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#lesbian noir detective on the moon!
thehotelpod · 8 months
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Mark and Kelly got married yesterday and since they met when we cast her as the sentient ship in our first podcast I put that entire first season of ToT on your feed.
There is a song in the first episode that I only wrote a couple phrases of, and Mark improvised a melody. A few years later we had the opportunity to flesh out the song and his brother arranged the music for it.
Yesterday the danced their first dance as husband and wife to that song, 'Pale Blue Dot', as I watched completely overwhelmed.
There isn't much fortune or glory in podcasting, just all of us having some silly fun together, which is more than enough for me. But watching them dance to that song almost ten years after recording that first episode is something indescribable that I will remember for the rest of my life.
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godsofhumanity · 1 year
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have you heard of the mechanisms?
they're a band of immortal space pirates that do albums based off of various mythologies.
id recommend starting with Once Upon a Tim (in Space), aka, grimms fairytales but space lesbians sea shanties
there's also The Bifrost Incident (detective story with norse space lesbians on a train), Ulysses Dies at Dawn (film noire greek dystopian steampunk), and High Noon Over Camelot (western arthurian solarpunk)
just it is imperative that if you listen you listen chronologically (as in song 1 song 2 song 3) and do NOT skip because otherwise you will miss vital bits of the story.
the mechanisms themselves are all characters with names and backstories too! they're really fun :)
hii yes someone many moons ago recommended them to me. i do not like their music though sorry 😞
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aion-rsa · 3 years
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Streaming on Plex: Best Horror Movies and TV Shows You Can Watch for FREE in October
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This article is sponsored by Plex. You can download the Free Plex App now by clicking here!
When October hits, the folks at Den of Geek almost exclusively consume horror content. Any spooky story that has ghosts, ghouls, goblins, or any chill-inducing monster that doesn’t start with a G is fine with us. Whether it’s a campy B-movie or “prestige horror,” we embrace all horror subgenres and relax with old favorites and new cult classics in the making alike. Now that Spooky Season is in full force, we are grateful that Plex TV is here so we can stream all of the creepy content that our black hearts’ desire for free!
Plex is a globally available one-stop-shop streaming media service offering thousands of free movies and TV shows and hundreds of free-to-stream live TV channels, from the biggest names in entertainment, including Metro Goldwyn Mayer (MGM), Warner Bros. Domestic Television Distribution, Lionsgate, Legendary, AMC, A+E, Crackle, and Reuters. Plex is the only streaming service that lets users manage their personal media alongside a continuously growing library of free third-party entertainment spanning all genres, interests, and mediums including podcasts, music, and more. With a highly customizable interface and smart recommendations based on the media you enjoy, Plex brings its users the best media experience on the planet from any device, anywhere.
Plex releases brand new and beloved titles to its platform monthly and we’ll be here to help you identify the cream of the crop. This month, we’re keeping things strictly scary, but view Plex TV now for the best free entertainment streaming, regardless of genre, and check back each month for Den of Geek Critics’ picks!
DEN OF GEEK CRITICS’ PICKS
The Ninth Gate
Though director Roman Polanski is a horrific figure himself, this 1999 neo-noir horror film, The Ninth Gate is superb. Thirty years after Rosemary’s Baby, Polanski conjured the devil once again and injected it with some of the pulp from his noir classic Chinatown in a movie that finds Johnny Depp as a man in Satanic Detective mode. Depp is a classic book authenticator hired to authenticate De Umbrarum Regis Novum Portis (The Nine Doors To the Kingdom of Shadows), a book believed by cultists capable of raising Satan to Earth. 
The Ninth Gate doesn’t provide cheap thrills; it tightens the suspense like a noose. Polanski subtly creates an uneasy atmosphere using minimal effects. The director knows where evil lives and lets the settings and sound make the invitations with subliminal references to recognizable horror and cinematic danger, using framing and music similarly to Stanley Kubrick. The Ninth Gate packages its scares with classy style that the characters deliver with sexily provocative intelligence. Dean Corso may be Johnny Depp’s greatest spiritual transformation, from odious to ultimate evil and the audience cheers on his descent, happy to ride with him straight to hell.
The Cabinet of Dr. Caligari
Perhaps the world’s first horror film and a go-to example of early German Expressionist filmmaking, The Cabinet of Dr. Caligari has been unsettling audiences for over a century. 
The film’s main story centers on two young friends, Francis and Alan (Friedrich Feher and Hans Heinrich von Twardowski), who, while jockeying for the affections of Jane (Lil Dagover), visit a local traveling carnival. There they take in the act of the mysterious, top-hatted and wild-haired Dr. Caligari (Werner Krauss). As they watch, Caligari awakens his somnambulist subject, Cesare (the great Conrad Veidt), who under hypnosis answers questions from the audience. When Alan jokingly asks when he will die, Cesare responds “Before dawn.” We’ll let you guess the rest.
The film isn’t remembered much for its story, but for its arresting visual style, featuring painted backdrops that make the entire production feel like a fever dream. The painted townscape is filled with curved and pointed buildings teetering at dangerous angles, almost as if they were alive and shrieking. Roads twist and spiral to nowhere. The perspectives are deliberately mismatched and inconsistent, with the props and sets sometimes being too large for the characters, and others too small. The result is a transgressive, deeply influential film that has been unsettling audiences for over 100 years.
The Exorcist III
Based on his 1983 novel Legion, writer-director William Peter Blatty’s Exorcist III arrived 17 years after William Friedkin’s The Exorcist. Despite the still-looming pop culture presence of the original, The Exorcist III is sneakily the most interesting film in the series. Less a horror movie than a psychological thriller with supernatural and spiritual overtones, The Exorcist III takes place 17 years after the events of the first film, and with no reference whatsoever made to the events in the second. It finds Lt. Kinderman confronted with the apparent reappearance of two figures from his past who had supposedly died. The first is father Damien Karras (Jason Miller), who had died after bouncing down an endless flight of steps while performing an exorcism in the original movie, and the Gemini Killer, a serial killer loosely based on the Zodiac Killer that had been executed 17 years prior. However, there’s been a new string of murders around town carrying all the hallmarks of the Gemini.
While the studio famously mangled Blatty’s original cut of the film, there’s still a lot to like here, including a terrifying performance from Brad Dourif. Blatty is fantastic at creating dread-inducing atmosphere and has a keen attention to character and detail. It may not be as exciting as the original, but it’s a smart-slow burn film worthy of the Exorcist mantle.
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The Devil’s Rejects
An homage to sleazy ‘70s C-movies, Rob Zombie’s sequel to House of 1,000 Corpses will leave you in the need of a shower, but it’s delightfully demented and the musician turned filmmaker’s finest effort. The shock-fest finds the Firefly clan, Otis (Bill Moseley), Baby (Sheri Moon Zombie) and Captain Spaulding (Sid Haig) – on the run from die-hard determined sheriff Wydell (William Forsythe). What unfolds is a nasty thrill ride full of twists, turns, and more gore than most audiences are comfortable with. How Zombie still manages to make such repulsive content entertaining, how he manages to get you to almost root for the despicable Firefly clan, is inexplicable magic trick, but indebted to Zombie’s use of black humor and deep knowledge of genre conventions that he sometimes subverts, but often gleefully leans into.
Train to Busan
The overused and increasingly predictable zombie genre got a shot in the arm with Train to Busan, a South Korean film from director Yeon Sang-ho about a young father desperately attempting to get his little daughter to her mother via train as a zombie pandemic breaks out all around them. Even if it veered close to outright sentimentality at times, Train to Busan differed from most of the films and TV shows we’ve seen in this genre due to its genuine bond of love between its main characters, and the flickers of empathy and humanity found therein. 
And on a technical level, Yeon crafted his film with a kinetic energy that had been missing from the genre as of late. Train to Busan was not just a monster hit in its native land but amassed an international following as well, along with critical acclaim across the board. It’s easy to see why given the film’s well-drawn characters, subtle social commentary (some on the train feel they are more worthy of survival than others) and frightening action sequences that add up to a thrilling and emotionally powerful ride.
More Horror Films Available to Stream FREE on Plex TV
The Descent  
Train To Busan  
The Ninth Gate  
Rec  
Coherence  
Night Of The Living Dead  
The Host 
Hannibal Rising  
The Devil’s Rejects  
Nosferatu  
Monsters  
I Spit On Your Grave  
Eden Lake  
Wolf Creek  
Day Of The Dead  
The Collector  
The Cabinet Of Dr. Caligari  
Red Lights  
The Wailing  
Grave Encounters  
Colonia  
Scouts Guide To The Zombie Apocalypse  
Diary Of The Dead  
Black Death  
Alone In The Dark  
The Descent: Part 2  
Maggie  
Teeth  
Ginger Snaps  
After.Life  
John Dies At The End  
Black Christmas  
The Last House On The Left  
Nosferatu the Vampire  
Splinter  
The Void  
Deep Red  
P2  
Phantasm  
The Changeling 
Feast  
Hatchet 
The Prophecy  
Pulse  
Fido  
Open Grave  
Cell  
The Blob  
The Exorcist III  
Vanishing On 7th Street 
House On Haunted Hill  
Penomena  
Eye See You  
Cooties  
The Werewolf 
Pumpkinhead 4: Blood Feud 
Messengers 2: The Scarecrow
Sugar and Fright Collection
Abraham Lincoln vs. Zombies 
All Cheerleaders Die  
Another Evil  
Attack of the Killer Tomatoes  
Bad Milo 
Better Watch Out  
Bitter Feast  
Cooties  
Corporate Animals  
Crimewave  
Dead Snot 2: Red vs. Dead  
Deathgasm  
Deep Murder 
Drive Thru 
Excision  
Fear, Inc.  
Feast 
Fido  
Ghost Killers vs. Bloody Mary 
Hansel & Gretel Get Baked  
Hatchet  
Hell Baby 
Hellboy Animated: Blood & Iron 
Hellboy Animated: Sword of Storms  
Hobo with a Shotgun  
John Dies at the End 
The Last Lovecraft: Relic of Cthulhu 
Lesbian Vampire Killers  
The Love Witch  
Night of Something Strange  
Nina Forever  
Office Uprising  
Shrooms  
Snoop Dogg’s Hood of Horror 
Stan Helsing  
Stitches  
Suburban Gothic  
Survival of the Dead  
Teeth  
Turbo Kid  
WolfCop 
Yoga Hosers 
The post Streaming on Plex: Best Horror Movies and TV Shows You Can Watch for FREE in October appeared first on Den of Geek.
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theradioghost · 5 years
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I don't know if you're still doing podcast recs, but if you are, I really like dramas, horror, sci-fi, honestly anything that gives you the feels (especially if it has lgbtq+ rep). I am not much of a comedy person though unfortunately. The only podcast I finished was tma and I really loved it.
The recommendations are always on tap here, whenever my askbox is open! You might wanna check out:
Archive 81, for a found-footage horror about mysterious archives of tapes full of encounters with otherworldly horror, dark rituals, cults, and a long-suffering archivist with the same name as the show creator who plays him, which despite all that could not possibly be more different from TMA and yet easily matches it as one of the best horror stories I have ever enjoyed. The sound design on this show is basically unparalleled – where TMA has fairly minimalist sound design, A81 goes all out. Quite a few lgbtqa+ folk also.
I Am In Eskew, for a surreal, Lynchian horror about the city of Eskew, where it’s always raining and the streets are never the same twice, as narrated by a man who is trapped there and the woman hired to find him. Take the most viscerally disturbing episodes of TMA as a baseline for how intense this show is, then imagine the Spiral built a city and invited all the other fears over for a party. Also right up there as one of my favorite horror things ever, and recently ended, so you can listen to the whole thing right now.
Within The Wires, for a found-footage scifi dystopia, telling stories from an alternate-history world. Three of the four seasons focus on lgbtqa+ leads, and the first season, a set of instructional meditation tapes provided to a prisoner in a shadowy government institution, is still some of my absolute favorite creative use of medium and framing device ever.
Kane and Feels, for a surreal noir-flavored urban fantasy/horror hybrid, about a magically-inclined academic (and sarcastic little bastard man) named Lucifer Kane and his demon-punching partner with a heart of gold, Brutus Feels. They share a flat in London, they bicker like an old married couple, and they fight supernatural evil. This show WILL confuse the hell out of you and you will enjoy every second of it.
