, so often melancholy and lonely, was first amused, then impressed, then seriously smitten by the young witch. He had never fallen in love before. If it had happened in peacetime, Remus would have simply taken himself off to a new place and a new job, so that he did not have to endure the pain of watching Tonks fall in love with a handsome, young wizard in the Auror office, which was what he expected to happen. However, this was war; they were both needed in the Order of the Phoenix, and nobody knew what the next day would bring. Remus felt justified in remaining exactly where he was, keeping his feelings to himself but secretly rejoicing every time somebody paired him with Tonks on some overnight mission".

This is so sad and cute, and that's undeniable. I cried when I read it. If someone still thinking that Dora forced Remus to marry her after reading this paragraph... I mean... they're probably talking about another book series.

"The age gap!"

I'm so satisfied to know that some Remadora shippers have explained this. When it's about a kid and an adult... OF COURSE IS HORRENDOUS! Because children are not physically and mentally prepared to have romantic relationships. Wizards are legally adults at 17, REMUS MET TONKS WHEN SHE WAS 21!

I mean, many old people abuses of young people innocence, or something. But we all know that Remus wasn't one of those! He really loved Tonks, and that's canon. I don't know what's doing in the fandom people who denies canon facts.

Remus and Tonks were two physically, mentally, and legally adults loving each other.

"Remus didn't love her!"

He was an introvert, Tonks was an extrovert, she made his life better. And of course, I loved the way he introduced himself when he was trying to prove he wasn't a Death Eater:

"I am Remus John Lupin, werewolf, sometimes known as Moony, one of the four creators of the Marauder's Map, married to Nymphadora, usually known as Tonks, and I taught you how to produce a Patronus, Harry, which takes the form of a stag." (Remus Lupin, DH)

Maybe I'm not the only one who perceive he was proud to be Nymphadora Tonks husband.

"I.. I made a grave mistake in marrying Tonks. I did it against my better judgment and have regretted it very much every since". (Remus Lupin, DH)

This phrase makes more sense after reading Remus bio. He used to think that he was "too poor, too dangerous" for her. He thought he wasn't enough for her. He never imagined that she would love him back. He was a werewolf, and of course he knew he was dangerous, you only need to be emphatic to realize he tried to get away from Tonks because he loved her, he didn't want to hurt his beloved woman!

If you don't believe me, read this again. It's in the chapter 11 of Deathly Hallows:

"Don't you understand what I've done to my wife and my unborn child? I should never have married her, I've made her an outcast!"

So, if Remus was trying to escape it's because he loved them, he thought he spoiled their lives. And of course, no one likes to feel that their influence is bad for someone they love!

"Their relationship came from nowhere! They don't have a development"

Well, the saga's name is HARRY POTTER, not The Love Life of Remus Lupin. The story is about the tragic life of this kid and everything he went through to save the world of a cruel and dark villain. I know many readers are young people in love, and they only want to ship everything, but that's not the main topic here, maybe mother's love would be the topic. Of course Ron and Hermione had a development because they were HARRY'S BEST FRIENDS, and they were always with him, from Philosopher's Stone to Cursed Child. Remus and Tonks are minor characters, and it's funny the fact that this usually comes from Wolfstar shippers, so... is Wolfstar more developed than Remadora?! I mean... they can ship whatever they want, Snape and the Sorting Hat, Dobby and Voldemort, anything, but that does not give them the right to disrespect such a cute, tragic and beautiful canon ship as Remadora.

"They are queercoded! Their relationship is homophobic!"

It's surprising to hear this. It's like... people gets angry just because the author doesn't make queer their favourite characters? I will explain why I don't think Remus and Tonks are "queercoded":

Whether through their dress, their behavior, their language, or other subtle forms of implication, queer characters were written or designed to communicate their unstated queerness to those who were searching for representation.

And this is the definition on the website Pride.com:

"Using LGBTQIA tropes and stereotypes to allude to a character's sexuality without explicitly confirming it in the text."

We all know that Disney used queercoding on characters like Ursula, Scar, Jaffar. And why do we know that? Because DISNEY WANTED TO PORTRAY THEM LIKE THAT, get it? Disney, THE CREATORS MADE THESE CHARACTERS INTENTIONALLY QUEER. How? BASED ON STEREOTYPES.

And going back to Remadora, I was really happy to see by first time a bada*ass woman, with short hair who wasn't portrayed as a lesbian just because the way she looks. This character didn't follow the: "Straight women have long hair and are girly", and "short dyied hair is for lesbians". I'm very very very surprised the fandom follows these stereotypes.

About Remus: I don't know how the phrase "being a werewolf is a metaphor about people with HIV AIDS" means "he's gay". Fenrir Greyback bit him when he was a kid. Many people interpret this as "r4pe". Okay, even thinking that it is the meaning of the "bite", I still cannot understand how being "r4ped" and "infected" makes him queer. Is this (again) a stereotype about people with AIDS and gay?

"JK Rowling created Remadora because she didn't like people shipping Wolfstar!"

It is true that fans love shipping everything, they queerbait and queercode everything. That's great, that's not the problem. The problem is when people starts bashing fans who ship canon straight couples. A very good example is the polemic on Falcon and Bucky relationship, some fans wanted them to be a gay couple, Anthony Mackie said that two men can only be friends, and there is no need to always give them a romantic connotation. People cancelled him, they called him homophobic. Yes, just because a person with authority (on the story they're following") didn't like the fact of queercoding their favourite characters. It's the same about Remadora.

Grindeldore is a very interesting and underrated couple by the way. You can love or hate JK Rowling, but the truth is that Harry Potter story is hers, and even if Remadora was "because she didn't like Wolfstar", she is the author, it was her mind where these characters first appeared, as a big Harry Potter fan I respect and like the original story, that's not a sin. An author has the right to make some changes if some characters were misunderstood by the readers.

(Yes, I wrote this a bit angrily since I've seen too much hate towards Remadora shippers)

[lucky-sevens]

mechanisms basics & lore

welcome to my updated mechanisms intro post! this post will cover both the topics discussed in my mechanisms basics post, which is geared towards people who don’t know what the mechanisms are, and my deep lore post, which aimed to be a comprehensive compilation of all the important character and world lore. this post should serve the above group, but it’s geared towards people who have listened but feel there’s a lot of lore that seems to be common knowledge they’re missing. we’ll start out with a basic introduction, and then go into crew lore and a semi-comprehensive guide on where to go for further information.

basics

the mechanisms were a steampunk concept band, known for their queer representation and their tragic stories. they are no longer together, their last performance being january 2020, but several of their members are still creating related spinoff content.

they follow the trope many steampunk bands do, which is albums that tell a story; think similar to listening to a musical soundtrack, but geared to a visual-less experience. what distinguishes them is 1) narration tracks between each song, making the plot very easy to follow, and 2) being meant to be watched live, meaning there’s layers of meta that are more easily understood by watching recorded gigs rather than studio recordings of albums. specifically, there’s a focus on the narrators, known as the mechanisms or the crew of the aurora, who are immortal space pirates telling the stories and occasionally inserting themselves into them. though they are tragic figures themselves, their banter serves the purpose of bringing a lightheartedness and dark humor to the stories. if there’s an aspect of the lore you’re confused on, it’s probably related to the narrators!

to watch the mechanisms live, you can find recordings on youtube, dropbox, google drive, soundcloud, or vimeo, which are all compiled in this post (including transcripts!). if visuals aren’t your thing, i’ve linked the studio recordings later on in this post when they come up, and here are the mechanisms’ official spotify, bandcamp, and youtube, as well as an unofficial comprehensive lyric videos channel. 

the albums

regarding the albums specifically, there are 4 main ones (once upon a time (in space), ulysses dies at dawn, high noon over camelot, and the bifrost incident), 2 that are compilations of miscellaneous songs (tales to be told 1 & 2), 1 single (frankenstein), and 1 album that’s a high-quality recording of their last live show, including an alternative performance of the bifrost incident, 2 songs only performed at live shows, and 'the deathsong’, which details how they all eventually die (death to the mechanisms).

