#least favorite game in the franchise

[azirowley]

God gave me the hobby of putting timelines and family trees together and this is what I use it for

[the-acid-pear]

Not to get into drama the first fucking moment I open my eyes after but calling the Phoneys slaves is such a bad take because the whole game is about that not being true. Like the whole fucking point is that by All Means they're not people. Not to the law, at least, and much less to Freddy's. This is the narrative you've been sold on since the very first game and that it's trying to disprove. Trying to show you thru their back stories and ending dialogue that, hey, these are actual people too!

Sure Jack can still be a turbo cunt to them but the Phoneys still do whatever the fuck they want if they so wish. Jake LITERALLY threatens with walking out on you like on the first month he's in. But this is also a major part of the plot like Where Else will they go if they're not here. Their choices are fucking dying or working at Freddy's Independent of Jack. AND THE POINT ALWAYS TENDS BEING FOR JACK TO BE BETTER BOSS THAN EVERY ONE THAT CAME BEFORE (unless he's evil but he rips Dave's head off he's just off the shits there he killed a baby dude c'mon he's no point of comparison for anything.)

Like to boil it down to "jack x phoneys bad because they're slaves" is literally Ignoring the whole game and all its trying to say. People starting these dramas are probably still in school you can't be so bad at reading baby it's concerning.

[blueskittlesart]

MANNNN i have been a dgs fan since pre-localization and like. i kind of own a physical copy of it and yet i have not played it still just bc some of the differences no matter how small are just so. head in hands. dgs sherlock is the only sherlock adaptation that matters to me and therefore i am so confused when people Actually call him herlock sholmes in the fandom. the worst name localization choices though were absolutely the witnesses from cases 1-1 and 2-1 though with the whole “japanese sounding english puns” like ERGH. who the fuck is “rei membami” that’s murasame haori!!!! (this is also an issue with soj/aa6 but like the issues with racism in that game go even deeper than just the localization so)

It's a real genuine tragedy to me that the scarlet study patch was never finished because if it was then it would be so easy to definitively say that it's the best way to play the games. I have about a million gripes with the localization, most of which are summed up above (playing the first few cases in the japanese courtroom becomes physically painful at times especially as someone who UNDERSTOOD THE ORIGINAL JAPANESE PUNS) but even from just a gameplay standpoint i think a lot was lost by porting those games to the switch. the models were very obviously not meant to be viewed at such high resolution and it makes the 3d cutscenes in game 2 that were BREATHTAKING on the 3ds look cheap and ugly, not to mention the fact that it's one of the few games i've ever played that actually meaningfully integrated the 3d screen into its storyline. (if you have the means, playing case 1-5 on the 3ds is the absolute best way to experience it imo, because the stereoscope plot points were designed specifically with the 3d screen in mind. it makes that whole piece of the case a lot more fun to play.) But they just. never finished game 2. so it's impossible to play the whole story in english without the port. I don't know if anyone who worked on the scarlet study patch is still out there but if you are please god come back. people are tagging my art 'iris wilson.' we need you now more than ever

[pointyfruit]

I lob er 💞✨️

[alertarchitect]

Full disclosure, this is a long one. It's also a vent post. I'm mainly writing this out to help get the thoughts and feelings regarding this kind of organized and out of my head, makes dealing with them just a little easier. Maybe it'll help you put to words your own thoughts & feelings on this kinda shit, too, and if it does, I'm glad my screaming into the void at least helped out someone other than myself! After all, if anything I say, write, or do ends up helping at least one other person, then maybe I'm doing something right :]

Sometimes having long-time special interests in an ongoing franchise FUCKING SUCKS. Perfect example - I am both a big Halo nerd, and really enjoy the overaching lore of Bungie's connected worlds (with how Marathon, Pathways into Darkness, Myth, Destiny, and even the ways Halo originally connected before it had to become its own thing thanks to Microsoft). Here are the ways that currently sucks:

The state of Halo Infinite, the most recent Halo game, both currently and at launch. At launch, you had a buggy mess, with multiplayer that barely functioned, lacking feature parity (even just on the multiplayer side of things, not counting the campaign) with Halo Reach, a game from 2010. Currently, 343i has admittedly fixed a lot of the launch issues - there's more customization than the game has ever had before (still not as good as Reach's customization imo, but at this point I've given up hope on any multiplayer AAA game having that level of customization for free ever again), the desync issues (in my experience) are no longer happening, and it has the most powerful Forge mode in any Halo game to date. The flip side of that, though? Egregiously horrendous monetization, an armor core and coating system that both hurt the customization more than help, and a drip-feed of content with little to no communication from 343 on anything past the most recent update. Not to mention the issues that come from a focus on "Live Service" bullshit.

