#life is good when you can use your favorite characters to explore textures

[gardenveela]

training match

[raven-at-the-writing-desk]

Now that all the main cast's unique magic has been shown, can you make a ranking on your favorite unique magic from most to least favorite? Would be favorite unique magic from each dorm but felt some feels unfair especially Ignihyde when Ortho is confirm unable to have his own. You can include the other characters like Chenya, Rollo, Skully, and Fellow.

Originally I was gonna ask about your top favorite dreams, overblot boys' dream outfit, and chapter 7 SSRs (excluding the main Diasomonia uniforms), but there is chance there will be more dreams in upcoming chapter since some people theorize that we might see both Silver's and Malleus's now that Ace's UM is shown. Even a possibility of Silver having an SSR card. So I will be holding this question once chapter 7 is over.

[For a complete compilation of known unique magic (including name, incantation, first use, effects, and limitations), check out this post!]

To briefly explain what is mentioned in the second ask and the second paragraph of first ask, some fans theorize that with Ace’s new UM (which seemingly allows him to borrow, copy, or swap UM with a target?), he could use Malleus’s magic against him or on other characters too. This could potentially allow us to see his dream and/or Silver’s. As far as I could tell it though, there doesn’t seem to be a purpose for doing this provided by theorists yet.

Aaand with that aside, here’s my personal ranking of the UMs, with explanations for each below. It’s not numerical, but rather tiers. This is primarily based on how practical or fun I think the UMs would be to my daily life, NOT based on power level or some other metric.

“Useful overall”

Snake Whisper/Snake Charmer — At the risk of sounding slightly unhinged, this would make life in general easier. Shockingly few drawbacks or limitations too. (Big surprise, the person who says they are similar to Jamil puts Jamil’s UM as at the top…)

I See You/Arrow Afar — As someone that easily gets lost while traveling and easily loses things, this UM sounds like a godsend. Just tag whatever you want to locate and you’re good to go!

Far Cry Cradle — The idea of experiencing stories by touching a random object is so fascinating. Endless entertainment but could also help with answering questions. Bonus: reminds me of the Dimensional Scream from the Pokémon Mystery Dungeon Explorers games.

“Fun to experiment with”

Doodle Suit/Paint the Roses — The simple act of being able to change the smell, taste, or texture of something would make dietary restrictions so much easier to deal with. Other applications would be nice for comfort too, like adjusting the perception of brightness or loudness just for yourself in a group setting like a movie or concert. (There’s some ominous fan works and theories about Trey being able to use his UM to overwrite others’ emotions or thoughts too, but I’m only sticking to what he is shown to be capable of in canon.)

Split Card — I’d wanna see how many clones can be made at once and what each is physically and mentally capable of. (We already know the magical power of the original and the clones goes down, so what about other parameters?) Useful for multitasking.

Joker Snatch — It's basically the same has having multiple UMs. Would fuck around and find out what this sucker is capable of. :9

Fairest One of All — Such a flexible and customizable UM, honestly. You can basically set whatever conditions you like, just be careful about the wording because the curses get pretty locked in.

Meet in a Dream — The idea of hopping around dreams and seeing what weird shit goes on in people's heads sounds so fun! Then you can embarrass them about it in the waking world :>

Not All My Head —Ultimate stealth... You can bypass into some of the most secure places in the world just for the lols 🤣 or, y'know... sneak into the kitchen to steal some snacks or something.

“Messing with the forces of nature because fuck you, that’s why”

King’s Roar — Could be used for a fight, but also to clear an area. What's that? Destruction of nature/property? Potential for murder? IT'S OKAY, JUST BREATHE IN THE SAND PARTICLES FLUTTERING IN THE BREEZE AND DON'T CHOKE :))

Oasis Maker — Need clean water to drink? BOOM. Want to water your garden? BOOM. Making a random swimming pool? BOOM. Maximum output for minimum effort.

Fae (of) Maleficence — You become a literal god of time and space. Scary amount of potential for control.

“The trail mix where I pick out the bits I like and leave the gross stuff in there”

Laugh with Me — Not really useful unless for small pranks or you + the target are in a convenient location already (since you'd have to take steps forward to get the target to do the same).

Sleep Kiss/Crimson Slumber — Can be protective (but can't seem to be cast on the self, only on others). Also useful to put people to sleep. Would like to use to send my pet or loud neighbors to sleep early instead of staying up late and bothering me :v

Living Bolt — Very good for an extra boost of speed and/or power if in a rush or in a desperate situation. Unfortunately comes with electrical side effects so that's... not optimal.

Scary Night — Basically Off with your Head but also limits your movement, so I consider it an upgrade with applications besides just combat. Wonder what happens if you cook with those pumpkin’d people or smash the pumpkin on the ground… Is that instadeath? Gruesome to think about, but unsure of since we see so little of the UM in action.

“Requires rizz”

It’s a Deal and Life is Fun — Same reasoning for both; takes a certain amount of charisma to pull these UMs off and if you lack that then this magic sucks. Would be useful if you did have these characters’ sway though.

“Fistfighting central”

Off with your Head — Could shut down a hostile party’s magic, but if you’re not as trigger happy as Riddle is then how often would you realistically use this? And if the target has no magic then this basically does nothing.

Bet the Limit/Double Down — Assuming you’re not already dead from the blows you’ve already eaten and/or you can aim properly and get that shot in before you wipe??? Okay, sure 😂

Bind the Heart — Only deflects magical blows. Physical hits will still pass. Would get my ass beat anyway.

Dark Fire — Primarily useful only for combat, which most people don’t get up to on a regular basis. Must be a true hater or be surrounded by true haters to get the most power out of this. What happens if everyone holds hands and sings a song at you? Do you just pathetically whimper and die out in a pile of ashes/j

“Not a furry, don’t @ me”

Unleash (the) Beast — The idea of a big furry... creature... charging at me makes me want to run and hide 🤢 Could have its use for strength and speed, but… I still don’t want a massive dog around.

“This could have been an email”

Shock the Heart — Nothing a reasonable amount of blackmail research cannot do. Has so many limitations (eye contact, only one use per person, target may resist/refuse anyway, etc.) you may as well need a PhD in order to manufacture plans to effectively use this UM.

“So niche it has like no practical application”

Gate to (the) Underworld — Y-You just… open and close a door to a pit of Phantoms. Discounting opening the pit to retrieve Phantoms to test or experiment on, why would you not just keep this closed all the time and just never use this UM 💀

[ofsilentthings]

Writer Interview Game!

Thanks @kalmiaphlox for tagging me!

When did you start writing?

I've written since I was a kid. Got heavily into fanfiction as a teenager ... and then promptly stopped when I entered college*. Didn't start up again until about 2020; there were stories I wanted to tell of my D&D characters that didn't come up during gameplay. (Having a pandemic to keep one at home helped as well). Picked up fanfic again in 2021 when, after beating Bloodborne, I found a little site called Archive of One's Own...

* I did co-write a play that was produced at my college; it was about Lewis Carroll's relationship with Alice Liddell, the girl for whom he wrote ALICE IN WONDERLAND I ended up playing Lewis Caroll in the production, which was a treat. Probably fed a secretly-held love of men's 19th century fashion.

Are there different themes or genres you enjoy reading than what you write?

I love shows like Babylon 5 or Deep Space 9, as well as a good documentary. I also like reading play scripts.

Is there a writer you want to emulate or get compared to often?

Someone once compared my writing to F. Scott Fitzgerald and I about exploded with joy. Other than that I love a good (translation) of Gabriel Garcia Marquez or the aforementioned Fitzgerald. Edgar Allen Poe in terms of sheer variety of word use, as well as horror inducing terror.

Can you tell me a bit about your writing space?

I have an office with my various fandom paraphernalia around me; but I do a lot of writing on the couch so I can be in the same room as my family. If I get to be alone I love writing outside, or barring that, my local library.

What's your most effective way to muster up a muse?

Listening to music. Even if the lyrics aren't exactly what I need, the tone or mood of a piece can be enough for me to start imagining.

Then again, some of my favorite fics have started from dreams I've had.

Are there any recurring themes in your writing? Do they surprise you?

I write a lot about parenting, because I am a mom; perhaps it's a way to explore the ways parenting can go wrong (and how it can go right). I also seem to write, at least recently, about marriage. I have a lovely happy marriage, but I'm not sure people would know that by the demented marriages I often write about.

What is your reason for writing?

I have fun making up stories, but I find myself needing an outlet to explore some idea of humanity - often an aspect of some part of my life or past that I want to understand better. My stories are me showing my work about various themes in my own life. I don't want to provide solutions or definite answers, but rather, present a situation or feeling and go, 'what do you think?'

Is there any specific comment or type of comment you find particularly motivating?

If I touched a single person with my prose or character situation or if I even made something beautiful from something horrific, then I consider it a win.

How do you want to be thought about by your readers?

An engaging writer that makes a reader think about their smut.

What do you feel is your greatest strength as a writer?

World building and, occasionally, dialogue.

How do you feel about your own writing?

I think I have a strong command of a scene - dialogue and scenes between two people are a strength of mine. I have a strong understanding of character motivations and how to present multi-layered characters to an audience, hopefully without judging them too much.

I'm proud of how far I've come in terms of descriptive text; sentence variety, invoking memories and all the senses is something I am experimenting with. (Not every sentence needs to be complex.)

That being said, I wish I knew more words. I'll read something and be reminded of words that I had forgotten, or, even better, learn new words. I want to fill my writing with texture, so that when you read it it tickles all parts of one 's imagination. (I like words.)

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

I have struggled a lot with writing what I like, because I know what I like is a specific niche; I try to find a way to write things people will like or comment on but also speaks to bigger themes. I can't write just smut, for instance - there has to be some sort of pathos or character change. In the end I do like most everything I write, because otherwise I wouldn't bear to see it on the screen/print.

tagging @wikipedianna, @karnaca78 , @slothquisitor, for writer fun.

[angofwords]

rules: list 9 favorite books of 2023 or 9 books on your TBR list for 2024

My nine favorite (first time reads) in no particular order:

She Gets the Girl by Rachael Lippincott and Alyson Derrick: Classic rom-com shenanigans with a pair of delightful characters.

Good Different by Meg Eden Kuyatt: A middle school girl who feels like she doesn't fit in with her friends discovers that she's autistic. This one is written in verse and beautifully expresses a neurodivergent perspective.

Spear by Nicola Griffith: A gorgeous re-imagining of the story of the Lady of the Lake, rich with historical texture.

The Witch's Heart by Genevieve Gornichec: Norse mythology brought stunningly to life in the story of Angrboda, a beautiful witch and the wife of Loki.

The Darkness Outside Us by Eliot Schrefer: Two young men from warring countries set out on a rescue mission to Jupiter's moon Titan, but they must work together when evidence suggests that their mission may be going horribly wrong.

In Memoriam by Alice Winn: A love story set against the horrors of the Great War that explores how war damages and breaks people, but also how love can help them survive.

Odin's Child by Siri Petterson (translated by Siân Mackie and Russell Garrett): The first in a trilogy inspired by Scandinavian folklore about a girl who discovers that she doesn't belong in the world she inhabits.

The Road to Roswell by Connie Willis: A hilarious adventure begins when a reluctant bridesmaid for an alien-themed wedding meets a very real extraterrestrial.

Wrath Goddess Sing by Maya Deane: Building on the story of Achilles dressing as a maiden in Skyros, this book takes it a step further with a transgender Achilles being granted a woman's body by Athena before going to fight at Troy.

While many of these didn't come out in 2023, I read them all for the first time that year. Not all of these were perfect, but they all made me me feel something profound, and I recommend each one wholeheartedly! Thank you to @noburrowingtactics for tagging me!

[scrumptiouscreatorbarbarian]

Wood Wall Decor: Transform Your Space with Natural Elegance

When it comes to home décor, few elements bring as much warmth and character as wood wall decor. Whether you prefer rustic charm, modern minimalism, or a blend of styles, incorporating wooden accents into your walls can elevate any room. This guide explores creative ideas, benefits, and DIY tips to help you make the most of wood wall decor in your home.

Why Choose Wood Wall Decor?

Wood has been a timeless material in interior design, and for good reason. Here’s why wood wall decor remains a favorite among homeowners and designers alike:

Natural Warmth & Texture – Unlike synthetic materials, wood adds an organic, inviting feel to any space. Its grain patterns and textures create visual interest without overwhelming the room.

Versatility – From reclaimed barn wood to sleek, polished panels, wood can adapt to various styles—farmhouse, industrial, Scandinavian, or bohemian.