as you might have been able to tell from the titles, they’re all based off of various myths, folklore, literature, and/or fairy tales, using different genres on top of a sci-fi setting to add a fresh twist to them! for example, high noon over camelot is a western based on arthurian mythos, set on a space station. (the albums are known for all ending in tragedy, so be careful if that isn’t your cup of tea!) if your goal is to get into the mechanisms, i’d suggest sitting down and listening to them all in full; links will be provided below, or alternatively you can watch once upon a time (in space) live here, ulysses dies at dawn live here, or the bifrost incident live here. (there is no full live recording with visuals of high noon over camelot, sadly, but there are partial and audio only recordings.)

once upon a time (in space) - spotify/bandcamp/youtube

ulysses dies at dawn - spotify/bandcamp/youtube

high noon over camelot - spotify/bandcamp/youtube

the bifrost incident - spotify/bandcamp/youtube

tales to be told, volume 1 -  spotify/bandcamp/youtube

tales to be told, volume 2 - spotify/bandcamp/youtube

frankenstein - spotify/bandcamp/youtube

death to the mechanisms - edited video with the stream corruption fixed + subtitles / stream / spotify / bandcamp / youtube / transcript pt. 1 / transcript pt. 2

reading the fiction is integral to understanding both the albums and the mechanisms themselves. the fiction is a collection of short stories set in the mechanisms universe posted on their website here and compiled by me here, with an extra high noon over camelot story here. (there are also audio versions for ‘mirror mirror’ and ‘a rebel yell’ included on both the website and the compilation).

the crew of the aurora

as for the crew, at their peak there were nine members played by people, as well as the ex-member dr carmilla, who has extensive solo lore and is still active (which we’ll touch on in a few paragraphs). there is also their ship, the aurora, who is sentient and has her own lore. in fact, every member of the crew has their own backstory, set in a different genre or historical period; for example, nastya rasputina's is historical, jonny d’ville’s is a western and marius von raum’s is a mecha anime. however, they’re all still different flavors of steampunk! below, i’ll list each member, their performer, and the main sources of lore about them. for the majority of them, they have their own song in tales to be told, but there are a few outliers. everyone also has their own bio up on the website, which can all be found here. 

the aurora (n/a, ship)- on aurora (meta)

jonny d’ville (jonny sims)- one eyed jacks (song), jonny before he was mechanized (meta)

nastya rasputina (anonymous)- cyberian demons (song)

ivy alexandria (morgan wilkinson)- archive footage (fiction), crew bio

ashes o’reilly (frank voss)- lucky sevens (song)

drumbot brian (ben below)- lost in the cosmos (song), crew bio

the toy soldier (jessica law)- the story of the toy soldier (fiction)

gunpowder tim (tim ledsam)- gunpowder tim vs the moon kaiser (song/minialbum)

marius von raum (kofi young)- the death of byron von raum summary (blog post)

raphaella la cognizi (r l hughes)- crew bio

if you’ve noticed the crew bio doesn’t say much about raphaella, that’s because we know little to nothing about her backstory. the only thing we have to go on is a quote from the tv tropes page, which looking at the edit history, was likely written by one of the mechanisms. the quote is ‘Science officer who may or may not have cheated her way onto the ship after becoming a little too interested.‘ and the page is here.

the majority of fandom content is about the crew, working off of what we get from the tales to be told songs, the live gigs, and the fiction.

dr carmilla

speaking of characters with obscure lore, let’s talk about dr carmilla! rather than linger, i’ll just link my carmilla basics post, which is a comprehensive summary of who she is in and out of universe. to summarize, she’s a character based on the novella ‘carmilla’ by sheridan le fanu, commonly regarded as the first vampire novel, but her lore has diverged heavily from that original starting point since then. she is the oldest out of all of the crew, and made the majority of the other crew members immortal. she, as well as aurora, is from a planet called terra, which was destroyed partially as a result of her actions. her character is defined by her immortality and how she deals with it, her experiences on terra, her relationship with the mechanisms, and her dysfunctional relationship with her ex-girlfriend loreli, the last of which is the most covered by her songs. out of universe, she is played by maki yamazaki. all her lore lines up with what happened out of universe, and ties to the fact the mechanisms were originally dr carmilla and the mechanisms. she has two solo albums and two singles, which i’ll link below.

ageha (prototype edition) (album)- bandcamp | youtube

exhumed and {un}plugged (album)- bandcamp | youtube

the city {nex:type mix} (single, in-character cover)- bandcamp | youtube

eleven (single)- bandcamp | youtube

the majority of her lore is still to be officially revealed, and will be in the trilogy of albums maki yamazaki is working on.

further reading

if you’d like to delve further into the lore, there are a few sources i use! there are official, in-character, blogs, as well as things that are harder to dredge up; i won’t link them here, but some sources include @/thedreadvampy (the band’s artist, as well as morgan wilkinson’s sister and kofi young’s partner; don’t bother her for lore or anything, but she’s previously made posts sharing previously unknown information), old websites and deleted content found on the wayback machine, the tv tropes pages, and most notably the lore doc.

the ‘maki forbidden lore doc’ is an archive of all the lore maki yamazaki has shared on the mechscord, the official mechanisms discord which she’s on, and her own personal server, where she’s running an arg (alternate reality game) as a way of relaying more lore about the dr carmilla universe. for an idea of the scale, the doc is currently 91 pages and 28346 words, and recontextualizes much of what is known about dr carmilla and maki’s canon of the mechanisms universe. it is confidential to anyone not in her discord or the mechscord, as she’s said that this lore isn’t thought out nearly as much as the albums and is subject to change, so she’d rather it not be out in the open. however, information on how to join the mechscord can be found here. there is also a non-canonical fan project based on the arg in progress, but information on it is also confidential for now.

with regards to the above phrase ‘maki’s canon’ it’s worth noting that all of the individual band members have their own idea of what counts as canon and what doesn’t, and as you foray deeper into lore that division becomes more and more apparent.

with that, here are the mechanisms’ blogs. they are all both run in-character by the main nine band members and inactive unless i note otherwise.

twitter

tumblr

facebook

website/wordpress (run ic by tereshkova’s ghost, the blogbot, for the most part)

carmilla twitter (active, run ic by dr carmilla)

conclusion

now that we’re coming to the end of this, i’d like to thank whoever got this far, and to say a few words. my interest in the mechanisms has been slowly fading, and i’ve been writing less and less meta and lapsing in keeping up with new lore myself. honestly, i’m pretty worn out by how much i’ve done on this blog and in this fandom, and the commitments i’ve assigned myself. i do have plans for future meta, but it’s unlikely they’ll come to fruition. so, i thought i’d do a new version of my two oldest posts on this blog, and hopefully enable other people to look into the lore and theorize themselves with the new information.

to find more information, remember there’s a mechanisms wiki, and that my askbox is always open.

thanks for reading!