Alice Isn’t Dead, for a weird Americana horror story about a long-distance truck driver, criss-crossing the US in search of her missing wife. Along the way she discovers that both of them have been drawn into a dangerous secret war that seethes in the empty and abandoned expanses of America, and that inhuman hunters have begun to follow her. Also finished! And as the title kind of gives away, the lesbians do not die!
Janus Descending, for a sci-fi horror miniseries about two scientists sent to survey the remains of a dead alien civilization on a distant planet, only to learn all too well why the original inhabitants have disappeared. You hear one character’s story in chronological order and the other in reverse, with their perspectives alternating, which is done in an incredibly clever way so that even technically knowing what will happen it still holds you in suspense right to the end. Also, it made me cry, a lot.
SAYER, for a sci-fi horror with a touch of dark comedy, and probably the single best use of the “evil AI” trope I have ever seen. Tells the story of employees of tech corporation Aerolith Dynamics living on Earth’s artificial second moon, Typhon, in the form of messages from their AI overseer SAYER. The first season is great, the second season is okay, and the third and fourth seasons are fucking amazing.
Tides, for a really interesting sci-fi about a lone biologist trapped on an alien world shaped by deadly tidal forces. It’s different from just about any other sci-fi I know, focusing more on the main character’s interactions with and observations of this strange new world, where she’s very aware that she is the alien invader. (Also I don’t think any of the characters are straight.)
Station to Station, for a thrilling sci-fi mystery where a group of scientists and spies on a research ship (the ocean kind) discover that the time-warping anomaly they’re studying might be causing people to vanish from existence. Corporate espionage and high-stakes heartbreak abound. (And once again I’m not sure anyone is straight.)
The Strange Case of Starship Iris, for Being Gay And Doing Crime IN SPACE! Or, decades after a war with an alien species leaves humanity decimated and under the control of totalitarian leaders, the lone survivor of a research mission joins up with a ragtag crew of rebels and smugglers to figure out why the very government she worked for tried to kill her, and to stop them from inciting a second war. 100% lgbtqa+ found family in space heist action and it’s glorious in every way.
Unwell, for the horror-ish Midwestern gothic story of a young woman who returns to her hometown to help her estranged mother after an injury, and discovers that there is something just a little bit wrong, not just with her mother, but with her mother’s house, and with the whole town. Subtle and creepy. The protagonist is a biracial lesbian, one of the other major characters is nonbinary, the cast in general is super diverse.
The Blood Crow Stories, for an lgbtqa+ focused horror anthology! The four seasons so far have been the stories of an ancient evil stalking the passengers of a WWI-era utopian cruise ship, a dark Western mystery about a group of allies trying to stop the mysterious killer known only as the Savior, a 911 operator in a cyberpunk dystopia who starts getting terrifying phone calls from demons, and strange and deadly goings-on at a film studio in the golden age of Hollywood. Everyone is Very Gay and anyone can die, especially in season 1.
The Tower, for a melancholy experimental miniseries about a young woman who decides she’s going to climb the mysterious Tower, from which no one has ever returned. Quite short and very, very good.
Palimpsest, for a creepy, heartbreakingly sad and yet incredibly beautiful anthology series. Season one is the story of a woman who suspects her new home is haunted, season two is a turn-of-the-century urban fantasy about a girl who falls in love with the imprisoned fae princess she’s been hired to care for, and season three is about a WWII codebreaker who begins seeing ghosts on the streets of London during the Blitz.
Mabel, for a part-horror, part-love story, the kind of faerie tale where you feel obliged to spell it with an E because these are the kind of faeries that are utterly inhuman, and beautiful, and dangerous. Anna, the new caretaker for an elderly woman, leaves messages for her client’s mysteriously absent granddaughter Mabel. An old house in Ireland has a life and desires of its own, few of them friendly. Two women fall in love and set out for vengeance against the King Under The Hill. Creepy, strange, and gorgeously poetic.
Ars Paradoxica, for a sci-fi time travel Cold War espionage thriller. Physicist Dr. Sally Grissom accidentally invents time travel, landing herself – and her invention – in the middle of a classified government experiment during WWII. As the course of history utterly changes around them, she and what friends she can find in this new time must struggle with the ethics of what they’ve done, and the choices they’ll have to make. An aroace protagonist, Black secret agents, time-traveling Latina assassins, Jewish lesbian mathematicians, two men of color whose love changes the course of time itself, this show says a big fuck you to the idea that there’s anything hard about having a diverse cast in a period piece and it will break your heart, multiple times. Also finished!
The Far Meridian, for a genre-bending, poetic, at-times-heartwarming-at-times-heartbreaking story about an agoraphobic woman named Peri who decides to begin a search for her long-missing brother Ace after the lighthouse in which she lives begins mysteriously transporting to different places every day. I can never forget an early review that described this show as “the audio equivalent of a Van Gogh painting.” Suffice to say it is beautiful, and fantastically written and put together.
What’s the Frequency?, for a Surrealist noir horror mystery set in mid-20th-century LA. I’ll be honest, I’m not sure I can really explain what goes on in this show, but it features a detective named Walter “Troubles” Mix and his partner Whitney searching for a missing writer. Meanwhile, the only thing that seems to be playing on the radio is that writer’s show Love, Honor, and Decay, which also seems to be driving people to murder. Fantastically weird, deliciously creepy.
Directive, for a short sci-fi miniseries about a man hired to spend a very, very long trip through space alone, which doesn’t seem all that sad until suddenly it hits you with Every Feel You’ve Ever Had, seriously I don’t want to spoil it so I won’t say anything more but listen to this and then never feel the same way about Tuesdays again.
Wolf 359, for honestly one of the best podcasts out there, containing all of the drama and feels, seriously this show ended over two years ago and I still cry literal tears thinking about it sometimes. It has definite comedic leanings, especially in the first season which reads a bit more like a wacky office comedy set in space, but it takes a sharp turn towards high stakes, action, and feelings and that roller coaster never stops. Take four clashing personalities alone on a constantly-malfunctioning space station eight light years from earth, add some mysterious transmissions from the depths of space, toss in some seriously Jonah-Magnus-level manipulative evil bosses, and get ready to cry.
or, may I suggest Midnight Radio? It’s a lesbian-romance-slash-ghost-story completed miniseries about a late-night 1950s radio host in a small town who begins receiving mysterious letters from one of her listeners, and I have been assured by many people and occasionally their all-caps tweets that it provides ample Feelings! (also I wrote it.)
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chiseler · 3 years
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Ophelia By the Yard
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Cobwebbed passages and wax-encrusted candelabra, dungeons festooned with wrist manacles, an iron maiden in every niche, carpets of dry ice fog, dead twig forests, painted hilltop castles, secret doorways through fireplaces or behind beds (both portals of hot passion), crypts, gloomy servants, cracking thunder and flashes of lightning, inexplicably tinted light sources, candles impossibly casting their own shadows, rubber bats on wires, grand staircases, long dining tables, huge doors with prodigiously pendulous knockers to rival anything in Hollywood.
Here was the precise moment — and it was nothing if not inevitable — when the darkness of horror film, both visible and inherent, leapt from the gothic toy box now joined by a no less disconcerting array of color. The best, brightest, sweetest, and most dazzling red-blooded palette that journeyman Italian cinematographers could coax from those tired cameras. Color, both its commercial necessity as well as all it promised the eye, would hereafter re-imagine the genre’s possibilities, in Italy and, gradually, everywhere else. 
When color hit the Italian Gothic cycle, a truly new vision was born. In Hammer films and other UK horror productions, the cheapness of Eastmancolor made it possible for blood to be red. Indeed, very red. And, while we shouldn't underestimate the startling impact this had, it was a fairly literal use of the medium. In the Italian movies, and to a large extent in Roger Corman's Poe cycle, color was an unlikely vehicle to further dismantle realism rather than to assert it. Overrun with tinted lights and filters, none of which added to the film’s realistic qualities, the movies became delirious. In Corman's Masque of the Red Death, we learn of an experiment that uses color to drive a man insane; it seems that filmmakers like Corman and Mario Bava were attempting the very same trick on their audiences.
The application of candy-wrapper hues to a haunted castle flick like The Whip and the Body adds a pop art vibe at odds with the genre, and when you get to something like Kill, Baby...Kill! the Gothic trappings are barely able to mask a distinctly modern sensibility, so much so that Fellini could plunder its phantasmal elements for Toby Dammit, fitting them perfectly into his sixties Roman nightmare.
Blood and Black Lace brings the saturated lighting and Gothic fillips into the twentieth century -- a sign creaking in a gale is the first image, translated from Frankensteinland to the exterior of a contemporary fashion house. A literal faceless killer disposes of six women in diabolical ways. The sour-faced detective remains several deaths back on the killer’s trail because the movie knows its audience, knows that it has zero interest in detection, character, motivation — though it’s all inertly there as a pretext for sadism, set-pieces of partially-clad women being hacked up, dot the film like musical numbers or action sequences might appear in a different genre. 
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Since the 19th-century audience for literary Gothic Horror was comprised of far fewer men than women, would it be fair to ask whether Giallo’s advent might be an instrument of brutal violence, even revenge against “feminine” preoccupations? Consider 1964’s Danza Macabra, the film’s amorous vibes finding their ultimate source in that deathless screen goddess named Barbara Steele, whose marble white flesh photographs like some monument to classicism startled into unwanted Keatsian fever. Her presence practically demands that we ask ourselves: “Who is this wraith howling at a paper moon?” In other words, is it a coincidence that Steele’s “Elizabeth Blackwood” — a revenant temptress and undead sex symbol — hits screens the very same year as Giallo, which would transform Italian cinema into a decades-long death mill for women? 
The name “giallo”, meaning yellow, derives from the crime paperbacks issued by Italian publisher Mondadori. The eye-catching covers, featuring a circular illustration of some act of infamy embedded in a yellow panel, became utterly associated with the genre of literature. These books were likely to be by Edgar Wallace, the most popular author in the western world, or Agatha Christie: cardboard characters sliding through the most mechanical of plots; or classier local equivalents, like Francesco Mastriani or Carolina Invernizio. The founding principles laid down concerned the elaborate deceptions concealed by their authors, traps for the unwary reader, and the use of a distinctive design motif. The tendency of the characterisation to lapse into sub-comic-book cliché, the figures incapable of expressing or inspiring real sympathy, was, perhaps, an unintended side-effect of the focus on narrative sleight-of-hand.
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When Italian filmmakers sought to translate sensational literature to the screen, they looked to other filmic influences: American film noir, influenced by German expressionism and often made by German emigrés (Lang, Siodmak, Dieterle, Ulmer); and the popular krimi cycle being produced in West Germany, mostly based on Edgar Wallace's leaden "shockers." These deployed stock characters, bizarre methods of murder, deceptive plotting, and exuberant use of chiaroscuro, the stylistic palette of noir intensified by more fog, more shafts of light, more inky shadows. A certain amount of fun, but different from the coming bloodbath because Wallace, despite somewhat fascistic tendencies, is anodyne and anaemic by comparison. No open misogyny, a sadism sublimated in story, a touching faith in Scotland Yard and the class system. In the Giallo, Wallace's more sensational aspects are adopted but made to serve a sensibility quite alien to the stodgy Englander: people are generally rotten, the system stinks, and crime becomes a lurid spectator sport served up to a viewer both thrilled and appalled. 
The Giallo fetishizes murder. But then, it fetishizes everything in sight. Every object, every half-filled wine glass and pastel-colored telephone, is photographed with obsessive, product-shot enthusiasm. Here, it must be emphasized that design implicates the viewer as the Italian camera-eye gawps like some unabashed tourist. Knife, wallpaper, onyx pinky ring — each detail transforms into an object made eerily subject: a sentient and glowering fragment of our own conscience, staring back at us in the darkened theater and pronouncing ineluctable guilt. And yet, for the directors who rode most dexterously the Giallo wave, homicide was something one did to women. Indulging in equal-opportunity lechery was merely an excuse to find other, more violent outlets for their misogyny. Please enter into evidence the demented enthusiasm for woman-killing evinced by Dario Argento, Mario Bava, Lucio Fulci, et al. — whatever trifling token massacres of men one might exhume from their respective oeuvres are inconsequential. Argento’s defense, “I love women, so I would rather see a beautiful woman killed than an ugly man,” should not satisfy us, and hardly seems designed to (also bear in mind Poe’s assertion that the death of a beautiful young woman was the most poetic of all subjects).
