#like “uhhh so actually no.”

[secretlyofthefeywild]

help my father is trying to argue with me abt religion (i am a religious studies major)

[rystiel]

i’m sensing a trend

[rocals]

CDs are obsolete because the sound quality sucks

yeah sucks me good and hard through my jorts

[reunitedinterlude]

phil finally getting his midriff out <3

[heartorbit]

the star you've longed for

[meamiki]

mira !!! :]

[crystallizsch]

AGH happy (definitely-not-late) bday to mr jamil viper 💖🐍 and thank u harveston jamil for coming home as well as two of his bday cards 💖💥

[tsubomiiiii]

Some dadow au doodles while I cook up some stuff for the Moonlight au gahhh

[gossippool]

it's after their first mission together that wade and logan share their first kiss.

the fight leading up to the time ripper took place right outside their apartment with barely any witnesses around, so the journey back home was short and quiet with no prying eyes. after that, it took a while for logan to get out of the house on the regular, but when he eventually did, it was just to walk or carry out errands, and in civilian clothes, he blended in with everyone else. it's different when they get called on a mission for the first time.

it's not a hard mission by any means, but it's brutal. he and wade subdue a dozen men on the streets, chase a final one down to the underground, and turn him over to the police. by the end of it all, the sun is going down, and people are travelling home from work. logan's suit is torn, and his bare arms are caked with dirt and dried blood.

a cab would be the typical mode of transport for them after a mission, but they're already at the station, anyway, so they decide to take the train. a busker sings at the platform with a guitar, a lulling, bittersweet thing, like the soundtrack to a life not deserving of such a melody. in the exhaustion and setting sun, it makes logan long for something he can't name. but they'll be home soon.

they board the train. he leans against one of the poles, feels the cool of the metal seep through his suit and into his spine. the music fades out, and what fades in in its place is the conversation and laughter of the others in the train car. a group of teenagers out having fun, businessmen in suits off work, older people with their grandkids or their shopping bags. wade's warmth opposite him, mask moving as he chatters.

he tries to listen, he really does, but as the train speeds through the tunnel, he feels stares turn slowly towards him from all sides. he smells their slight fear, their judgement, over the odour of him and wade. he realises all at once what he must look like, dirty and covered in blood that can't be his for his lack of open wounds. his exposed knuckles a darker red than the rest of his hands. he covers one hand with the other, unclenches his fists.

he's not one to care about what others think. not before, at least. he's used to glares of resentment and pity for what he did, eyes following him everywhere he went like the phantoms of those he killed. but these people don't know what he's done, and they stare at him all the same. it's almost worse.

for a brief moment, just a moment, he feels a stab of hopelessness. coming to this world felt like a second chance, a chance to start over without the world having to bear the knowledge of his inadequacies. but what if that isn't possible? what if this is all this world ever sees of him? the aftermath, the bloodstained hands, the aged lines of his face that tell them what they want to know. he's no one here, except when people remember him like this.

"peanut?"

wade's voice snaps him out of it, and when he looks up, wade has pulled his mask off. he's about to apologise for not listening when wade smiles slightly at him. it's enough to take the words out of his mouth. wade doesn't ask if logan's okay, but his eyes flicker almost imperceptibly over the other occupants of the train car. then he places a delicate hand on logan's waist and steps closer to him, until he can feel his breath ghosting his lips.

logan just looks up at him, breath caught in his throat. what? he thinks of asking. he doesn't.

wade's other hand trails up to cup his cheek. "let them stare," he says. "they don't know anything."

then he leans down and presses his lips to logan's. the train emerges out of the tunnel and bathes the car in golden light, and all the rest of it fades away.

wade steps back eventually, and logan wants to chase his lips, but instead watches as the shadows of his scars dance across his face with the path of the dying sun. he's so beautiful, logan thinks. he's home.

wade is right; let them stare. all he wants is to find his way home, just like everyone else. that's all anyone wants. and they're all on the same train home.

[scourge-sympathiser]

SCOURGE SUNDAY 015/???

a mask of my own face. id wear tht

[bacchuschucklefuck]

species medley ft. gorgug and riz

[mintypsii]

guys i love them i promise i just have the urge to put them through the grinder sometimes

umm on the bright side here's the alternate good ending version lol!!!!!

[thekingofspin]

[seiwas]

for writing game, iwaizumi + assistance <3

hope this sparks some inspo and thank you in advancee

hi there!! thanks for sending in a prompt 🫶

contains: friends to lovers (ish), halloween parties, reader is dressed as catwoman, expletives, iwaizumi is thiiiiis 🤏 close to murdering seijoh4 (jk)

iwaizumi + assistance

this is a set-up.

iwaizumi knows he shouldn't have fucking believed anything the boys "promised" him back when they assigned him this costume.

the suit is fucking tight, spandex digging into his groins and all other crevices that definitely should be aired out after after a few hours. he's had to constantly readjust his stance almost every few minutes, the black fabric compressing his thighs and torso, significantly constricting the range of motion his shoulders and arms are typically used to. if anything else, it could double up as a back brace from how rigidly straight it's kept his posture all night.

he'll give it to makki though; he did outdo himself sourcing this year's costumes―this batman set looks pretty damn legit.

except for one tiny problem.

there's no fucking pee hole. it's a zip-up, zip-down one-piece situation. and that normally wouldn't be a problem, except that oikawa "accidentally" knocked over a cocktail straight into his pants, the sickeningly sweet liquid now seeping straight into the fabric and past his boxers―cold and sticky as it touches his skin.

and so, the problem: his pants are wet, it makes him want to fucking pee, and coincidentally, the only vacant bathroom is across the hall, at your apartment.

this is why he believes this is a set up. that, and the fact that you're dressed in an outfit strikingly similar―just with cat ears.

he's been asked five times in this party if you're in matching couple outfits.

it catches him off guard, flusters him because of how badly he wants to say yes. but, you're just friends, and he doesn't even think you like him that way (despite mattsun and oikawa practically begging him to confess. makki tells him he thinks you're going to do it first).

so he politely smiles and says no, but you look good, your costume clinging to you in all the right places. thank fucking god he has a cape because he's pretty sure he spent the first 30 minutes in the party hiding his boner.

