#leo explained

[cinearticles]

Leo: 10 Reasons Why You Should Watch It In Theaters | Vijay | Lokesh | Anirudh | LCU

Leo is the latest film by acclaimed director Lokesh Kanagaraj, who has delivered blockbuster films like Kaithi and Vikram. Lokesh Kanagaraj is known for his thrilling and innovative storytelling, and his films are always full of surprises and twists. If you are a fan of his cinema, you don’t want to miss his latest offering in theatres, Here we are listing top 10 reasons to watch the film in…

[sad-leon]

would anyone listen to this? the ramblings of a lunatic?

[pinetreevillain]

Stray Part 1

I��ve been calling this one “the big one” because THIS BAD BOY 👉👉 is a five parter. It’s also the one that I got into unarmed combat with the most in terms of the color palette, and after a long and bloody battle, it’s made itself out to be my favorite colors so far since the Friends Like These palette. Now i’ve rambled enough about the colors already! Please enjoy :)

<- Confrontation, next

Masterpost

[2aceofspades]

The artist

Playing cards

Part 1...? I dunno

[hitwiththetmnt]

Just a Number P1 P2

@butterfilledpockets bent boys have a good spread of ages between them to talk about

[ilivelikeimtrying]

I might have noticed this late but did anyone else notice during the Mama Train fight after Leo and Raph mind meld the second time-

When they were executing Raph's plan, that one split second when they look to each other-

Leo has Raph's eyes, and Raph has Leo's.

[delicate-sketch]

Idk if this is unpopular opinion or not but while Percy is like “fuck this demigod stuff I am retired” I think Nico would be working in the underworld in the future like I just have this vision of him in a mix of modern and ancient greek clothing doing missions for Hades collecting some troublesome souls idk helping with the judgement talking shit with the dead making the playlist for their elevators vibing to tragedy by bee gees he kinda enjoys the demigod stuff even if its hella dangerous or whatever

[tangledinink]

After the brothers leave and Swanatello is left alone, does he ever realize after that he's hurt his brothers? Oh does one of them just come back on a good day and Swanatello see's them with injuries and ask where they came from

[thisisadonaldduckblognow]

all the rise boys get done dirty on characterization by fandom in different ways i think. (not ALL the time every fanwork etc etc these are just like, trends i tend to notice?) every fandom suffers from losing character nuance.

- leo i’ve talked about plenty on this blog, how some of his canon traits (genuine belief in his skill and cockiness, capacity for joy, his manipulativeness whether for good or ill) seem to get watered down or wiped off the board and supplemented with generic sad boy. his struggles with purpose and identity and not wanting to fail somehow morph into “he hates and completely holds no value for himself”

- donnie’s canon personality gets blurred out and largely replaced with whatever list of Neurodivergent Traits. and i think there’s such a fine line to walk between exploring a character that’s been word of god confirmed as on the spectrum and overwriting what’s canonically there. it’s a hard needle to thread. it also feels like a lot of his canon emotiveness gets left off the table for some reason. bc he does have his moments of flat/deadpan delivery, but a lot of the time he’s honestly very emotive. he has the passion of a theatre kid and the vindictiveness of... also a theatre kid. and the mind of a scientist.

- raph loses so much of his rowdy teen boy energy it’s kind of wild? like interpretations sand off that he’s also impulsive and can be reckless and dumb and LOVES fighting and roughhousing and isn’t the most eloquent person. suddenly there’s this pitch perfect soft boy big bro who would never hurt a fly and always says the exact right supportive thing and singlehandedly raised his 3 brothers (which simultaneously sands off all the nuance of splinter’s issues emotionally connecting with his sons and how that affected all of them). and like i LOVE raph, he’s so full of love and care and anxiety, he clearly has learned to put a lot of work into being aware of his strength and size. but there’s a difference you know?

- mikey is like. where raph gets overparentified by fanon, mikey gets over “family therapist”-ed IMO. the impulsiveness, the goofiness, the powerful emotions including a VERY powerful temper, the flat-out dumb teen boy choices... they get ignored. suddenly there’s this only very sweet and earnest boy who has read a hundred psychology books and runs group family therapy weekly or something. he is crying in his room bc leo and raph are arguing about something. which is so. he IS very sweet and can be very earnest and is full of love! he HAS come in with his opinions and unsolicited advice a couple of times and life coached for the greater good. but there’s a difference between what he does in canon and the role he gets in fanon.

[meggahamicide]

Okay, i've decided that i'm just gonna drop/dump some lore on Vermin, so if you're interested, read below! It's really long!

...o.0.O.0.o...

Personality:

Like canon-Leo's head-cannons, Vermin hides his true emotions behind a smile, but their differences are in the execution. Vermin's smiles are more wicked, more cruel, and he find amusement in making people fear him, having experience in getting people to listen to him by intimidating them.