[aquickstart]

thanks for the response! (i had the propaganda question) still haven't seen movie so will wait before digging for those spoilers but definitely curious about the writers/artists comments regarding the comic and arcs you mentioned! it's fascinating that the creators are able to pull off what seems like a very queer-coded relationship despite even in spite of extreme censorship which i think is very different from queerbaiting (again, not having seen/read the source material) but there's been a lot of recent discussion in fandom spaces about this with respect to chinese media as well so am very interested to learn about how creator intent faces off against state censorship and what people end up still picking up on after the fact :) thanks for your thoughts!!

of course!! i'm very eager to discuss anything Major Grom-related to the best of my abilities (and i leave room for doubt and correction because i am fairly new to the fandom, fyi). here's a brief summary of some relevant info; i won't be including creator names and links here so it's not searchable, and also because it's all in russian (again i can do it in dm's). AND i'm sure you can find it out on the Bubble Comics website!

re: canon text itself. according to official extras, one of the characters was initially supposed to be a generic bodyguard type, but the story required him to become a more important companion for the antagonist; to be very brief here, he ends up essentially what the antagonist values most in his life and is narratively mirrored to the protagonist's girlfriend in one of the story arcs. it all comes down to a very pointedly dramatic, tragic, and emotionally charged moment for Igor Grom with his gf, and Sergey Razumovsky with his bodyguard. you know. a very casual bro moment for the latter pair, obviously.

re: creator feedback. the main artist & co-writer of the series has a multitude of what you'd call fanart pieces of these two characters in, like, a romantic relationship. i can't quite say they're canon since they're not included in the actual printed versions, but nothing in the comics contradicts or discredits the possibility of these scenes existing in the canon universe throughout.

the main writer/producer/Bubble Comics owner used to be very much against any kind of non-canon shipping, but he's radically changed his opinion over the years, which he expressed just recently in one of the official Bubble Comics podcasts. him and chief editor/producer are both very open to fan content and encourage any type of fan interpretation, which, to me, doesn't come off as pandering to the audience as much as it does as genuine gratitude and understanding of how storytelling and fandom spaces work. kudos to them from me for that.

as a side note, i do have some uhh uncertain feelings about the chief editor recently being a bit too eager to support the queer ship in question. some people see it as sort of queerbaiting wherein he's playing into the hype, but to be honest he seems like a geeky guy himself who's just generally very comfortable with his own sexuality. do whatever you will with that. i think he's allowed, maybe would be cool to tone it down a bit, but also, maybe not. it's all within reason, i guess.

re: queerbaiting & censorship. here's the part i dread discussing the most because the very concept of queerbaiting is a bit blurred in fandom discussions. i personally believe it becomes even more complicated in places like russia; like you mentioned, i do think this specific case is something other than queerbaiting. like, how are you supposed to do queer rep in mainstream media if you can get prison time for doing it? i think it's very much the case of context and reception, and if you look at the core fanbase, it's got a lot of queer people and/or folks who support the opposition.

of course, it's important to examine the authors of the content and their possible motives: the aforementioned main writer/company owner is linked to pro-state publications through his relatives, so yes, his money does come from the state, technically, at least in part, or at least that is what some people believe and i have no way of proving either point. still, i personally differentiate that from Bubble Comics being state-sponsored (like, FondKino did not sponsor the Major Grom movie, and FondKino sponsors so much of mainstream russian cinema). some people don't, and i guess i get their point. i firmly believe i'd go insane if i filtered every creator i've ever been interested in through the lens of absolute moral purity especially in russia.

but i circle back to the fanbase aspect of it: at some point i think it's equally important to look at interpretation and reception of content as well as its creators. if queer people find themselves relating to the story and the characters, i think it's doing something right.

maybe not though. maybe we are all just being tricked into consuming pro-state propaganda because we are obviously all idiots and my donations to medusa and doxa and ovd-info are nonexistent and dissolve into the air <3

[spookyboogie3]

The trope Last Minute Hookup shouldn’t be used for LGBTQ+ relationships.

AND DEFENDING MY LAST POST ABOUT THIS.

I DO NOT hate any of these pairings. A good many of them could have been handled differently by the creators, writers, and networks. But this isnt me hating the relationships or characters or shows. Just going off about how they shouldnt have been tacked on at the end of their respective series. 

As of writing this all of these shows have ended their original runs. Except for Supernatural which is on its last few episodes. And Supergirl, which announced its coming to end with season 6.

LGBTQ characters and relationships aren’t as common in the media as straight-cis characters and relationships. Sure things are improving but a lot of networks and writers still don’t fully understand why representation is important why they can’t keep using the same throwaway tropes they’ve been using for the straight-cis relationships.

You could name any piece of media and find and name one character that isn’t LGBTQ+, but you can’t do this with LGBTQ+ characters. We haven’t gotten to the point where they are as common as non-LGBTQ characters.

I have a whole paper I wrote on why asexual representation is important to have in the media and the same logic applies to any part of the LGBTQ+ or anything that falls under minority.

Back to the topic on hand. The trope of “Last Minute Hookup.”

Its exactly what it sounds like. Characters get to together at the very end of the story. These characters could have a on and off again relationship, lots of ship teasing, the classic “Will They or Wont They?” trope. What makes it different for non-LGBT characters in relationships to do this, we know what these relationships look like. Not to say the that both Non and LGBT relationship cant have similar struggles, however members of the LGBTQ+ community know how hard it is to feel like your identity and self matters and is normal.

I know that the whole “will they, wont they” thing is done for drama and networks and showrunners think if they give the fans what they want that they’ll start losing viewers and they have nothing to look forward to. Which is true to some degree. But most of this comes from the writers not knowing how to fucking write relationships.

Let’s just focus on whats it like to be in a non-straight relationship.

Heres an example: you have an action series, with 2 male leads and halfway through the show, they get together. Cool. Now you have a Battle Couple.

By making LGBTQ relationships happen at the end of a series that’s already had plenty of other non-LGBTQ relationships happen before it, it makes it look like the people in charge don’t care for it or were afraid of backlash. But it’s the end of the series so its not like they can get the show cancelled or anything. (The only people who are going to lash out at LGBT couple or characters are homophobic people, we don’t want them around any way so just make stuff super gay, so they’ll leave)

This is especially a problem when the writer and network have spent the whole series queerbaiting the audience with these characters.

 Side note for anyone is doesn’t actually know what queerbaiting is:

It’s a marketing technique used in entertainment, which the writer or creators hint at but then don’t actually depict sex-same romance or LGBTQ representation. They do this to attract (bait) the LGBT/queer or straight ally audience into the show with the suggestion of representation but at the same time avoiding this as not alienate other audience members *cough* (homophobes) *cough*

Definition is from Wikipedia, not a reliable source says my highschool teachers and college professors but fuck em

The Legend of Korra is a great example of Last-Minute Hookup. Korra and Asami had VERY little ship teasing, and that was in the last 2 books/seasons. Any thing that was perceived as romantic came from the fans wearing shipping goggles. So to a lot of people just casually watching, yes this looked like it came out of nowhere. Nickelodeon had some serious balls to say how brave they were for putting 2 girls into a romantic relationship.

Theres a few problems with this.

A. It never actually aired on TV (to my knowledge). The last 2 seasons of Korra were put on Nicks website.

B. The confirmation that this Korrasami was canon had to come from the creators on twitter because of how unclear it was.

C. The show did the bare minimum when it came to hooking them up in the series. They walk off holding hands (very cute btw). They didn’t even get a kiss. Aang and Katara had a Last Minute Hookup at the end of ATLA after 3 seasons of ship tease and THEY GOT A KISS. Hell the original end of LoK*, has Korra and Mako kissing. *(the first season, they didn’t know they were getting more seasons at the time, no matter what you hear the writers say, they’re full of shit)

D. Anything continuation of Korra has come in the form of comics, which her and Asami are in a fairly well written relationship. Yes, they do kiss. Yes it would’ve been great to see this stuff happen in series.

A show that handles this a little bit better is Adventure Time. Not by much though. It implied several times that Princess Bubblegum and Marceline have history together and its shown more and more in its last few seasons that there is some ship tease happening. However its not until the finale where they kiss, and they are shown in the last minute of the show cuddling together in Marcy’s house. HBO has picked up Adventure Time and has a miniseries called Adventure Time: Distant Lands, where Bubblegum and Marceline’s past relationship is shown.  

I had brought up in my original post about being upset with networks making LGBTQ+ relationships canon in the last season/episode. I originally had Catradora tagged. While Catra and Adora have history together, they did not become official couple until the end of the series.

Yes, I was wrong about the network making things canon in the last episode as they’ve always had ship tease with each other, and it probably was the writers’ intent to put them together by the end. They do technically fall under the Last-Minute Hookup, however.

I wanna talk about Once Upon a Time really quick. Fans of the show were hoping and wishing for an LGBTQ couple for the show as a lot of characters, especially Regina and Emma, have alot Ho Yay moments. The showrunners weren’t going to put those two together, for whatever reasons they may have for that (im indifferent on all the shipping going on with this show). The showrunners thought to put two characters together, and hoo boy did it not make people happy. The characters they put together are Dorothy from the Wizard of Oz and Ruby the red riding hood, which would be fine if they had properly been developed.

