#lies and loss | Explore Tumblr posts and blogs

blueberryshelves · 4 months ago

Text

__________________________________________

Book Review

Title: The Poison Season Author: Mara Rutherford

Series: Standalone

No. of Pages: 390

ISBN: 978-1-335-01243-2

Synopsis:

Outsiders are always given a choice: the Forest or the lake. Either way, they're never heard from again.

Leelo has spent her entire life on Endla, coexisting with the bloodthirsty Forest and respecting the poisonous lake that protects her island from outsiders who seek to destroy it. But as much as Leelo cares for her community, she struggles to accept that her younger brother will be exiled by his next birthday, unless he gains the magic of enchanted song so vital to Endla.

When Leelo sees a young outsider on the verge of drowning in the lake, she knows exactly what she's supposed to do. But in a moment that will change everything, Leelo betrays her family, her best friend, and Endla by making an unthinkable choice.

Discovery could lead to devastating consequences for both Leelo and the outsider, Jaren, but as they grow closer, Leelo realizes that not all danger comes from beyond the lake—and they can only survive if Leelo is willing to question the very fabric of her society, her people, and herself.

__________________________________________

What did I think of the book?

The Poison Season by Mara Rutherford My rating: ⭐⭐⭐⭐ 4 of 5 stars I picked this up wanting something different, and with the gorgeous cover, I dived into the world of Endla. At first, the story was really slow going, but as soon as you hit that 50% mark, everything starts to pick up, and I wanted to flip through page after page all day to see what would happen. If anything, in the last 3rd of the book, I felt like I couldn't catch my breath with the amount of revelations and secrets that were brought to light in the story. On one hand, that kind of tension was exciting, but it was also teetering slightly too far over the line into being muddy with the details. Eliminating maybe one or two of the twists could have cleaned it up a little, but that's the only real negative I can say about this book. The romance between Leelo and Jaren was very wholesome and clean, and had my heart aching as I read their scenes. It made for quite a nice contrast with what was going on with the relationships on Endla before the secrets started unraveling, and flowed well into the themes of 'torn between loyalties', your heart or your responsibilities, and carving a path for yourself in life when your world is demanding other things from you. I also enjoyed how this book touched on things like the way generational lies and fear impact the young.

Endla reminds me a bit of the carnivorous island in Life of Pi, but with a fair few differences that in a lot of ways makes it scarier, in my opinion. I quite enjoyed the world building around this, and the author did an awesome job in bringing out a vivid picture of what this island is like in the book. Some of my favorite scenes that show this would be chapter 23, pages 141-142, and chapter 30, page 188.

… The bird cocked its head at Jaren, studying him, and this time when he hummed the tune, he remembered a few more notes than he'd sung before. But his elation was short-lived. One moment the bird was there, innocently watching him, and the next, it was gone. Jaren hadn't seen the long, snaking root rise up from the ground and wrap silently around the bird's leg until it was too late. He stood, horrified, but the only sign that the bird had ever been there at all was a few shiny feathers, drifting slowly to the Forest floor. Jaren backed up to the shack and crawled inside, closing the door firmly behind him. - page 141-142

These scenes are layered into more "innocent" ones, where the characters are unsuspecting or minding their own business, so it kind of catches you off-guard when something like the above quote happens. It was like a constant reminder to not forget the nature of this island the characters are on, which when I was really immersed into the story, gave me absolute chills.

Favorite character/s: I don't have a particular favorite, but I admire the character development in Leelo as she goes from being constantly controlled by her family, people, and her home, to finding her own self and strength by the end of the story. Same for her mother as well, when she finally stood up to her sister in the end, and put her daughter before everyone else's lies.

What drew me to this book? The title of the book, it sparked my curiosity immediately.

Stars: Easy 4 out of 5 stars, a wonderful read.

