Ford La Galaxie, 1958. Designed by Elwood Engel using jet plane styling and futuristic detailing, the La Galaxie was the centrepiece of Ford's stand at the Chicago Auto Show. The reverse-angle rear window featured on Lincolns and Mercurys in the lat 50s and early 60s. Engle moved to Chrysler where he recycled some of the La Galaxie's styling for the 1963 Chrysler Turbine car. Like many "dream cars"of the 50s and 60s the La Galaxie was destroyed after its brief show career
The Morsestache is lush, vibrant and present, glowing in the fluorescent luminescence of his bunker and the vending machines. It’s a standalone character, part Tom Selleck, part Sean Connery, part Sweeney-era, all 1969.
The rest of Morse is tentative and shy, almost childlike, even a little apprehensive-not quite sure what response he is going to receive at this overture to resume their collaboration. 
For his part, Thursday is feeling his years, is embarrassed to find himself benched and demoted in front of his young protégé, and doesn’t quite know how to lead him with these debits on his ledger sheet.
Where you might expect at least a manly handshake, and a shoulder clap to reestablish connection, instead, you have a scene shot with a lot of vertical lines, indicating separation, distance, isolation, and a somewhat truncated, non-linear flow of conversation between them, with awkward gaps and silences, and unnatural speech patterns for them both. Fred doesn’t entirely turn around, and Morse hasn’t fully emerged from his cave. He reminds me of an eel, ready to dart back under a rock. We don’t see them truly face each other. They’re both protecting themselves.
It’s bittersweet and painfully awkward, as the two of them try to navigate this new reality without hurting the other or harkening back to better times which surely both of them miss terribly. 
I don’t care what the plot of the community movie is as long as it starts with a shot of Troy and Abed cuddled together in bed and sleepily singing “Troy and Abed in the morning” as they wake up
hello 2x04 being like Thee first Buddie episode and having sunset mentioned not once but twice in the episode (the bar where not my type happens is on sunset and the cafe where chim meets tatiana and ultimately takes that step towards his future—and incidentally his buckley—is called sunset) only to bring it back in 4x08 like (there was construction on sunset, had to take a detour after eddie comes home to buck post-awkward-heterosexual-math-date with the "perfect" woman, but ultimately the wrong woman)...
there’s no way they asked fred vasseur about how the ‘las vegas event’ is good for ferrari as a global brand after his car has just been destroyed by a fucking manhole cover are you for fucking real😭😭