The entire episode they did this in was a mess. They stopped the current arc during the season 5 episode ‘Ruby Slippers,’ to go over the characters that haven’t been seen in years, Dorothy was introduced and last seen in season 3, and Ruby was introduced in season 1 and was last seen in season 5 before ‘Ruby Slippers’. The characters get together in the same episode the meet in and are never seen again. The characters barely interacted, barely got along, and showed little to no ship tease or interest in each other and BOOM they are in love and together aaaaaannnnndd they’re gone. Other than having One Million Moms, a Christian fundamentalist organization, protest against the show and want it taken off the air (yes this really happened). The fans weren’t please with this development of the characters either.  

(also Mulan was right there and already knew Ruby from a previous episode, and Mulan already is established to like girls as shown by her being in love with Aurora. Don’t know why the writers didn’t just put these 2 together but whatever I guess)

So they tried again in season 7 with MadArcher. The characters of Alice, a version of Alice in Wonderland from another realm (its complicated) and Robin, the daughter of Robin Hood and the Wicked Witch (it’s also complicated). And the writers did a lot better here. Both characters were allowed to have time together and have a history together too and it was done over the whole season. Not just one episode.

Now even though the writers decided to do something different with the last season and it could be detached from the previous 6 seasons, MadArcher is not really a Last Minute Hookup per say but still falls under my thing about it being the last season so who gives a fuck if One Million Moms gets mad us and tries to get us cancelled again.

 I would like to say I have never watched a single episode of Supernatural in my life. I may one day. But as of right now my knowledge of it is coming primary from what ive seen on tumblr. You know a great source for doing research and looking for reliable information among the piles of shitposting.

From what I know from fans, the writers of Supernatural have been queer baiting for years. I mean it’s the CW, I’m not that surprised. What also wouldn’t surprise me, that by the end of the series Castiel is back and he and Dean actually start and relationship or strongly hint at starting one. I actually fear for the writer lives if they threw out a confession scene after years of queerbaiting and potential ship tease (debatable) and they don’t put them together. Fans are going to be angrier than they probably ever have been with this show and the showrunners and writers really would be known for queer baiting.

From what I know about how previous shows have done and if anyone that has ever worked on this show wants to continue living, Castiel will be back from Super Hell (is that what yall are calling it?) and he will get together with Dean. And they will fall under the Last-Minute Hookup trope and my networks make LGBTQ relationships canon last season.

 One last show I want to talk about is Supergirl, which in has been recently announced that the 6th season will be the last. The show started on CBS but moved to the CW after the end of season 1. So more CW bullshit. There is no confirmation about whether the CW or any of the Supergirl writers are planning to do this, its all speculation. Supergirl is more LGBTQ friendly than some other shows on the Network. One of the main characters came out a few years ago and had a girlfriend a season and has had plenty of hookups with other ladies around the Arrowverse. They even introduced a trans-woman superhero in the form of Dreamer.

Let’s talk SuperCorp. Lena Luthor was introduced in the 2nd season and has been a major character in Kara’s life ever since her introduction. Even if she isn’t involved in the plot, Kara always goes to her to talk and check in on her and worry about her. They are best friends. Since the 2 have met, there has been plenty of Les Yay going on. The writers seem to be aware of the fans wanting SuperCorp to be canon and they keep throwing in moments like Kara and Lena struggling together or Kara carrying Lena bridal style.

Why I bring this up after the announcement of Supergirl’s final season to start next year. We may get SuperCorp. Kara has a relationship with William in the show and not a single person likes this relationship. The writers may scrap it and get put Kara and Lena together for the final season. This is a big maybe though. The Supergirl writers and crew get called out a lot for queerbaiting.

   Let me know if you guys have any other examples of last season/last episode LGBTQ+ hookup.

And please let me know if you see any mistakes. This was all done in one sitting so I may have some things wrong.

Also check out the video by @aretheygayvideos on this topic too.

[babyybitchhh]

I thought the mineta thing was a joke but I'm hearing more about it? What did I miss???

Let’s just say it’s been enough of a shit show that I found out about it despite not being online all that much these past two weeks. 😂

Alright, so essentially the official Viz translation popped off with this particular line of dialogue

A bunch of people who care very deeply about that sort of thing were like omg, Mineta confessed before Ochako or Bakugo did! Wow! Can’t believe the grape bitch is LGBTQ and I am going to unapologetically shit on everything now

*queue hundreds of the exact same, unoriginally sarcastic ‘diversity win’ posts*

The main issue here are Mineta antis who base 70% of their online persona and 90% of their fandom enjoyment around hating him with every fiber of their being and ofc the increasing obsession with sexual orientation is only exacerbating the problem. For someone like me who sees every character as various degrees of bisexual by default and is pretty damn neutral about Mineta, I didn’t really give it a second thought. I literally thought he was just being dramatic. Y’know. A goof. : /

But those other people are upset that the “sexual harasser” is LGBTQ because it either

1: perpetuates harmful stereotypes about bi people being predatory or

2: invalidates queer sexualities because Mineta is a joke character

Take your pick between the two, I’m not really seeing an agreement on what the problem is exactly, just that there is definitely a problem regardless of what it is.

Now there’s been a consensus that the translator fucked up and they’re all mad at him for queer baiting them? With shitty translations? Which is slightly closer to the truth but still not quite it. For what it’s worth he basically gave us a literal translation of what was said in Japanese, which is mostly used romantically but can be platonic as well. Another way to read it seems to be something like “I was charmed by” or “I admire”, which obviously aren’t necessarily romantic so rather than being faithful to the source material he really should’ve localized the wording a little bit. But that’s the thing. People get mad when he does that and they get mad when he doesn’t. There’s no winning here.

Instead of looking inward and acknowledging that they put too much stock in a fictional characters sexuality (despite half of them being regular ol’ antis who say sexualizing fictional minors is a punishable offense so their extreme concern about what kind of genitals they get hot and bothered over doesn’t make a whole lot of sense to me 😂) they want to blame everyone else for the fact they jumped the gun and rushed to conclusions because of an inherently flawed translation. Japanese is a language that is very, very contextual and a LOT gets lost when converting it to English both because we don’t use indirect language that could mean this or that, depending on the context it’s being used in, and also because there just isn’t a word for word translation that makes sense for most of it.

As an example of what I’m talking about, here’s a phrase one learns pretty early on when you start studying Japanese

Rather than expressing a concrete idea such as “I hope we get along” (which in and of itself sounds awkward but that’s exactly how it’s most often translated) the actual usage in Japanese is more along the lines of a vocalized feeling of positivity regarding your interactions with the other person. Which is particularly relevant to this conversation because that is exactly what Mineta’s dialogue was.

An emotion based statement that has less to do with “I fell in love with you” and more “you won me over”. Even reading it in English, as I first did, that scene clearly does not have the context of being romantically charged in any way but the kinds of people who build their entire identity around titles took one look at the wording and went into a frenzy about it. They’re mad that someone they despise and have shit on for years now is “one of them”, and I guess a lot of them were saying they’re homophobes because of it. Even as a joke it feels in poor taste and tbh the whole thing really just goes to show how performative much of the younger generations relationship with sexuality actually is. 🤷‍♀️

Canonically Mineta absolutely did not come out as bi but I genuinely wish he had just because they put SO much effort into hating him that it would’ve been the perfect karmic retribution for being this vitriolic over someone who doesn’t even exist. Basically it’s the Endeavor redemption situation all over again except this time it’s a lot more personal for them. 😆 Instead of “you can’t forgive an abuser, I would never!” It’s now “no, he can’t be LGBTQ like me!!” and I’d be lying if I said I didn’t find it hilarious.