"hajime, it's fine, i swear," you stand beside him in front of the conveniently locked bathroom in oikawa's apartment. from the other side of the door, he's pretty sure he hears mattsun and his girlfriend mumbling. maybe fucking? who knows. "you can just use the bathroom in my apartment."

he glances at you before closing his eyes, contemplating, before finally agreeing to you.

"okay."

if he's being honest with himself, friends is definitely an incomplete label to what you are. as oikawa's neighbor, you are conveniently around all the time; and oikawa being oikawa, the ever-social butterfly, he's somehow managed to carve a space for you in the friend group.

(never mind the fact that oikawa's sniffed him out from the moment he first introduced you.)

you were a crush, then a friend, and now you're someone he picks up from work and drives back home three times a week, because he "has to train oikawa." you don't question it, even when you both know he stays over for dinner way past the gym's open hours.

"you know where it is," you open your apartment and urge him in.

"sorry again," he turns to face you.

"yeah, yeah, just pee!" you laugh, shoving him towards the bathroom door.

getting out of the suit is manageable, and he's able to wipe off a bit of the cocktail that's leaked to the suit and his boxers just to make sure it isn't gross and sticky when he gets home later. peeing is a big relief once he gets it over with, but it's when he has to suit up again that things become difficult.

stretching out the spandex one body part at a time is a workout in itself―the hardest task being when he has to pull it over his shoulders, adjusting it to fit properly over his arms and chest.

but then the zipper breaks.

and he truly thinks makki has fucked him over.

iwaizumi contemplates what to do next for a good, good while. he tries calling oikawa, only to no success every time; no way in hell is he calling mattsun in the middle of having sex. and calling makki isn't even an option; he'd never hear the end of it.

then you knock on the door, your voice soft and concerned as you ask, "hajime? you good in there?" you hit it spot on, too, "do you need help with your suit?"

iwaizumi presses his palms to his eyes. he's a rational man, straightforward and logical in thinking. there is literally no other option for him right now but to ask help from you. again.

fuck.

.

it's 30 minutes later when oikawa barges in your door, and the sight that greets him is iwaizumi in nothing but a hoodie (the hoodie you borrowed some time ago) and his boxers, with his hands on your waist as you hover your hairdryer over the crotch of his batman costume―cat headpiece off and all.

"you finally got together?!"

[aroaessidhe]

2024 reads / storygraph

This Fatal Kiss

spooky whimsical YA fantasy romance

a water nymph bound to the river where she drowned desperately wants to become human again, by gaining a freely-given kiss from a mortal

a brooding boy from the local town who exorcises meddlesome spirits is constantly trying to get rid of her - but after he messes up an exorcism she blackmails him into playing matchmaker for her

….but he also has a crush on the boy she chooses (who has secrets of his own)

bisexual MCs, developing polyamorous relationship

[rawliverandgoronspice]

I think what particularly annoys me with the "zelda was always gameplay before story" is that... it's not true? At least I don't think it's true in the way people mean it.

Zelda games were always kind of integrating story based on the standards of the time. When game stories were in game pamphlets, Zelda's stories was in the pamphlets. ALTTP tried to tell a pretty complicated stories with the limitations of the time. OoT was actively trying to tell an epic, cinematic tale packed with ambiance and expand what 3D could offer that 2D games struggled with. Majora's Mask is deeply character-driven in many, many ways. Wind Waker and Twilight Princess are both pretty concerned about their stories, down to the point that some people were bored by TP's cutscenes in particular. Skyward Sword, from what little I have played it, is very very invested in its characters and their journey (and 2D Zeldas have Link's Awakening, Minish Cap... None of them are visual novels, but they are concerned with emotional journeys, character arcs, mysteries about their own world...)

What is true is that the narrative wraps around the mechanics, and not the other way around. The mechanics drive themes, aesthetics, emotional beats and character journeys; and that's great. The world is a puzzle, and the world is delightfully absurd when it needs to be, full of heart when it calls for it, dark and oppressive when it suits the player experience.

That does not mean the games aren't invested in their stories. Even BotW has a pretty complicated story to tell about an entire world rather than one specific tale or legend --all of it at the service of the gameplay, which is exploration and mastery of your environment.

So. Yes, none of the Zelda games are million-words long visual novels that care deeply about consistency and nuance; but stories don't need consistency or deep lore to be meaningful and serve an emotional journey. Again: gameplay is story. The two cannot be so easily parsed from each other.

And Zelda as a franchise obviously care deeply about story, characters and setting (and still does right now --otherwise there wouldn't be a movie), even if it doesn't try to imitate prestige narrative-driven games, which is great and part of why I love this series so much. Doesn't mean it couldn't have done better in the past, it obviously could have, but I feel like pretending that nobody ever cared about story or character is just... false? It's a huge disservice to the devs too. Some of them obviously cared immensely.

The "gameplay above story", at least in the extent to which it is paraded today to defend TotK, mostly, is a really recent development. And I think it's one that deserves to receive some pushback.