#leo brunel

[asterisque]

Independent & semi-private multimuse blog featuring characters from different gacha & video games fandoms but mostly from the Fire Emblem - Tales of & Honkai: Star Rail series.

Written by Aster. She / her. 30+.

Carrd. (revamping...)

Icons? I don't know her (most of the time idk anymore).

Low-key activity.

Rules & Muses under the cut!

Semi-Private aka, you are free to follow me but I won't follow back if you do not show interest in interacting. So yes, you are also free to send asks and reply to open stuff on my dash, because then it means you wanna do stuff and then I'll happily follow back for us to write more together!

I want to keep my dash mostly made of rp partners, not just people who look at each other doing nothing or never replying to me, sorry, I've had several issues in the last months that make rping hard atm, so I want it to be lighter and slower and more interesting to me!!

IM closed for everyone but mutuals!

Not spoiler-free.

Multiship & Multiverse. I only ship with ocs if you're a close friend. Any established relationships with my muse(s) are okay as long as it's a canon character pertaining to the canon of said muse(s) (if you're not sure about this, just ask me in IM).

Crossovers friendly!!

DO NOT REBLOG NOR LIKE ask memes from me, do it from the source, I'm not an ask meme ressources, I won't hesitate to hard block anymore if this rule keeps on being broken! If you could do the same with any reblog I do on this blog while at it, for the sake of my activity.

Speaking of ask memes, they're always available to send me, even if we're not mutuals, ask are open to everyone, only threads are for mutuals.

Tag anything NSFW & Gore for me, only visual stuff tho, if written, don't worry, I'll stop reading if not my thing haha. I will do the same.

And let(s have fun!!!

Muses:

The list below is made of muses I really want to write and open to everyone!

Honkai Star Rail:

Sampo

Aventurine

March 7th

Caelus

Jing Yuan

Jiaoqiu

Tales of:

Sorey

Vicious

Aster Laker

Colette Brunel

Fire Emblem:

Sylvain Jose Gautier

Sharena

Shez

Amber

Zenless Zone Zero:

Billy Kid

Seth Lowell

Misc. Muses:

Aalto (Wuwa)

Sakamoto Ryuji (Persona 5)

Tifa Lockhart (Final Fantasy 7)

Vane (GBF)

Leo (Fandomless OC with verses for all my fandoms, just hmu if interested???)

I can write other muses but in certain particular situations (private to friends, asks, limited threads), so they're not open to everyone and have very limited voice, but don't be surprised if you see a muse posting when they're not in the list!

[schoje]

Foto: Leo Munhoz / SECOM A Polícia Civil de Santa Catarina divulgou nesta segunda-feira, 9, os resultados do inquérito policial sobre o incêndio a um caminhão de coleta de resíduos, ocorrido no dia 12 de março, no Bairro Jurerê Internacional, em Florianópolis. Quatro pessoas forma indiciadas por associação criminosa, entre outros delitos. Em entrevista coletiva, na sede da Delegacia-Geral da PCSC, o delegado-geral Ulisses Gabriel destacou o trabalho feito pela equipe da 7ª DP, sob o comando do delegado Verdi Furlanetto. “Em função da complexidade do fato, a apuração exigiu um trabalho técnico e imparcial pautado nas mais modernas técnicas de investigação”, disse Ulisses, ao elogiar o desempenho da equipe da 7ª DP em conjunto com PMSC, Bombeiro Militar de SC, Polícia Científica e Guarda Municipal de Florianópolis. O titular da 7ª DP, delegado Verdi Furlanetto, responsável pela investigação, destacou que o inquérito é composto por 850 páginas, dado o nível de detalhamento dos fatos. O delegado Verdi fez uma linha do tempo para mostrar a cronologia dos fatos e as imagens levantadas para compor a investigação. Dos quatro indiciados, um foi porque fez o mapeamento do local – identificando a rota e o horário da passagem do caminhão e, após o crime, filmou o caminhão em chamas e inseriu o vídeo no grupo de um sindicato. Uma segunda pessoa foi indiciada por ter cedido um carro locado pelo sindicato para o executor do crime; no seu depoimento ela não soube dizer para quem entregou chave do referido veículo; um terceiro indiciado foi identificado como um dos autores do incêndio ao caminhão, mas negou que tenha participado. Uma quarta pessoa também foi indiciada mesmo não participando diretamente da ação, mas porque pegou o carro locado, usado para o cometimento do crime, e devolveu na manhã seguinte aos fatos para a locadora. Ele também não soube dizer quem lhe deu a chave do veículo. Um quinto envolvido, que ameaçou as vítimas e ajudou a atear fogo no caminhão, não foi identificado até o momento.   Participaram da coletiva o secretário de Estado da Segurança Pública, Coronel Flavio Graff; comandante do 1º Comando Regional da PMSC, coronel Dante da Costa Chierighini; diretor de Segurança Contra Incêndio do Corpo de Bombeiros Militar, tenente-coronel Willian Fazzioni, chefe de Gabinete da Polícia Científica, perito criminal Henrique Brunel; diretor de Polícia da Grande Florianópolis, delegado Pedro Mendes Secretário Municipal de segurança de Florianópolis, coronel Araújo Gomes. Fonte: Governo SC

