#lead actor in a limited series or movie

[emmynominees]

matt bomer as hawkins "hawk" fuller in fellow travelers

primetime emmy award nominee for outstanding lead actor in a limited series or movie

[hotvintagepoll]

Propaganda

Ava Gardner (The Killers, The Barefoot Contessa)— She's so goddamn hot. Her and Frank Sinatra could've sandwiched me and I would've thanked them for the privilege

Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.

This is round 5 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Ava Gardner:

Ava Gardner is one of my favorite actresses of all time. Although a lot of her roles in movies are about her being beautiful and nothing else, there are some films where her acting truly shines.

Gifset: https://www.tumblr.com/pelopides/721438308726603776/ava-gardner-as-pandora-reynolds-pandora-and-the

Gifset 2: https://www.tumblr.com/portraitoflestatonfire/731899355804598272/if-the-loustat-reunion-doesnt-look-like-this-then

HER FACE. LOOK AT IT. Also was a life long supporter of civil rights and a member of the NAACP, had lots of fun love affairs with other stars, bullfighters, married several times but was also happy in between to just have lovers and was unapologetically herself.

I literally gasp every time I see her.

Between 1942 and 1964, Ava Gardner was credited in no less 50 films, and is still considered by some to be the most beautiful actresses that ever graced the silver screen. Despite life-long insecurities regarding her talent as an actress, she weathered public scandal, industry hostility, and outright condemnation by the Catholic Church with fearless grace. She would later in life talk candidly about the reality and pain of living through two (studio approved!!) abortions during her short marriage to Frank Sinatra, and while the two of them could not make their relationship work, they remained in each other’s lives for nearly 30 years. She would forever describe herself as a small-town girl who just got lucky, but always felt like a beautiful outsider.

Really genuinely one of the most beautiful human beings I have ever seen. An autodidact. Had amazing chemistry with Gregory Peck to the point where I do think about watching On The Beach again sometimes because they're so good together even though that movie did destroy me. Was a great femme fatale in many movies.

Anna May Wong propaganda:

"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."

"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"

"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"

"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."

"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"

"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."

"Incredible beauty, incredible actress, incredible story."

"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"

[maybe-boys-do-love]

Love You Teacher looks good, actually, and too many people are just jumping to conclusions.

Nowhere in the trailer does it suggest age-regression kink play, only a traumatic response exaggerated for dramatic purposes that, by all indications, inhibits the established couple’s sex life. (Let it be known, though, sexual exploration between consenting adults is chill.)

More casual age regressive tendencies is kind of the norm in relationships, and y’all y-series fans love it. There are so many edits with one part of couple acting cutesy and being taken care of by their supposed faen. ‘Baby’ is a common endearment for a reason! When we’re in relationships, we pout, we act more cutesy, more vulnerable. Love You Teacher looks to be dramatizing this element to spark conversations about balance, mental heath, and care, both for one’s self and in relationships.

This isn’t some weird romance trope that BL’s pulling from the shady corners of the internet cuz it’s kinkier than het romances. Traumatic regression that leaves one partner simple-minded to some extent has been a part of some really silly and also some really profound Western movies. You’ve got dubious films like Big with Tom Hanks or Adam Sandler’s approaches, but Elf, Thirteen Going on Thirty, or even something more indie like Lars and the Real Girl, with a young Ryan Gosling, (P’Dome seems to be a bit of a cinephile so I wouldn’t put it past him as a reference point) reveal the sweet sincerity that can emerge when these kinds of stories are done conscientiously.

Perth and Santa seem beautifully cast in this. Both have worked in BL for some time now (just with other companies—check out baby Perth in UWMA!) and are listed as one of three leads in Perfect 10Liners, so the accusations of them jumping the seniority queue are a bit misplaced. Even if that were the case, that point would be moot after what they delivered in the mock trailer.

Santa’s adorable energy finds great use in both the role of the ideal primary school teacher and the character’s reverted 7 year-old mental state, and it lends itself as a response to actor Barcode’s recent complaint regarding the infantilization and limited mature roles for those who are established as a uke in a partnership. I’m excited for the industry to address and push for conversations and roles that allow these actors to age. Sometimes that means letting them take on gritty characters that we might ignorantly assume are against type, but it could also acknowledge the youthful energy some of these actors and plenty of people in the world take into their adulthoods that shape their life. A kindergarten teacher is a prime example of job that attracts that kind of person!

I could not have imagined a character that used Perth’s disposition, simultaneously aloof and warm, so well. A teacher too-cool-for-school with no passion except for his partner? There’s our aloof guitar playing boy. Who must learn to roll with the punches of life and laugh at how ridiculous and precious it is? And there’s our warm cuddly teddybear.

The chemistry between the two in the trailer was eye-opening, too. They appeared spontaneous and familiar with one another, easily conveying live-in boyfriends in love. Even most of the naysayers for the show, admitted their initial excitement for the pairing’s intimacy. If the show plays well, it ought to be breakout success for both of them.

Give me ALL the Sammy. Everyday. Girl has been shining since BL day one (the og Love Sick, baby)!

The colors! This show looks lovely and lively. The primary school wall decorations. The costumes. The face paint in the trailer is so cute! Sammy’s hair color is genius! It just has so much vibrancy during a presentation when multiple dark, brooding shows were announced.

Director P’Dome has earned my trust. Peaceful Property was quirky, intricately plotted, and endlessly compassionate. I was crying almost every weak! I’m not surprised in the slightest to see him with a show like this. The premise of Love You Teacher is a bit out there, a bit provocative, and has the potential to have such a huge heart. The closest comparison tonally in GMMTV’s history I’ve seen so far is with the work TayNew did right before PP, Cherry Magic! Let me tell you about the boxes of tissues my happy tears went through for that series!