The issues at 343 Industries itself, which come part and parcel with the massive issues related to Microsoft as a company. Massive megacorporation, horrible management, staff getting screwed over, crunch culture, and more - it just goes on and on.

Halo 5, despite its generally negative reception, is horrendously inaccessible to those of us that want to experience it as a piece of history and/or try out the multiplayer. A perfect example of how little companies care about game preservation, despite the decent track record 343i has had in that respect thanks to the Master Chief Collection, its PC release and addition of Halo Reach, and the efforts to find, occasionally recreate from almost nothing, and implement lost & cut content in the MCC titles.

Being a fan of Bungie's overarching stuff... really bad when you are at PEAK investment into their stuff, namely my Destiny 2 hyperfixation, and they not only announce that their new Marathon game is going to be a fucking EXTRACTION SHOOTER, and thus unlikely to have one of the most interesting things about Marathon in it (that being its lore) while also being very hard to get into thanks to people treating that kind of game as a massive sweat-fest, but also suddenly lay off a bunch of employees (when previously they had a good track record of treating employees decently...) due to Square Enix levels of profit overestimations of Lightfall, the BEST SELLING DESTINY EXPANSION EVER only getting 45% of the expected sales. Because why be realistic, right? Just fuck over employees, that certainly won't hurt us in the end!

The fact that, despite ALL OF THIS and my moral convictions against the shitty nature of this stuff, my dumbass brain still wants me to just spend spend spend on it anyway because of how much of a special interest Halo & the Bungie lore are to me - it almost hurts. I generally prefer fantasy stuff, but I can't stop myself from loving the lore and stories associated with this stuff. I have to fight myself every goddamn time I have money to not fall into the traps. It's easier with Destiny - I uninstalled it, replaced my PvE needs with Warframe and Risk of Rain 2, replaced my PvP needs with Halo Infinite, and just keep up with the story from a distance. But now that Halo Infinite is back in my life? I love the gameplay, hell I'd go as far as to say it has some of the strongest gameplay in the series (though some modes could use a bit more work, for example the Infection mode just isn't as fun as the Infection from Halo Reach), but the monetization just... AAAARGH it hurts me that I want to spend on it, both for customization and to have little goals to work towards in the (thankfully well-implemented due to them being available eternally) battle passes.

I just want to be able to love something that's been so central to me for so long - I played a cracked version of the CE PC demo for countless hours growing up, to the point that to this day I know the mission Silent Cartographer back to front from memory & could do it in my sleep, and associate Blood Gulch with countless memories of Halo's multiplayer from how often I'd play it with my sister, and to add onto all of that Halo Reach is one of my favorite games ever made, period - without caveats and moral hangups. I just want to love something without justifying it every time I think of it, both to myself and others.

I know this is a massively first-world issue, having the luxury to whine about my Favorite Things going through years and years of getting fucked by their own successes driving them into corporatism, but it still sucks. Obviously not as much as other issues both myself and others deal with, and DEFINITELY not as much as the horrible shit people are enduring in several parts of the world, but just enough for me to want/need to vent about how much corporations like to shit on the little rays of sunshine that we use to feel better about life.

[designernishiki]

seriously yakuza 3 should’ve ended almost exactly the same way it did except when it’s shown that kiryu’s back in okinawa at the end majima should’ve been there too. that’s it. that’s all they needed to do

[rivilu]

Another negative side effect of this release is that filtering d///a//i content out of my feed has become impossible again

[sweetandglovelyart]

Are there any other Kirby fans on here who are also fans of Star Trek? I know of a couple people already, but I’m trying to see if there’s anyone else. I personally see a lot of parallels between Kirby and Star Trek, and some of my Kirby fanart is Star Trek-inspired, so that’s why I’m asking.

