#les films armorial

[agendaculturaldelima]

  #ProyeccionDeVida

📽 Cine Club AF. NOVTEC Futuros Digitales, presenta:

🎬 “EL VIAJE A LA LUNA” [Le Voyage dans la lune]

🔎 Género: Ciencia Ficción / Fantástico / Aventura Espacial / Steampunk/ Cine Mudo / Película de Culto

⌛️ Duración: 13 minutos

✍️ Guion: Georges Méliès

📗 Novelas: Jules Verne y H.G. Wells

🎼 Música: Olivier Bernet

📷 Fotografía: Théophile Michault y Lucien Tainguy (B&W)

🗯 Argumento: Seis valientes astronautas viajan en una cápsula espacial de la Tierra a la Luna. La primera película de ciencia-ficción de la historia fue obra de la imaginación del director francés y mago Georges Méliès (1861-1938), que se inspiró en las obras "From the Earth to the Moon" (1865) de Julio Verne y "First Men in the Moon" (1901) de H. G. Wells. Se trata de un cortometraje de 14 minutos de duración realizado con el astronómico presupuesto para la época de 10.000 francos, suponía nada menos que la película número 400 del realizador francés, y abría al mundo del cine una nueva puerta para contar historias fantásticas y de ciencia-ficción mediante el uso de trucos y efectos especiales.

👥 Reparto: Jeanne d'Alcy (Star, Rocket Attendant), François Lallement (Oficial de la Marina), Jules-Eugène Legris (Lider en Desfile) y Daniel Ceccaldi.

📢 Dirección: Georges Méliès

© Productora: Star-Film

🌎 País: Francia

📅 Año: 1902

🎬 “EL PLANETA SALVAJE” (La planéte sauvage)

🔎 Género: Animación / Ciencia ficción / Drama / Película de culto

⏰ Duración: 73 minutos

✍️ Guion: René Laloux y Roland Topor

📕 Novela: “Oms en série” de Stefan Wul

🎼 Música: Alain Goraguer

💥 Argumento: En el lejano planeta Ygam viven unas criaturas gigantescas llamadas “Draags” que han domesticado a los pequeños “Oms”, seres humanos que están siendo exterminados. Pero un Om consigue escapar.

📢 Dirección: René Laloux

© Productoras: Argos Films, Les Films Armorial, Institut National de l'Audiovisuel, Ceskoslovenský Filmexport y Krátký Film Praha.

🌏 País: Francia - Checoslovaquia

📅 Año: 1973

📽 Proyecciones:

📆 Sábado 09 de Noviembre

🕖 4:45pm.

🎦 Sala Lumière de la Alianza Francesa (av. Arequipa 4595 - Miraflores)

🎫 Entrada: S/.5

🎟️ Adulto Mayor: Ingreso Libre

🖱 Reservas: https://www.joinnus.com/events/cine/lima-futurs-numeriques-voyage-dans-la-lune-la-planete-sauvage-65563

👀 A tener en cuenta: Películas con sub-títulos en castellano.

[karina01]

Christian Liberté Boltanski 

Christian Liberté Boltanski (6 September 1944 – 14 July 2021) was a French sculptor, photographer, painter, and film maker. He is best known for his photography installations and contemporary French conceptual style.

Early life

Boltanski was born in Paris on 6 September 1944. His father, Étienne Alexandre Boltanski, a physician, was Jewish and had come to France from Russia, while Marie-Elise Ilari-Guérin, his Roman Catholic mother originated from Corsica, descended from Ukrainian Jews. His Jewish heritage was a large influence in Boltanski's household. During World War II, while living in Paris, his father escaped deportation by hiding in a space under the floorboards of the family apartment for a year and a half. Christian grew up with this knowledge, and his early experiences with wartime affairs deeply affected him. These experiences would influence his artwork later on. He dropped out of school at age 12.

Early career

Boltanski began creating art in the late 1950s, but did not rise to prominence until almost a decade later through a few short, avant-garde films and some published notebooks in which he referenced his childhood. He had his first one-man exhibition at the Théâtre Le Ranelagh in May 1968. His earliest works included imagery of ideal families and imaginary lifestyles (something Boltanski always lacked), made to display as if they were in museums.

Installation art

Le Lycée Chases (1986-1987) at the Rubell Museum DC in 2022

Boltanski began creating mixed media/materials installations in 1986 with light as essential concept. Tin boxes, altar-like construction of framed and manipulated photographs (e.g. Le Lycée Chases, 1986–1987), photographs of Jewish schoolchildren taken in Vienna in 1931, used as a forceful reminder of mass murder of Jews by the Nazis, all those elements and materials used in his work are used in order to represent deep contemplation regarding reconstruction of past. While creating Reserve (exhibition at Museum für Gegenwartskunst in Basel in 1989), Boltanski filled rooms and corridors with worn clothing items as a way of inciting profound sensation of human tragedy at concentration camps. As in his previous works, objects serve as relentless reminders of human experience and suffering.His piece, Monument (Odessa), uses six photographs of Jewish students in 1939 and lights to resemble Yahrzeit candles to honor and remember the dead. "My work is about the fact of dying, but it's not about the Holocaust itself." In 1971 Boltanski produced his installation, L' Album de la famille D. 1939-1964.

Additionally, his enormous installation titled "No Man's Land" (2010) at the Park Avenue Armory in New York City, is a great example of how his constructions and installations trace the lives of the lost and forgotten.

[coppercookie]

Fantastic planet (1973)

In a world where the Draags reign supreme; humans are enslaved for the entertainment of the Draag children while those who manage to survive in the wild are ruthlessly hunted and culled.

Damn what a movie. It's quite a simple story with easy to follow themes but it's done without shoving it in your face. The open-endedness of it all really got me invested in the world. If anything I wish fantastic planet was longer so I could see more, it is only 70 minutes long so it doesn't have much time to breathe after an event before the next one starts. Our protagonist isn't too three dimensional but he works as an audience surrogate since we see both the domesticated and wild aspects of human life.

While the animation is a bit limited the art itself is absolutely gorgeous. I love how textured everything is. Every creature has such amazing designs, the Draags' perfectly round eyes make them look super uncanny and the other non-human animals look so interesting that it made me want to see more wildlife in this universe. I'm not a big fan of surrealism but it fits so well with this. You can tell how much love went into each frame.

Probably my favourite animated movie of the 70s so far. It makes perfect sense that it became a sort of cult classic.

The list

[mybeingthere]

“…I HAVE COME TO THE PERSONAL CONCLUSION THAT WHILE ALL ARTISTS ARE NOT CHESS PLAYERS, ALL CHESS PLAYERS ARE ARTISTS.” MARCEL DUCHAMPBIOGRAPHY OF MARCEL DUCHAMP 1887-1968:Henri-Robert-Marcel Duchamp was born July 28, 1887, near Blainville, France.In 1904, he joined his artist brothers, Jacques Villon and Raymond Duchamp-Villon, in Paris, where he studied painting at the Academie Julian until 1905.Duchamps early works were Post-Impressionist in style. He exhibited for the first time in 1909 at the Salon des Independants and the Salon d’ Automne in Paris.His paintings of 1911 were directly related to Cubism but emphasized successive images of a single body in motion.In 1912, he painted the definitive version of Nude Descending a Staircase; this was shown at the Salon de la Section d’Or of that same year and subsequently created great controversy at the Armory Show in New York in 1913.Duchamps radical and iconoclastic ideas predated the founding of the Dada movement in Zurich in 1916.By 1913, he had abandoned traditional painting and drawing for various experimental forms, including mechanical drawings, studies, and notations that would be incorporated in a major work, The Bride Stripped Bare by Her Bachelors, Even (1915-23; also known as The Large Glass).In 1914, Duchamp introduced his ready made common objects, sometimes altered, presented as works of art, which had a revolutionary impact upon many painters and sculptors.In 1915, Duchamp traveled to New York, where his circle included Katherine Dreier and Man Ray, with whom he founded the Societe Anonyme in 1920, as well as Louise and Walter Arensberg, Francis Picabia, and other avant-garde figures.After playing chess avidly for nine months in Buenos Aires, Duchamp returned to France in the summer of 1919 and associated with the Dada group in Paris.

In New York in 1920, he made his first motor-driven constructions and invented Rrose Slavy, his feminine alter ego.Duchamp moved back to Paris in 1923 and seemed to have abandoned art for chess but in fact continued his artistic experiments.From the mid-1930s, he collaborated with the Surrealists and participated in their exhibitions.Duchamp settled permanently in New York in 1942 and became a United States citizen in 1955.During the 1940s, he associated and exhibited with the Surrealist migrs in New York, and in 1946 began Etant donnes: 1. la chute d’eau 2. le gaz d’clairage, a major assemblage on which he worked secretly for the next 20 years.He died October 2, 1968, in Neuilly-sur-Seine, France.A PASSION FOR CHESS:Marcel Duchamp had a lifelong passion for chess.He once said “I am still a victim of chess. It has all the beauty of art – and much more. It cannot be commercialized. Chess is much purer than art in its social position.”March 1952, Duchamp had given up painting in favor of chess thirty years before.Marcel Duchamp played thousands of chess games, and he was known as a very strong Chess Master.Duchamp’s creativity had a significant impact in art. One wonders how chess influenced his way of thinking and his views about art and creativity.

