#lenox mass

[roadtripnewengland]

#Berkshires Travel Guide: An Outdoorsy Weekend Itinerary https://bit.ly/48fPsnE

[transingthoseformers]

Barn husband's doing eachother's warpaint is cute. So are Ironhide and Will Lenox.

Though I can also see it with Bulkhead and Wheeljack doing Miko's first warpaint to prove she's a Wrecker. Or Raf doing Bumblebee's paint to cheer him up him up.

Or when you have a shared species base and the human soldiers are puting on grease paint in the open so the bots start doing their warpaint too.

Yes

Exactly

Bulkhead and Wheeljack using mass displacement to help Miko do her warpaint would be so ungodly amounts of adorable, yes. Yes. Yes. Also Raf helping Bee, yesssssss.

And on the bots seeing humans donning the grease paint so they go "oh it's go time? Oh let's break out the good warpaint" and yes yes the humans noticing this yes yes. I like this option so much how could you tell

[idroveatank]

this worked! trey anastasio and the boston pops at tanglewood lenox mass june 29 2024

@got-to-rise-above thoughts on wolf trap?

[shakespearenews]

Rebecca Goodheart, producing artistic director at Elm Shakespeare, and Sarah Bowles, director of education, began the festival by welcoming everyone to ECA’s theater at 55 Audubon St. ​“This is the first annual Elm Shakespeare youth festival,” she announced to loud applause. ​“You will have bragging rights for the next 30 years,” she said. ​“We hope this will grow and grow, because we believe that every young person in New Haven deserves to have a personal and impactful relationship with these words and these plays. We believe this is how we change the world. We’re so glad that you are with us for the start of this journey.”

Before coming to Elm Shakespeare, both Bowles and Goodheart had worked at Shakespeare & Company in Lenox, Mass., which has been doing a youth festival for decades. ​“That is, in many ways, how we became the artists that we are and the educators that we are,” Goodheart said. ​“They helped us know how to do this.” 

[brostateexam]

If you spend any amount of time online, you’ve probably picked up a few psychology terms without realizing it. Take “gaslighting”—which recently became so popular that it clinched the mantle of Merriam-Webster’s 2022 Word of the Year.

Other terms that have crept from the therapist’s couch into the public lexicon include love-bombing, triggered, grooming, and toxic. Frequently, mental-health experts say, when we overuse these words, we also misuse them.

Doing so “can dilute the meaning of the words themselves, and we know that words have power,” says Naomi Torres-Mackie, a psychologist at Lenox Hill Hospital in New York City and head of research at the Mental Health Coalition, a nonprofit that aims to end stigma around mental health. “If we’re very quick to throw labels on something, it can derail nuanced, important conversations, and create this idea of an assumed meaning.”

While terms like gaslighting have existed in therapeutic practice for decades or longer, most only started to become common lingo within the past few years, fueled by use on social-media platforms. One viral Reddit post or TikTok video is all it takes for the masses to latch onto a previously overlooked word.

Here are 10 psychology terms mental-health experts say that we’re using the wrong way, plus what they really mean.

[thecreaturecodex]

Blood Lurcher

Image © Jason Lenox

[The blood lurcher originally appears in the Fighting Fantasy book Beneath Nightmare Castle. My ecology is partially original, and partially inspired by the version in Beyond the Pit. There, it’s said to be a free living larva that grows to full size after drinking somebody dry, but that doesn’t take into account its weird, torn apart from the inside look. My version makes it a weird parasitoid, which is a trope I love regardless.]

Blood Lurcher CR 6 NE Aberration This pallid creature is bipedal, with clawed paws on all four limbs. Its head is roughly batrachian, only it has split open, a mass of red tentacles tipped with lamprey maws emerging from it.