Durability – High-quality wooden pieces last for years, making them a sustainable choice for long-term décor.

Easy Customization – Wood can be stained, painted, or left natural to match your existing décor.

Creative Wood Wall Decor Ideas

If you're looking to refresh your walls, here are some inspiring ways to incorporate wood wall decor:

1. Reclaimed Wood Accent Walls

An accent wall made from reclaimed wood planks instantly adds rustic charm. This works well in living rooms, bedrooms, or even as a backdrop for a home office. The uneven textures and weathered look create a cozy, lived-in aesthetic.

2. Floating Wood Shelves

Functional yet stylish, floating wooden shelves provide storage while showcasing decorative items. Use natural-finish wood for a minimalist look or dark-stained shelves for a dramatic effect.

3. Wooden Art Panels

Geometric wood panels or carved wooden art pieces serve as striking focal points. These can be arranged in patterns or left asymmetrical for an artistic touch.

4. DIY Wooden Wall Hangings

For a personalized touch, craft your own wood wall decor using driftwood, sliced logs, or laser-cut wooden shapes. These make great statement pieces above a bed or sofa.

5. Wood & Metal Combinations

Mixing wood with metal accents (like iron or brass) creates an industrial-chic vibe. Consider a wooden frame with metal brackets or a hybrid wall sculpture.

6. Wooden Wall Clocks

A large wooden clock not only tells time but also acts as a decorative piece. Choose one with a live-edge design for a natural, earthy feel.

7. Vertical Garden with Wooden Backdrop

If you love greenery, mount a wooden panel as a base for a vertical garden. The contrast between wood and plants brings life to any blank wall.

Choosing the Right Wood for Your Decor

Not all wood is the same—selecting the right type ensures your wood wall decor aligns with your vision:

Reclaimed Wood – Eco-friendly and full of character, ideal for rustic or vintage styles.

Pine – Lightweight and affordable, great for painted or stained projects.

Walnut – Rich, dark tones perfect for a luxurious, modern look.

Oak – Durable with prominent grain, suitable for traditional or farmhouse décor.

Teak – Weather-resistant, making it a good choice for humid areas or outdoor-inspired designs.

DIY Tips for Crafting Wood Wall Decor

If you enjoy hands-on projects, creating your own wood wall decor can be rewarding. Here’s how to get started:

Plan Your Design – Sketch your idea and measure your wall space.

Select Quality Wood – Choose wood that matches your skill level (softer woods like pine are easier to work with).

Sand & Finish – Smooth the surface and apply a stain, paint, or sealant for protection.

Secure Properly – Use sturdy hooks, nails, or adhesive strips depending on the weight of the piece.

Experiment with Arrangement – Lay out your design on the floor before mounting to ensure balance.

Maintaining Your Wood Wall Decor

To keep your wooden pieces looking their best:

Dust regularly with a soft cloth.

Avoid excessive moisture to prevent warping.

Reapply sealant or polish as needed to maintain the finish.

Final Thoughts

Wood wall decor is a versatile and timeless way to enhance your home’s aesthetic. Whether you opt for a bold accent wall, handcrafted shelves, or artistic wooden panels, the natural beauty of wood brings warmth and sophistication to any space. With endless customization options, you can create a look that’s uniquely yours.

Ready to transform your walls? Start exploring wood wall decor ideas today and let nature’s elegance inspire your next design project!

[jeweledfrogcreations]

Behind the Brush: The Magic of Storytelling Through Art

Every Picture Tells a Story

Have you ever noticed how children’s eyes light up when they flip through a beautifully illustrated book? It’s not just the words that captivate them; it’s the world those words create—brought to life through art. As an illustrator, my goal is to take a story and make it visually unforgettable, creating images that resonate with readers of all ages.

This blog entry serves as an outline of what you can expect from the full content behind the paywall in the Studio blog. Here, we'll touch on some basic concepts and provide a framework for gathering more in-depth information. Dive in to get a taste of what awaits, and if you're eager for the complete exploration, consider subscribing for full access to all the juicy details!

Illustrations in children’s books do more than decorate the page—they tell a story of their own. They set the mood, convey emotion, and spark imagination, often saying things that words alone cannot. It’s this magic that drew me to this career, and it’s what I strive to create with every stroke of the brush (or tablet pen!).

The Power of Visual Storytelling

A child’s first encounter with a story is often through the pictures. Long before they learn to read, they “read” the images, absorbing the narrative through the expressions of the characters and the details of the setting. An illustrator’s job is to guide this journey, ensuring every page captures the spirit of the story.

For instance, think about a bedtime story with a gentle, comforting tone. The illustrations might feature soft, muted colors and rounded shapes to evoke calmness. In contrast, a tale of adventure calls for bold, dynamic compositions and vibrant hues to create excitement. These decisions go beyond art—they’re about understanding how children connect with stories on a deeper level.

From Sketch to Storybook

Every illustration begins with a blank page and a question: What does this story need? Here’s how I approach the creative process:

1. Understanding the Story: I immerse myself in the text, noting key emotions, themes, and moments that need to shine.

2. Sketching Ideas: Using those insights, I create rough sketches, experimenting with character designs, layouts, and compositions.

3. Adding the Magic: Once the sketches are finalized, I bring them to life with colors, textures, and details that enhance the story’s world.

One of the most rewarding moments in this process is when the author sees their story come alive visually—when their words and my art combine to create something greater than the sum of its parts.

Why Illustrations Matter

1Illustrations can transform a good story into a cherished memory. They’re the reason kids beg to read their favorite book again and again. They spark curiosity and foster creativity, helping children see the world not just as it is, but as it could be.

Let’s Create Something Beautiful Together

Whether you’re an author dreaming of your story in print or a parent seeking inspiration for your child, I’d love to help bring your vision to life. Stay tuned for the next post in this series, where I’ll share how I bring characters to life—from their very first sketch to their final form.

Share your thoughts! What’s your favorite illustrated children’s book and why? Let’s celebrate the art of storytelling together!

[factorytapestry1]

Transform Your Space with Anime Wall Tapestries: A Guide to Adding a Pop of Culture

Anime has captivated audiences around the world with its intricate storytelling, vibrant characters, and unique art styles. For fans of this genre, anime wall tapestries offer a fantastic way to bring their favorite series and characters into their living spaces. These tapestries not only serve as stunning decorative pieces but also help create a personal sanctuary for anime enthusiasts. In this article, we explore the appeal of Anime Wall Tapestry and offer tips on how to choose the perfect one for your space.

The Appeal of Anime Wall Tapestries

Anime wall tapestries have become a popular choice for decorating rooms due to their eye-catching designs and versatility. Unlike traditional posters or framed prints, tapestries offer a larger canvas to showcase intricate artwork, making them ideal for displaying the vibrant and detailed illustrations typical of anime. Their fabric material also adds a different texture to your walls, providing a cozy and inviting feel.

One of the greatest benefits of anime wall tapestries is their ability to transform a room quickly and affordably. Whether you're looking to redecorate a bedroom, dorm room, or living area, a tapestry can act as a focal point that ties the space together. With a wide range of designs available, from scenes of epic battles to serene landscapes and beloved characters, there's a tapestry to match every taste and preference.

Choosing the Right Anime Wall Tapestry

When selecting an anime wall tapestry, consider the following factors to ensure it complements your space:

Theme and Design: Anime covers a vast array of genres, from action-packed adventures to heartwarming romances and fantastical worlds. Choose a tapestry that reflects your favorite anime or the mood you want to create in your space. If you love the high-energy action of series like Naruto or Attack on Titan, opt for a tapestry featuring dynamic scenes. For a more calming atmosphere, a tapestry featuring characters from a slice-of-life anime or a scenic backdrop from a series like Spirited Away might be ideal.

Size and Placement: Tapestries come in various sizes, so it's important to measure your wall space before making a purchase. A large tapestry can dominate a wall and become the room’s centerpiece, while a smaller one can be used as an accent piece or layered with other decorations. Consider the dimensions of your wall and the overall layout of your room to determine the best size for your tapestry.

Material and Care: Most anime wall tapestries are made from polyester or a blend of polyester and other materials. These fabrics are lightweight, durable, and easy to clean. When purchasing, check the care instructions to ensure the tapestry fits your lifestyle. Many tapestries are machine washable, but it's always good to confirm before buying.

Color Scheme: The color palette of your tapestry should harmonize with the rest of your room's decor. Bold, vibrant colors can make a dramatic statement, while more muted tones can blend seamlessly with your existing color scheme. Consider how the tapestry’s colors will interact with your furniture, wall color, and other decorative elements.

Hanging and Displaying Your Tapestry

Once you've chosen the perfect Modern Wall Tapestry, you'll need to hang it properly to ensure it looks its best. You can use adhesive hooks, a tapestry rod, or even a decorative curtain rod to display your tapestry. Make sure it's hung straight and smooth to avoid wrinkles and creases. For a more dynamic display, consider layering the tapestry with other wall art or incorporating it into a gallery wall.

 

Anime wall tapestries offer a vibrant and versatile way to express your love for anime and personalize your living space. With a variety of designs, sizes, and materials available, you're sure to find the perfect tapestry to enhance your room. Whether you're a long-time fan or new to anime, a wall tapestry can be a beautiful and meaningful addition to your home decor. So, embrace your favorite characters and scenes, and let your walls tell a story with anime wall tapestries.

[dirtybarn]

Dirtybarn Interviews Kenichi Kuromaru: Distinctive Approach with Shape, Detail and Typography

As Dirtybarn, we constantly search for great works, artists, and techniques. We love hearing about their experiences, stories, backgrounds because it gets easier to understand there is no definitive, single way to be a successful designer. Every designer, every creative has a different journey until they reach a certain recognition. We want to champion this idea and support whoever we can, we'll be pursuing a short interview series. Hope you will find something interesting for you in them. Our first guest is Kenichi Kuromaru. We enjoyed our conversation with him and hoped you would feel the same way! What is your background and how do you describe your progress so far? Kenichi Kuromaru: I was born in Morioka City, Iwate Prefecture, Japan, in 1985. When I was a student, I was positively affected by Shigeo FUKUDA who was one of the leading Japanese graphic designers. He uses a trick of the eye in most of his works. They are seemed to be configured simply, however, I think that we can enjoy his expression deeply due to it. After graduating from junior college, where I learned about graphic design, I started to work as a graphic designer in 2006. Now, I’ve been a member of homesickdesign LCC since 2018. I’m good at making a design with typography expression. One of my favorite expressions is mixing the Japanese letters and the Roman alphabet. As you know, Japanese letters consist of three letters such as Chinese characters, Hiragana, and Katakana. In addition, we use the Roman alphabet in our daily life. So, you may think that the culture of Japanese letters is complex. Based on this premise, I have tried to make a new impression with these Japanese letters. Furthermore, I have skills in geometric expressions and I have tried to make the volumetric representation with a 3D rendering application. I wanted to find a method to coexist with new and analog textures in advanced 3D expression. How do you find your own way to express yourself? And why do you choose this typographic vision in your designs? Kenichi Kuromaru: I think that most of my expressions are based on some ideas accumulated over the ages which have disappeared in the process of making one certain design at that time. After a while, I felt those rejected ideas were so fresh and better than the last time I saw them. In other words, I’m influenced by my own ideas when I make designs. The reason why I chose typographic visions in my designs is because I always hope people who saw them will be excited and stimulated through my works. To give an example, I try to focus consciously on both of clarity and ambiguity when I make typography expressions. In other words, I ask myself, “Do you intend to let someone read these letters as letters or as one figure?” In this way, I distinguish them and use effective ones depending on the projects. What are your priorities while working? Kenichi Kuromaru: In terms of making designs, I put my emphasis on the first impression. I mean that I often put my priority on simple ideas before planning certain concept works such as some keywords and sentences to describe that project. What is your primary source of inspiration? Kenichi Kuromaru: My primary source of inspiration is my commuting time in the morning, maybe. I use my car as transportation, so I look forward to passing a mountain path every weekday morning :) In addition, I think it is also important to have time so I can feel free to think or not think about something. In my opinion, however, this time doesn’t affect my work directly. What are your plans for the future? What is the next achievement you set for yourself? Kenichi Kuromaru: First, I hope to improve my skills in making 3D expressions and motion graphics. Secondly, I’d like to explore the measure of AI-powered design. At all. Thanks.