Basically, Imma be fighting tooth and nail for this show until it actually offers a reason for me to not support it. With what we received in the trailer, Love You Teacher has revealed only green flags, gold star stickers, and A pluses!

[jbaileyfansite]

Interview with British Vogue (2025)

Jonathan Bailey has always flatly refused to pose topless on a shoot. For Vogue, he relented. How come? “There was this pair of Loewe trousers and I thought, ‘Fucking hell, what an incredible silhouette.’ No one suggested it, I just knew it was right.” He pauses. “But please don’t mention I said I’m always asked to take my top off.” I plead with him. “OK,” he replies. “It’s the truth.”

But why all the prudishness? Didn’t he reveal his naked bum in season one of Netflix’s phenomenally successful Regency romp, Bridgerton? It was quite the performance, I say. Has it been nominated for any awards? “Not yet,” he replies, rolling his eyes.

We are lounging on a velvet sofa in an anteroom at the Theatre Royal Drury Lane, the location a nod to the Brit’s imminent, post-stratosphere-hitting return to the West End. He was last on the London stage in 2022, in Mike Bartlett’s Cock at the Ambassadors Theatre, already a star, and yet the 36-year-old’s wattage has continued to grow and grow. Any attempt on my part to observe him dispassionately disappears quickly. His dark-haired and unshaven beauty is too intoxicating, as is his style. He is male-model catwalk-ready in pale blue Levi’s, an ivory Sunspel rib-knit short-sleeved polo shirt, off-white slip-on suede Birkenstocks and beige socks. M&S? “Uniqlo – they’re my favourite holey socks,” he answers, raising a tanned, muscular arm (an Omega De Ville watch dangles from his wrist) to scratch his head. His biceps look like they’ve done time in the gym. “I did that on purpose so you’d notice,” he says cheekily. “I’ve got real gunnage.”

Bailey has managed to achieve what was once thought impossible in Hollywood. He is among a new guard of out actors to be lusted over by men and women (the latter tag him their “internet boyfriend”) while also evading falling into a gender pigeonhole, snagging roles of every persuasion. Tragedy, comedy, singing, dancing, stage, big screen, small screen, fashion week, fan mobbings… he can do it all. Scarlett Johansson, his costar in next year’s looming instalment of the Jurassic Park franchise, recently gushed on the red carpet: “I adore absolutely every single thing about that man.”

Bailey, who despite a tightly honed skill set never attended drama school, has been acting since the age of seven, when he was scouted by the Royal Shakespeare Company to star in its production of A Christmas Carol at the Barbican Theatre. But it was in 2020 that he became swarmed-in-the-streets famous, following his performance as Lord Anthony Bridgerton (the second series, in which his character, a viscount, took centre stage, became the most-watched English language series on Netflix). Hollywood beckoned. Now, he’s riding a wave of Wicked mania, his career having been taken to a whole new level thanks to his turn as the fleet-footed, high note-hitting, dashing male lead, Fiyero, opposite Cynthia Erivo and Ariana Grande in the big-screen musical, not to mention the accompanying press tour to end all press tours. Next year, he’ll go on to star in the aforementioned Jurassic World Rebirth. True blockbuster fare.

Theatre, though, has been his foundation. A run of television hits (he has starred on the small screen in W1A, Bramwell, Broadchurch, Heartstopper, Fellow Travelers and Leonardo, among others) has been built from, and woven through with, a long career on stage – notable roles in the past decade, aside from Cock, include Company, King Lear, The York Realist and Othello. He has a shelf full of shiny hardware, with awards including an Olivier for best actor in a supporting role in a musical, for playing panicked groom-to-be Jamie in Marianne Elliott’s 2018 production of Stephen Sondheim’s Company, and a Critics Choice Award for best supporting actor in a limited series or movie made for television in Fellow Travelers earlier this year. On balance, he loves the protection of being on stage – how immersive it feels, how he feeds off the reactions of an audience. “There’s security in the theatre community,” he says.

And so, he is ready to make a return to live performance. His next role feels like a career zenith. In February, he will appear as Richard II in director Nicholas Hytner’s production at the Bridge Theatre. It is his most high-profile Shakespearean role to date, his second with Hytner, who first cast him as Cassio in Othello at the National Theatre in 2013. “People talk about fame and Bridgerton, but the one moment where I really thought I’d made it was when Nicholas cast me as Cassio 10 years ago,” says Bailey. “He gave me the biggest break. He’s been an incredible mentor. With Richard II, I am returning not just to a play, but to a theatre director. He’s seen me freak out in the rehearsal room. He’s seen me sobbing.”

On Bailey’s far-reaching talent, Hytner tells me: “Jonny is eloquent, mercurial, intelligent and transparent.” The star director is giving little away ahead of the production, only to comment it will reveal: “a feudal world on the cusp of modernity”. He recalls: “As Cassio in Othello – and later as Edgar to Ian McKellen’s King Lear, which I didn’t direct – he had the rare ability to speak Shakespeare as if it’s his first language. His imagination is vivid enough to put himself directly in the position of characters… It becomes completely natural in his hands.” Doubtless he will lean heavily on Bailey’s gifts for precision wit, dark charm and petulance for the flawed, weak Richard. “What do you do when a ruler is absolutely inadequate?” Hytner wonders. “How do you get rid of the rightful leader?”