Blood lurchers are strange blood feeding creatures with a parasitic life style. As juveniles, they are a reddish, lamprey-like worm, which feeds on small animals and attempts to be eaten by a giant amphibian of some kind, sapient or not. In the amphibian’s gut, it spreads like a cancer, overcoming the nervous system of the creature, warping its body through hormonal secretions, and bursting a mass of feeding appendages from the poor creature’s mouth. In this stage, it feeds entirely on blood, tearing prey open with its claws and sipping from the open wounds. When the blood lurcher is well fed, it can release some of its feeding tendrils by budding, and the cycle continues.

Understandably, most humanoid amphibians find blood lurchers even more loathsome than other peoples do. Grippli and sivs destroy blood lurchers on sight. Particularly sadistic boggard tribes may keep a blood lurcher around as a punishment for those who fail their chief, but this runs the risk of the blood lurchers reproducing out of control and replacing the whole tribe. They are most commonly found in marshes, swamps and floodplains, but sometimes wander into caves or even ruined cities in search of prey.

Blood Lurcher   CR 6 XP 2,400 NE Medium aberration Init +5; Senses darkvision 60 ft., Perception +6, scent Defense AC 19, touch 12, flat-footed 17 (+1 Dex, +1 dodge, +7 natural) hp 67 (9d8+27) Fort +6, Ref +4, Will +7 Offense Speed 20 ft., lurch Melee 2 claws +8 (1d8+2), 4 tentacles +6 (1d4+1 plus bleed) Special Attacks bleed (2 points), cumulative bleed Statistics Str 15, Dex 13, Con 16, Int 5, Wis 12, Cha 8 Base Atk +6; CMB +8; CMD 20 Feats Blind-fight, Dodge, Improved Initiative, Multiattack, Skill Focus (Stealth) Skills Climb +7, Perception +6, Stealth +10, Swim +11; Racial Modifiers +4 Swim Languages Boggard (cannot speak) SQ hold breath, marsh movement Ecology Ecology any swamps or underground Organization solitary or pack (2-6) Treasure incidental Special Abilities Cumulative Bleed (Ex) Bleed damage dealt by a blood lurcher stacks with itself. Regardless of how much bleed is being dealt, it is healed with a single successful Heal check or cure spell. Lurch (Su) Three times per day, a blood lurcher can move up to twice its speed as a swift action. Marsh Movement (Ex) A blood lurcher ignores difficult terrain from water, mud, vegetation or other natural terrain features of swamp environments. Tentacles (Ex) The tentacle attacks of a blood lurcher deal slashing damage.

[7r0773r]

South to America: A Journey Below the Mason-Dixon to Understand the Soul of a Nation by Imani Perry

In the light, the corners crinkle. Feet hurt; life is a hustle. And that is Atlanta, too. There are lots of poor folks, particularly among the residents whose families have been there the longest. And whether it's in comparison to the nouveau riche or the old money, there is a resentment there as well as an attraction to the unfulfilled promise. The kids who wander around Lenox mall, often with very little in their pockets, have eyes filled with possibility. Hotlanta, ATL, ATLiens, ALANNA. . . the major metropolis of the South doesn't have a sufficient mass transit system or a polyglot culture yet. What it does have is a lot of really nice shit. And listen, dirt roads will not let you forget to appreciate that. (King of the South, p. 151)

***

That's who my people are. You hold your people close, but that, too, is a matter of understanding that they have been ripped out of your arms again and again over generations: sold away, killed by a grinding gear, a careening car, off in the labor camp, off on the chain gang, down from the lynching tree, away to the prison, dead from the sugar, from sepsis, from cancer, from a broken heart. The way life kills, with unapologetic abandon, is precisely why we hold each other so close. And get so angry when our love is riven. In Ralph Ellison's "Harlem is Nowhere," he thinks about how the Black Southerner is ill equipped for the North. According to Ellison, his subtle devices become laughable or even simpleminded there. I doubt that was true, even at the time. But in any case, a Black mind built to handle absurdity is a wonderful thing to maintain. And you need your people to show you how. (More Than a Memorial, p. 156)