Duchamp once said:“The chess pieces are the block alphabet which shapes thoughts; and these thoughts, although making a visual design on the chess-board, express their beauty abstractly, like a poem…. I have come to the personal conclusion that while all artists are not chess players, all chess players are artists.” Marcel Duchamp (1887-1968), French artist, address, Aug. 30, 1952, New York State Chess Association.Duchamp was not only an avid chessplayer; he was also an active member of the chess community and made multiple contributions to chess, which will also made him a chess philanthropist.

THE MOVIE – PORTRAIT OF AN ARTIST: MARCEL DUCHAMP – A GAME OF CHESS (1963):This movie is an interview segment with the French artist. Filmed in black-and-white, this interview was held at the Pasadena Art Museum in 1963. Duchamp discusses his theories on the game of chess, his expatriate status in America, and his decision to stop working after 1923.Article is by Francis M. Naumann Fine Art, LLC

[deepcontemporary]

Hansel & Gretel è un’installazione immersiva e interattiva che crea un paesaggio inquietante permeato dalla sorveglianza contemporanea."Hansel & Gretel" – questo il titolo scelto per l’installazione artistica interattiva progettata nel 2017 dall’artista cinese Ai Weiwei insieme agli architetti svizzeri Jacques Herzog e Pierre de Meuron per richiamare la fiaba dei fratelli Grimm, ma soltanto al fine di invertirne il senso: invece di lasciare intenzionalmente le tracce lungo un sentiero per evitare di perdersi, il controllo rende impossibile ai visitatori nascondere la propria posizione.

Muovendosi all’interno di quest’opera site-specific, in un ambiente buio e forse sinistro, i visitatori si calano​, nello stesso tempo,​​ ​nelle vesti di osservatori e di osservati​​: ciascun movimento è costantemente monitorato e tracciato; l’immagine individuale viene raccolta e rilanciata nell’installazione attraverso continue proiezioni, grazie alla presenza di droni. ​Come i due piccoli protagonisti della fiaba, quanti si misureranno con Hansel & Gretel ​potranno vivere un’esperienza di disorientamento e di “pericolo” potenziale​, con la traccia visiva del proprio percorso -​ una l​inea di l​uce bianca continua​ -​ spesso interrotta dall’ombra dei droni stessi.

L’opera intende incoraggiare una riflessione sulle trasformazioni che la sorveglianza determina nello spazio pubblico, generando un ambiente sottoposto a controll​i eccezionali, a​i ​qual​i​ il singolo individuo ​sembra ormai incapace di sottrarsi.In occasione della presentazione del progetto, Hans-Ulrich Obrist ha precisato – come riporta la stampa statunitense – di aver iniziato a ​delineare Hansel & Gretel circa quattro o cinque anni fa, quando Ai Weiwei non era nella possibilità di viaggi​are in libertà. Il luogo scelto per dare finalmente compimento al processo non è casuale. Costruito tra il 1877 e il 1881 come struttura militare e club del Seventh Regiment of the National Guard of President Lincoln, il Park Avenue Armory è stato ​infatti ​sottoposto a ​un ​lungo intervento di recupero e rifunzionalizzazione curato proprio da Herzog & de Meuron: il duo ha agito nell’ottica della valorizzazione delle stratificazioni del passato. Oggi​, i suoi spazi ​​ospita​no​ lavori artistici e performativi non convenzionali.

Nel 2020 Ai Weiwei, dissidente politico del governo di Pechino che vive come rifugiato in Francia, torna sui temi di Hansel e Gretel con il film: 'Coronation' un documentario di 115 minuti che racconta la cronaca dei giorni più drammatici e intensi della prima ondata di Coronavirus a Wuhan.Realizzato con i video girati dai cittadini di Wuhan alle prese con il primo focolaio, il documentario mostra le vie vuote della città cinese e l'eco del silenzio nel deserto urbano. Inoltre descrive il lato emotivo delle persone alle prese con il lockdown: dalla paura alla libertà negata. In Cina, durante la prima ondata di Covid-19, il Governo ha preso il controllo totale dell'informazione mostrando il pugno duro nei confronti dei cittadini. Il film è disponibile su Vimeo ma è stato rifiutato da Netflix e dai principali festival cinematografici (Venezia, Berlino, New York) perché ritenuto controverso.

Hansel e Gretel era visitabile a New York, al Park Avenue Armory, fino al 6 agosto 2017 – e seguiva le precedenti esperienze del terzetto in Cina – per l’iconico stadio ​​soprannominato Bird’s Nest progettato nel 2008 per i Giochi Olimpici di Pechino​ – e​, più di recente,​ a Londra,​ con ​la loro interpretazione underground dell’ormai tradizionale Serpentine Pavilion estivo​, nel 2012​. VIDEO: https://www.youtube.com/watch?v=qhksjQ69_IY

Fonte: Sky arte

[jgthirlwell]

2019 year in review

This year I also invited some friends and colleagues to reflect on 2019

JG Thirlwell

Composer Foetus Xordox Manorexia Steroid Maximus Venture Bros Archer

www.foetus.org

30 Albums of 2019 (although not all of them came out in 2019) Damon Locks & Black Monument Ensemble Where Future Unfolds (International Anthem) Le Grand Sbam Vaisseau Monde (Dur et Doux Caravaggio Caravaggio 2 & Turn Up (La Buissonne) Swans Leaving Meaning (Young God Records) 13 Million Year Old Ghost (Chaykin) Ben Frost Dark Cycles 1 & 2 (Invada) Sote Parallel Persia / Sacred Horror In Design (Diagonal) 33EMYBW Arthropods (SVBKVLT) Anna Meredith Fibs (Moshi Moshi) Kelly Moran Ultraviolet (Warp) Thom Yorke Anima  (XL) Hildur Guðnadóttir Joker Soundtrack (Water Tower Music) Lingua Ignota Caligula (Profound Lore) Igorr Savage Synusoid (Metal Blade) Oli XL  Rogue intruder Soul Enhancer (Blo-onm) Red Fang Murder The Mountains (Relapse) Michael Kiwanuka Kiwanuka (Polydor) Richard Dawson 2020 (Weird World) Idiot Flesh Fancy / The Nothing Show / Tales Of Instant Knowledge and Sure Death (YouTube) Ikarus Echo / Mosaiasmic (Ronin Rhythm Records) Poil Sus / Mula Poil (Dur et Doux) Orange Goblin A Eulogy For The Damned (Candlelight) Nivhek After its own death / Walking in a spiral towards the house (Yellow Electric) Ni Pantophobie (Due et Doux) Andrew WK You’re Not Alone (Sony) Rustin Man Drift Code (Domino) Kishi Bashi Omoiyari (Joful Noise) Liturgy HAQQ (YLYLCYN) Croatian Amor Isa (Posh Isolation) Schnellertollermeier Rights / X /  Zorn einen ehmer üttert stem!! (Cuneiform) Scandinavian Star Solas (Posh Isolation) Synth Sisters Euphoria (EM records) JPEGMAFIA Veteran + All My Heroes Are Cornballs (EQT)

Notable Concerts I went to dozens of concerts and events in 2019. Here are some of the most notable. All in NYC except where noted.

Jan 8  Matt Marks Tribute at  Protoype Festival. Roulette Jan 19  Lemon Twigs MHOW Jan 26  Julia Wolfe /  NY Philharmonic Fire In My Mouth Lincoln Center Feb 16  Lucretia Dalt Issue Project Room Feb 23  Willliam Basinski  Ambient Church Mar 13  Lou Reed Drones St John The Divine Mar 18  This Heat LPR + July 31 at Elsewhere Mar 20  Oran Ambarchi  Fridman Gallery Mar 28  Fire! at Zurcher April 11  Aphex Twin Avant Gardner May 4  Zombi El Cortez May 11  Lawrence English Knockdown Center May 13  The Who + Orchestra Madison Square Garedn May 15  Alva Noto Metropolitan Museum June 11  Andrew Cyrille Marathon Roulette June 13  Christeene / Nastie Band Brooklyn Bazaar June 26  Simon Hanes National Sawdust July 27  Nick Zinner 41 Strings Rockefeller Center July 30  Flaming Lips / Lennon Claypool Delirium Capitol Theater Portchester Aug 2-4  Bang On  A Can LOUD Festival Mass MOCA Notth Adams Aug 27  Pharmakon St Vitus Sep 5  JD Emmanuel Issue / First Unitarian Church Sep 18  Lingua Ignota St Vitus Set 21  King Crimson  Radio City Oct 10  Melvins Warsaw Oct 19  Helm Cafe Oto Nov 1  Marc Almond Brooklyn Bazaar Nov 6  JPEGMAFIA Bowery Ballroom Nov 23  Caterina Barbieri Unsound Fest, Knockdown Center Nov 30  Knower Bowery Ballroom

Film & TV These films were flawed but resonated with me.

