#lie a spare

[grits-galraisedinthesouth]

20 minutes of my life I'll never get back. 🤦‍♂️

I must be a glutton for punishment because I actually watched Kinsey Schofield's 20 min interview w/Valentine Low. May this rant save you from making the same mistake:

Valentine Low & Kinsey Schofield just reminded me that the British press is in desperate need of a grief recovery workshop to let go of their palace manufactured PR image of Sparry, "the CONSERVATIONIST," and accept the REALITY: Sparry has ALWAYS been a member of the lost boys who never intend to grow up. He loves drugs, perverted soho house sex play pens, and living a secret lifestyle in San Francisco, CA. As we saw in the South Park Documentary, Sparry has always wanted to be left alone so he can just bang on his drums all day.

The British media needs to accept that they never knew the Sparry aka Prince Harry. Much like Fergie & Andrew: The Meghans are two (2) intellectually below average individuals who married in haste. Both their academic & professional work histories indicate that these two (2) immature adults, lack even the basic skills necessary to function in society without the help of a PR "machine" whose job is to clean up their messes and repeatedly rebrand them into more acceptable members of polite society. It's past time for Valentine Low and other UK journalists to admit that they never really knew Sparry. All their Diana goodwill should now be invested into the future of the BRF (the family of Prince William)

No amount of hoping for the best or "covering up" for Sparry's misdeeds can transform the moral rot in his character. They bought and sold the PR image manufactured by the palace. It was the paparazzi & other "undesirables" who had the misfortune of observing the REAL Sparry. They watched him mistreat drivers, security, staffers, etc long BEFORE he was seduced by MEgain.

V Low believes Sparry flew a helicopter! 😳 Come on! Too many REAL service members have spoken out about Sparry's military character and performance and there's nothing good about it.

Sparry, like his wife is also a liar and a bully. He's not intellectually bright, he never was... He even bullied his grandparents before the "spectacle," he bullied Meghan's father...we heard reports about seeking a left wing wife and his interest in living in the US----all before MEgain.

Low also thinks Sparry loves his children. Has Valentine Low ever seen the invisibles? No. He's transferred a PR image to a couple of never before seen kids and their so called father. A so-called "father" who is willing to destroy his brother's children (and the innocent children of other couples) through the spread of destructive lies, has zero interest in the REAL wellbeing of anyone's kids, least of all his own.

As for the Wife: her ability to earn a college degree as an American teenager/young adult without even the offer of an ACADEMIC scholarship means that she too is mediocre and overrated. Her university commencement program states that she was a candidate for a degree in "communications" NOT some whip smart area of study like biochemistry or engineering! 🤦‍♂️

As a university student, thanks to her dad's brother (mike), she spent a measly six (6) weeks in Argentina on an exchange program (paid by her father) until she failed an exam that would have allowed her to apply for (real) jobs in the States. An intellectual or any hard worker would have studied until she passed the test. Not Rachel Meghan Markle. If no one was willing to make an exception for her low marks, then she would whore her way up a series of ladders until she found someone dumb enough to give her a platform.

No, this is NOT a "smart" couple. This couple is a cautionary tale about how Water seeks it's own level: Sparry's mother and teachers did him a disservice, just as MEgain's father did her a disservice: SPARE the rod & SPOIL the child

Kinsey believes that MEgain is "smart" because she achieved a Duchess title. (What does this tell us about Kinsey's IQ. 🤦‍♂️😳)

MEgain became a "Duchess" because she was a professional "seductress" employeed by Markus Anderson & Soho House. Everything this couple achieves is smoke & mirrors based on TRANSACTIONAL relationships where they bully & harass anyone standing in their way.

They don't even possess good work ethics, let alone above average IQs. Please call a spade a spade (or in this case a spare a spare) and stop gaslighting the public about what Sparry could have done had he not been involved with the wife.

We watched the wife verbally abuse KP staffers over bereavement flowers and feckless Sparry stood by in AGREEMENT. Wicked queen Jezebel 2.0 and traitorous king ahab 2.0. Let them go!

[dailyloopdeloop]

DAY 97: CONGRATULATIONS, YOU WON!