***

The driver's gentility, despite the fact that he could have, could still, string me up without the world flinching? That toothless smile that could easily accompany either mirth or murderousness, depending on the eyes? This is what Black folks mean when we say we prefer the Southern White person's honest racism to the Northern liberal's subterfuge. It is not physically more benign, or more dependable. But it is transparent in the way it terrorizes. You never forget to have your shoulders hitched up a little and taut, even (and especially) when they call you "sweetheart." Cold comfort. (More Than a Memorial, pp. 168-69)

***

In the town cemetery, Jonathan Edwards is buried. A president of Princeton, father of the Great Awakening, he met his maker after a bad smallpox inoculation. The sarcophagus, heavy gray and stone, bears a few stilted words. It belies the man. Edwards always had a great deal to say. He wrote on everything. And among his possessions, on the other side of a paper that he had cut into quadrants to write four good sermons, was a bill of sale for an African woman named Venus. What a fascinating example of reuse and resourcefulness: a sermon on top of human trafficking. Historians know nothing of the transit of Venus. Just that she was here and some other there, as Edwards preached the imminent destruction of a reprobate American people who yelled "What shall I do to be saved?!” He thought he knew. (Pearls Before Swine, pp. 179-80)

***

Keep going and make a left on Calhoun, named for, you already know, the South Carolinian vice president of the United States who loved slavery and built the architecture of Indian removal to the West. If you took a right, you would eventually come to Liberty Square. But left, you get to Mother Emanuel Church. Long before Dylann Roof came, I had visited Mother Emanuel Church. As with Savannah's First African Baptist, it is hallowed ground, a church made by a fire-and-brimstone resistance. The self-effacement of the Black and holy is only one side of the story, and if you think all they ever did was pray and forgive, you really do not know the story.

Denmark Vesey, one of the South Carolina's most significant enslaved insurrectionists, was once a member of Mother Emanuel. It had been founded in 1816. City leaders forced them to close their doors in 1818. Too much freedom happened there. And after Vesey's revolt, the building was burned to the ground in 1822, only to be rebuilt. The parishioners persisted.

But you also have to understand that, before Dylan Roof, the termites had taken over. They had eaten Mother Emanuel from the inside out. The wood could have been struck, and it would have given way, bending back into the imprint of a hand or a foot. History sometimes tends and sometimes distends. Sometimes repairs are done to physical structures that also ought to be done to human ones. And Dylann Roof is and was the product of an American house eaten out by its choices and built atop the graveyard of what came before. He, too, was called an outsider by locals, rather than an alarming testimony to American violence. This vanity of innocence is like guarding a gate when the warriors are already inside.

Roof says he thought that his prison sentence would not be carried out because of the coming race war. Denmark Vesey could never have approached "the Rising," what he and his compatriots called their planned slave insurrection, with such confidence. It was always a gamble for freedom. Vesey had bought his own freedom with his earnings from a local lottery, but hadn't been able to free his first wife and children, or the members of his church. The revolt he planned had the ultimate goal of, after freeing the enslaved, sailing to Haiti. The plan was squashed before it began. Thirty-five Black people, Vesey among them, were hanged in penalty for plotting their freedom.

Roof is alive. I'm not saying he shouldn't be, just that he is.

Historians think Vesey was born in Bermuda in 1757. He was sold to a planter in Haiti, who ultimately returned Denmark to his original owner because he had epilepsy. Once Vesey's master settled in Charleston, a cosmopolitan hub, Vesey became literate. At a crossroads of history, his story is yet another reminder of the breadth of the antebellum Southern world. After Vesey was executed, one of his sons was deported to Cuba. One of his wives went to Liberia. One of his children helped rebuild the historic African Methodist Episcopal Church, where Roof enacted a time-warp revenge against Black freedom.