[jerichopalms]

#12: Hors Piste (2019, dir. by Leo Brunel, Loris Cavalier, Camille Jalabert, Oscar Mallet)

[miss-mollys-ballet-blog]

Royal Ballet Mixed Program Livestream Thoughts

Anemoi, choreography by Valetino Zucchetti

LOVED IT, OH MY GOD.  You could really tell his inspiration was the wind and the changes it brings, not only in the choreography and the music chosen, but with the fact that he used all young dancers who are all either in the corps or first artists.  I love that he highlights both the men and women in group numbers, none of the men of the corps only carrying spears nonsense.  His adagios are beautiful, he knows how to position dancers that show both dancers off, not just the ballerina being the star and the man being in the support.  I think it was my favorite part of the show.

Agnus Dei, choreographed by Arthur Pita and danced by Leo Dixon

It was your run of the mill contemporary piece.  I feel bad because Leo danced really well, but the choreography itself was so boring.  Remember when I said that almost all new choreography is just a copy of itself?  Yeah.  This was a prime example of that.

Morgen, choreography by Wayne McGregor and danced by Yasmine Naghdi and Joseph Sissens

This was the most elegant McGregor piece I have ever seen.  The choreography was smooth, graceful, and it seemed as though he choreographed it specifically for these two dancers because it worked for both of their strengths amazingly well.  McGregor generally has this kind of jerky, crawling on the floor style (honestly I think some of his work could be inspired by the scene in The Ring when the girl crawls out of the tv tbh), but this really had none of that.  

Winter Dreams, choreography by Kenneth MacMillan and danced by Laura Morera and Ryoichi Hirano

No one comes close to Darcey Bussell and Irek Mukhamedov in this pas de deux, sorry.  There just seemed to be no emotion in it and they had zero chemistry whatsoever.  Laura needs to retire, she is 43 and should bow out gracefully like Kristen McNally did.  Maybe Ryoichi would be better with a different partner like Sarah Lamb.  Unfortunately, I just constantly compare everyone who dances this to Bussell and Mukhamedov and maybe that’s not fair, but it is what it is.

After The Rain, choreography by Christopher Wheeldon and danced by Beatriz Stix-Brunnell and Reece Clark

I actually really liked Beatriz in it, it’s a shame she’s retiring because she is a wonderful contemporary dancer and out of the young dancers in the company, she was my favorite and out of the ones promoted to principal, I wish it had been her instead of O’Sullivan.  But I digress.  Reece Clark was fine, that’s really it.

Voices of Spring, choreographed by Frederick Ashton and danced by Anna Rose O’Sullivan and Marcelino Sambe

I love Marcelino SO MUCH.  I cannot think of a time when he did not bring just pure joy to his dancing; I want to see more and more and more of him!  I wasn’t a big fan of Anna Rose so much, she didn’t seem comfortable in the choreography, idk how to describe it.  She didn’t struggle, she handled it just fine, but it didn’t seem like the right fit.  She isn’t very graceful and smooth.

Sleeping Beauty Act 3 

Florestan and his sisters: Calvin Richardson, Isabella Gasparini, and Claire Calvert.  I enjoyed it, it was cute and perky and fun.  I do really enjoy Calvert!

