#kuro nee

[sakuraghosttown]

The Making of Kuro-Nee by MIY

[blue-boxxx]

Blue Exorcist: Beyond the Snow - 08

[card-queen]

A Blue Exorcist double bill!

[bunubunss]

been rewatching blue exorcist lately (*´▽`*)

[rinseveryday]

Ao no Summer Day 5: 🐟FISH🐟

Those are some weird looking fish but at least they seem friendly.

[ghost-foxx-goddess]

AoNoSummer 2023 Day 7: Bonfire

~

Don’t even know what’s the story behind this, just did what my brain told me to do.

[discordiansamba]

chapter five of white phosphorus is done! you can read it here, or start from the beginning!

"So you're Shiemi's familiar, huh?" Rinka asked. "Be sure to look after her!" Nee cheered, in what Rinka could only assume was agreement. "And don't worry if you get confused," Rinka said, "-not to brag, but I've been a familiar my whole life, so I'm kind of an expert. You can totally ask me for advice!" Nee cheered again. Rinka had no idea if it understood what he was saying. Shiemi giggled. "What?" Rinka glanced over at her. "What's so funny?" "No," Shiemi smiled, "-it's just... you're only fifteen, Rinka." "Fifteen years is plenty of experience!" Rinka protested- but that only made Shiemi giggle more. "Hey! Don't laugh! I'm serious!"

(or: Rinka desperately wants to come across as a cool senpai, but neither Kuro nor Nee understand this concept on any fundamental level. Also, it turns out living a double life is hard!! Who knew?)

[matchstixx]

The People We Think We Know

Chapter 3

Pairing: Tobirama x fem!Reader

WC: 1,661

CW: None (9.20.2024)

This is shorter than I wanted to make it, but the more I tried to add to it, the more forced and clumsy it felt. So, I figured it was a sign and left it at this. The next chapter is longer however.

Read on Ao3

[Series Master List]

<- Prev Chapter | Next Chapter ->

The eyes follow you not only in the main village, but also within the house itself.

You aren’t surprised to know that Tajima and Yoko don’t fully trust you. Even with the matriarch’s obvious excitement with dressing you up and pampering you like the daughter she doesn’t have, her eyes follow your movements at meal times and during your embroidery lessons. Tracking how your hands grip and move the needle, scrutinizing each twitch to find any hint of weapons training.

Tajima openly questions the calluses on your hands, with skepticism. Your explanation leads to you working with the farmers for a couple days to report on your truthfulness. Supposedly they back up your claims as you haven’t been kicked out or executed yet. The clan head assigns you lessons and chores about the house expected and required of a ward of the Uchiha mainline.

You make quick work of getting on the sides of the common folk in the village. Wanderers that have assimilated into the clan and pledged allegiance, as well as many from the Kurama clan that has been practically absorbed into the clan with the amount of arranged marriages that have come about between the two groups. You help people wash and hang their clothes, chop and stack wood for the winter, refill the food troughs, and replenish the dowsing water in the blacksmith shops. Those who had surnames before they claimed the ‘Uchiha’ one blatantly adore you with the work you put in. They chatter about how charming and helpful you are, that you make your keep to repay the clan head’s generosity of sheltering you.

The elders don’t like you. And the Uchiha branches close to the mainline distrust you, wary and disgust filled glares following you through the village as you complete your chores and lessons. Both groups whisper their vitriol filled concerns to Tajima about spies and ‘lineage disruptors’, out of ‘concern’ for the mainline to the Uchiha name. They mostly go ignored by the man in favor of trusting his wife’s discernment.

While Madara doesn’t trust you, he openly scoffs at any of the rumors he hears about you. He loudly claims you to be ‘too simple’ to be a threat, and accuses the gossipers of questioning the decisions of his father and distinguished clan head. He used to only refer to you curtly by your given name, until Tajima chastised him about being respectful. Now, he begrudgingly adds ‘-san’ onto your name with an amusing flush of embarrassment and irritation.