Filmmakers like Argento have no interest in sex per se. Suffering seems inessential, but terror and death are key, photographed with the same clinical absorption and aesthetic gloss as Giallo-maestros habitually apply to their interior design. Here, it must be emphasized that design implicates the viewer as the Italian camera-eye gawps like some unabashed tourist. Knife, wallpaper, onyx pinky ring – each detail transforms into an object made eerily subject: a sentient and glowering fragment of our own conscience, staring back at us in the darkened theater and pronouncing ineluctable guilt. That’s one important subtlety often lost amid Giallo’s vast antisocial hemorrhage.
Like a river of blood, homophobia, in the literal meaning of fear rather than hatred, runs through the genre. Lesbians are sinister and gay men barely exist. As we try to work out what in hell the Giallo is really up to, little dabs of dime-store Freudianism seem sufficient.
The filmmakers’ misogyny could be suspect, a sign of compromised masculinity, so they need fictional avatars to cloak their own feverish woman-hating. The subterfuge is clumsy at best, the desultory deceit embarrassingly macho. Giallo’s visual force, powerful enough to divorce eye from mind, is another matter, leaving us demoralized and ethically destitute; our hearts beating with all the righteous indignation of three dead shrubs (and maybe a half-eaten sandwich).
The Giallo is founded on an unstated assumption: the modern world brings forth monsters. Jack the Ripper was an aberration in his day, but now there's a Jack around every corner, behind every piece of modular furniture, every diving helmet lamp. Previously, disturbing events arose from what Ambrose Bierce called The Suitable Surroundings, or what the mad architect in Fritz Lang's The Secret Beyond the Door termed, with sly and sinister euphemism, "propitious rooms." There's the glorious line in Withnail and I: "That's the sort of window faces appear at." But now, in the modern world, evil occurs in the nicest of places, and tonal consistency died in a welter of cheerful stage blood. One needn’t enter an especially Bad Place to meet one’s worst nightmare, or perhaps better to say: the whole bright world qualified as a properly bad place. Imagine the pages of an interior design magazine invaded by anonymous psychopaths intent on painting the gleaming walls red.
Though the victims are overwhelmingly female and their killers male (Argento typically photographed his own leather-gloved hands to stand in for his assassin’s), when the violence becomes over-the-top in its sexualized woman-hating (like the crotch-stabbing in What Have You Done to Solange?), it’s usually a clue that the movie’s murderer will turn out to be female: a simple case of projection. Only Lucio Fulci, the most twisted of the bunch, trained as a doctor and experienced as an art critic, not only assigns misogyny to a straight male killer (The New York Ripper) but plays the killer himself in A Cat in the Brain. Though, in another self-protecting twist of narrative, all psychological explanations in Gialli are bullshit, always. Criminology and clinical psychology are largely ignored, and Argento has a clear preference for outdated theories like the extra chromosome signaling psychopathy (Cat O’Nine Tails). Did anybody use phrenology, or Lombroso’s crackpot physiognomic theories, as plot device?
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A tradition of the Giallo is that the characters all tend to be dislikable, something Argento at least resisted in Cat O’ Nine Tails and Deep Red. With disposable characters, each of whom might be the killer and each of whose violent demise is served up as a set-piece, this distancing and contempt might just be a byproduct of the form rather than a principle or ethos, but it’s of some interest, perhaps mitigating the misogyny with a wash of misanthropy. A Unified Field Theory of Gialli would find a more deep-seated reason for the obnoxious characters as well as the stylized snuff and the glamorous presentation. What urge is being satisfied, and why here, now, like this?
Class war? Though prostitute-ripping is encouraged in the Giallo, most victims are wealthy, slashed to ribbons amid opulent interiors. Urbane characters who might previously have graced the sleek “white telephone” films of forties Italian cinema were briefly edged out by neo-realism’s concentration on the working class. Now these exquisite mannequins are trundled back onscreen to be ritually slaughtered for our viewing pleasure.
Victims must always be enviable: either beautiful and sexy or rich and swellegant, or all of the above, so the average moviegoer can rejoice in their dismemberment with a clear conscience. Mario Bava bloodily birthed the genre in Blood and Black Lace (1964), brutally offing fashion models in a variety of Sade-approved ways, the killer a literally faceless assassin into whom the (presumed male) audience could pour their own animosities without ever admitting it, with the female killer finally unmasked to provide exculpatory relief.
If narrative formulas absolve the straight male viewer, compositions have a way of ensnaring him. Beyond that omnivorous indulgence of sensation for its own lurid sake one finds in Giallo, there is a more gilded emphasis placed on Beauty (in the Catholic sense), and it is only the women who are mounted upon its pedestal. That these avatars of beauty are to be savored, ravaged, and brutalized — in that order — is what concerns us. But the sex and the suffering that captivates most sadists is never what registers; no, it is the instance of death, the terror that afflicts the dying woman’s face that resonates. Once again, physical interiors become a negative form of emotional interiority, rooms amplified for the sole purpose of grisly annihilations; a kind of heretical, strictly anti-Catholic transcendence through amoral delight in what otherwise falls under trivial headings, either “the visuals” or “color palette” – neither of which touch the essential nerve endings of Giallo.
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Swaddled inside an otherwise hyper-masculine castle lies a windowless chamber with feminine, if not psychotic, decor. Before he tortures and stabs her to death, “Lord Alan Cunningham” (fresh from his sojourn in the asylum) brings his first victim to this pageant of off-gassing plastic furniture, the single most obnoxious vision ever imposed on gothic environs. Risibly overblown ’70s chic rules The Night Evelyn Came Out of the Grave with nods to Edgar Allan Poe, as the modish Lord juggles sports cars and medieval persecution. Laughs escape the viewer’s throat in dry heaves when each new MacGuffin devours itself without warning. Take “Aunt Agatha” (easily two decades younger than her middle-aged nephews) suddenly rising from her motorized wheelchair, clobbered from behind seconds later, her body dragged into a cage where foxes promptly munch her entrails. Nothing comes of this. The phony paralysis, the aunt’s role in a half-dozen mysteries, which include a battalion of sexy maids in miniskirts and blonde Harpo Marx wigs – all gulped, swallowed.
About the only thing we know for certain is that “Aunt Agatha” is gorgeous. Though, in the end, she’s another casualty of the same nihilism that crashes Giallo aesthetics headlong into Poe country. That is into “Lord Alan” and his gaudy room crowded with designer goods to be catalogued in a horror vacui of visual intrusiveness – a trashy shrine to his late wife, the titular Evelyn. If lapses of good taste define The Night Evelyn Came Out of the Grave, they also reflect Giallo’s abiding obsession with real estate. After all, this Mod hypnagogia has to fill the eye somewhere. Why not bang in the middle of a castle? Poe’s The Fall of the House of Usher features a wealthy aristocrat burying his twin sister alive, thereby entombing his own femininity.
Evelyn represents both Usher’s primary theme of the divided self and the obdurate refusal to learn from it. “Alan,” who emerges a moral hero in the end (after his shrink aids and abets his murder spree), remains just as ornery, alienated, and vainglorious as Giallo itself. We’re never told precisely what the film’s fetish objects are supposed to mean. And since the camera seizes upon each one with existential grimness, we’re left with a visual style that begs its own questions.
Function follows form into the abyss. One Ophelia after another dies to satisfy our cruel delectation, even as will-o’-the-wisp light, taken from the bogs and neglected cemeteries of Gothic Horror, finds itself transformed into a crimson-dripping stiletto.  Evelyn stands in for all Gialli, a genre which redefines film itself on the narrow front of visual impact: stainless steel cutlery and candy-colored light enact a sentient agenda as color becomes an instrument of hyperbolic misogyny that fills the eye and then some.  
As with certain other Italian genres, notably the peplum, smart characterization, solid performances and decent dialogue seem not only unnecessary to the Giallo but unwelcome (the spaghetti western, conversely, in which many of the same directors dabbled, seemed to demand a steady stream of good, cold-blooded wise-cracks). Argento, in pursuit of that “non-Cartesian” quality he admired in Poe, took this to extremes, stringing non-sequiturs together to form absurdist cut-ups, torching his stars’ credibility merely by forcing them to utter such nonsense. And this wasn’t enough: from Suspiria (1977) on, the psychological thriller (which the Giallo is a sub-genre of, only the psychology has to be deliberately nonsensical) was increasingly replaced by the supernatural. So that the laws of nature could be suspended along with the laws of coherent motivation.
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In Suspiria and its 1980 quasi-sequel Inferno, the traditional knifings are interspersed with more uncanny events, as when a stone eagle comes to life and somehow makes a seeing-eye dog kill his owner, and there are also grotesque incidents with no relation to story whatever: a shower of maggots, or an attack by voracious rats in Central Park. The Giallo’s quest for a solution, inspired as it was by the old-school whodunits, is all but abandoned, replaced by the search for the next sensational set-piece.
Argento’s villains are now witches, but, abandoning centuries of tradition, these witches show more interest in stabbing their fellow women with kitchen knives than with worshipping Satan or riding broomsticks. Regardless of who they’re meant to be, Argento’s characters must express his desires, enact the atrocities he dreams of. And inhabit places built for his aesthetic pleasure rather than their own. Following Bava’s cue, he saturates his rooms in light blasted through colored gels, making every scene a stained-glass icon, no naturalistic explanation offered for the lurid tinted hues. Just as no explanation is offered for the presence of a room full of coiled razor-wire in a ballet school, or for the behavior of the young woman who throws herself into its midst without looking.
Dario Argento’s true significance, at least with respect to Giallo, was perceiving in the nick of time the almost incandescent obviousness of its limitations; that Italian commercial cinema’s garish, polychromatic spin on the garden-variety psychological thriller – departing from its forebears mainly in the rampant senselessness of its “psychology” – had Dead End written all over it. It could never last. On the other hand, Giallo does take a fresh turn with Argento’s Inferno, thanks in no small measure to a woman screenwriter who sadly remains uncredited. Daria Nicolodi explains that “having fought so hard to see my humble but excellent work in Suspiria recognized (up until a few days before the première I didn’t know if I would see my name in the film credits), I didn’t want to live through that again, so I said, ‘Do as you please, in any case, the story will talk for me because I wrote it.’”
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Daria Nicolodi
Nicolodi’s conception humanizes (it would be tempting to say “feminizes”) Argento’s usual sanguinary exercises du style, while at the same time summoning legitimate psychology. This has nothing to do with strong characterization – indeed, the characters barely speak – and everything to do with the elemental power of water, fire, wind.… Inferno rescues Giallo by plunging it into seemingly endless visual interludes, a cinema that draws its strength from absence.
by The Chiselers
Daniel Riccuito, David Cairns, Tom Sutpen, and Richard Chetwynd
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WHAT I HAVE BEEN READING LATELY
Kage Baker’s Company Series
In the Garden of Iden
Sky Coyote
Mendoza in Hollywood
The Graveyard Game
The Life of the World to Come
The Children of the Company
The Machine's Child
The Sons of Heaven
The Empress of Mars
Not Less than Gods
Nell Gwynne's On Land and At Sea
Black Projects, White Knights: The Company Dossiers
Gods and Pawns
In the Company of Thieves
Ø  Science Fiction written by a woman with Asperger’s. Wildly uneven. Main protagonist is female, but there are lots of POV characters, male and female.
Ø  Big ideas.
Ø  Lots of adventure, some action.
Ø   Small doses of humor.
 Neil Gaiman
Good Omens (with Sir Terry Pratchett)
Neverwhere
Stardust
American Gods
Anansi Boys
The Graveyard Book
The Ocean at the End of the Lane
Ø  Neil’s books are a road trip with Carl Jung, Joseph Campbell and a baggie full of sativa.
