#let me make this clear this post was NOT about them and i have no clue who they are

[writerdownbookworder]

My father stares at me. “I…could ask the same thing.”

I wave off my soldiers around the room. “It’s okay. This is my father. Stand down”

He watches as they sheath their weapons, returning to their posts along the walls. His eyes travel the room, taking in all the Fae who are watching the exchange.

I clear my throat. “Attention, please. My receiving hours are over for today. Apologies to those of you who did not get an audience. I will open my courts tomorrow as well to make up for it.”

The throne room empties slowly, mostly without grumbling. A few Fae cast anxious glances at my father, glaringly human in the midst of so much magic.

“I- I-” he stammers. “You are… queen? Of all these…things?”

I gesture for him to sit. “I will explain. But you must listen and not interrupt.”

He nods, and I begin my tale.

“Twenty years ago, I was playing in the front garden on Mama’s birthday. I knew you wished to be alone, even at 4 years old. While you were talking to her grave in the clearing, I was stolen by a group of radicals, traitors to the Fae crown. 

“It was a civil war.

“It was almost two years before the resistance was tamped out and I was rescued by the crown. The previous queen was old. Her husband had died in the war, leaving her running the war with only her 8 year old son to help. 

“About 10 years ago, she crowned him King of the Fae. We struck up a friendship, which turned to courtship. We were joined - married - about five years ago. The old queen died shortly after. 

“So here I am, Queen of the Fae.” I smiled kindly at my father. “If you had come a few days earlier, you could have met my husband. He’s away right now, helping in one of the Eastern provinces.”

My father looks hurt. “They didn’t let you come home?”

I shake my head. “Father, you were so hurt after Mama died. You never really seemed to care much about me. I knew you loved me, but I assumed you would have thought I was dead and left it alone a long time ago. Besides, once I came to live with the old queen and prince, I loved it here. And once we began courting, they made me fully Fae. I can never live normally among humans.”

My father looks away uncomfortably. “I…never meant to make you feel that way.”

My voice is soft. “I know. It’s okay, Father. You’ve found me now! I’m alive. I’m happy. What more could you want? You can go home and live your life.”

My father steps forward. “I want you to come home with me! You can’t truly be happy! Look at this place, these people! They stole you from me. Now I can steal you back.”

I take a step backwards. “I am happy, Father. You are welcome to stay here for as long as you like, although you can’t stay permanently. But I will be staying. These are my people, and if you threaten them, me, or my family, I will not hesitate to take action against you.”

He does not fight me. My father agrees to stay for a little while, wanting to meet my husband. 

Two weeks later, after a few strained dinners between my father and husband, I woke in the middle of the night to see my father standing over our bed with a knife.

He did not leave the palace after all.

His daughter was stolen by the Fae. Two decades of fruitless searching later, his time for vengeance has come. He kicks in the door to the Queen’s throne room as she flies to her feet, grabbing the hilt of her sword before recognition flashes across her face. “Dad… what are you doing here?”

[twisted-broth]

Any of the boys you want do a challenge where (they aren't dating yet) but they are at a fair and they win a bear or a prize and s/o gives them a kiss on the cheek for how many they win and s/o says if they win 10 or more they will give them a kiss on the lips and spend a week together with just them (maybe show like if some did get the kiss and how they would react?) I thought this was cute lol

This has been sitting in my drafts for like a year so I just figured I would post the parts of it that were done.

Leave it to Crowley and Grim to get you into this situation. “Every dorm has to have a booth at the fair, prefect! Maybe you’ll even earn enough money to make some renovations to that shoddy old place!”

Crowley failed to take into consideration how making a carnival attraction costs money to be any good. Any cafe service would need more money and supplies than you could afford, a show would need more than two people, and a game would need prizes.

Grim is not one for bright ideas, but it would seem there was no other solution that wouldn’t cost all your food money for the month. So this is what it came to.

“Knock down all the pins and win a kiss on the cheek from Ramshackle’s prefect! Hit all three targets and he’ll give you a kiss on the lips!!!!”

It was probably in your top five most embarrassing moments of your life as your cat basically prostituted you at the top of his lungs. Surely no one would actually be enticed by a prize like that, right?

Trey

"You always manage to find a way to keep things interesting, don't you? For once I'm glad to be at a school mandated event."

Feels bad. Plays anyway.

No hard feelings, right?

He tells you that you have nothing to worry about, he's really a lousy shot anyway (as if he's not the best spelldrive player on Heartslabyul)

He easily knocks down the first two stacks, but misses the third

Maybe he missed, maybe he found it in his heart to show you mercy

He not-so-subtly implies that he's sure he could find a different way to win the "grand prize"

Despite his big talk, he still has a noticeable blush when you give him a kiss on the cheek

He would also keep an eye on your booth for the rest of the day to make sure not too many people are winning

For your sake, of course

Jade

“It would seem you’ve found yourself in quite the situation there, prefect. Please find it in your heart to forgive me if I take advantage.”

This is the funniest shit Jade has ever seen

How stupid do you honestly have to be to get yourself into this predicament?

Of course he’s playing the game. The scowl on your face when he trades in his tickets to Grim for three baseballs fills him with unbridled delight

His aim is a little wonky and you sigh in relief when his first three balls miss the target

He feigns disappointment before handing over another few tickets to the cat and grabbing the balls again

Of course he was hustling you. He let you think that even for a second you would be safe from this menace. For shame

Each ball is thrown with such force that pins from the first stack fly into the other stacks, easily ensuring that Jade clears the game with ease

He calls it beginners luck. Asshole.

Has the biggest shit eating grin on his face as he leans down to your face to claim his prize

Rook

"Mon amour, what a dastardly situation you've been resigned to! Not to worry sweet dame, I shall save you from the beasts at your heels!"

You knew you were in trouble the minute Rook’s gaze happened to fall on your stall

His eyes narrow and he smirks as he makes his way over to the stall

He's visibly holding back his excitement as he trades his tickets in to Grim

His idea of "saving you" is to hog the game- and the prize- for himself

He hits every stack with effortless accuracy, game after game

The second all three stacks have been knocked down, he prances over to you and leans down for his kiss. You can practically see the flower emojis radiating off his satisfied smile

This will continue until Grim gets fed up with him scaring away customers, or Vil comes to drag him away

You got so used to kissing him that you almost do it again the next time he leans down to talk to you

[meanbossart]

Ask compilation: DU drow, Orin, Astarion, lore things and little fun facts.

Trying to make a dent in this dang inbox. As always, thank you so much everyone for your patience and curiosity! Sorry that it is straight up no longer possible for me to reply to everyone, but I will keep doing my best within reason. Enjoy!

Absolutely! I had a lot of requests for bottom Astarion on my patreon which is why I was kind of on a roll there for a minute.

Though, for the record - I am really not very invested in strict bedroom roles at all. Or clear and distinct dominant/submissive dynamics. So please don't overthink it whenever there's a switch, no pun intended.

You wanna know how often they smash? Man, I don't know, I guess fairly often considering their lifestyle post-game (very active, often on the road).

Assuming that everyone agrees that sex doesn't have to involve penetration, I'd say once every other day or less, really depends on the circumstances though. DU drow's libido is much higher than Astarion's, but he's not an animal and can hold off fine. Astarion is likely to be pickier in regards to location and how-recently-have-we-bathed status as well.

I keep meaning to draw him, but I have like... A million things I want to do 😂 so its rough!

BUT you will at least continue to see him in ANE! And I'm sure i'm bound to draw him again in the future.

[MORE UNDER THE CUT]

If you mean in his bhaalist "AU", where he has the red robe and the extra scars, I imagine he would have gotten it through killing Isobel.

I think as a changeling she probably has the ability to just... Transform her hair however she likes at will, right? And based on her attitude plus some lines we get from Sceleritas about her own former-butler, it sounds like she would be really opposed to being serviced in that way, to me at least.

I see her as pretty aggressively independent with the way she operates, which is another factor that sets her apart from DU drow, who really enjoyed lording over the other Bhaalists and making an errand boy out of Sceleritas, to the point where he practically depended on their help to function.

Neither! I wasn't willing to let anyone take either of my eyes in my first playthrough, LOL.

I have since always given the Volo eye to SOMEONE, usually Gale, but I don't consider that canonical. I don't think anyone was desperate enough to let mister frumpy-hat over there ice-pick their eyes out.

He did do them himself. It was a profoundly stupid display he got caught up in because of Gortash. Also, de-handment is kind of a theme in his life, at least inside his head.

I have a comic about it planned for the future ;)

What do you mean, that's canonical to the game and everything! He loves the cuck chair!

He is an angsty 29-year old in denial. Your interpretation is still perfectly accurate.

Hates the guy. Hates when Shadowheart Astarion people joke about him being the Drizzt of his generation. Hates the guy like literally any countercultural weirdo hates Taylor Swift or the Weeknd. If he saw him at the line in the grocery store DU drow would find a way to roll his eyes loudly just so he could notice being an asshole.

Stay tuned, I'm cooking 🧑‍🍳

If you're asking about game strats, badly, LOL. Pretty sure I died twice to her in my first run and it was a rough way of being thrown into "serious" DnD combat.

With the exception of a couple of encounters that just so happened to turn out SURPRISINGLY cinematic, I'm just realizing that I actually don't think too often about how most of the fights went in real-time! I imagine Autie Ethel's in particular wasn't one that DU drow went into of his own accord, probably rather at a companion's insistence. That's as deep as I've thought about that personally.