Chernobyl Ozark Once Upon A Time In Hollywood Joker Midsommar The Irishman Uncut Gems

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Matt Johnson

The The https://www.thethe.com/

Looking back on 2019 I decided to list a handful of political / alternative news websites rather than films, albums or books. In the UK the corporate media stooped to shocking new lows during our recent General Election campaign. Such dirty tactics are to be expected of conglomerates owned by the likes of Rupert Murdoch and his fellow right wing billionaires but this time around, previously ‘liberal’ outlets such as the BBC and Guardian also fully participated in the outrageous lies, smears and character assassination against the leader of the opposition Labour Party. The British population were now being forced fed the Establishment’s propaganda du jour from every possible direction. Personally I try to gather my information from as many alternative outlets as possible to contrast with the 24 hour corporate brainwashing we’re subjected to these days. I’ve listed just five sites from the dozens I regularly visit and although I certainly don’t agree with everything expressed on these sites I do feel that it essential that in supposed free and democratic societies we are at least exposed to a variety of viewpoints and opinions - rather than being trapped inside social media echo chambers in an Internet that is increasingly controlled and censored by sophisticated algorithms and where politically correct digital lynch mobs accuse anyone with an opinion that contradicts the official narrative of being a Russian agent! Anyway, a Happy New Year to you all and here’s hoping 2020 sets the new decade off in roaring style!

https://www.medialens.org/

https://www.truthdig.com/author/chris_hedges/

https://www.corbettreport.com/

https://thesaker.is/

https://thoughtmaybe.com/about/

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Tristan Perich

Composer www.tristanperich.com

Here is a rather random selection of 10 of my favorite tracks of 2019, mostly courtesy Spotify recommendations over the year...

Full playlist: https://open.spotify.com/playlist/6OUSFLqLsAwhRQRF44yxWN?si=r33XRUuGR_iIOZHg4thuyA

Lechuga Zafiro: Para Abajo feat Matmos & Seba TC https://open.spotify.com/track/2xMnSTIBNZ8AT6w6TdZyU9

Kelpe: A Year and a Day https://open.spotify.com/track/4ANoLzEjtGOBl5qCvEiLov

Shida Shahabi: All In Circles https://open.spotify.com/track/5qMnq88JPMJQ81x5szpN3t

The Vernon Spring: Strength of a Young Man https://open.spotify.com/track/0zQUqR1UcXoPRSrTt0WuPs

Dessert: Thunderbird https://open.spotify.com/track/5rAguSvXxyo5zBq9a5RQWd

Yves V w/ Icona Pop: We Got That Cool (Robert Falcon & Jordan Jay Remix) https://open.spotify.com/track/1lEtudJvZNiibWzXc5m4mh

Selena Gomez: Look At Her Now https://open.spotify.com/track/4yI3HpbSFSgFZtJP2kDe5m

Masahiro Sugaya: Umi No Sunatsubu https://open.spotify.com/track/43egCanD1UNNvoCo2K4veC

Konradsen: Baby Hallelujah https://open.spotify.com/track/6TBnYhxTzSiiVmMBjpZ3gH

Slow Magic: Girls (DJ Clap Remix) https://open.spotify.com/track/31Sdj7aF1h4emCJtkxdy1A

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James Ilgenfritz

Composer https://infrequentseams.com/

James Ilgenfritz's favorite witnessed events, by month:

Hilma af Klint: Paintings for the Future (January, Guggenheim) Anaïs Maviel: who is this ritual for and from? (February, Roulette) Roscoe MItchell, SPACE, Wavefield Ensemble (March, Park Avenue Armory) Blank Forms: Nadah El Shazly (April, Brooklyn Music School) Barre Phillips Solo (May, Zurcher Gallery) Heiner Goebbels: Everything That Happened And Would Happen (June, Park Avenue Armory) Zodiac Saxophone Quartet: Charles Waters, Ras Moshe Burnett, Claire Daly, Lee Odom (July, Scholes St) Tie: Judith Berkson: Partial Memories & Juho Laitinen: Robert Ashley's The Wolfman (August, Ostrava Days, Czech Republic) Zeena Parkins / William Winant / Ikue Mori (September, The Stone) Vinnie Golia / Bobby Bradford Quartet (October, Edgefest in Ann Arbor) LA Philharmonic: Wubbels, Macklay, Sabat, Smith, Perich (Los Angeles, November) Art Ensemble Of Chicago (December, Washington, DC)

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Carl Michael Von Hausswolff

Artist / Composer

https://cmvonhausswolff.net/

10 special artists of 2019 in no specific order: • Hildur Guðnadóttir - her film music • sunn o))) - their Life Metal and Pyroclasts albums • Ilpo Väisänen - his concert in Stockholm • Cindy van Acker - her choreographic work • Jónsi & Alex - their old Riceboy Sleeps album and 2019 tour • Swans - their leaving meaning album • Flowers Must Die - their Där Blommor Dör album • Bigert & Bergström - their climate awareness art • Vanessa Sinclair & Carl Abrahamsson - all their work during 2019 • Hans-Joachim Roedelius and Tim Story - their Lunz 3 album

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Ryan Martin

Label Boss, Dais Records

www.daisrecords.com

Richard Youngs & Raül Refree "All Hands Around the Monument" Sarah Davachi "Pale Bloom" James Hoff "HOBO UFO (v. Chernobyl)" Wojciech Rusin ‎"The Funnel" Caterina Barbieri "Ecstatic Computation" Solange "When I Get Home" Kali Malone "The Sacrificial Code" Deathprod "Occulting Disk" Vatican Shadow "Kuwaiti Airforce" Ben Vida "Reducing The Tempo To Zero" JPEGMAFIA "All My Heroes Are Cornballs" Dean Hurley "Anthology Resource Vol. II: Philosophy of Beyond" Sean McCann "Puck" Oren Ambarchi "Simian Angel" Tyler, The Creator "IGOR" Helm "Chemical Flowers" JAB "Erg Herbe" Emptyset "Blossoms" E-Saggila "My World, My Way" Jacob Kirkegaard "Black Metal Square" Boy Harsher "Careful"

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Weasel Walter

Composer/performer / label head https://weaselwalter.bandcamp.com/

2019 was far from my favorite year. Regardless, I managed to release not one, but two new double albums by The Flying Luttenbachers (as well as two European tours with the unit) in addition to the usual slew of improvised music gigs and releases, and co-ordinating and producing an archival release of vintage NYC weirdness (Ozone). I also rocked Mexico City with Lydia Lunch Retrovirus, played a ridiculous gig with Encenathrakh, and disbanded Cellular Chaos (for now, at least).

When I become obsessed (or re-obsessed with something), it usually leads to a ton of proselytizing Facebook status posts. Combing my 2019 posts, it seems that my musical obsessions this year weren't very highbrow. Ha ha ha. Yes, I'm super into Xenakis, Cecil Taylor and whatever else, but dumber music can supply great creature comfort, and I guess I needed that in large amounts, so that's what it was. Sometimes badass modernists have to take time out to stay in bed all day and read comics because it's a hard cold world out there.

Weasel Walter top 10 musical obsessions of 2019 1. Kid Creole and the Coconuts (1980-1985 era) 2. Redd Kross 3. The Saints "I'm Stranded" 4. Jane Aire and the Belvederes 5. Miles Davis 1972-1975 6. Khanate "Things Viral 7. Mandy Zone & Ozone "Live at Max's Kansas City 1981" 8. Mayhem "Grand Declaration of War" 9. Comedy Bang Bang Episode #554 w/ Middleditch, Sanz 10. Weezer "Pinkerton"

Weasel Walter worst thing about 2019

1. Windows 10

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C.Spencer Yeh

Composer / Performer https://twitter.com/cspenceryeh?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

Ten live music highlights of 2019 - The Brandon Lopez Trio (Lopez/Steve Baczkowski/Gerald Cleaver) at Fridman Gallery, June 18 - DeForrest Brown Jr., Pennies From Heaven series at CONTROL, January 15 - Charmaine Lee, Nothing Changes at Saint Vitus, January 30 - Bloodyminded at Apartment 202, December 14 - Longmont Potion Castle live QnA, Spectacle Theater, March 23 - Joshua Abrams & Natural Information Society, Roulette, July 1 - Helm, Elsewhere, September 21 - Korn, Radiohead, Red Light District, October 26 - Mdou Moctar, Max Fish, September 1 - Mayo Thompson plays "Corky's Debt to His Father," Le Poisson Rouge, December 8

Speed round – five various still on the mind at the end of 2019 - Charlotte Moorman / Nam June Paik long sleeve t-shirt, Boot Boyz - Acacia leaf omelet and shrimp in sour curry, Jitlada, Los Angeles - Lynnée Denise, presentation for Omniaudience (Side Two) presented by Triple Canopy/Nikita Gale/Hammer Museum at Coaxial Arts, May 4 - PARASITE (2019) - ANIARA (2018)

Also, Spectacle Theater turns ten in 2020 and you should really come visit us.