[prettyboysdontlookatexplosions]

ok ok ok since i finally broke and Posted about this peeve of mine i will also link chris hayes's reflections on canvassing undecided voters for john kerry, which i really think is an underappreciated text for understanding how things go; this set of snapshots in particular haunts me:

I met voters who told me they were voting for Bush, but who named their most important issue as the environment. One man told me he voted for Bush in 2000 because he thought that with Cheney, an oilman, on the ticket, the administration would finally be able to make us independent from foreign oil. A colleague spoke to a voter who had been a big Howard Dean fan, but had switched to supporting Bush after Dean lost the nomination. After half an hour in the man's house, she still couldn't make sense of his decision. Then there was the woman who called our office a few weeks before the election to tell us that though she had signed up to volunteer for Kerry she had now decided to back Bush. Why? Because the president supported stem cell research. The office became quiet as we all stopped what we were doing to listen to one of our fellow organizers try, nobly, to disabuse her of this notion. Despite having the facts on her side, the organizer didn't have much luck.

[soulless-bex]

hot take: Jason is actually one of the most emotionally intelligent members of the Batfam because, contrary to most of them, he actually expresses his actual emotions. and while those feelings are mostly negative, he still expresses them, which is more than can be say about Bruce (who will bottle it up till it blows up in his face), Damian and Cass (who were trained out of expressing their feelings during childhood by literal assassins), Tim and Dick (who are chronic liars and will bullshit their way through life unless there’s no other way).

[fumifooms]

Hijoushoku to Gochisou / A Feast of Emergency Rations

Mayonaka no Waltz / Midnight Waltz

Nagabe

[wheels-of-despair]

Fangs for the Mammaries Pairing: Eddie Munson x You Summary: Eddie brings a shexy new toy into the bedroom. Contains: Attempted sexytimes, excessive goofiness, banter that will make you cringe, Eddie being Eddie, Evil Woman wanting a divorce from a moron she's not even married to yet. Words: 1.2k Note: Youths and ageless blogs, DNI. Writer will block your ass.

"Gettin' bored over here, Munson."

You're lying on your back on his bed, blindfolded, listening to him run around the room.

"Keep your panties on, I've gotta set the mood!"

"Why did a chill just run up my spine?" you deadpan.

"AHA!" His triumphant cackle makes your hair stand on end.

After a few clicks of lights and lamps and the unmistakable shuffle of Eddie struggling to get out of his jeans, the mattress bounces as he jumps on top of you. His knees straddle your hips, and his hands close around your wrists, bringing them up above your head.

"Does this mean you're finally ready to sex me up?"

"Mhm," he hums. You can hear his smile, and fight one of your own. The mattress creaks as he leans down. You feel his breath on your cheek. His nose nuzzles your neck. And then…

"WHAT THE FUCK IS THAT?!"

You feel him shaking with laughter on top of you, and fight to free your hands from his grasp. When you finally overpower him - or more likely, he decided to let you go - you rip off the bandana he'd used as a blindfold… and your jaw drops.

"Are you fucking kidding me, Edward?"

Eddie roars with laughter.

So much, in fact, that the plastic vampire fangs almost fall out of his mouth.

He reaches up to shove the vibrant green teeth back in, glowing bright in the blacklight that bathes the room in purple, then shakes out his hair like he's in a shampoo commercial.

"D'you not fine thish shexy?"

"Get your ass off of me, I'm leaving."

"Uh-uh!" He falls forward again and pins your wrists.

"Gib me a kish."

"No."

"Pleash."

"No."

He bats his eyelashes and sucks back the spit that had been gathering in his open mouth so it doesn't dribble on you. What a gentleman.

"Pleeeeash."

You can't hold back your laughter anymore.

"Alright, fine, c'mere, you psychopath," you roll your eyes.

If you're into all tongue and no lip action, invest in a pair of plastic vampire fangs.

When he's done slobbering on your face, he moves to your neck.

"If you bite me, I'm gonna repay the favor," you warn.

"Promish?"

"Let my hands go so I can smack you."

You feel him chuckle against your collarbone, and he does. But for some reason, your hands come to rest on his shoulders instead of carrying out your threat. He nibbles his way down to his beloved girls.