Now... Back to game strats. I personally try to get a surprise round on her however I can by sneaking and shooting an arrow or AOE in her general location, since she always stands on roughly the same spot while invisible. I have my companions spread about the arena so we can take her clones down as fast as possible, and as soon as I identify who the real Ethel is I just have the strongest martial characters wail on her until she begs to be let go. Hers is one of the few fights that is actually pretty dang easy at this point for me - and I SUCK at this game.

That would certainly take a while! But, Bhaalist DU drow does kind of have an end goal, actually.

That might also turn into a comic eventually, but it would a rough one.

He pretty swiftly disposed of her, DU drow doesn't like being talked down to, which Minthara very promptly does. Him (and I, by extension) had very limited exposure to her and she was just kind of a speck of dust in his story in particular. Though I have since grown to adore her character in my proceeding runs where I do recruit her!

I guess if he got an invitation and it wasn't particularly painful to arrive at the venue, sure! He would specially love to take Astarion to Gale's wedding ceremony and purposely upstage him at every at every opportunity, LOL.

Yes. He got pretty freaky with the pain-priest. This is gonna sound like a lie but I made him get naked for it without even knowing there was a buff to be gained (I didn't get it, unfortunately, I don't remember whether I failed a check or if I had camp clothes toggled on, so it didn't count as being truly nude). I wasn't taking the game very seriously and just doing dumb roleplay things to see what would happen, LOL.

And I consider that canonical. I think DU drow saw the opportunity to show off his physique And had a strange inkling that this was a practice he was... Somehow familiar with.

Imagine my joy when Astarion and Shadowheart start having a back-and-forth about my absurd display. That's when i knew those were my people, to be honest.

[raggedy-anne4013]

oof. This post has been in my drafts for months. I remeber feeling when I initially wrote this that it would get too much hate. However, I feel so strongly about this and so I'm going to post it here anyway. Just beware if you're steering clear of politics and anything community services related.

I hear you live in Germany! In Australia, it's a little different. Resi is a place where they put the foster kids that no one wants. Often it's filled with teenagers who've bounced from home to home in their childhood. Parents can't put their kids in resi (they would need to put their kids in foster care for them to possibly end up in resi). Saying that, in Australia practically all the kids in resi are disabled in some way.

As it is such a toxic environment, there is huge pressure on social workers and foster carers to take kids so they don't end up with the 'failures' in resi. Thus, many carers take on kids with extreme disabilities that they can't handle to try and 'save' the kids from resi. They're definitely saving the kids some level of pain (I know numerous people who have died in residential care) but it's horrible that these kids aren't given the care they need.

Resi does nothing for our society except cause an extra level of pain for kids who have already been rejected too many times. Our resi is a bit like you described in that most people I know who are too disabled or too mentally unstable or too much of a danger to themselves or others either end up in prison, a psych ward or dead. The kids who are able to 'graduate' are thrown out into society with no tools to properly help them survive and so even if they survive resi, the same thing happens to these people, just when they're a bit older.

And this is from a system in which you only go to resi if you are too disabled or too mentally unstable or too much of a danger.

It's a hard pill to swallow but the reality is that our government doesn't put enough money into this system to accommodate the people who need to be in it. The people who want to change things are too overworked and underpaid to even afford to live for themselves, let alone help the people who need it. The people who are suffering the impacts of this stupid, stupid system are unable to advocate for themselves.

I was talking to my parents a while ago about this (they are foster carers as well) and how it just makes me want to scream because I know this threat of resi that these social workers are telling me about is true. If you say 'no', you are condemning this child to a lifetime of pain or death. It seems that every system in this stupid world which is meant to help people, falls so short. The world sucks. People sucks. The institutions we make to stop things from sucking so much suck the most.

Most people really don't seem to know what this mysterious "residential care" means when it comes to disabilities.

"This person is severely disabled, they have to live in residential care."

Do you know what happens when a severely disabled person with high support needs who isn't aware of dangers and needs constant supervision applies for residential care?

They get turned down or kicked out a couple of days later.

This happens regularly, btw. Kids grow up and parents think "Oh, residential care sounds good", and then suddenly every institution, etc. goes "Sorry, we don't specialise in that, sorry, your child is too aggressive, sorry, your child can't stick to our sleep schedule, sorry, your child is too noise sensitive, sorry, your child HAS to participate in our weekly activities even though their disability makes it impossible for them to do so, sorry..."

People who can live in residential care aren't your "the worst of the worst" example. There is such a thing as "too disabled for residential care" and it's more common than you'd think! ☝🏼

"But what happens when someone is too disabled for residential care and their family can't take care of them? Surely everyone eventually ends up somewhere!"

They get passed around from institution to institution, but everyone eventually goes "Sorry, we can't keep them here", and it won't stop. Until, maybe, one day they're lucky and a fixed team of carers "adopts" them and tries to create some kind of assisted living from scratch.

(Edit: Some people in the notes mention that many end up in prison or psych wards. That's included in what I mean with "institution" ☝🏼. But keep in mind that most severely disabled people with very high support needs simply die when their needs aren't met, so they either are passed around from institution to institution until someone builds something from scratch... or they simply die.)

Nobody talks about it, which is why it's always a big shock for parents who found a really good residential care place for their soon-to-be adult child and their child looks forward to moving out, and suddenly this wonderful residential care company turns their child down because it's too disabled. And then the next one. And the next.

So no, residential care isn't for "those with the most profound disabilities" - people with the most profound disabilities can't be in residential care at all.

[twig-tea]

East Palace, West Palace in ep5 of Blue Canvas of Youthful Days

I have been punched in the solar plexus by Blue Canvas of Youthful Days episode 5. So much happens in that episode that is overwhelming, from Qi Lu setting up a Netflix-and-chill date with the clear intention of making a move, to his putting on the famous film East Palace, West Palace (1996), to Qi Lu hiding Qin Xiao in the closet, to Qi Lu's panic at his father realizing he's been lied to, to the devastatingly practiced way Teacher Liu steps to Qi Lu being abused and handles his father, to the way Qi Lu shuts down, to the way QIn Xiao keeps sending mixed signals and Qi Lu calls him on it directly. And nobody else in this episode let me rest either; Tan Fan trying to ask Teacher Liu to wait for him and Liu brushing him off AGAIN, and Turtle trying to call out

@lurkingshan was already more coherent than I can be right now about what happened in the episode in her post.

So instead I want to focus on some queer cinema history that this episode evoked by using East Palace, West Palace as the film that Qi Lu shows to QIn Xiao.

For those who don't know, EPWP is considered to be the first realistic depiction of a gay man in film by a mainland Chinese production. It is to my knowledge the first time a gay man says "I love you" to another man on screen. It was made before being gay was decriminalized in China (1997), and it was filmed by an independent production company and smuggled out of China to France in order to be finished and distributed. It ended up at the Cannes festival in 1997, but the director's passport was seized and he was placed under house arrest to prevent him from attending. Despite pressure to pull the film, it still aired that year. In 1998, the Film Law was passed to prevent anyone from making films outside of the studio system (and therefore censorship review), effectively preventing anything like EPWP from being made in the future.

The film is about a gay man who cruises in the notorious bathrooms in the parks on either side of Tiananmen Square getting harassed by police officers (a situation extremely familiar to the historical queer experience in Canada [where I'm from] as well) and playing what I'd describe as a psychological game with one of them; A Lan kisses the cop, runs, and then gets caught a second time, and uses the second police confession as an excuse to tell his life's story in the public record, all while pushing the police officer a little further into deviance. As far as I'm aware, this film has been banned in China since being made and never shown (please correct me if I'm wrong about that!).

This is hitting me hard because of the much more recent history of Blue Canvas of Youthful Days itself. As most of you know, but I'll capture here for posterity, episodes 1-4 of this show aired on iQIYI (a China-based app) on August 6, and within 24 hours they were pulled from the app with no information about the future episodes being shown. When I watched episode 5 today, after waiting for it for 3 months, I was immediately hit with a wave of anger that this gorgeous, emotionally moving and powerful episode had been held back from public consumption for months, for the same reasons that the film being shown within the episode had been withheld from viewing in its own country.

Censorship is such an ugly thing, it's hard to articulate but the emotions around it are so strong because we know, when they pull or refuse to show media that depicts our lives, it's because they don't want our lives to be real; they don't want us to exist. It's a very real threat. And to have this episode--which is all about an abused boy who is in very real danger but so bravely insisting that he shoot his shot and take his best chance at love and happiness anyway, using the iconic confession scene from one of the most famous banned films in Chinese queer cinema history to do it--to have this episode be the one that was prevented from airing......I am overwhelmed.

In the scenes they watch in episode 5, A Lan tries to prevent the officer from uncuffing him, and then the officer lets him go, but A Lan doesn't go far and comes back. He declares his love to the officer's face, and demands that his love be acknowledged and not dismissed. And the officer does not know what to do with it and reacts with violence, which is partially what A Lan has been angling at all along. The show really played with this by having all three of the couples in the show stymied by having their overtures dismissed this episode, but we almost didn't get to see it.

I'm so grateful this got distribution now, and on multiple platforms. Blue Canvas of Youthful Days is airing Saturdays and Sundays on GagaOOLala and Youtube (note, as per @thisonelikesaliens's excellent language posts, the subs on Gaga are much better), and on Mondays on Viki. I know there is an avalanche of content right now, but this show is so good and worked so hard to make it to us, please give it some love!