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DJ Food

Artist / composer / DJ / curator

www.djfood.org

Music / podcasts: Pye Corner Audio - Hollow Earth LP (Ghost Box) Various - Corroded Circuits EP 12" (Downfall Recordings) Chris Moss Acid - Heavy Machine 12" (Balkan Vinyl) King Gizzard & The Lizard Wizard - Fishing For Fishes LP (Flightless) Pictogram - Trace Elements cassette (Miracle Pond) Vanishing Twin - The Age of Immunology LP (Fire Records) Big Mouth podcast (various) (Acast) Beans - Triptych LP (Gamma Proforma) Roisin Murphy - Incapable single (Skint) Ebony Steel Band - Pan Machine LP (Om Swagger) People Like Us - The Mirror LP (Discrepant) Coastal County - Coastal County LP (Lomas) Adam Buxton podcast (various) (Acast) Ghost Funk Orchestra - A Song For Paul LP (Karma Chief) Jon Brooks - Emotional Freedom Techniques LP (Cafe Kaput) King Gizzard & The Lizard Wizard - Organ Farmer (from Infest the Rat's Nest LP) (Flightless) Jane Weaver - Fenella LP (Fire Records) Polypores - Brainflowers cassette (Miracle Pond)

Design / packaging: Pepe Deluxé - The Surrealist Woman lathe cut 7" (Catskills) Various - Science & Technology ERR Rec Library Vol.2 (ERR Records) DJ Pierre presents ACID 88 vol. III LP (Afro Acid) Mark Ayres plays Wendy Carlos - Kubrick 7" (Silva Screen) Tomorrow Syndicate - Citizen Input 10" (Polytechnic Youth) The Utopia Strong - S/T LP (Rocket Recordings) Jarvis - Sunday Service LP (ACE records) Andy Votel - Histoire D'Horreur cassette (Hypocrite?) Sculpture - Projected Music 5" zoetrope picture disc (Psyché Tropes) Lapalux - Amnioverse LP (Brainfeeder) Hieroglyphic Being - Synth Expressionism / Rhythmic Cubism LP (On The Corner Records)

Film / TV: Sculpture - Meeting Our Associates (Plastic Infinite) This Time with Alan Partridge (BBC) Avengers: Endgame (Disney/Marvel) Imaginary Landscapes - Sam Campbell (Vinyl Factory) What We Do In The Shadows (BBC2) The Mandalorian (Disney+)

Books / Comics / Magazines: Beastie Boys Book - Mike Diamond & Adam Horowitz (Spiegel & Grau) Cosmic Comics - A Kevin O'Neill Miscellany (Hibernia Books) Electronic Sound magazine (Pam Com. Ltd) Moebius - 40 Days In The Desert (expanded edition) (Moebius Productions) Rock Graphic Originals  - Peter Golding w. Barry Miles (Thames & Hudson) 2000AD / Judge Dredd Megazine (Rebellion) Silver Surfer Black - Donny Cates/Tradd Moore (Marvel) Help - Simon Amstell (Square Peg) The Scarfolk Annual - Richard Littler (William Collins) Wrappers Delight - Jonny Trunk (Fuel)

Gigs / Events: Vanishing Twin @ Prince of Wales Pub, Brighton Stereolab @ Concorde 2, Brighton People's Vote March 23rd March, London Wobbly Sounds book launch @ Spiritland, London Confidence Man @ The Electric, Brixton, London Mostly Jazz Funk & Soul Festival, Moseley, Birmingham Bluedot Festival, Jodrell Bank, Manchester HaHa Sounds Collective play David Axelrod's Earth Rot @ Tate Exchange, London School of Hypnosis play In C @ Cafe Oto, London Palace Electrics, Antenna Studios, London The Delaware Road, New Zealand Farm, Salisbury Breaking Convention closing party, Greenwich, London Jonny Trunk & Martin Green's Hidden Library @ Spiritland, Southbank, London Negativland / People Like Us @ Cafe Oto, London HaHa Sound Collective plays the David Axelrod songbook @ The Church of Sound, London, Sculpture, Janek Schaefer, Mariam Rezaei + the 26 turntable ensemble @ The Old Baths, Hackney, London Vanishing Twin & Jane Weaver's Fenella @ Studio 9294, Hackney Wick, London

Exhibitions: Sister Corita Kent @ House of Illustration, London, Augustinbe Kofie @ Stolen Space, London, Victor Vasarely @ Pompidou Centre, Paris, Mary Quant @ V&A Museum, London, Stanley Kubrick @ The Design Museum, London, Tim Hunkin's Novelty Automation Museum, London, Keith Haring retrospective @Tate, Liverpool, Nam June Paik, Tate Modern, London, Takis @ Tate Modern, London, Shepard Fairy @ Stolen Space, London, Damien Hirst 'Mandalas' at the White Cube, London, Bridget Riley @ The Hayward, London, Museum of Neo-liberalism, Lewisham, London.

[membosan-melupakan-blog]

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[ericgiles]

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[agendaculturaldelima]

#ProyeccionDeVida

📣 Kino Cat / Cine Tulipán, presenta:

🎬 “EL PLANETA SALVAJE” (La planéte sauvage)

🎭 Género: Animación / Ciencia ficción / Drama / Película de culto

⏰ Duración: 73 minutos

✍️ Guion: René Laloux y Roland Topor

📕 Novela: “Oms en série” de Stefan Wul

🎼 Música: Alain Goraguer

💥 Argumento: En el lejano planeta Ygam viven unas criaturas gigantescas llamadas “Draags” que han domesticado a los pequeños “Oms”, seres humanos que están siendo exterminados. Pero un Om consigue escapar.

📢 Dirección: René Laloux

© Productoras: Argos Films, Les Films Armorial, Institut National de l'Audiovisuel, Ceskoslovenský Filmexport y Krátký Film Praha.

🌏 País: Francia - Checoslovaquia

📅 Año: 1973

📽 Proyección:

📆 Martes 24 de Septiembre

🕖 7:30pm. 

🐈‍ El Gato Tulipán (Bajada de Baños 350 – Barranco)

🚶‍♀️🚶‍♂️ Ingreso libre

[nextlightbulb]

La Planète sauvage (1973)

Réalisateur: René Laloux

Studio: Les Films Armorial Ceskoslovenský Filmexport

Durée: 1h 12m

[everyanimatedmovie]

217. La Planete Sauvage (Fantastic Planet) (1973)

8/10

On the planet Ygam, in the far future, giant blue natives ("Draags") keep the imported humans ("Oms") as exotic pets. However, many humans escape captivity and live in parks as an invasive species. Terr, a pet Om, learns to read the Draag's language, and must find a way to bring human intelligence to the Draag's attention, or else escape the planet altogether, before they exterminate all wild Oms.

By portraying humans as animals, it turns the tables on us in terms of cruelty and so, like Bambi, it is very successful at teaching kids to feel bad for tormenting animals - that is, if you can get a kid to watch this crazy shit. (My brother and I liked this movie when we were children, so it's not impossible.) Based on a French novel, Oms en Serie by Stefan Wul, the alien landscape and animals Fantastic Planet contains are strange without surcease, and the music sounds like late Pink Floyd. The art is extremely unusual, and appears to be drawn with pen and ink or graphite, rather than painted on cels. This movie is very easily available in English, and for some reason it played on TV a lot in the 70's and 80's. I highly recommend guilt-tripping your favorite children in your life by making them watch this movie.

[johndombroski]