In person, Bailey’s flair is plain as day. He’s not just stylish – he is friends with Loewe creative director Jonathan Anderson, who dressed him for 2024’s Met Gala (and whom he designed a T-shirt with for the LGBTQ+ initiative he recently founded, The Shameless Fund), has worn Givenchy on the red carpet and modelled Emporio Armani eyewear in its latest campaign – but also intoxicatingly charismatic. He laughs readily and expansively, gesticulating often, occasionally jumping up like a young Rudolf Nureyev about to leap, before crashing back down and curling his legs underneath him. The writer and actor Phoebe Waller-Bridge, whom he costarred with in her 2016 miniseries Crashing (a precursor to Fleabag), once described him as “a meteorite of fun”. I can see why.

“There’s a big wonderful tribe of friends in London to which we both belong,” longtime friend and actor Andrew Scott tells me. “As well as being the most charismatic and gifted performer, he’s always struck me as someone who adores and prioritises his friends and family and loved ones. That counts for so much in my book. It’s so wonderful to watch Jonny soar.”

So too is he eloquent and honest, especially when we veer to the more personal, such as what it was like growing up questioning his sexuality and how he only came out as gay to his family and close friends in his early 20s. Did he have a sense of his sexuality from a young age? He indicates it was more of a gradual realisation, mentioning how he went out with a girl for two years in his early 20s. “It’s interesting with the binary,” he says, “where you’re perceived to be either this or that. That’s how I saw it at the time, but there are so many nuances to it. My experience of that relationship was not that I was in the shadows. She remains one of my best friends.”

“I think other people understood my sexuality before I was even aware of it,” he continues. As a young boy, he remembers rummaging through the family’s dressing-up box, jumping around and being flamboyant, and entertaining his grannies by singing and dancing whenever he stayed with them. He sounds like Billy Elliot. “A bit, but really Shirley Temple, if I’m honest.” He credits his parents with encouraging him to take up ballet. “I remember looking through the window at these girls at school in their tutus. They were doing, like, first position, second position, and I knew I just wanted to be in there.”

One night at a sleepover with primary school friends he remembers excitedly asking them: “‘Guys, guys, who else thinks they’re gay? Do you? I do. I do.’ It was a conversation I really, really wanted to have, to see if everyone else was on the same page,” he says. “But everyone went quiet.” Then a teacher called him out in front of the whole class. “I was having trouble with my work and he said, ‘Well, if you weren’t so busy being a fairy you’d understand.’”

More recently, and in addition to his work with The Shameless Fund, he became a patron for the charity Just Like Us, which aims to ensure young LGBTQ+ people in school and beyond can thrive. He is keenly aware of the challenges that still exist, even in the everyday. “I’ve always been a confident hand-holder in relationships,” he says. “I had a boyfriend who wasn’t experienced at holding hands in public. We got heckled in London. But that kind of behaviour is now outweighed by the smiles you get.” Is he currently in a relationship? “Not discussing that,” he answers, sharply.

We talk instead about how he deals with the nature of fame. “It felt quite hard-hitting after Bridgerton came out,” he says. “I really struggled initially; I was overwhelmed by it. But the people in your life have to adapt too. That’s the hardest thing: you see them struggling before you see it in yourself, someone pushing past your dear mum and dad to get a picture. I’m really good now at saying no to photos.” Does he think he might become too big for his boots? “Let’s see,” he says. “It would be good if you could keep your eye on me as we go through the next few years, tell me if I’m doing well or I’ve fallen down the [fame] hole.”

Friends like Andrew Scott will no doubt help keep him grounded. “The search for us to be in the right thing together is on,” says Scott. “Bert and Ernie the movie is the frontrunner, it just depends on who’s willing to shave off their eyebrows.”

Bailey was brought up in Wallingford, Oxfordshire, along with three older sisters, and later attended The Oratory School. His mother was an audiologist and his father, a one-time DJ who played in Sloopy’s, a ’70s nightclub just off Piccadilly Circus, would go on to become the managing director of Rowse Honey. “Every time I see an easy-squeezy bottle of honey I think my dad was an absolute legend.”

He was five when his grandmother took him to see Oliver! in the West End. He knew at that moment he had found his calling. His first acting role was at school, where he played a raindrop in Noah’s Ark. A year after starring in A Christmas Carol at the Barbican, he landed the role of Gavroche in the West End production of Les Misérables.

In 2017, he appeared in King Lear at the Chichester Festival Theatre, as Edgar, opposite McKellen in the title role. “We had amazing conversations,” he says of his costar. “I was like: ‘Tell me everything. Tell me what it was like back in the day.’ I assumed everyone would have been happily expressing themselves, fucking in the wings, all the things you’d hoped. And he said, ‘No, no. No one knew, not even in the most creative pockets.’”

But liberation can be found on stage too. Cock, as its title suggests, focused on some of the thornier realities of gay romance and proved life-changing for Bailey. “I was able to mine and explore and have this experience on stage which felt like everything I would want for my life. It was all about a boy coming out and falling in love at school, and somehow by experiencing it within someone else’s story, you can dress-rehearse your own life.”

We discuss his most recently released film, Wicked (a two-part adaptation of the hit musical, the second instalment of which will drop towards the end of 2025). “What did you think of it? Did you like it?” he asks nervously. I tell him I’m not usually a fan of musicals, but it took me by surprise and I found it emotionally touching. He breathes a sigh of relief. “Isn’t it lovely, isn’t it special, isn’t it actually!” he says, bouncing on his knees like an excitable teenager. “You’re the first person I’ve spoken to who’s seen it. When I watched it, I sobbed. I think it’s a masterpiece.”