Ø  Ideas are incidental. The Milieu’s in charge.
Ø  Adventure happens whether you like it or not.
Ø   Cosmic humor. The joke’s on us.
 Connie Willis’s Oxford Time Travel Series
Firewatch
Doomsday Book
To Say Nothing of the Dog (and the novel that inspired it – Jerome K. Jerome’s Three Men in a Boat)
Blackout/All Clear
Assorted:
The Last of the Winnebagos
Ø  Connie loves her historical research. Blackout/All Clear actually lasts as long as the Blitz, but anything in the Oxford Time Travel series is worth reading. Doomsday Book reads like prophecy in retrospect.
Ø  One idea: Hi! This is the human condition! How fucking amazing is that?!?
Ø  Gut-punch adventure with extra consequences. Background action.
Ø   I’d have to say that Doomsday Book is the funniest book about the black death I’ve ever read, which isn’t saying much. To Say Nothing of the Dog is classic farce, though. Girl’s got range.
Neal Stephenson
Snow Crash (After the apocalypse, the world will be ruled by Home-Owners Associations. Be afraid.)
Cryptonomicon
Anathem
Seveneves
Ø  Neal writes big, undisciplined, unfocused books that keep unfolding in your mind for months after you’ve read them. He’s a very guy-type writer, in spite of a female protagonist or two. Seveneves, be warned, starts out brilliant and devolves into extreme meh.
Ø  Big. Fucking. Ideas.
Ø  Battles, crashes, fistfights, parachute jumps, nuclear powered motorcycles and extreme gardening action. Is there an MPAA acronym for that?
Ø   Humor dry enough to be garnished with two green olives on a stick.
  Christopher Moore
Pine Cove Series:
Practical Demonkeeping
The Lust Lizard of Melancholy Cove
The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Okay, yeah, Christmas. But Christmas with zombies, so that’s all right.)
Fluke (Not strictly Pine Cove, but in the same universe. Ever wonder why whales sing? They’re ordering Pastrami sandwiches. I’m not kidding.)
Death Merchant Chronicles:
A Dirty Job
Secondhand Souls (Best literary dogs this side of Jack London)
Coyote Blue (Kind of an outlier. Overlapping characters)
Shakespeare Series:
Fool
The Serpent of Venice
Shakespeare for Squirrels
Assorted:
Island of the Sequined Love Nun (Cargo cults with Pine Cove crossovers. I have a theory that the characters in this book are direct descendants of certain characters in Stephenson’s Cryptonomicon.)
Lamb: The Gospel According to Biff, Christ’s Childhood Pal (So I have a favorite first-century wonder rabbi. Who doesn’t?)
Sacre Bleu
Noir
Ø  Not for the squeamish, the easily offended, or those who can’t lovingly embrace the fact that the human species is pretty much a bunch of idiots snatching at moments of grace.
Ø  No big ideas whatever. Barely any half-baked notions.
Ø  Enthusiastic geek adventure. Action as a last resort.
Ø   Nonstop funny from beginning to end.
 Ben Aaronovitch’s Rivers of London Series
Rivers of London
Moon Over Soho
Whispers Under Ground
Broken Homes
Foxglove Summer
The Hanging Tree
The Furthest Station
Lies Sleeping
The October Man
False Value
Tales From the Folly
Ø  Lean, self-deprecating police procedurals disguised as fantasy novels. Excellent writing.
Ø  These will not expand your mind. They might expand your Latin vocabulary.
Ø  Crisply described action, judiciously used. Whodunnit adventure. It’s all about good storytelling.
Ø  Generous servings of sly humor. Aaronovitch is a geek culture blueblood who drops so many inside jokes, there are websites devoted to indexing them.
  John Scalzi
Old Man’s War Series:
Old Man’s War
Questions for a Soldier
The Ghost Brigades
The Sagan Diary
The Last Colony
Zoe’s Tale
After the Coup
The Human Division
The End of All Things
Ø  Star Trek with realpolitik instead of optimism.
Ø  The Big Idea is that there’s nothing new under the sun. Nor over it.
Ø  Action-adventure final frontier saga with high stakes.
Ø  It’s funny when the characters are being funny, and precisely to the same degree that the character is funny.
Assorted:
The Dispatcher
Murder by Other Means
Redshirts (Star Trek, sideways, with occasional optimism)
Ø  Scalzi abandons (or skewers) his space-opera tendencies with these three little gems of speculative fiction. Scalzi’s gift is patience. He lets the scenario unfold like a striptease.
Ø  What-if thought experiments that jolt the brain like espresso shots.
Ø  Action/misadventure as necessary to accomplish the psychological special effects.
Ø  Redshirts is satire, so the humor is built-in, but it’s buried in the mix.
  David Wong/Jason Pargin
John Dies at the End
This Book is Full of Spiders: Seriously, Dude, Don’t Touch It
What the Hell Did I Just Read?
Ø  Pargin clearly starts his novels with a handful of arresting scenes and images, then looses the characters on an unsuspecting world to wander wither they will.
Ø  Ideas aren’t as big or obvious as Heinlein, but they are there to challenge all your assumptions in the same way that Heinlein’s were.
Ø  Classic action/adventure for anyone raised on Scooby-Doo.
Ø  Occasional gusts of humor in a climate that’s predominantly tongue-in-cheek.
 Jodi Taylor’s Chronicles of St. Mary’s Series
Just One Damned Thing After Another
The Very First Damned Thing
A Symphony of Echoes
When a Child is Born*
A Second Chance
Roman Holiday*
A Trail Through Time
Christmas Present*
No Time Like the Past
What Could Possible Go Wrong?
Ships and Stings and Wedding Rings*
Lies, Damned Lies and History
The Great St Mary’s Day Out*
My Name is Markham*
And the Rest is History
A Perfect Storm*
Christmas Past*
An Argumentation of Historians
The Battersea Barricades*
The Steam Pump Jump*
And Now for Something Completely Different*
Hope for the Best
When Did You Last See Your Father?*
Why Is Nothing Ever Simple*
Plan For The Worst
The Ordeal of the Haunted Room
Ø  The * denotes a short story or novella. Okay, try to imagine Indiana Jones as a smartassed redheaded woman with a time machine and a merry band of full contact historians. I love history, and I especially love history narrated by a woman who can kick T. Rex ass.
Ø  The ideas are toys, not themes. Soapy in spots.
Ø  Action! Adventure! More action! More adventure! Tea break. Action again!
Ø  Big, squishy dollops of snort-worthy stuff.
 Laurie R. King’s Mary Russell Series
The Beekeeper's Apprentice
A Monstrous Regiment of Women
A Letter of Mary
The Moor
Jerusalem
Justice Hall
The Game
Locked Rooms
The Language of Bees
The God of the Hive
Beekeeping for Beginners
Pirate King
Garment of Shadows
Dreaming Spies
The Marriage of Mary Russell
The Murder of Mary Russell
Mary Russell's War And Other Stories of Suspense
Island of the Mad
Riviera Gold
The Art of Detection (Strictly speaking, this is in the action!lesbian Detective Kate Martinelli series, but it crosses over to the Sherlock Holmes genre. If you’ve ever wondered how Holmes would deal with the transgendered, this is the book.)
Ø  Sherlock Holmes retires to Sussex, keeps bees, marries a nice Jewish girl who is smarter than he is and less than half his age and he’s mentored since she was fifteen in an extremely problematic power dynamic relationship that should repulse me but doesn’t, somehow, because this is the best Sherlock Holmes pastiche out there. Mary should have been a rabbi, but it is 1920, so she learns martial arts and becomes an international detective instead. Guest appearances by Conan Doyle, Kimball O’Hara, T.E. Lawrence, Cole Porter, and the Oxford Comma.
Ø  Nothing mind-expanding here, unless the levels of meta present in a fictional world that is about how the fictional world might not be as fictional as you thought come as a surprise to anyone in the era of tie-in books, films, tv, interactive social media and RPGs.
Ø  If these two geniuses can’t catch the bad guys with their dazzling brilliance, they will happily kick some ass. Adventure takes center stage and the action sequences are especially creative.
Ø  Amusement is afoot.
 Jasper Fforde’s Thursday Next Series
The Eyre Affair
Lost in a Good Book
The Well of Lost Plots
Something Rotten
First Among Sequels
One of Our Thursdays is Missing
The Woman Who Died a Lot
Ø  In a world where Librarians are revered and Shakespeare is more popular than the Beatles, someone has to facilitate the weekly anger-management sessions for the characters of Wuthering Heights, if only to keep them from killing each other before the novel actually ends. That someone is Thursday Next – Literature Cop.
Ø  Mind-bending enough to give Noam Chomsky material for another hundred years.
Ø  Adventure aplenty. Action? Even the punctuation will try to kill you.
Ø  This is a frolicsome look at humorous situations filled with funny people. Pretty much a full house in the laugh department.
 Sir Terry Pratchett’s Discworld Series/City Watch Arc
Guards! Guards!
Men at Arms
Feet of Clay
Jingo
The Fifth Elephant
Night Watch
Thud!
Snuff
Raising Steam
Ø  If this were a game of CLUE, the answer would be Niccolo Machiavelli in Narnia with a Monty Python. Everything you think you know about books with dragons and trolls and dwarves and wizards is expertly ripped to shreds and reassembled as social satire that can save your soul, even if it turns out you don’t really have one. Do not be fooled by the Tolkien chassis – there’s a Vonnegut-class engine at work.
Ø  Caution: Ideas in the Mirror Universe May be Larger Than They Appear
Ø  The City Watch arc has plenty of thrilling action sequences. Some other of the fifty-million Discworld novels have less. Every one of them is nonstop adventure. Most of the adventure, however, takes the form of characters desperately trying to avoid thrilling action sequences.
Ø  Funny? Even though I’ve read every book in the series at least ten times, I still have to make sure I have cold packs on hand in case I laugh so hard I rupture something.
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takaraphoenix · 7 years
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Brief Biography
I feel suuuper rude that this wasn’t my first post on this site? Like? Where are your manners, you weren’t raised in a barn? So lemme introduce myself!
Some things I’m being asked frequently and just some general little facts about me, I guess that this is the best place to put them., Since my profile is always being abused for updating-schedules and such things. Also, let’s be real, I’m incapable of ‘brief’ so get comfy guys.
First of all, I’m a girl. Woman. I think that with 25 - I’m 25, by the way, which probably makes me a grandma on the internet, doesn’t it? - I should probably start referring to myself as that. Meh. I’m a lady. There, so much better. Other titles I answer to include goddess, high priestess of Nicercy, queen or majesty. Really, I’m totally not picky.
I’m also a lesbian. Not sure why my sexuality matters, but I am being asked about it often. I’m also the kind of author who legitimately lays on her floor laughing whenever she gets anonymous flames about my stories “being sooo gay” and me being “sooo gay”. Like, lol, sure, those stories are literally two dudes kissing and fucking? Can’t get much gayer? And I’m a rainbow-wielding lesbian? Can’t get much gayer either? Was this stating of facts meant to insult me? I am confused?
My username means a lot to me. The magenta-colored fox on my avatar is Takara, my namesake. She is kind of my mascot. So you can find me under that username on all the sites I'm on - Takara-Phoenix on DeviantArt, Takara Phoenix on fanfiction.net, Takara_Phoenix on AO3.
I’m from Germany, as those of you who are more closely familiar with my stories probably already know becuase I like to slip some German into my stories when the opportunity comes up.
I’m a poor little college student on her way to become a “high school” teacher (air-quotes because German school DOES NOT RESSEMBLE HIGH SCHOOL. What the fuck is wrong with the American school system. When I was a kid in elementary school, I was fucking terrified about secondary education because of high school TV shows and movies with all the bullying and the separation into “cool” and “uncool” groups and the clubs and that cafeteria thing with the traumatizing food and jocks and cheerleaders! We also don’t have things like multiple choice tests and high school lasts 8 years here if you do it right, so there’s that too).
I’m neither a cat-person nor a dog-person. I’m a bunny-person. Seriously, show me pictures of your cat and dog, I will be bored and annoyed, but if you gimme a floppy-eared little ball of precious fluff with its wiggly nose and I will swoon and fawn over it for hours.