Puss and Boots and Red Riding Hood dances are never my thing, I have to admit I didn’t watch them.

Princess Florine and Bluebird, Meaghan Grace Hinkis and James Hay.  Uuuuuuuuuuuuuuuuuuuuugh I hate this pas de deux so much and neither of these two did anything to make it better.  Neither of them came across as musical at all, they missed important accents, and looked like they were working and concentrating very hard, which is not a good look when performing.  

Aurora and Prince Florimund, Marianela Nunez and Vadim Muntagirov are always great to watch, especially Vadim.  You can 10000% tell they trust each other completely and are a great partnership.  

If you’ve read the entire thing, CONGRATULATIONS!  All in all, I highly recommend buying access and watching it; it was a very enjoyable performance!!!  Buy it here

[tenshi-2]

[the-final-boys]

Ship chart? Yes

Warning OC x Canon?

I just want to make wholesome fluff OC x Canon content and I apologize...

For those wondering where Libra is, I pair her with Bubba too, but I ship Scorp more

List of pairings:

Sage x Michael

Gem x Brahms

Leo x Jason

Scorp x Bubba

Aries x Chucky

Taurus x Amanda

Virgo x Billy Lenz

Pisces x Freddy

[cbqcc]

Corentin Yvergniaux, Juan Olarte, Léo Brunel - La légende de la chèvre qui connaissait le vrai sens de la montagne (2017)

[legend-collection]

Reynard The Fox

Reynard the Fox, also known as Renard, Renart, Reinard, Reinecke, Reinhardus, Reynardt and by many other spelling variations, is a trickster figure whose tale is told in a number of anthropomorphic tales from medieval Europe.

Reynard The Fox 1846 by Granger

He seems to have originated in French folklore. An extensive treatment of the character is the Old French Le Roman de Renart written by Perrout de Saint Cloude around 1175, which sets the typical setting. Reynard has been summoned to the court of king Noble, or Leo, the Lion, to answer charges brought against him by Isengrim the Wolf. Other anthropomorphic animals, including Bruin the Bear, Baldwin the Ass, Tibert (Tybalt) the Cat, Chantecler the Rooster and Hirsent the She-wolf, appear to give testimony against him, which Reynard always proves false by one stratagem or another. The stories typically involve satire whose usual butts are the aristocracy and the clergy, making Reynard a peasant-hero character. Reynart's principal castle, Maleperduys, is available to him whenever he needs to hide away from his enemies. Some of the tales feature Reynard's funeral, where his enemies gather to deliver maudlin elegies full of insincere piety, and which features Reynard's posthumous revenge. Reynard's wife Hermeline appears in the stories, but plays little active role, although in some versions she remarries when Reynard is thought dead, thereby becoming one of the people he plans revenge upon.

Reynard appears first in the medieval Latin poem Ysengrimus, a long Latin mock-epic written ca. 1148-1153 by the poet Nivardus in Ghent, that collects a great store of Reynard's adventures. He also puts in an early appearance in a number of Latin sequences by the preacher Odo of Cheriton. Both of these early sources seem to draw on a pre-existing store of popular culture featuring the character.

The 13th century saw the light of a Middle Dutch version of the story (Van den vos Reynaerde, About Reynard the Fox), comprised of rhymed verses (scheme AA BB). Very little is known of the author, Willem, other than the description of himself in the first sentences: This would roughly translate as:

Willem, die Madoc maecte, Daer hi dicken omme waecte, Hem vernoyde so haerde Dat die avonture van Reynaerde In dietsche onghemaket bleven (Die Arnout niet hevet vulscreven) Dat hi die vijte van Reynaerde dede soucken Ende hise na den walschen boucken In dietsche dus hevet begonnen. Willem who has made Madoc, and suffered many a sleepless night in doing so, regretted that the adventures of Reynaert had not been translated in Dutch (because Arnout had not completed his work). So he has researched the story and in the same way as the French books has he written it in Dutch.