For now, having just finished filming the latest season of Bridgerton, he’s finally taking a break. “Everything else is on pause until Richard II opens.” He admits finding it difficult going between roles and his everyday life in Brighton, where he moved in 2020 so he could be close both to the sea, which he loves, and his mother’s side of the family who live there. “It can be a hard, cold transition, so I get back to friends as soon as possible or I go travelling. I love Salento in Italy – I try and go every year.” Is he tempted to move to the US? “No. That’s a hard no,” he says. “I love New York theatre, so maybe, but it would be led by work.”

He says that, more than anything, he yearns for quiet. He spends time in nature, either walking, paddleboarding or mountaineering (in 2018, he hiked to Everest base camp and a year later climbed Ben Nevis, Snowdon and Scafell Pike in 24 hours in aid of a motor neurone disease charity), as well as cold-swimming in the sea and cycling (he has competed in marathons and triathlons). He likes the calm those activities bring him but always takes his noise-cancelling headphones wherever he goes. “I feel naked if I forget them.” What does he listen to? “I go through phases, most recently ’60s and ’70s California rock, and The Beatles.” But surely he parties too? “I love a dirty martini,” he says. “The dirtier the better. But really I’m obsessed with breakfast, especially oats. Sometimes I make my own granola. I just love a seed.”

While he might not tell me if he’s in a relationship, he is surprisingly candid when I ask him if he wants children. “Yes, it’s such a privilege for a man,” he says. “But I can’t bring children into my lifestyle now.” Because he is so busy? “Yes,” he answers. I tell him it’s never a good time. “I want to make sure I’m going to be present. I’m reading books on adoption. I might coparent with a woman, but I’m thinking it will be with a man.”

Just as we’re about to say goodbye, he squeals, holding up his phone. “Andrew Scott has just texted me! He calls me ‘J-Bads’. I told him I was doing a Vogue shoot, with the total self-awareness of what that sounds like.” He slips on his Birkenstocks. “You know I’ve got them in Parma violet too,” he says, as he slinks out of the door, headphones on.

Source

[aeonmagnus]

https://newsroom.hasbro.com/news-releases/news-release-details/hasbro-announces-til-all-are-one-transformers-40th-anniversary

40 YEARS. ONE LEGACY.

Relive the Magic of the 1984 Animated Series Featuring an Exclusive Behind-the-Scenes Table Read with Peter Cullen, Frank Welker and Other Original TRANSFORMERS Voice Actors – Only in Theaters Starting May 15

PAWTUCKET, RI — April 3, 2024 — Hasbro Inc., a leading toy and game company, announced today a special cinema experience to celebrate four decades of the TRANSFORMERS franchise with ‘TIL ALL ARE ONE: TRANSFORMERS 40th ANNIVERSARY EVENT. Honoring the brand’s legacy in bringing continuous action and adventure to fans of all ages, the theatrical event will provide limited screenings of episodes from the classic 1984 animated series “THE TRANSFORMERS.” Screenings will be available in select cinemas across the US, UK and Mexico, along with select territories in Europe, Latin America and Asia starting on Wednesday, May 15. Tickets for the TRANSFORMERS 40th Anniversary Event will go on sale at Transformers40thCinemaEvent.com on Wednesday, April 10 at 9.30am Local Time.

This special cinema experience will take fans back to the very beginning as some of the TRANSFORMERS original voice-over talent, including Peter Cullen (original voice of Optimus Prime) and Frank Welker (original voice of Megatron), team up for the first time in decades to revisit their characters and recreate the enduring magic of the classic 1984 animated series. An exclusive behind-the-scenes table read appears on a split screen for the pilot episode, More Than Meets the Eye, Part 1, followed by a traditional screening of the next three episodes of the series. Fans can experience the original Saturday morning cartoon on the big screen and get a glimpse of its evolution with a sneak peek of the new season of the original animated kids’ series TRANSFORMERS: EARTHSPARK. This is a once-in-a-lifetime opportunity to celebrate 40 years of TRANSFORMERS action, humor and legacy at an anniversary event that is truly... More Than Meets the Eye!

“For decades, the battle between the Autobots and Decepticons has come to life in movies, comic books, innovative toys, live experiences and digital media, elevating the TRANSFORMERS brand to a global powerhouse franchise with millions of fans around the world. To celebrate 40 years, we’re bringing fans back to where it all started,” said Alyse D’Antuono, Vice President, Global Franchise Strategy & Management, Action Brands at Hasbro. “THE TRANSFORMERS animated series captured the imagination of fans of all ages when it premiered in 1984, introducing a timeless battle between good and evil fueled by action and adventure. Ask any longtime fan, and they can probably tell you where they were when they first heard Optimus Prime’s iconic phrase ‘Autobots, roll out’ or what it felt like when they first converted a bot character into its alt mode. With exclusive content featuring the series’ original voice actors, this theatrical event is truly for our fans and invites audiences to experience the fun that started it all.”

Distributed by Trafalgar Releasing, the global leader in Event Cinema distribution, this is the second time the company has partnered with Hasbro, Inc., following Peppa’s Cinema Party that screened in cinemas worldwide in February 2024.

For the latest information on the TRANSFORMERS franchise, including toys and entertainment, follow @TRANSFORMERSOfficial on Instagram, @TransformersOfficial on Threads, @TRANSFORMERS on Facebook and @TRANSFORMERSOfficial on TikTok #40yearsonelegacy.

[alexanderwales]

A small addendum to the post on art under communism/capitalism, which had been queued for a bit: I occasionally see people complain about the "everything is a reboot, sequel, prequel, or tie-in" nature of modern mass market pop culture film, and then also complain that this is a capitalism problem, and if you're a person who cares about empiricism (like me!) you immediately go out to see whether this is true.