Robert Rauschenberg, Open Score

Performance (a) presented as part of 9 Evenings: Theatre and Engineering, The 69th Regiment Armory, New York, N.Y., United States, October 14-23, 1966. Technological design: Jim McGee Racquet design and construction: Bill Kaminski Performers: Mimi Kanarek, Frank Stella (tennis players), Simone Forti, Christopher Rauschenberg, Robert Rauschenberg, Christine Williams, a group of 500 people gathered together for the two performances Direction of the performers: Elaine Sturtevant, Susan Hartnett, Clark Poling Technical assistance for the closed-circuit video broadcast: Bill Hartig Sound mixing: Steve Paxton Camera operators: Robert Breer, Les Levine Projectionist: John Giorno Lighting design: Jennifer Tipton, Beverly Emmons (assistant) Doorkeepers: Alex Hay, Deborah Hay In Open Score, Robert Rauschenberg derived the content of his performance from the characteristics of the performance venue. The tennis racquet suggested both the idea of the ready-made (at other times tennis was played at the Armory) and that of a dance improvised in accordance with specific rules. The lighting, however, which dimmed each time a racquet hit a ball, conferred on the player’s actions a function bound up with a complex technological system. During the second part of the performance, which took place in total darkness, a crowd on stage, which was filmed with infrared cameras, appeared to mirror the viewers assembled on the bleachers that served as seats. As close as the onstage crowd was, it could be seen, paradoxically, only on the screens (1). First moment: Two tennis players (Mimi Kanarek and Frank Stella) took up positions on the tennis court set up at centre stage. Contact microphones fitted onto the racquets picked up the reverberations produced by the sound of the balls (b), (c). These data were relayed by short wave (FM) to two receivers/transistors and from there to the Armory speakers. At the same time, the reverberations of the balls hitting the racquet strings triggered an automatic mechanism that shut off the 36 lights on the Armory ceiling one by one. Thus the stage and auditorium were gradually plunged into darkness. During the performance of October 14, the mechanism did not function properly; in order to simulate the effect of simultaneity, the engineer Jim McGee had to manually operate the apparatus in order to cut the power to the lights. The match ended once all the lights were out (d), (e), (f), (g), (h), (i), (j). During this first performance, the sound of the tennis balls hitting the racquets was recorded on six reel to reel tape recorders. The transition to the second moment was facilitated by playing these sounds in the dark. Second moment: Nearly 500 people then assembled on the stage, where they were filmed by infrared cameras that had been set up on the balcony. Each participant was required to move around in accordance with 10 memorized instructions provided by Rauschenberg. The sequence of the instructions, and hence that of the participants’ actions, was signaled by numbered panels and flashes of light. The instructions were as follows: “1. Touch someone who is not touching you. 2. Touch two places on your body where you are ticklish (don’t laugh). 3. Hug someone quickly then move to someone else. Continue this until next cue (do this seriously, quickly and smoothly). 4. Draw a rectangle in the air as high as you can reach. 5. Take out a handkerchief and wipe your nose (do not blow). 6. Women brush hair 7. Move close together. 8. Move apart. 9. Men take off jackets; replace them; repeat. 10. Sing one of the 10 songs being sung (loudly), or sing a song of your choice.” (2) The image of this crowd appeared on three screens hung in front of the audience (k), (l), (m), (n), (o), (p), (q), (r), (s), (t), (u), (v), (x). During the performance of October 14, Rauschenberg played a pre-recorded soundtrack on which individuals gave their names one by one. This recording was not used during the performance of October 23. On the other hand, an additional element was added: Rauschenberg walked across the stage carrying the swaddled body of Simone Forti, putting her down from time to time; she, for her part, sang an Italian ballad (y), (z). The length of the performances is not mentioned in the documents that were consulted when writing these notes.

[nyfacurrent]

Artist News | December Part II

In this holiday season, treat yourself with works by NYFA Affiliated Artists!

Whether you'll be enjoying the snow in New York or the sun in Florida, you can count on NYFA Affiliated Artists to provide you with an end of year full of art. Will you be attending any of the exhibitions, performances, or screenings listed below? Make sure to tag us on Twitter, Facebook, and Instagram using the handle @nyfacurrent.

Things to do & see in NYC:

Liliana Porter (Fellow in Graphics ’85, Film ’99) Ana Tiscornia (Fellow in Photography ’04) Accomplices features a rare collection of collaborative works by Porter and Tiscornia. When: Now through December 22, 2017 Where: Johannes Vogt Gallery, 55 Chrystie Street, Suite 202,  New York, NY 10002

Debi Cornwall (Sponsored Project) Debi Cornwall’s solo exhibition on Guantanamo and its global diaspora, Debi Cornwall: Welcome to Camp America, is now on view at Steven Kasher Gallery. When: Now through December 22, 2017 Where: Steven Kasher Gallery, 515 West 26th Street, New York, NY 10001

Amy Brener (Fellow in Crafts/Sculpture ’14) Come see Bener’s sculptures in the two-person show at 315 Gallery. When: Now through December 22, 2017 Where: 315 Gallery, 312 Livingston Street, Second Floor, Brooklyn, NY 11217

Sharon Lawless (Fellow in Painting ’90) Reusable is a solo exhibition of mixed-media collages and sculptures composed of both found and purchased materials. When: Now through December 22, 2017 Where: Robert Henry Contemporary, 56 Bogart Street, Brooklyn, NY 11206

Michele Brody (Fellow in Architecture/Environmental Structures/Design ’00) Esperanza Cortes (Fellow in Sculpture ’95) Shaun Leonardo (Fellow in Painting ’08) Jessica Segall (Fellow in Crafts/Sculpture ’14) Seldon Yuan (Fellow in Interdisciplinary Work ’15) There is still time to see the group show, Uproot, which presents the work of artists who have been urgently engaging with the current state of affairs since the 2016 presidential election. When: Now through December 31, 2017 Where: Smack Mellon, 92 Plymouth Street, Brooklyn, NY 11201

Dread Scott (Fellow in Sculpture ’01, Performance ’05, Interdisciplinary ’12) You can still see Scott’s work in Amplify: Advancing the Front Lines of Social Justice, a public art and design initiative partnering artists and designers. When: Now through January 7, 2018 Where: Museum of Arts and Design, Jerome and Simona Chazen Building, 2 Columbus Circle, New York, NY 10019

Leigh Davis (Sponsored Project) Leigh Davis: Inquiry Into the ELE will be on view at BRIC House. Working in a variety of media, Davis creates an archive of End-of-life Experiences (or ELEs) and accumulates assemblage of images and oral and written accounts that bridge the mystical gap between the earthly realm and that of the spiritual. When: Now through January 7, 2018 Where: Project Room at BRIC House, 647 Fulton Street, Brooklyn, NY 11217

Elia Alba (Fellow in Crafts ’01, Photography ’08) One more month to see Alba’s The Supper Club, a solo exhibition centered on racial politics and visual culture. When: Now through January 12, 2018 Where: The 8th Floor, 17 West 17th Street, 8th Floor, New York, NY 10011

Lori Nix (Fellow in Photography ’04, ’10) Empire features nine new photographs created by Lori Nix and Kathleen Gerber, exploring different aspects of our ever-changing landscape. When: Now through January 27, 2018 Where: ClampArt, 247 West 29th Street, Ground Floor, New York, NY 10001

Lina Puerta (Fellow in Crafts/Sculpture ’17) It Was a Dark and Stormy Night: Gothic Influence in Contemporary Art is a group exhibition featuring Puerta’s work. When: Now through February 10, 2018 Where: The Lehman College Art Gallery, 250 Bedford Park Boulevard West, Fine Arts Building, Bronx, NY 10468

Alan Berliner (Fellow in Film ’85, ’91, ’99) Allan Wexler (Fellow in Architecture ’85, ’90) See Yourself E(x)ist is a group exhibition, featuring eighteen artists working in different mediums, all considering the future of humans and nature. When: Now through February 17, 2018 Where: Pratt Manhattan Gallery, 144 West 14th Street, 2nd Floor, New York, NY 10011

Walter Dundervill (Finalist in Choreography ’16) Arena Triptych is a video/audio installation created by Iki Nakagawa and inspired by Dundervill’s choreographic piece Arena. When: December 15 - December 17, 2017 Where: Harvestworks, 596 Broadway, 6th Floor, New York, NY 10012

Lovid (Fellows in Interdisciplinary Work ’09, Digital/Electronic Arts ’17) Lovid will be performing live audio/video compositions with their handmade analog synthesizers as a part of The Curated Wall: A Holiday Event showcase. RSVP at RSVP@lmakgallery.com. When: December 15, 2017, 7:00 PM - 9:00 PM Where: LMAKbooks+design, 298 Grand Street, 2nd Floor, New York, NY 10002

Bill Young (Fellow in Choreography ’10) Loft Into Theater presents new performances by several artists, including Bill Young. Reserve your seat online here. Admission is $10. When: December 15 & 16, 2017, 8:00 PM Where: Loft Into Theater, 100 Grand Street, New York, NY 10013

Janelle Iglesias (Fellow in Sculpture ’11) Lisa Iglesias (Fellow in Printmaking/Drawing/Artists’ Books ’09) Mark your calendars for Fire Sale, a one day sale in which the entire gallery will be stocked with artwork from 30+ artists, all at a holiday friendly price point. When: December 17, 2017, 12:00 PM - 7:00 PM Where: Present Company, 254 Johnson Avenue, Brooklyn, NY 11206

Adrianne Wortzel (Fellow in Fiction ’15) Wortzel will be participating in NY LASER Talks, a series of lectures and presentations on art and science projects. Register online. When: December 17, 2017, 4:00 PM - 7:00 PM Where: Levy Studios, 40 East 19th Street, Apartment 3, New York, NY 10003

Kyle Abraham (Fellow in Choreography ’10) Ping Chong (Fellow in Choreography ’88, Playwriting/Screenwriting ’98, Performance Art ’03, Interdisciplinary Work ’12) Elizabeth Diller (Fellow in Architecture ’85, ’89, ’98) Reggie Gray (Fellow in Choreography ’16) Craig Harris (Fellow in Music Composition ’92) Branden Jacobs-Jenkins (Fellow in Playwriting/Screenwriting ’10) David Lang (Fellow in Music Composition ’86) Shirin Neshat (Fellow in Photography ’96) Lynn Nottage (Fellow in Playwriting/Screenwriting ’94, ’00) Carl Hancock Rux (Fellow in Playwriting/Screenwriting ’02) Carmelita Tropicana (Fellow in Performance ’87, Playwriting/Screenwriting ’06) Hank Willis Thomas (Fellow in Photography ’06) Basil Twist (Fellow in Performance Art/Multidisciplinary Art ’03) These Fellows and more will be participating in The Shape of Things, a conclusion to Carrie Mae Weem’s year-long artist residency with the Park Avenue Armory. Buy tickets online. When: December 17, 2017, 12:00 PM - 10:00 PM Where: Thompson Arts Center, Park Avenue Armory, 643 Park Avenue, New York, NY 10065