[tinystepsforward]

a good post by a friend, for the usamericans who need to figure out grieving and action. let this radicalise you, not drive you to despair.

molly offers some options here which are probably a lot more accessible to those of you who aren't as far left/abolitionist/commie as i am, and i reckon this is a solid piece to share even with parents or other older people who are realising they need to organise outside of voting for the first time in their lives. some practical advice for looking after yourself, some causes to look at, some space to take, and grace with which to take it.

i've said this before: this stuff is happening in new zealand too. the people who control most of the money in the world have been working really hard worldwide to shift the overton window right, to normalise things that should be unacceptable.

now more than ever is the time for usamericans to learn to sit with their feelings — especially if you're white, if you're cis, if you make good money. to sit with grief, and discomfort, and guilt. to let it move through you, and to feel it rather than try to avoid it, and then to — when you are ready — reach out to the people around you, and build something together, however small. to be willing to imagine a better future. to have enough experience graciously processing your own guilt to not automatically dismiss people in prison or people being bombed or people who have "broken the law", whatever that means.

now is the time to develop your own moral code independent from what is legal. as an abolitionist mine is about harm reduction — and that means being very clear about when my own bad feelings or discomfort are a me problem, feeling them, and letting them go without transmuting them directly into impulsive action. that means not panicposting about how you're gonna be put in camps and your life is over where other people who are more at risk may see it. that means being recognising when you need to communicate and not be conflict avoidant in order to prevent harm, or when you need to step back from something that makes you uncomfortable but isn't harm. that means looking at the small ways your life can include a little more kindness.

be kind to each other — so you can be dangerous together. resilience is built through kindness and integrity in conflict, through doing the hard work of being a person in community. fit your own mask. grieve. breathe through it. then look for the other people picking themselves up. there is always work to do, and more people now ready to do it than ever.

[taigarrryen]

-> The Paper Art Post <-

Let's make some Wild Life ep.3 snails together!

First of all, I make a sketch (usually it's already the size I want the final thing to be, because I'm a very lazy person).

At the point where everything is apparent enough to have a clear vision in mind, I go to my paper scrap drawer and think of what colors and textures I want to use (although sometimes I initially start from the color palette).

Here they are! But don't get too attached, we're gonna destroy them later >:)

And while we're on it, let's talk a bit about textures!

Textures are like candy for our eyes. They are an easy way to trick your brain into thinking that something is more detailed than it actually is, hence it adds interest and makes the whole piece fun to look at.

However, this is also why it's important not to overuse them — it's easy to get lost in the details and accidentally make your piece difficult to perceive as a whole.

You can make textured paper yourself using literally anything you can come up with: paint a sheet of paper with gouache or tempera, make swirls and gradients with watercolor or inc, scribble with colored pencils, make prints with various objects (I enjoy making prints of crumpled paper tissues soaked in ink), etc etc. Packaging film or candy wrapping also can be cool.

My only advice is be careful if you use gouache: some colors can make your fingers messy even after completely drying, so that has to be kept in mind to avoid accidentally leaving a dirty fingerprint somewhere you didn't plan for it to be.

For the tools I recommend using not only scissors, but a modeling knife/scalpel and an awl as well. Modeling knife makes cutting small things much easier, and awl comes in handy when you want to transfer a detail on paper but don't want to use pencil.

For gluing stuff I use gluestick, rubber glue and double-sided tape.

Now the fun part!

You can add details with colored pencils and markers ↑

As you can see, the process is pretty simple: I cut the piece I need from the sketch and transfer it to colored paper.

When it comes to assembling pieces, you can carefully cut them so that everything fits together like a puzzle, or simply glue them on top of eachother.

Keep the scraps (unless they're objectively tiny, of course)! You never know when you'll want just that amount of just that color or texture. It's also much more practical to cut new details from the side of the sheet from which you have already cut, rather than start from different edge every time you need a piece of that color.

Don't rush to glue things down! Along the way you might want to move something a bit or put one piece under another, and with quickly gluing everything it won't be possible. I like to work in big parts, making every object or character in the picture first and then, after putting them on their places and fumbling around, gradually assemble everything like lego.

Here are two parts of the picture (Bdubs' snail + Tango&Etho's snails) and a piece of red film I want to put on the background in some places. All that's left is to assemble everything by carefully gluing it on to my sketchbook page :)

You also can elevate certain parts of your artwork to create depth and areas of interest, using puffy tape or п-shaped / [-shaped piece of paper and glue. It looks really cool, but I usually don't do that because it's inconvenient for me to store & I like to keep everything in the sketchbooks.

TA-DAAA, we're done! The best thing about this technique is that you don't have to be good at actually drawing to make something that looks interesting!

Hope this post was useful and you've got inspired to try paper art for yourself! (And if you did — send me your art in ask box or replies, I'll be very glad to see it :] )

[sgiandubh]

Why would Ashley go to follow and stop following Caitriona? After all aren't sam and caitriona supposed to be just friends and colleagues so why do that? They're the ones creating all the fuss for nothing. If they acted like colleagues no one would go looking 🙄🙄🙄 . I don't understand this need to always dismiss Caitriona as if it's oh my god never associate Caitriona with sam. What a crime to see two friends together ! Following Caitriona means nothing, it doesn't define an affair nor a relationship between them so I don't see the point in avoiding following this woman 🙄🙄 !

Dear Following Anon,

You can try to dilute things as much as you want, but you seem to ignore one of the weird Laws of Thermodynamics in this fandom:

Follows and unfollows are important and relevant. Until they aren't.

I do not share many people's mystique in this regard, simply because I happen to believe social media is nothing more than a tool. Whether it is used for promo and/or manipulation is anyone's guess. What is clear is that there are more things than the bits we are privy to via Instagram, very often with an agenda.

In that particular case, the follow clicked with some info I was shared regarding that get together at the Milady's bar. I was also told Ashley did (help) organize the event, which is consistent with her posting an IG story featuring some Sassenach bottles she was delivering 'somewhere' just before it took place.

And then, there's also this detail:

Clearly she knew the owners/bartending team and arranged things.

But perhaps she thought/was told that would be exposing her too much and then changed her mind about following C? I suppose all we can do is speculate, Anon. Fact is Ashley followed her and she doesn't anymore. Anyone's guess, really.

I will respectfully disagree with you about them deliberately 'creating this fuss for nothing'. You probably are a Fencer and, as all Fencers do, you seem to be unable to connect the dots and never question anything you are told. A most regrettable, unpleasant thing that takes away all the fun and permanently closes all the interesting doors and avenues you could explore in this fandom. Your explanation does not hold: if there is nothing, why condone this ambiguity? For clicks? That is ridiculous. C doesn't give a flying duck about clicks and he just has to take off his shirt: mommies worldwide will instantly unite and drool. How Pavlovian!

There is also another thing: C's Stans really seem to have strong, repressed feelings for her, that might go beyond what is socially acceptable from a fan. They seem to display such a deep sense of possession, it often made me raise an eyebrow in disbelief. If we follow this reasoning, then McGill is the perfect, harmless companion: they see him as no serious threat to their fantasies. S is something else and their minds dissociate - otherwise, as Yeats once famously wrote, 'Things fall apart; the centre cannot hold'.

'Following Caitriona means nothing, it doesn't define an affair nor a relationship between them'. Oh, Anon, I hope you didn't imply Ashley and C... come on, get a grip! By now, all the side players must have been gently, but firmly briefed about people's behavior in this fandom: lack of filter, and all. What would you do, if you were Ashley Hearn?

Finally, let me correct something about the timeline of events - thank you for the opportunity to do so:

I did write in a previous post (https://www.tumblr.com/sgiandubh/765519132954329088/seems-sams-mom-has-been-in-new-york-as-well) that the Milady's get together was on October 17th. I was wrong and superficial, albeit in all good faith. It was on October 16th, after C was spotted at the Burberry's 57th Street Flagship Store Reopening VIP Dinner, in New York:

I do apologize for this mistake and would like to thank @mojo106 for rigorously setting the record straight: what would I do without your collective scrutiny? Probably make a fool of myself.

However, the whole rest of it is legit and I am sticking to whatever I could write about it. Never a problem acknowledging mistakes and owning them, here. Warts and all, Anon. Warts and all.

[fangirlmermaid]

You Are The Only Exception!

Summary- Reader performs a brand new love song about Matt at a concert.

Pairing: Matt Sturniolo x fem!reader

Note: Thank you to everyone who voted for my poll! It was a tie so I will be posting the Chris Fanfic soon!