(Also please know that Japan was absolutely laughing at us for the disproportionate reaction western fans had over this single line of dialogue, one of my favorite comments from 2ch being “is English a defective language?” 😂 The line made perfect sense to them and they didn’t bat an eye at it, whereas we had Mineta trending across multiple websites and please believe they’re judging us for that)

[samsoleil]

3 17 23 for the spn asks. Please tag me @boykingsofhell so I see your answers <3

ask game

Thank you sm @boykingsofhell !! Putting question 3 at the end so that I can put my essay under the cut.

17. What’s an aspect of SPN people often point to as a flaw that you really enjoy?

the finale was good actually

Okay so. a lot of the flaws that people see in spn have been resolved in various posts about hbo spn but. something specific that people tend to want to resolve in hbo spn that I actually enjoy as-is is how the relationship between characters and religion. There is something to be said about religious trauma but there is also something very powerful about creating the space to analyse it without braining the audience with it. Cas off-handedly saying "Sam is, of course, an abomination" has stuck with me since age 13 (7 years!! heck!!) because it's casually said once and then almost never again, and we the audience are able to extrapolate the effects of that ourselves. Yes, it could be explored more, but I fear what it could have been in the wrong hands.

On a similar track, Supernatural suggests parallels between Sam and Dean and faith in an absent father, one for Dean and one for Sam, where

Dean has blind faith in John while Sam demands autonomy

Sam has desperate faith in God while Dean rejects the concept

but it doesn't demand that you Look at it. Sam doesn't need to carry a rosary to communicate his faith. He doesn't need to beg on his knees in the mud to demonstrate that he wants to be saved. Faith and doubt are integral parts of their character. The change in their faith and their doubt is interwoven in their character development.

23. If you could forget all of spn, would you watch it again? Why/why not?

Yes. Partly because I only have one brain cell and I share it with a friend of mine, partly because, despite everything, Supernatural has brought me a lot of joy at points in my life where I have had very little of it.

3. TFW: Sam, Dean, or Cas stan? I wanna hear your dissertation :)

I am a bitter Sam fan since (at latest) June 2015 (at earliest, mid 2014) and I will not apologise. I actually had to take a break after season 10 because seasons 6 to 10 made me so mad!! I couldn't do it anymore! 

Quick explanation for this is because I relate to Sam a lot and am also an eldest sibling, which means I can both project onto Sam and feel ridiculously affectionate towards him. 13yo me saw this 22yo and thought, is anyone gonna love this? and didn’t wait for an answer.

Long explanation below the cut.

Sam is my fave for a great deal many reasons but I'll try to summarise it in three points:

Excellent narrative

Relatable character

Wonderful to watch

1. Narrative

Sam has the most compelling storyline and character arcs of anyone in Supernatural. His storylines are compelling, multifaceted, and incredibly interesting to analyse.  Finding evidence for this can be easily done through the following steps:

watch the show

Sam is a story of someone who has responded to intense trauma due to circumstances beyond his control by choosing to be kind and compassionate. This is someone who has been told by everyone he knows that he is a monster not worth saving, and took that and turned it into a determination to make sure that nobody would ever feel that way again. In the earlier seasons, Sam defines himself by his anger while others define him by preconceived notions about his character. And he spends his entire life proving everyone, including himself, wrong. That he can be defined by his actions, rather than what he is or what people think of him. This is not only the best but also the only consistent narrative theme, which is very powerful of him.

He is a story of someone struggling to maintain his autonomy in a world that is determined to take it from him, and with that autonomy he decides to better the world around him. Interwoven in his character is the belief that your actions define who you are. And it isn't something that is easy for him to believe! It's a choice that he makes, sometimes rather desperately, that defines him just as much as any other choice. Which is why it's also SO interesting that Sam's autonomy is so frequently violated - because he believes that his actions define who he is, but so often his choices aren’t respected and he isn't the one in control of his actions.

2. Projection

All the above things are excellent reasons for why Sam is a good comfort character. Not actually because he's having a terrible time. But conceptually, he is strongly tied to the ideas that

people might say you are inherently bad, but they are incorrect

sometimes terrible stuff happens to you and that's not your fault

(this one only works if you love sam like I do) you can struggle with mental illness and still be loved

which are very comforting ideas. I feel comforted.

Furthermore, Sam is specifically a very comforting character for people who are queer, have siblings, and/or are religious. As a queer person, I'd like to point out that Sam is an excellent queer allegory.  Being told you're inherently wrong because of who you are and internalising it because the people you care about have said it? Being ostracised by your family because your fundamental character is different to what they planned for you? Feeling like you can't be honest with the people around you because if they knew who you really were, they would think differently of you? Also, he's gender. And apparently his gender on his licence was F on the official website so he has canonical evidence for being trans. He/they Sam. Gender neutral language for his past partners. Sam’s queer is what I’m getting at

And, importantly for me (and Dean), Sam is the person everyone with eldest daughter syndrome wishes they could be. He was distanced enough from his parental figure that he could cut through the veil of psychological manipulation to see the rotten core of abuse underneath. And he knows it! Early season Sam stands up for himself against his dad (and Dean) time and time again. Mid season Sam stands up for himself against the actual devil. Late season Sam stands up for himself against God himself. I want that for myself. I want to believe in my right to autonomy that strongly.

3. I am Looking

Listen. We all know that Sam and his character development was tossed to the wayside a bit (a lot) after... S7, I would say. But Jared Padalecki has fed us well. Even when Sam has no lines, he still has personality and character and thoughts and feelings and they're right there! on his face! in his whole body! He shows what he's feeling with everything he has, written on every inch of his skin, he responds so vibrantly to everything and it just feels so so real. Sam responds so emotionally and physically to the things that happen around him and it is just. so wonderful to watch. I am just full of affection for this character!!

Also. good to look at. I'm ace and Sam is the closest I have ever come to understanding the allo experience. Thanks for listening.

[cardentist]

I’ve been seeing people ask about the age gap between moomin and snufkin for a little while now, with some people going so far as to label it pedophilia outright.  I responded to someone asking about it politely recently and I think I went over it in enough detail and with enough sources that making it it’s own post could do some good.

that said, that’ll only work if people are actually able to see it in the tags, which won’t happen if tumblr knows that there are links. so to get around that I’m going to put parenthesis around the dots in all of the links and bold them, like this: staff (.) tumblr (.) com if you want to get around that then my original response is here:  cardentist (.) tumblr (.) com/post/185261475458

but alright, here we go first off, snufkin is canonically younger than little my ! from the official moomin website: Snufkin is Little My’s younger half brother – Little My is older than Moomintroll, Sniff and Snufkin, whose parents only meet each other when Little My is already born. moomin (.) com/en/blog/snufkins-family-tree/ with that in mind, I don’t see many people question whether little my is on the same footing as moomin emotionally (even though she’s the most likely to be significantly older than moomin jdlksj) so it's strange that people do it for snufkin

as for snufkin’s age in relation to moomintroll there are a few things to consider first being snufkin’s backstory that’s revealed in moominpappa’s memoirs, that being that his father (the joxter) met his mother (the mymble) around the same time that moominpappa met moominmamma and sniff’s parents (the muddler and the fuzzy) met, with little my having already been born this already makes it far more likely that snufkin is around the same age as moomin, but that’s further hammered home by how snufkin is portrayed and treated in the novel itself. he’s very much on equal footing with the other kids in behavior and is actively treated the same as the other kids by moominpappa, he even refers to snufkin that way ! he’s also very much so engrossed with the joxter, taking pride in the similarities between him and his dad, insisting that moominpappa only tell him the truth about the joxter, and occasionally referring to the joxter as his “daddy,” all of which are pretty heavily coded as being childish, or at the very least as not being as jaded as an adult in his position might be I’m sending the screenshots as links for size conservation: imgur (.) com/RD8xCWz imgur (.) com/LJYmo58 imgur (.) com/lerDoUA

overall it’s pretty clear that snufkin is being put on the same level as moomin and the rest of his friends by moominpappa, and snufkin himself views moominpappa and joxter as adult figures

the second thing to consider is that ! snufkin’s relationship with moomin would be, Really Really Weird if there was a significant age gap, even when viewed platonically. and I mean this both from the perspective of us observing it from the outside and from the adults in universe not having any qualms with it

for instance, the first winter after moomin and snufkin met they hibernated together, with moomin’s room even being officially recognized as also being snufkin’s room !