View all my reviews

3 notes · View notes

vasito-de-leche · 1 year ago

Text

;R1999 PAVIA - General Headcanons

Compilation of headcanons and analysis on Pavia as a character and other related things.

the post about Pavia's love languages and how he shows his affection got a lot of love, so I'm doing a lil more thinking into his character to rlly flesh out how I see and write him before getting to write the second part of that post <3

just a heads up, its preeeetty fucking long. but all of my posts tend to be lmfao

On the subject of Pavia, loneliness and trauma.

In this post talked about the concept of showing affection (not exclusively romantic but just in general) and the relationship Pavia has with his reputation, both as a lone wolf and a skilled mercenary, which affect the way he interacts with those he might deem close for better and for worse. So it's only fair that I do that again in a more general context.

Let's get this out of the way. One cannot talk about Pavia without mentioning or alluding to his solitary lifestyle in some way or another, we've all read his 02 Story, but to only read him as someone who fakes this aura of confidence and who feels deeply insecure and lonely 24/7 is an obvious disservice to his character.

Pavia is defined by a strong sense of self which, yes, originates from isolation and neglect. And you may read this as an active choice for survival, a coping and defense mechanism or the natural progress of someone who has had no one to rely on but themself - all of these readings are valid and can easily coexist! But I would like to insist that Pavia as we know him is confident and comfortable in his own skin, happy to live as an outlier to conventional norms and behaviour.

And that's because he's weaponized loneliness into a strength and a shield. He's outgrown that small, neglected child in the basement.

Hell, in his interview with Pandora Wilson, he mentions the fun of "causing pain" onto others, in the context of his presence being used as a "punishment" for others. He's surrounded by people he considers stupid, and he has fun at their expense when they try to bring him into their shenanigans. Pavia is a confident asshole, it is not a façade for a sad boy.

One quote in particular comes to mind when discussing this aspect of Pavia.

Go back to Rome, where the wolves were born. Said my former boss. He knew I was born in Rome, but didn't know I was raised in Piemonte. He was such a fool, even tried to kill me. So I only kept his tie clip. I didn't tell him that as long as the night will come, everywhere I live is Piemonte.

This line in particular, from my reading on it, speaks volumes about how Pavia has reclaimed the night - alluding to the one place he was forced to live in for his entire childhood, a dark and isolated basement, the concept of loneliness itself - as something that defines him and should inspire fear into others. His wolves are made out of darkness, his Ultimate in-game shows him manifesting out of a dark fog on the ground. And the context of that quote is hostile, it's Pavia's former boss telling him to go back to Rome, and Pavia mentioning that no matter where he goes, as long as the night comes, he's home.

One could argue that the quote is meant to be read differently - instead of Pavia reclaiming something that hurt him to now empower him, he's haunted by it. No matter where he goes, he'll always be in Piemonte, in that dark and isolated basement, with no one to pull him out. And that's fair! To each their own, both are banger readings on that dialogue. I just personally think the former fits better with the character as a whole.

The former reading is also supported by his 02 Story, where he describes the wolves that his Arcanum abilities manifested as "friends he found in the darkness and would never leave him".

One wolf hid behind another, and the pack surrounded him in the darkness of the night. They held each other's heads and tails and coiled together like snakes, bringing with them warmth and restful sleep. These were the friends he found in the darkness, ones who would never abandon or leave him, and who would forever watch over him.

In his Cover profile, his Afflatus is also "Mourning of the Feral Pack [Beast] Night View".

And when you check Pavia's small description in the Role Garment menu, his main garment and the one unlocked at Insight II form the following phrase:

He's always alone, both in the basement and on the street. It doesn't matter now, though. He will never be "alone" from now on.

His Afflatus, his Arcanum abilities, every small detail - everything points towards Pavia owning the night and the darkness that used to hurt him so much as a child. Because it cannot hurt him now that he's made friends with it, in the form of shadow wolves who will never leave him. He's not stuck here with you, you're stuck him with him. (that Insight II quote will be relevant again later when I talk about the lack of? Humanity? so to speak? in Pavia's character)

But anyway! This doesn't mean that the discussion on Pavia and loneliness/isolation should stop there.