Warning: Small sexual tendencies, a very sassy and pissed-off manager

(as usual, there may be spelling or grammar mistakes)

(Sorry that it's long)

~~~~~~~~~~~~

It was the intermission part of your show. This was usually the time you spent talking to the fans and getting the latest gossip about what was going on in their lives. Not this time. You were nowhere to be seen, making your boyfriend Matt confused but he just assumed that there was a problem you had to take care of.

Matt and his brothers sat in their box seats talking stupid shit when they heard a commotion from the audience below them. You weren’t in your red bodysuit, you were in this gown. Matt's eyes grew hearts, which caused Chris and Nick to wrinkle their noses in disgust at their brother's reaction. No matter what you wear Matt always looks at you like you are the most beautiful girl in the world but seeing you dressed in that outfit took it to a whole other level, Liam Neeson could be near, and his attention would still be on you.

You walked near the end of the runway where the microphone and stand stood.

“Boston, how are we feeling tonight?!” 

The crowd screamed you could feel the positive energy

“You guys seem like a cool crowd, I feel like I can be honest with you guys”   

The crowd cheered

“So as you know my parents got a divorce when I was younger. I had a Wii growing up it’s a whole Wiispiracy” you announced nonchalantly.

The crowd laughs at your joke.

“Seeing how love caused both of my parents to go through pain made me scared to fall in love” You continued. 

Even though you were playing cool Matt knew how deeply terrified you were when you guys started to date. Always looking over your shoulder, expecting Matt to break up with you if you made one small mistake. It was a rocky start in the beginning but now you guys have been going strong for a year. 

“Until I met a special someone. He dressed up as Batman for Halloween, I don’t want to talk about it” You murmured, thinking of Matt caused your cheeks to heat up. Especially when he was Batman!!!!

The crowd screamed

Matt looked a little flustered, but he couldn’t stop smiling no matter how hard he tried not to. 

“I know I said I would never write a love song… but I’m just a girl” you shyly said twirling your (H/C) hair.

The crowd roared so loud that Salem could hear it.

The brothers looked at each other shocked, In your whole career you never once wrote a love song, especially about any flings you were rumored to have had in the past. Matt’s heart swells. He jumps off his seat and starts to cheer louder than before. Both of his brothers are laughing at Matt's reaction. Though Nick and Chris acted like they were grossed out on the inside they were happy that Matt found someone who goes to great lengths to show and express how in love they are with Matt. 

Your guitarist was strumming a soft rhythm on her acoustic.     

When I was younger, I saw my daddy cry

And curse at the wind

You decided to write this song when Matt took you on a Mini-Golf date. It was the day after your third LA show. It was your free day before you had to be in Arizona. Matt cleared his whole schedule just to spend every second with you. Matt was showering you with compliments and affection on that day. You knew Matt was normally shy when it comes to PDA but not on that day, it got you giggling like a school girl.

That she would never let herself forget

And that was the day that I promised

I'd never sing of love if it does not exist 

You remember the exact moment when you saw yourself having a future with Matt. You guys had been dating for four months. You were hanging out in his room, lying on his bed while he lay on top of you, fast asleep, using your steady heartbeat as a lullaby. 

You saw how peaceful he looked, causing you to smile softly. You played with his hair delicately trying to not wake him up. The thought of waking up like this daily didn’t scare you like it did initially. 

But darling, you are the only exception

You are the only exception

You are the only exception

You are the only exception

Your dancers came out and started to slow dance with their assigned partners. When you decided to add this song to the Boston setlist (instead of randomly dropping it at 3 AM), you decided to shorten intermission but you told your dancers that they should still take that time to rest before the next performance. Instead, they said no and wanted to participate in that performance. 

And up until now I had sworn to myself

That I'm content with loneliness

Because none of it was ever worth the risk

As it was a brand new song you were the only one singing. You noticed some members of the audience were looking to either their partner,

friends or the special person with love in their eyes. You were glad your fans had found someone who made their lives happy. 

But you are the only exception

You are the only exception

You are the only exception

You are the only exception

Your eyes wandered over to the box seats where you saw the three goofballs. You pointed at your boyfriend who shyly smiled forming his hands into the shape of a heart (rare for him to do anything more than hand-holding in public). His brothers had to hold onto the back of his shirt as if he would fall.

When Matt comes to your show you forced yourself to NEVER look at him. You knew you would be distracted by his cuteness and would mess something up, so you always forced yourself to be busy once you were on stage.

I know you're leaving in the morning when you wake up

Leave me with some kind of proof it's not a dream

You closed your eyes and grabbed the mic when you hit the high note. The crowd applauded and cheered.

“Sing it with me!” you invited. You threw your arms forward encouraging the crowd to sing along to the chorus.

You are the only exception

You are the only exception

You are the only exception

You are the only exception

You turned your back to the audience, gripping the mic in your hand. As the band kept playing you walked back to the main stage.

You stopped and looked over your shoulder bringing the mic back near your lips.

And I'm on my way to believing

Oh, and I'm on my way to believing

The music ended and you lowered your mic. The audience roared and applauded causing you to give a satisfied grin. Your eyes made their way back to the box seats, All three brothers were cheering you waved to Chris and Nick then blew a kiss to Matt just before the lights went out.   

Then you ran to change.

When the lights came back on, everyone turned their attention to Matt waving to him and thanking him. Matt didn’t want to steal your night, he pointed at the stage trying to turn the attention back to the stage.

~~~~~~~~~~

Once the attention was off of him, Matt slipped away with the bouquets of your favorite flowers which is something he always does when he goes to your shows.

He flashed the security guards his backstage badge, once he was clear Matt walked towards your dressing room. 

Knock Knock

“Wanda, I’m just putting my shoes on!” You yelled behind the door 

Matt rolled his eyes “This kid” he muttered before knocking again. 

Matt heard a soft come in and opened the door. He noticed that you were busy lacing up your Doc Martens to look at him, Matt was still filled with glee that he was too afraid to sound like an idiot to speak, so he decided to drink in your beauty. 

 You turned around to see your boyfriend “Hi, baby” you smiled, and Matt shyly presented you with the bouquet. Butterflies fluttered in your stomach a feeling you never want to get sick of.

You noticed Matt hasn’t said a single word since he came in causing your Anxiety to hit you like a bullet train. A tornado of negative thoughts spun into your mind.

Did he hate the song?But he looked excited when he was out there, was it an act?

This would’ve been the biggest slap in the face if he broke up with you just after you sang your heart out for him. 

You placed the flowers down at your makeup station before grabbing his hands “Matt what’s wrong, is it the song? Did you not like it? I know I should’ve talked to you about it but I-”

Matt cupped your cheeks and kissed you passionately, he learned very quickly that the makeup team hated fixing your smudged makeup. He still gets scared by the death stare they gave him. 

However, after this performance, he didn’t care. He loved you so much that he wanted to scream it to the world (even know they were already aware of it).

You both pulled away breathing heavily “I loved the song, beautiful” Matt assured causing a smile to fall on your lips. You brought him into a chaste kiss “I just wanted the world to know how much I love you!” You admitted, Matt brushed some hair behind your ear “Baby, that was the sweetest thing anyone has done for me” Matt assured, Your eyes grew hearts “Well you are the only exception” you chuckled.

Matt gave a light laugh before wrapping his arms around your waist and pulling you in close. You wrapped your arms around his neck “And you’re mine” Matt sealed that promise with another kiss.

Matt’s lips trailed down to the sensitive part of your neck, you tilted your head to give him more access. A soft moan escaped your lips as you gripped the back of his hair. 

The door swung open causing the two of you to break away from each other. You both were facing a pissed of Wanda “You got to be kidding me” your manager scoffed, you glanced at your boyfriend both of your faces were red as a tomato as if you were two teenagers caught in your bedroom by your mom. 

Wanda pulled out her walkie talkie “Can we get makeup in (Y/N) dressing room?” Wanda sighed, Matt placed a gentle kiss on your knuckles. The makeup team groaned when they saw Matt, “Okay fix her makeup, and cover up that hickey!” Wanda ordered pulling Matt out of the room. 

Wanda dragged Matt back to the backstage entrance “The only reason why you're not dead is because you are (Y/N)’s boyfriend. But I promise, if I catch you back here before the show is over I’m going to be your worst nightmare, got it?” Wanda threatened her eyes full of rage, Matt nodded, his eyes full of fear. Wanda pointed at the two security guards “And if you two jackasses let him back here before the show is over imma fuck your day up, understand?!” Wanda threatened striking fear into the two enormous security guards. 

Wanda walked back to your dressing room muttering how men always ruin everything. 

Matt walked back to his seat shaking, part of him hoping that they were able to cover up that hickey but another part of him hoping they don’t so the entire stadium knows that he loved you and the song…but mostly you.

[signanothername]

firstly: AAA YOUR ART AND COMICS AND STUFF ARE SO AMAZING!!!!

secondly: do you have any advice on how to come up with comics and then get them out of your head and onto paper?

BZHXHXHD THANK YOU SM!!!

And ooh that’s a good question

I usually come up with comics in one of two ways, either seeing something (whether another artwork, a text, something irl, etc) that inspires an idea for a comic, or via artworks I made that I expand on

Other times, it can actually be both

For example, the “A little life update” comic was actually inspired by this beautiful artwork, I saw it, and I immediately thought of Killer, idk something something about the despair of being stuck between a rock and a hard place etcetera etcetera (yes the comic that shows Killer to be in such a better place in life and show the hope he has, was inspired by crushing despair in actuality)

It made me wanna do something with Killer trying to call someone on a public phone, and so the first page came to be

Here’s the twist tho, I originally was gonna just make it into an artwork (yes, one single decision could’ve meant that comic wouldn’t have ever been made)

But a lil habit of mine is ask myself a shit ton of questions when it comes to my own artworks (it actually helps me turn what’s supposed to be artworks into comics), and that’s another way of how you can come up with comics, ask yourself questions, why is the character doing this? What are they doing? What if character did this? Etc

so I saw what was originally gonna be an artwork, and asked myself, who would Killer be calling if he ever did and why?

And the answer to those two questions that made sense to me most was Nightmare, but that led me to two more questions, when would Killer be calling Nightmare and for what?