Kou is shy but receptive to you, excitedly calling out to you as ‘[Name]-chan’ to show you his latest artworks and smiling with suppressed excitement when you lavish them with praise. He’ll tie back his sleeves to help you with your chores when he finishes his own or stack some of his own food onto your plate at dinner when Yoko has made something that he knows that you particularly enjoy.

The other two middle brothers are infatuated with their curiosity of you. Kuro and Togakushi giggle and snicker from where they peak from behind doors, sometimes playing pranks on you or roping you into helping them pull a trick on Madara. At night, they’ll drag you to their room to have you tell them a story or will pull their futons into your room after a particularly scary nightmare. They start to call you Ane-ue-chan, with a level of mocking to it that really leans into their own form of fondness for you.

Izuna is too young to really understand that you aren’t related to him, or the full scope of the situation you are in. Yoko will pass him to you when she starts to prepare food, and he’ll clutch at the front of your clothes with a squealing cheer of ‘nee-nee’. Madara seethes at you for the nickname, especially when Izuna starts bawling anytime there is any indication of the eldest brother trying to hold him.

—

The blast of war horns warning of an incoming raid surprises you one day as you are practicing your calligraphy under the watchful gaze of Yoko-sama (she’s been pushing you to call her ‘Yoko-san’ recently, much to Madara’s displeasure which has kept you from accepting at the moment). The matriarch is up in a flash, kimono and haori swirling around her in a whirlwind that is far more graceful than the panic ensuing from outside should indicate.

Kou comes in, corralling all of his younger brothers into the room followed by Madara who is struggling to pull on a set of armor that is too big for him. Yoko returns barely a second later with her own armor on and hakama pulled over her legs. You gape at the giant, familiar war fan held in her grasp as she turns to her eldest with a serious look, “Madara, you are staying here.”

Madara finally pulls his head through the neck hole of the armor, plates rattling with alarm. “What? No, Haha-ue, I’m eight now, and I know that I can’t go with Chichi-ue until I turn ten, but everyone says I’m so advanced already and a genius–!”

“No, Madara,” She lays a heavy hand on his shoulder. “I have a more important job for you. I need you to watch after your brothers and [Name]-chan.”

Madara scoffs at your name, head turning to the side and Yoko can’t help but chuckle at his attitude. She squeezes his shoulder firmly to grab his attention once more, crouching to his level.

“How about this: you have been doing really well in your training, so I’ll give you one of my prized weapons.” She unhooks a kama from her side, flipping the handle towards Madara. She pulls it away slightly when he grasps at it with a gaping, starstruck look. “ But, only if you promise to stay here and protect your brothers and [Name]-chan.”

“I’ll protect my brothers!” Madara exclaims immediately. Yoko raises an expectant brow at him with a tilt of her head; he grumbles, “And [Name]-san.”

She smiles, setting the handle into his outstretched hand before standing up, laughing as he swats at her fingers brushing through his hair. Yoko is out of the door with a bustle of wind that sends your papers scattering, the shoji whirling shut behind her with a gust. Madara stares at your gaping expression that fixates on the door, preening with pride at how dazzled you are by his family's capabilities and prowess.

“Haha-ue is responsible for protecting the clan when Chichi-ue is away. She’s never been defeated,” he says, nose turning up into the air as he takes up a stance by the door, newly acquired kama in hand and kunai in the other.

Kou takes up guard at the other door, a tanto shaking lightly in his grasp. The other three boys curl up with you, Izuna hiding his face in your lap with a whimper of fear. Your eyes flicker to Madara’s glare, irritation at his youngest brother’s fondness for you and not him palpable. An idea coalesces in your head, between Kou’s fear and Madara’s ego, Izuna becoming a perfect catalyst to further worm your way into their lives and trust.