He pretends to be indifferent to how the brothers act around him, but always keeps an eye out for any signs that they aren't as they say they are. Donnie specifically.

Big emotions are a no-no, so he hides them behind a passive face, empty of anything he's feeling so he can convince those he's talking with that he feels nothing, that he is unaffected by any stressors and anxiety. If anything get's too overwhelming, he retreats to a hidden corner to wait it out and tries not to remember how Draxum treated him when he let his emotions get the better of him.

Because he was raise without certain privileges, he gets extremely giddy around new experiences, such as sampling new foods and trying out video games and skateboarding. It's probably the only time he lets his guard down because he's so entranced by whatever is happening he forgets that he's not supposed to be showing emotion.

...o.0.O.0.o...

Relationships:

Raphael:

With Raph, Vermin just doesn't know how to deal with him. An injury brings Vermin to the lair and Raph is the one who heals him, but Vermin in uncertain whether or not he can trust someone with such obvious strength he can easily use to harm Vermin. He doesn't understand why Raph is so kind nervous when he could dominate his enemies.

Michelangelo:

Mikey is the one Vermin accepts the easiest other than April. Mikey has a way to handle Vermin without being too invasive and without threatening the slider in any way shape or form and eventually shows Vermin that there is kindness that is not expected to be repaid. He also helps Vermin lean into his chaotic mindset without it becoming harmful to others, like teaching him how to prank the other brothers.

And of course, Vermin loves trying his food, so Mikey basically tempts the slider like he might a feral cat.

Donatello:

Donnie is the one Vermin has the hardest time accepting. He's convinced he can easily beat the soft-shell in a fight, but once he discovers that Donnie is a scientist, he becomes wary of him, skittish and uncomfortable whenever he's around. He knows that there are other ways to get someone to obey than simply fighting.

It takes Donnie being patient and showing him that he means no harm over time that earns his trust. The softshell just has to break through the notion that all scientist are evil and only seek to destroy that which is closest to them. Donnie even goes as far as to promise to never let anything happen to Vermin ever again.

April O'Neil:

The first one to show kindness when Vermin leaves Draxum's lab. She shows the slider a side of society that he was being deprived of when he was with Draxum, helping him see that there is a place for everyone, that things don't need to hurt to be beneficial. She pretty much forcefully adopts him as her little brother and is even protective of him when he interacts with her other brothers.

Baron Draxum:

Was raised by Draxum. More info in the timeline.

...o.0.O.0.o...

Timeline:

Content Warnings: blood and injury, references to child abuse, loss of limb, needles, non-consensual drug use (kind of), non-consensual experimentation and surgery.

It gets dark, so be cautious of the warnings!

Age 0-4:

In the beginning, Lou Jitsu, later known as Splinter, only rescues three of the turtles, who eventually go by the name Donatello, Raphael, and Michelangelo. The remaining turtle, identified by his red markings, is picked up by Baron Draxum before the lab explodes, destroying his life work. The only remaining bit of his research is the tiny creature small enough in the palm of his hand.

Quick to find a place to stay and recover, the Baron begins working to piece together his research using his subject. He starts a book, scribbling down anything worth noting and refraining from any larger tests besides bloodwork and skin-scraping until the subject is larger, better able to withstand any more intrusive tests.

He begins raising the creature, claiming it as his own.

Age 5-8:

Called by the title Red, the slider reaches acceptable cognizance to begin training by the age of five. He is small, just below the Baron's knee, but he is intelligent enough to understand complex problem solving and language. Weapons training is less successful than desired, but that could be related to the subject's weaker limbs and child-like nature.

Baron Draxum is relentless in his education, always prepared to deliver swift punishment should Red be unable to comply with his desires. Red hates the punishment, often times covered in bruises from the extra training or with a headache from spending his nights in 'The Room,' but he is just as stubborn as his guardian, if not more so. He always seeks to make his boss proud, ignoring the voice that always tells him he's not strong enough, not good enough. Baron Draxum always has a reason for saying things like that, so Red knows he just has to try harder.

He's not exactly sure what a human is, but the Baron is convinced that he needs to kill them all.

Every other week, the Baron brings Red to another room where he 'collects samples.' Red doesn't know what they're for, but he's seen the elder gather some of his freshly peeled chutes and teeth when they fall off, always writing in that journal with a little turtle drawn on the front.

One night, when he's just turned eight, Baron Draxum leaves in a hurry. He's gone for hours, leaving Red to his own devices and wondering if maybe the yokai had finally got bored of him, wondering if he just left him behind because he couldn't satisfy him. Red tries not to listen to the little voice in his head that says maybe that's a good thing, maybe it's better if he stays gone.