Poster, Arts Live Iwate 2021 Read the full article

[theclassyhomes]

How to Style Your Sofa Table: Tips and Inspiration for a Stunning Display

Sofa tables are not just functional pieces of furniture; they also offer an opportunity to showcase your style and elevate the overall aesthetic of your living space. Whether you have a traditional or modern sofa, a well-styled sofa table can add a touch of elegance and charm. If you're wondering how to style your sofa table to create a stunning display, we've got you covered. In this article, we'll provide you with tips and inspiration to make your sofa table a focal point in your home.

Choose the Right Sofa Table: Before you dive into styling, it's essential to select the right sofa table that suits your space and complements your existing furniture. Consider the size, shape, and material of the table. A sleek and minimalistic design works well in contemporary settings, while a rustic or vintage-inspired table adds character to traditional or eclectic spaces. Visit websites like The Classy Home to explore a wide range of sofa tables and find the perfect one for your home.

Start with a Clean Slate: To begin styling your sofa table, clear off any clutter or unnecessary items. Start with a clean slate to provide a blank canvas for your creative arrangement. Remove any items that don't contribute to the overall aesthetic or purpose of the display.

Balance and Symmetry: One of the key principles of styling a sofa table is achieving balance and symmetry. Place taller items in the center and gradually decrease the height as you move towards the ends. This creates a visually pleasing display and draws the eye towards the focal point. Consider using a pair of matching table lamps or candle holders to create symmetry.

Mix Heights and Textures: While symmetry is important, you don't want your display to look too uniform or dull. Mix up the heights and textures of the objects you choose to display. Incorporate items of varying heights such as vases, sculptures, or decorative boxes. Use different materials like wood, metal, or ceramic to add visual interest and depth.

Play with Proportions: Pay attention to the proportion of your sofa table to the surrounding furniture. A small table might get overwhelmed by a large sofa, while a large table could overpower a small loveseat. Make sure the size of the table is in harmony with the rest of the furniture. Similarly, consider the scale of the objects you choose to display. Avoid placing tiny trinkets on a large table or oversized objects on a small one.

Add Greenery and Natural Elements: Bringing nature indoors is always a good idea when it comes to styling any space. Place a potted plant or a vase of fresh flowers on your sofa table to add a pop of color and freshness. Greenery adds life to the display and creates a more inviting atmosphere.

Personalize with Art and Accessories: Make your sofa table reflect your style by incorporating artwork or personal accessories. Display framed photographs, artwork, or decorative mirrors to add a personal touch to the space. Showcase your favorite books, collectibles, or unique items that reflect your personality and interests.

In conclusion, styling your sofa table is an opportunity to showcase your creativity and enhance the overall aesthetic of your living space. By selecting the right table, achieving balance and symmetry, mixing heights and textures, playing with proportions, adding greenery and natural elements, and personalizing with art and accessories, you can create a stunning display that truly reflects your style. So, go ahead and explore to buy sofa tables, and transform your living space into a stylish haven.

If you're in search of the perfect sofa table to style, visit The Classy Home, where you can browse a wide selection of high-quality and stylish sofa tables. From modern designs to traditional classics, you can find the perfect sofa table to suit your taste and elevate the look of your living room. With these tips and inspiration in mind, you'll be able to create a stunning display that will surely impress your guests and make your sofa table a standout feature in your home. Happy styling!

For more information about Unique Bedroom Furniture visit The Classy Home

[whatgaviiformes]

Reflecting on 2022

Good Mornin'! I'm sitting here with my morning coffee with New Years Eve finally arriving on my side of the world. There are aspects of 2023 I am hugely looking forward to and other things that are making me dread it. We have a lot going on over on my side of the world, and I apologize if New Years comes with an aura of sadness to it. Always will for personal family reasons. Looking back, looking forward.... two sides of the coin.

But let’s focus on just the one, at the moment. Yes? 

Things that make me happy:

2022 Artwork!!

This commission of Gordon and Enki

This commission of my DnD character Zephyr and another of my girl Cascade.

This interpretation of chicken!dad, and this one of chicken!dad and chicken!uncle

Pirate-y Tracys

2022 Gifted/inspired works

This hilarious story by @thedryswan!! I was cackling so hard but won't ruin the surprise for you. :)

This series by @godsliltippy over shared music interests.

This one shot by @the-lady-razorsharp that makes me cry like a baby every time. And the other one. She knows which one. It still means the world <3.

This one by @katblu42 for the olympics!AU and the rest of the Olympics AUs which can be found here.

 My TAGSS from 2021 continued into 2022 and Nutty's kind interpretation of Enki and more of Virgil knitting. Thanks for letting me borrow!! @gumnut-logic

The real life gifts. 🐓🐬💚 

The real life friends. 

Things of my own I am proud of: There are times this is very easy. And other times when I hate all of it. I'll let you guess which New Years brings out.

CRAFTWORKS: This doily hits all of my favorites. Texture, shades of blue, and subtle fandom reference.

My two multi-chap AUs of the year: Hold Fast and Tracy Seaside Orchard and Farm , both of which also had additional one shots and spin-offs added throughout the year

Directionless (oneshot prompt gift for @onereyofstarlight)

We Tried the World (oneshot TAGminibang for @lenle-g)

In Stitches (one-shot in short scenes)

I won’t have the pretty graphs like Bri did when she did her summary, but I can give some basic stats - with a margin for error for stories that overlap years and such. But according to AO3 - I wrote 132K words in 2022, across 19 works. I don’t need the stats to know my top characters were Virgil and Gordon, because to no one’s surprise I write FishTank. And my genres are gonna be AU, angst, feels, and lol this was a fluff prompt. :D

I am filled with an immense amount of gratefulness for all the engagement and for those that welcomed my silly ideas into your brainspaces. We have a lot of writers in Thunderfam - a lot of amazing writer’s and despite all that you decided to give my sailors and chickens and dolphins a try. <3 

In 2023 I think it may be time to step out of the AUs. I want my writing to feel approachable, and as much as I love these ideas, after awhile it might become old hat. We’ll see - they are also my playground and all three have so much still to explore. I also want to write some of the grand old BootScoot and Space Cadet. I like the Tracy boys, not just FishTank, and surprise! Earth & Sky was my first brotp, you know. 

And this particular year, I leaned a lot on @the-original-sineater  for my sanity checks so a huge thank you as well to Sin for being the first set of eyes on a lot of these this year. It is so appreciated and I am lucky to have you as a friend. 

Other Things

There is so much artwork that fills me with joy, and I know I will forget folks, so I won’t tag. But if you’ve posted artwork, this is geared towards you. I have 0 talent at drawing, so I am always amazed when I see ideas come to life in that way. I don’t know how we got so lucky to have so many talented folks sharing their art with us, but we do and major <3 for it. 

All of our writers. Again. I will forget folks, but I value all of our wonderful voices. Unfortunately, I didn’t keep up with commenting when spoons were low, even though I said I was going to do better. I will have to keep working on it. And same as above. We are so lucky to have the quantity and QUALITY of fics we do. 

To readers, commenters, kudos-givers - we see you, we love you. Thank you for all you do!

To the crafty folks - I love seeing your work, your WIPS, and talking about different techniques and inspirations. I hope we can keep it up in 2023! Just from 2022 alone, I learned Tunisian Crochet, and am about to finish my first garter stitch knit scarf. And this is from a life-long crocheter! You all are inspirations to me and I can’t even imagine what 2023 will bring. 

To the RP crowd - thanks for playing with my silly Gordon and giving him the space when I need to step back. It’s been so fun stepping into his flippers in this new way.

And finally, to friendships continued! It’s with @janetm74‘s encouragement I joined tumblr again, and I will never forget that back when I posted Scenes. I’ve only continued to get to know more of you, and though it’s only been my first FULL year in fandom (getting close to 2 total), there are new voices, new voices to me, and I get to learn more about this group of people everyday. My life is better with you all in it, even if we don’t interact everyday. 

Happy 2023 - at some point I need to watch Captain Scarlet so I can catch up with all of your cross-overs!! 

[maddgicalgirl]

Paracosm Resources <3

Need help bringing your paracosm to life? Try these free resources!

⚠️ Updates always pending! Suggestions always welcome! Feel free to message me any tips or questions <3 ⚠️

(Cont. below cut, or with real time updates on this google doc!)

Art Programs

FireAlpaca - 2D Art Program, Animation. Where I make most of my digital art, and paint the frames for my animations :) It is free to use, and easy to learn and use! It can make basic animations as well, such as gifs. It requires download.

Krita - 2D Art Program. Professional, free digital paint software :) I have not used it before, though I have heard good things.

GIMP - 2D Art Program, Photo Manipulation. It's free to use, but I do not like it/recommend it highly. But! If FireAlpaca and Krita don't float your stoat, try Gimp! For 2D art, but also able to emulate Photoshop to a degree ^^

Inkscape - 2D Art Program. Free to use digital illustration software. Makes 2D art :)

Of course, who can forget classics like good old MS Paint, and the new and exciting 3D MS Paint, which can both be used to create some really neat things! Classic MS Paint is available here in browser form! If you need that. I just think it's neat!

Art AI

Petalica Paint - Coloring Software. An in browser, watercolor manga style coloring software, which can (almost) effortlessly color in any of your line art pieces! I've played around with it for my Thorn illustration style piece, and enjoyed it! It is free to use, and can take user input to make the colorations more precise.

ArtBreeder - 3D Realism Software. Using Artbreeder, you can create lifelike images of your paras, planets, or potentially even fursona, using the intricate AI they let you work with for free! A premium version exists, but most functions are fully usable without - though I recommend donating ^^ You can randomly generate, or prune and shape what you make until its perfect! Slow to use and get the hang of, but very worth it! Artbreeder is also pioneering an intriguing animation software to go alongside their product! Browser based.

3D Software

Blender - 3D Modeling, Animation. The best (in my opinion) free 3D modelling software.

MagicaVoxel - 3D Pixel Art. Free to use! Could be interesting :)

MikuMikuDance - 3D Rigging. Anime style rigging and animation software, free to use, and certified internet artefact! Has stood the test of time, and is still used and loved today. Can support ports of many kinds of assets, including, I believe, those from Blender, and of course those that are downloaded. DA has a bunch of old MMD communities you can raid for assets!

Animaze - Face Rigger. Use 3D models and a webcam to watch your paras talk! Models can be made in Blender, downloaded online, or even from CHARAT V, CHARAT GENESIS sister app!

Character Creators

CHARAT GENESIS - 2D Character Creator. Browser based anime style character creator, with multiple crops and poses, and infinitely customizable options. It is legitimately insane. Has a 3D function called CHARAT V which can apparently convert characters made in CHARAT GENESIS into 3D models compatible with Face Rig and Animaze!

V-Katsu - 3D Character Creator. Free on steam! Anime style, intensive character creator, by the same people who made Koikatsu, and Koikatsu Party, two amazingly detailed 3D hentai makers. While V-Katsu is a SFW VTuber maker, if you're looking for NSFW anime content, you could always spend roughly $70 on the full NSFW versions. V-Katsu requires a translation mod (free online as well) which you have to install, or the ability to read Kanji <3 Works with VR tech.

V-Roid Studios - 3D Character Creator. Free on steam! Anime style, fairly in depth character creator, that allows for some degree of digital 3D hand sculpting, particularly with their amazing hair engine, to get your paras looks perfect!

And, of course, Picrew has thousands of character creators of various styles and quality uploaded by the artists who made them! Also, honestly I think we as a society should embrace making dinky chibis in Gacha Life. IDK why everyone is mean to the gacha kids, like we weren't all cringe at some point,

World Design

HomeStyler - 3D and 2D Room Designer. Make a model of an interior for a home or building, using real 1:1 furniture of IRL brands! Apparently this is free to use, though there is a premium version, and  it offers 3D and 2D models.

Map to World - 3D Planet Maker. Turn your fantasy world into a 3D model of the planet. Put maps directly on, or design the surface and textures of your world. Takes a lot of getting used to, but it is AMAZING. Free to use, and browser based!

PlanetMaker - 3D Planet Maker. Make a customized 3D planet! Free to use browser site! I have never used this, but I would love to mess around with it sometime! Allows you to add orbital rings, change textures, and more at the click of a mouse.

If on sale, I also recommend snagging a copy of the Sims, particularly 3 or 4, for character creation and world design. Maybe not the best gameplay without mods, but it's also a load of fun, and very easy to add custom content to! Minecraft also. But you just need Minecraft, in general. Beyond its ability to fairly faithfully recreate structures from your paracosms, it's just Good.

Game Creators

Maybe you wanna turn your paracosm into a cool game idk, just thought I'd put these here!

