#like I could be good at just dance

[dawnofiight]

Thank you Asher for this,,

I now need to thank carefully on a scale of Sam to David ,, how good am I at Just Dance.

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[melit0n]

Some cryptid photos of Vessel (+ ii) that I've collected over the past week. The fact that almost all of them look like they came out of trail cam footage is absolutely sending me

[miwtual]

im so fucking tired of the disrespect gifmakers get on the gifmaker website

[vcrnons]

user vcrnons' last straw.zip

[front-facing-pokemon]

[maxedry-art]

It's a dream, right?

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[lukazade]

I just wanted to draw Damian in something unusual for him so uhhhhh him Steph and Cass are undercover at a dance studio (definitely a front) and Jon is here to witness Damian's street dance fashion to tease him for it, only to think oh no, when he wears things I'm not used to seeing, he's hot! Or something. I don't know, I think I'm reaching here..

[blasphemousclaw]

ok I can finally post this

[spacedlexi]

maybe if i just put these screenshots together youll understand why i think their relationship just Works so well as it pertains to the characters and themes of S4 in general

neither of them know what theyre doing, but theyre figuring it out Together. the old ways are dead. and together theyll build a new future thats worth fighting for

[mmelolabelle]

I sometimes like to fantasize about how much Corlys Velaryon would have fucked shit up if Alicent had actually managed to injure Luke in 1x07.

That man had a fleet, access to two full grown dragons with battle experience, money to burn and a pre-existing grudge against Viserys and the Hightowers. He wanted that smoke since the Great Council. And he clearly loved Luke.

It would have gotten very messy, very quickly.

[chemical-processes]

I think the description of Benson and Randy's relationship as "parasocial" is quite apt. Benson says "I've been watching you, and I know for a fact..." He posits that Randy is not like anyone else in their small shitty town, that there's something uniquely 'fixable' about him. It's something that Benson stakes most of his motivation on throughout the movie 'it was the only thing I believed' and in some ways this is reflected in Randy as truth, but sometimes the character traits Benson projects onto Randy just fall short of reality. Randy says that his mom held him back a grade and Benson paints the picture of a domineering authority figure that Randy must rebel against, And clearly believes this is the case based on the tenacity with which he listens to--and disapproves of-- Randy's conversation with his mother on the phone. However listening to the conversation is just dull. His mom does come across as over bearing, pointing out the number of rings it took him to pick up, but she's otherwise normal compared to the image Benson seems to have of her. Same with Lisa. Benson strolled into the mall with Randy as though a great revelation was to be made, like Lisa was this monumental event in Randy's life, but Randy and Lisa's relationship was underwhelming. They were briefly dating in highschool and they broke it off rather amicably because Randy was not an emotionally fulfilling partner to Lisa. Randy claims not to know why Lisa broke up with him, and to Benson this is an injustice, but in reality it's just Randy being a little obtuse and naive about Lisa's emotional needs. Lisa could've been more transparent about why the relationship ended but they were kids, and she took the path of little resistance, likely in an attempt to spare Randy's feelings. There's nothing unique or life-altering about Lisa and Randy. Benson seems to project this false narrative onto Randy--and the rest of the world, tbh-- that is further highlighted by Marsha's character, who is another NPC that Benson decides to codify within his world view. Marsha once again deviates from the role Benson believes she fits in, standing up to him and rebelling against the notion that all other people in this town are aimless and complacent. Part of me wondered, after they went to Beard's house, why Randy's 'transformation' felt flat for me, and part of it is because the journey Randy takes is somewhat belied by the fact that Benson did not do any of that for Randy. Not any real version of Randy, anyway. Benson did it for a made up version of Randy in his head and he went along with it because there was a gun at his back.

[fatuismooches]

hi again. i ask this every time, but how’s your day been? i hope it’s been well. don’t forget to stay hydrated and take a break whenever you need too.

i have a scenario for pantalone this time

i saw in a previous ask that pantalone and darling would dance at formal events, so it had me thinking

i have severe social anxiety, so i wouldn’t be able to do it with the eyes of a lot of people on me but pantalone, being a very good husband, knows this and knows just the right methods to make sure i feel safe and comfy

he just makes me so giddy and i love him so much. (he gives me the princess treatment)

— (🍊) anon

(x) Pantalone would never force you to do something you're uncomfortable with. You don't even need to go to the events if you don't want to. His only wish is that he could stay home with you too - in all honesty, he dreads such societal gatherings but after dealing with them for so long, he's forced himself to like it. You often get to hold him after such events as he finally gets to put his smile away.

On the days when you do attend with Pantalone, he'll do his best to make sure you're okay. Arm linked around yours as you two traverse the room, most people who try to talk more than casual formalities with him get politely and skillfully dismissed. Any conversations that get too overwhelming for you are quickly wrapped up by him. When it's time for the dancing, he will have pulled you away to another empty room where the music can still faintly be heard, so just the two of you can dance, away from prying eyes. Quite a few notice his disappearance but it doesn't matter much to him. He prefers it this way - as much as he likes to show you off, he'd much rather be the only witness to your beauty during moments like these.

Of course, if anyone tries to start something, he is more than ready to give them a few eloquently disrespectful words so they don't open their mouth again. He's spent so long having to bite his tongue in order to survive, but with his current power, he no longer needs to hold back, especially when it comes to his beloved.

[moviegremlin]

I think 9-1-1 should take more advantage that Ryan Guzman has danced before with the Step Up movies. I need an emergency where these skills can come to play. Like responding to a basic emergency on the street that breaks up some street dancing happening and for some reason Eddie has to step in to fight for the 118’s honor.

The crew? Concerned. They want to know why Eddie is delusional (again).

But then he kills it (obviously) and the rest of the crew is just like what??

Imagine the jokes from Chim? The glances from Hen. Bobby, he would love that he isn’t the only one that had like a random sport as a kid. And Buck? Buck can’t speak and is red in the face.

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.