And that led me to have a basic idea of how I wanted the comic to go

So it was basically like

Who would Killer be calling? Nightmare

Why would Killer be calling Nightmare if he ever did? That actually had different answers, to taunt him, to inform him of something, cause he misses Nightmare in his own fucked up way, etc

When would Killer be calling Nightmare? After he’s saved, or while still under him? After he’s saved makes more sense

What would Killer call Nightmare for? To give him an update about his life with Color

How would Killer be calling Nightmare? Through a public phone

Where would Killer be calling from? Somewhere in an AU in the surface

These six questions, what, why, when, who, where, how, are important to think of, they give you a basis to work on when it comes to comics in general

You don’t need to have a very clear answer to each of them to be able to work on a comic, but if you can at least answer 3 of them, that would give you enough information to work with in a comic

Now that I have a tiny bit of a clear idea about what I wanted to do (it doesn’t have to be perfect or completely concise) let’s talk about how you take these ideas out of your head and into paper

You can do that by imagining the dialogue in your head and then immediately putting it into paper, as I mentioned here, I actually struggle a lot with dialogue, art? No problem, I can easily imagine the art, but dialogue? It’s hell (please take the time to read the linked post, I talk in depth about how I handle dialogue)

That’s why you shouldn’t worry about perfection at this stage, just put every little piece of dialogue you imagine into paper, even if it feels like it makes no sense or is out of character, that’s something you can worry about later

Put in the dialogue, every little bit of it, and draw the panels that feels right for the dialogue

Here’s a little bit of example about what I mean when I say put the dialogue in then draw panels that make sense for it

This is a comic I plan on making, I actually drew that first panel as a stand alone artwork, then that inspired the dialogue, I wrote the dialogue down immediately, it’s a rough version of it, maybe I’ll keep it the same, maybe I’ll change it up as I work through the comic, but so far, I’m drawing the panels based on the dialogue so far, see what I mean by write the dialogue down? It helps IMMENSELY

It doesn’t have to be perfect and it certainly doesn’t have to be the final version, but writing it down will help you imagine the art that comes with it

Does that mean you can never start with the art then think of the dialogue? NO

You absolutely can start with the art for the comic first, in fact, sometimes, doing that actually helps you imagine the dialogue better, other times you can’t really think of a dialogue but have a very clear image in your head about certain character interactions, draw that it’s ok, silent comics focusing on character interaction, is a thing that you can do without worrying about dialogue

Now when it comes to the actual making of a comic, first tip is find your own footing when it comes to comic making

Like listen, people are gonna tell you that the correct thing to do is that you have to make thumbnails for the comic before you make the actual comic to make sure the flow is good and you have room for speech bubbles and what not

Here’s the thing, making thumbnails for your comic is a life saver, it’s great, if you can do that go for it! But for a person like me with little to no energy, I can’t do that without losing interest and immediately abandoning my comic, I can’t do that without becoming frustrated and hate art for it

That’s why I say find your footing, if making thumbnails before working on the actual pages works for you go for it! or you can immediately just work on the actual comic itself like I do, it’s all about what you’re comfortable with and what makes more sense to you

That being said, when it comes to the panels themselves, always aim for less panels and more pages than the other way around

Sometimes, emphasis on certain emotions or aspects of the comic can only be done with fewer panels

That’s why my own comics would sometimes have pages that are either one or two panels max

The less panels you have in a page, the more concise, clear, and easy to follow your comic is, one of the biggest mistakes I made as a beginner artist, is that I focused on cramping the story in as few pages as possible rather than focus on the clarity of the comic

Here’s an example

Good luck reading that dggxgdgdh

This is a very old comic I made back in 2018? 2019?, I wanted the comic to be one page so bad I cramped everything into it without thinking about the fact people are gonna have a very hard time reading it, like this easily could’ve been 3-5 pages but old me couldn’t imagine doing that many pages (if she could see me now with 15 pages comics dhhdhdg) not only that, but the panels’ arrangement makes 0 sense

So when you make your panels there are 2 things to keep in mind:

1- less panels and more pages = clear easy to follow comic, as well as a better emotional impact

2- panel arrangement has to make sense and should be easy to follow, you can make sure it’s easy to follow by reading your own comic over and over as you’re making it, if you find difficulty following the dialogue or art, then it’s best to refine, change or edit your panel or dialogue arrangement

Another thing to keep in mind when making the comic is the flow, the best way to go about making sure that the flow makes sense is by thinking of the comic as you would an animation, how did the character go from point A to point B?

For example this page

Killer clearly has a bit of a distance from Nightmare in the second panel, so how did Killer go from being at a distance (point A), to right in front of Nightmare in the last panel (point B)? That’s what the two panels in between the these two points are for, is to show you that 1- Nightmare is using his tentacle, and 2- that tentacle wrapped around Killer’s arm, the rest would easily be filled in by your brain that Nightmare basically pulled him closer

Now for the ending of a comic, not every comic has to have a clear ending where it marks the end of a story, but rather, you can go for whatever satisfies you as an ending, or keep an ending ambiguous or open, to expand on a comic later

I say that the perfect ending for a comic is what gets the point of a comic across, if the point is made, then it’s a good panel to end the comic with

Don’t be afraid to scarp any page or panels if they make the comic awkward or if they don’t make sense or if it seems out of character don’t hesitate to change, edit or completely delete it

An example is the “choice” comic, it actually originally was 4 pages, I just decided to scrap the last page cause of two reasons

1- it added nothing to the comic

2- it was out of character for Stage 2 Killer

My last advice is don’t force the process, sometimes, the best way to go about making comics is to make them on your own time and slowly, sometimes, you get stuck with certain things in the comic, other times, you need a bit to figure out how to proceed with the comic, completely normal in the process, that’s why it’s important to work on comics in a way that suits you, but you can’t find what suits you without trial and error, so go and test the waters, you can never learn until you practice it yourself

Good luck, hope this helps, lemme know if you need more clarification or help, i’d be happy to help where I can <333

[theprettynosferatu]

I Had Ice-Cream (The Election Post)

I had ice-cream yesterday.

I've following a very strict diet because I'm trying to eat in a healthy manner and, let's not lie here, because I am quite vain and wanted to lose a few pounds. And if there was one thing I stayed away from, it was ice-cream. But yesterday I had to. Eating my feelings, I suppose.

The reason I felt so bad should be obvious. And I'm not even American! But I lived there. I made friends there. I still have friends there. Gay, straight, cis, trans... my heart breaks for them all. It feels like something horrid, something primal and evil and dark won. A fear turned into anger and selfish lashing out. It's hard to believe, right now, that love will always conquer hate.

I intended to make a few captions yesterday, but I couldn't. And I am well aware you don't come here to see me whine and weep and rant. But I don't think I can make more content without addressing this first.

This blog plays with ideas of power- in fact, the main aesthetic and tone for captions is inspired very directly by propaganda. I imagine them as posters from another, fictional reality. Hard to see it as so fictional right now.

Let me be absolutely clear: if you truly think women are lesser, if you let hate take root in your heart, if you are a real authoritarian, this blog is not for you.

What can I do? Not much. Not much except providing, perhaps, a bit of escapism- hoping people understand the difference between kink and reality, hoping I haven't done harm with my work (although I doubt captions and kink stories moved a lot of votes in this election).

I feel we need to take our small joys wherever we can find them. You can't fight if you are a burnt-out, overwhelmed mess. So, don't feel bad about cutting yourself some slack. Do something that brings you joy, even for a moment, because we need you. You matter. And you deserve that joy, and so much more.

So, I had ice-cream. Find your ice-cream, and eat a bit without shame.

Take care of yourself. And now more than ever, we need to help take care of each other.

Kink content will resume soon. I just needed to clear the air and vent a bit. Thank you for understanding.

-Nos

[ovaryacted]

─ Javier Peña x fem! reader || WC: 693

CW: MDNI/18+. Slightly NSFW. Post DEA/Retired! Javier Peña. Javi & reader are married. Setting is at some family celebration idk lmao. Sexual innuendos. Sexual tension & teasing. Sex flashbacks and daydreaming. They are down bad for one another.

This has been in my drafts for a couple of days, figured I'd just share it now instead of letting it dust away in the notes lolz. Javi deserves some love from me, I miss him. This is also me writing after a couple of days of sadness so be nice pleak!

You’ve been through it all with the one and only Javier Peña. All the stressors and toxicity of his government job leaving Colombia, the nightmares, the self-loathing. Being and growing with him took time, and learning him as a human being taught you the patience you never thought you’d gain. He was an enigma you had to figure out, and miraculously, when he realized you were the puzzle piece he’d been missing all along, everything else followed through. After a few years together and an exchange of vows, things in your life have been more abundant than you thought possible, and now you’ve both reaped the benefits of going through those trials and tribulations together.

Sitting on his left side, the sounds of the banquet hall tuned out as you merely stared at your husband in awe. Dressed in a suit and his hair slicked back, you couldn’t help but let your mind wander as you admired him from afar. The invitation to a family celebration landed in your mail a few weeks ago, something a bit more formal for your taste, but neither of you could turn it down, nor did you want to.

You especially weren’t complaining when you saw how Javi dressed for the event, donning a black blazer, crisp white button-down, sleek black slacks, and dark leather shoes. He even changed his hairstyle, brushing his hair back after getting a haircut and his jaw clear of facial hair after his close shave. When he kissed you on the cheek as you did your makeup, you could still smell the aftershave he used and his musky cologne, overwhelming your senses in the best way. 