"Sho shoft," he mumbles, rubbing his face against your breasts. The only thing separating him from your warm skin is a faded t-shirt. He drifts a little lower and starts pulling your shirt up with his fangs, an inch at a time, glancing up at you like he's waiting for permission.

Or for you to do it for him.

You reach down to grab the hem and help him out, whipping the shirt over your head and throwing it elsewhere. His eyes get bigger, just like they always do when he sees you naked. He'd probably lick his lips, were he not trying to keep his fangs from falling out.

You shiver when the points of his fangs graze your soft flesh. He's gonna bite. You know he's gonna bite.

He circles your nipple with the edge of one of his plastic teeth and your brace yourself.

"OW!" You jump when he finally bites you. It's not painful, just not something you'd experienced before. Obviously.

"You kay?" he raises his head and asks with panic.

"Keep goin', Drac," you laugh, wrapping your legs around him to pull him closer. He grins and dives back in. He spends a while nibbling at each breast, getting harder each time a bite causes your body to twitch against him. It's a strange sensation that causes a lot of giggling from both parties.

"I can't believe I'm letting you do this," you laugh. "How did I get here? What did I do wrong?"

"You lub it," he mumbles, moving down to your stomach. You lub him.

"Nope," you say when his slobbery kisses reach the waistband of your panties.

"Pleash," he whines, trying to get a fang between the elastic and your skin. You slide a hand into his hair and try to guide him away.

"Nope. We're done here, Count Dorkula."

"Just onsh?"

"Nope."

"I'll shtop if you dote like it." He bats his pretty eyelashes up at you, and you sigh. He just looks so damn cute.

"One time, and then we never speak of this again."

"Yesh!"

You hold your face in your hands, dragging your fingers down your cheeks. The things we do for lub.

Eddie slides your panties off, spreads your legs, and dives in with his stupid plastic fangs.

It only takes a few seconds for you to forget about the absurdity of the fangs and focus on the tongue. He doesn't try to nip or bite. He doesn't quite get his normal reach, with the plastic in the way, but he makes up for it with speed.

He doesn't surface until you've soaked his face. He drops the fangs into his hand and grins at you.

"You know what would've been awesome?"

"If your next sentence contains the word 'blood', I'm gonna kick you in the face."

He laughs and crawls up the bed to lie next to you, leaning over to deposit the teeth on his nightstand.

"This is the best day of my life," he grins, gazing at you like you hung the moon.

"I want a divorce."

"We're not married yet," he laughs, getting comfortable on his back next to you.

"I'm gonna marry you just so I can divorce you."

"I'll take what I can get, I guess." He reaches for your hand and gives it a squeeze. You lie there for a moment, staring up at the glow-in-the-dark stars you'd stuck on his ceiling together, until you have the strength to move.

"Be right back," you smile, turning to kiss him before rolling out of bed to go freshen up.

He's so pleased with himself for pulling off his fang stunt that he doesn't notice you swipe them from the table on your way out. Or the suspicious curve of the hand that's concealing them when you return.

Eddie is right where you left him; lying on his back in the center of the bed, hands behind his head and a tent in his boxers. You hop onto the mattress and straddle him like he did you, starting at his neck and slowly kissing a trail down to his boxers. He lifts his ass and lets you take them off and throw them aside.

You duck your head so he can't see, and when you raise back up…

"No," he says quickly.

"Told you I wash gonna repay the fabor."

"Don't."

"I shurvived. Sho will you."

"Babe."

"Your mouf shaysh no, but thish," you gave his leaking cock a light tap, "saysh yesh."

He whines. His brow furrows and his dick twitches as he considers it. He'll cave. You just have to wait it out.

You lace your fingers and rest your chin on top of them, blinking up at him sweetly from your position between his legs. You grin through the gleaming hunk of plastic in your mouth. He'll cave. You know he'll ca--

"Do it, please, oh my god, what the fuck--" His whining stops the second you glide your mouth down the length of his cock.

Stupid glow-in-the-dark vampire fangs and all.