moreover, they’ve outright slept in the same bed together in the 90s anime during a sleepover

the moomins are an absurdly nice and welcoming family, but letting a grown adult man sleep next to their child for three months after they’ve only just met him this summer is a bit much even for them fjksld

it’s also worth noting that it’s made clear that their relationship is just as important to snufkin as it is to moomin. they both view each other as their best friends, which would be weird for a child to feel about an adult but just, Way Too Uncomfortable for an adult to feel about a child. the fact that snufkin relies on moomin just as much as moomin relies on snufkin is more or less the lesson he learns in moominvalley in november kjflsd, which there’s an excellent analysis of here: milky-red (.) tumblr (.) com/post/184933769573

then there’s also the spring tune, which I’ll admit I’m more familiar with the 2019 adaptation than the original, but they both exist somewhere along the extended moomin canon so fkljsd it’s more or less all about snufkin’s need to be alone vs his need to be with other people, or more specifically with moomintroll. while he doesn’t outright acknowledge it, not yet, his need to be with moomintroll is just that, it’s become a part of his nature just like his need to wander and his need for solitude, and one that he’s trying to come to terms with

in the 2019 adaptation snufkin outright hallucinated moomin telling him that it was okay that he wasn’t ready to come back yet, all while holding snowdrops, flowers that snorkmaiden would later tell moomintroll “herald the return of loved ones” while the 2019 version definitely leans into snufkin being more outwardly emotional, it’s also worth noting that the part of the novel this scene is referencing is well, I mean look at it kjfsld

and then of course the argument with teety-woo the 2019 adaptation puts a lot of emphasis on snufkin being physically uncomfortable around teety-woo, uncomfortable with having company at all and with how forward they are. this is especially notable as it’s something that comes up later in snufkin and the park keeper, where he ditches moomin at a party and then has to take time for himself. both because he needs to cool off after being overstimulated/overwhelmed at the party and because he very actively feels guilty over leaving moomin, though he doesn’t admit that fact outright. this is especially driven home when moomin comes up with the plan to break snufkin out of jail, as when he chooses a punishment for snufkin we’re shown a flashback to the party and snufkin says “I suppose it’s all I really deserve.” he not only thinks that moomin is punishing him for leaving him but actively accepts that it’s his fault for needing to leave him, or perhaps just for leaving without saying anything

with that in mind, it’s especially worth noting that snufkin’s lines about being able to go back to moominvalley whenever he wants and that maybe he won’t go back at all are lead up to by teety-woo riling snufkin up by invading his space and ignoring his body language to the point of very genuinely upsetting snufkin, and then is punctuated by teety-woo bringing up that it would hurt moomintroll. and when the argument has wound down and he’s come back out to play for teety-woo and sees that they’re gone it’s pretty obvious from his tone and facial expression that he regrets snapping at them, most likely feeling that he’s driven them away

this is then followed by snufkin feeling physically ill from loneliness, him desperately looking for teety-woo, and the nightmare sequence. which, is very explicitly about his fear of being both forgotten and replaced, not just in moominvalley but by moomin specifically the scene even goes so far as to have snufkin abandon his harmonica, his very excuse for not having gone back to the valley in the first place

while he’s afraid of losing his nature, of losing his freedom, the idea of moomin pulling away from him scares him even more.

moomin is an incredibly important part of snufkin’s life, one that he’s had to learn how to tailor his previous lifestyle around. one that he finds worth changing how he lives his life over. while it’s certainly not entirely out of the ordinary for an adult to have some kind of positive relationship with a child, enjoying their company and enjoying acting as a mentor, for an adult to emotionally rely this heavily on a child would just be, inappropriate and unhealthy for both parties

none of this even getting into the fact that their relationship is pretty heavily queer coded ! I, would probably go on for far far too long and there’s more that I wanna get into (and the links themselves are gonna take up more than enough room) so here’s links to references and analysis of a queer reading for these characters both in and out of universe ! moomin (.) com/en/blog/who-inspired-tove-when-creating-snufkin/ cardentist (.) tumblr (.) com/post/184309504683 cardentist (.) tumblr (.) com/post/184352468223 cardentist (.) tumblr (.) com/post/184529809803 cardentist (.) tumblr (.) com/post/184126897018 cardentist (.) tumblr (.) com/post/184305305518 cardentist (.) tumblr (.) com/post/185023635288 cardentist (.) tumblr (.) com/post/18424873269 jamiewoolleyart (.) tumblr (.) com/post/185073023200 cardentist (.) tumblr (.) com/post/185066154973 cardentist (.) tumblr (.) com/post/185199096163 I don’t think I need to go over why an age gap between these two would be uncomfortable under the lens of them being queer coded. though with that in mind,  it’s worth noting that snorkmaiden has been depicted as thinking that snufkin is cute or flirting with him in both the comics and the 1990s anime cardentist (.) tumblr (.) com/post/184569294298 imgur (.) com/7EDJ9Rt

the anime has more leeway in that snufkin is more or less just playing along while she’s having memory issues, it wouldn’t be too strange if snufkin were older than snorkmaiden here. but in the comic snufkin blushing and being “wooed” is the Punchline. the comics are more adult sure, but I don’t think tove would just casually make jokes about pedophilia 

thirdly, I think that ultimately snufkin only comes off as more worldly because his upbringing was so dramatically different from moomin’s ! all we know for sure about his past is that he was abandoned when he was very small, so small that he didn’t have any memories of the mymble or his other siblings

it’s possible that he was raised by somebody for a short time, but it’s never mentioned in canon and he certainly wasn’t raised there for long. snufkin had to grow up faster than moomin did simply for the fact that he had no one to take care of him, and his worldliness stems from having more life experience than someone his age usually would and from independence being both a need for his survival and ultimately something he didn’t get to choose for himself at the start, even if it’s what he wanted for himself later

and ! for my final point ! the ages for the moomin characters, while generally consistent with their relationships to each other, are not set in stone. they’re heavily implied to be different depending on which versions you look at, both between adaptations and between the novels and comics and sometimes the novels themselves. tove played around with canon as she pleased jfklsd

the comics especially have no qualms showing moomintroll smoking and drinking, getting in fights over snorkmaiden’s hand, and just overall being more adult, which isn’t too shocking since the comics were more adult oriented, as I mentioned earlier

moreover ! it’s more or less canon that moomin is outright an adult in moominvalley 2019, as the team has said that this version of moomin was supposed to be older, he’s very much so voiced by an adult who is using an adult voice, and he outright calls himself an adult moomin in the show !

so it’s very likely that moomin is, at the very least, a late teenager to young adult in much of canon, with snufkin being close in age

feel free to add onto this with more analysis and sources if you have them and the time !

[bookish-bi-mormon]

Thoughts about Malec

I have mixed feelings about the way Malec is portrayed in the Shadowhunters TV show. There are things I really like about it, but other things that I feel are lost.

When I first read The Mortal Instruments I was in my first years of High School, and I was pretty homophobic. I had been taught that being gay was wrong and I was determined to continue believing that. When Magnus first flirted with Alec at the party, I immediately saw him as a predatory and creepy ancient warlock and I wanted to protect Alec from “the influence of the gays.” (Which, tbh, it was kinda weird that Alec was still a minor, so props to the tv show for aging everyone up). 

But for me, it was really important to watch their relationship grow from the sidelines. I was starting to like their little interactions that they had in front of the other characters, and despite my aversion to “the gay” I had a growing curiosity about these two. I ended up on Cassandra Clare’s official website where I saw she’d written a short “deleted scene” about Malec’s first kiss. I read it, and I was still determined to hate them, because I thought I had to. My thoughts afterward were “she’s just trying to act like it’s fine because Alec is the one who sought Magnus out and instigated it, but that’s just unrealistic and I hate it.” But in reality, it was important to me. They had a conversation where Magnus asked if Alec was only doing this because Magnus was the only other queer man he knew, and Alec confirmed that it wasn’t the reason. As nervous as he was he really did like Magnus and wanted to see where things went, but he wanted to keep it quiet for a while, which makes perfect sense.  (haven’t gone back to look at it since that day but it’s seared in my mind. Don’t remember anything I learned in school that year but I remember this conversation).