Literally everything I own is purple. From the paint on my walls to my curtains and chair and pillows and blankets and glasses and even my damn laptop. If it’s purple, chances are I’ll pick it up or buy it. I think that’s why I relate to Percy Jackson so well, because of his obsession with blue. I’m just a little more hardcore than him.
Let’s move on to random favorites of mine, just because I like listing those kinda things.
Top 5 favorite pairings:
Favorite gays: Nico di Angelo/Percy Jackson (Percy Jackson and the Olympians), Shere Khan/Bagheera (Jungle Book), Hiccup Haddock/Jack Frost (How to Train Your Dragon/Rise of the Guardians), Roy Harper/Dick Grayson (everything DC-related, I’d also retcon Dick into the Arrow-verse), Kurt Hummel/Noah Puckerman (Glee)
Favorite lesbians: Elphaba Thropp/Galinda Upland (Wicked), Regina Mills/Emma Swan (Once Upon a Time), Tenho Haruka/Tsukino Usagi (Sailor Moon), Cat Grant/Kara Danvers (Supergirl, Arrow-verse but honestly I’d take it everywhere DC-related), Shego/Kim Possible (Kim Possible)
Favorite straights: Oliver Queen/Felicity Smoak (Arrow-verse, but I’d retcon her into literally everything DC-related for the sake of Olicity), Hades/Persephone (everywhere; Percy Jackson, Disney, myths, Class of Titans), Discord/Pinkie Pie (My Little Pony: Friendship is Magic), Clark Kent/Diana Prince (the DC animated movie universe, but really retconned into EVERYTHING DC), Ladybug/Chat Noir (Miraculous Ladybug)
Favorite threesomes: Magnus Bane/Alec Lightwood/Jace Wayland (Shadowhunters), Mick Rory/Leonard Snart/Barry Allen (Flash, Arrow-verse, but again everywhere DC please), Bucky Barnes/Steve Rogers/Tony Stark (MCU, Avengers Assemble, but really everywhere Marvel), Shiro/Keith/Lance (Voltron: Legendary Defender), Hakuba Saguru/Kuroba Kaito/Kudou Shinichi (Detective Conan, Magic Kaitou)
Favorite characters:
Male: Captain Jack Harkness (Doctor Who), Jace Wayland (Shadowhunters), Nico di Angelo (Percy Jackson and the Olympians), Jack Frost (Rise of the Guardians), Tony Stark (MCU, Avengers Assemble, Earth’s Mightiest Heroes)
Female: Elphaba Thropp (Wicked), Luna Lovegood (Harry Potter), Felicity Smoak (Arrow), Daenerys Targaryen (Game of Thrones), Janet van Dyne (Earth’s Mightiest Heroes, THE MCU WHERE SHE AND HANK SHOULD HAVE BEEN IN INSTEAD OF SCOTT LANG AND FUCKING USELESS HOPE VAN DYNE)
Favorite shows:
Life-action: Buffy, Relic Hunter, Doctor Who, Once Upon a Time (the show ended with the season 6 finale though), Shadowhunters
Cartoon: Disney’s Jungle Cubs, Disney’s Recess, DreamWorks’ Dragons, My Little Pony: Friendship is Magic, Earth’s Mightiest Heroes
Anime: Sailor Moon, Haikyuu!!, One Piece, Kekkai Sensen | Blood Blockade Battlefront, Magic Kaitou/all Detective Conan episodes with Kaitou KID
Favorite movies:
Anastasia, Rise of the Guardians, The Road to El Dorado, FernGully, Mulan
Favorite books:
literally everything Gregory Maguire writes, the Alice in Wonderland series (meaning the first two books by Lewis Carroll and the third book written by Gregory Maguire for the 150th anniversary of Alice), the Bartimaeus series (written by Jonathan Stroud), the Wicked-series (written by Gregory Maguire), the Percy Jackson and the Olympians series (written by Rick Riordan, not including the sequels), and I swear I’ll get around to finishing The Mortal Instruments at some point too
I feel like that sums me up pretty well and I also feel like this is already way too long for a “brief” intro to who I am. I really need to learn how to keep things short. And if you read all the way up to this point, congratulations and damn I am concerned about how bored you must have been...
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impactcomicscbr · 7 years
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NEW STUFF FRIDAY 2nd JUNE 2017
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LAST CONTRACT TP
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SPIDER-WOMAN TP VOL 03 SHIFTING GEARS SCARE TACTICS
STITCHED GN VOL 01 FIRST DAY
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ULTIMATE SPIDER-MAN ULTIMATE COLLECTION TP BOOK 07
UNCLE SCROOGE TYRANT OF THE TIDES TP
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Back in Stock Books TPBs & Harcovers
ACTION LAB DOG OF WONDER TP VOL 01 WHO LET THE DOGS OUT
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ADELE IN SAND LAND GN
ADVENTURES OF LITTLE ARCHIE TP VOL 01
ADVENTURES OF SUPERGIRL TP
ALL NEW BATMAN BRAVE & THE BOLD TP VOL 02 HELP WANTED
AMAZING SPIDER-MAN EPIC COLL TP COSMIC ADVENTURES
AMAZING SPIDER-MAN EPIC COLL TP RETURN OF SINISTER SIX
AMAZING SPIDER-MAN EPIC COLLECTION GREAT RESPONSIBILITY TP
AMAZING SPIDER-MAN EPIC COLLECTION TP GHOSTS OF PAST
AMAZING SPIDER-MAN EPIC COLLECTION TP GOBLINS LAST STAND
AMAZING SPIDER-MAN EPIC COLLECTION TP GREAT POWER
AMAZING SPIDER-MAN EPIC COLLECTION TP ROUND ROBIN
AMAZING SPIDER-MAN WORLDWIDE TP VOL 01
AMAZING SPIDER-MAN WORLDWIDE TP VOL 02
AMAZING SPIDER-MAN WORLDWIDE TP VOL 03
AMAZING SPIDER-MAN WORLDWIDE TP VOL 04
ANGRY BIRDS COMICS HC VOL 01 WELCOME TO THE FLOCK
ANGRY BIRDS COMICS HC VOL 03 SKY HIGH
ANGRY BIRDS COMICS HC VOL 04 FLY OFF HANDLE
ANGRY BIRDS COMICS HC VOL 06 WING IT
ANGRY BIRDS HC VOL 05 RUFFLED FEATHERS
ANIMAL CRACKERS HC GN
ANIMAL CRACKERS PREQUEL HC GN CIRCUS MAYHEM
ANNA & FROGA FORE HC
ANNA & FROGA THRILLS SPILLS & GOOSEBERRIES HC
ANNA AND FROGA I DUNNO WHAT DO YOU WANT TO DO HC
ANNA AND FROGA WANT A GUMBALL HC
APE & ARMADILLO TAKE OVER THE WORLD
ARCHIE & FRIENDS TP VOL 01 VERONICA PASSPORT
ARCHIE & FRIENDS TP VOL 02 BETTYS DIARY
ARCHIE & FRIENDS TP VOL 03 CARTOON LIFE CHUCK CLAYTON
ARCHIE & FRIENDS TP VOL 05 ARCHIES HAUNTED HOUSE
ARCHIE COMICS FAVORITES FROM THE VAULT TP
ARCHIE COMICS SPECTACULAR FOOD FIGHT TP
ARCHIE COMICS SPECTACULAR FRIENDS FOREVER TP
ARCHIE COMICS SPECTACULAR PARTY TIME TP
ARCHIE COMICS SPECTACULAR ROCK ON TP
ARCHIE CYBER ADVENTURES TP
ARCHIE GIANT COMICS 75TH ANNIV TP
ARCHIE GIANT COMICS SPOTLIGHT TP
ARCHIE PUREHEART THE POWERFUL TP VOL 01
ARIOL SC VOL 01 JUST A DONKEY LIKE YOU & ME
ARIOL SC VOL 02 THUNDER HORSE
ARIOL SC VOL 03 HAPPY AS A PIG
ARIOL SC VOL 04 BEAUTIFUL COW
ARIOL SC VOL 05 BIZZBILLA HITS BULLSEYE
ARIOL SC VOL 06 NASTY CAT
ARIOL SC VOL 07
ARIOL SC VOL 08 THREE DONKEYS
ARIOL SC VOL 09 TEETH OF THE RABBIT
ARIOL WHERES PETULA GN
ASTRONAUT ACADEMY RE ENTRY GN
AVATAR LAST AIRBENDER LOST ADVENTURES TP VOL 01
AVATAR LAST AIRBENDER TP VOL 01 PROMISE PART 1
AVATAR LAST AIRBENDER TP VOL 02 PROMISE PART 2
AVATAR LAST AIRBENDER TP VOL 03 PROMISE PART 3
AVATAR LAST AIRBENDER TP VOL 04 SEARCH PART 1
AVATAR LAST AIRBENDER TP VOL 05 SEARCH PART 2
AVATAR LAST AIRBENDER TP VOL 06 SEARCH PART 3
AVATAR LAST AIRBENDER TP VOL 07 RIFT PART 1
AVATAR LAST AIRBENDER TP VOL 08 RIFT PART 2
AVATAR LAST AIRBENDER TP VOL 09 RIFT PART 3
AVATAR LAST AIRBENDER TP VOL 11 SMOKE & SHADOW PART 2
AVATAR LAST AIRBENDER TP VOL 12 SMOKE & SHADOW PART 3
AVATAR LAST AIRBENDER TP VOL 13 NORTH SOUTH PART 1
AVATAR LAST AIRBENDER TP VOL 14 NORTH SOUTH PART 2
AVATAR LAST AIRBENDER TP VOL 15 NORTH SOUTH PART 3
AVENGERS EPIC COLLECTION TP BEHOLD VISION
AVENGERS EPIC COLLECTION TP EARTHS MIGHTIEST HEROES
AVENGERS EPIC COLLECTION TP FINAL THREAT
AVENGERS ORIGIN TP
AVENGERS SOLO AVENGERS CLASSIC TP VOL 01
AVENGERS WEST COAST AVENGERS ASSEMBLE TP