Which immediately led me to the character of Stierlitz, who I had never heard of before. But you can't just say "well, this was a 14 novel series with six adaptations, written and produced under communism", because this was also a series that was being pushed by the KGB, and maybe that doesn't fit in with your idea of "communism", and says more about the particular time and place it was written/made than the economic system it was made under. But my suspicion is that popularity and risk-aversion are what cause the sequel/reboot phenomenon, and that this is only substantially different under other economic models if there are deliberate efforts to avoid it. There's another example, the Soviet Union's most popular film of 1965, Operation Y, which was followed by a semi-sequel, Kidnapping, Caucasian Style, and actors reprising their roles across multiple films, and ... does this count? How many more of these examples could I dredge up if I had more than a passing familiarity with Soviet film? How many from other regions?

Possibly coordination between communist film organizations would help this problem. It's unclear to me, but I don't think that we can say that this is clearly a problem that capitalism created, not unless we're just talking in terms of pure theory.

Certainly we can say that it wasn't an endemic problem in any communist country, but I don't think that by most measures it was an endemic problem during the same time period in the United States either. In the 60s and 70s Hollywood was mostly making original films, a pattern that didn't begin to shift until later. The emergence of television created reduced demand for cinema basically everywhere, so that might explain some of the risk aversion, and funding for Soviet film declined pretty rapidly going into the 80s with much fewer standout films (the movie "Come and See" is a notable counterexample).

There's also an argument that whereas in the Hollywood system there was a great deal of risk aversion, that aversion was financial in nature: a film is a bet, and a studio can only make a limited number of bets at any given time, with a string of bad ones leading to bankruptcy. But in the Soviet system, the primary risk was ideological risk, which wouldn't give the same incentive structure that led to sequel culture. I'm not sure how much I buy this, more study is needed.

I guess I want to immediately compare sequel culture to oral traditions and the way that Arthurian legend (for example) ballooned with new knights and new quests over time, becoming confused. Or the way that fanfic, absent any market forces, results in many of "the same" fics being written and consumed, similar beats getting hit over and over, formula that we can only (at best) blame on attention economy. Writers and creators often want to capture the largest number of readers/viewers, and so pitch to the lowest common denominator, using the tropes and characters that people are most familiar with.

The writers that are writing specifically for their weird friends are obviously just doing their own thing, but it's going to be harder to interest people in funding a movie with a niche story, even if it's well-told, and it's going to be difficult to get theaters to show it unless those theaters are specifically committed to showing weird stuff.

[najaemism]

i think she knows! | karina x fem!oc smau

meet the cast: recurring cast!

synopsis. march shim and karina yu had been compared and pitted against each other for years, and the media even dubbed them as rivals simply because their careers were slightly similar. their professional lives cross when they’re both casted as leads in a new series, sparks flying both onscreen and off.

(oh—and march also runs a secret stan account for karina.)

warnings. language

— you’re the only friend i need!

(march’s friends)

yeji hwang is a famous actress and model. she’s been march’s friend since they starred in a zombie movie (“dead girl walking”) together back in 2019. she is one of her closest friends, to the point that there had been dating rumors about them.

yuna shin is an actress, model, and dancer. her first major role had been in the series, the heirs (2018) where she starred alongside march and they eventually became friends.

donghyuck lee, or better known by his professional name haechan lee, has been in the spotlight since he was a child, having been the son of a famous actor and actress. he has a half brother, mingyu kim, who is also an actor. he and march became friends through him and is one of her longest friends in the industry.

renjun huang is an actor known for starring in musicals, and sometimes does tv series and movies. currently, he is playing orpheus in “hadestown”. he and march first met on set of “after school” back in 2017, and is also one of march’s longest friends in the industry.

— for lyfers 🫦

(karina’s friends)

aeri uchinaga, known professionally as GISELLE, is an actress, singer, and businesswoman. she began her career as a child actress, then became a teen idol and musician, before eventually taking a break from music and focusing on her acting career and her cosmetic company, DOPAMINE Beauty.

minjeong kim, known professionally as winter kim, is an actress, singer, and dancer. she is currently playing eurydice in the stage musical "hadestown".

yizhuo ning, known professionally as NINGNING, is a singer-songwriter and actress. she started her career in acting in 2017 before eventually making her own music in 2020. she is also credited as a co-writer in a few songs off of karina’s album, most notably in the song “casual”.

— others!

mark lee is an actor, singer and songwriter, and music producer. he is most known for his role as peter parker in the mcu. he is known both for his acting and his music, often called an all-rounder by his peers. he is the owner of the recording studio, golden hour studios.

yangyang liu is an actor, host, and musician. he’s known for starring in comedy series and films, and is part of the regular cast of the late-night live sketch comedy variety show, “late night live”. aside from that, he also releases music on the side, his biggest hit being “end of beginning”.

wonwoo jeon is a well-known actor and filmmaker who has been dubbed as the “box office king”, since all his movies turn out to be certified hits. currently, he is working on a series (as the showrunner, producer, and headwriter) with his fiancé, mingyu kim.

mingyu kim is one of the sought after actors in the industry, and is also a director. his mother was a famous actress during her time, and he has a younger half-brother whom he is also close to. he is currently working on a limited series (as the showrunner, director, and executive producer) with his fiancé, wonwoo jeon.