Your mind drifted as you daydreamed about his hands and how he used them. His plush lips, the way they caress you, map you out without having to ask. That mouth of his that spews the most diabolical and erotic things as he pleases you with no end in sight, the thought alone heated your cheeks and sent an electric pulse through your body.

You didn’t realize you were fidgeting in your seat until a hand grasped your thigh. Blinking and looking down to spot Javi’s left hand covering the length of your upper leg, he offered an affectionate squeeze, the golden wedding band on his ring finger gleaming under the hall’s light.

“What are you thinking up there, cariño?” He asked you, brown eyes reverently taking in your face as his thumb stroked your leg.

“Nothing much. Promise.” You couldn’t even look him straight in the eye, noticing how he leaned forward to whisper in your ear.

“Mentirosa,” he muttered with a smirk, the dimples you loved making an appearance as he sunk his teeth into his bottom lip.

“If you stay on your best behavior for the rest of the night, I’ll give you something sweet when we get home. Deal?”

It was a proposition you couldn’t ignore. You knew what to expect, and the shiver rolling down your spine gave enough leeway that you understood the intent of his message.

“Deal,” you replied confidently, accepting the kiss he placed on your lips, a momentary tease of what the rest of the night would entail.

“Good. I don’t want everybody in here to know how dirty-minded my wife is.” You chuckled, glancing at him with a slightly raised eyebrow.

“That’s all you, baby. Don’t get it twisted.”

“Touché. But can you blame me? Not when you look this good in black.” He squeezed your thigh a bit harder this time, making his possession known the way you liked. “You aren’t the only one daydreaming right now, but a couple more hours, and we’ll make it a reality.”

You mimicked his grin, placing your left hand over his to clasp around his fingers. He instinctively took your hand, rubbing his thumbs over your knuckles and grazing over the diamond ring that sat prettily on your finger. As you both talked to other relatives to pass the time, you kept his offer in the back of your mind, remembering to ticket it in once you’re away from prying eyes and in the comforts of your home.

©️ ovaryacted 2024. Please don’t repost, copy, translate, or feed into any AI. Support your fellow creators by reblogging, commenting, and liking!

[lemotmo]

I’m honestly really worried right now with how nasty this has all gotten so fast.

I feel so bad for Oliver. His entire storyline he’s waited years to tell has now completely been hijacked from start to finish thanks to Lou and his cult.

The disgusting things being said about Oliver. About Ryan. The show itself. All with Lou liking and engaging with them playing up the poor me card with them.

Like they are literally demanding Oliver be written off the show as punishment and any future Buck scenes they already filmed scrubbed out. I saw a few say deport Ryan back to Mexico and then write Eddie off by sending him to Texas permanently and send Buck with him. Some saying Lou should have been kept on and Oliver let go.

Like it’s all insane. And none of them deserve it because they didn’t do anything wrong. No one misled or promised or lied. They have been open and transparent about BT from the start. Tim literally said at the very beginning this was an entry level relationship. No wedding bells.

I’m also getting worried the network is going to pull the plug on buddie because even if it’s not us doing it, they might not wanna deal with the insane blowback these people are causing and will cause when buddie happens.

Don't worry Nonny. Like I said before, Oliver will be fine. Ryan will be fine.

Oliver has disabled comments on his post on Instagram because he knew exactly what was coming. They are both probably avoiding social media right now, but I'm also certain they'll be back as soon as the worst is over.

The show never made any promises about BT. On the contrary, they made it very clear, since day one, that Tommy was there to be a plot device. Eddie was all over the BT narrative in both seasons. In season 8 BT were still in the same place they ended in season 7. There was no growth whatsoever. Also, there was no buildup at all for them. Tommy just existed next to Buck in episode 5, but there wasn't one single sign of physical affection. Even in episode 6 there was only a cheek kiss. It reminded me of Eddie kissing Ana when he returned home after the shooting. A single cheek kiss. We all know how that relationship ended.

I wouldn't worry too much about the network. It seems bad right now, because they are all being loud and obnoxious, but the BT fandom is actually quite small compared to the Buddie fandom and the general 911 fandom. Their voices will be drowned out by all the positivity in the end. These BT stans will stop watching the show, but it won't even make a dent in the ratings. There's only a few hundred of them.

I checked Instagram and I've already seen so many positive comments, saying it was one of the best episodes of season 8, praising all the actors and crew for their hard work.

So don't worry. ABC knows exactly what Buddie could mean for the show. It would most definitely increase the popularity. Bi Buck already brought in a lot of people (some of them who have already left us again since Thursday evening), but a lot of them are here for the bi representation and they are here to stay.

So imagine how crazy things would get if Eddie would turn out to be not so straight after all and very much in love with his best friend? And Buck finally figuring out who he really wants?

The episodes leading up to them finally getting together would draw in so many new people who heard that those two 'gay firefighters from 911' are finally getting together after 7 loooong seasons.

ABC doesn't care about a few hundred people throwing a tantrum under a social media post. They do care for ratings and making a profit. That's it.

¯\_(ツ)_/¯

Tell you one thing though: After what he has done? Lou will never ever work on anything for ABC again, which means that we won't ever see him back on 911 and that's a beautiful thing. 😏😆

[voidedaurora]

I didn't want to talk about this PUBLICALLY because I didn't want to air out her personal business like that, and I did try friending Lance and talking to Kiwi about this in private but unfortunately I was asleep when Lance accepted my friend rq and they randomly decided to block me before I got to talk to them about things, claiming they gave me "all day" but it was only like 8 hours max (bc its 4pm for me rn as I'm posting this)

But Lance has been posting stuff on Mels account on her behalf lying about some things regarding a wellness check I'd had called on her out of concern for her life and I'd like to clear all of that up 100% since they're flat out lying about parts and trying to spin a completely untrue narrative for other parts. I'm not sure what they're trying to do other than make me look bad but I digress Here is the post I'll be referring to https://www.youtube.com/@Quartelz9377/community

and the screenshot they use as "proof"

Now, firstly the easiest thing I can disprove is them saying that "it seems more like an attempt at damage control. This message was sent after the fact that the police were called, and Mel was hospitalized."

This isn't true, the message they use to prove this was sent on 10/14/2024 at 7:23am and then edited ONE MINUTE LATER to presumably correct a spelling mistake Evidence/proof that I sent that message on the 14th and NOT the 1st of November when the wellness check was called

And then proof of the edits within the message supporting the time It was sent/what I claim (for anyone that doesn't know, you can click the edit next to an edited message of your OWN to show your edit history, you cant see previous versions but you can see when it was edited)

This was NOT when I called a wellness check on her, I was concerned for her wellbeing and was debating it but I decided it'd be best to leave her friends to make sure she was okay since the things she was posting in her server hadn't yet gotten to "I'm gonna kill myself!" type of messages Here's the doodles that concerned me and prompted that message to Kiwi on the 14th please note these were PUBLICALLY posted in her discord server so I'm not rlly "exposing" or leaking anything

Now, Lance, Kiwi, and Koi have all been trying to downright smear my name saying I don't care about Mel and only called the wellness check to "look better" or gain something from it. This absolutely is NOT the case. I understand ya'll are used to Mel and everyone around her's actions being purely out of them gaining something from EVERYTHING they do but that simply is NOT me. Unlike ya'll I can not like someone and not wish fucking death and harm upon them. Now, I think its important to make it clear why I called the wellness check. I'd been let know by a mutual that on the 1st (Nov) Mel had been openly talking about her being suicidal atm and saying things that generally suggested she was going to harm/kill herself. Here are said messages.

Now, I think ANY PERSON would be concerned about someone if they were seeing them say shit like this, she literally says "I'm already on the fuckin' edge I just need one more reason". These personally were enough for me to believe that she was possibly going to hurt herself or end her life, and I do not want that. I don't like her. I don't want anything to do with her. These are true things I stand by, but I do not want her to hurt herself, I don't want her to end her life, and I don't want to harm her as an individual. I care about her as a FELLOW LIVING BREATHING PERSON and I at the time would've rather risked being wrong about her hurting herself and looking stupid calling a wellness check, than sit back and do nothing and possibly allow her to kill herself. If I CAN do something to prevent that I will, I could and I did. I do not regret this decision and I would do it again if she or ANYONE was in danger of hurting themselves or others. - Now that those intentions are clear I'd like to address the clear smearing of my name in all of this based purely off of personal hatred and bias from everyone involved?? Here's a couple statements from Kiwi and koi of them just flat out lying/smearing my name and otherwise trying to prove I'm an evil egotistical piece of shit or sm

I'd put more but I don't think that's necessary. As you can see from these, they're all trying to paint this as some malicious premeditated thing I was trying to do to Mel, using that message I sent to kiwi on the 14th as proof. I came off as not concerned because of WHO I was talking to (I really don't like kiwi </3 she's kind of a piece of shit so I cant help but be a bit blunt) and at the time I was also kind of upset she was flat out venting to everyone in her server, seeking comfort from a bunch of 16 yr old's is just crazy to me and it felt really icky to me, but I still did want her to be checked up on at the time. I'm not going to share the messages for what I'll mention now out of the privacy for the people I'd dmed to make the wellness check happen, but when she sent the messages alluding to killing herself on the 1st I panicked and immediately got onto figuring out a way to call a wellness check on her because I couldn't myself, dming ANYONE who would be able to about it because In my head, I didn't want to risk it and be too late. I ended up being able to wake up clover and have her call in the check in the end. I didn't even think about the fact Mel could've been pissed off/would've started things because of it until after the wellness check was called, it was definitely a concern that she would start shit because of it but I knew I'd be okay because after all, I did NOT do anything wrong by calling that check in because there was no other intent there other than her safety. I've never even done anything to suggest the idea that I'd ever do something like this just to "look better" either (to my knowledge) so I'm pretty sure what they're all trying to do right now is PURELY out of hatred and spite for me, trying to get back at me from what I can tell, although I do not deny that Kiwi could've lied about when it was sent, or lance could've convinced kiwi it was edited on a day it wasn't, or whatever else. This could've been a misunderstanding on their end but I don't think that's the case considering their attitudes and behavior regarding all of this. The last thing I will mention is this part of their announcement here