You smile down to Izuna, brushing a hand over his messy cow-lick filled hair. “Ne, Izuna-kun, there’s nothing to be afraid of. Your super, strong Madara-nii-san will protect you.”

“Why can’t you protect me, nee-nee?” His question wobbles out as he looks up to you with tearful eyes.

You feel the burn of Madara’s glare turn inferno hot.

“Ah, well, I’m not really a fighter, you know?” Your expression pinches with the awkwardness of maintaining the ruse. “But your older brother is really cool, he’s really strong and awesome at fighting! He’ll totally protect all of us.”

“Really?” Izuna sends the eldest a dazzled look that makes Madara flush some before puffing up and giving him a succinct nod that he no doubt thinks will make him look cooler. You shove away the eye roll that tries to surface before gauging Kou’s nerves. There is still a tension to his shoulders, ready to jump to action, but tremors no longer wrack his stance; a more determined look filling his eyes at the reassurance of his older brother’s presence.

The sounds of battle persist for two hours before quiet overtakes the grounds. The two brothers both tense at the sound of a door opening before relaxing when Yoko turns the corner. She’s covered in blood, primarily of which is not her own, a smile adorning her lips and only small cuts and bruises marring her visage. She holds her arms open to accept Izuna’s incoming hug, the boy giggling as she places kisses all over his face.

Yoko picks the boy up before moving to check on each of her sons, cupping Kou’s face with a gentle and understanding smile at the distress in his posture. She tickles her two troublemakers, Kuro and Toga squealing and squirming away from her fingers. Finally, a proud smile pulls her lips as she looks at Madara’s ramrod stance, too-big armor clacking at the smallest movements, and places a kiss on his forehead that he immediately refutes with a faux gagging sound.

Her eyes finally track over to you, asking how you’re faring. There is a careful, assessing look in her gaze, watching each wrinkle and flex of the skin of your face. The barest of seconds pass before you give her a smile, that you hope comes off as relieved, as you reassure her that you’re fine. You make no mention of how the eyes you always felt had only intensified when the raid started, measuring your worth and any possible involvement you could have with the attackers.

Her eyes flicker between yours for a moment before returning a similar smile. The pressure of unknown eyes lessen, but doesn’t disappear; even as you close the door of your room and slide into sleep for the night.

<- Prev Chapter | Next Chapter ->

[malachimoet]

Niori (pronounced Nee-Ori) is a dark spirit from the Ori Universe, and takes a similar role as Ori does in both the Blind Forest and the Will of The Wisp. Born from the Spirit Tree in Nibel as one of its fallen leaves off of it, he was a light spirit that was lost during The Great Storm, an event that caused great catastrophies there after such as the Light Ceremony--which caused a great beast by the name of Kuro to attack the Tree at it's core. At this time, many light spirits began to die slowly--feeling the end of their lives were at stake, and Niori was no exception. During Niori's time as a light spirit, he was blown away all the way to Willow's End in the Niwen region. At that time, Niori was near the Willow Tree, also known as the 'Spirit Willow' of Niwen, struggling to find a place to rest before dying, losing his light. In that tree's last moments, knowing it would die of age--it saw Niori, the poor spirit on the verge of death. The Spirit Willow decides to use what was left of her strength to give life to Niori. Unfortunately, the tree began to die in the process, and her transaction of power didn't fully completely. As a result, while Niori was revived from the dead, his skin no longer emitted light. Check Toyhouse for more information on this character: https://toyhou.se/26222676.niori

[evanescentsun]

tch. I hate the 30 limit tag… so just adding everything here LMAO… I was hoping I would be able to say everything I wanted within it. but eh. I was cLOSE THOUGH….! then I remembered I forgot to add the character tags LOL.

#my girl shiemi bday was like the next day and I KNEW I had to do something be damned

#and in perfect world I would be able to spend as much as I wanted on this and do it more idk what the word is

#structured I guess?