After all, his Afflatus also says "Mourning of the Feral Pack" - mourn what exactly? A lost childhood? The family he could've had if his mother hadn't been admitted to an asylum? The young and innocent child that died in that basement so that the current Pavia could exist?

Who knows! Talk about it, it's fun and I love to read other people's takes! <3

On the subject of trauma specifically, I do see Pavia as someone who lives in the present and doesn't think much about the past - he only mentions his parents once in a seemingly disinterested manner, stating that he never visited (and most likely will never visit) his mother. Piemonte is where his abusive aunt raised him, but he shows a certain pride in his city anyway.

It's not that he's overcome and healed from his trauma, it's that he doesn't even register the things that happened to him as traumatic experiences due to the distance and recontextualization of everything.

The fandom portrayal of Pavia as a deeply lonely person often comes hand in hand with him being touchstarved and the experience of feeling any semblance of genuine human connection for the very first time - but I would like to offer an alternative, explained in the next bullet point.

On the subject of Pavia, conventional society and his pack of wolves.

Pavia's official description, as seen in this tweet made by the official global account of the game, is the following:

An independent mercenary lacking in collaborative skills. Employers are content with his excellent abilities, but can't stand his work ethic of ignoring his coworkers.

This, along with his other quotes and the interview with UTTU, point towards how the world sees Pavia as a nuisance of sorts - a punishment, we know this - but it also points towards Pavia's rejection of conventional society.

The way Pavia behaves, the way he insists on maintaining the barrier between himself and conventional society, the pleasure he takes in making others suffer just by BEING THERE NEXT TO THEM, the stress he puts into being alone - it leads me to think that THIS is the result of his trauma.

It's not a deep seated loneliness, it's not yearning and secretly wishing for genuine connections, it's not a fear of the dark or enclosed spaces - it's an absolute and total rejection of the world that failed him.

Pavia cannot feel or grasp loneliness on the same level as other characters might because there is not a single person in this world he would rather spend his time with other than himself. The details of how he got out of the basement and began a life of crime haven't been revealed yet, so I won't theorize about it, but I like to think that everything that Pavia is and represents is one big "fuck you" to a world that left him to rot in that basement.

It all loops back to the previous point - by rejecting mankind and society as a whole, Pavia becomes the opposite: a beast who acts on his own accord rather than the rules that make up polite society. And in doing so, grows closer to himself and his pack. In doing so, he allows his humanity to slowly slip away.

The Insight II quote I mentioned before is a great example of this - the change in his sprites shows Pavia's eyes changing, now with black sclera and sharper teeth, darkness (and two of his wolves) surrounding him. He will never be "alone" from now on because he is now ONE of the pack, because this is where he belongs.

The medium for his Arcanum (not the "wand" used to cast spells and magic, those are different things from what I understand) is "Beast Teeth". Compare this with other characters: Zima's medium are poems, Dikke's medium is the law, Sonetto's medium is curiosity. An arcanist's medium seems to be a concept or object that represents who they are and what they believe in, something that is essential to their life and dear to their core. Pavia's is beast teeth. He's a beast Arcanist.

I like to think that Pavia based his behaviour, knowingly or not, on his pack of wolves. After all, he's the one who conjured them, it makes sense to me that he would subconsciously latch onto them. This would explain his more animalistic traits that show just how disconnected Pavia is from what a regular human being should be.

You guys freak me out when you sleep. What kind of people needs such a long sleep like that? Fall in a coma like a crispy critter, and wake up 8 hours later. …Only god knows how you can do that.

This dialogue implies that Pavia cannot wrap his head around a normal sleeping schedule - which is extremely ironic, considering that wolves sleep a LOT. But I'd attribute this more to the dissonance between him and conventional society than Pavia trying to larp as a wolf. We have to understand that he spent most of his days sleeping away the hunger, that he went on to reject the company of other people - it makes sense to me that he wasn't taught or didn't get to see how a normal person should behave in theory.