[recusant-s-sigil]

If you want the kh fandom to think you have hot takes, say that Dream Drop Distance is a good game actually

[childofaura]

Ok I thought I was gonna be making one nitpicky rant about TLoU show deaths but

I guess I’m actually making two. Because I saw another death and while I find there was nothing broadly wrong with it, there was some cinematic choices that drove me bonkers that I just wanna stress over.

So the rest will be under the cut, but for starters, this is about Sarah and Tess

Ok so Sarah isn’t really the meat of this rant, but I do want to talk about her death scene in the show because several things about it had bugged me. And please, I’m not really here to talk about the race swap. Overall I think it’s a little sus, moreso because the actress is the daughter of one of the executives of the show; so it suspiciously indicates nepotism. But the actress herself actually managed to do a pretty great job for Sarah’s death so really I couldn’t give a shit. ANYWAYS, the show’s death. What bugged me about it was the fact that there were CUTS while Joel is trying to comfort her and struggling to pick her up. The beauty of the cinematic choice in the game, where it turns into one continuous shot the moment Joel crawls over to Sarah, is that it inherently puts us in that moment with Joel, and by panning the camera over instead of cutting each time, it really shows how Sarah is right at death’s door, like you can HEAR the exact moment that she cries her last little whimper and just... goes quiet, right when the camera pans towards Tommy’s face. The problem with having scene cuts is that it drags the scene out in such an awkward way. Plus, Sarah’s still actively crying while Joel is screaming for Tommy to help him, and then the moment it cuts to Tommy the audio just cuts out very clumsily. As it cuts back to Joel Sarah’s just already dead, and additionally it makes no sense for Tommy to call to Joel to have him realize Sarah’s dead when she was still screaming and crying right as the camera cut. And then additionally, I’m not fond of the addition of Tommy saying Joel’s name, it feels almost... cold and detached. Like the tone of that line is “Joel she’s dead, it’s too late”. Whereas in the game, he’s moving towards Joel and Sarah and he’s in so much shock because he’s watching his niece dying in a crying, bloody mess.

So long story short, nothing wrong with the scene itself (though I gotta say I don’t think I’m a fan of Pedro Pascal’s line deliveries while he’s trying to stop Sarah’s bleeding. That’s less of a “one’s better than the other” and more of “that’s just my opinion that the emotion of the line delivery in the game was better��). Scene stayed true to the game.

But ohhh, OHHHH, you wanna know which death REALLY ruffled my feathers? Tess. Tess’ death was done so damn dirty in the show compared to the game (and side note, I hate the change to Tess’s character design. I loved the short hair held up by the headband, and I loved the short sleeves that showed her arms). I think by changing the entire death in the show, you take away from the character herself, and let me explain how.

In the game, they get to the Firefly meeting place, the Fireflies have been wiped out, and we find out Tess has been bitten. The military shows up, and Tess tells Joel that she’ll buy them some time and convinces both him and Ellie to leave. And the IMPORTANCE of her line “I WILL NOT turn into one of those things!”, which I’ll talk about. Joel and Ellie leave, Tess composes herself and gets ready to fight the soldiers. As you leave, you hear gunshots and hear Tess scream, and you find out she took out two soldiers; there was six guys and Tess took down two of them. This death is a perfect encapsulation of Tess’ character: resilient, stubborn, tough-as-nails, takes matters into her own hands. That is a death that treats the character with respect and actually plays into the character’s personality. It FITS. Tess is a woman whose life, her choices, it’s all in her hands and she will do what SHE wants to do.

In the TV show, they get to the Firefly meeting place, the Fireflies were killed by infected, and everything still plays out the same with Tess’ infection reveal (and I gotta say I’m not a fan of the dialogue choices nor am I a fan of the fact they tried to heavy-handedly push how Joel and Tess are a couple with the cuddling scene, whereas in the game the ambiguity of their relationship plays better into that final scene. I like the “Look, there’s enough here that you have to feel some sort of obligation to me” way more). Joel hears the infected, Tess starts tipping over some gasoline and grenades, and Joel and Ellie leave. Tess is panicking and frightened as the infected approach and flood in while trying to light the lighter, and then the BULLSHIT. The FUCKING KISS from the infected. And no I don’t wanna hear any ‘bUT it’S NoT A kISS, iT’S INfeCTiNg HEr’ excuses. It’s a fucking kiss disguised under the thin veneer of being some cool new infected lore, and it changes the entire death from a defiant last stance to a creepy, voyeuristic scene that’s going for a cringe-out factor. Like... Sure, you COULD explore that method of infection, it COULD be a neat behavior that we haven’t seen before.