#fresh from the new chapter I had rinshi in my mind so I had to add it somewhere

#and obvs I knew from get go im going to have izushie in it….

#and I wanted to add more characters

#and honestly yukio was the next person in mind…

#I wondered what he’d do. and I really liked the idea of him just smiling I debated on whether he’d be in the hug and it was very close but

#couldn’t think of way without overloading or changing what I had and I cba to do that and from there honestly

#i knew that I would have the cram kids and had to add them in….!

#ryuuji was the last person for me to add n think of what he’d be doing and I like how it came out….

#I knew I wanted nee and Kuro and lol kuro was supposed to be on top of shiemi’s head but I forgot while doing it and wasn’t going to add hi

#in anymore but I felt like it needed it towards the end and added him on izumos side to balance Rin’s tail

#which I didn’t also plan and was like would be fun… and I did love that detail….!

#I do think it’s super funny how Kuro was on side of koneko n izumo… both such cat lovers… I was thinking while drawing Kuro on her back wow

#izumo would be so happy with that. I did want to add paku n shiemis mom n grandma…! but too much work same itb the confetti thing LMAO

#I didn’t know how it looked tbh and I couldn’t be bothered to look up refs and draw it properly but I do adore how when drawing the confett

#scribbles the idea of banner and later nee holding it came to me and I loved that…. so cute….

#ryuuji was honestly gonna be just holding some presents too but I felt like it was too redundant and while moving stuff around… it didn’t

#really work anyways so I gave him a random pot LMAO anyways while making this and thinking of briefly what character would do what. man. I

#wanna write a compinating small piece now….. it seems this happens a lot LOL it happened with that fun lil sketch I did for an idea… and no

#I have an au planned and an au of that au.. also mentality into the piece was me just scribbling stuff no actual finalising stuff… and I

#really liked that? Yeah in the middle I was like wow this sucks and I hate it and I did put more time into it than I expected mostly becaus

#of the adjusting LOL and I had that mentality of quick in and go for this art cuz my hand wasn’t doing well and I wanted to create somethin

#for shiemi anyways. it worked well!!! I started to love when I came back for the last session of adding stuff and finishing it… and it was

#SO nice seeing it come together!!! I love it!!!! also I forgot what I was gonna say……

#first time drawing a cat really n was kinda worried but I just went in and it came out alright… I didn’t like it as I was drawing it but

#finished Kuro is so cute I love it… and I was struggling with Yukio but after fresh eyes I really do like it…..! I love him<3

#but it might just be recency bias LOL

#doing the most on first day and then working on it this morning and then later really did help I think with the fresh eyes

#overall I really like the composition the best.. it makes me happy that it came out overall nice together

[sakuraghosttown]

Ayamatsu Oekaki Collection

[wannabe-cartoonist-blog]

Making OCs Out of the KNB Cast's Canon Family Members Part 1

For those who don't know, we were actually given the GoM's canon family members from the creator via a Q + A. However, we didn't get any names or designs, so for years I've wanted to come up with some of my own. Well I finally started and to kick it off, we have the Kuroko family!

Family Tree + detailed profiles below cut! If you have any ideas for names, professions, personalities, etc... for the other characters family members (linked above), please let me know in the replies, tags, ask box, etc! There's so many....

Canon Facts: 

The immediate family consists of Tetsuya, his mother, father, and grandmother. They 4 live together in a small home. 

Tetsuya inherited his looks and invisibility from his mother and personality traits from his father. 

“Tetsuya” is one of the few names in the series written in katakana, not kanji.

My Headcanons: 

For the GoM, I like to imagine the colored hair is a paternal trait since the color is in the family name inherited from the father (Aka, Mido, Murasaki, Ki, Ao, etc). This would mean the colored hair is a dominant trait also (in this fantasy world lol). Kuroko is a fun exception here, as “Kuro” means “black” and we know canonically he resembles his mother in appearance. So, I imagine his mother was the one with some nod to the color “light blue” in her maiden name. 