So, the first season of Shadowhunters was really hard for me. Instead of letting Alec quietly figure his sexuality out for himself, Magnus really does act like a kind of predatory creepy person. Let’s be honest, if it were a straight couple and either person (especially the more experienced man) kept saying “come on, I know you’re into me. be true to yourself!” most of us would be like “ugh what the heck, are you a mind reader? leave them the heck alone.” So I wasn’t a big fan of season 1 Malec, because it lacked the subtle background-ness that allowed me to first like them, and it didn’t even give Alec the autonomy or control over the relationship he had in book canon. 

Season 2 of Shadowhunters, however, is a different story. In season 2 they take the relationship drama Malec have later on in the book series (when they stop being so sideline/background) and spin it into healthy communication. Where in the books Alec is insecure and accuses Magnus of cheating and storms off after finding out how many ex’s Magnus has, in the tv show they talk about it. They acknowledge the awkwardness of their differences, but Alec says a very important line “I hear relationships take work,” and they both decide to lay aside their insecurities and care for one another, instead of exploding, accusing, and storming off. (also Alec is really chill about Camille, and understands that it’s still hard for Magnus to turn her into the Clave because of their past relationship without getting horribly jealous). This is only one of the changes the tv show made to help the characters be more healthy and less problematic and I really appreciate it. They really are a relationship someone could look up to in season 2. 

The last change they made was to the homophobia alive in the Shadowhunter community in the books. Now, generally, I’m a big fan of things that refuse to acknowledge homophobia (ie. The Raven Cycle, Legacies) but when I was reading TMI it was honestly something I, personally, needed to see. Once I had accustomed myself to Malec as a relationship (and honestly I was really into all their drama, as immature as it was) seeing the homophobia they had to face really impacted me. But in Shadowhunters, especially in season 2, it’s kind of implied that the main reason people don’t approve of Magnus and Alec’s relationship is because Magnus is a warlock. Which, don’t get me wrong, is definitely also a thing in the books, but not as much of a thing. They also act like Alec’s decision to hide his feelings from Jace are mainly because they are Parabatai/ Jace is straight (which, also, valid) but don’t acknowledge the internalized homophobia Alec has been dealing with for most of his life.(I am also confused because I remember season 1 acknowledging the homophobia more but in season 2 it’s just gone....) 

I know it’s kind of stupid, but when I was reading the book (having decided that it was ok for this specific shadowhunter to date this specific warlock because they were fictional and cute but that’s it no one else should be gay (yes, I was like that. I’m sorry. I’ve changed)) and there was that one scene where Alec and Magnus were talking to all these Shadowhunters, some of whom were Alec’s relatives I think, and they were all saying homophobic microaggressions - it hit me. That one lady like “It’s such a shame no one will inherit your beautiful blue eyes.” That one line hit me so hard I remember it like, 5 years later. All of these people who just refused to get it. Who could have just been supportive and kind( (or at least kept their mouths shut) but insisted on letting them know, passive aggressively, that they saw their relationship as inferior. It was cruel, and unnecessary, and I didn’t want to agree with them anymore. 

Malec in the books, as messy and problematic as it sometimes was, was crucial in my journey to overcoming my homophobia (and eventually realizing that I am bisexual, like Magnus!). I understand why they made some of the changes they did in the tv show (although I still hate the whole “arranged marriage” thing they made Alec go through in season 1, and I am still mad about how Magnus was so weirdly insistent) I like that they get to be more front and center, I like that they maturely discuss their differences and their insecurities, and I appreciate that the only obstacle they have to face from Alec’s family is their dislike of Downworlders. But their relationship in the books was done in such a specific way in such a specific time of my life and it’s influence will always be with me. 

[castyourpodtothewind]

CYPTTW Review #3 - King Falls AM

Who the hell are you?! Hi! I’m Taylor and I recently dived headfirst into podcasts! I have since binged on several of them and decided to make reviews of the ones that really stood out. These are not going to be big, professional reviews (I’m lazy) but they should hopefully contain information to help you get into some great new listens!

Where do you listen to your podcasts? My personal recommendation for listening to podcasts is the Pocket Casts app, available for Android or iPhone. It costs $3.99 to buy, but I think it's super worth it, since it has a lot of great features and zero in-app ads, which to me is worth every penny. But if you like free apps or just don't have the scratch right now, my runner up is Podcast Addict. It's free and has some (but not all) of the features Pocket Casts has, plus you have to deal with the ads. But if you don't like either of those, do some searching! There's lots of options out there.

---

Name of Podcast: King Falls AM

Creators of Podcast: The Make Believe Picture Company

Genre(s): Humor, Talk/Radio Show, Horror, Suspense

Start and End Date of Podcast: May 1st, 2015 - May 1st, 2018 (On Hiatus, will return later this year)

Number of Episodes: 75 (plus various bonuses and minisodes)

Release Schedule: On Hiatus, will return “later this year/before 2019”

Where Can I Find It: http://www.kingfallsam.com/ (website not up-to date, complete episode list can be found here: http://podbay.fm/show/1016760065) or visit their official Tumblr page at @kingfallsam

Donation/Patreon?: https://www.patreon.com/KingFallsAM

Age Rating: This show contains profanity, sexual humor, occasional violence and is known for some pretty serious horror at times. PG-13.

Where I Am Now: Caught Up

Official Summary: (I couldn’t find an official summary, so here’s my own) Former DJ “Shotgun” Sammy Stevens moves to the small mountain town of King Falls, where he and Ben Arnold host King Falls AM, a late night AM talk show. They cover all the normal events of a small town, take calls from the residents, and also discuss and discover the many paranormal happenings that the townspeople have accepted as business as usual.

Representation?: This show has multiple canon LGBT characters and is extremely queer positive.

Transcripts?: No official transcripts exist, but fan made ones are available. Sadly, they are not current.

Trigger Warnings?: Body Horror, Abusive Relationships, Gaslighting, Animal Violence/Death, Homophobia (Greg Frickard could be a walking trigger warning on his own, I swear)

How Long To Listen Before Giving Up?: I was drawn into this show pretty much instantly, but the first 7 episodes seem a lot like it’s trying to emulate WTNV. After that point it definitely grows the beard and becomes its own unique thing, so I’d recommend listening until at least episode 10.

Anything Else I Should Know?: This show has a behind the scenes podcast called “Beyond the Falls” that occasionally comes out for free, but is otherwise a Patreon perk. I don’t have it, but everyone I hear talk about it says it’s worth it. Occasionally they’ll release an episode of it to the public, especially if they’re talking about something majorly relevant to the show.

If You Like This, You Might Also Like: The Ghost Radio Project, Limetown, Alice Isn’t Dead, Welcome to Night Vale

Pros

The voice acting in this show is KILLER, as well as a full cast with lots of unique voices - lots of them done by the same VA, which is impressive as hell

This show can go from hilarious to depressing to terrifying in the blink of an eye, and it tells a story that you’re eager to hear more details about.

MUSICAL. CHRISTMAS. EPISODE. With a soundtrack so good you’ll want to listen to it all year ‘round. ‘Nuff said.

If you like foreshadowing and podcasts with a ton of re-listen value, look no further. Episode 68 turns the ENTIRE premise of the show upside down and I was absolutely stunned by everything hinted at even from the beginning, but I won’t dare spoil it for you here.

Cons

The pacing with certain plots can be quite slow, unfortunately. My biggest complaint about this show is how it took until episode 75 to resolve a plot that began in episode 2, though the show has been good about dropping new details and developments to keep you interested.

