#latin trap

[justdavina]

Joselyn Alegría from Iquique, Chile. Has been cross-dressing for approximately 20 years, since adolescence. And it’s been about 5 years since I began to go out and enjoy myself as a woman in public. It has been a long road of acceptance, internal struggle, overcoming the expectations that fall on you, something that consumes a large part of my time and energy, but it is worth every second, being able to enjoy, even if it is for moments what it is to be a woman.

[11oh1]

[benitos-bunny]

UN PREVIEW - BAD BUNNY

posiblemente este sea el último tema de mi parte este año :) y se llama "UN PREVIEW" porque es un pequeño adelanto de lo que viene para el próximo año

[bichiyalbenito]

MONACO | Bad Bunny (2023)

dime (ey; dime), dime, ¿esto es lo que tú quería'?

[willgraysongf]

bad bunny wearing custom margiela

[blackmensuited]

[could-they-be-a-pro-wrestler]

This is a poll blog that asks the question…could your favorite fictional character be a pro wrestler? Would you like to submit a character? Click this link if you do!

[cailemp3]

🗣️🗣️🗣️ GATITA MICHU MICHU!!!

[lilglitterboy]

feLo* + sangría* disponible en streaming***!!!

[thenixkat]

Migos, KAROL G, Snoop Dogg & Rock Mafia – My Family ("The Addams Family" OST)

Lyrics:

[Verse 1: Quavo] Family, family (Family) I go to war with my family (Raah, raah) Ups and downs (Up) Wrong or right, this family (Yeah, hey) They think that we crazy (Crazy) They say that we crazy, can't handle it (Crazy, yeah) My back on the wall (Back) Who I'ma call? My family (Brrr) We different (Woo) We stick out (Stick out) Wig out (Wig out) Bug out (Hey) Pop out (Ooh) Hop out (go) Ball out (Hey) Show out

[Chorus: Rock Mafia, with Karol G & Quavo] Ayy, this a party, let's not make a problem (No) Why you lookin' at me like you startin' somethin'? You should know it's not just me that you be rubbin' (The wrong way, so you better think twice) You shouldn't mess with me You don't wanna mess with me 'Cause if you mess with me You're messin' with my family (Yeah, yeah, yeah) You shouldn't mess with me You don't wanna mess with me (No!) 'Cause if you mess with me You're messin' with my family (Uh!) Aye-aye-aye-aye You might think that we are all loco Aye-aye-aye Don't mess with my family But this family 'bout to go global We blowin' up! [Post-Chorus: Quavo & Karol G] Raah, raah (Ey) Raah, raah Yeah, yeah (Eh-eh) Yeah, yeah

[Verse 2: Karol G, Quavo & Rock Mafia] En mi familia si hay problema' no jugamos (Yeah; aye; no jugamo') Y si hay party hasta mañana celebramo' (Celebramo'; yeah) Si te dicen que estamo' loco', loco' estamos (Yeah; loco' estamos) Y en las buenas y en las malas nos quedamos (Nos quedamos) No traicionamo' (Don't mess with my family)

[Chorus: Rock Mafia, with Karol G & Quavo] Ayy, this a party, let's not make a problem (No) Why you lookin' at me like you startin' somethin'? You should know it's not just me that you be rubbin' The wrong way, so you better think twice You shouldn't mess with me You don't wanna mess with me 'Cause if you mess with me (Don't mess with my family) You're messin' with my family (Yeah, yeah, yeah) You shouldn't mess with me You don't wanna mess with me 'Cause if you mess with me You're messin' with my family (Uh!)

[Post-Chorus: Rock Mafia, with Karol G & Quavo] Yeah, yeah, yeah Oh-oh, yeah, yeah You're messin' with my family La familia! Hey, oh-oh Yeah, yeah, yeah Don't mess with my family, oh! Aye-aye-aye-aye You might think that we are all loco Aye-aye-aye Don't mess with my family But this family 'bout to go global

[Verse 3: Quavo] They say that we mean (Mean) They say that we rude (Rude) They say we got problems (Problems) But we say it's cool Family, family (Family) I go to war with my family (Eh) Ups and downs Wrong or right, that's family (Uh!)

[Chorus: Rock Mafia, with Karol G & Quavo] Aye-aye-aye-aye You might think that we are all loco Don't mess with my family Aye-aye-aye But this family 'bout to go global

[justdavina]

Bunny Estrada : Oh MY Fu@#$ing HOT! I can't take this any more! I can't breathe! This smoking HOT Transgender, tasty,wonderful delight is to much for me to handle! Ahhhhhhhhhhhh!!!! Someone please help me!!!!!

[11oh1]

[benitos-bunny]

chambea, ¡jala! cabrón, ya no te quedan bala'

[mensuited]

[myriaeden]

Bad Bunny Lockscreens

Like and reblog if you use

Don't repost without permission

[joemuggs]

Albums of 2023 part 3

And - continued from part 2 - some more! This one does what it says on the tin. Levon Vincent knows the old chestnut "dancing about architecture" is accidentally profound: this is 11 pieces of holy four dimensional architecture exquisitely designed for your body to move through.

It's been a great year for old school BRAINDANCE, in no small part thanks to Mighty Force records releasing thick and fast, and this from Kams, straight out of Beckenham, is the best - just warm-hearted, melodic, acidic, danceable, classic electronica.