Who this Willem was, remains a mystery. Madoc of which he here spoke, probably another one of his works, is also still an unknown text to this day. Illustration from Ghetelen in Reinke de Vos (1498)

Geoffrey Chaucer used Reynard material in the Canterbury Tales; in the “Nonne Preestes Tale”, Reynard appears as “Rossel” and an ass as “Brunel”. In 1485 William Caxton printed The Historie of Reynart the Foxe, which was translated from a Dutch version of the fables. Hans van Ghetelen, a printer of Incunabula in Lübeck printed an early German version called Reinke de Vos in 1498. It was translated to Latin and other languages, which made the tale poplular across Europe. The character of Tybalt in Shakespeare's Romeo and Juliet is named for the character Tibert/Tybalt the “Prince of Cats” in Reynard the Fox. Goethe, also, dealt with Reynard in his fable Reinecke Fuchs. Reynard is also referenced in the Middle English poem Sir Gawain and the Green Knight during the third hunt.

[symphonicdream]

Some more character statics!

Full Name - Melanie Sinclair Nicknames/Titles - Shoko-chan, God-Killer, God Slayer, Little Brat Age - Physically: 19 Actual: 3k+ Gender - Nonbinary, prefers female pronouns Species - Relic-Human Fusion / Angel Zodiac - Leo Alignment - Chaotic Neutral Religion - Doesn’t have one Languages - English, Japanese, Korean, French Nationality - American Sexuality - Demisexual Body Type - Slender, curvy and muscular Skin Color - Pale Eye Color - Silver Hair Color - Black Height - 5′4″ Distinguishing Features - Mole under her right eye, scar on her left breast in the shape of a forte symbol Residence - Depends on RP Martial Status - Single (Taken in one verse) Companions - Depends on universe. OG Companions are as follows, but are not forced into knowing Melanie as it takes place in alternative universes (due to Melanie’s origins as a fanfiction OC before her arrival to Tumblr): (Symphogear) Kazanari Tsubasa, Yukine Chris, Akatsuki Kirika, Tsukuyomi Shirabe, Maria Cadenzavna Eve, Kohinata Miku (Tales of Symphonia) Lloyd Irving, Colette Brunel, Genis Sage, Kratos Aurion, Raine Sage, Sheena Fujibayashi, Zelos Wilder, Presea Combatir, Regal Bryant Drink - Wild Berry anything Alcoholic Beverage - Jamaican Me Happy Breakfast - Doesn’t eat breakfast Lunch - Onigiri with varied filling or leftovers from last night Dinner - Curry, with lots of rice. Dessert - Mochi Ice Cream Snack - Potato chips Color - Pink Flower - Poppies Smell - That one smell of spring. She can’t name it, but it always smells lovely. Animal - Cats Time of Day - Midnight Weapon - Fists Element - Fire Mythology Deity - N/A

Tagging: If you want to do this take it from me.

[sibyl-of-space]

Tales of Symphonia ROMHack/Mod Ideas

I’ve taken a few dives into the ToS ROM (GameCube; I have no desire to touch the so-called “HD” version, sorry), and based on my findings, I’m writing a general plan of attack for changes I’d be interested in implementing. Subject to change based on my findings as I look more into it, but these are the things I’m currently looking at. If anyone wants to either follow my progress, or is uninterested and wants to block it, I will be using the Tumblr tag “Leo Tries Modding Tales of Symphonia”.

This post is being somewhat regularly edited to reflect additional changes I want to implement.

Separate Costumes and Titles

This is the #1 priority for me. The primary way in which party members’ stat boosts on level-up is determined is via titles; having good titles is necessary to have good character stats. They literally determine your character builds over the course of the game. However, the optional costumes in ToS are implemented as extra “titles” that grant 0 extra stat boosts; thus if you play the whole game in costume your party’s stats are garbage. I’d like to play a version of ToS that doesn’t punish for fun costumes.

Potential work-arounds:

(Ideal) implement a separate menu for costumes, completely divorcing them from titles. This would probably be really hard especially to gate behind the same costume events the game has, but I’ll see what I can do.

(Cheating) just give the costumes the same stat boosts as the party members’ best titles. If I can figure out how to do this, I’ll probably do it this way first because it seems easiest. I would use the titles that we use in NG+ speedruns because, well, I do NG+ speedruns.

Additional costumes to add in, if I can find a way:

Rutee (battle only) - the ToS ROM has a Rutee model coded as a player character in-battle (unlike the other cameo models which are lumped in with all the other enemies, hers is formatted and named and placed alongside all the playable characters). The only downside to this is many characters trying to use many attacks crash the game, so would need to either include a disclaimer, or find a way to disable moves that would cause a crash; or - ideal, but unlikely - find a way to address and resolve the crashes.