Construct 3 - 2D Game Creator. Beginner level game making :) Drag-and-drop if/then style programming.

GameSalad - Codeless 2D Game Creator. Drag and drop style/no coding, beginner friendly. Free version available!

Solpeo - 2D Game Creator. HTML5 based game engine for 2D and isometric game development. Some programming knowledge needed. Platforms supported: Chrome, Firefox, Internet Explorer 9+. Free version available.

Stencyl - Codeless 2D Game Creator. Drag and drop style building/no coding skills needed. Has editable templates!

Scratch - 2D Game Creator. Very easy to use and totally free, though relatively basic!

Unity - 3D, 2D, and VR Game Creator. Make games with 3D software. Import your own assets (Blender compatible) or download free options, or buy the rights to models. Works for 3D and 2D games. Free version available, and now works with VR tech!

Unreal Engine - 3D Game Creator. Extremely advanced 3D game developer. Highly customizable. Free to use!

Twine - Text-based Game Creator. Use a map to make a branching paths text-based story game. Free to use.

Squiffy - Text-based Game Creator. have used Squiffy and it can make some really, truly incredible things. Can take a while to pick up, and learn how to use to its full potential. Free to use! Has an online and offline library of player creations you can get inspiration from!

Quest - Text-based Game Creator. I've never used this, but it seems cool! Use it to make interactive text-based DND game adventures in browser.

Ren'Py - Visual Novel Creator. Visual novel engine, that is well acclaimed, and of course, free to use!

Companion AI

Replika - 3D Companion.

Kajiwoto - Chatbot Companion. Customizable, learning AI you can shape into a personality. Communicates via Discord like chat box.

Organization

Toyhou.se - Character Gallery. A customizable library where you can upload all of your paras and characters for the public to view! Free to use, but requires a premium member to invite you!

Refsheet - Character Gallery. I haven't used it before, but I've heard good things, and that it's a suitable alternative to toyhou.se if you can't get an invite!

Notebook.AI - Character Gallery. I haven't used it before, but I've heard good things, and that it's a suitable alternative to toyhou.se if you can't get an invite!

World Anvil - World Building Toolset. Like character galleries, but for worlds and their lore :)

Scabard - World Building Toolset. Aimed at DnD campaigners, but I reckon it'll be useful for many!

YARPS - World Building Toolset. More focused around story and lore than Scabard or World Anvil, and looks beautiful! Still in its prototype stage, however.

Pinterest - Photo Organizer. Look at, collect, and sort images into boards. Personalizes your feed based on that, and is free to use and join! However, unlike their myriad of wonderful recipes, DIY tutorials, and the likes - a lot of the images are uploaded by second parties and not credited, so be careful reuploading anything you find! Also great for finding outfits and art inspo for your paras!

Generators

Fantasy Name Generator - Name Generators. Does what it says on the tin! Generates fantasy names. Is a lovely website, run by a purportedly lovely woman.

Fantasy Map Generator - Map Generator. Randomly generates a fictional map, which you can view in 2D or 3D.

Donjon RPG Generator - Multiple Generators. Can make maps, weapons, items, etc.

Seventh Sanctum - Multiple Generators. One of my favorites from high school! Does all kinds of things - the standard items, spells, and names - but also prompts, backstories, characters, and even comedy generators!

ShindanMaker - Multiple Generators. User created and uploaded, any kind of generator you can imagine, of varying complexity. And when I say any generator? I mean ANY generator.

Audio

Audacity - Record and Edit Audio. What can't Audacity do? I love Audacity to death. At surface level, it records audio. I've used it to record voices for my paras, and get audio for animations and games I've worked on. I cannot recommend it enough. Comprehensive editing, and with some investigation, it can do so, so much more than just record simple dialogue.

FL Studios - Compose. Compose music with an unlimited free trial. Upgrades available for purchase!

Indie Game Music - Royalty Free Music Library. Free to use Indie Game Music. What it says on the box!

AudioJungle - Royalty Free Music and Audio Library. Thousands of free to use audio clips!

Online Piano - Someone could use this, for recording, or just messing around. I've seen plenty of paras who play piano, this could just be used for fun!

Online Guitar - Same reasons as above, but this site looks kinda sketchy. Use at your own risk or reward! Audio

For real, if you ever need music, sound effects, or really any MP3 clips that can be used without infringing on copyright laws, just search 'royalty free' (music/audio/insert thing here) same applies for photos! Make sure the source is reputable, however.

Tutorials

W3Schools - Coding. Learn the basics of coding, for free, online!

Miscellaneous

Debut Video Capture - Screen Recorder. Record game footage and let's plays for free! Professional and home versions. I see a few of our community members have paras who run YouTube channels, and I thought these might help! It could be a nice way to connect your parames. YouTube quality <3

Pixton - Comic Maker. Comic making website. I have no experience with this at all, but some may find it useful!

Picfont - Image Editor. Puts customizable text on an image. I used these for @paraesthetics paracosm header edits <3 It has a premium version (???) but the free version has all functions, but it crashes regularly (honestly seems timed :/) but once you get it down, it's a very quick process, and you won't have to worry about that at all.

Itch.io - Publishing. You can publish your self made games here :)

Korsakow - ??? Described as, "The Future of Storytelling" and is apparently a way to create interactive films. I *just* found out about this, but thought I should include it for someone who may know how to use and appreciate it! Free? Unknown, at the moment.

Tips and Tricks

Animation Done Easy

Our forefather's of internet animation used MS Paint, Windows Movie Maker, and Audacity. All of these, or their equivalents, are free on standard computers. I, personally, use FireAlpaca - which works just as well, if not better, than MS Paint for animation - but takes longer, and definitely lacks that retro feeling. I also use my trackpad to draw and animate everything, so its doable, but probably not totally comfortable, to animate like this for most people :)

⚠️ Updates always pending! Suggestions always welcome! Feel free to message me any tips or questions <3 ⚠️

[spaceorphan18]

have you ever read a detailed post about the glee cast’s singing voices? like all about their technique and stuff? reading your reaction to the ‘vocal coach reacts to glee’ video makes me want to know more!

Hmmmm, not really! Not from a professional vocalist POV, I don’t think.  (That I’m aware of.  This does remind me there was one vocal coach in fandom, and she hated Blaine, and I wasn’t too fond of her, or her analysis, so I won’t point you in that direction.) 

My background is in music, but not in vocal performance.  But I can give you a quick rundown of cast’s musical abilities if you like, though they won’t be huge on the technical side of it.  

ETA: I started this a while ago before I started doing the music retrospective - I’ll probably try to explore a little more as I do those.   If you guys want more conversation about one person in particular, let me know! 

But for now... 

*

Matthew Morrison: Is a classically trained musician with a very good voice.  It’s a shame Will was such a tool, because Matthew Morrison was very talented, had the ability to do a lot of great things with his voice.  People joke about his rapping -- but I think this stemmed from the issue that his background is in musical theater -- which teaches you a cleaner and more traditional way of singing -- opposed to a pop or rap style.  He doesn’t have the grit that rap often has, which makes it a little too much like a Kid’s Bop version of something.  When singing musical theater, though, he really shined. 

A number that showcases ability: Make ‘Um Laugh

A number that isn’t so great: Ice Ice Baby

*

Lea Michele: Lea does have a very good and solid voice.  She’s also been classically trained.  The one drawback is that it hinders her a bit on pop music, she lacks some of the grittiness often needed on a lot of the pop songs.  She also starts to lose some of her classic training as the show goes on (which I think is a shame) so that she can get some of the shine off her voice to make a transition to pop music.  

She has one vocal tick that drives me crazy, though -- she has a tendency to slide into her notes instead of hitting them dead on, which gets worse as the show goes on, and it makes her sound a little screech-y at times.  But for the most part -- she is really good. 

A number that showcases ability: Don’t Rain on My Parade

A number that isn’t so great: Ooops...I Did It Again

*

Amber Riley: The cool thing about Amber is that you get to hear her grow as a musician as the show goes on.  She had already started to get vocal lessons before the show started, but at the beginning, she was still a bit raw and unrefined in her technique.  But you can tell she did practice, and her voice is developed beautifully as the show goes on.  She was one of the best, well rounded vocalists on the show.  She had a good handle on pop and R&B music, but she could sing musical theater rather clearly, too.  She has great breath support - and can belt numbers out while still retaining the quality.  Can’t say enough good thing about Amber’s voice. 

A number that showcases ability: Someday We’ll Be Together

A number that isn’t so great: Sweet Transvestite (It’s not bad - but it’s my least favorite Mercedes solo.) 

*

Cory Monteith: Cory wasn’t a vocalist.  And, to be completely honest, I thought it was some kind of joke when they introduced him as some kind of hidden musical gem when Will hears him singing the showers.  He did really well with classic rock that’s allows not only for a weaker voice - but is often not as technically hard.  And I have to wonder if Cory got lessons, because he did get a lot better as the show went on, and I think his season 4 work is great! 

I will say that sometimes they pushed his voice a little too far.  A lot of times songs were either too high for his range and he often sounded like he was straining.  (The most notable of which is A House is Not a Home - which is far too high for him.)  That said - I think he did reasonably well along side Lea - mostly because often sang pop duets.  

A number that showcases ability: I’ve Gotta Be Me

A number that isn’t so great: Can’t Fight This Feeling Anymore

*

Chris Colfer: Chris is such an interesting study due to the uniqueness of his voice.  He’s got a huge range both in terms of genre and literal range of voice.  He can sing quite a few octaves.  He’s got a great, clear sound, too, which is why he’s great with theater numbers.  Interestingly, Chris’s voice did drop over the years, and while I know people love his higher range, he has a gorgeous lower range that wasn’t used as often (and is often my favorite.) 

The one (nitpicky) issue was that Chris’s voice ended up getting pigeon-holed.  I know singing Diva-Broadway songs was his schtick - but it would have been nice to hear him sing a bigger variety of songs.  He wasn’t the strongest on non-ballad pop music, but they also didn’t give him that very often.  

There’s also the fascinating unusualness in that, Chris could really sing duets very well with people -- but in group numbers, his voice sticks out like a sore thumb, and he was often left out of some of the more general songs because of it.  His voice just doesn’t texture very well - which is why I get why they did what they did.  

A number that showcases ability: Being Alive

A number that isn’t so great: I’ll Remember

*

Kevin McHale: I feel like people are often surprised when they sit down and think about it, but Kevin has a great voice.  He has a solid range, and he’s able to do pop music very well (I believe it helps that he was in a professional boy band for years.)  Not sure if people noticed - but he’s often the lead on group numbers that don’t need to be related to specific story or character points.  Which is a bummer for Artie’s story - but if you’re a fan of Kevin’s voice, you get a lot to choose from.  

Kevin was also able to handle a lot of the musical demands that I think some of the other males weren’t? He’s a much better singer than Cory - and could handle leading a full number.  His voice isn’t as unique as Chris’s and can texture really well.  In addition he was fairly versatile.  He might have been the best rapper the show had, lol. 

A number that showcases ability: For Once In My Life

A number that isn’t so great: Addicted to Love (personal taste choice - I just don’t like the song.) 

*

Jenna Ushkowitz: Jenna is another one who is classically trained.  She has a strong, solid voice, which was unfortunately not showcased all that well on the show, and because of that, I’m not sure how she does on a wide variety of music.  I do think she sounds a little generic - but not helping is lack of being featured.  

A number that showcases ability: I Don’t Know How To Love Him

A number that isn’t so great: Gangum Style (She does fine - but the fact that they made her do it in the first place...) 

*

Dianna Agron: The interesting thing about Dianna is that she has a really nice low female voice.  The fact that they never gave her any punk or harder rock was really a shame, because I think she would have done really well with that.  The funny thing is that, more so in the beginning, they show tried to make her sing songs that fit her character - but weren’t necessarily great for her voice.  I feel like it wasn’t until late season 2 did they start really using her voice for the better.  

A number that showcases ability: Never Can Say Goodbye

A number that isn’t so great: It’s A Man’s, Man’s, Man’s World

*

Mark Salling: Mark had a really solid voice - that often lent itself well to folk and acoustic really well.  He was good with softer pop and classic rock, and the show showcased that pretty well.  I think, in general, Mark was a much better vocalist than actor, and the show often picked good music for him to sing - which helped with his character.  I don’t have a whole lot to say, only that I think he was underrated as a vocalist, but I get it - with all the other baggage that comes with talking about Mark. 

A number that showcases ability: No Surrender 

A number that isn’t so great: Fight For Your Right (to Party) (I don’t think it’s bad - I just hate this song.) 