AW YEAH COMICS TP VOL 01
AW YEAH COMICS TP VOL 02 TIME FOR ADVENTURE
AW YEAH COMICS TP VOL 03 MAKE WAY FOR AWESOME
BAGGYWRINKLES LUBBERS GUIDE TO LIFE AT SEA GN
BAKER STREET FOUR GN VOL 01
BARBIE HC VOL 01
BARBIE PUPPIES GN VOL 1 01 PUPPY PARTY
BARBIE STARLIGHT GN VOL 01
BARRYS BEST BUDDY HC
BAT MITE TP
BATMAN 66 MEETS THE GREEN HORNET TP
BATMAN 66 THE TV STORIES TP
BATMAN 66 TP VOL 01
BATMAN 66 TP VOL 02
BATMAN 66 TP VOL 03
BATMAN 66 TP VOL 04
BATMAN 66 TP VOL 05
BATMAN ADVENTURES TP VOL 01
BATMAN ADVENTURES TP VOL 02
BATMAN ADVENTURES TP VOL 03
BATMAN ADVENTURES TP VOL 04
BATMAN AND ROBIN ADVENTURES TP VOL 01
BATMAN BRAVE AND THE BOLD EMERALD KNIGHT TP
BATMAN IN THE SIXTIES TP
BATMAN LIL GOTHAM TP VOL 01
BATMAN LIL GOTHAM TP VOL 02
BATULA HC
BENJAMIN BEAR IN BRIGHT IDEAS HC
BENJAMIN BEAR IN FUZZY THINKING TP
BENNY AND PENNY BIG NO NO HC
BENNY AND PENNY HOW TO SAY GOODBYE HC
BENNY AND PENNY JUST PRETEND SC
BENNY AND PENNY TOY BREAKER HC
BENNY BREAKIRON HC VOL 01 RED TAXIS
BENNY BREAKIRON HC VOL 02 MADAME ADOLPHINE
BENNY BREAKIRON HC VOL 03 TWELVE TRIALS
BEST OF ARCHIE COMICS 75 YEARS 75 STORIES TP
BEST OF ARCHIE COMICS BETTY & VERONICA TP VOL 01
BEST OF ARCHIE COMICS DLX ED HC VOL 01
BEST OF ARCHIE COMICS TP VOL 02
BEST OF ARCHIE COMICS TP VOL 03
BETTY & VERONICA FAIRY TALES TP
BETTY & VERONICA GIRLS RULE TP
BIG THUNDER MOUNTAIN RAILROAD HC
BIG WET BALLOON HC
BIRDSONG STORY IN PICTURES HC
BIZARRO TP
BLIP HC GN
BLUE MOON FROM JOURNALS OF MAMA MAE AND LEELEE HC
BOOK ABOUT MOOMIN MYMBLE & LITTLE MY HC
BREADWINNERS GN VOL 02 BUHDEUCE ROCKS THE ROCKET
BREADWINNERS JOURNEY TO THE BOTTOM OF THE SEATS GN VOL 01 (C
BROBOTS HC VOL 01
CALICO HORSES AND PATCHWORK TRAIL PROSE SC
CAMP MIDNIGHT GN
CAPTAIN AMERICA EPIC COLLECTION TP CAPTAIN LIVES AGAIN
CAPTAIN AMERICA EPIC COLLECTION TP COMING OF FALCON
CAPTAIN AMERICA EPIC COLLECTION TP DAWNS EARLY LIGHT TP
CAPTAIN UNIVERSE HERO WHO COULD BE YOU
CARTOON NETWORK ALL-STAR OMNIBUS TP
CASH AND CARRIE TP VOL 01 SLEUTH 101
CASTLE PREM HC RICHARD CASTLES STORM SEASON
CHICK AND CHICKIE IN PLAY ALL DAY TP
CHLOE GN VOL 01 NEW GIRL
CICI A FAIRYS TALE GN PERFECT VIEW
COURAGEOUS PRINCESS HC VOL 01 BEYOND HUNDRED KINGDOMS
CREEPY CASE FILES MARGO MALOO HC GN
DC SUPER HERO GIRLS TP VOL 01 FINALS CRISIS
DC SUPER HERO GIRLS TP VOL 02 HITS AND MYTHS
DEAR DRACULA HC
DENNIS THE MENACE HC VOL 01 CLASSIC COMICBOOKS
DINOSAURS 3D HC
DINOSAURS HC VOL 01 BEGINNING
DINOSAURS HC VOL 02 ALBERTOSAURUS
DINOSAURS HC VOL 03 JURASSIC SMARTS
DINOSAURS HC VOL 04 A GAME OF BONES
DISNEY ALICE IN WONDERLAND CINESTORY RETRO COLL ED
DISNEY BEAUTY AND THE BEAST CINESTORY TP
DISNEY BIG HERO 6 CINESTORY
DISNEY CINESTORY TP BOX SET
DISNEY DARKWING DUCK COMICS COLL TP VOL 01
DISNEY DESCENDANTS WICKED WORLD WISH CINESTORY TP VOL 01
DISNEY ELENA OF AVALOR CINESTORY TP
DISNEY FAIRIES GN VOL 01 PRILLAS TALENT
DISNEY FAIRIES GN VOL 02 TINK & WINGS OF RANI
DISNEY FAIRIES GN VOL 03 TINKER BELL DAY O/T DRAGON
DISNEY FAIRIES GN VOL 04 TINKER BELL TO THE RESCUE
DISNEY FAIRIES GN VOL 05 TINKER BELL PIRATE ADVENTURE
DISNEY FAIRIES GN VOL 06 A PRESENT FOR TINKER BELL
DISNEY FAIRIES GN VOL 07 TINKER BELL PERFECT FAIRY
DISNEY FAIRIES GN VOL 08 TINKER BELL STORIES FOR RAINY DAY
DISNEY FAIRIES GN VOL 09 TINKER BELL & HER MAGICAL ARRIVAL
DISNEY FAIRIES GN VOL 11 MOST PRECIOUS GIFT
DISNEY FAIRIES GN VOL 12 LOST TREASURE
DISNEY FAIRIES GN VOL 13 PIXIE HOLLOW GAMES
DISNEY FAIRIES GN VOL 14 TINKER BELL & BLAZE
DISNEY FAIRIES GN VOL 15 SECRET OF WINGS
DISNEY FAIRIES GN VOL 16 PIRATE FAIRY
DISNEY FAIRIES GN VOL 17 TINKER BELL LEGEND OF NEVERBEAST (C
DISNEY FAIRIES GN VOL 18
DISNEY FAIRIES GN VOL 19 FLYING MONSTER
DISNEY FAIRIES GN VOL 20 FAR TOO SECRET SECRET
DISNEY FROZEN CINESTORY
DISNEY GRAPHIC NOVELS GN VOL 01 PLANES
DISNEY GREAT PARODIES GN VOL 01 MICKEYS INFERNO
DISNEY KINGDOMS SEEKERS OF WEIRD HC
DISNEY MOANA COMICS COLL TP
DISNEY PIRATES OF THE CARIBBEAN TP PORT ROYAL
DISNEY PIXAR CARS COMICS TREASURY TP
DISNEY PIXAR FINDING DORY CINESTORY TP
DISNEY PIXAR FINDING NEMO CINESTORY TP
DISNEY PIXAR GOOD DINOSAUR CINESTORY TP
DISNEY PIXAR GOOD DINOSAUR FUN BOOK TP
DISNEY PRINCESS COMICS COLL TP VOL 01
DISNEY PRINCESS COMICS COLL TP VOL 02
DISNEY STAR DARLINGS CINESTORY VOL 01 BECOMING STAR DARLINGS
DISNEY STAR VS THE FORCES OF EVIL CINESTORY
DISNEY TANGLED BEFORE AFTER CINESTORY TP
DISNEY WINNIE POOH CINESTORY SC COLL ED
DISNEY X MICKEY GN VOL 01
DISNEY X MICKEY GN VOL 02 CONTEST
DISNEY X MICKEY HC VOL 01
DISNEY X MICKEY HC VOL 02 CONTEST
DISNEY ZOOTOPIA GN
DONALD & MICKEY DISNEY COMICS/STORIES 75TH ANNV COLL TP
DONALD DUCK VICIOUS CYCLES TP
DOODLE JUMP HC
DRAGON PUNCHER HC BOOK 01
DRAGON PUNCHER HC BOOK 02 DRAGON PUNCHER ISLAND
DRAGONS RIDERS OF BERK GN VOL 01
DRAGONS RIDERS OF BERK GN VOL 02
DREAMWORKS CLASSICS VOL 01 (OF 5) TP
DREAMWORKS TROLLS CINESTORY TP
ERNEST AND REBECCA HC VOL 01 MY BEST FRIEND IS A GERM
ERNEST AND REBECCA HC VOL 02 SAM THE REPULSIVE
ERNEST AND REBECCA HC VOL 03 GRANDPA BUG
ESCRITO Y DIBUJADO POR ENRIQUETA
FANTASTIC FOUR EPIC COLL WORLDS GREATEST COMIC MAG TP
FANTASTIC FOUR EPIC COLLECTION TP ALL IN FAMILY
FANTASTIC FOUR EPIC COLLECTION TP INTO TIMESTREAM
FIGMENT 2 HC LEGACY OF IMAGINATION
FLIGHT EXPLORER TP VOL 01 NEW PTG
FLOP TO THE TOP HC
FOREVER SMURFETTE GN
FRAGGLE ROCK HC VOL 01
FRAGGLE ROCK HC VOL 02
FRAGGLE ROCK JOURNEY TO THE EVERSPRING HC
FRIENDS WITH BOYS TP
FUKUFUKU KITTEN TALES GN VOL 01
FUKUFUKU KITTEN TALES GN VOL 02
FUZZY BASEBALL GN
GAME FOR ADVENTURE YR GN VOL 01 ANDREW THE SEEKER
GARFIELD & CO HC VOL 01 FISH TO FRY
GARFIELD & CO HC VOL 03 CATZILLA
GARFIELD & CO HC VOL 04 CAROLING CAPERS
GARFIELD & CO HC VOL 05 A GAME OF CAT AND MOUSE
GARFIELD & CO HC VOL 06 MOTHER GARFIELD
GARFIELD SHOW GN VOL 01 UNFAIR WEATHER
GARFIELD SHOW GN VOL 02 JONS NIGHT OUT
GARFIELD SHOW GN VOL 03 LONG LOST LYMAN
GARFIELD SHOW GN VOL 04 LITTLE TROUBLE BIG CHINA
GARFIELD SHOW GN VOL 05 FIDO FOOD FELINE
GARFIELD SHOW GN VOL 06 STINK STANK STUNK
GERONIMO STILTON HC VOL 01 DISCOVERY OF AMERICA
GERONIMO STILTON HC VOL 02 SECRET O/T SPHINX
GERONIMO STILTON HC VOL 03 COLISEUM CON
GERONIMO STILTON HC VOL 05 GREAT ICE AGE
GERONIMO STILTON HC VOL 08 PLAY IT AGAIN MOZART
GERONIMO STILTON HC VOL 10 SAVES THE OLYMPICS
GERONIMO STILTON HC VOL 11 WELL ALWAYS HAVE PARIS
GERONIMO STILTON HC VOL 14
GREAT ANTONIO HC GN
GREEN LANTERN THE SILVER AGE TP VOL 01
GRIFF GN
GRIMM FAIRY TALES TP VOL 06
GRIMM FAIRY TALES TP VOL 06
GRIMMISS ISLAND TP
HARDY BOYS ADVENTURES GN VOL 01
HARDY BOYS ADVENTURES GN VOL 02
HARDY BOYS GN VOL 02 IDENTITY THEFT
HARVEY BEAKS GN VOL 01 INSIDE JOKE
HARVEY BEAKS GN VOL 02 CRAZY TIME
HAUNTED MANSION HC
HELLO KITTY FUN & FRIENDSHIP BOX SET VOL 01
HELLO KITTY GN DELICIOUS
HELLO KITTY GN HERE WE GO
HELLO KITTY GN ITS ABOUT TIME
HELLO KITTY GN JUST IMAGINE
HELLO KITTY GN SURPRISE
HELLO KITTY GN WORK OF ART
HERO CATS MIDNIGHT OVER STELLAR CITY TP
HERO CATS TP VOL 01
HIDDEN CHILDS STORY OF HOLOCAUST HC GN
HIPPOPOTAMISTER HC GN
HOTEL STRANGE GN GHOSTS IN THE CLOUDS
HOWTOONS REIGNITION TP VOL 01
INCREDIBLE HULK EPIC COLLECTION TP MAN OR MONSTER
IRON MAN EPIC COLLECTION TP GOLDEN AVENGER
IRON MAN EPIC COLLECTION TP STARK WARS
IS THIS A ZOMBIE GN VOL 01 NEW PTG
ITTY BITTY COMICS THE MASK TP
ITTY BITTY HELLBOY SEARCH FOR THE WERE JAGUAR TP
ITTY BITTY HELLBOY TP