Kratos002 - a Kratos model that looks the same as his default, but the under-capes are colored white instead of purple. I wondered what this was about, but turns out this was actually his original model that was replaced late enough in development it’s still in the game and fully functional. You can see it in this early JP gameplay trailer.

Wings - I’d like to see if I can find a way to make Zelos or Kratos’s wings appear as optional add-ons for them in battle as well. If I can find the data for their enemy models, I might be able to figure it out - we’ll see!

Reinstate JP ToS Functionality

There are a few things that were present in the Japanese version that were patched out for international release and I am interested in reinstating them if possible.

Sound Test - the JP version of the game unlocks a “sound test” menu on the title screen after you beat the game, that lets you listen to any track on request and is just a neat thing. It exists in the English release but is inaccessible except via hacks. I’d like to see if I can add that menu item back in for easy access.

Rename Gem - JP ToS has an item you pick up in an overworld chest that lets you rename your party members. The item itself still exists in the English version’s code but if you hack it in it doesn’t do anything. I’ve found some references to its implementation in the ROM (mentions of “%s Irving, %s Brunel, %s Sage” etc. implying the actual names are being called from a variable, as well as a name entry screen), so I think most of the code for its functionality is still there. This is a matter of seeing what links are missing and determining how difficult it would be to put them back in and get it working again.

Kratos Route Heimdall Scene

Kratos’s ending is my favorite in the game, and I’ve always been a little sad that Lloyd doesn’t get the nighttime talk with anyone if you do it. You get an extended dialogue before the 1v1 fight, but it’s not the same. So my thought is, can I find a way to add one in?

My job: figure out how the other routes’ Heimdall scenes are coded and flagged, and see if I can find a way to tell the Kratos route to call one, and somewhat copy-paste an existing one with tweaks so it plays out a scene with Kratos and Lloyd the night before the fight.

To outsource: if I can get that far, I would outsource the writing to an interested 3rd party, as writing is not my forte. This is a “will cross bridge when get to it” step because I suspect it will be a long, long while before I’ve made enough progress to be ready for it.

Affection Tracker

I’m still not completely sold on whether I want to do this, and it’s not a priority, but I think it might be nice to have a tracker accessible somewhere to see what party members’ affection values are. This would probably be REALLY complicated, but maybe the ideal way to do it would be to modify the fortune teller’s dialogue to say ��If I were to attach a number to how this person feels about you, I would say [AFFECTION VALUE]” at the end of her assessment. Maybe a bit on-the-nose, but eh. Could make it toggle-off-able if people don’t want it.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

So far, I’ve found the data all of the models in battle and on the field (hence how I found Rutee and Kratos002), as well as the maps and skits. I have a hunch as to where the cutscene data is but it’s going to be complicated to narrow down. Will post updates and follow-up as I make progress. I intend to start another thread on Romhacking.net once I have enough to justify it. >:)

[dialegobert]

TALLER DE IMPROVISACIÓN LIBRE

Del 13 al 17 de octubre

HORARIO: De 10 a 14 horas excepto sábado 17 (a las 11)

FORMULARIO DE INSCRIPCIÓN http://www.teatreelmusical.es/va/taller-de-improvisacion/