*

Naya Rivera: Naya is a little tricky.  I think she has a good, smoky sound to her voice that makes her excellent at things like pop and R and B.  (Shame she didn’t have a good jazz number to do on the show - she would have been great at that.)  I think she was really versatile, though, and handled her Broadway numbers really well.  I do think she was somewhat pinched and nasal at times - and while I do think this was a stylistic choice, to me it’s not my favorite type of vocal sound.  But I do think she was really good at the numbers she was given, and was one of the most talented female vocalists on the show. 

A number that showcases ability: Back to Black

A number that isn’t so great: Alfie (I think I may dislike the song more than her singing on it.) 

*

Heather Morris: Heather wasn’t a singer, and I do think it showed at times.  She often had to have her voice autotuned more than anyone else on the show.  That said - she did do Britney Spears really well, and I think she deserves credit for that.  

A number that showcases ability: I’m a Slave 4 U

A number that isn’t so great: Dinosaur

*

Chord Overstreet: Chord’s background is in country - and that shows a bit through his singing - he’s got a bit of twang in his voice, but it’s not necessarily a bad thing.  He’s a fun singer.  I don’t think the show knew exactly what to do with him (voice or character) but there’s a lightness to his singing that makes him easily adaptable to pretty much anything you throw at him. 

A number that showcases ability: Red Solo Cup (You think I’m joking - but I think this is the most fun Chord has singing a song.) 

A number that isn’t so great: Girls on Film (I think just by default of me liking everything else better.) 

*

Darren Criss: Ah, Darren, where to even start.  The thing about Darren is that he may not be the strongest singer, his voice is a little wobbly at times, and his range is somewhat limited, but his showmanship is just completely beyond nearly everyone else.  Darren has the unique ability to draw you in with his singing and hold you captive.  There are technically better singers on the show - but Darren just has this amazing ability to really sell a performance.  And I do love his voice, even if there are some limitations to it.  I really could gush about Darren’s performance abilities, but I’ll refrain... 

A number that showcases ability: Teenage Dream (Both Versions) 

A number that isn’t so great: Piano Man (Which isn’t bad - I just think the show had done it better, and it’s a rare time that felt like Darren was kind of phoning it in.) 

*

A quick run down of others, but first a quick aside - as they started adding people in, vocal ability starts being a factor.  I think a lot of the newer characters could sing better than they could act, which was both helpful and a hinderance.  I think we began to get more solid musical numbers as the show went on, but sometimes acting wasn’t always top notch - and across the board, old and new, hitting a combo of acting and singing ability didn’t always happen.  

Harry Shum Jr.: Not really a singer - but the show often played to his strengths, and his few songs played off the fact that he wasn’t a great singer to great aplomb.  

Jane Lynch: Can hold a tune, even if her voice isn’t the best - is really great at musical comedy. 

Jayma Mays: She has more singing ability than the show allowed to showcase, however, she’s another one whose voice was really unique, and doesn’t texture very well.  

Damien McGinty: Is actually a very good singer.  However, he’s very generic, too - which makes him a little on the bland side. 

Sam Larsen: I think he was fine - I don’t think he sang enough on the show for me to make much of an impression one way or the other. 

Alex Newel: Fucking Fantastic! Alex might be one of the strongest vocalists on the show - has great range, energy, and vocal control.  

Melissa Benoist: Her voice tends to lean on the pop-ier side, but it’s a solid voice, and her work on the show was pretty good.  

Jacob Artist: Has a strong voice, and could sing genres that weren’t often featured on the show (like hip-hop and R&B).  

Blake Jenner: His voice is fine, but like Damien McGinty, it’s generic and a little bland. 

Becca Tobin: She has a very quirky voice that brings in a different and unique sound.  They didn’t use her much, though, so it’s hard to comment. 

Noah Guthrie: An amazing singer, has a really unique sound, but is able to do blend in well with others.  

Samantha Ware: Another amazing singer.  She’s in full control and can do really great things with it. 

Billy Lewis Jr: Has a good, solid voice.  Not as strong as Guthrie, or some of the other guys, but he’s a lot of fun to watch. 

Laura Dreyfuss: Like Becca Tobin - has a uniqueness to her vocal quality that makes it stand out a little, but she’s still a solid singer. 

Marshall Williams: His vocal ability is okay.  It’s better than his acting ability.  I’m slightly confused how this dude got cast, tbh.  

[canary3d-obsessed]

Lost Tomb Reboot Lewks: Part 13

(Masterpost) (Other Canary Stuff)

Warning: Spoilers for both seasons of The Lost Tomb Reboot and also vaguely for Daomu Biji in general

Look 66 belongs to Ah Ning, who has chosen, for this adaptation, to go with short hair, heavy makeup, and all-black clothes, but with a bit of a club vibe, rather than her more usual tactical vibe. 

The short hair is a weird choice. The whole schtick with DMBJ adaptations is that you have to tell who's who by their costuming and styling, since the associated actors toss roles back and forth faster than Wu Xie and Xiao Ge on a date with Liu Sang. 

Hot guy in a hoodie? Xiao Ge. Slightly dorky but ridiculously charismatic guy who dresses like Joey Ramone? Hei Yanjing. Man who's too old for fluffy bangs and puppy-dog eyes but is working the hell out of them anyway? Wu Xie. Ponytail, gun, and a whole bunch of disposable sidekicks? Ah Ning.

Ah Ning, Lost Tomb 1 version, with her signature ponytail & disregard for human life.

For this look, Ah Ning has gotten rid of her long hair, henchmen, weapons, and the part of her shirt that normally would cover her belly. This is an outfit that says "I am finally ready to fuck Wu Xie." 

Unfortunately she decides to accessorize this outfit with a giant deadly snake. 

This snake, unlike the equivalent snake in uhhhhhmmm a different DMBJ show that Ah Ning might theoretically die in, does not appear to be poisonous or have an unusual instant-kill-you ability. It just squeezes her a little bit, and the boys don't make any attempt to revive her, even though not-breathing is a super survivable condition, if it's corrected quickly. 

This non-poisonous snake accessory is all about killing a woman so that men can feel manpain, and I am kind of offended that this version of Ah Ning went out like that, after being a badass in every other adaptation. 

(more after the cut!) 

The hypothetical other show where a version of this scene perhaps also happens does correct this, by having her talk about her acceptance of the risk of death, and by having the fucking snake be POISONOUS. I am not naming the show because where’s the fun in that? If you watch TLTR first, like I did, you get to be worried about Ah Ning in every other show she’s in, which is exhausting but also kind of fun. (I don’t mind women dying in fiction, as long as their deaths are an important part of their own stories, rather than just being important for the growth of the men around them.)

Thanks to poor accessory choices, Ah Ning and her snake necklace go the same route as Ye Piaopiao and No-Longer-Mute Chick; fortunately Xiao Ge didn't fall for Tattoo Artist Ah Tou or she'd be in the morgue with the rest of them.

Look 67 is young Wu Xie's jungle adventure outfit, featuring a bright white popover jacket with cream color sleeves from Scotch & Soda’s Club Nomade collection. Scotch & Soda have have thoughtfully printed their name on the string so that those of you who share Wu Xie's clothing tastes will know where to shop. You know who you are. 

You would think highly visible bright white would be a bad choice for a jungle adventure, but apparently snakes in these parts are only attracted to goths.

Wu Xie is also wearing wired ear pods, which did not exist whenever this flashback supposedly happened, but if we're cool with sentient crustaceans and clams that can incapacitate a ruthless trained assassin (clams got legs!), we can be cool with ear pods.

The show conveys flashback-Wu-Xie's youth and naiveté by having him smile sweetly, not watch Ah Ning take her clothes off, and not attempt CPR after she gets lightly squeezed by a snake.

Looks 68 and 69 belong to Not Ah Ning, who is played by Liu Yuqi, who also plays Ah Ning. Her makeup is much softer and prettier as this character than as Ah Ning; this character’s job is to be pleasing to men, whereas Ah Ning’s job is to get male underlings killed on the regular, so I guess that makes sense. 

This outfit is an amazing body-hugging soft green jumpsuit with raised quilty detailing on the arms and shoulders. Her jumpsuit perfectly matches the couch she's sprawled on, which is her subtle way of telling Jiang Zisuan that she is a nice comfy place to have a lie down. 

She accessorizes this look with her usual soft wavy brown hair and a scattering of gold finger rings. I think she also accessorizes this with ass pads, because Ah Ning does not appear to be draggin’ this wagon in her scenes. I checked. For science.  

When the first outfit doesn't work, she ditches the subtlety and goes for a Chanel-style suit in black, white, and red, with a with a black leather bustier underneath. 

Unfortunately this is a wasted effort, because the Jiang Zisuan she tries this on is actually Wu Xie in disguise. 

Wu Xie only likes girls if they are 1. secretly manipulating him while acting like a tiny adorable sidekick, 2. trying to kill him repeatedly while adventuring together, 3. planning to kill him as soon as the roads are clear but willing to bone in the meantime, or 4. are a skin effigy with a sentient crustacean in their head.

Sorry, Not Ah Ning; this was a good effort. 

Look 70 features Wu Xie in a white thermal shirt, dark blue jeans, and fake facial hair. This is a good look for sitting with your not-quite girlfriend and wondering how you both managed to have romances with Bai Yu in parallel universes. (OP recently watched Love O2O, which is a trip for fans of DMBJ, Guardian, or feminism)

Fortunately Wu Xie doesn’t know that his second-favorite doctor/Zhan Rishan’s girlfriend also had a romance with Bai Yu or his mind would be entirely blown. 

This is a soft, comfortable look, perfect for torturing someone, with help from your first-favorite doctor, by pretending to poison someone with nicotine, all so you can have a few moments of quality time with a cigarette before said doctor takes them away again. 

Wu Xie's cigs are stored in a buttery-soft leather case that completely covers the brand name of the cigarettes, so apparently cdramas don’t go in for ciggy product placements. 

Wo Xie wears this outfit with a silvery-metal watch with a black leather wrist strap. The watch appears to be round, and it probably tells time. (If you’re new to the Lewks series: I lack watch knowledge and that’s not likely to change.)

Wu Xie finally peels off his fake facial hair so we can see his pretty face again, only to replace the facial hair with an entire fake face. Fortunately, this face, belonging to actor Wu Lipeng, is also pretty. 

Look 71 belongs to Wu Xie, initially (for this outfit) played by Wu Lipeng until his inevitable unmasking. So many actors have played Wu Xie, this whole disguise thing is barely worth blinking at. Wu Lipeng does a nice job changing his mannerisms to play Wu Xie, and this whole schtick eventually gives us Zhu Yilong's delightful performance as Wang Meng, so even though we eventually get way too much of not-Zhu-Yilong in the role, I’m good with it.

This outfit features black jeans, black tactical boots & gloves, and Ah Ning’s coin bracelet, although it’s mostly hard to see the bracelet. The outfit’s main feature is a possibly-leather jacket that’s been molded into a hideous and disturbing voronoi pattern. 

This jacket is probably very expensive and took a lot of work to craft, but it makes him look  like he’s wearing a Glad Force Flex garbage bag. I mean, I guess that's cool. 

This outfit is good for several episodes worth of adventures, including getting tied up and being sassy...

...and underwater cave exploration, which is totally a thing that a person with critically damaged lungs can do.  

This outfit is good for homoerotic wrestling...

...and also for heteroerotic wrestling.

This is also a good outfit for being gently cradled in the arms of your doctor, while you massage your throat in order to swallow what he's putting in your mouth.

The fingerless gloves are useful for helping Xiao Bai get out of not one, but two different situations in which she stepped on a trap without realizing it, requiring Wu Xie to get down on the ground and have a tense encounter with her foot. 

Scenes like this are where costuming really makes a difference. In this shot, we we watch a stunt hand (Zhu Yilong has never had that long of a thumbnail in his life) hold a wire steady, while a stunt foot is pulled out from under it.  

This shot includes a lot of visual texture and interest, from the hatch lines on the palm of the glove to the cross-striping of the boot lace. The complexity of this glove and this boot help to hold our attention when they’re in the frame, allowing the tension of the scene to build, instead of dissipating when the viewer runs out of things to look at.

Bonus Look 1

Carrying all that tragic baggage has given Jiang Zisuan spectacular arm muscles.

Bonus Look 2

Zhu Yilong with not-fake facial hair. 

Daaaaaamn.