Jayson Smith (Fellow in Poetry ’17) Smith will be a guest panelist at Reparations, Live! With Morgan Parker, an event where panelists present ideas around mending injustices and speaking out about what America owes them. RSVP online. When: December 18, 2017, 9:00 PM Where: Liberty Hall, Ace Hotel New York, 20 West 20th Street, New York, NY 10001

Shamel Pitts & Mirelle Martin (Sponsored Project) Black Velvet, an original multidisciplinary performance artwork that has been performed internationally, will also be exhibited in New York at 14 Street Y. Advanced tickets are $20. When: January 11 - January 14, 2018, 8:00 PM Where: 14th Street Y, 344 East 14th Street, New York, NY 10003

Get out of town to see:

Michelle Jaffé (Sponsored Project) Jaffé’s video and sound installation, Soul Junk, places the viewer inside a metaphoric mind at work. Mimicking synaptic circuitry firing in the brain, the installation explores raw emotions as conveyed and betrayed by the human voice and facial expressions. When: Now through January 6, 2018 Where: Milton Art Bank, 23 South Front Street, Milton, PA 17847

Joseph Osmundson (Fellow in Nonfiction Literature ’17) Osmundson will be having a launch party in Seattle as a part of the tour for his new book Inside/Out. When: December 22, 2017, 7:00 PM - 8:00 PM Where: University Bookstore, 4326 University Way North East, Seattle, WA 98105

Liliana Porter (Fellow in Graphics ’85, Film ’99) Savannah College of Art and Design Museum of Art presents Other Situations, a survey exhibition of object-based works, photography, prints, and two video pieces by Porter. When: Now through January 7, 2018 Where: Savannah College of Art and Design, 601 Turner Boulevard, Savannah, GA 31402

Ben Altman (Sponsored Project) Ben Altman’s photographic project, "The More That is Taken Away," is included in the exhibition Artificial Things at Art at the ARB at the University of Cambridge. When: Now through January 19, 2017 Where: Art at the ARB, Alison Richard Building, 7 West Road, CB3 9DT Cambridge, Cambridgeshire, UK

Jennifer Karady (Sponsored Project) Karady’s photographs from "Soldiers’ Stories from Iraq and Afghanistan" is a part of the exhibition, Aftermath: The Fallout of War - America and the Middle East. When: Now through January 21, 2018 Where: The Ringling, 5401 Bay Shore Road, Sarasota, FL 34243

Kambui Olujimi (Fellow in Crafts/Sculpture ’17) Sabbath: The 2017 Dorothy Saxe Invitational is a group show centered around works which comment on the Sabbath, the day of rest. When: Now through February 25, 2018 Where: The Contemporary Jewish Museum, 736 Mission Street, San Francisco, CA 94103

New releases to enjoy at home:

Brenda Zlamany (Fellow in Painting ’94) Read a recent discussion between Zlamany and Leslie Wayne regarding her recent project with the Hebrew Home at the Derfner Judaica Museum. Where: Online at Artcritical

Doug Skinner (Fellow in Performance ’91) Le Scat Noir Encyclopedia features contributions by individuals from around the world, including work by Skinner, presenting rare facts, fictions, illustrations, and the like. Where: Buy it here

Young Jean Lee (Fellow in Playwriting/Screenwriting ’10) Read some recent news regarding Lee’s play Straight White Men, which will begin previews at the Helen Hayes Theatre on Broadway Summer 2018. Where: Online at TheaterMania

NYFA congratulates:

Simone Leigh (Fellow in Sculpture ’09) Leigh is a Finalist for the 2018 Hugo Boss Prize! The Winner will be announced in 2018.

Follow us on Twitter and Instagram for more events with NYFA affiliated artists. Also, don’t forget to like us on Facebook to see what current fiscally sponsored projects are up to! To receive more artist news updates, sign up for our bi-weekly newsletter, NYFA News.

The NYSCA/NYFA Artist Fellowship Program awards $7,000 grants to individual artists living and working in New York State. The 2018 award cycle is currently open, with applications being accepted through January 24, 2018. NYFA Fiscal Sponsorship enhances the fundraising capabilities of individual artists and emerging arts organizations. The next quarterly no-fee application deadline is December 31, 2017.

Image: Leigh Davis, Inquiry Into the ELE, 2017, Video Still

[whorlslave39-blog]

9 Art Events to Attend in New York City This Week - ARTnews

Rulan Tangen, FIELDWORKS (still), 2016.

RAVA FILMS

MONDAY, OCTOBER 22

Talk: “Decolonizing the Land, Decolonizing the Mind” at BRIC In collaboration with the nonprofit A Blade of Grass, BRIC presents an event that imagines a future in which indigenous communities and people of color create “alternative systems and technologies to protect people and the environment.” The program includes a performance by artist Maria Hupfield, film screenings related to projects by ABOG fellows, and a panel discussion moderated by artist and racial equality trainer Nayantara Sen of Art/Work Practice with Stephanie Dinkins, Mary Mattingly, and Hupfield. The event coincides with BRIC’s current exhibition “Mary Mattingly: What Happens After.” BRIC, 647 Fulton Street, Brooklyn, 7–9 p.m.

Charles Alston, Girl in a Red Dress, 1934, oil on canvas.

COLLECTION HARMON AND HARRIET KELLEY FOUNDATION FOR THE ARTS, SAN ANTONIO

TUESDAY, OCTOBER 23

Opening: “Posing Modernity: The Black Model from Manet and Matisse to Today” at Wallach Art Gallery This exhibition, which will travel to the Musée d’Orsay in Paris in March 2019, focuses on various representations of the black figure throughout the development of modern art. Photographs, correspondence, and films reveal details about the models’ interactions with painters, sculptors, and photographers. The New York presentation, which is curated by Denise Murrell, will center on the black female figure and takes Édouard Manet’s depictions of Laure—who posed as the maid in the famed painting Olympia—as a point of departure. Both stagings will feature work by Frédéric Bazille, Edgar Degas, Henri Matisse, Charles Alston, Jean-Baptiste Carpeaux, and others, along with pieces by modern and contemporary artists who consider the legacy of these portrayals. Wallach Art Gallery, 615 West 129th Street, 6–8 p.m.

THURSDAY, OCTOBER 25

Performance: Liliana Porter at the Kitchen The new play THEM, co-directed by the artists Liliana Porter and Ana Tiscornia, is composed of a series of short scenes that deal with one of the oft-recurring themes in Porter’s work: the divide between comedy and drama. (Porter is currently the subject of a survey at El Museo del Barrio.) The two artists created a glass windscreen and mosaic seating area for the Scarborough train station in upstate New York in 2010, and though details about the new work’s plot are sparse, THEM is being teased with an image of a masked man staring at a duck. The Kitchen, 512 West 19th Street, 6 p.m. Tickets $20/25

Lorraine O’Grady, Cutting Out CONYT 04, 1977/2017, letterpress printing on Japanese paper, cutout, collage on laid paper.

©LORRAINE O’GRADY AND ARTISTS RIGHTS SOCIETY (ARS), NEW YORK/COURTESY ALEXANDER GRAY ASSOCIATES, NEW YORK

Opening: Lorraine O’Grady at Alexander Gray Associates The title of this new exhibition from Lorraine O’Grady—“Cutting out CONYT”—is a reference to the longstanding conceptual artist’s 1977 text-based work Cutting Out The New York Times. That piece, in which poems were created out of collaged Sunday Times editions, is revisited here in new works that deploy her 1977 verses as source material for a series of modified “haiku diptychs.” In a statement, O’Grady said, “Produced with 40 more years of life and aesthetic experience, I feel that [the “Cutting Out CONYT” work] embraces the mysterious intertwinings of narrative and politics, post-blackness and blackness in a way that Cutting Out The New York Times could not accomplish or even imagine.” Alexander Gray Associates, 510 West 26 Street, 6–8 p.m.

Opening: Al Loving at Garth Greenan Gallery The first exhibition since the late artist’s 2017 solo outing at Art + Practice in Los Angeles, this show, titled “Space, Time, Light,” showcases paintings and mixed media works produced by Al Loving between 1976 and 1993. Spotlighting the abstractionist’s experimentations with geometry and color, the show features Loving’s collages and fabric wall-hangings made from torn canvas, which were often made in mind of work by Romare Bearden, Henri Matisse, and Hans Hofmann. Garth Greenan Gallery, 545 West 20th Street, 6–8 p.m.

Faith Ringgold, Windows of the Wedding #9: Life, 1974.