Red doesn't see him until the next day, well into the night, and suddenly, he regrets ever thinking those nasty things of his guardian. The yokai is hunched by the door, missing an arm and looking very tired. Red runs to him, but the Baron doesn't even acknowledge him, holding a towel to his stump.

Red is crying. He knows he shouldn't, knows that tears mean weakness, but he's afraid for his boss, afraid of what is happening, because that's a lot of blood. He feels something well up in his chest as he sits next to his guardian, the feeling swelling into his lungs and arms, weaving through his bones and into his fingers, bright, blue light zapping over his fingers. Something guides his hand, pressing them against the yokai's injury and forcing the light into him.

He heals Baron Draxum.

Baron Draxum looks at him like he's solved the world's problems.

Age 9-10:

Test after test after test. Red is sure he's never been through so many tests, but he finally sees the Baron's pride and he wants to impress him, so he doesn't complain when the needle digs too far, or when the scalpel scrapes a little to much skin. This new power is good, that's all he knows. Baron Draxum calls it mystic energy, says that it was a power he was seeking all along, so Red doesn't complain when all of the test make him tired enough to pass out, or make him cry himself to sleep because his chest aches from how long he had to work. Baron Draxum is proud, proud enough to give him a portal sword and teach him how to use it, proud enough to hand him a pair of tonfa and guide him through the motions of building a shield, proud enough to smile when Red uses the kusari-fundo for the first time.

Red trains his new skill until he's sick, until he can't stand, until he can't feel the first time Baron Draxum uses that strange, green liquid on him.

Baron Draxum was proud.

Age 11-13:

Red is pretty sure his name isn't Red any more. It's Vermin. At least, that's what the Baron has started to call him.

Ever since he stopped being able to use mystic energy without fainting, Baron Draxum has stopped using that old name. Now he was a pest, a creature incapable of healing, or portaling, or simply making things float. He is weak.

Baron did something while he was sedated; took apart his plastron and looked around inside. Vermin thinks he was looking for what was so wrong with him, why everything the slider does ends up in failure. He now has a shiny new plate of metal on his chest and a paranoia of falling asleep.

He lost count the amount of times he was put to sleep, but every time he woke to something different, and injection of mutagen transforming his body while he was so out of it he couldn't even open his eyes. His toes and fingers become more flexible, grow sharp talons attributed to some sort of owl. His tongue becomes forked, able to scent things by merely breathing. His hearing and eyesight become sharper, a fox's DNA granting him night vision. He becomes stronger, faster, more agile, but it's never enough.

Vermin's starting to think that it never was going to be enough.

Vermin is awake when Baran Draxum puts in the ports, ignoring how painful it is and preferring to strap Vermin to a table while he digs into the slider's neck and arms, leaving six, shiny new devices embedded in his skin. The Baron has Vermin carry around a canister of green liquid on his back, a 'empyrean variant' he said, and with a click of a button, the canister sprouts tubes that dig into his ports, releasing the substance into his bloodstream. It hurts, floods his system with fire, but Vermin was used to pain. Now he just has a few more scars to show for it.

The substance grants him more power, more strength, more speed. His senses, already sharp, become that much more, overwhelming his sensory intake, but he learns how to fight past the side-effects. Missions outside of the lab become easier, training obstacles the Baron create become simple to dispatch, he always hurts but there is no other option.

It's always been the Baron and him, but maybe... maybe it doesn't have to be.

He's tired of hurting, tired to running himself to the ground, tired of covert missions that paint Baron Draxum as the ultimate threat when he's doing all the work, tired to sneaking around New York City in a futile attempt of gathering information that will likely never be useful. He tired of being compared to the experiments that didn't live through the first test, he tired of living up to a trio of dead beings that weren't even strong enough to compete with him. He tired to the punishments, of the bruises, of the empty room, of the nightmares, of the expectations.

He's just tired.

On the morning of his fourteenth year, Vermin comes to the conclusion that Baron Draxum isn't the be-all-end-all, that his ideals do not have to be his own. It fills him with a giddiness that leaves him trembling, his heart pounding.

In the middle of his fourteenth year, Vermin leaves.

Age 14:

The first person Vermin officially meets a human named April O'Neil.

Age 16:

...Vermin is starting to think his name was meant to be Leonardo all along.

[the-corey-lynxx]

pjo characters as tops i found on pinterest

[lavndvrr]

Leo is so shippable like Rick could have put him with anyone but he chose to put Leo with Calypso FREAKING CALYPSO!!!!!