I imagine Kuroko’s mother’s side writes their given names in katakana not kanji, just as he does. 

We don’t know which grandmother he lives with, paternal or maternal, so for here, I decided to go with maternal, so she’s technically not a “Kuroko”. I originally came up with his paternal grandmother first, but after some thought, I feel like his father’s side would be a lot more traditional and such, so the maternal grandmother would fit more in terms of the household living situation. Basically, Grandma Kuroko’s a lot more picky than Grandma Mizumoto. However, I still came up with the paternal grandma and kinda loved her whole vibe, so I decided to make a design for her too.

Kuroko Nobutaka (黒子 信考) - 

Tetsuya’s father, whom he refers to as “Otou-san” (equivalent of saying “father”). His given name means “faith/belief” + “consider/ponder”. A thoughtful and kind man, though hard for others to read. He can be a bit of an airhead and often gets lost in his own thoughts. He works as a professor of philosophy + ancient literature at a local university. Has a lot of published papers and often goes away to conferences and such. Is inept at cooking, so resorts to take-out when he and his son are left to fend for themselves (much to his mother-in-law and wife’s displeasure). Despite his bookish appearance + line of work, he’s quite into sports (particularly baseball, though basketball and golf come as close seconds). His wife has the ability to bring him out of his shell + also seemingly read his thoughts, which is why he fell for/noticed her to begin with when they met in college.

Kuroko Terumi 黒子 テルミ (nee Mizumoto  水本) - 

Tetsuya’s mother, whom he refers to as “Okaa-san” (equivalent of saying “mother”). Like her son, writes her given name in katakana, but in hiragana it’s written as 光海 and means “light” + “sea”. A cheerful, yet oddly invisible woman, she passed down her low presence to her only son. She and Nobutaka met when she moved across the country for university. She works for a publishing firm. She used to be very shy growing up which didn’t help with her invisibility, so ever since high school, she tries to make up for her low presence by being more expressive and out-going than the other members of her family, to rather moderate success. She’s well respected and rather high ranking at her job, which makes her busier than she would like to be for her son’s sake.

Mizumoto Yuuka (水本 ユウカ) - 

Tetsuya’s maternal grandmother and Terumi’s mother. Writes given name in katakana but in kanji its 佑寡 meaning “assistance” + “widow”. “Mizumoto” means “water” + “true”. Shortly after her husband died and sometime before her grandson was born, she came to live with her daughter and son-in-law to help around the house and has been with them ever since. She's an extroverted, affable woman and often has social gatherings with friends. Is a very good cook and makes meals for the whole family. Very self-sufficient and while not gone as frequently as her daughter and son-in-law, she's often taking trips with her friends. When she’s away, Tetsuya lives off of boiled eggs and MajiBurger, much to her displeasure, so she tries to plan meals in advance. Surprisingly tech savvy, so records all of Tetsuya’s broadcasted matches and keeps track of Seirin’s stats for the rest of the family when they can’t make it to a match (which is frequently since their jobs keep them so busy). Loves her grandson and has referred to him as Tsu-chan since birth.

Kuroko Tetsuya (黒子 テツヤ) -

An only child. He inherited his looks and lack of presence from his mother and learned his calm nature from his father. His parents are very loving (with many family photo-filled scrapbooks lining their shelves and constant communication through text) but are workaholics and his grandmother is quite lively and social for her age, so he’s been fairly independent since early on. Though he doesn’t see them often, he gets along well with his paternal grandparents, despite them being startled by him often because of his lack of presence.   