RICARDO TEJERO - Su trabajo abarca una amplia gama de registros que van desde la música improvisada, sus propias composiciones, jazz, músicas africanas, música para danza y teatro o la dirección de grandes orquestas de improvisación.Comenzó a tocar el saxo alto en 1992, en un principio explorando el instrumento mientras tomaba clases esporádicas con Wade Mathews de quien descubrió la libre improvisación. En 1998 incursiona de una manera activa en la improvisación libre bajo la tutela de Chefa Alonso. Al mismo tiempo seguía tocando en diferentes bandas con estilos tan variados como música de baile, música africana, música popular española o jazz. También a finales de los 90, junto a otros compañeros de viaje, formó en grupo SOPLATHAT, que jugó un importante papel en la escena de la improvisación madrileña de aquellos años.Se graduó en Jazz y Música Contemporánea por el Leeds College of Music en 2005 obteniendo, en 2007, un master por la Brunel University (Londres) en música contemporánea e improvisación con los profesores Richard Barret y Peter Wiegold.Tras casi 13 años residiendo, y manteniendo una importante actividad musical en Reino Unido, Ricardo regresa en 2014 a Madrid donde reside en la actualidad manteniendo una intensa y regular actividad como interprete con diversos proyectos en varios países que le han llevado a tocar por casi toda Europa además de USA, Brasil, México, Chile, Argentina o Japón.Alguno de estos proyectos incluye el Dominic Lash Quartet, Bruo Duo, Tejero/Sassi dúo, Sputnik Trío, Internacional Quartet, Guillermo Bazzola Quintet, VOLE o Triatone. Ha trabajado con músicos como Marcio Mattos, Mark Sanders, Alison Blunt, Paloma Carrasco, Guillermo Bazzola, Baldo Martinez, Hannah Marshall, Horst Nonnemacher, Willie Kéller, Alex Ward, Yorgos Dimitriades, Dominic Lash, Eddie Prevost, John Edwards o Alexander Hawkins entre otros.

Ricardo mantiene también una importante actividad como director e interprete con orquestas de improvisación libre, entre ellas cabe destacar su trabajo regular con BERIO (Berlin Improvisers Orchestra), LIO (London Improvisers Orchestra), Raras Músicas Orchestra, FOCO, o colaboraciones con la RIO (Royal Improvisers Orchestra de Holanda) o la Tokio Improvisers orchestra.Dentro de su trayectoria ha publicado, como lider, co lider o colaborador más de 20 discos de improvisación libre con sellos como LEO Records, Babel, Emanem, Creative Sources, MultiKulti Projects, o Raw Tank, además de otras colaboraciones en varios discos dentro de otros ámbitos musicales como el jazz, el rock, músicas africanas o el pop.Compagina su trabajo de intérprete con su labor docente como profesor de saxo y clarinete además de impartiendo talleres de improvisación musical y colaborando con otras disciplinas como el teatro y la danza.Ha publicado mas de una veintena de discos con diferentes proyectos en sellos especializados en la improvisación libre como EMANEM (Reino Unido), LEO Records (Reino Unido), Babel Records (Reino Unido), Creative Sources (Portugal), MultiKulti Projects (Polonia), o Raw Tank (Reino Unido), etc. IDEA DEL TALLER

La manera en que Ricardo entiende la enseñanza musical, y mas concretamente la de la improvisación libre, es siempre dentro de un contexto de interacción y mutuo aprendizaje, por lo tanto el rol que asume como líder del taller es el de facilitador de una experiencia musical y sonora dentro del lenguaje improvisador.Sus talleres se desarrollan alrededor de varias ideas y conceptos centrales:– Explorar una nueva forma de escucha.– Re-evaluación de la idea misma de género y estilo en la música.– La relación con el propio instrumento y el papel que este desempeña en la creación sonora.– Permanente observación de los propios limites musicales, personales y sociales dentro del contexto sonoro.-Diferencias individuales dentro del contexto creativo colectivo.-La relación entre composición e improvisación.A través de una serie de ejercicios musicales se tratará de abordar diferentes aspectos de la experiencia de la improvisación en su forma más abierta y libre intentando encontrar las preguntas adecuadas desde las cuales ésta se enriquezca y madure. ESTRUCUTRA DE TALLER

Breve descripción:Taller práctico e interactivo sobre improvisación libre.Sus fundamentos prácticos, teóricos y recorrido histórico.La música improvisada en sus formas mas abiertas esta muy presente hoy en día en muchos ámbitos de creación musical. En este taller se trata de abordar los elementos esenciales de esta disciplina creativa.A quien va dirigido.A cualquier músico, aficionado o profesional, de cualquier nivel instrumental, que esté interesado en la improvisación libre.Forma del taller:Ésta podrá variar dependiendo de las necesidades y circunstancias en que se imparta.Podrá tomar forma de curso trimensual, con sesiones semanales de entre 2 y 4 horas. O como curso intensivo de dos o más días consecutivos, con sesiones de 4 a 6 horas diarias.Objetivos:

– La escucha musical en sus diferentes formas

.– Observación de los propios limites musicales, personales y sociales dentro del contexto sonoro.– Re evaluación de la relación con el propio instrumento, la técnica y el papel que estos elementos desempeñan en la creación musical.