JACK AND THE BOX GN
JEFF SMITH LITTLE MOUSE GETS READY HC
JET PACK PETS TP
JOHNNY BOO HC VOL 01 BEST LITTLE GHOST I/T WORLD
JOHNNY BOO HC VOL 02 TWINKLE POWER
JOHNNY BOO HC VOL 03 HAPPY APPLES
JOHNNY BOO HC VOL 04 MEAN LITTLE BOY
JOHNNY BOO HC VOL 05 DOES SOMETHING
JOHNNY BOO HC VOL 06 ZOOMS TO THE MOON
JOHNNY BOO MEETS DRAGON PUNCHER HC
KID FIRECHIEF GN
KID SAVAGE TP VOL 01
KORGI GN VOL 01 SPROUTING WINGS CURR PTG
KORGI GN VOL 02 COSMIC COLLECTOR
KORGI GN VOL 03 A HOLLOW BEGINNING
KORGI GN VOL 04 PROBLEM WITH POTIONS
KUNG FU PANDA 3 CINESTORY TP
KUNG FU PANDA DIGEST GN ART OF BALANCE
KUNG FU PANDA DIGEST GN VOL 02 ELEMENTAL
LEGENDS OF ZITA THE SPACEGIRL GN
LITTLE MISS DAREDEVIL INCREDIBLE RACE GN
LITTLE NEMO BIG NEW DREAMS HC
LITTLE PRINCE GN VOL 01 PLANET OF THE WIND
LITTLE PRINCE GN VOL 02 PLANET OF THE FIREBIRD
LITTLE ROBOT GN
LITTLE TAILS IN THE FOREST HC VOL 01
LITTLE TAILS IN THE JUNGLE HC VOL 02
LITTLEST PET SHOP HC OPEN FOR BUSINESS
LITTLEST PET SHOP HC WAIT A SECOND
LOST IN NYC SUBWAY ADVENTURE HC
LOUD HOUSE GN VOL 01 THERE WILL BE CHAOS
LUCY & ANDY NEANDERTHAL HC GN VOL 01
LUKE ON THE LOOSE SC
LUMBERJANES GOTHAM ACADEMY TP
LUMBERJANES TP VOL 01
LUMBERJANES TP VOL 02
LUMBERJANES TP VOL 03
LUMBERJANES TP VOL 05
LUNCH WITCH GN VOL 01
LUNCH WITCH GN VOL 02 KNEE DEEP IN NICENESS
MADDY KETTLE GN VOL 01 ADV OF THE THIMBLEWITCH
MAGIC TRIXIE GN VOL 01 NEW PTG
MAN FROM RIVERDALE TP
MARVEL TSUM TSUM TAKEOVER TP
MARVEL UNIVERSE ALL NEW AVENGERS ASSEMBLE DIGEST TP VOL 01
MARVEL UNIVERSE ALL NEW AVENGERS ASSEMBLE DIGEST TP VOL 02
MARVEL UNIVERSE ALL NEW AVENGERS ASSEMBLE DIGEST TP VOL 03
MARVEL UNIVERSE ALL NEW AVENGERS ASSEMBLE DIGEST TP VOL 04
MARVEL UNIVERSE ANT-MAN DIGEST TP
MARVEL UNIVERSE AVENGERS ASSEMBLE CIVIL WAR DIGEST TP
MARVEL UNIVERSE AVENGERS ASSEMBLE DIGEST TP VOL 01
MARVEL UNIVERSE AVENGERS ULTRON REVOLUTION DIGEST TP VOL 01
MARVEL UNIVERSE AVENGERS ULTRON REVOLUTION DIGEST TP VOL 02
MARVEL UNIVERSE AVENGERS UNITED DIGEST TP
MARVEL UNIVERSE CAPTAIN AMERICA CIVIL WAR DIGEST TP
MARVEL UNIVERSE DEADPOOL AND WOLVERINE DIGEST TP
MARVEL UNIVERSE DOCTOR STRANGE DIGEST TP
MARVEL UNIVERSE GUARDIANS OF GALAXY DIGEST TP
MARVEL UNIVERSE GUARDIANS OF GALAXY DIGEST TP VOL 01
MARVEL UNIVERSE GUARDIANS OF GALAXY DIGEST TP VOL 02
MARVEL UNIVERSE GUARDIANS OF GALAXY DIGEST TP VOL 03
MARVEL UNIVERSE GUARDIANS OF GALAXY DIGEST TP VOL 04
MARVEL UNIVERSE IRON MAN DIGEST TP
MARVEL UNIVERSE THOR DIGEST TP
MARVEL UNIVERSE ULT SPIDER-MAN SPIDER-VERSE DIGEST TP
MARVEL UNIVERSE ULT SPIDER-MAN VS SINISTER SIX DIGEST TP VOL
MARVEL UNIVERSE WOLVERINE DIGEST TP
MARVELS ANT-MAN PRELUDE TP
MARVELS AVENGERS TP AGE OF ULTRON PRELUDE
MARVELS AVENGERS TP BLACK WIDOW STRIKES
MARVELS CAPTAIN AMERICA TP CIVIL WAR PRELUDE
MARVELS CAPTAIN AMERICA TP WINTER SOLDIER PRELUDE
MARVELS DOCTOR STRANGE PRELUDE TP
MARVELS GUARDIANS OF GALAXY PRELUDE TP
MARVELS GUARDIANS OF GALAXY PRELUDE TP VOL 02
MARVELS IRON MAN 3 PRELUDE TP
MERMIN GN VOL 01
MERMIN HC VOL 02 BIG CATCH
MERMIN HC VOL 03 DEEP DIVE
MERMIN HC VOL 04 INTO ATLANTIS
MIGHTY JACK GN VOL 01
MINI MARVELS COMPLETE COLLECTION TP NEW PTG
MINNIE AND DAISY GN VOL 01 BFFS FOREVER
MINNIE AND DAISY HC VOL 01 BFFS FOREVER
MIRACULOUS ORIGINS TP
MISTER X ARCHIVES TP
MO AND JO HC VOL 01 FIGHTING TOGETHER FOREVER
MONSTER ELEMENTARY TP VOL 02 EGYPTIAN CURSE
MONSTER HC VOL 01 CHRISTMAS
MONSTER HC VOL 02 MESS
MONSTER HC VOL 03 DINOSAUR
MONSTER HC VOL 04 TURKEY
MONSTER HIGH GN VOL 01 HOPES & SCREAMS
MONSTER ON THE HILL GN
MONSTERS INC DIGEST TP
MONTY THE DINOSAUR TP VOL 01
MOOMIN COMPLETE LARS JANSSON COMIC STRIP HC VOL 06
MOOMIN COMPLETE LARS JANSSON COMIC STRIP HC VOL 07
MOOMIN COMPLETE LARS JANSSON COMIC STRIP HC VOL 08
MOOMIN COMPLETE LARS JANSSON COMIC STRIP HC VOL 09
MOOMIN COMPLETE LARS JANSSON COMIC STRIP HC VOL 10
MOOMIN COMPLETE TOVE JANSSON COMIC STRIP HC VOL 01
MOOMIN COMPLETE TOVE JANSSON COMIC STRIP HC VOL 02
MOOMIN COMPLETE TOVE JANSSON COMIC STRIP HC VOL 03
MOOMIN COMPLETE TOVE JANSSON COMIC STRIP HC VOL 04
MOOMIN COMPLETE TOVE JANSSON COMIC STRIP HC VOL 05
MU AVENGERS SPIDER-MAN AND AVENGERS DIGEST TP
MU GUARDIANS OF GALAXY COSMIC TEAM UP DIGEST TP
MU ULT SPIDER-MAN GREAT POWER SCREEN CAP DIGEST TP
MU ULT SPIDER-MAN WEB WARRIORS DIGEST TP VOL 01
MU ULT SPIDER-MAN WEB WARRIORS DIGEST TP VOL 02
MU ULT SPIDER-MAN WEB WARRIORS DIGEST TP VOL 03
MU ULTIMATE SPIDER-MAN AND AVENGERS DIGEST TP
MY FIRST SMURFS TP VOL 01
MY LITTLE PONY ADVENTURES IN FRIENDSHIP HC VOL 01
MY LITTLE PONY ADVENTURES IN FRIENDSHIP HC VOL 02
MY LITTLE PONY ADVENTURES IN FRIENDSHIP HC VOL 03
MY LITTLE PONY ADVENTURES IN FRIENDSHIP HC VOL 04
MY LITTLE PONY ADVENTURES IN FRIENDSHIP HC VOL 05
MY LITTLE PONY EQUESTRIA GIRLS TP
MY LITTLE PONY FIENDSHIP IS MAGIC TP
MY LITTLE PONY FRIENDS FOREVER OMNIBUS TP VOL 01
MY LITTLE PONY FRIENDS FOREVER OMNIBUS TP VOL 02
MY LITTLE PONY FRIENDS FOREVER TP VOL 01
MY LITTLE PONY FRIENDS FOREVER TP VOL 02
MY LITTLE PONY FRIENDS FOREVER TP VOL 03
MY LITTLE PONY FRIENDS FOREVER TP VOL 04
MY LITTLE PONY FRIENDS FOREVER TP VOL 05
MY LITTLE PONY FRIENDS FOREVER TP VOL 06
MY LITTLE PONY FRIENDS FOREVER TP VOL 07
MY LITTLE PONY FRIENDS FOREVER TP VOL 08
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 01
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 03
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 04
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 05
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 06
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 07
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 08
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 09
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 10
MY LITTLE PONY FRIENDSHIP IS MAGIC TP VOL 11
MY LITTLE PONY OMNIBUS TP VOL 01
MY LITTLE PONY OMNIBUS TP VOL 03
MY LITTLE PONY TALES TP VOL 01
MY LITTLE PONY TALES TP VOL 02
MY LITTLE PONY TP VOL 01 THE MAGIC BEGINS
MY LITTLE PONY TP VOL 02 WHEN CUTIE CALLS
MY LITTLE PONY TP VOL 04 PAGEANTS & PONIES
MY LITTLE PONY TP VOL 05 A CANTERLOT WEDDING
MY LITTLE PONY TP VOL 06 CRYSTAL EMPIRE
NANCY DREW & CLUE CREW GN VOL 01 SMALL VOLCANOES
NANCY DREW & CLUE CREW GN VOL 02 SLEUTHS
NANCY DREW DIARIES GN VOL 01
NANCY DREW DIARIES GN VOL 02
NANCY DREW DIARIES GN VOL 03
NANCY DREW DIARIES GN VOL 04
NANCY DREW DIARIES GN VOL 05
NANCY DREW DIARIES GN VOL 06
NANCY DREW DIARIES GN VOL 07
NANCY DREW DIARIES GN VOL 08
NICKELODEON PANDEMONIUM GN VOL 01
NICKELODEON PANDEMONIUM GN VOL 02
NIGHT OF THE BEDBUGS HC
NINA IN THAT MAKES ME MAD HC
NOMAD GIRL WITHOUT A WORLD TP GN
NOVA TP VOL 01 ORIGIN NOW
NOVA TP VOL 03 NOVA CORPSE
NOVA TP VOL 04 ORIGINAL SIN
NOVA TP VOL 05 AXIS
NOVA TP VOL 06 HOMECOMING
ODDLY NORMAL TP VOL 01
ODDLY NORMAL TP VOL 02
ODDLY NORMAL TP VOL 03
OEDIPUS TRAPPED BY DESTINY GN
OKIE DOKIE DONUTS OPEN FOR BUSINESS HC
OLYMPIANS GN HC VOL 09 ARTEMIS
OLYMPIANS GN VOL 01 ZEUS KING OF THE GODS
OLYMPIANS GN VOL 02 ATHENA GREY EYED GODDESS
OLYMPIANS GN VOL 03 HERA GODDESS AND HER GLORY
OLYMPIANS GN VOL 04 HADES LORD OF DEAD
OLYMPIANS GN VOL 05 POSEIDON EARTH SHAKER
OLYMPIANS GN VOL 06 APHRODITE GODDESS OF LOVE
OLYMPIANS GN VOL 07 ARES BRINGER OF WAR
OLYMPIANS GN VOL 08 APOLLO BRILLIANT ONE
OLYMPIANS GN VOL 09 ARTEMIS
ORPHAN BLACK TP VOL 01
ORPHEUS IN THE UNDERWORLD TOON GRAPHIC HC
OTTOS ORANGE DAY HC
OZ TP EMERALD CITY OF OZ