[theonetheycallhannah]

The Treatment of Captain Syverson-Chapter 11: Discharge Plan

Characters: Captain Syverson x OFC (Shane Dawson)

Summary: The highs of Shane and Sy’s first weekend as a couple are followed up by some big news from Sy, leading to our couple’s first fight.

Don’t miss a session! Click here to catch up on this story or explore my other works!

Word Count: 2.7

Warnings:  Language, mature themes, smut, sort of unprotected sex, rough-ish sex, angst, alcohol consumption,

Author’s Note: First off, I wanna talk about the word “victuals.” I’ve loved this word for a long time, even though it makes no sense, phonetically as it actually rhymes with the “fiddles” or “riddles.”(It’s true, look it up!) It’s very pastoral and somewhat archaic, so you don’t hear it too much anymore in current writing about the present, but I just felt like Sy would say it. Secondly, it was really hard for me to put my darlings through the argument in this chapter. I want them to have only happy times…but that provides no tension or motivation for story development…and I want to keep writing them more than I want them to be happy… I guess I finally understand why authors torture their characters! Lol! It might take a bit of time for me to sort out what their relationship looks like adding the distance factor, but I have some ideas that might work. Also, it might be an opportunity to do a bit more of Sy’s perspective, which I thoroughly enjoy, and may go back and fill in some blanks for him in between chapters I’ve already done. I hope you all enjoy this installment of the Treatment of Captain Syverson! Feedback in any form is always appreciated!

Disclaimer: Unfortunately for me, Henry is not mine, le sigh, and all mention of him, his characters, any characters from his films, or his precious doggy, Kal, are strictly for transformative and recreational use. I neither ask for, nor accept payment for the work I post on Tumblr or AO3. Unbeta’d because this is for fun and escapism.

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Hope I’m not forgetting anyone! If you want to be notified when I post a new chapter or work, I’ll be happy to add you to my tag list! Stricken blogs are getting personal messages from me when a new chapter is uploaded because Tumblr’s faulty tagging system will not stand in the way of me delivering what the people want!(?) lol! (Although…their lackadaisical notification system might…sorry for that. I have no control. lol!)

X@X@X@X@X@X@X@X@X@X@X@

The rest of the weekend was spent in blissful relaxation. Sy went to his place to feed Aika and bring her over at Shane's insistence. The dog had been slightly standoffish with her, but Sy assured her that it was in her nature to be aloof, and that she needed to be engaged or instructed to behave more doglike.

"It's her training. She's still a soldier. It's hard for us to shake those habits. Like me calling you 'ma'am' at first."

"She's another die hard. I respect that." she chuckled, scratching Aika behind her perked ears, and eliciting pants of contentment from her.

Sy's skills with a spatula were unmatched. That was to say, he made the best pancakes she'd ever had. They almost didn't need syrup…almost. They ordered an obscene amount of Chinese takeout which lasted them about three meals each. Sunday evening, though, which had a gloom to it no matter the circumstances, required some comfort food. They agreed on pasta, so Shane made up some of her famous alfredo sauce and probably twice the recommended portion of pasta for two humans to consume. There were no leftovers. Sy had three helpings, himself. Three heaping bowls of it. Shane couldn't handle more than one and a half servings, even though she wanted to gorge herself. She knew too much would make her ill.

When they weren't eating, the were cuddling on the couch, or in Shane's bed. They watched more Parks and Rec, and a few other films and shows that Sy requested, just to break things up. Their bodies were constantly wrapped in each other, leading to frequent bouts of making out, fooling around, and sex in almost every room of the house.

Her favorite had been the shower. She insisted on getting cleaned up, but Sy had objections.

~~~~~~~~

"I'll be less than ten minutes, come on, I reek! You can't wanna kiss me when I smell like this!" she said, trying to shut the bathroom door on the human mack truck before her. Broad and formidable.

"You smell like sex, and…me, darlin. I've never wanted to kiss you more," he said, backing her up toward the shower doors. "but I guess if you must. Lemme help, though." he pulled open the glass door, forcing her into his captivating kiss, and maneuvering her backward into the walk-in, stone tile shower. He pulled off her tank top, capturing her breasts in his hands and mouth for a moment before kneeling to remove her shorts and kiss her thighs. He pulled himself away too quickly and started the water flowing.

"Sy, you're fully dressed!" he was barefoot, but otherwise, in jeans and her favorite of his tees. The letters DILLIGAF across a skull, black on red. She always laughed on the inside when she saw it. Because although Sy often had to put on a calloused and brusque act when he'd been an officer in the Army, he was terribly soft and sweet when the occasion called for it. The irony being that although he didn't look like he gave a fuck, he actually did.

"I've got more clothes in the truck and you've got a dryer." he maneuvered her under the pulsing stream of the showerhead. "Gotta get you wet." he let the water run through her hair as he reached for her shampoo, a coconutty concoction that reminded her of summer, squeezed a bit into his hand, and lathered it up. He worked the suds into her wet hair gently, raking his nails across her scalp in a way that excited and ignited every atom in her. She sighed at his touch which made him groan with need.

He tilted her head back to rinse the lather out and reached for the conditioner. He was a bit more generous with it than strictly necessary, but she didn't protest. He pulled her hair forward in two sections, one over each shoulder and worked the emollient into the strands. His hands slick from the product, he ran them over her breasts and her abdomen and hips…between her legs. There her own arousal was primed to combine with the tropical unction. She gasped as he worked his fingers over her, slow at first, but speeding up, only to slow again. When she finally whimpered in frustration, he undid his jeans, and backed her up to the stony grey wall, not giving a fuck, as his shirt had suggested, that he and his clothes were getting soaked. His only care now apparently, was to satisfy the simpering cries of "yes, please." from Shane.

His first few thrusts were slow and measured, knowing that she was still adjusting to his size. But it didn't take long for him to lose control. She wasn't sure what was making him like this, but she was not complaining in the least. The texture of his jeans on her bare, wet thighs was a sensation she wouldn't soon forget. She gripped at him, holding onto his shirt for dear life as her climax built to impossible heights.

She was loving the way he lost himself in the ferocity of the act. And his release led to hers immediately. She wrapped herself around him in blissful embrace, and whispered his name as a prayer.

"Sorry, darlin,' I meant to…"

"It's okay. I'm on the pill and I'm not at a particularly dangerous time in my cycle."

He kissed her tenderly and reached for her bath puff and some body wash. "Well, let’s get ya cleaned up."

~~~~~~~~~~~~

The only good part about Monday was that she'd be treating him. Although, he was scheduled in the afternoon. Her morning would drag on eternal.

He greeted her with a typical "hey, susnshine" and she led him into the gym, feeling his gaze on her ass, wanting, even though they'd just left each other quite satisfied that morning. He was freshly showered, beard well groomed, and his hair growing back in very nicely. He'd asked her weeks ago whether he should keep the buzzed look or not, and she had been entirely for growing it out. She wanted something to run her hands through. She'd be fine if it was at least shoulder length, but she wouldn't push that on him.

They did their normal warm up on the bikes, followed by some plyometric drills, which made him scowl at her in a way that lit her up like a firecracker. But the fact that he was able to jump up onto the box was encouraging. He couldn't have done that a month ago. He was progressing so well and was so close to his long term goals and discharge. It almost made Shane sad. It wasn't as though they wouldn't see each other, but having him break up the insanity of her day three times a week for just an hour was invaluable.

As they were doing their usual end of the session stretch in her treatment room, and she noted the improved range of motion he was getting, he broke the amiable silence with a question.

"Hey, can I bring a pizza or somethin' over for dinner tonight after you get off?"

"Sure!" she could tell there was something he wanted to say, but was holding back. She prodded. "Everything okay? You've been a bit…off today."

"I'm good. Just a little distracted." he deflected by touching her hip, grinning like the Cheshire Cat. She swatted him away.

"Not here, Sy."

"But that makes it fun!" he pouted.

"No, that really could get me fired! Getting frisky on company time!"

"Mmmm, I'd love to frisk you right now." he reached between their legs to try and grab her again, but she thwarted him and pinned his wrists at his ears.

"Cool it, cowboy, or your last two sessions are gonna make you wish you'd never met me." she threatened.

"Ain't nothin', nothin' on God's good green earth could make me wish that, sunshine." His stunning blue eyes softened her resolve and she let go, continuing to stretch him.