The show is unfortunately on a hiatus, but the crew has made it clear it is only to make more episodes while not suffering total burnout, so the show is not going to disappear. While no official return date has been set, the crew has promised us that the show will return “later in the year/before 2019.”

MY RATING: 8/10 RAINBOW LIGHTS - This is one of the best podcasts I’ve listened to in a long time. I found it on several lists of podcast recs and gave it a chance, and from the very first episode I just could not stop listening. I finished all 60-odd episodes in around two weeks, and I’ve been suffering through the hiatus just like the rest. The cast and crew of this show are so talented and need way more recognition than they get. Please give this podcast a shot.

[aion-rsa]

How Winter’s Orbit Went From AO3 to Published Space Opera

https://ift.tt/3r0YY7S

There have been some very public examples of works that began life as fanfiction (i.e. not-for-profit stories written in the already existing fictional worlds or pop culture, often by and for writers from communities underrepresented in commercial storytelling) only to later become published books— the most famous examples probably being E.L. James’ 50 Shades of Grey, Cassandra Clare’s City of Bones, or Anna Todd’s After. But not all works published on fanfiction websites are fanfiction. Fanfiction platforms, such as Archive of Our Own or Wattpad, also play host to “original” (not based on an existing canon) non-commercial fiction. While these original works are, by and large, less common than fic, they often have much in common with their transformative fandom neighbors.

Winter’s Orbit, a healing and action-packed queer romance space opera that hits bookshelves next week, began life as an original work on Archive of Our Own (AO3), where it gained an enthusiastic following. Now, British author Everina Maxwell, is hoping to find a broader, commercial audience for her story about two space princes in an arranged marriage on which the political stability of their solar system rests. The story of Winter’s Orbit path from original work on AO3 to published book is a fascinating one, and one that is emblematic of the increasingly candid impact the world of transformative fandom is having on the book industry and other spheres of the commercial entertainment world. We talked to Maxwell about her debut novel, what it was like to bring Winter’s Orbit from AO3 to Tor Books, and how the transformative fannish experience has impacted her writing.

Den of Geek: Where did the kernel for the story of Winter’s Orbit begin? Was it a character? A relationship? A setting? A theme?

Everina Maxwell: It all grew out of the first scenes: a good-natured prince is told to marry the widower of his cousin. It’s a political emergency. But his cousin and this diplomat had the perfect marriage, while the prince himself is a talkative disaster; how can he ever match up to the previous marriage? Was it as perfect as it looked? So I guess that’s a character, a relationship and a setting! I like to start from something that has an inbuilt tension. It means I’m anticipating scenes before I even properly plot them out.

Winter’s Orbit is told through the dual perspectives of the two main characters. Did you find it easier to write from Jainan or Kiem’s point-of-view?

Jainan—the diplomat—makes more sense to me; he’s introverted, anxious, and his thought processes flow logically from his basic assumptions about the world. On the other hand Prince Kiem is an absolute delight to write. It’s just fun to be in the head of someone who’s happy by nature and genuinely delighted to talk to anyone who crosses his path.

Winter’s Orbit is such a comforting book, but it also deals with some heavy issues, including domestic abuse. How did you go about balancing the hurt and the comfort of this story?

When it comes to fiction, I think the dark and the light are two sides of the same coin. Healing is possible; danger and trouble can pass. Though Winter’s Orbit is a “light” book, it’s definitely true that it contains heavy topics. To me, it’s reassuring on a very deep level that it’s possible to find happiness and joy even if life hasn’t been easy.

I do believe in content warnings to let people know if it’s a story will deal with specific upsetting topics, and I encourage anyone who wants details to check out the content warnings page (https://everinamaxwell.com/content-warnings).

Do you think romance and science fiction make good bedfellows?

They always have! I grew up reading writers like Bujold, who built up a universe where love stories were essential to the action plots and vice versa. I strongly believe books in every genre benefit from two people having unreasonably strong feelings about each other, and romance is just one subset of that.

Winter��s Orbit began life as an original work on Archive of Our Own. When and why did you start considering publishing it commercially and what did that process look like?

It was very long and meandering, since when I was writing it I didn’t have a long-term plan. At first I was just trading Kiem and Jainan snippets with a friend; later I posted them for more people to read, then when I had a whole story to share I put it on AO3. I still don’t know if that was technically the right place to put it, but it was the only writing website I was familiar with, I knew my way around it, and I’d read origfic on there before. The first draft was online for a couple of years. People very kindly read it and told their friends. I still have no idea how Tamara (my now-agent) found it, but she contacted me out of the blue and rewrote it with me, and then Ali Fisher at Tor picked it up and really helped me with the final rewrite. I wrote it five years ago now—I don’t know if that seems too long or too short, but it certainly doesn’t seem accurate.

How different is The Course of Honour from Winter’s Orbit?

The Course of Honour was laser-focused on Kiem and Jainan’s relationship. And don’t get me wrong, Winter’s Orbit very much is too, but working with a professional editor encouraged me to consider the implications of worldbuilding and plot events, and to build them out into a bigger picture. I knew some of this stuff from the beginning—I remember answering a comment years ago with some of the galaxy link explanations—but it wasn’t until the third major draft that it became part of the plot.

How did the decision to change the title come about and how did you settle on Winter’s Orbit?

It turns out The Course of Honour is already the title of a book! I’m bad at titles and my editor was really helpful on this one. I liked how it made the winter imagery more central.

What role has fanfiction played in your life as a reader and a writer, if it has?

I’ve both read and written fanfiction but as a very small fish in a very large pond—if you’re reading this and wondering what my AO3 handle is, you’ve almost certainly never come across it! Casual writing and shared-world creation with friends have brought me huge amounts of joy over the years, whether connected to a canon or not.

Fanfiction is such a broad category, loosely defined as non-commercial works based on existing stories, but I am super interested in some of the common narrative and stylistic traits that much of fic shares. How would you define Winter’s Orbit’s narrative and prose style and interests, and how much of that, if any, comes from the world of transformative fandom?

Winter’s Orbit’s primary concern is its two main characters. Where there was a choice between a revealing conversation about the characters and an action scene, the character work often won out. I think one thing that fannish experience gave me was a strong appreciation for character arcs and permission to unabashedly put them at the centre of a story.

Read more

Books

How Do You Approach Worldbuilding?

By Kayti Burt

Culture

Ngozi Ukazu Interview: Check, Please and Beyond

By Kayti Burt

Do you think there are story things the world of fanfiction (generally) does better than the world of commercially published fiction (generally)?

This is a complicated question, since “fandom” includes so many people who are interested in so many different things! I will say that my experience has been based around stories with a laser focus on character development (including relationships) above everything else, and this focus produces some amazing works—though my narrow description there leaves out worldbuilding fans and so many others. Ultimately it’s a rich and creative community that has both its own tropes and room to experiment.

Do you have any plans to continue writing in this world and with these characters? (I would read so many more!) Either way, can you tell us what you are working on next?

I’m not totally ruling out revisiting these characters, though they’ve earned a bit of a rest for now! I definitely plan to continue in the Resolution universe. I’m currently working on a book set on a planet outside the Iskat Empire, starring two even bigger disasters than Kiem and Jainan (and an expansion of Remnant powers). I’m very excited for that.

And, finally, what stories, of any kind, have been bringing you joy recently?

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There are so many good books coming up this year, which is lucky because generally it’s very hard to concentrate. On the queer SFF side, I’m very excited about The Unbroken by C. L. Clark, which is North African post-colonial fantasy, and She Who Became the Sun by Shelley Parker-Chan, which deals with the rise of a genderqueer emperor in fantasy China. I’ve read these two and they’re excellent. I’m waiting impatiently for Fireheart Tiger by Aliette de Bodard and The Jasmine Throne by Tasha Suri. Oh, and on the romance side, I really loved Division Bells, by Iona Datt Sharma, a beautiful queer workplace romance which is almost elegiac about public service. I’ll stop now—but it’s a good year for books!

Winter’s Orbit is available to buy and read on February 2nd. You can preorder here. Find out more about Everina Maxwell on Twitter or at her official website.

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