Long before Vesey, there was the Stono Rebellion in South Carolina, in 1739. Those insurrectionists, led by an enslaved Angolan named Jemmy, planned to go to Florida, another nation then, where freedom had been promised. But they were intercepted and killed, or deported as slaves to the Caribbean. Prohibitions on gatherings, education, and group movement for Black people were legislated. A ten-year moratorium on importing Africans was implemented. The point is that there were, of course, cycles of repression and cycles of resistance. I suppose the thing I most want to say is that it is rarely acknowledged that every time that group of parishioners gathered in Mother Emanuel, they stood in a tradition of refusing to be rendered soulless and unfree. No gentrifiers, no hierarchies, no displacement, no new arrivals, and no, not even massacres that laid bodies low, one on top of another, can erase that. Their testimony is already embedded in the land. (Home of the Flying Americans, pp. 276-78)

***

I cannot help but think about sweetness born of the violence of slavery as a metaphor for New Orleans, which is a cradle holding together the South and its strands at the root. Like its native drink, a Sazerac, it's sweet and strong enough to knock you on your ass or knock you out. And of course, as often as people try to cut it off from the rest of the South, it functions like a phantom limb, one that we feel everywhere in the fabric of the country, even when we don't see it right there on us. The graves in New Orleans sit above-ground because of potential flooding. And so the dead are raised and decorated with stunningly bright mausoleums and abundant flowers. The spirits hear the music and might be swaying, too. New Orleans choreography often feels like a dance at the Kongo cross-roads. (Magnolia Graves and Easter Lilies, pp. 342-43)

***

Whatever the case, visiting holy people soothes my spirit. I won't share the details of what [the babalawo, a Yoruban priest] told me; just know that it was all true and useful. And if there is a dramatic difference, besides language, between there and here, it is that the Cubans, no matter how white their skin, do not deny the fundamental Africanness of who they are the way Southern White people do, assiduously. Visiting this babalawo helped me think about that fact. What exhaustion must be required to passionately deny that which has shaped so much of who you are? Maybe this is part of the White evangelical discipline of prayer. To absolve the self-denial. To drown it in catharsis. White Cubans have no need. But I do not think that is a mark of virtue as much as it is a marker of nationalisms. Countries get accorded races, no matter how multiracial they are. And Cuba is Blackish brown. The US is White; we (Black people) are its built-in other. (Paraíso, p. 367)

[missypyle]

Check out this listing I just added to my Poshmark closet: Vintage Lenox Imperial Glass.

[aangussca]

Gallery visit: MOMA (6.7.24) - PART 1

Ja'Tovia Gary's THE GIVERNY SUITE (2019, sculptural installation -settee, twenty-five painted frames, altar to Yemaya (candle, seashells, anchor, fruit, plate, vase, flowers, glass jar of molasses, glass jar of rum, and fabric), altar to Oshun (candle, mirror, cowrie shells, fruit, cinnamon sticks, plate, vases, flowers, glass jar of white wine, glass jar of honey, and fabric) - and short film (39 mins 51 secs))

Description: "Filmed in Harlem, New York, and in Claude Monet's gardens in Giverny, France, THE GIVERNY SUITE is a cinematic poem that advocates for the safety and bodily autonomy of Black women. Employing techniques including hand-painted film animation and montage editing, Gary first developed the work during an artist residency in Giverny, where the gardens offered a space of respite. Centrally featured are person-on-the-street interviews in which the artist approaches women at the intersection of Lenox Avenue (also known as Malcolm X Boulevard) and West 116th Street and asks, "Do you feel safe?" These interviews are interspersed with footage of singer Nina Simone, performer Josephine Baker, political activist Fred Hampton, and Diamond Reynolds recounting the killing of her boyfriend Philando Castile by police in 2016. The installation also includes antique furniture as well as altars dedicated to the Yoruba deities Yemaya and Oshun. "Healing is at the root of the work," Gary explains. "Making art is a transformative process that transmutes pain or trauma into something beautiful, useful, functional, instructive."