"Still…cool it." she grinned.

~~~~~~~~~~~~~~

She'd just had time to change into some comfy clothes, wash her face, and put her hair up when her doorbell rang.

Sy stood smiling under the porch light, a modern white knight, carrying a large pizza from Pizza Hut and a six pack of Miller High Life.

"Aren't you a sight for sore eyes! And it's nice to see you too, Sy!" she laughed, teasing him.

"Should I leave the victuals and go?" he asked, mock concern on his sarcastic brow.

"Get in here, soldier."

She got out napkins and paper plates because as horrible as it sounded, she just couldn't think about doing dishes tonight. She was even glad Sy had brought drinks in disposable or recyclable containers, and not wine, which she tended to prefer. She was exhausted, but not upset, which made the silence they ate in bearable. Sy still seemed to have something on his mind, though.

"Did you have something you wanted to talk about tonight, Sy?"

"Kinda, yeah, uh…it's kind of a big thing for me, and I know this is new, what we have, but…well, I'll just tell ya."

"Go on." she encouraged, worried.

"I…I talked to my old CO about jobs in the private sector. He referred me to a company that…well it's sort of an employment agency for vets. Mostly security for private companies and individuals. I had a phone interview with them this past Tuesday. I just got a call this morning that they want to meet me in person to finalize everything. Mostly a formality. When I go for that, I'll also have to stay there a couple of weeks to a month for training."

"Where is this…gig?" She said, flat affect hiding the feelings brewing under her skin.

"The offices are in Charlottesville…Virginia. And there may be some cross country training there in Shenandoah National Park."

"Cross country…by that do you mean survival training?" She was still cool, but getting more livid.

"You could call it that, I guess. But it won't be a challenge for me. I'm more worried about the technical stuff." His bravado and flippancy about the whole endeavor was enraging her. The thought that he'd be in the wilderness alone, was only a fraction of the big picture. He was going away for a month? And he had known about the job for a week now. A week in which so much about their relationship had changed, and shifted. How could he think she'd just accept this without a bit of raging.

"You waited until after we slept together to tell me this. You did it on purpose, Sy." that was the biggest problem, she thought. The fact that he seemed to be hiding it from her. It brought back old trauma that she thought he'd never have subjected her to.

"Yes and no, Shane. I wasn't intentionally keeping anything from you, I just didn't wanna bring it up until somebody bit."

"You wanted to keep me in the dark about something you were excited about? How do you think that makes me feel?"

"I didn't wanna get your hopes up or mine. Honestly."

"Saying 'honestly' doesn't make it honest, Sy. I've told you about everything that Elliott put me through. The lies. The secrets. This puts a bad taste in my mouth. You have to see that. Can't you?"

"Oh, sunshine, I--"

"No, please. Do not do that right now. Don't call me sunshine when all I can see is the night."

"I'm so sorry. My intention was not to make you feel in any way like that asshole ever did. Please hear me when I say that. I want to be the opposite of him in your mind in every way, darlin.' Please believe that."

There was so much sincerity in his voice, now nearing tearfulness that she felt he must be telling her the truth. She nodded. But was still apprehensive about the nature of the job and the training.

"But…what if you get hurt again?"

"I won't. You've all but fixed me, Shane. I'm stronger than ever."

"Can't you just…find a safe job? Here?" She was being selfish. She couldn't help it. Even though she knew she might regret it.

"Sit at a desk, ya mean? Deliver pizzas?" he indicated the box between them on the table. "Call people and ask them if they're happy with their cable services, Shane? Is that all I'm good for now?" he was angry.

"I didn't mean it like that."

"No, of course not. You're a PT. That's what you were meant to do, right? Well, imagine if you couldn't do that no more. Something or another, an injury, perhaps, or just plain ol' shitty situation, left you in a position where you couldn't go back. Couldn't do your dream job. Couldn't fulfill your purpose." he spat. "Wouldn't you do anything you could to be some shadow of what you were meant to be?"

She couldn't speak. Because he was right in so many ways.

"Because right now, I'm nothin'. I'm not doin' anyone any good. I'm a drain on my country, the one I swore to protect with my very life. It's like I've broken an oath. And it's fractured my soul."

"I see that. I truly do. But I need you here. You do ME good, Sy. I'm already half dreading d/c'ing you. I don't wanna have to say a goodbye, too." it was her truth. But it hit him very much sideways.

"So…what is it, Shane? You only want me when I'm broken? You only want me so you can fix me?"

"No, of course not! That's not what--"

"Am I a charity case to ya now? Is that why ya finally gave in and let me in your bed?"

"Sy, no!" she was crying now. It had hurt so much to think that he could have gotten that from what she'd said.

"I think if you can have feelings hurt about this situation then so can I."

He stood to leave, but she caught him by the wrist.

"Shane…you know I would never, ever harm you. But please… don't test my limits. Let… go." She did.

She was still quite a bit faster than him, so she ran ahead and blocked the door.

"Move." he insisted. She didn't.

"Hear me out, and then I'll let you go."

He crossed his arms and nodded, his gaze still one of cold steel.

"Sy, I didn't mean to make this job that you're clearly excited for into a source of anguish or to make it about me. I'm thrilled that you're going to get to do something you want in another field. I really am. I just…being with you has made me realize how good life can really be. And even if you'd told me before we slept together, I would have said the same thing. It was selfish of me to haul my baggage into the conversation when you aren't, have never been, and could never be Elliot. His best couldn't compare with your worst. And I will do my best in the future to think about who you are before I complain about the work you find to do."

"It's like I said about Aika before. She's a soldier. Hard trained. And so am I. It took a lot of hard work for me to get where I am, so much that it fundamentally altered who I am as a person. Now, in my opinion, those changes were for the better. I was kind of a shit before I became a soldier, thought the sun rose and set with me. I got some perspective and met some good people…lost some, too. Saw some shit I can't unsee. Some of it haunts me to this day, and I figure it always will. But I reckon if I can keep fighting the fight somehow. Keep protecting people in whatever way I can, my training and experience won't be a total waste."

"I understand and respect that, Sy. And I will back you in any way I can. I'll water your plants, I'll keep Aika whenever you're gone, I'm here for you."

"Oh, shit! I wasn't even thinking about having to leave my dog behind! Maybe this WON'T work!" he chuckled.

"Second fiddle to another woman already. I knew you were gonna break my heart, Captain Logan Syverson."

"Never intentionally, sunshine." he hugged her, tight, and with his whole body. Their argument in the past and their future an exciting mystery. Shane had never felt so safe and loved.

Up Next: Chapter 12: Final Home Exercise Program

[letterboxd]

Best of SXSW 2021.

From properly good Covid comedies to an epic folk-horror doc and an Indigenous feminist Western, the Letterboxd Festiville team reveals their ten best of SXSW Online.

We dug out old lanyards to wear around the house, and imagined ourselves queuing up the block from The Ritz (RIP). We dialled into screenings and panels, and did our level best to channel that manic “South By” energy from our living rooms.

The SXSW festival atmosphere was muted, and that’s to be expected. But the films themselves? Gems, so many gems, whether shot in a fortnight on the smell of an oily stimulus check, or painstakingly rotoscoped over seven years.

When we asked SXSW Film director Janet Pierson what she and her team were looking for this year, she told us: “We’re always looking for films that do a lot with little, that are ingenious, and pure talent, and discovery, and being surprised. We’re just looking for really good stories with good emotional resonance.” If there was one common denominator we noticed across this year’s SXSW picks, it was a smart, tender injection of comedy into stories about trauma, grief, unwanted pregnancy, chronic health conditions, homelessness, homophobia and, yes, Covid.

It’s hard to pick favorites, but here are the ten SXSW features and two short films we haven’t stopped thinking about, in no particular order.

Recovery Directed by Mallory Everton and Stephen Meek, written by Everton and Whitney Call

“Covid 19 is in charge now” might be the most hauntingly funny line in a SXSW film. In Recovery, two sisters set out on a haywire road trip to rescue their grandmother from her nursing home in the wake of a severe Covid 19 outbreak. There’s no random villain or threat, because isn’t being forced to exist during a pandemic enough of a threat in itself? If ever we were worried about “Covid comedies”, SXSW managed to flush out the good ones. (Read about the Festiville team’s other favorite Covid-inflected comedies, including an interview with the directors of I’m Fine (Thanks for Asking).)

Alex Marzona praises the “off-the-charts chemistry” between leads Mallory Everton and Whitney Call. Best friends since they were nine, the pair also wrote the film, with Everton co-directing with Stephen Meek. Every laugh comes from your gut and feels like something only the cast and crew would usually be privy to. “You can tell a lot of the content is improvised, which just attests to their talent,” writes Emma. Recovery doesn’t make you laugh awkwardly about how awful the last year has been—rather, it reminds you that even in such times there are still laughs to be had, trips to be taken, family worth uprooting everything for. Just make sure you’ve packed enough wet wipes for the road, and think long and hard about who should babysit your mice. —EK

The Spine of Night Written and directed by Morgan Galen King and Philip Gelatt

Don’t get too attached to any characters from its star-studded cast—nobody is safe (or fully-clothed) in The Spine of Night’s raw, ultra-violent and cynical world. Conjured over the last seven years, directors Philip Gelatt and Morgan Galen King’s rotoscoped epic recaptures the dazzling imagination and scope of their influences Ralph Bakshi and Heavy Metal. Approaching an anthology-style structure to explore how ‘absolute power corrupts absolutely’—a proverb more potent now than when Gelatt and King began their project—the film packs a franchise’s worth of ideas in its 90-minute runtime. Though the storytelling justifiably proves itself overly dense for some, it will find the audience it’s after, as other Letterboxd members have declared it “a rare treat” and “a breath of fresh air in the feature-length animation scene”. For sure, The Spine of Night can join Sundance premieres Flee and Cryptozoo in what’s already a compelling year for unique two-dimensional animation. —JM

Kambole Campbell caught up with Gelatt and King (who are also Letterboxd members!) during SXSW to talk about animation inspirations and rotoscoping techniques.

The Drover’s Wife: The Legend of Molly Johnson Written and directed by Leah Purcell

Snakes, steers and scoundrels beware! Writer-director-star Leah Purcell ably repurposes the Western genre for Aboriginal and female voices in The Drover’s Wife. Molly Johnson is a crack-shot anti-heroine for the ages, in this decolonized reimagining of a classic 1892 short story by Henry Lawson. And by reimagining, we mean a seismic shift in the narrative: Purcell has fleshed out a full story of a mother-of-four, pregnant with her fifth, a missing husband, predatory neighbors, a mysterious runaway and a young English couple on different paths to progress in this remote Southern land. Purcell first adapted this story for the stage, then as published fiction; she rightly takes the leading role in the screen version, too.

As a debut feature director, Purcell (Goa-Gunggari-Wakka Wakka Murri) already has a firm grip on the macabre and the menacing, not shying away from violence, but making very careful decisions about what needs to be depicted, given all that Molly Johnson and her family are subjected to. She also sneaks in mystic touches, and a hint of romance (local heartthrob Rob Collins can take us on a walk to where the Snowy widens to see blooming wildflowers anytime). Judging by early Letterboxd reviews, it’s not for everyone, but this is Australian colonization through an Indigenous feminist’s eyes, with a fierce, intersectional pay-off. “Extremely similar to a vast majority of the issues and themes explored in The Nightingale,” writes Claira. “I’m slowly realizing that my favorite type of Westerns are Australian.” —LK, GG

Swan Song Written and directed by Todd Stephens

Udo Kier is often the bridesmaid, rarely the bride. Now, after a lifetime of supporting roles ranging from vampires and villains to art-house muse, he finally gets to shine center-stage in Swan Song. Kier dazzles as a coiffure soothsayer in this lyrical pageant to the passage of queer times in backwater Sandusky, Ohio. “He is absolutely wonderful here,” writes Adrianna, “digging deep and pulling out a mesmerizing, deeply affecting and emotionally textured performance, proving that he’s an actor with much more range than people give him credit for.”

A strong supporting cast all have melancholy moments to shine, with Linda Evans (Dynasty), Michael Urie (Ugly Betty) and Jennifer Coolidge (Legally Blonde) along for the stroll. Surreal camp touches add joy (that chandelier, the needle drop!) but by the end, the tears roll (both of joy and sadness). Writer-director Todd Stephens ties up his Sandusky trilogy in this hometown homage, a career peak for both him and Kier. Robert Daniels puts it well, writing that Swan Song is “campy as hell, but it’s also a heartfelt LGBTQ story about lost lovers and friends, vibrant memories and the final passage of a colorful life.” —LK

Leo Koziol spoke with Todd Stephens and Udo Kier during SXSW about Grace Jones, David Bowie and dancing with yourself.

Islands Written and directed by Martin Edralin

Islands is a Mike Leigh-esque story that presents a Canadian Filipino immigrant family full of quirk and character, centered around Joshua, a reticent 50-year-old homebody son. The story drifts in and out of a deep well of sadness. Moments of lightness and familial love make the journey worthwhile. “A film so Filipino a main plot device is line-dancing,” writes Karl. “Islands is an incredibly empathetic film about what it’s like to feel unmoored from comfort. It’s distinctly Filipino and deals with the psychology of Asian culture in a way that feels both profound and oddly comforting.” In a year in which we’ve all been forced to physically slow down, Islands “shows us how slow life can be,” writes Justin, “and how important it is to be okay with that.” Rogelio Balagtas’s performance as Joshua—a first-time leading role—won him the SXSW Grand Jury Award for Breakthrough Performance. —LK

Ninjababy Directed by Yngvild Sve Flikke, written by Flikke with Johan Fasting and Inga H. Sætre

Ninjababy is as ridiculous as its title. When 23-year-old Rakel finds herself accidentally pregnant, scheduling an abortion is a no-brainer. But she’s way too far along, she’s informed, so she’s going to have to have the baby. The ensuing meltdown might have been heartbreaking if the film wasn’t so damn funny. Ninjababy draws on the comforting and familiar (“Lizzie McGuire if she was a pregnant young adult,” writes Nick), while mixing shock with originality (Erica Richards notices “a few aggressive and vulgar moments [but] somehow none of it seemed misplaced”).

An animated fetus in the style of Rakel’s own drawings appears to beg and shame Rakel into motherhood while she fights to hold onto her confidence that not wanting to be a mother doesn’t make her a bad person. Ninjababy’s greatest feat is its willingness to delve into that complication: yes, it’s righteous and feminist and 21st-century to claim your own body and life, but that doesn’t mean it’s easy to turn away from something growing inside of you. It’s a comedy about shame, art, finding care in unlikely places—and there’s something in it for the gents, too. The titular ninjababy wouldn’t leave Rakel alone, and it’s unlikely to leave you either. Winner of the SXSW Global Audience Award. —SH

The Fallout Written and directed by Megan Park