My old mucker Culshaw is a scholar, a gent, an adventurer, and on the sly a great musician. This comeback to the studio is MAGIC - global and spiritual and incidentally Balearic in a Jose Padilla sense - but its connections are based on highest common factors, never dully fusioneering.

Just fries my mind that Boris seem to get creatively hungrier and angrier with every passing year. This collab brings in all sorts - goth, thrash, synthwave - but what I really love is the unironic POWER METAL energy. Music to be struck by lightning to.

It's been an incredible year for electropop - and this album from producer turned singer songwriter Avalon Emerson is the *sweetest* of the crop, lighter than air, a gentle digital dream, but with surreptitious emotional heft. Reminds me a little bit of millennium era Morr Music, Tarwater etc? Must listen as a whole: it draws you in and in....

Even heavier than the Boris, and the record that made me fall in love with grindcore all over again - had to order the vinyl even given transatlantic premium. Nepalese band in New York Chepang TAKE. NO. PRISONERS. HUURUUUURURRGGHGHHH.

I was NOT expecting this from Anhoni - but I'm a sucker for Muscle Shoals style country-soul grooves, and though they risk getting "a bit Jools Holland", here they're delivered with total assurance plus the bleakness of the lyrics, fierceness of delivery and a few noises moments all adds some serious edge.

More electropop - this one from Jessy Lanza is not a million miles from the Avalon Emerson in its pristine futurist sound, but it's a bit spikier, eerier, like she is setting puzzles for you.

My most played record of the year. Like the Culshaw, a bit Cafe Del Mar in the most urbane possible sense - Sissoko & co's blend of jazz, classical, W African & European folk is done with unbelievable poise and emotion and is completely addictive.

This has been all-conquering this year and rightly so. It's not just the fearsome doom bits, it's the straightforward folk that's great: Lankum remind us of dreadful, beautiful paradoxes of being human that don't really change through the centuries.

Paul Simon says this was written in dreams, and it really sounds like it. Genuinely transporting, surreal, gorgeous and - I have to say it - roughly 10,000,000 times more interesting than anything Bob Dylan has done this century.

Completely UN-deconstructed trance... the way Romy taps into the melancholy of the most globe-conquering of 90s pop dance is something quite special and will serve as a real cynicism test... go on, let it twang your heartstrings!

I've kind of idly admired King Krule's music from a distance previously but that changed last year - he really is something special eh? Way more than the sum of influences, and a proper world-builder.

One of many where I missed the promo at the time (sorry PRs) but then discovered it via my sp****y recommends. Just beautiful post-classical, post-ambient musing music from Audrey Carmes that sounds like austere but lovely perfumes and crisp clean cotton.

Of course death is at the heart of Depeche Mode's music so how tragic but appropriate that it took Fletch's death to turbocharge them creatively. This is like a telescoping together of their whole history - but also still in love with new sounds...

More death, more darkness, with Amy Winehouse serving as a dark angel muse drawing together and crystallising the ambient, abstract and dream cabaret influences Kevin Martin has been incubating in his solo KRM albums since 2019. Crushingly sad and great.

Espec after seeing him rock it in the morning at We Out Here, I do feel like Joshua Idehen is in danger of becoming a late-blooming star, you know. Explicitly connecting David Byrne, Mike Skinner, Maxi Jazz and a finger-jabbing Nigerian preacher, he ROCKS.

Yes, Yussef Dayes really is all that and a packed of Pickled Onion Space Raiders. Brit jazz just seems to have been in a consistent triumphant state these last five years or so and there's no sign of it stopping being that way with albums like this still coming.

Ben Howard is an artist who'd completely passed me by despite being really quite big - but again the sp****y algorithm brought me this and it's really amazing, thought provoking, grown up pop. I *instantly* guessed it was Bullion on production too, no lie. ❤️

I've said for a long time that "mumble rap" has deep atavistic echoes of the blues and psychedelia - and here's the mumbler in chief Lil Yachty joining the dots back through the decades. Funkadelic, Hendrix, Beck, Outkast, BUTTHOLE SURFERS? Yeah it's all here. Not saying it's one those levels, but it's great and

Holy shit is Dot Allison on a roll or what? This is effectively 2021's Heart Shaped Scars growing in all directions: bigger, grander, more cosmic, even more beautiful. The partnership with Hannah Peel as arranger is front and centre and works incredibly.

Alright it's not as unique as Bad Bunny's 2022 masterpiece Un Verano Sin Ti - this is more trap, less overtly "Latin" - but it's really, really good. Sometimes not knowing the language can emphasise the emotion in the sound: the blues in the trap, the Spanish derived "tristeza"...

My fave Villalobos moments are often him working his wonky magic on "real" instruments and songs (see his Tony Allen / ECM reworks) so a whole album of him tweaking A Mountain Of One's Balearic soft rock is a real treat. Gets progressively "more Ricardo" as it goes on.

I love how Young Fathers have become such a beacon of what a "big festival band" CAN be when it broadens its influences out and grooves a bit. This album is such a big step up for them, and I really hope they keep this momentum because it's BIG FUN.

And talking of Scots "big festival bands" with diverse influences pushing the envelope and having fun with loading in more pop, dance, rap etc, The Djangos really went to town on this one and I was surprised not to see it getting more hype. A proper weird and wonderful party of an album.

Okayyyyyyyy last part is here, get stuck in!