But you don’t do that for Tess. She’s the wrong character to explore that with, and the show better actually try to stay consistent and show that again if people are gonna use the excuse of that scene being necessary. And the reason why it bugs me so much is because Tess, despite her short time in the story, is such a poignant character. She’s Joel’s partner, she’s OUR first partner. Taking that power out of her hands, putting her in this freaky powerless position where it’s like she’s being taken advantage of, does not compliment the character, especially when the death is a very easy to pull off trick that only solely relied on the lighter not working for cheap tension. If you wanted to give us a tense action scene, they could have actually shown us the Tess gunfight scene from her perspective, maybe give her one or two more kills than she had in the game. But this death was really insulting to the character.

TL;DR I’m incredibly autistic about all this dumb shit and it really just boils down to a difference of opinion.

[cyphyra]

ive been really stupidly addicted to zelda randomizers (mostly ALttP n MM) but i recently came across the OoT/MM combined randomizer and now my brain is on fire and it's 9:30 AM

[majoresca]

One piece of media at a time, collect your numerical ticket and wait for service.

sometimes a piece of media just! grabs you by the thoat and says, "hey buddy! I'm gonna irrevocably alter your brain chemistry now! have fun with that!!"

and then you just ! gotta deal with that ! you guess !!

[strawberry-miiiiiiiiiiiilk]

sitting in my room for a half hour thinking about how if we lived in a better world Ada Wong would be the Ilsa Faust of Resident Evil (primarily in how she's introduced in Rogue Nation), with a dynamic to leon not unlike Fujiko Mine's and Lupin's in which they are both extremely competent and in situations in which they may have to work against and occasionally with each other on a mission, but ultimately are forced to stay apart and while they may be apart and even have different love interests from each other, ultimately still care deeply for one another. They are compelled to go after each other in part because it's so difficult and they are so often in circumstances in which they can't be with each other. The thrill of the chase and all that.

Ada being only tangentially related to the other character's stories because the world is simply larger than them and she has her own concerns and problems to deal with, and to have that be given any care or weight in a story, let alone focus. That she can be cunning and even manipulative but because she needs to and will still choose not to when the chips are down because she is genuinely caring--which I know none of that is new ground for her but I wish it was done in a more interesting way and *without leon at all*. She chooses to show mercy in a key point not because she's in love with that other character.

And also that she has more personality. I dig the subdued nature of her in 4r and her subtle sarcasm but it's just crumbs. I want her to be silly on occasion and say dumb jokes because she's alone like in 2r. I want her to shed a bit of that seriousness when she's on the clock because she's confident in herself as a professional and again has no one to put up a façade to.

It's honestly kinda embarrassing reading this back as I realize most of what I'm writing is not only already present in the games but incredibly tropey in and of itself, and wouldn't improve the character much. Dear god I think too much of my view of the character has been marred by shallow fanworks depicting her. I think if anything it's a sign that:

I'm a shit writer and need to do way more than watch movies and gesture vaguely at them to come up w a decent story or character (that being said as much as I prefer Fallout as a film, I stand by my earlier statement of Ilsa Faust being the ideal spy woman as she's depicted in Rogue Nation as she has a distinct set of goals and needs that are complex and developed largely tangentially to the protagonist's, at least initially).

It's going to take a completely new approach to her character to get something remotely interesting and that takes advantage of her potential.

For as mired in tropes as she and every other character and story in Resident Evil is, Ada could be far more memorable and enjoyable if only there was more care and effort to giver at least some interests and goals (perhaps even...characterization) on her own other than being a sexy love interest and potentially traitorous (as so many femme fatales already are).