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notes.

karina, giselle, winter, and ningning all met on set of the movie "dreams come true" and they've all been inseperable since then

minwon are kinda like march’s “industry parents” and they also have a production company called “bittersweet productions” bc im unoroginal and cannot think of a different name 😭

mark is basically everyone’s friend 😭 he knows a lot of people and has a lot of connections in the industry (and yes the mcu is a thing in this universe but i will not go into full detail about it… just that mark is spider-man 😵‍💫)

march has dating rumors with all her friends but especially with yeji and haechan bc shippers are crazyyyy like she would be standing next to anyone and there would be shippers immediately

taglist is still open!!!! and pls let me know if u wanna be a stan account in this smau bc i need more stan accounts 😭😭😭 pls im on my knees

taglist. @archivedmkl @yuyuy90 @linonyang @yjiminswallet @jaeyuuns @syronns @gtfoiydlyj

[marlinspirkhall]

I watched the unaired Selection pilots so you don't have to

But, if you want to, you can do so here, and here (password: “selection”), credit to Media Garage on YouTube

Edit: links no longer active

The Selection (2012)

Strong Hunger Games vibes throughout, the plain-text opening screen isn't helping

Stock-footage of rolling hills gets replayed way too much

ETHAN PECK?

Unlike in the books, America only finds out she's been entered into The Selection after she gets selected, so the plot point about the photoshoot & her radiant smile being the thing which gets her selected no longer applies, I guess

Everyone in the YouTube comments was saying that Aspen and Maxon were miscast & the actors' roles should have been swapped (... No comment. I believe in you, Mr Peck)

This castle is looks too small to fit 24 TV show contestants in it

Fiona, unprompted: “Can you keep a secret, America?”

America: “I have been known to”

Fiona: “I play the violin”

Okay? (This is actually a very sweet moment and, again, Fiona may be the best actress in this)

This episode covered a significant portion of the first book, out of order, which makes me wonder if the intention was to cover all 3 books in one series.

This almost feels like half of a film, making me wonder if someone adapted a film spec script into a tv show spec script

Apparently, Fiona has a secret child and Celeste knows about it, causing Fiona to drop out on day one and tearfully warn America to “trust no one, there's no such thing as friends here”- which is a fucking wild thing to say when she's probably the only contestant who's been nice to America so far & Celeste didn't even need to get to know her to know her secrets because she has spies anyway 😭

It's worth reminding you that they have been at the palace for one entire day total

You think Queen Amberly is being fleshed out in this version but... Hmm

Amberly appears to be the one pulling the strings from behind the scenes (she confronts Celeste about extorting Fiona, tells her "she would have gone home in due time" and to "leave America to me. Anything we do to try and separate them [her and Maxom] will only make him want her more")

Again: IT HAS BEEN A DAY

America sees her servant gathering all her dresses (none of which she has used yet, bar the yellow and green ones) including the iconic blue one from the book cover. America asks what's happening and the servant replies: “Prince Maxom's orders”

Cut to America's family. They open a box with a glittering pair of high heels inside. I guess this is supposed to mirror the part of the book where Maxom cuts off the stipend for 2's and 3's who are in the selection?

If you think this version feels unfaithful to the book, just wait until you see The CW's pilot

IT HAS BEEN ONE DAY

Runtime: one day 45 minutes

Final rating: 5/10, kinda long and stiff in places and the set design was all over the place. Felt like a Hallmark movie (the set design didn't help). Probably would watch another episode of this if it was a full series or a limited series of 3-6 episodes. A little script-doctoring and a better set would work wonders.

The Selection (2013)

I cannot stress enough: this version begins with a sex scene between Maxom and a servant

Okay, I got ahead of myself; it actually begins with another hunger-games-esque black screen with text on it, text which reads “Someday, in the future”, which is read aloud by a woman's voice.

We zoom in on a much roomier-looking castle on a hill, as a random whip sound effect plays (leading into the sex scene, in which no whips are present)

All the female servants in the palace are dressed in sexy maid costumes and I wish I was kidding

The world map explaining the history of Illea is CONFUSING AS HELL, but maybe they hadn't nailed down all the details yet. I'm genuinely not sure

ANTONY HEAD?

Aspen is introduced tied to a St Andrew's cross and being watched over by a guard. America asks the guard to free him, he chases her through the streets, she circles back and cuts Aspen down

America's selection is similar to the 2012 pilot, except Aspen is present. America asks her mom why she'd enter her into the selection when “You know I'm with Aspen”, so uh, I guess they're not keeping it a secret here.

There's also no mention of Aspen being of a lower caste than her, nor of America having a job other than the vague title of "laboring class" which hangs over them all, vaguely

This is a masterclass in editing and pacing. The dialogue is okay, but the added geopolitics make no sense. Any issues with this are smoothed over by the fact that the plot keeps moving forwards at a breakneck pace to keep you distracted.

The lack of breathing room would probably be too confusing for an audience who wasn't already familiar with The Selection

The set here is absolutely beautiful but unfortunately it gives me Merlin vibes, and casting Antony Head as the king does not help with this.

Maxon attempts to pull a Mr Darcy. He then tells America that if she runs away with Aspen, the guards will beat him to a pulp and they'll both spend the rest of their lives in prison. America suggests that she make the monarchy look good so the working class don't side with the rebels. Looks like we're going full Hunger Games.

Celeste's handmaiden seems way too devoted to her; they turn out to be lovers

Just when you think Maxon might start redeeming himself, we see the palace guards swarm Aspen and kicking him. Maxom stands nearby on his horse overseeing this so there's no question of whether he did it or not

Final rating: 6/10, I would absolutely watch another episode of this. It was an absolute mess, but I've seen teen wolf, so I'm not gonna pretend I'm above it.

This feels like the kind of pilot which would get greenlit just to attract hateviewers.

Summary:

Neither protagonist had red hair and neither adaptation was trying particularly hard to give it to her (2012: dark red box dye. 2013: blonde!)