Kuroko Tsukimi (黒子 月美) (nee Kokuyōseki 黒曜石) -

Tetsuya’s paternal grandmother, Tetsuya refers to her as “Obaa-san” (equivalent of saying “grandmother”). Her given name means “moon” + “beauty”. Her maiden name Kokuyōseki means “obsidian” (black stone). (a dark gemstone to represent her dark hair and formal upbringing/personality). She’s rather no-nonsense and holds tight to traditional values. Slightly estranged from her son and his family, but they keep in contact as frequently as they can through writing. She and her grandson get along when in each other’s company as she admires his good manners (which she helped instill in his early childhood, when she and her son’s family were closer). Lives in the countryside with her husband. Insists on writing her grandson’s name in kanji. 

Kuroko Yoshiki (黒子 吉城) - 

Tetsuya’s paternal grandfather. His given name means “fortune” + “fortress”. A stoic, stern-faced man. He used to work for one of the oldest book printers in the country, but has since retired. The Kuroko family is known for their dark black hair that doesn’t fade, even in old age (though Tetsuya is the first to not inherit this trait, taking after his mother). Always watching some kind of documentary on a variety of random topics, which his grandson doesn’t mind joining in on when he comes to visit. Has a bad leg. Lives in the countryside with his wife. Wears the thickest lenses you've ever seen and often causes Tetsuya to worry about his own eyesight.

Mizumoto Tetsuhide (水本 テツヒデ) - 

A kind man who worked as a fisherman. Passed away shortly before his grandson was born. He liked to do magic tricks, something his widowed wife in-turn taught to their grandson. Given name in kanji is 哲偉 and means “philosophy” + “distinguished”. His grandson was named in honor of him. His daughter and grandson inherited his strange lack of presence. 

[carsinoska]

明滅王女

Album: Meimetsu Oujo Artist: Queen of Wand

Meimetsu Oukoku

koganeiro no taiyou   susumu michi wo terashidasu nanbito mo okasazaru mada minu sono oukoku e

hanasaki   chou mai   midori no kaze kaoru konpeki no misora ni   kokorogoto hareyuku

shirogane sayu tsukikage   mayoibito wo michibikan nanbito mo fumi yukanu mada minu sono oukoku e

hoshifuru oashisu   rubii iro no kajitsu manten no seijaku wa   kokorogoto uruosu

omoi tobira wo hirakeba ima mezame yo to koe ga kikoeru Núx to Hēmérā tomo ni nishi no hate de utau no watashi   koso ga   oukoku guren no tsubasa wo matoi tachiagaru

koubakutaru uchuu wo yokogiru suisei no kidou kuusou wo tobikoeta mada minu sono ryouiki e

nan’oku kounen   oto mo hikari mo naku sekai no sentan   hokorobu shunkan

omoi tobira wo hirakeba ima mezame yo to koe ga kikoeru soko shirenu naraku mo ai ya yume de umeyou anata   koso ga   oukoku kootta honoo wo idaki tachiagare

Mugen Kairosu Meikyuu Tan

saa toki ni torawareta kohitsuji yo muryoku na onore wo norotte naku yori michibikareshi Kairós ni mi wo yudane nozomi wo idaku nara sashidasareta hikari wo tsukamitoreba ii

konpeki no hoshizora seijaku wo yaburu shinfonia tsuriageta gansaku no taiyou chijou wo terasu kuruidasu tokei no hari kizamu kuro no operetta kono basho wa itsu de doko de ittai anata wa dare?

kodoku na yoru ni atsuraemuki no yume yami ni akunaki negai kako to mirai no kyousoukyoku

saa toki wo kamikudaku bakemono yo subete wo kowashite mou ichido motome yo azakewarau Chrónos ni tsume wo tate kibou wo utaedomo ooinaru zetsubou no honno hitafushi

kagamigoshi miekakureru futago shiawase you na "omae wa watashi de watashi koso ga anata dakara" te wo nobasu yugamu toushizuhou no shoushitsuten e to otagai ni keshite seigousei wo motanu unmei

kagi no kakatta tobira wo abaku you ni modorenai kinou e to yubisaki de hari wo ugokashite