COURTESY ACA GALLERIES, NEW YORK

Opening: Faith Ringgold at ACA Galleries This exhibition takes a look at some of Faith Ringgold’s lesser-shown works, including political posters, a series of figurative soft sculptures, and abstract pieces made with acrylic on canvas. Among the pieces featured are 1971’s People’s Flag Show Poster, which is lined with text written by Ringgold, part of which reads, “ARTISTS, WORKERS, STUDENTS, WOMEN, THIRD WORLD PEOPLES. WHAT DOES THE FLAG MEAN TO YOU?” ACA Galleries, 529 West 20th Street, 7–9 p.m.

FRIDAY, OCTOBER 26

Opening: Michael Krebber at Greene Naftali A contemporary of Cosima von Bonin and Albert Oehlen, the painter Michael Krebber has often resisted espousing a single aesthetic throughout his decades-long career—and sometimes has even appeared to resist painting altogether. His works are minimal and drily humorous, and often evoke pared down images and motifs using just a few paint strokes. According to a release for his new exhibition, Krebber’s latest works feature “transcriptions of anonymous vitriolic blogs and a snail motif appropriated from Duchess Kate Middleton,” among other subjects. Greene Naftali, 508 West 26th Street, 6–8 p.m.

SATURDAY, OCTOBER 27

Opening: TEFAF New York at Park Avenue Armory The fall edition of the TEFAF art fair in New York will convene 93 exhibitors to show antiquities, decorative works, and more. Alongside the fair’s booths will be a series of discussions: one talk, for example, will focus on the legacy of Eugène Delacroix. Another will focus on “Retrieving Lost Identities: The Black Figure in Art, Past and Present.” Park Avenue Armory, 643 Park Avenue, 12–8 p.m. Tickets $25/$55/$75

A 1970 Calder, Les Trois Barres, brought by New York dealer gallery Van de Weghe, looms over the 2018 edition of TEFAF Spring in New York, at the Park Avenue Armory.

MAXIMILÍANO DURÓN/ARTNEWS

SUNDAY, OCTOBER 28

Performance: Caleb Teicher & Company with Conrad Tao at Guggenheim Museum As part of its “Works & Progress” series, the Guggenheim will present this performance by artist Conrad Tao and renowned tap dancer and choreographer Caleb Teicher and his company. The event will act as a preview of their new work, More Forever, which will premiere in a full-length version as part of the same series next year. Audiences will hear Tao’s new score while Teicher and company dancers “explore American dance traditions such as vernacular jazz, tap, and Lindy Hop” atop a stage covered in sand. Guggenheim Museum, 1071 5th Avenue, 7:30–8:50 p.m. Tickets $40/$45

Source: http://www.artnews.com/2018/10/22/9-art-events-attend-new-york-city-week-39/

[cflaesgems16]

A Caroline in Salzburg

The last destination of my “Eastern Europe” trip was Salzburg, Austria. A city very close to the German border, surrounded by the Alps. Salzburg, is known for being used in the popular 1965 film The Sound of Music, starring Julie Andrews, which tells the story of the Von Trapp family singers. Salzburg, is also the birthplace of Wolfgang Amadeus Mozart, the most prolific and influential composer of the Classical era.

DAY ONE

One my first day in Salzburg, I took a Bavarian Salt Mines tour recommended to me by my friend Kiersten. This was probably one of the coolest things I have ever experienced. On the tour, you get to put on a protective miner’s suit (mine fit so cozy, I didn’t want to take it off) (Photo A). Then you board a tiny train to ride through the tunnels. At the end of the train ride, you get to slide down a wooden slide. What an adrenaline rush! With a tour guide, you wander around the mines learning about the excavation techniques and technology to remove the salt. Towards the end of the tour, you get to see this 6 foot deep underground lake, that is crystal clear. In the lake, they soak the rock and extract the salt from it (Photo B). We rode a little boat across the lake, then boarded the train to exit the tunnels. Honestly, it was one of the best experiences I’ve had, 10/10 would recommend it, especially to families with kids.

Photo A

Photo B

The tour continued, and we rode through the Bavarian Alps. Technically, we were in Germany, and not Austria for this trip. We saw the Eagle’s Nest, which was Hitler’s second headquarters located on top of Kehlstein. It was a very expensive structure to build and a few people lost their lives in the process. Hitler only visited the site a total of 14 times, because he was afraid of heights.

We stopped for lunch in Berchtesgaden, I went and got the best schnitzel and potatoes ever for lunch, while admiring the amazing view of the alps. I think, one of the places I will miss the most is Germany, especially Bavaria (Photo C).

Photo C

The bus returned to Salzburg, and after a quick nap to recharge, I explored the city. I walked through the Mirabelle Gardens, to Mozart’s Birth House (Photo D). Albeit a little pricey, I visited the museum, which had some artifacts from his life, including his violin and a model of his piano (the original is in the other Mozart museum in Salzburg) (Photos E & F). After the museum, I visited the cathedral that was built in 1614 (Photo G). It’s a very beautiful cathedral, especially the ceilings (Photo H). It’s crazy how the ceilings are so detailed; maybe it’s because people look up to pray? The cathedral also has four organs total; that’s a lot of organs. I wonder if they play them all simultaneously?; how would that sound? It had been cold and rainy outside, so I warmed up with some goulash and strudel for dinner, before heading back to my hostel for the night.

Photo D

Photo E

Photo F

Photo G

Photo H

DAY TWO

On my second day and last full day in Salzburg, I began my day with The Sound of Music tour. If you’re a fan of the movie, then this is the tour for you! We drove around Salzburg, and the surrounding area visiting sites that were used in the movies, all while learning some behind the scenes secrets (Photos I & J). Did you know that little Gretel almost drowned in the canoel scene? After this incident, Kym Karath (the actress) immediately wanted to go home. So, the directors started to bribe her with candies and cookies so she would stay. She ate so much that when it was time to film the final scene, Christopher Plummer refused to carry her up the mountain because she was “too fat”. So, they ended up using a doll.

Photo I: the back of the Von Trapp house was entirely different from the front; they filmed in two different locations. The lake with the canoe scene, where Gretel almost drowned!

Photo J: The Gazebo, where Something Good was filmed

The second part of the tour, we drove around the Bavarian Alps, which were covered in snow, singing along to songs from the movie. Our tour guide was so nice, and energetic. it was a ton of fun. We stopped in Mondsee, which is home to the church where the wedding scene between Maria and the Captain was filmed (Photos K & L).The last stop on our trip was Mirabelle Gardens, I ran around the gardens with my new friends, I met from the tour, playing around like the Von Trapp children (Photos M & N).

Photo K

Photo L

Photo M: Do Re Me Steps

Photo N: Troll Garden

Afterwards, I went up to Hohensalzburg Castle (Photo O). The weather was bad on and off, it was very windy, cold and snowy. When I was outside, enjoying the amazing view from the castle, thankfully the weather was cooperative and I got amazing photos (Photo P). When I was inside enjoying the exhibits, I’d look out the window and see a snow storm. The exhibits in the castle were cool, you had your typical rooms full of china and cutlery, refurbished rooms and armory. There was even a small marionette museum too (Photo Q)!

Photo O

Photo P

Photo Q

The weather was getting really bad in Salzburg, so I called it a day and went back to my hostel and had dinner then watched The Sound of Music for the second time in a row, to see if I could point out the secrets I learned from the tour. It’s such a good movie, but it’s also VERY long!

This “Eastern Europe” trip was great, I’m so glad I found the time to explore these Germanic and Slavic countries. Even though I was by myself, I met some great people in my hostel and got to explore the cities at my own pace and see things that interested me. I’m going to miss Europe in general, so much once I’m back in the states; I’m going to miss the spontaneity, freedom and adventuring.

La dernière destination dans mon voyage à “l’Europe de l’Est” était Salzbourg en Autriche. Une ville très proche à la frontière d’Allemagne, qui est encerclé par les Alps. Salzbourg est connu pour le cadre du film très populaire de 1965 The Sound of Music, avec Julie Andrews, qui a dit l’histoire de la famille chanteuse Von Trapp. Aussi, Salzburg est le lieux de naissance de Wolfgang Amadeus Mozart, le plus prolifique et influent compositeur de l'ère Classique.

JOUR UN

Pendant mon premier jour à Salzbourg, j’ai pris une tournée des mines de sel de Bavière, qui m’a recommandé par mon ami Kiersten. C'était, probablement, le plus chouette chose que j'ai jamais vécues. Dans la tournée, vous avez porté un costume de protection de mineurs (mon costume était très confortable, que je ne voulais pas l'enlever) (Photo A). Puis, vous montez dans un petit train à traverser les tunnels. À la fin du voyage, vous pouvez glisser dans un grand toboggan bois. Quelle montée d'adrénaline! Avec un guide, vous explorez les mines, et apprendre au sujet de la technique et la technologie pour sortir le sel. Vers la fin de la tournée, vous voyez un grand lac sous terre, qui est clair comme de l’eau de roche (Photo B). Dans le lac, ils trempent la roche et extraient le sel de roche. Nous avons pris un petit bateau au-dessus de lac, puis nous sommes montées le train pour sortir les tunnels. Honnêtement, c'était l'une des meilleures expériences que j'avais, 10/10 le recommanderait, en particulier pour les familles avec enfants.

