hi again. i ask this every time, but how’s your day been? i hope it’s been well. don’t forget to stay hydrated and take a break whenever you need too.
i have a scenario for pantalone this time
i saw in a previous ask that pantalone and darling would dance at formal events, so it had me thinking
i have severe social anxiety, so i wouldn’t be able to do it with the eyes of a lot of people on me but pantalone, being a very good husband, knows this and knows just the right methods to make sure i feel safe and comfy
he just makes me so giddy and i love him so much. (he gives me the princess treatment)
— (🍊) anon
(x) Pantalone would never force you to do something you're uncomfortable with. You don't even need to go to the events if you don't want to. His only wish is that he could stay home with you too - in all honesty, he dreads such societal gatherings but after dealing with them for so long, he's forced himself to like it. You often get to hold him after such events as he finally gets to put his smile away.
On the days when you do attend with Pantalone, he'll do his best to make sure you're okay. Arm linked around yours as you two traverse the room, most people who try to talk more than casual formalities with him get politely and skillfully dismissed. Any conversations that get too overwhelming for you are quickly wrapped up by him. When it's time for the dancing, he will have pulled you away to another empty room where the music can still faintly be heard, so just the two of you can dance, away from prying eyes. Quite a few notice his disappearance but it doesn't matter much to him. He prefers it this way - as much as he likes to show you off, he'd much rather be the only witness to your beauty during moments like these.
Of course, if anyone tries to start something, he is more than ready to give them a few eloquently disrespectful words so they don't open their mouth again. He's spent so long having to bite his tongue in order to survive, but with his current power, he no longer needs to hold back, especially when it comes to his beloved.
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Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.
Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.
But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.
Like, if we're supposed to take this as a full story, there are so many bizarre choices:
Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?
Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.
Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.
(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)
Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?
But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:
Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:
The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.
Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.
(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)
(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)
Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.
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slasher iii & slasher iv
oh geez oh boy oh god here it is. i had to strangle this thing out of my brain and she came out kicking and screaming. unedited, just some fun slasher iii & slasher iv content on this saturday evening. this is... something
there's a good bit of triggers in here, please proceed with caution.
1.15k words
The two of them are just hardcore horror fans, right? They've seen all the classics a million times but as they're getting older it's just not enough. III is the first one to suggest it as he turns off the television after watching the newest horror box office flop. At first, IV thought it was a joke. An outlandish suggestion to throw him off his game. That was the kind of jokester that III was. But there was no humor in his voice when he said in a sinisterly quiet voice.
"We could just do that shit ourselves."
The thought caused excitement to pulse through IV's veins as III laid out the details of his fantasy. It was almost too perfect, he thought. Their calculus professor was a piece of shit who was always too hard on the class, so he made an obvious target. He had no family, which further eased IV's conscience. They'd be doing the world a favor.
It was an experience unlike anything he'd ever experienced before, the thrill of watching the light wink out of his horrified eyes as he clawed at the masks covering their faces, watching the fight leave his body as he fell limp to the floor. He found he didn't quite mind the feeling of his blood soaked jeans clinging to his legs.
III had done most of the dirty work, but who was IV to deprive him of the joy he received from plunging the knife into his victim's stomach? They tidied. up after themselves enough to erase their presence, and waited for someone to find him.
The discovery of the beloved professor’s body the next day came as a shock to the whole community, leaving the town a worried mess. Things only got worse as III and IV selected their next target. She was a young woman, engaged to be married, known for babysitting just about every kid in town– the two of them included. IV’s stomach soured at the thought, but the grin on III’s face stirred his excitement enough to quell his conscience.
“Don’t worry mate, she’ll be perfect.” He clapped his friend on the shoulder and pulled him into his pickup truck, the bed loaded with enough hunting knives to butcher a stampede.
And perfect she was. They managed to slip into the garage undetected, slinking through the darkened hallways towards the illumination and chatter of the television in the living room. She had nodded off on the couch, her head tilted back and nestled into the corner, surrounded by blankets and pillows. III gave him a silent nod and IV walked around behind her, wrapping an arm around her neck and clamping his hand over her mouth. Her eyes shot open in fear, panic overtaking her body as her eyes raked down every intimidating inch of III as he knelt in front of her, sliding a knife out of his boot.
IV could feel her gnashing at the flesh of his palm, and simply pressed the crook of his elbow further into her jugular. He could feel her resolve dwindling as she thrashed against his hold, trying to shove III’s towering figure away from her. But III only laughed and swatted away her comparatively small hands as he began tracing the tip of his blade up her pajama clad leg, the twinkle in his eye indicated to IV that he was thoroughly enjoying the muffled whimpers coming from behind IV’s hand, relishing in the way that her body lurched away from him.
When IV felt his hand dampening from her tears, he audibly groaned, looking down to see her beautiful eyes squeezed shut, tears running down her cheeks. If his mask wasn’t covering his mouth he would have leaned down and licked those tears off of her perfect skin himself. But instead, he managed to catch III’s attention, nodding down to her streaming tears and III laughed evilly.
He leaned over her, wiping her tears away with his thumbs, gently caressing her cheeks as he did so, despite IV’s hands covering most of her face.
“Hey, no use for that,” III cooed. “No point of doing that at all, love.”
Her eyes opened, a bone-chilling fear shooting through her body as she saw the murderous glint in III’s eyes. The tears flowed faster, and as she tried again to break free III restrained her arms with ease, resting his body weight on top of her as he brought his knife up to her line of sight again.
“We’re going to have a lovely time, the three of us.”
She screamed from behind IV’s hand, making one last attempt to bite at him and managed to find purchase on the meat of his palm, causing him to yelp. She sank her teeth in until she could taste his blood on her tongue, but she found his grip only tightened. When she dared a glance above her, she could see his eyes shut, breathing labored, but when he looked down at her, she realized what a mistake she had made.
A mixture of her tears and IV’s blood dripped from her chin, and the sight sent a shockwave of excitement through III’s body. He was ecstatic to have a partner in all this, to get to experience his wildest fantasies with his best friend. To share this new side of him with his best friend.
“Now for the fun part.” He whispered, more to IV than to her, but the words caused her heart to sink, she felt the resolve fly from her body– there was no salvation for her. The coppery tang of his blood on her tongue that had once tasted like victory now tasted of defeat. Not only would she die at their hands, she would die with their repulsive presence invading her every sense.
III felt the familiar rush of euphoria as the blade pierced through her belly, her muffled scream like a favorite song heard on the radio. He didn’t miss the way IV’s hip pressed slightly into the couch, spreading a wide grin across his lips.
This would be the fun part, indeed.
Hours later, III laid down in his bed, resting an arm behind his head as he replayed the events of the day, that same grin still plastered on his face. He felt his eyes drifting closed, sleep ready to take his body when he heard the sound of his phone vibrating on his nightstand. His heart leaped at the sight of your name, and your sweet message.
i guess you turned in early tonight. sweet dreams, i love you <3
As he laid back down, his eyes falling shut one more time, his mind conjured up the most beautiful plan for you.
A special surprise.
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