#leo matiz
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LEO MATIZ // "POLYGON BASEMENT" CARACAS, VENEZUELA | circa 1950 [giclée print on paper | 11 × 11"]
#leo matiz#minimal#film photography#analog#modern art#black and white#monochrome#caracas#venezuela#50s#columbian#photography#u
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Frida Kahlo, Coyuacan, Mexico, Leo Matiz, 1946
#frida kahlo#photography#vintage photography#vintage#black and white photography#portrait#celebrity#leo matiz#1940s#1946#colombian#south american art#latin american art#100 notes
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Leo Matiz
Polygon, Caracas, Venezuela, 1950
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Luis Buñuel, February 22, 1900 – July 29, 1983.
1945 photo by Leo Matiz.
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The net, peacock of the sea (Ciénaga Grande, Colombia) (1939), photographed by Leo Matiz.
#black and white#photography#net#Leo Matiz#colombian artists#fishing#boat#1930s#patheticesque#Catch the breeze
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"Frida," a new doc by Carla Gutiérrez, enters the crowded field of Frida Kahlo biography. In my latest for the L.A. Times, I have a look.
Photo: Leo Matiz / Fundación Leo Matiz.
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"LIGHT AND SHADOW" LEO MATIZ // circa 1970 [giclée print on paper | 11 × 10 9/10"]
#leo matiz#minimal#film photography#analog#black and white#monochrome#argentina#modern art#70s#columbian#photography#u
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"I wish I could do whatever I liked behind the curtain of 'madness.' Then: I’d arrange flowers, all day long. I’d paint; pain, love and tenderness. I would laugh as much as I feel like at the stupidity of others, and they would all say: 'Poor thing, she’s crazy!' (Above all I would laugh at my own stupidity.) I would build my world which, while I lived, would be in agreement with all the worlds. The day, or the hour, or the minute that I lived would be mine and everyone else’s - my madness would not be an escape from 'reality.'" ~Frida Kahlo
Photograph by Leo Matiz, from 1941.
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Leo Matiz
Foto de Leo Matiz | Fuegos pirotécnicos. Colección del Arte del Banco de la República
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