It's been going around that I blocked Mel and that she couldn't reach out to me because of that to clear things up personally, I dont remember exactly who, when, or where this was said but I do know it's been going around. This isn't true, I haven't had Mel blocked a SINGLE time since she left because I'd been advocating for her to talk to me about all of this privately, as much as it would've been more comfortable for me to do, I knew I couldn't. Additionally Lance is implying here that I've been constantly dming/harassing Mel or her friends, this is not the case. The only times/people I've dmed about any of this of her friends have been trying to DM lance about all of this to sort it out in private last night (sending a friend RQ) and then Kiwi on a couple occasions, the last instance we actually talked was when I was asking Kiwi to credit me for the VTuber she'd commissioned which she'd been using without ANY credit and intentionally not telling people who rigged it and ignoring when they asked (the biggest instances of this was her actual debut.) and then here's the rest of the dms until I recently relocked her

That's honestly all I have to say about all of this, I'm hoping I was able to provide some clarity to any of you confused and properly was able to clear their mess up, if anyone has questions or concerns my dms and asks are open

[lamb-bait]

good morning,

my little lambs, i hope you're doing well. it's almost nostalgic when I post here, thinking back to better times, but lingering in the past doesn't do anyone any good - right? right.

today's topic is a controversial one, 'omorashi'.

now, as we dive deeper into my depraved desires, I'm sure curiosity may be on the rise. 'what does that mean? how does it apply to me? is this something I can picture my Shepard doing to me without his actual presence?'

and it's something you can follow along to as you read this thought of mine. first things first, you have to have a need to go to the bathroom. to pee, specially. good, good. now that you're there, this is where the scenario actually starts. the act of omorashi is controlling when and where one's submissive partner (you, specifically) is allowed to utilize their bodily function.

now, how can we picture this?

simple. this is a lot more personal than you might imagine, more control than forcing my body ontop of you, more submissive than you might think you actually are. so let's put ourselves in this position, you and me, and no one else. my sweet little lamb, just like you ~ you have to go pee. it's normal, it's understandable, but your Shepard needs to give you permission to do so. so you look for me in the house, it's not normal that I don't take you out myself - conditioning you for when you normally relieve yourself. and when you find me, it's clear that I expected you to be ready to go.

of course, it's not going to be that easy. making you lay down on the bed, to spread your legs and lean back. I'd wonder how you felt, how your cunt feels when you have to go, when it'll start feeling bad. and there's the first touch, pressing my fingers against your panties, grinding my surprisingly soft touch against you. we all know you've tried it little lamb, touching yourself while you have to pee, if felt good - didn't it? we both know how disgusting you really are, digging my fingers against your panties, as if wanting to shove them in your cunt and ignoring the fabric concealing your body. using two fingers to spread your cunt open, my other arm forcing your legs to stay apart, smiling as I ask you, "you're not going to go until I let you, right little lamb?"

of course you're going to nod, you're barely able to think - focused more on holding it in than you are on the words coming out of my mouth. pulling your panties off and leaning over your cunt, opening my mouth and letting my warm breath brush over your sensitive little parts. moving down more to press my tongue against your clit, moaning against your body as I do - my fingers that were once desperately trying to push inside you, now unrestricted and rubbing against your cunt, slowly pushing in as I lap my tongue against your clit.

feeling you squirm, to let out pathetic moans and whines, a mixture of grinding your cunt against my face and wanting to pull away from the stimulation. only for me to stop abruptly and pulling fingers out from inside you, to move my head back and get up. Will you finally get to pee? of course not. you'll see me taking my boxers off, stroking my cock as I move over you, grinding the tip of it against your clit, rubbing it down to your cunt and pushing it inside you with each slow throb.

fucking you, while I look down at your face - the mixture of worry and pleasure, gasps of air you're desperately taking, my hands wrapping around your cheek as I force you to look up at me, getting close to that perfect climax, telling you that you have to do it - right as I feeling you tightening up for your own release, moving my hand down to your clit and rubbing it as I urge my cock in as deep as it'll fit in your cunt, forcing you to piss while I practice breeding you.

--

as you can see, it's not all sunshine and flowers. im sure my interests will start getting more, and more depraved. i haven't even talked about me pissing on/in you yet. but that's for another time, as we fall deeper into the void I call my mind.

and c~𝜗𝜚, you're not being ignored. my precious little lambs, if you have something to say message me yourself, anonymity doesn't get you my attention.

With abhorrent lust,

Your loving Shepard

[saucerfulofsins]

I haven’t seen any posts comparing Buck’s coming out to Eddie and Tommy breaking up with Buck, which is a shame because the similarities drive me insane.

Or well. I say similarities, but that’s wrong. What I should be saying is: these scenes mirror each other. This post is more about the highlights than shot by shot comparisons – for that, I’d recommend you watch them side by side yourself.

Let’s start with the first and most obvious structural parallel: both scenes happen around 32 minutes into their respective episodes/between two-thirds to three-quarters in.

Now, for the scenes themselves. They follow the same basic outline, which I’ll discuss one by one. I’m following the same structure throughout: I discuss the coming out scene, then the breakup, and then give some analysis. At the end, I’ve included a section on further things of note that I couldn’t neatly fit into this structure and my final thoughts. Is this the first time I’m using the media analysis I was taught during my minor in Arts, Culture and Media with a focus on film in 2019? Yes, yes it is.

Buckle up, because this meta/essay is nearly 3k. For that reason (i.e. accessibility/readability and the amount of work I put in), this entire piece has been cross-post to AO3 (CLICK FOR LINK).

Opening shots

Seating 1.0

Buck in the kitchen

Seating 2.0

POV shots (both perspectives)

Eddie and Tommy leaving

Miscellany

Final thoughts

Analysis under the cut:

1. Opening shots

This part includes some of the most noticeable differences between the scenes, which explains why they feel different – at least at first.

CO: Eddie’s phone comes into view first – this is his chat conversation with Marisol, which the first part of the CO scene is about (note how this mirrors the gym scene, where Buck intended to come out before the conversation lingered on Eddie and Marisol). Eddie is also closest to the door during this part of the scene – which is where he will remain throughout.

BU: The first shot is of a closed door, which Buck opens for Tommy, i.e. Tommy certainly has no keys to Buck’s place, and this might well be a callback to doors as a recurrent theme. They greet with the briefest kiss possible. I rewatched this several times to make sure it really happened – it happens immediately after a cut and it’s filmed in such a way this could easily have been an air kiss lmao. (No seriously, I had to watch this screen by screen to properly catch it, and the audio is a lot more obvious than the visual). They make small talk about the movies and Tommy having ordered an uber (clearly a throwback to 7x05), and they switch positions so Buck is actually closest to the door.

As for clear similarities: Eddie and Tommy are standing up and remain mostly in the same place; Buck is moving around the loft – it’s an expression of his nervous energy, and the major changes in these scenes are about Buck, not Eddie or Tommy.

2. Sitting down

I made this a separate point for one reason, and one reason only: In CO, Eddie takes his own initiative to sit down, while saying he should go home and Buck offering him a beer, so clearly he won’t be leaving to go home any time soon(ilu Eddie but I’m begging you, stop putting yourself and also us through this 😭). In BU, Buck tells Tommy to sit down... which is in part to signal they need a more serious talk than can be done on the way to the cinema, but also shows a massive contrast in terms of familiarity and comfort, regardless of what Buck tries to tell Tommy later.

Both Eddie and Tommy sit down on the leftmost stool (closest to the door, i.e. it’s easiest for them to leave and Buck can’t get between them).

3. Buck in the kitchen

Fun fact! Before writing this post, I checked the scene where Buck confesses to Taylor that he kissed Lucy. During that scene, Buck is sitting down at the kitchen island, while Taylor lingers in the kitchen proper (i.e. with the island between them). She has moved in at that point – kitchens represent ‘being at home’ – but there’s a physical barrier between her and Buck, and it doesn’t actually keep from her leaving (even while saying she has nowhere to go).

CO: The camera uses a dolly shot to follow Buck throughout the kitchen – to the fridge and then back to the head of the kitchen island. He’s attentively listening to Eddie complain about Marisol and God watching him have sex (cursing God while sluttily drinking his beer).

BU: Buck walks out of view of the camera, through the kitchen, and there’s a dolly shot to the right to focus on Buck finding his place on the head of the kitchen island. He leans on the counter at this point. He does have a pretty open posture (identical to CO); Tommy sits with his hands/fingers folded together but he’s turned to Buck i.e. paying attention.

This is the position Buck has when he comes clear to Tommy about having dated Abby in the past; it’s also when his phone comes into the picture. Well. Pictures. Of Buck and Abby.