Positioned near the entrance are two altars devoted to West African orishas: Oshun, the river deity, who represents divine femininity, love, and beauty, is depicted in bright yellow; and Yemaya, the fierce protector of women, who is associated with oceans, fertility, and creativity, is represented by the colors white and blue. Both deities originate from the Yoruban spiritual practice Lucumí, which was carried over to the Americas by African peoples during the transatlantic slave trade. In this work, French Colonial-style antique frames and a slanted settee gesture to colonization's complex legacy as well as the comforts found in many Southern Black grandmothers' homes, including the artist's own."

Mike Kelley's Deodorized Central Mass with Satellites (1991/1999, sculptural installation - plush toys sewn over wood and wire frames with styrofoam packing material, nylon rope, pulleys, steel hardware and hanging plates, fiberglass, car paint, and disinfectant)

Description: "In 1987 Mike Kelley began to make sculptures from stuffed animals, which he described as "the adult's perfect model of a child": cute, clean, sexless. However, Kelley's plush toys, purchased secondhand from thrift stores and yard sales, were discarded and soiled from use. Seemingly beyond redemption, they are darkly humorous monuments to lost innocence and repressed trauma. Deodorized Central Mass with Satellites was among Kelley's last works to feature stuffed animals. The toys are clustered in a cellular arrangement of one "central mass" and thirteen "satellites." To avoid eliciting an emotional or sentimental response from viewers, Kelley sewed the animals face-in. They are surrounded by ten brightly colored, abstract sculptures the artist called "deodorizers," which release a pine-scented mist into the air. By contrasting the degraded consequences of consumer excess with the slick, reductive forms of modernism, Kelley taunts the hierarchies between high art and mainstream culture, between obsessive hygiene and moral decline."

Montien Boonma's House of Hope (1996-1997, sculptural installation - herbs, spices, natural binders, cotton string, painted wood, and steel)

Description: "In House of Hope (1996-1997) Montien Boonma invites us into an immersive space filled with thousands of prayer-bead strands hanging above a pyramid of painted wooden steps. The surrounding wall painting suggests clouds or incense smoke from Buddhist temples. The artist crafted his pigments and beads from traditional Thai medicinal herbs and spices; the aromatic materials suffuse the gallery with scent. Boonma sought to create an atmosphere of bodily sensation: "When you enter a temple, it makes you warm… there's the feeling that we will be given help-like having a father and mother to protect us. Boonma created this installation after his wife died from cancer in 1995. Her diagnosis the year before led the artist to immerse himself in Buddhist rituals of devotion and healing. "I was asking for a lot," he said. "I was asking for the world to stop." Boonma's "house" explored the possibility of hope in a time of environmental disaster, industrialization, and the rise of global epidemics--crises that persist in the present, and which the work allows us to confront in new ways today."

Hague Yang's Sallim (2009, sculptural installation - steel frame, perforated metal plate, caster, aluminium venetian blinds, knitting yarn, acrylic mirror, IV stand, light bulbs, cable, electric fan, timer, garlic, dishes, hot pad, and scent emitter)

Description: ""There is a mysteriousness and spirituality in the most banal things. So my interest might be to reveal or make a crack in that mundaneness and show a glimpse of the miraculous, artist Hague Yang has said. This gallery brings together artworks by Yang and others that reimagine everyday environments through introspective reflection and material restraint. These works evoke spectral architectures, or spaces where what is absent may be as resonant as the visible or tangible. Created primarily during the 1990s and early 2000s - a period marked by new forms of global interconnectivity that blurred distinctions between public and private spheres - these works focus on the intricacies of daily life as a means to reflect, capture, or magnify experiences of time, space, and the self.