PATRICK EATS HIS PEAS & OTHER STORIES HC
PATRICK IN A TEDDY BEARS PICNIC & OTHER STORIES HC
PATSY WALKER AKA HELLCAT TP VOL 02 DONT STOP ME-OW
PATTY CAKE & FRIENDS TP VOL 1 FC ED
PENGUINS OF MADAGASCAR DIGEST GN VOL 02
PENNY DORA AND THE WISHING BOX TP VOL 01
PERCY JACKSON & OLYMPIANS SC VOL 01 LIGHTNING THIEF NEW PTG
PHILEMON ADV GN VOL 01 CAST AWAY ON LETTER A
PIG GOAT BANANA CRICKET GN VOL 01 ORGLE BORGLE
PINK PANTHER TP VOL 01
PINKY & STINKY GN
PIRATE PENGUIN VS NINJA CHICKEN HC VOL 01
PIRATE PENGUIN VS NINJA CHICKEN HC VOL 02
POLLY & PIRATES TP VOL 01 NEW PTG
POLLY & PIRATES TP VOL 02
POWER LUNCH HC VOL 01
POWER LUNCH HC VOL 02
POWER MAN AND IRON FIST EPIC COLLECTION TP HEROES FOR HIRE
POWER MAN AND IRON FIST EPIC COLLECTION TP REVENGE
PRINCELESS SHORT STORIES TP VOL 01
PRINCESS DECOMPOSIA & COUNT SPATULA GN
REAL POOP ON PIGEONS HC
RED SHOES AND OTHER TALES HC
REDAKAI GN VOL 01
REDAKAI GN VOL 02
RETURN OF ZITA THE SPACEGIRL GN
ROCKET RACCOON AND GROOT TP VOL 00 BITE AND BARK
ROCKET RACCOON AND GROOT TP VOL 01 TRICKS OF THE TRADE
ROCKET RACCOON AND GROOT TP VOL 02
ROCKY & BULLWINKLE CLASSICS GN VOL 01 STAR BILLING
ROCKY & BULLWINKLE CLASSICS GN VOL 02
ROCKY & BULLWINKLE CLASSICS GN VOL 03 MASTERMIND
ROCKY & BULLWINKLE MOOSE ON THE LOOSE TP
ROLLER GIRL YA GN
SABRINA THE TEENAGE WITCH ANIMATED SERIES TP VOL 01
SAGA TP VOL 04 (MR)
SAMURAI EXECUTIONER OMNIBUS TP VOL 01
SANJAY AND CRAIG GN VOL 01 FIGHT THE FUTURE WITH FLAVOR
SANJAY AND CRAIG GN VOL 02 NEW KID ON THE BLOCK
SANJAY AND CRAIG GN VOL 03 STORY TIME
SANJAY AND CRAIG HC VOL 01 FIGHT THE FUTURE WITH FLAVOR
SANJAY AND CRAIG HC VOL 02 NEW KID ON THE BLOCK
SANJAY AND CRAIG HC VOL 03 STORY TIME
SCRATCH9 CAT OF NINE WORLDS TP
SCRIBBLENAUTS UNMASKED A DC COMICS ADVENTURE TP
SEA CHANGE HC
SEA CREATURES HC VOL 01 REEF MADDNESS
SEA CREATURES HC VOL 02 ARMED & DANGEROUS
SECONDHAND HEROES GN VOL 02 IN THE TRENCHES
SECRET PATH GN
SHARK KING TP
SHAZAM MONSTER SOCIETY OF EVIL TP
SHOWCASE PRESENTS BRAVE & BOLD BATMAN TEAMUPS VOL 01
SHOWCASE PRESENTS BRAVE & BOLD BATMAN TEAMUPS VOL 02
SHREK DIGEST GN VOL 02 LIVING GREEN
SILLY LILLY AND THE FOUR SEASONS HC
SILLY LILLY IN WHAT WILL I BE TODAY HC
SILLY SYMPHONIES HC VOL 01 COMP DISNEY CLASSICS
SILLY SYMPHONIES HC VOL 02 COMP DISNEY CLASSICS
SILVER SURFER EPIC COLLECTION TP WHEN CALLS GALACTUS
SISTERS GN VOL 01 LIKE FAMILY
SISTERS GN VOL 02 OUR WAY
SISTERS HC VOL 01 LIKE FAMILY
SISTERS HC VOL 02 OUR WAY
SKETCH MONSTERS HC VOL 01
SKETCH MONSTERS HC VOL 02 NEW KID
SKYLANDERS RIFT INTO OVERDRIVE HC
SKYLANDERS RTN OF DRAGON KING HC
SKYLANDERS SECRET AGENT SECRETS HC
SKYLANDERS THE KAOS TRAP HC
SMURFS AND FRIENDS HC VOL 01
SMURFS AND FRIENDS HC VOL 02
SMURFS CHRISTMAS GN
SMURFS HC VOL 01 PURPLE SMURFS
SMURFS HC VOL 02 THE SMURFS AND MAGIC FLUTE
SMURFS HC VOL 03 SMURF KING
SMURFS HC VOL 04 SMURFETTE
SMURFS HC VOL 06 SMURFS & HOWLIBIRD
SMURFS HC VOL 07 THE ASTRO SMURF
SMURFS HC VOL 08 SMURF APPRENTICE
SMURFS HC VOL 09 GARGAMEL AND SMURFS
SMURFS HC VOL 11 SMURF OLYMPICS
SMURFS HC VOL 12 SMURFS VERSUS SMURFS
SMURFS HC VOL 13 SMURF SOUP
SMURFS HC VOL 15 SMURFLINGS
SMURFS HC VOL 16 AEROSMURF
SMURFS HC VOL 17 LAZY SMURF
SMURFS HC VOL 18 FINANCE SMURF
SMURFS HC VOL 21 WILD SMURF
SMURFS HC VOL 22 SMURF MENACE
SMURFS MONSTERS GN
SMURFS THE VILLAGE BEHIND THE WALL GN
SMURFS THE VILLAGE BEHIND THE WALL HC
SOCK MONKEY TREASURY HC (O/A)
SOMETHINGS FISHY HC
SPIDER-MAN BIG TIME TP VOL 01 ULTIMATE COLLECTION
SPIDER-MAN BIG TIME TP VOL 02 COMPLETE COLLECTION
SPIDER-MAN BIG TIME TP VOL 03 COMPLETE COLLECTION
SPIDER-MAN BIG TIME TP VOL 04 COMPLETE COLLECTION
SPIDER-MAN MAXIMUM CARNAGE TP
SPONGEBOB COMICS TP VOL 02 AQUATIC ADVENTURERS UNITE
SPOT ON ADVENTURE READY FOR TAKE OFF GN
STARDOLL GN VOL 01 SECRETS AND DREAMS
STARDROP GN VOL 03 HOME IN TIME
STINKY GN
STITCHED GN VOL 01 FIRST DAY
STRAWBERRY SHORTCAKE HC VOL 01 RETURN OF PURPLE PIEMAN
STRAWBERRY SHORTCAKE HC VOL 02 STRAWBERRY NOIR
STRAWBERRY SHORTCAKE HC VOL 03
SUPER FRIENDS HEAD OF THE CLASS TP
SUPER HERO SQUAD TP VOL 01 GET YER HERO ON DIGEST
SUPER HERO SQUAD TP VOL 02 SUPER STARS DIGEST
SUPER HERO SQUAD TP VOL 03 SQUAD UP DIGEST
SUPERGIRL COSMIC ADVENTURES IN THE 8TH GRADE TP
SUPERMAN ADVENTURES TP VOL 01
SUPERMAN ADVENTURES TP VOL 02
SUPERMAN ADVENTURES TP VOL 03
SUPERMAN IN THE FIFTIES TP
SUPERMAN IN THE FORTIES TP
SWANS IN SPACE GN VOL 01 (OF 3)
SWANS IN SPACE GN VOL 02 (OF 3)
SWANS IN SPACE GN VOL 03 (OF 3)
SWEETIES GN VOL 01 CHERRY SKYE
T RUNT HC
TAILWANDS GN VOL 01
TEEN TITANS GO BRING IT ON TP NEW ED
TEEN TITANS GO HEROES ON PATROL TP NEW ED
TEEN TITANS GO TITANS TOGETHER TP NEW PTG
TEEN TITANS GO TRUTH JUSTICE AND PIZZA TP
TENKO KING GN VOL 01 NEW LEAF
THEA STILTON HC VOL 02 LIZARD CLUB
THEA STILTON HC VOL 07
THING CLASSIC TP VOL 01
THING CLASSIC TP VOL 02
THOR AND MIGHTY AVENGERS
THOR EPIC COLLECTION TP GOD OF THUNDER
THOR EPIC COLLECTION TP KINGDOM LOST
THOR EPIC COLLECTION TP RUNEQUEST
THOR EPIC COLLECTION TP TO WAKE MANGOG
THOR EPIC COLLECTION TP WAR OF PANTHEONS
THOR EPIC COLLECTION TP WHEN TITANS CLASH
TIME MUSEUM GN VOL 01
TINY TITANS RETURN TO THE TREEHOUSE TP
TINY TITANS TP VOL 01 WELCOME TO THE TREEHOUSE
TINY TITANS TP VOL 02 ADVENTURES IN AWESOMENESS
TINY TITANS TP VOL 03 SIDEKICKIN IT
TINY TITANS TP VOL 04 THE FIRST RULE OF PET CLUB
TINY TITANS TP VOL 05 FIELD TRIPPIN
TINY TITANS TP VOL 06 THE TREEHOUSE AND BEYOND
TINY TITANS TP VOL 07 GROWING UP TINY
TINY TITANS TP VOL 08 AW YEAH TITANS
TIPPY & NIGHT PARADE TOON BOOKS YR HC GN
TMNT TEA TIME FOR A TURTLE HC
TOMMYSAURUS REX GN VOL 01
TOTALLY AWESOME HULK TP VOL 01 CHO TIME
TOYS I/T BASEMENT HC
TRANSFORMERS CLASSICS TP VOL 02
TRANSFORMERS CLASSICS TP VOL 03
TRANSFORMERS CLASSICS TP VOL 04
TRANSFORMERS CLASSICS TP VOL 05
TRANSFORMERS CLASSICS TP VOL 07
TRANSFORMERS CLASSICS TP VOL 08
TRANSFORMERS CLASSICS UK TP VOL 01
TRANSFORMERS CLASSICS UK TP VOL 02
TRANSFORMERS CLASSICS UK TP VOL 04
TRANSFORMERS CLASSICS UK TP VOL 05
TRANSFORMERS MORE THAN MEETS THE EYE TP VOL 10
TRANSFORMERS TP VOL 10
TRIP TO THE BOTTOM O/T WORLD HC
TROLLS HC VOL 01 HUGS AND FRIENDS
TROLLS HC VOL 02 PUT YOUR HAIR IN THE AIR
UGLYDOLL GN EAT DAT
UGLYDOLL GN GOIN PLACES
UGLYDOLL GN SHHHHHHHH
UNCLE SCROOGE PERIL OF PANDORAS BOX TP
UPSIDE DOWN A VAMPIRE TALE GN
UPSIDE DOWN GN A HAT FULL OF SPELLS
VARMINTS GN
VOLTRON LEGENDARY DEFENDER TP VOL 01
VOLTRON LEGENDARY DEFENDER TP VOL 01
WELCOME TO SHOWSIDE TP VOL 01
WINDMILL DRAGONS LEAH & ALAN ADV HC
WINX CLUB GN VOL 01 BLOOMS DISCOVERY
WINX CLUB GN VOL 02 SECRETS ALFEA
WINX CLUB GN VOL 03 MAGIC FRIENDSHIP
WORDGIRL GN VOL 01 COALITION OF MALICE
WORDPLAY HC GN
WRINKLE IN TIME GN
WRITTEN AND DRAWN BY HENRIETTA HC
WYNONNA EARP YEARBOOK TP
X-MEN 92 TP VOL 01 WORLD IS A VAMPIRE
X-MEN 92 TP VOL 02 LILAPALOOZA
X-MEN EPIC COLLECTION LONELY ARE HUNTED TP
X-MEN EPIC COLLECTION TP CHILDREN OF ATOM
X-MEN EPIC COLLECTION TP GIFT
X-MEN EPIC COLLECTION TP SECOND GENESIS
X-MEN FIRST CLASS GN TP CLASS PORTRAITS
X-MEN FOREVER 2 TP VOL 01 BACK IN ACTION
X-MEN FOREVER 2 TP VOL 02 SCREAM A LITTLE SCREAM
X-MEN FOREVER 2 TP VOL 03 PERFECT WORLD
YAM TP
YEAH GN
ZIG AND WIKKI IN THE COW
ZITA THE SPACEGIRL GN NEW PTG
ZODIAC LEGACY HC VOL 01 TIGER ISLAND
ZODIAC LEGACY HC VOL 02 POWER LINES
ZOMBIE KID DIARIES GN VOL 01 PLAYING DEAD
ZOMBIE KID DIARIES GN VOL 03 WALKING DAD
0 notes