[mylove-thresher]

i am NOT beating the fugo kinnie allegations 😭

and look at my lawyer dawgggggg im going to jail😫🤯🤣

[1very1fancy1doilies1]

I like the delulu theory that eremin was canon, but because Armin was telling the story, he omitted it to avoid breaking Mikasa's heart

[mamawasatesttube]

superboy (1994) #84

anywhoozies. throwback to that time kon destroyed every single gun in LA with a single ttk surge

[worstloki]

Fortesa Latifi, We Were Young

[lab-gr0wn-lambs]

If I had a nickel for every English actor playing a broken, Atlantan pack-leader with a grey beard who lost his wife, then his son to a zombie bite, went completely insane for a while, then had a new post-apocalypse partner and daughter and is trying to escape a facility that kidnaps people, separates families and claims to be rebuilding the future I'd have two nickels

[gideonisms]

Average person has one major breakdown that makes them rethink their life and change things up. But breakdowns abi is an outlier and should not be counted

[vnknowcrow]

For the people who liked the random fact post about danse and Kellogg. I couldn't find the clips yet but here's some of the clips I found really interesting while combing through the reunion video

[cringefelinecreature]

To think that the lovesquares biggest most ongoing problem (honesty and communication) all started from a white lie about a scarf.

[bestworstcase]

actually comparing the divine ultimatum in the sanctioned version of ‘the two brothers’ to what the god of light really said to ozma is interesting. the received version is:

if your kind has learned to live in harmony with one another and set aside their differences, then we shall once again live among you, and humanity will be made whole again. but if your kind is unchanged, if you demand our blessings while still fighting amongst yourselves, then man will be found irredeemable and your world will be wiped from existence.

and the sanctioned version is:

If they are worthy, we will take their forms and walk among them as equals. If not, we will take back our gifts and start over elsewhere. […] Humanity will make it plain. If they come together in unity and find a way to destroy the evil in the world and within themselves, then they are worthy. If not … we will let them burn.

there are… two interesting alterations here.

#1, "we shall once again live among you and humanity will be made whole" becomes "the gods will take human forms and walk among us as our equals." gestures at ‘the gift of the moon’ and ozpin’s commentary thereupon…

One interpretation of this story focuses on the fact that the people caused the problem in the first place. But in my view, it is only natural for us to want to bring more light into the world and “reach for the sun.” And on the brighter side, if you’ll excuse the pun, people were also part of the solution. They not only replaced the sun, a celestial gift from the all-powerful God of Light, but also improved upon it through their own ingenuity. Most importantly, they could not have accomplished this magnificent, godly feat without uniting for a common purpose in a way they never had before. The world once was divided between day and night, light and darkness, but by coming together, and overcoming their inherent jealousy and resentment, people made the darkness just a little bit brighter for all.

…wherein ozpin sidles right up to the precipice of I Stand With My Damned Wife: it’s "only natural" to "reach for the sun," used here explicitly as an allegory for the gifts or blessing of the "all-powerful god of light," whom humanity "replaced" with something better through their own "ingenuity" (even the smallest spark of hope is enough to ignite change, and in time, man’s passion, resourcefulness, and ingenuity led them to the tools that would help even the odds) by uniting for a "common purpose" (when banded together, unified by a common enemy, they are a noticeable threat).

he also echoes the closing passage of ‘the shallow sea’ here in naming jealousy and resentment as the problem ("And the descendants of the Humans who turned away from our god’s great gift have always carried envy in their hearts. To this day, they resent us for reminding them of what they are not and what they never can be."), which suggests he did understand exactly what salem meant when she quoted that myth in relation to the brothers—that the brothers were jealous and resentful because humankind had risen anew without them and had no need of their old masters any longer.

he’s still talking about humankind setting aside their differences and coming together, of course, but whereas in previous commentaries ozpin frames this as a difficult ideal to strive for lest we all destroy ourselves, here his tone turns hopeful: coming together is more than possible, humanity has done it before to replace the gods’ design with something greater.

gestures at until the end. "to live free, or die, it’s all the same/the enemy was right, there’s no reclaiming/in waves of shame/we’re desperate to make amends…"

the essential problem for ozma is this: by the time he becomes headmaster ozpin of beacon academy, he’s come around to salem’s thinking on the mandate, to whit that redemption is impossible and thus the only choices are to accept death or to try, once more, to fight for humanity’s freedom. yet he still believes in the infinite divine authority of the gods—he is certain that rebellion can end only in death—and moreover he believes that what he’s done is unforgivable, that it is impossible to make amends. and he is also unwilling to just give up and submit humankind as it is now to the final judgment; his hope is gone but his conscience compels him to keep trying, because he can’t bear to condemn the whole world to death.