These actors are doing their best and some of them even seem to be having fun (good for them)

In the 2013 pilot, the writers lampshade America running around “like an action hero”, but she promptly forgets how to do that by the midpoint of the episode, so w/e

It feels like the 2013 pilot was a reworking of the 2012 pilot, because there were too many similarities carried over from one script to another which weren't present in the original book, like Fiona having a secret relationship.

I forgot to mention that Aspen has a brother in the 2013 pilot. He seems to be adapted from the palace guard who has a relationship with one of the contestants in a later book.

I can't get over how fucking weird of a decision it is to make the kind and likeable love interest into a power-corrupt despot, but it does feel more true to an actual monarchy. I assume they were trying to give Maxon a bad-boy vibe, which doesn't make much sense because that's supposed to be Aspen's whole deal.

There was a whole subplot in both pilots where an advisor character is revealed to be working with the rebels at the end of the episode

Extremely funny to me that the 2012 pilot makes a point of mentioning that sex before marriage is illegal and the 2013 pilot opens with premarital sex with the prince regent

[shafana-love]

Congratulations to the 76th #Emmy Award nominees for Outstanding Lead Actor in a Limited or Anthology Series or Movie:

[weclassybouquetfun]

Another Emmy awards down - our second this year, as the collective strikes pushed 2023's Emmys to earlier this year.

No big surprises or watercolor moments. To me the biggest upset was Lamorne Morris of FARGO winning in the Best Supporting Actor for Limited. Even with Robert Downey Jr. (THE SYMPATHIZER) in the mix, I was sure it would go to Jonathan Bailey (FELLOW TRAVELERS; though I was pulling for either him or Tom Goodman-Hill (BABY REINDEER). Larmorne was the dark horse.

Who are 2024 Emmy winners (and not 2023/2024, but 2024 for realz winners).

Best Drama Series Shōgun *Shōgun broke records by winning the most Emmys in its inaugural season - 18 in total (14 at the Creative Emmys and four at the Primetime Emmys).

Best Actress in a Drama Series Anna Sawai *Anna made history by being the first Japanese actress to win Lead.

Best Actor in a Drama Series Hiroyuki Sanada

*While Cosmo Jarvis wasn't nominated, he was there and celebrated with the cast this weekend at various events like the BAFTA dinner.

With his WARFARE costars Michael Gandolfini and the Emmy nominated D'Pharaoh Woon-A-Tai.

D'Pharaoh's red hand print across his mouth brings attention to crisis of missing and murdered Indigenous women.

Best Supporting Actress in a Drama Series

Elizabeth Debicki

Best Supporting Actor in a Drama Series Billy Crudup

Best Comedy Series Hacks

Best Actor in a Comedy Series Jeremy Allen White

Best Actress in a Comedy Series Jean Smart

Best Supporting Actor in a Comedy Series  Ebon Moss-Bachrach

Best Supporting Actress in a Comedy Series  Liza Colón-Zayas

Best Limited or Anthology Series Baby Reindeer

Best Actor in a Limited or Anthology Series or Movie Richard Gadd

Best Actress in a Limited or Anthology Series or Movie Jodie Foster

Best Supporting Actor in a Limited or Anthology Series or Movie Lamorne Morris

Best Supporting Actress in a Limited or Anthology Series or Movie Jessica Gunning

Guest Actor in a Drama Series Néstor Carbonell (Shōgun, FX)

Guest Actress in a Drama Series Michaela Coel (Mr. & Mrs. Smith, AppleTV+)

Best Directing for a Drama Series Frederick E.O. Toye (Shogun, FX)

Best Directing for a Limited Series or Anthology Series or Movie Steven Zaillian (Ripley)

Best Directing for a Comedy Series Christopher Storer (The Bear, FX)

Best Writing for a Drama Series Will Smith (Slow Horses, Apple TV+)

Best Writing for a Limited or Anthology Series or Movie Richard Gadd (Baby Reindeer, Netflix)

Best Writing for a Comedy Series Lucia Aniello, Paul W. Downs, Jen Statsky (Hacks, HBO/Max)

Best Talk Series The Daily Show (Comedy Central)

For the show itself, I liked that on top of the reunions, they joined genres, bringing together actors from cop shows, medical shows, law shows. Cute. The only bit that didn't work was that bit of in-show promotion for whatever booze that had Taylor Zakhar Perez and Ebon Moss-Bachrach shill. I hope the liquor goes down smoother than the transition from that bit announcing the category. On a very selfish level, I would have wanted Taylor to be a part of the honour of Greg Berlanti - he

[emmynominees]

toshirô mifune as lord yoshi toranaga in shōgun

primetime emmy award nominee for outstanding lead actor in a limited series or movie

[hotvintagepoll]

Propaganda

Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.

Josephine Baker (The Siren of the Tropics, ZouZou)— Josephine Baker was an American born actress, singer, and utter icon of the period, creating the 1920s banana skirt look. She was the first black woman to star in a major motion film. She fought in the French resistance in WWII, given a Legion of Honour, as well as refusing to perform in segregated theatres in the US. She was bisexual, a fighter, and overall an absolutely incredible woman as well as being extremely attractive.

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Anna May Wong propaganda:

"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."

"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"

"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"

"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."

"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"

"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."

"Incredible beauty, incredible actress, incredible story."

"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"

Josephine Baker:

Black, American-born, French dancer and singer. Phenomenal sensation, took music-halls by storm. Famous in the silent film era.

Let's talk La Revue Negre, Shuffle Along. The iconique banana outfit? But also getting a Croix de Guerre and full military honors at burial in Paris due to working with the Resistance.

She exuded sex, was a beautiful dancer, vivacious, and her silliness and humor added to her attractiveness. She looked just as good in drag too.

