#let’s have a sing-song

[javelinbk]

Jessie Robins, The Beatles and the cast singing ‘You Made Me Love You’ for Magical Mystery Tour, September 1967

[demaparbat-hp]

Want to know what I believe? It's right here

Dig a little deeper and it's crystal clear

.

(WIP)

[yore-donatsu]

Some idiot #sketches on Ramattra and D-va bc I like them 😊 (both as silly friends and/or like a ship💜) Before some people start moaning: I love to see our great ommiac in good company and be happy ! 😚

[key-rk]

[Song; Search, Find - Bee Gees]

Mallard-mcquack Roadtrip is canon btw

Gos and Lp are not hitting those high notes 🙏🙏

[poorly-drawn-mdzs]

Playdate in peril, the homosexual thoughts be upon ye.

[First] Prev <–-> Next

[tilllindemannobsessed]

These two 🥰

[sluckythewizard]

I LOVE QUEEN SOO MUCH I THINK THEYRE JUST SO SO NEAT AND SILLY... the best thing about a cute character is that u get to draw them all scared and bloody and crying and shaking and upset and you can also put a spider on them

[loveinhawkins]

There’s a strange lull after the Upside Down is sealed shut, after it’s all over; Steve can see everyone struggling with it, particularly Eddie: it’s not like a town goes from vilifying you to doubling back on everything overnight.

Hawkins is quiet, ghostly. And yet, somehow Steve and Robin still have their jobs at Family Video—Steve is torn between laughing at the absurdity of it and being grateful for the familiarity. Every few shifts or so, Eddie will show up, uncharacteristically quiet, usually grabbing a chair in the back, out of view from the customers; Steve will take his lunch break there just so they can chat, unless Eddie has fallen asleep. Steve starts to suspect that the main reason Eddie comes is just so he can listen to the background noise of Robin and Steve: working, gossiping, teasing each other.

But Eddie seldom joins in on the banter himself. He seems jaded, worn around the edges; and there’s a shade of uncertainty to his now rare smiles. It doesn’t suit him, Steve thinks.

He gets the idea on a closing shift, five minutes till they can officially lock the doors to customers. The store is already empty, so Eddie has left the back room to instead perch on the counter, eyes vacant.

With a sudden spring in his step, Steve shuts the blinds prematurely. “Hey, Rob,” he calls across, “five minutes till showtime.”

Robin blinks uncomprehendingly for a second before giving a blinding grin. “Oh, you’re on.”

When was the last time we did this? Steve wonders. They’d come up with the routine together, during one of their first closing shifts here. It feels like a lifetime ago.

He keeps an eye on his watch, counting the minutes down, then makes a show of locking the doors. He smiles when Robin turns the radio on full blast at precisely the moment that he flips the sign to ‘Closed.’

He sees Eddie look up in vague curiosity at the sound. The DJ is currently chatting, and when Robin rolls her eyes, “Ugh, come on,” Eddie gives a quiet snort.

“You good, Buckley?”

“Yeah,” Steve says, “she’s just impatient.”

He narrowly avoids a VHS case to the head; he ducks, then chuckles at Eddie’s bemusement, Robin’s smile of anticipation.

The DJ plays a little jingle…

…And then the unmistakeable intro to Cyndi Lauper’s ‘Girls Just Wanna Have Fun’ fills the store.

Steve whoops. “Yes.”

Eddie tilts his head—still confused, but a little smile tugs at his lips, like he can’t help it. “What are you…?”

He trails off as Steve starts to skip his way down an aisle, tidying away tapes along to the beat, with all the theatricality of Broadway. Robin cheers like she’s watching a live concert.

Eddie is staring in disbelief; Steve winks, unabashedly over the top.

Showtime.

Steve mouths along to the lyrics—vaulting over the counter, Eddie scrabbling out of the way with a hilarious yelp, he grabs the phone in time for ‘The phone rings in the middle of the night,’ and if he puts even more feeling into ‘My father yells, ‘What you gonna do with your life?’’, well, it’s all part of the performance.

By the time the song ends, he’s breathless, and Robin is cheering herself hoarse, and Eddie—

Eddie is beaming.

“Jesus Christ,” he says, with hushed delight. He’s looking at Steve like he just hung the moon and the stars, eyes sparkling. “What the fuck was that, Harrington? This is the best day of my life.”

Robin is cackling. “Right? The first time he did it—”

“The first time?!”

“—I wanted to, like, invent time travel, just so I could tell myself, hey, one day you’re gonna watch Steve Harrington lipsync.”

Eddie is cracking up, laughing so hard he almost falls off the counter. It’s the most relaxed he’s been in ages, surely the happiest Steve has ever seen him. “There’s no way anyone would’ve believed you.”

“Rude,” Steve says, ruffling some fingers through his hair to fix the flyaway strands. “I’ve honed these skills for years.” He catches Eddie’s eye, winking again. “You’ve not even seen my ABBA moves.”  

Yeah, Steve thinks, catching his breath before another song begins. He smiles softly—Eddie’s continuous giggles are a triumph. There you are.