hence the book. on its face ‘fairytales of remnant’ is a propagandistic hit piece on salem but read from cover to cover it’s also a desolate apology and plea for forgiveness: history is important and we must listen to each other, he writes in the forward. here is the story about (the witch) the warrior in the woods, who deserved more help than she was given. here is a story about a foolish man who sacrificed his wife and children to appease the cruel, fickle sun. here is the myth you quoted to me once: i didn’t understand you then, but i do now, and there is a deeper truth in this story than i knew. here is my favorite story; it’s about a huntsman who still grieves his wife and a family that finds each other again after parting ways in acrimony.

here is a story about a foolish king who destroys himself out of fear that he will make the wrong choice, and the love that saves him. here is the nightmare i have about you, told as a cautionary tale against projecting our own evil onto the face of others we fear. and here’s a story about we humans scapegoating those who were changed, hating and fearing our own loved ones because they do not look the same. here is a story about me, and my failures, and the girl whose trust i shattered, and i will leave it to you to decide if i am worthy of forgiveness. here’s the story that tore us apart; the only good ending i can imagine anymore is the one where humanity replaces the gods. and this story is about my grief, my despair, and why i keep trying.

and here is a story about you, and the hero i was before all of this; look far enough ahead, and the hero becomes a villain, but hopefully the reverse can be true, too. here is a story about humanity coming together to replace and perfect our god-given gifts; maybe we can’t be fixed, but we could start over. i keep telling these stories because i am afraid and uncertain and i want to believe that all of it really mattered.

like beacon tower, built in the image of her prison, the book is a cry for help hidden between the lines of a hollow condemnation. in the thousands of years between then and now, he’s corrupted "the gods will return to rule over us all" into "the gods will be remade in our image," because ozma doesn’t want to save the world unless she can still be in it.

and #2, ozma says the quiet part out loud.

"if you demand our blessings while still fighting among yourself," the god of light tells him, "mankind will be found irredeemable."

take these words at face value, and the divine mandate doesn’t actually sound unreasonable: mankind mustn’t approach the gods with a sense of entitlement, and they should try to cooperate with each other and work through conflict peacefully. that’s within the realm of difficult, but not impossible. but…

taken into context as the divine answer to salem’s defiance and the rebellion against the gods, his true meaning is that mankind must come together in obedient submission to their creators, repudiating salem and all she stands for. it is her "selfishness and arrogance" for which all of humanity stands condemned.

ozma grasps this. i’d wager he understood it the moment salem told him of the rebellion and why the gods ended their "experiment" the first time. and so his telling of the task he’s been given is more honest: humanity must "find a way to destroy the evil in the world and in themselves" to prove worthy.

in ‘the two brothers,’ the "evil in the world" is explicitly the grimm, whom the god light disdains as unliving creatures formed from malice and hate for no purpose but "destroying all that is good in the world." the god of darkness protests that the grimm are more than that, chiding his brother to remember that they are the same. and the brothers made humans by combining their natures into one being, just as dark made grimm and light made animals by "[giving] their essence to their creations."

what then does it mean for humans to "destroy the evil in the world and in themselves"? keep in mind that the humans in the myth do not do anything even notionally wrong: the brothers go to war with each other and "wreak havoc," and terrified humans "prayed to their gods and asked if they were being punished, […] asked for forgiveness, […] begged for mercy." this is mankind’s sole participation in the divine feud, crying out to the gods in anguish why are we being punished? (COUGHS IN JOB.)

in ozma’s account of this story, there is no wrongdoing, no sin to redeem—no justification for humanity to be condemned. instead, the brothers attempt to go their separate ways and find that they can’t, having given too much of themselves to their creations to leave the world, so darkness suggests that they take back their gifts, "reclaim our power and wipe this experiment from existence." no no, says light, we should give them a chance to prove worthy first.