La tournée continuait, et nous avons traversé les Alp de Bavière. Techniquement, nous étions en Allemagne, et pas en Autriche pour ce voyage. On a vu le Eagle’s Nest, qui était le deuxième siège d’Hitler, situe dans le somment de Kehlstein. Qui était une structure très cher de construire et quelques personnes ont perdu leurs vies pendant le processus. Hitler, a visité le siège 14 fois, parce qu’il avait peur de la hauteur.

Nous avons un arrêté pour le déjeuner à Berchtesgaden, où j’ai mangé le meilleur schnitzel et pommes de terre dans ma vie, en admirant la vue incroyable des Alps. Je pense que l’un des endroits où je vais le plus me manque est l'Allemagne, en particulier la Bavière (Photo C).

Le bus est revenu à Salzbourg, et après avoir fait une petite sieste pour recharger, j’ai exploré la ville. J’ai traversé le Jardin Mirabelle à le lieux de naissance de Mozart (Photo D). Bien qu’un peu cher, j’aie visité le musée, qui avait des artefacts de sa vie, comme son violon et une modèle de son piano (l'original est situé dans l’autre musée de Mozart à Salzbourg) (Photos E & F). Après le musée, j’ai visité la cathédrale qui a construit en 1614 (Photo G). C’est une très belle cathedral, particulièrement les plafonds (Photo H). C’est très foule comment les plafonds sont très détaillé; peut-être la raison pourquoi est les peuples regardent en haut pendant la prière? Aussi la cathédrale a quatre orgues; c’est beaucoup de orgues. Je me demande s’ils jouent les orgues ensemble? Comment ça sonnerait?

Il faisait froid et pluvieux à l'extérieur, alors je me suis réchauffé avec du goulash et du strudel pour le dîner, avant de rentrer dans mon auberge pour la nuit.

JOUR DEUX

Dans mon deuxième jour et dernier, entier jour à Salzbourg, j’ai commencé mon jour avec une tournée de The Sound of Music. Si vous aimez le film, cette tournée est parfait pour vous! Nous conduisait vers Salzbourg, et la région qui encercle, nous avons visité les sites touristique du film, et on a apprendu des secrets du film (Photos I-J). Par exemple, saviez-vous que le petit Gretel s'est presque noyé dans la scène du canoё? Après cet incident, Kym Karath (l'actrice) a immédiatement voulu revenir aux Etats-Unis. Ainsi, les réalisateurs ont commencé à la soudoyer avec des bonbons et des biscuits pour rester. Elle a tellement mangé que quand il était temps de filmer la scène finale, Christopher Plummer a refusé de l'emporter sur la montagne parce qu'elle était "trop ​​grosse". Alors, ils ont fini par utiliser une poupée.

La deuxième partie de la tournée, nous avons traversé les Alps Bavière, qui recouvrait en neige, en chantant les chansons du film. Notre guide était très gentille et dynamique. C'était très amusant. Nous avons arrêté à Mondsee, qui a l'église où ils ont filmé la scène du mariage entre Maria and le Captain (Photos K-L). Le dernier arrêté dans notre tournée était le Jardin Mirabelle, j’ai couru autours de jardins avec les filles j’ai rencontré dans la tournée, jouer comme les enfants Von Trapp (Photos M-N).

Ensuite, je suis allée au château de Hohensalzburg (Photo O). Le temps était mauvais, c'était très venteux, froid et neigeux. Quand j'étais dehors, j'adore la vue étonnante du château, heureusement que le temps était coopérative et j'ai pris des photos incroyables (Photo P). Quand j'étais en train d'apprécier les expositions, je regardais par la fenêtre et voyais une tempête de neige. Les expositions dans le château étaient chouette, vous aviez vos chambres typiques remplies de porcelaine et de couverts, des chambres rénovées et de l'arsenal. Il y avait même un petit musée de marionnettes aussi (Photo Q)!

Le temps devenait vraiment mauvais à Salzbourg, alors et je suis retournée dans mon auberge et j'ai mangé le dîner puis j'ai regardé The Sound of Music pour la deuxième fois de suite, pour voir si je pouvais souligner les secrets dont j'ai appris le tour. C'est un bon film, mais c'est aussi très long! Ce voyage "Europe de l'Est" a été génial, je suis tellement heureux d'avoir trouvé le temps d'explorer ces pays germaniques et slaves. Même si j'étais seul, j'ai rencontré des gens formidables dans mon auberge et j'ai pu explorer les villes à mon rythme et voir des choses qui m'intéressaient. Je vais manquer l'Europe en général, tant qu'une fois que je suis de retour dans les États-Unis; Je vais manquer la spontanéité, la liberté et l'aventure.

[sysk-ehess]

KAPWANI KIWANGA

Mercredi 22 février 2017

De 19h à 21h à la MSH, 16-18 rue Suger 75006 Paris (Métro Odéon ou Saint-Michel)

La salle n’est pas ouverte avant 18h50.

La pratique artistique de Kapwani Kiwanga (née en 1978 à Hamilton, Ontario, vit à Paris) est une extension de ses études d’anthropologie et de religions comparées à l’Université Mc Gill de Montréal, puis des documentaires qu’elle a réalisés pour la BBC et Channel 4 à Édimbourg au début du 21e siècle. Chez Kapwani Kiwanga, la recherche anthropologique, la littérature et les archives sont au cœur d’une œuvre nourrie par l’afrofuturisme, les luttes anticoloniales et leur mémoire, les systèmes de croyances, les cultures vernaculaires et populaires, ainsi que par les différentes façons d’envisager le magique et le surnaturel. Dans ses films, installations et performances, qui tous explorent la notion de “croyance” et de sa relation au "savoir", Kapwani Kiwanga fait appel aux diverses modalités du documentaire, subjectif ou scientifique. « Il y a la volonté de travailler avec des matériaux divers qui sont tous liés à des connaissances différentes, qu’elles soient factuelles, sensorielles, symboliques ou subjectives. Vidéos, installations sonores, histoires orales ou plantes sont pour moi des documents historiques au même titre que les textes officiels d’archives. J’aborde l’histoire avec une part de subjectivité, en y introduisant de la fiction. » (« 3 questions à Kapwani Kiwanga, Ferme du Buisson).

Les œuvres de Kapwani Kiwanga ont été présentées au Centre Georges Pompidou, au Glasgow Centre for Contemporary Arts, au Museum of Modern art de Dublin, à la Biennale internationale d'art contemporain d'Almeria, Salt Beyoglu à Istanbul, à la South London Gallery, au Jeu de Paume à Paris (programmation “Satellite 7″ : commissariat Nataša Petrešin-Bachelez), à la Ferme du Buisson, au  Kassel Documentary Film Festival, au Kaleidoscope Arena de Rome, à la Galerie Jérome Poggi de Paris, à Paris Photo. Elle a été artiste invitée à l’Armory Show de New York 2016 et elle expose actuellement au Power Plant de Toronto et à la Tate Gallery de Liverpool.

Elle a suivi le programme “La Seine” à l'École Nationale Supérieure des Beaux-Arts de Paris, puis le Fresnoy (Studio National d'Art Contemporain). Elle fut artiste en résidence à la MU Foundation à Eindhoven et à la Box à Bourges.

[EN] In her most recent works Kapwani Kiwanga (b. 1978 in Hamilton, Ontario, Canada; lives and works in Paris) appears as a scientist, mobilizing her knowledge in social sciences to develop research projects. Following a singular methodology, she creates specific protocols she uses like filters to observe specificities and capacity to change of cultures; the result can take the form of installations, videos or happenings. Kapwani Kiwanga studied anthropology and comparative religion at McGill University (Montreal, CA). She has followed the program "La Seine" at the Ecole Nationale Supérieure des Beaux-Arts de Paris, and also works at Le Fresnoy (a french national center for contemporary art). She was artist in residence at the MU Foundation in Eindhoven (NL) and at the Box in Bourges (FR). 
Kapwani Kiwanga's works have been already exhibited in Centre Georges Pompidou (FR), the Glasgow Center of Contemporary Art (UK), the Museum of Modern art de Dublin (IE), the Bienal Internacional de Arte Contemporáneo de Almeria (ES), Salt Beyoglu in Istanbul (TK), the South London Gallery (UK), the Jeu de Paume in Paris (FR), the  Kassel Documentary Film Festival (DE), the Kaleidoscope Arena Rome (IT) and at Paris Photo (FR). Kapwani Kiwanga has been nominated as commissioned artist by The Armory Show (NYC), where a solo show was devoted to her work in 2016. Twice nominated for BAFTA, her movies have been rewarded in several international festivals.

Programmation et prochains rendez-vous sur ce site ou par abonnement à la newsletter : somethingyoushouldknow-request@ehess.fr

Pour regarder les séminaires antérieurs : http://www.vimeo.com/sysk/

Séminaire conçu et organisé par Patricia Falguières, Elisabeth Lebovici et Natasa Petresin-Bachelez et soutenu par la Fundación Almine y Bernard Ruiz-Picasso para el Arte.