Canadian actress Megan Park brought the youthful wisdom of her days on the teen drama series The Secret Life of the American Teenager to her first project behind the camera, and it paid off. Following the scattered after-effects of a school shooting, The Fallout may be the most acute, empathetic depiction of childhood trauma on screen in recent memory. “It sneaks up on you with its honesty and how it spends time with its lead, carried so beautifully by Jenna Ortega. Even the more conventional moments are poignant because of context,” writes Kevin L. Lee. Much of that “sneaky” honesty emerges as humor—despite the heavy premise, moments of hilarity hang on the edges of almost every scene. And Ortega’s portrayal of sweet-but-angsty Vada brings self-awareness to that humor, like when Vada’s avoidant, inappropriate jokes with her therapist reveal her desperation, but they garner genuine laughs nonetheless.

In this debut, Park shows an unmatched understanding of non-linear ways that young people process their pain. Sometimes kids try drugs! Sometimes they scream at their parents! But more often than not, they really do know what they want, who loves them, and how much time they need to grieve (see also: Jessie Barr’s Sophie Jones, starring her cousin Jessica Barr, out now on VOD and in theaters). The Fallout forsakes melodrama to embrace confusion, ambiguity and joy. Winner of both the SXSW Grand Jury and Audience Narrative Feature Awards, and the Brightcove Illumination Award. —SH

Ludi Directed by Edson Jean, written by Jean and Joshua Jean-Baptiste

When Ludi begins, it’s quiet and dreamy. The film’s opening moments conjure the simple pleasures of the titular character’s Haitian heritage: the music, the colors, the people. Ludi (Shein Monpremier) smiles to herself as she starts her morning with a tape recording her cousin mailed from Haiti to Miami, and listens as her family members laugh through their troubles before recording an upbeat tape of her own. But that’s where the dreaminess ends—Ludi is an overworked, underpaid nurse picking up every shift she possibly can in order to send money home. Writer-director Edson Jean fixates on the pains and consequences of Ludi’s relentless determination, which comes to a head when she moonlights as a private nurse for an old man who doesn’t want her there.

Ashton Kinley notes how the film “doesn’t overly dramatize or pull at false emotional strings to make its weight felt. The second half of the feature really allows all of that to shine, as the film becomes a tender and empathetic two-hander.” George’s (Alan Myles Heyman) resentment of his own aging body steps in as Ludi’s antagonist. Jean throws together jarring contrasts: George throwing Ludi out of the bathroom, followed by Ludi’s memories of home, followed by another lashing out, followed by a shared prayer. The tension is unsustainable. By interspersing the back-breaking predicament of a working-class immigrant with the sights and sounds of the Caribbean, Ludi elegantly, painfully reveals what the cost of a dream can be. —SH

Woodlands Dark and Days Bewitched: A History of Folk Horror Written and directed by Kier-La Janisse

Building on the folk horror resurgence of films like The Witch and Midsommar, Kier-La Janisse’s 193-minute documentary Woodlands Dark and Days Bewitched is a colossal, staggering undertaking that should school even the most seasoned of horror buffs. “Thorough is an understatement,” says Claira.

Combining a historian’s studied, holistic patience with a cinephile’s rabid, insatiable thirst, the film, through the course of six chapters, broadens textbook British definitions, draws trenchant socio-political and thematic connections, debunks myths and transports viewers to far-flung parts of the globe in a way that almost feels anthropological. As Jordan writes, “Three hours later and my mind is racing between philosophical questions about the state of hauntology we generationally entrap ourselves in, wanting to buy every single one of the 100+ films referenced here, and being just a bit in awe of Janisse’s truly breathless work.” An encyclopedic forest worth losing yourself in—get ready for those watchlists to balloon. Winner of the SXSW Midnighters Audience Award. —AY

Introducing, Selma Blair Directed by Rachel Fleit

There’ll likely be some level of hype when this intimate collaboration between actress Selma Blair and filmmaker Rachel Fleit comes out later in the year on Discovery+, and that’s okay, because that is Blair’s intention in sharing the details of her stem-cell transplant for multiple sclerosis. There’d be little point in going there if you are not prepared to really go there, and Introducing, Selma Blair is a tics-and-all journey not just into what life is like with a chronic condition, a young son, and a career that relies on one’s ability to keep a straight face. It’s also an examination of the scar tissue of childhood, the things we are told by our parents, the ideas we come to believe about ourselves. “I almost felt like I shouldn’t have such intimate access to some of the footage in this documentary,” writes Andy Yen. “Bravo to Selma for allowing the filmmakers to show some truly raw and soul-bearing videos about her battle with multiple sclerosis that make us feel as if we are as close to her as family.” —GG

Femme Directed by Sam H. Freeman and Ng Choon Ping

I May Destroy You fans, rejoice: Paapa Essiedu, who played Arabella’s fascinating best friend Kwame, takes center stage in Sam H. Freeman and Ng Choon Ping’s intoxicating short film Femme. It’s a simple premise—Jordan, a femme gay man, follows his drug dealer (Harris Dickinson, mastering the sexually repressed brusque young man like no one else) home to pick up some goods on a night out. Except, of course, it’s not that simple. The co-directors build a world of danger, tension and electricity, with lusciously lensed scenes that lose focus as the threat rises. Frankie calls it “hypnotizing and brutal and gorgeous” and we couldn’t agree more. A crime thriller wrestling with hyper-masculinity seen through the eyes of an LGBTQ+ character, with a sucker-punch ending to boot, the world needs more than twenty minutes of this story. —EK

Play It Safe Directed by Mitch Kalisa

If you (unwisely) thought that the vulnerable, progressive environment of drama school would be a safe space for Black students, Play It Safe confirms that even a liberal bunch of actors (and their teacher) are capable of being blind to their own egregiously racist microagressions. Mitch Kalisa’s excellent short film explores structural prejudice head-on, in an electric acting exercise that rests on where the kinetic, gritty 16mm camera is pointing at every pivotal turn. At first, we’re with Black drama student Jonathan Ajayi as he receives the assignment; then we are with the rest of the class, exactly where we need to be. “Literally in your face and absolutely breathtaking,” writes Nia. A deserving winner of the SXSW Grand Jury and Audience narrative shorts prizes. —GG

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[antagonistchan]

i started playing Mass Effect: Andromeda yesterday.

i got a download code for it for christmas like two years ago and just finally redeemed it.

now, for years, i’ve been saying this: “i know that people don’t like Andromeda- it’s very hard to avoid that- but i’ve done my best to avoid looking further into why people don’t like Andromeda because i want to form an opinion for myself. lots of people don’t like Mass Effect 3 either and i fucking adore that game. based on the fact that most people don’t like Andromeda and consider it a total joke but i do see that it has its fans in the Mass Effect tag, i expect that it’s gonna be bad, but i’m gonna like it anyways, though not as much as i like the trilogy.”

and i was absolutely right. so far at least.

it’s definitely not the worst. i mean, unless the question is “the worst Mass Effect game”, in which case, yeah, it is the worst. but that’s not saying much considering the other three are collectively my favorite game of all time.

so, Mass Effect: Andromeda is an extremely flawed game. but it’s not completely worthless like some people say (though i can totally understand why someone would dismiss it as worthless).

it’s pretty ugly (it’s got good lighting, but the animations and textures and human models all look really.... off. and the original version of ME1 was also pretty ugly, but in a charmingly primitive 2007 kinda way; Andromeda’s ugliness lacks that charm, especially since the aforementioned good lighting makes it fail to feel particularly primitive). speaking of the animations, aside from them looking off, a lot of them are extremely stiff and borderline unfinished.

the Angarans as a species are also pretty ugly imo, but 1: that’s extremely subjective, i’ve definitely seen people who are thirsty for Angarans, and 2: that’s also not necessarily a complaint. Angarans just Look Like That. who says these aliens need to conform to our ideals of prettiness. and they’ve got cool stuff going on. Jaal’s neat.

i do like the Remnant. they kinda give off that same precursor vibe as Prothean/Reaper tech without feeling like exactly the same thing again, and it’s pretty interesting that they only disappeared within the last few hundred years rather than 50,000 years ago. and there’s a lot more left of them. they’re somewhat derivative of the Forerunners from Halo, but not too extremely.

now, the aliens i do have an issue with are the Kett. they are so extremely derivative. not only are they derivative of things outside of Mass Effect (i know next to nothing about Warframe and even i can tell that they’re visually a total ripoff of Warframe, and also to an extent Halo), but they’re derivative of things Mass Effect already had, too (gee, an evil race that creates its soldiers by corrupting members of other races? no, that’s not like the Reapers at all).

the game’s writing is mostly fine. nothing’s struck me nearly as hard as anything in the trilogy had this far in (for any of the three games), but the story hasn’t offended me too badly and there’s been stuff i’ve liked. Alec Ryder’s a cool dead mentor character and i did emotionally resonate with him sacrificing himself to save my character’s life, Andromeda manages to bring back a lot of the hard sci-fi elements that ME2 and ME3 both scaled back on from ME1, and i really like the whole disaster scenario that Andromeda inherently presents, and how it makes space feel really big and dangerous in ways the trilogy liked to hint at but never fully explore.

not sure how i feel about the combat yet. largely because of the game’s pacing, and there’s a complaint. the trilogy was pretty good at keeping you on your toes, balancing the combat/exploration gameplay with the downtime gameplay. Andromeda... doesn’t really. it’ll spend way too long on the combat/exploration stuff so i’ll easily start getting bored with it, and then it’ll spend way too long on the downtime stuff so i’ll easily start begging to actually try out the new combat/exploration stuff i’m getting during the downtime, and on top of this, it also means i’m having a really hard time adjusting to the combat. i’m not really having that much fun with the combat yet, but i feel like there’s a very good chance it’s because i just haven’t gotten the hang of it yet (especially coming right off the tail of another playthrough of the original trilogy, a series of games i replay literally every year and have since 2013 so i know them like the back of my hand). the idea of Profiles is interesting, at least.

the Tempest is a cool ship. i had it introduced to me as “a shitty version of the Normandy” and that’s not really fair. yeah, the Normandy’s cooler, but the Tempest is cool too. honestly, i found myself comparing it more to the Normandy SR-1 than the SR-2. It has a much more similar vibe (i mean, hell, you don’t need to go through any loading screens to see the entire ship, and it’s not all centralized around a single elevator). the windows are really really silly from an in-universe perspective but i can forgive that, especially since it’s finally fulfilling the promise that i mistakenly thought some vague blurry ME1 art made years ago- a central ops chamber with a full window view of the top part of the ship. and it’s pretty. Ryder’s bedroom is a lot nicer than Shepard’s, it’s a bedroom that’s much more my speed. i also think it’s funny that they had to rename the Tempest gun so the names didn’t conflict.

and then there’s the characters, and.... i mostly like them.

i’m a little mixed on Cora. she seems a little passive-aggressive. Drack is just store brand Wrex, but that’s not really a bad thing. i mean, could you live up to Urdnot Wrex? no, you couldn’t. so Drack doesn’t offend me, i like him. Tann absolutely sucks but he’s clearly supposed to suck.

but then you’ve got the characters who are on two opposite ends of the spectrum of likability: Vetra and Peebee.

holy shit Peebee sucks and i don’t want anything to do with her. she was one of those things i wasn’t able to avoid hearing about and yeah she sucks just as much as everyone said she does.

Vetra, meanwhile? i adore Vetra so much. i love her. the moment i met her, i just HAD to look her up on the wiki to see if i could romance her, and i was so elated when i saw she was an available bi romance.

and for that matter, i was soon pretty happy to discover the game’s selection of romances: three exclusively straight romances (Cora, Liam, Avela), two exclusively gay romances (Gil and Suvi), and five bi romances (Jaal, Vetra, the witch, Keri, and someone i haven’t met yet named Reyes). that’s a pretty solid mix! especially when the two straight romances are two humans and an Angaran, the two gay romances are both human, and the bi romances are two Asari, a female Turian, a human, and another Angaran. i think i’d adjust it slightly by making one of the straight romances bi, but aside from that, that’s... kinda perfect! this feels really well thought-out, like they tried to make the mix perfect (hell, making one of the Angarans exclusively straight but another one bi feels like they were trying to provide a serious cultural clue for them- namely, that sexual identity is a concept they have)! it’d also be perfect if everyone was bi, but perfect in a different way (pro: you don’t have to worry about sexuality at all, con: it’s kinda boring).

anyways, back to Vetra. it’s a little early to say, since i’ve barely even explored her romance, but........ while probably not my favorite romance (it’d take a lot to dethrone that current champion, Traynor, let alone the other high scorers Garrus and Tali), she’s probably pretty high up there. sassy Turian lady who plays dirty to get things done? hell, i love the Garrus romance so much despite being a lesbian, so i’m absolutely all for my character romancing a Turian with a dark side, and now we get someone other than Garrus to fill that role, and a lady at that! ME1 and ME2 didn’t have any female Turians and ME3 didn’t have nearly enough, and then ME:A just has so many. the same goes for female Salarians, too, actually, but it’s more understandable in-universe for Salarians considering how Salarian gender works. anyways, there’s more that i love about Vetra besides “she’s Garrus 2 but a girl now”, a lot more actually, but that core idea is really enough to get you on board with her, really.

(speaking of Garrus though, he was also the focal point of one of the game’s stupidest moments: at some point Ryder says “An impatient rookie, frustrated with procedure? That's overdone.” which like..... that’s clearly supposed to be making fun of Garrus?? who’s like, the literal most popular character in the franchise???? i’m sorry??? what??? it’s like they’re trying to piss the fandom off intentionally, and “creators intentionally trying to piss their fandom off” generally don’t earn much respect from me unless they’re indie, and even then it’s a tough sell)

but that Garrus thing is cancelled out by another cool thing: the Nexus. the core idea of the Nexus seems to be “the Andromeda Initiative decided to build their own Citadel”, and that’s really fucking cool. it’s interesting to see the challenges of getting something like the Citadel actually up and running, and the Nexus itself is pretty interesting, especially in comparing and contrasting between it and the Citadel. also it has a room dedicated to teaching any local species about the various Milky Way races, and it’s all technically accurate but also a little overly generous in how positive some things are (“Turian culture is proof that peace will always win out!” “Humans may be diverse, but we choose to celebrate that diversity rather than let it divide us!”). and also i love that they actually let you listen to the info about humans as if you weren’t a human yourself because one of my favorite things about ME worldbuilding is how much it feels like humanity is just another one of the races that exists in this world, and humanity are really only the “protagonists” of the story because Shepard/Ryder is human.