so it is clear—there is no ambiguity about this at all, because there is no wrongdoing—that the "evil within themselves" that humanity must find a way to destroy is darkness itself; the "essence" darkness gave them, the gifts of knowledge and destruction he blessed them with. the evil in the world is the grimm, and the evil within is the part of human nature that came from darkness.

now. ‘the two brothers’ is of course factually inaccurate, and we know (from the answer to "what is ozpin hiding?") that the omission of the whole rebellion isn’t because ozma doesn’t know about it—he does. he knows. rather, the rebellion is something he actively chose to hide.

why?

the mythical narrative deliberately elides the divine justification for condemning mankind to death in favor of emphasizing the pettiness and indifference of the brothers toward their creations—they intend to destroy humans for no other reason than to regain their former power—and also making a direct equivalence between grimm (the evil in the world) and dark’s gifts to humanity (the evil within), both of which mankind must find a way to destroy in order to appease the god of light. the absurdity of this is underscored by darkness’ explicit admiration for human resilience and resourcefulness in the face of adversity; he’s fascinated by their use of his brother’s gifts, choice and creation.

this is, again, not secret. this is a book that ozpin published and made the cornerstone of the huntsmen academies’ curriculum; ‘the two brothers’ as recounted here is a mainstream, widely-known religious story. ozma is the one who established this religion in the first place, and he’s had thousands of years to nudge the doctrine in the direction he wants it to go.

which is I Stand With My Damned Wife. lol

ozma didn’t believe salem when she "blamed the end of the world" on the gods, but once she told him about her rebellion—as she must have, for him to know about it—he agreed with her that she had done no wrong. the story he has been telling about the brothers all this time is one that casts mankind as innocent victims crying out for mercy, for forgiveness, blaming themselves for the cruelty inflicted upon them by uncaring gods. "the desperate humans prayed to their gods and asked if they were being punished."

in his heart of hearts, this is what he believes. that salem is blameless. that she didn’t deserve this. that she’s right.

he could save the world by uniting the whole world against her and calling on the brothers to condemn her, but he can’t—not only because this world just isn’t as dear to him without her but also because to do so would be a grave injustice, and he knows it.

he doesn’t believe that the final judgment can be averted, and he believes a second rebellion is as doomed to failure as her first attempt. the only salvation for remnant lies in destroying salem—who is the evil in the world (grimm) and the evil within (defiance, easily swaying the hearts of men)—but, she cannot be destroyed.

which gives him time.

ozpin doesn’t have a plan for defeating salem. that’s not the same thing as having no plan at all, necessarily, and salem believes he does have a plan.

gestures at "we shall once again live among you and humanity will be made whole" transforming into "we will take their forms and live among them as equals." and the gift of the moon. and "if you look far enough ahead, even a story with a happy ending may reveal itself as a tragedy, and heroes may turn out to be villains… hopefully, the reverse is also true."

(ozma’s character in ‘the girl in the tower’ is called The Hero. ozpin isn’t referring to her, there, but to himself.)

he’s… trying is maybe too strong a word, but ozpin wants to achieve salem’s preferred outcome (humanity replaces the gods) without a rebellion; ‘the shallow sea’ contains deep truths, he writes, and in ‘the judgment of faunus’ he remarks that faunus depict the god of animals as a "wise and noble" figure while humans portray them as an untrustworthy trickster. in the context of the theological disagreement between salem and ozma, ‘the shallow sea’ becomes an allegory for her opinion of the brothers—she rhetorically positions the people of remnant as the faunus, herself as the god of animals, and the brothers as the envious, resentful humans who refused to leave the boat.

in ‘the judgment of faunus’ a god offers to adjudicate between a group of humans and animals who cannot resolve their feud. if they can’t live in peace, they warn both sides, they will "kill one another off, and perhaps destroy the world in the process." when they agree, the god combines them into one being—the faunus.

in ‘the two brothers,’ the gods of light and darkness are portrayed as two halves of a sundered being, the primordial dragon, who—like the humans and animals in ‘judgment’—are "more alike than [they] realize" but "have grown to see only the worst in each other." they create humanity in an effort to resolve their feud, combining their natures into one being, but this fails to stop the conflict between them. their battle "wreaked havoc" and threatened to "tear the world apart." in the end they agree that, should humanity prove worthy, they will shed their divinity and become mortal men; otherwise, they will "let them burn" and part ways from each other forever.