This sculpture, whose Korean title roughly translates to "homemaking," is a life-size model of the kitchen in the artist's former Berlin apartment, where she lived as well as worked. Describing Sallim as a "skeleton" of the original space, Yang has included sculptural elements that suggest utilitarian fixtures, such as a radiator and water boiler. "Some of them are very representative of a kitchen," she explains. "But some of them are blunt and rather puzzling." The artist has recreated not only this domestic environment, but its invisible sensorial experiences: scent emitters release smells of food and digestion, like coffee, bread, and excrement, while a fan circulates air.""

Otobong Nkanga's Tied to the Other Side (2021, woven tapestry)

Description: "Nkanga often portrays the natural world as a site of valuable knowledge for humans. Her tapestry Tied to the Other Side, set in an ambiguous landscape, employs abstracted shapes and textures to unfurl a universal narrative: the cycle of life, death, and rebirth. On one end is an arrangement of fragmented limbs sprouting from dense vegetation. Over time, shown in the image's progression from right to left, these body parts fall into states of decay and slowly become the spiritual energy source for radiating lights at the other end of the tapestry. This light, the artist seems to illustrate, will one day nourish the earth and spawn new life. She explains: "Even in death there is the possibility of regeneration. Nothing is lost; everything is used again.""

Andy Warhol's Campbell's Soup Cans (1962, acrylic paint and metallic enamel paint on canvas)

Description: "When asked why he chose to paint Campbell's soup cans, Warhol offered a deadpan reply: "I used to have the same lunch every day, for twenty years, I guess, the same thing over and over again." That daily meal, universally available throughout the United States, is the subject of this work. Warhol made the 32 canvases - one for each of the flavors of soup then sold by Campbell's - using a combination of projection, tracing, painting, and stamping. Repeating a nearly identical image, the work at once stresses the uniformity and ubiquity of the product's packaging and subverts the common characterization of painting as a medium of invention and originality."

Rosa Barba's 'states of matter' works

Row 1: Uncertain Theme - and Therefore Abstract (2021, steel, glass, motor, and 35mm film), At home with the Locust People (1974, acrylic paint on canvas)

Rows 2 and 3: Aggregate States of Matters (2019, projected short film (21 mins 14 secs))

Description: "With her film installation located further in this gallery, Rosa Barba poses a question: how can a form of visual expression convey the environmental and social impact of an issue as fraught as climate change? For this work, the artist interviewed members of Indigenous Quechua communities in Peru, who have had to adapt their daily practices due to the melting of a nearby glacier. Abandoning journalistic conventions like voice-over narration, she interweaves text and images of the country's wide-ranging terrain. In doing so, she questions the traditional binary of nature and culture, engaging with philosophical, spiritual, and cultural approaches to the changing environment and to time itself. Through custom technology, Barba also explores how film archives and transmits knowledge and information; her use of celluloid - an increasingly obsolete material that degrades with each revolution through a projector - resonates with the fragility of cultural memory and the natural landscape."

[greylockglass]

Food trucks add spice to Shakespeare & Company’s summer season

Editor’s Note: The following article is derived from officially released information, published with few or no editorial changes. The Greylock Glass  occasionally provides our readers with such content if the information is factual in nature, and requires little to no interpretation or analysis, often when original reportage would not provide additional relevant information. LENOX, Mass.…

[lamilanomagazine]

Gabrielle Scharnitzky nella nuova serie TV di Roland Emmerich: "Una storia di libertà e destino"