So I know she was more famous for other stuff than movies and her movies weren’t Hollywood but my first exposure to her was in her films so I’ve always thought of her as a film actress first and foremost. Also she was the first black woman to star in a major motion picture so I think that warrants an entry

Iconic! Just look up anything about her life. She was a fascinating woman.

[d-criss-news]

Darren Criss Joins Voice Cast For DreamWorks Animation’s ‘Gabby’s Dollhouse’ Series

EXCLUSIVE: Emmy winner Darren Criss is lending his voice to the upcoming 10th season of DreamWorks Animation‘s hit preschool series Gabby’s Dollhouse, which premieres August 5 on Netflix.

Criss will take on the voice of Marty the Party Cat, the latest Gabby Cat who lives in the newly unveiled “Party Room.”  Marty can use his Party Tail to magically change the look of the Party Room to fit any occasion and loves to sing, dance, play games, and throw confetti.

Criss joins the cast alongside Laila Lockhart Kraner, who stars as the titular character Gabby.

--------------

Glee alum Criss voiced Superman in Justice League: Crisis on Infinite Earths Parts One and Two and will next be heard as the character inPart Three, set for release on July 16. He also will be returning to the stage in the Broadway premiere of the new musical Maybe Happy Ending, in which he also will be making his Broadway producing debut. Criss won the 2018 Emmy for Outstanding Lead Actor in a Limited Series or Movie for The Assassination of Gianni Versace – American Crime Story. His other recent credits include guest roles on Hazbin Hotel and The Marvelous Mrs. Maisel, among others. Criss is repped by CAA, Hyphenate Creative Management, CESD and Hansen Jacobson Teller et al.

[mostunderratedawards]

Most Underrated Lead Actor in a Limited Series/TV Movie 

Leo Woodall in One Day

Paapa Essiedu in Genie

Louis Hoffman in All The Light We Cannot See

Nicholas Galitzine in Mary & George

Jonah Hauer-King in The Tattooist of Auschwitz

Aaron Paul in Black Mirror

[jbaileyfansite]

In the past few years, English actor Jonathan Bailey has risen as a prominent queer figure in Hollywood.

With his irresistible charm and undeniable talent, it’s no wonder why his career has continued to reach new heights. Known widely for his role as Lord Anthony Bridgerton in Netflix’s Bridgerton, Bailey took center stage (and Gay Twitter X™ by storm) with his leading role in Showtime’s LGBTQ+ historical miniseries Fellow Travelers. 

Starring alongside fellow heartthrob Matt Bomer, Fellow Travelers, based on the 2007 novel of the same name by Thomas Mallon, centers on a decades-long romance between two men who first meet during the height of McCarthyism in the 1950s.

Bailey portrays Timothy “Tim” Laughlin, a young and idealistic congressional staffer who becomes entangled with Bomer’s character Hawkins Fuller. The series marked a new milestone in Bailey’s career, earning him a Critics’ Choice Awards for Best Supporting Actor in a Limited Series or Movie Made for Television. 

Now, as one of the world’s most high-profile LGBTQ+ actors, Bailey also uses his platform to enact change via his partnership with UK-based LGBTQ+ youth charity Just Like Us, which works with schools and colleges to ensure young queer people can thrive.

“I am immensely proud to be in a position to support Just Like Us and increase the volume and awareness of what they’re setting out to achieve, which I think is incredibly important,” Bailey shared with Just Like Us. “Children deserve the right to feel acknowledged and supported in who they are at such a vital time in their lives.”

The stage is also a place where Bailey is able to shine, as he has an extensive theater background from standout performances in plays like The York Realist and Cock, to his performance in the West End gender-swapped revival of Company, which won him the Laurence Olivier Award for Best Actor in a Supporting Role in a Musical in 2019.

Bailey has continually pushed boundaries and expanded his narrative landscape, and this year is no exception. With a cameo in season three of Netflix’s beloved gay romance series, Heartstopper and starring alongside Ariana Grande in the upcoming Wicked film adaptation, he is blazing a trail as one of the world’s most prominent gay actors and activists working today. 

Source

[juhneenteagues]

Okay now that The Little Mermaid has surpassed $500M world wide, I’m ready for Disney to release a limited 2D animated tv sequel, titled ‘Uncharted Waters’.

And yes, i think it should be 2D. 12-15 episodes, 45-60mins each.

Each episode will detail the adventures Ariel and Eric go on traveling from place to place, learning about new people and their cultures. Along the way, the pair become even more of not only lovers, but best friends. They tell one another about their lives leading up to when they met on land. They discover just how MUCH of soulmates (platonic and romantic) they are, and how much they’re meant to be together - how they’re similar in so many ways, and their differences balance each other out.

(And ofc, they butt heads and disagree from time to time bc no one nor couple is perfect but that’s what makes their relationship and friendship so much stronger).

Then the finale of the animated show will have some sort of complicated situation down in Atlantica (I know they don’t really refer to Triton’s Kingdom as Atlantica in the movie) that only Ariel can solve, which will lead into a live action movie sequel called, you guessed it, “Return to the Sea”…. In the live action movie sequel Ariel gets to be a mermaid for like 85% of the movie, and Eric also gets turned into a merman and he can see what life is like under the sea. They each get to experience the best of both worlds (word to Hannah Montana)

And when the tv and movie sequels do amazing numbers there will be a third movie which will have Melody 🥹🥹🥹 the movie plot would somewhat similar to the animated movie sequel but no Morgana (love her down but no thanks)

Disney, pay these writers, animators, and actors what they’re owed so we can get these projects going! Animated TV series in 2025, live action movie sequel in 2028, live action trilogy in 2031!

And don’t forget to run me my check for these ideas!

- Halle Bailey’s EGOT campaign manager