Despite this rejection, we can clearly see that Pavia enjoys a very hedonistic life - going on clubs, having a sweet tooth, wearing fancy clothes, shopping, films and whatnot (He's literally wearing Louboutins, guys. The soles of his shoes are RED). He plays the role of mercenary quite well, too. But it doesn't strike me as a writing inconsistency or hypocrisy from his part, Pavia is known for doing whatever he wants, one of his hand tattoos spells "LIBERTA" or freedom in italian, so this tracks. It's hard to be a hypocrite when your moral compass is all about being a wildcard.

I mentioned this in my first Pavia post, but the items attributed to him are all said to be cheap, fake or crudely hand-made.

His glasses are a copy of an actual Italian brand that no one would ever think of mistaking for the real thing, his bracelets and rings are dented and damaged, Pandora Wilson even goes as far as calling it junk. They even describe his earrings as rough workmanship. And yet, Pavia brags about his clothes and enjoys shopping. There's that small dissonance again - he enjoys bragging but does not know (or care) about the actual value or authenticity of his material possessions. (Pavia wears fake Louboutins, this is my headcanon, thanks for coming)

He plays the role of mercenary quite well, too. I'd also argue that the more violent aspects of his personality have to do with his line of work. This tweet confirms the majority of Pavia's tattoos and what they say - the one on his arm is "La Cosa Nuova", the sicilian mafia for those who didn't know. I won't go in-depth about the real life actions of such group, but it's clear that Pavia is or has been part of it within the world of Reverse: 1999.

Entering headcanon territory.

The two bullet points from before were mostly just analysis on how I read Pavia based on all evidence in-game, but now I get to talk about personal headcanons I have about him <3

I've explained pretty much everything I wanted to say about Pavia for now, so these are just gonna be rapid fire headcanons.

First of all, Pavia is a light sleeper.

The lightest sleeper you'll ever meet, even a soft whisper could wake him up - but this isn't because of some hidden fear of waking up back in his aunt's basement. Because he had nothing to focus on but the sounds within that basement, he greatly developed his hearing and his Insight II development further heightened his senses. Pavia is used to dark, silent spaces, so any unknown noise will put him on edge and wake him up. Sometimes, he pretends to sleep to get out of doing work.

Contrary to popular belief, he doesn't move at ALL when sleeping and tends to stay in the same position throughout the night.

This is something he learned, rather than something that comes naturally, because he tends to sleep with the pack and there's little space to move without accidentally kicking Andrea or Leon in the face.

Next. Pavia doesn't know that he resembles his mother a lot.

As for his mother, there are two possibilities: One, she's truly dead and he doesn't know, based on his 02 Story where his aunt confirms that Pavia's mother died a few years later, as well as Pavia's dialogue in which he talks about his mother as if she were alive. Two, she was alive the whole time and Pavia found out years later that she was committed to an asylum and his dialogue about his parents is correct.

Regardless, I like to think that he never saw her again once he was taken into his aunt's care, and that she never told him that the reason she put him in that basement was because he looks so similar to her "deceased" sister. Since they weren't there to raise him and he didn't hear anything about them from his aunt, Pavia holds no resentment and no love towards his parents, because they're total strangers to him.

Next. His wolves' names are interchangeable.

Pavia cares for his pack, and the wolves care for him in return - they were created for that very reason after all. Their dynamic and relationship is a mystery to everyone and it's much too complex to even put into words, but because they're still magical constructs he creates, their behaviour and individuality relies heavily on Pavia's skills as an Arcanist.

There are days in which it's very easy to confuse them, and there are days when it's very obvious how to tell them apart. He's had years to perfect them, to "raise" them if you will.

While the pack might not be around 24/7, they're always in the back of his mind. He can also communicate with them because of it. They don't mind if Pavia confuses them, but if someone else does it? Prepare to get bitten to death, I guess!

#reverse 1999 #reverse: 1999 #r1999 #r1999 headcanons #reverse 1999 pavia #pavia #its me yes i love him yes #i lied i didnt talk about everything i think of pavia #i specifically wanna ramble about the loss of humanity but i have no idea how to implement it here in a way i like #but im pretty content with this post!

84 notes · View notes