Gabrielle Scharnitzky nella nuova serie TV di Roland Emmerich: "Una storia di libertà e destino". L’attrice Gabrielle Scharnitzky è nella nuova serie tv Those about to Die, diretta da Roland Emmerich. La serie esplora un lato dell’antica Roma mai raccontato prima: il business dell'intrattenimento delle masse, che offre agli spettatori ciò che desiderano di più, il sangue e lo sport. Parlando del suo personaggio, Gabrielle dice: “Sono catturata dai pirati e venduta come schiava alla famiglia di una ricca coppia di patrizi, il console Marsus (Rupert Penry-Jones) e sua moglie Antonia (Gabriella Pession), entrambi spregiudicati e crudeli nella loro sete di potere. Drusilla ha curato e cresciuto la loro figlia Cornelia (Alice Lamanna). È solo il profondo amore di Drusilla per questa ragazza che le permette di superare le infinite difficoltà sotto il dominio abusivo di Antonia e Marsus. Dopo aver perso la speranza di essere liberata dalla schiavitù, Drusilla porta avanti il suo destino con grande dignità” Gabrielle ha recentemente partecipato all'evento Meet & Greet del Festival di Berlino, organizzato da Crawford Talents, Red Carpet Actors, Black Universe, The Actors Home di Luci Lenox, che mira a creare una rete tra attori, registi e produttori. “Il networking è uno dei compiti più importanti per ogni attore, non importa se alle prime armi o se già lavora con successo nel mondo del lavoro - dice Gabrielle - Dobbiamo entrare in contatto con registi, direttori, direttori di casting, colleghi attori. Dobbiamo conoscerci personalmente, condividere, scambiare, conversare, ottenere informazioni su nuovi progetti, ma soprattutto avere la possibilità di presentarsi di persona e mostrare chi siamo al di là di curriculum, foto e show reel. Soprattutto i giovani attori devono avere la possibilità di farlo, perché non possono ancora offrire un'opera compiuta. Quindi è il loro impegno, la loro passione, il loro fuoco che deve essere visto e i festival cinematografici sono una piattaforma perfetta per presentarsi, lasciare una buona e duratura impressione e possibilmente creare una bella collaborazione in futuro”. Per quanto riguarda i progetti futuri, dice: “Ci sono diversi progetti in vista. Tuttavia, non sono ancora in grado di parlarne. Ma vi assicuro che dal punto di vista lavorativo sarà un 2024 entusiasmante”. Gabrielle Scharnitzky, di nazionalità tedesca, ha lavorato alle serie tv Devils, Shantaram, Treadstone. Al cinema ha lavorato in Ragazze interrotte e Anime veloci.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[ihearblogsarealltherage]

Summer Trip 2023 Day 27

12 July 2023

I don't have any interesting photos from the day's drive, just the map and final stats for the trip. I'd planned to stay entirely off interstates for the day, but did hop onto I-90 from just west of Albany until the last exit in NY State before hitting the Mass Pike.

I wish I'd been able to get photos of the two beautiful Red Tail Hawks that paralleled my route, one shortly after I left Ithaca in the morning and the other after I left I-90, heading for Antimony Brewing in Lenox MA on back roads.

The day's drive was 273 miles, and the total for the trip was 7,770 miles driven in 141 hours and 22 minutes with the car turning in 50 mpg overall. It was also pleasing to see that my average price per gallon for gas was just $3.85; last year's average was closer to $6.

[kencall]

Thought I would share some photos from my collection. My partner and I went to Tanglewood Lenox, MA. in 2021 for the Boston Pops 4th of July concert. That year the concert was not held on the Esplanade because of covid. They did have the fireworks in Boston but no concert. The Pops preformed their traditional medley of patriotic favorites, with guest appearances by five time Grammy Award Winner Jon Batiste, and Rock and Roll Hall of Fame R&B singer Mavis Staples. The weather was perfect and a beautiful location nestled nicely between Lenox and Stockbridge Mass. to celebrate the 4th

[brandonwayneb]

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[itsflipjackson]