saa toki wo tsukasadoru kami no mae hirefushi osore yo sukui wo motome yo towa wo kataru aiṓn tenohira de ayatsuru hosoi ito hito wa mina samayou awarena marionetto

kodoku na yoru ni atsuraemuki no yume haguruma wa mawaridasu netsuzou sareta itoshi hibi e

aa toki ni torawareta kohitsuji yo nando megutte mo owari wa miemai michibikazaru Kairós wa me wo tojite soredemo nozomu nara kinjirareta hikari wo tsukami toreba ii

yume no naka me wo samasu yume wo miru you ni arakajime kimerareta  sangeki e to

kurikaeshi ochiteiku

Kurayami Yashiki kara no Shoutaijou ~Nobe Okuri Ver.~

shiranu ma ni maikonda ittsuu no shoutaijou makkurona fuutou ni kin no fuurou wasureyou to omotte mo wasurerarenu namae natsukashii hisseki wo yubi de tadotta

nokosareru monotachi ni me mo kurenai mama ni makkurona souretsu to kin no hitsugi daremo oitsukenu hodo tooi tooi basho made ame no asa tabidatta anata wa hitori

kitto nanimokamo jiyuu kono shoutaijou wo te ni, sukoshi nemutta dake demo anata no doko e yukeru

mandoreiku no himei

‘youkoso koko wa tanoshii towa no budoukai gokibun wa ikaga?’ nee   subete wo tokiakasu made wa semete nani mo iwazu tomo ni odorou

sou ieba choudohin antiiku na ippin anata ga konomi sou na kin no shokudai kioku ni eisha sareta furuboketa firumu wa mitakunai kudaranai moyashite shimaou

sou yo nanimokamo jiyuu okinimesanai dinaa wo   kurosugoto buchimaketara wagamama ni yoishirete

hogaraka ni utaidasu

itsudemo koko wa goushana yume no shakoukai gokenson nasarazu? nee   utsukushii wa dare yori mo anata wa noroi wo uketa chirazaru bara

itsukara koko wa kodokuna towa no sougijou totemo sabishii basho subete wo te ni ireta anata to ima nanimo iwazu tomo ni odorou

dakedo watashi wa mou kaeru jikan issho ni wa yukenai heiki yo minna hitori de naiteru wa doko ni itatte onaji koto yo

namida wo nagashi haitsukubari minikui mama ikiteiku wa

Amatsubu Ningyouhime

mado wo tataku amaoto de futo me wo samashitara mizu no naka ni iru you na mada akegata no buruu

dokoka kamiawanai haguruma sabita iiwake umi no soko demo ga iteru omoi namari no uroko

sou da   ano hi   subete wo sutete mo hoshikatta nani wo hikikae ni sashidashitatte itamu ashi wo hikizuri anata ni kakeyotta kitto watashi wa, marude ningyouhime

wakete hoshii sono itoshisa wo shizuka ni yorisou kara umi ni ukabu tsuki wo yurasu you ni yasashii uta wo utatteite

aoi kasa wa suisou mitai tojikomerareta sakana-tachi wa oyogenai iki mo dekizu ni ukabu

sou da   ano hi   subete wo ushinatte kidzuita nanimo kanaerarenai to shita nara anata no chi wo abite umi e to kaereba ii dakedo watashi wa, koko wo ugokenai

mabushikute me wo sorashita no wa arifureta koi dakara nureta ashi wa doko ni mo mukaezu ni tada furueteiru dake nanoni

wakete hoshii sono itoshisa wo shizuka ni yorisou kara umi ni ukabu fune wo shizumeru you ni aa, furisosogeba ii

namida wa yagate awa ni tokete hikari no tsubu to natte ano sora e to nobotte ikeru kara mou anata wo wasurerareru no