[iamespecter]

Ah yes, the one guy I like vs the five other femme fatales

I did the thing that I saw one other mutual do!!! honestly, it was VERY hard to pick for most of these (save for Caine and Glamrock Chica) because I ADORE a LOT of characters. And doing this honestly makes me realize just how much I gravitate towards characters that are doomed by the narrative or their scriptwriters one way or another

My current favorite is Caine because it's pretty much self-explanatory, he is my current blorbo. My scrunkly. My precious lil scrunkler guy

Chica is my comfort character. She literally raised me alongside Freddy Fazbear when I was going through one of the toughest moments of my life, living with my abusive dad (and yes the chicken and the bear are so married to me and me only)

Master Tigress save me you were taken from me by the fourth film and I will NEVER live that down

Where do I even start with Six from Little Nightmares. By god, this poor yellow raincoat wearing child of mine. I both love and hate just how hopeless her story is. People say that the ending of the first game ends with her escaping via a boat, but I really don't think so. I think she's stuck at the Maw because I keep saying it, THE BOAT DROPPING THE GUESTS LEFT. THERE IS NO "OTHER BOAT". IT JUST DOESN'T MAKE SENSE. (before this becomes a ramble, I'm gonna stop it right there.)

I'm VERY guilty of liking Lucy Wilde from Despicable me because I hate the franchise (the first film was good), but by god, IS SHE THE FUNNIEST SHIT. To me, she literally carries the films she's in, she inspired one of my main OCs' humor and even appearance. I don't care about Gru, or the villains, or the girls, just give me more Lucy.

GLAMROCK CHICA MY BELOVED I AM GOING DOWN ON MY KNEES RN PLEASE PLEASE PLEASE MARRY ME I'M PUTTING ALL OF MY POINTS IN THE RIZZ STATS PLEASE JUST ONE CHANCE BABYGIRL OINE CHANCE GIVE ME ONE CHANCE (I am Glamrock Chica's #1 fan and I will always be angry at Scott for what he's doing to her and her variants)

sigh,,,, what I ever did to like such characters that I know will end up crushing my heart one way or another, I don't know but I do know that at the very least, I have the power to diverge from canon as an artist

[kommandantpinks-art]

It's the 38th anniversary of one of my favorite video game franchises today!!! It's not much, sorry, but I wanted to at least show my appreciate to this wonderful series today ❤️

[vancalox]

i genuinely love love love the iconoclast path in rogue trader SO MUCH. its one of the things that ultimately enamors me to the warhammer franchise as a whole despite empathy being so antithetical to its world and genre. its not just because iconoclast is the Nice Person route or because it subverts the foundational principle that In The Grim Dark Universe There Is Only War............ but mostly i love it because its the best way to actually engage w the morality system presented in 40k and explore it the way it deserves to be explored. its so unique parsing through the choices of the game and navigating how one might actually ACHIEVE goodness through - or more accurately without - the lens of liberal modern morality. because adhering to what we presently would call morality is arguably crueler than some of the dogmatic choices - or at least the game wants you to reflect on that and decide if that kind of morality still has value or not. and i like that they give you the opportunity to do that. youre rarely rewarded for kindness in this game and in fact your oftentimes actively punished for it (void shadows was a TRIAL for my iconoclast rt) which presents another question: are you being good because of a reward you believe you'lll be entitled to, or are you being good for the sake of goodness itself??? in saying that i do LOVE how there IS payoff in the iconoclast route eventually - when youve bleed and suffered for it enough. but theres a quality to it thats so..... so BITTERSWEET, because yippee you Empathed your way to the top - but also what IS the top?? congratulations, you are the kindest autocrat in the most bloodthirsty fascist regime in human history, sitting on your throne on a voidship run by all your slaves and serfs who die by the hundreds every time you make a warpjump for some dumbass sidequest. what the fuck. can you actually call that goodness ????? is whatever goodness-adjacent thing youve achieved worth it even if you cant change the system in the ways that matter ??? lastly - the iconoclast ending is both so wildly universe-altering to the point of feeling like a heretical ending - but also kind of. not mattering really lol. because even though its hopeful, the "good" ending still feels soooo tentative with the likelihood that its very likely not going to last. but that in itself is my favorite take away from playing this game as The Last Good Guy in the Galaxy: because the love DIDNT change anything. and it DOESNT save anyone. but ohhhhhhhhh my fucking god does it absolutely matter that it was there.