[denerturee]

EMO TURTLE POWER

[hitwiththetmnt]

Sketch page I rendered a bit ☆

[peach-moths]

four brothers + four moths

Rottmnt Moth List | Raph | Leo | Donnie | Mikey

[shantechni]

Aight, so this is something I intended to make a post about eons ago before making a bunch of posts related to it, but some things happened. Anyways-

The night Leo meets Karai, or rather is ambushed by her, he's thrown for a loop by her unprecedented decision to leave before she could easily finish him off. He's almost instantly putting an unreasonable amount of trust in her after that single interaction, and you can't entirely blame the guy since she was making no attempt to kill him while exuding her mischievous nature and taunting him like they've been buddies for years. Her behavior loosened him up in a way he normally couldn't be because of his duties as a leader. Of course, the situation greatly escalates from there as one thing leads to another, and the turtles are faced with the moral dilemma of accepting Karai for their familial connection with her or shunning her like any other enemy they know as she takes almost any chance she could get to hold a tantō to their necks.

Although none were more expressive with their distrust of her than Raph, there is something interesting to take note of.

Raph is the first to find out about Karai's existence and the evidently one-sided "friendship" Leo has with her, but rather than immediately go on the offensive with Karai (extremely surprising considering she had Leo pinned to the roof right when he arrived) or accuse Leo of any wrongdoing, he simply demands an explanation from his brother. Raph observed the situation with a level head and didn't judge Leo for anything other than seeming too blasé about Karai being a Foot clan member, or for saying she wasn't intent on killing him when she threw a weapon at his head. Other than that, he kept the matter between him and Leo since it didn't seem to be a pressing issue at the moment. His trouble with Karai only really began in the next episode when he witnesses Leo needlessly showing off in front of her and even going out of his way to hide her from Splinter, Donnie, and Mikey.

Nothing's stopping Raph from telling everyone, and he certainly doesn't trust Karai enough to leave things as they are, but he puts his faith in Leo and nudges him to come clean about his new found friend twice to their brothers at least. Soon after being told that Karai was 'taken care of' (something he called total BS on), he reaches his boiling point once he discovers her following them, and his frustrations are worsened by Leo going out of his way to defend Karai when she's spelling trouble for them. As to be expected, Leo is forced to confess after she lands them in hot water and leaves them for dead while running off with a Kraang bot, but once Splinter gives him a much needed lecture, Raph forgives him and seemingly stays out of his face about the ordeal. At least until Karai approaches them with a proposition to combine their forces and fight the Kraang, something he surely would've put up more of a fight to shoot down had the others, namely Leo, not agreed to her offer after she helped them fight the Kraang stealth ship.

All of those instances, when combed through for the little things, are some of the first details the writers gave us to show a major distinction between Leo and Raph.

Raph's temper is so front and center throughout the series that the amount of patience he exercises in response to Leo's asinine decisions and trains of thought (especially early on) has a tendency of being overshadowed. He constantly, and openly, shunned the idea of Karai ever siding with them since he couldn't find it in himself to readily trust her like everyone else could, and even after learning who her real father is, he continued to question the possibility of Karai ever turning out to be good when considering her upbringing. But he still went along with Leo's wishes to help and go so far to befriend her because he knew his brother was simply trying to help someone out of the kindess of his heart at the end of the day, and Leo's only further spurred by her being their sister.

This isn't exclusive to their development with Karai, because we see later on that Raph exercised a far greater amount of that patience when Slash made his theatrical return to the team midway through S3.

One could make the argument that the writers should've had the midseason two parter focus the slightest bit more on Raph's POV since Slash used to be his pet and Leo was the only one unwilling to believe he'd changed since their last encounter, but I'd say with certainty that the minuscule amount of input we received from him is just the right amount of focus we needed. Raph doesn't blow up at Leo for his treatment of Slash because he knows his suspicions aren't baseless, and he doesn't go out of his way to prove Slash's innocence to Leo (Mikey kind of does that for him lol); he only decided to step in when the two couldn't decide on what plan to proceed with. He plainly moves aside and allows Slash to prove Leo wrong through his own efforts, all while undoubtedly believing since their last encounter that Slash isn't bad anymore and that Leo would eventually come around to make that same conclusion.

The complete opposite of Leo's stubborn behavior when it came to Karai.

Look at Leo's face, he's so silly, a goofy goober if you will

Even though she went on to turn her back on Shredder, and essentially prove that Leo was right, Raph wasn't wrong to take so much time to see Karai as a trustworthy ally. He recognized that it wasn't enough for her to just be borderline friendly and fight on the same side as them; legitimate effort needed to be put forth for them to warm up to someone like her, and her track record didn't exactly suggest that she'd readily put in that effort. Leo's fixation with turning the tables on Shredder and making things right with Splinter practically blinded him from that simple little truth though. Of course, he learned the error of his ways and clearly followed in Raph's footsteps when confronting Slash and anyone else they'd cross paths with that posed a potential threat, sometimes tending to go too deep into that mindset when he was upset with Fugitoid and Usagi.

They both learned a little bit of something from each other along the way, but the difference in how Leo and Raph grow to perceive the matter of trusting someone is so fascinating to me.