-Observar las diferencias de rol individual dentro del contexto creativo colectivo.

– Re examinar los parámetros musicales: duración, timbre, altura, dinámica.

– Re-evaluación de la idea misma de genero y estilo en la música.

-La relación entre composición e improvisación.Contenidos de la actividad.Se invitará al alumno a participar de una manera activa y crítica de ejercicios que recorrerán diferentes aspectos de la practica improvisatoria:

– El curso avanzara dentro de prácticas de improvisación desde una aproximación abierta y libre, sin excluir ningún concepto musical: sonido, ruido, tonalidad, tempo, estructura etc.

– Desarrollo histórico que la improvisación libre ha tenido y tiene dentro del contexto musical actual.

– Trabajo colectivo e individual encaminado a explorar diferentes formas de escucha musical.

– Se trabajará individualmente y en grupo el concepto de idea musical.

– Desarrollo del potencial del papel individual que el músico desempeña en un contexto de creación musical colectiva.

– Exploración de diversas formas de improvisación musical: solo, ensemble, grandes formaciones, improvisación conducida.

– Discusión y debate sobre los contenidos mismos del taller.

[artwalktv]

Only one goal: SAVE THE WORLD! After 46 awards in festivals (including a BAFTA for best student film) and more than 150 selections... Our film is online for 1 month! Follow us on Instagram and Facebook for news and original content ! http://bit.ly/2CvpC1w http://bit.ly/32AHiDp Directed by Leo Brunel, Loris Cavalier, Camille Jalabert & Oscar Malet Original music by Nicolas Peiron For festival inquiry & sales, please contact : festival@miyu.fr École des Nouvelles Images & Miyu Distribution

[naijawapaz1]

Lucy Verasamy Bio, Wiki, Career, Net Worth, Personal Life, Husband, Children

Lucy Verasamy Bio, Wiki, Career, Net Worth, Personal Life, Husband, Children

Quick Facts of Lucy Verasamy Full Name Lucy Verasamy Net Worth $300,000 Date of Birth 1980 /08 /02 Marital Status Single Ethnicity White Profession Weather Forecaster Nationality British Education Brunel University Horoscope Leo

Last Updated on July 2nd, 2019

Lucy Verasamyis a British Weather forecaster currently working for the ITV network. She has been winning the…

[str9led]

Hors Piste from Hors Piste - Short Film on Vimeo.

Only one goal: SAVE THE WORLD!

After 51 awards in festivals (including a BAFTA for best student film) and more than 150 selections... Our film is online in FULL length for 1 month!

Follow us on Instagram and Facebook for news and original content ! instagram.com/horspistemovie facebook.com/horspistemovie

Directed by Leo Brunel, Loris Cavalier, Camille Jalabert & Oscar Malet

Original music by Nicolas Peiron

For festival inquiry & sales, please contact : festival@miyu.fr

École des Nouvelles Images & Miyu Distribution

[pabloarangurenp]

Hors Piste from Hors Piste - Short Film on Vimeo.

Only one goal: SAVE THE WORLD!

After 51 awards in festivals (including a BAFTA for best student film) and more than 150 selections... Our film is online in FULL length for 1 month!

Follow us on Instagram and Facebook for news and original content ! instagram.com/horspistemovie facebook.com/horspistemovie

Directed by Leo Brunel, Loris Cavalier, Camille Jalabert & Oscar Malet

Original music by Nicolas Peiron

For festival inquiry & sales, please contact : festival@miyu.fr

École des Nouvelles Images & Miyu Distribution

[bunkerpalace]

Hors Piste from Hors Piste - Short Film on Vimeo.

Only one goal: SAVE THE WORLD!

After 46 awards in festivals (including a BAFTA for best student film) and more than 150 selections... Our film is online in FULL length for 1 month!

Follow us on Instagram and Facebook for news and original content ! instagram.com/horspistemovie facebook.com/horspistemovie

Directed by Leo Brunel, Loris Cavalier, Camille Jalabert & Oscar Malet

Original music by Nicolas Peiron

For festival inquiry & sales, please contact : festival@miyu.fr

École des Nouvelles Images & Miyu Distribution