“They love what you do just not that’s it you” It’s been a beautiful reminder being outside all around the city doing what I love that the LOVE is OUTSIDE&not ONLINE. Almost every location I’ve been at someone has either stopped and hopped in the video or watched, recorded me or showed me LOVE‼️🙏🏼‼️ “I prefer to be true to myself, even at the hazard of incurring the ridicule of others, rather than to be false, & to incur my own abhorrence” ~ Frederick Douglass Day Deux : Location 005: Frederick Douglass Mural - Lower Roxbury / Lenox Ave/Washington St - Boston, Mass - “God’s Plan” - Music Video - off ‘Growing Pains’ - The Album - Out Now - Everywhere T H E H U S T L E C O N T I N U E S 🏁 🌐 💯 (at Roxbury, Boston) https://www.instagram.com/p/Co8mRYlue0H/?igshid=NGJjMDIxMWI=

[realestatecalendars101]

2023 Mini Tear-off Calendar 639302631508

On the opposite hand, the abroad Chinese diaspora principally choose the term "Lunar New Year", whereas "Chinese New Year" stays a well-liked and handy translation for folks of non-Chinese cultural backgrounds. Along with the Han Chinese in and out of doors Greater China, as many as 29 of the fifty five ethnic minority groups in China also rejoice Chinese New Year. Korea, Vietnam, Singapore, Malaysia, Indonesia and the Philippines have fun it as an official festival. It is also celebrated worldwide in regions and nations that homes important Overseas Chinese or Sinophone populations, especially in Southeast Asia.

When selecting the most effective planner, it’s value considering the scale. Unlike calendars, planners can typically be taken on the go, so you’ll need to ensure it’s compact and lightweight enough to suit real estate tear off calendars into your everyday bag. If you propose to depart it in your desk or nightstand, you can go for larger kinds with extra pages and different options.

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Whether it is The Polar Express or the Fezziwig scene from A Christmas Carol, decide a passage that'll get sugarplums dancing in everybody's heads, and dog-ear the pages for a yearly re-read. "When we have been kids, my dad all the time read 'The Night Before Christmas' to us on Christmas Eve," says Caroline Picard. Afterward, quiz your kids to see if they will bear in tear off calendars mind the names of all of the reindeer. "Every yr on Christmas, my dad grills prime rib outside on our charcoal grill — even within the snow!" says Katie Berohn. Meanwhile, Michaela Johndrow places collectively a Mexican feast. "I grew up in Southern California, near the Mexican border town of Mexicali. Our family celebrates Christmas Eve with a Mexican-food dinner, including tamales and particular quesadillas."

It has an excellent moment with breakable baubles scattered throughout the bottom. Ritual sacrifices of food and paper icons had been supplied to gods and ancestors. In Pakistan, the Chinese New Year can be celebrated among the many sizable Chinese expatriate neighborhood that lives within the country. During the competition, the Chinese embassy in Islamabad arranges varied cultural events during which Pakistani arts and cultural organizations and members of the civil society additionally take part.

It’s a good-size e-book , and the paper is superb quality. In our checks, it held ink and watercolor well, so we predict this planner additionally works for creative planning (if you don’t want clean white paper, calendars, or other types of formatting). It’s formally ‘let’s circle back on this next year’ season.

Some individuals collect holiday dishes, like Spode, Lenox or Nikko. Others gravitate in direction of designer collections, like ornaments from Christopher Radko or decorations from Annalee. Your household would possibly want to put collectively an elaborate ceramic Christmas village, or find one thing else — nutcrackers, ceramic bushes, old Coca-Cola polar bears — to assemble en masse. Whatever you choose, you'll have a nice time hunting yr after year for the perfect piece to add to your collection. Print-on-demand’s strongest enchantment is providing you with a low-risk method to attempt your hand at selling custom merchandise.

You might want to use a printable tear-off calendar to avoid spending money for a professionally printed one. Teachers often use printable calendars to show college students tips on how to manage their time and hold observe of assignments. Browse 51 tear off calendar inventory photographs and images available, or seek real estate custom monthly tear off calendars for daily calendar or tear calendar to search out more nice stock pictures and footage. Our Daily Calendars are well-liked reward gadgets for firms, small companies, start-ups, and freelancers. They make nice vacation presents, shopper thank yous, and corporate swag.