in… other words, in ozma’s myth, it falls to humanity to decide the brothers’ fates: will they be changed into something new and so find peace, or will they be driven apart forever, destroying themselves and their world?

gestures at ‘the judgment of faunus.’ a god happens upon the bloody battlefield and asks why are you fighting?

gestures at ‘the two brothers.’ desperate humans cry out to the gods why are you punishing us?

gestures at ‘the shallow sea,’ which salem used allegorically to equate the brothers to envious, resentful humans who rejected the chance they were given to change and heal, and so returned to their previous unfulfilling lives. with herself implicitly positioned as the god of animals. this one, ozpin suggests, contains deep truths that everyone should take the time to consider.

looks into the camera like i’m on the office.

he includes ‘the shallow sea’ to represent salem’s theological argument against the divine mandate and offers ‘the judgment of faunus’ as a counterpoint, following the pattern of her allegory: the animals and humans represent the gods of light and darkness, and the unnamed god represents humanity (or perhaps just ozma, mirroring salem’s self-identification with the god in ‘the shallow sea’). i can end your conflict if you agree to let me choose who is right, says the god. (and is that not the intent of the mandate, in the end? for humanity to side with the god of light against his brother, for whom salem is only a proxy? to choose which brother is right?) and then the god’s answer is "neither. both. you are the same."

the primordial dragon and the division of the two brothers is made up. it’s not true. but ozpin chose that version of the story and paired it with the ending where the brothers promise to make peace by becoming human, by combining their natures within themselves and thus restoring their true nature as One Whole, light-and-dark and dark-and-light.

which is ozma’s plan.

or at least, it’s what he thinks might be the answer, even if he isn’t quite sure how to make it happen.

the god in ‘judgment’ is either wise and noble or a duplicitous trickster, not to be trusted, depending who you ask, says ozpin. the only way to unite the world to the brothers’ satisfaction is by destroying salem—removing her from it completely. salem can’t be destroyed… but.

but.

the brothers are fallible. she had lied to them, turned them against each other…

they can be deceived. tricked.

ozma is so fucking good at lying. he drove her into exile, erased her from history. what few people there are who know about her are sworn to secrecy and dedicated to keeping her at bay. if the gods had returned one year before the story began, what would they see? an elaborate performance of unprecedented global peace ruled by a powerful, benevolent cult of the light dedicated solely to slaying grimm for the good of all, with salem barred from participation in civilization, completely ostracized and forgotten.

it doesn’t matter if it’s fake. it only needs to last long enough to fool the brothers while ozma convinces them that he can settle their feud once and for all, if only they grant him the power to make it so and promise to abide by his judgment.

if he can trick them into giving up their power and becoming mortal men, then Everything Will Be Okay. it squares the circle, fulfills his god-given task without sacrificing salem to appease them or sacrificing humanity in a futile act of defiance. but it will only work if the deception is absolutely perfect and that brings him right back to square one, he needs there to be no perceptible conflict in the world when the brothers return lest they rule against humanity and he needs salem to be truly gone—not the common enemy everyone in the world stands against, but gone, so thoroughly rejected and forgotten that she has no presence in the world at all.

aaand the only way to accomplish that is by legitimately fulfilling his task, at least superficially. world peace, no salem, the leading power in every kingdom is a virtuous institution inculcating light’s values in noble warriors who protect the peace. it can collapse like the house of cards it truly is as soon as the brothers have taken the bait and shed their divinity but until then, it has to be so real that even oz himself believes it.

[fusionsprunt]

dang.. so bee spent all this time getting back to her "home" (as you siad is not really her home) just to never feel anything again? to realize that the pepole she cared about and loved on fusionsprunt and on that planet and the happness she felt while being a robot/ humaniod being she would never feel again..

and she didn't know that reaching the point of becoming the comet again she would feel this way? this is so sad to me. if she cant think anything. if shes just there, like an infinite object, AND SHE CAN NEVER GO BACK EVEN IF SHE WANTED TO? 'PFJBKNSLGPDOJLVDSFJ (MB for the rant starbs, sorry if this makes no sense i panicked)

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