[titsthedamnseason]

*to the tune of the blank space loop* SYDNEY! (night 2 😁) as we all know by now we can expect ANYTHING from taylor and she seems to be just getting harder and harder to predict lol. but swiftie has become synonymous with clown so of course we’re still playing the surprise song game 🫶🏻 just leave your guesses in the tags or replies of this post and i will give shoutouts to everyone that gets it correct!!

my guesses are going to be girl at home and the way i loved you aaaaaaand don’t you? shut up i never do more than 2 but i just can’t narrow my thoughts down right now

[here-comes-the-moose]

What I Think Each Member of the Bad Batch’s Favorite Taylor Swift Album(s) Would Be (Plus Bonus Phee and Bonus Fives)

Hunter- Taylor Swift

Wrecker- Tie between 1989 and Fearless

Tech- Red for “All Too Well” alone (he’s very into lyrics and their meanings; also enjoys Folklore and Evermore)

Crosshair- Reputation (he’s also a really big fan of Red and Lover, but Reputation has a special place in his heart; he’s a huge Swiftie though so he likes all of them)

Omega- Speak Now (Reputation is a very close second because Crosshair likes it so much)

Echo- Folklore (followed very closely by Midnights and TTPD)

Phee- Tie between Red and Evermore

Fives- Midnights

[pineapplefulfillseveryneed]

I'm so grateful For the love that we share I'll never take it for granted That you're always there And when I think about the world And what is going on It makes me even more thankful That you're still around And I've been waiting all my life For someone I could stand And you're the only one so far Who could understand And what I'm feelin' in my heart Feelin' in my soul I couldn't ever hope to tell you I'm sure you must know

- Sparks // Let's Make Love

[carnivalcarriondiscarded]

oop oc concept posting! this bad bitch is for an original story of mine - the main characters are all from different "genres", and i needed One More to round out the group and well. puppet-y guy fit the bill! i can't decide on a name!

she's from a children's show that had a western themed rock group that would provide lessons through the power of Music! she was the band guitarist until she fuckin. fell into the labyrinth & got corrupted by her found family of idiot assholes

[total-drama-brainrot]

i found ur "p!Noah singing "The Red Means I Love You"" idea interesting and i absolutely love the concept of Chris asking for a song and Noah just jumping to the front with the most maniac grin on his face, and nobody stops him cause they're too afraid to so they just let the guy have his solo LMAO but i have to ask, if he did sing this song, given its a song to be directed at a singular person [or multiple people, if he goes around and singles out one person at a time], who would the person he sings it to be? or would he just sing it to sing it? [imagining him forming a kick-line at some point and cackling]

See I've always had a hard time envisioning Noah willfully singing for any reason- and that applies to all Noahs- save for maybe spite, monetary compensation and/or dedication to The Bit (and even then, I really doubt canon Noah would be committed enough to a joke to 'humiliate himself' by singing). He does sing along to the compulsary songs in canon, though he's not a frequent voice amongst the regular performers.

But p!Noah is pretty much all about committing himself fully to The Bit, so he'd probably jump at the chance to have his own solo song if said solo song was something along the lines of "The Red Means I Love You", or "I Can't Decide", or anything that's gruesome/gorey enough to cause discomfort to his competitors. Bonus points if he gets to demonstrate what he's singing!

As for who he's singing to? ... I have no idea.

I'm a bit (a lot) of a multishipper, and I usually leave my AUs fairly vague when it comes to what romances it'll include (if any) unless said romance plays an integral part in the whole concept of the AU itself. In the case of the Psycho Noah AU, I haven't really put much thought into how relationships would work- let alone which ship would be 'canon' to the AU.

So I guess what I'm trying to say is; it's up to the reader themself to fill in the blanks with their preferred Noah ship!

Saying that, having Noah sing an inherently romantic (if a little violent/fucked up) song without actually dedicating it to anyone is. Really funny. Maybe he's singing to the audience themselves, as yet another way to tease/toy with them?

(And the idea of him somehow roping the others into a kickline is hilarious, though I have no idea how he'd manage it. Not that I doubt he could.)

[deepforestdarling]

just watched some gameplay of this little guy, gotta say id let him be my pal

[chvoswxtch]

i’ve been on a sabrina carpenter kick this past week and i’ve decided it’s cannon that foggy is a sabrina stan and sings nonsense around the office all the time and matt hates it bc goddamn that song is catchy and he finds himself perched on a rooftop like a fucking gargoyle at 2am and he’s singing it to himself bc he can hear foggy belting it 3 blocks away

also foggy definitely blasted feather every single night during s3 after finding out that backstabbing little bitch was alive

[xenomorphicdna]

I AGREE WITH YOU SO HARD MAN i find it boring as hell that we have those complex, alien, amazing blend of machine and organism massive structures and people want to reduce them to what is basically a finger

Ignore the fact that I not only had this ask sitting in the box for several weeks but the art as well.

Time to continue the on the string propaganda as is my duty

YES there is SO much room to make these supercomputers incredibly interesting without taking them off the string.

Like I get it, silly creature in scenario (I love those) and I'm not gonna criticise it much here- this is mostly gonna be an appreciation post, but big machine that is not human could very much stay a big machine that is not human.

Faithful mutual @sin-ari talked to me about how such a complex machine would struggle to portray it's emotions through the puppet. The puppet is meant to comfort the ancients and provide a way to communicate in the same style. But who's to say iterators feel things the same way? What if they had emotions that are indescribable to us? Things we could never experience?

And I'm going to keep talking about Ari's points cuz yess iterators should express their emotions with all of their structure. You should hear the thrumming and crackling of the flux condensers! You should hear the growling of their systems with anger, you should feel the metal walls vibrate with sound!!

The PLACE is alive and you should feel it!!! If you wander into an iterator structure and it's quiet, not a single 'whoop' from the flies, if the lights aren't dancing like they usually are, if rooms are empty with inactivity, could you not feel the sadness?

Does the general system bus play a different tune?