4. Seating 2.0

This is the longest section of analysis, and contains the part that makes me SCREAM but let’s start at the beginning. From the moment Buck sits down, the conversation turns serious in both scenes. This dialogue consists of mostly POV shots (which I will discuss next), and these medium shots that show Buck and Eddie, and Buck and Tommy.

CO: Buck sits down while Eddie says, “You and Tommy have the right idea, stay single.” This very clearly introduces a new section of the scene. Overall, the lighting of the loft is muted besides the yellow for visual interest and gay Eddie, thank you for your hard work Buddie colour theorists. Buck’s dining table is unlit and barely visible, so the space really takes a back seat and allows us to focus on Buck and Eddie. Please take note of the chair between them – this serves as a physical barrier, where someone is getting between them (a place for Marisol and Tommy, respectively).

BU: Here, the segway happens right after Buck’s come clear about being Abby’s ex 2.0. He sits down on the middle chair, but it’s quite obvious he’s shoved it away from Tommy. In fact, compared to CO, Buck is almost at the same distance from Tommy as he is from Eddie. There’s a barrier between Buck and Eddie, but there’s space between him and Tommy. This is emphasized by the lit dining table, which draws even more attention because of the white decorations: the loft is a space to be distracted by, focus on or even flee into.

Now. This is what kickstarted my obsession with these scenes, especially the coming out scene. The chair between them? Buck reaches out to Eddie, leans his arm onto it and in the process drawing attention to it. He actually leaves his arm there for an extended period, throughout several of the following shots, and only seems to pull back when he says he and Tommy were on a date.

The following shots – of Buck’s coming out and Eddie’s initial response – are back and forth POV shots. The first shot from medium distance, is this:

Do you see it. DO YOU SEE IT. Do you see what drives me crazy! Eddie is mirroring Buck’s earlier posture – also this is immediately after Buck says Tommy left him on the curb (i.e. Eddie realizes there’s no Tommy getting between them). Eddie’s not just opened up, he’s reaching out, extending his arm back onto that empty chair between them. And again, like Buck, he leaves it there for several shots. It’s still there when he tells Buck to call Tommy, although he briefly vaguely gestures to himself during the “He’ll love you! We all do!” It’s not clear when he takes his arm away; no shots show it and then he’s getting up.

This just. This drives me insane.

For comparison, Buck doesn’t reach out to Tommy during the BU scene. And, compare Tommy to Eddie:

5. POV shots

Okay, the section header is a bit of a misnomer because the scene consists mostly of dialogue and therefore has POV shots. Like I said, there’s also overlap between the POV shots and the wider establishing shots I used in section 4. The bulk of this part of the scene, however, shows a lot of over the shoulder close ups with quick POV switches. In both cases, this is where the subject at the heart of the scene is discussed.

Now, these differences are pretty small and they could be a consequence of these episodes having different directors. However, there’s zero doubt in my mind that Chad Lowe closely studied the CO scene for its sheer number of cinematographic parallels and therefore it might be entirely on purpose too YAY.

There’s some variation in the distance of these shots, but the most intimate ones look like this:

(Still not over that face he’s pulling here, dear Lord). Buck takes up most of the screen – his shoulders are visible, but the top of his head isn’t. I guess this is technically still an over the shoulder shot, but barely. Eddie is out of focus, just enough there to be a blurry ear. These shots are intimate. This is almost what Eddie is seeing – and actually these shots make it feel like they’re sitting a lot closer than they actually are.

"Until now.” Buck’s entire face (including hair) is in the shot, and we can see Tommy’s shirt. This is the closest/most intimate we get to see him (and Tommy, in reverse). For both sides, they’re very clear over the shoulder shots. Yes, this is intimate – but it is not intimate. A quarter to a third of the screen (esp as the conversation moves on) is dedicated to the other person. Buck is more visually interesting too. He has more colour in his face and his background is more clearly white than in CO, whereas Tommy blends in more with the brown coat rack background (shout-out to @sparklespiff for pointing out that difference while I was trying to figure out why Buck felt more noticeable, btw).

SIDENOTE: I know some posts have already been made about the pictures on Buck’s fridge and Eddie’s mantelpiece, like they seem thematically relevant (or perhaps not yet, but soon). Buck’s walls in general have more pictures on them in S8, which is evident both in Buck’s background and Tommy’s. I am nowhere near talented enough to identify them, but going by their general colour and composition, I believe all of Buck’s wall art pieces are that, art, not family photos.

6. Eddie and Tommy leaving

These scenes have some of the clearest parallels, and of course an incredibly clear difference in how Eddie and Tommy are leaving Buck.

CO: Eddie leaves not because of Buck (well, not technically), but because he has to go do something: “I gotta go talk to Marisol.” Buck is smiling while Eddie gets up and is on his way out. Of course, this is when Eddie stops, turns around, and Buck looks up. In fact, Eddie says “Come here” but he’s the one to walk up to Buck to give him a hug. Buck just stands up from the chair. During the hug, we get shots of both Eddie’s and Buck’s faces, and of course Eddie holding Buck’s shoulder. When Eddie leaves, we hear the door open and shut – the focus stays on Buck.

Again, when Tommy leaves, we only hear the door while the camera cuts to Buck. The show then picks up his response (with the same expression) during his arrival at Eddie’s, where Eddie lets him into his home.

BU: Of course, Tommy has nowhere he needs to go to (hello, return of the failed cinema date) – when he says “I should go” it is because of his conversation with Buck. There’s a medium wide shot of him getting up while Buck looks confused, looking like he’s about to reach out for Tommy – the first time during their conversation. The camera uses a slow dolly to the left, which is when Buck calls back Tommy to ask for clarification: “Did you just break up with me?” Tommy says, “Yeah, I guess I just did.” This has been pointed out before, but they’re clearly not sure. Tommy also says, “Believe me, I didn’t see it coming either.” (Was LFJ speaking from Tommy’s perspective in that interview?). That line is fascinating, actually, because only moments ago, he was incredibly adamant about being Buck’s first, not his last. This feels like a throwback to “Enjoy it while it lasts,” leaving them both overwhelmed/confused.

Look at how similar these shots are! Also, the reason I was adamant about calling these scenes mirrors and not parallels is because Buck and Tommy greet each other with a moment of physical affection (which, as I mentioned before, is incredibly short and barely visible). Eddie wouldn’t have ordinarily but feels it’s important to hug Buck to show him nothing has changed. In terms of meaning and cinematography, their interaction is a lot more substantial and reciprocal. They’re also making sure to leave on good terms – whereas Buck and Tommy meet on good terms, but part essentially as strangers. Buck and Tommy ending the scene like truly feels like an end. Buck and Eddie’s scene feels like a significant shift in their relationship, and for me part of that is a result of Eddie hugging Buck, and shaking up their routine.

7. Miscellany

Just some bits and bobs I couldn’t fit elsewhere in the analysis!

“I like him too. Just not the same way as you.” 7x05 was truly out there foreshadowing 8x06’s “I am not gay.” (I want to do a full 7x04 + 7x05 parallels post at some point, but that’s going to be a fuckload of work and possibly even larger than this post).

Like I pointed out, Buck and Eddie drink beer during their scene (which they often do during their conversations). Buck and Tommy are breaking up without accoutrements. Of course, we know Buck brings over beer to Eddie after the breakup. Because the scenes mirror each other so closely in every other aspect, it feels incredibly poignant: Eddie again fills a role in Buck’s life Tommy should have had. I also figured I’d check their fake brands, and they are different labels. I would assume Buck brought a new flavour, considering Eddie’s looks.

Speaking of continuity, Buck opening the door to Tommy in a sense mirrors Eddie opening the door to Buck at the end of 8x06. The key differences in their cinematography is that during BU, the establishing shot of the entire scene is of the closed door without a peephole shot. When Eddie opens the door, it follows his Risky Business tribute so the door takes up less presence, and even when it’s closed, Buck is clearly visible through the peephole.

Phones clearly are connected to (past) female love interests; Eddie is interacting with Marisol but it’s through text and impersonal – we don’t see the messages, we just hear Eddie complain. On the other hand, Buck is out of contact with Abby but he still treasures that relationship – otherwise he wouldn’t still have those pictures on his phone after 7 years. I guess that’s kind of cute? Idk, I never really liked Abby or how she treated Buck, but Tommy’s speech has turned me into an Abby defender lol

Like Buck, Maddie also stands at the head of the kitchen island during her conversation with Chimney. Chimney’s in the kitchen proper, though, and Maddie walks up to him so they can actually stand face to face and be happy about the new pregnancy together! (I genuinely missed that scene the first time I watched the episode, I was so caught up in the bones of it all SORRY MADNEY I LOVE YOU FOREVER).

8. Final thoughts

I mean. Are we really surprised? I’m not! Actually that’s a lie. I saw the similarities but was shocked at just how close these scenes are in full. However,I do think this scene in particular does a lot to show just how deliberate these parallels between S7 and S8 are (and between S8 and previous seasons in general – we’ve seen similar/near identical cinematography a couple of times now), and how deliberate the parallels are between Eddie and Tommy (who are literally taking up the same position in these two scenes).

And just. The fact it’s the coming out scene between Buck and Eddie, which was about opening up & telling the truth, and it doesn’t change anything (allegedly), versus Buck and Tommy, which is about opening up & telling the truth, which changes everything... it reaffirms how I feel about the coming out scene – this is a major moment of change, and that change is deeply entwined with their respective romantic relationships. AAAAAAAAAAHHH!!