Luri-Luri

nandaka yaruki ga denai ´` sonna ohiru ni wa mado no soto nagamete toriaezu oyu wakasou

youji mo nai kedo kinjo wo burabura saki kaketeru ajisaika ga shirokute oishisou

hane ga yabureta chouchou nandemonai you na komichi ni korogaru sutoorii LuriLuri Ru-la   utatte   ikiteru tte nante suteki! ocha demo ireyou

futsuu ni shinasai tte   urusai ano ko mo ton demo naku fukashigi na kiseki no sanbutsu

sugu shin'you dekinai benri to sekai ichi nna koto shitetara sono uchi garapagosu atsukai-?

yoku mikakeru hana demo namae ga wakaranai koto mo chimi ni yoku aru chi.chi.chi chun-chun daredemo oi sore to uchiakerarenai daiji ga aru no yo

'isogashii'tte tonikaku itte okeba sorenari enman ni sugoseru desho- LuriLuri Ru-la utatte   ikiteru tte nante suteki! nandemo dekiso- yo... ♪

snow flower – ever after

miwatasu kagiri ichimen no setsugen   namida mo kooritsuku fuyu no kuni kumo   tsukinukete tsunagaru sora no shita soko wa mabayui haru no rakuen

tsumetai koori no you na manazashi ukaberu yuki no joou hitome mita kare wa kokoro ubawarete

'anata no hoho ni furetai   zettai reido no kuchidzuke wo'

yaketsuku omoi ni mi wo yudaneru   yo ni mo kanashii koi ga maioriru

haru no ouji ga fuyu ni torawareta   hana no machi tsumetai kaze ga fuku midori ni moeru   kusa mo kigi sae mo kogoete masshiro na shi no sekai

hyoushou zaiku no you ni kare wa ugokanai   yasurakanaru hakanaki sono negao aa, itoshii

'anata no hoho ni furetai   mou ichido atatakai kuchidzuke wo'

kasuka ni zawameku kono kokoro   itsuka fubuki wa sotto yandeita

mitsumeatta hitomi ni wa   mita koto no nai sora no iro fureatta basho kara   futatabi meguru you ni...

'anata no hoho ni furetai' nozomi wa tsuyoku hateshinaku

karada wa kawaru yuki ni hana ni   futari wa towa ni ai wo chikatta

The season comes round, from winter to spring shizumari kaetta futatsu no kuni

koori ni oowareta daichi kara   ikifuku hitotsu no awai tsubomi yo

Hanamisaki

dokomademo harewatatte ita aoi chiheisen mo ima wa tokedasu yuugure no setsunasa ni mazatte yami e to te wo nobasu

hitotsu no kokka ga umarete yagate horobite iku you ni sora wa katachi wo kae boukyaku wo tsudzukete kurikaesu inochi

anata no nageki ya kurushimi sukoshi mo shirou to sezu mina motome, tatae, urayande, soshite sagesumi e kawaru

katararenu kotoba no hana wo hanataba ni shite umi e sasageru donna ni toki ga tatte mo watashi koko de matteimasu kara

kizutsuita hane de tobu tori   tobitatenu watashi wa hitori tsutaetai nanika wo kaite wa yaburi sute tameiki wo kobosu

itsuka dare mo anata wo wasure, katte na arasuji de tojiru dakedo anata wa tashika ni mada soko de tatakatteru

todokanai omoi no tane wo miharashi no ii koko ni makimasu donna ni kisetsu ga sugisatte mo zutto matteimasu kara

katararenu kotoba no hana wo hanataba ni shite umi e sasageru donna ni toki ga tatte mo watashi koko de matteimasu kara

karada ga kuchite hone to nari fuuka shite katachi wo ushinatte mo hana ni oowareta kono misaki de zutto matteimasu kara

koko de matteimasu kara

♥A

kinou made no boku wa kimi wo shiranakatta kinou made no boku wa tada karappo datta

kaze no naka ni rin to tatsu kimi wo mita toki omoigakenai kimochi ga hitotsu hajiketa

donna arashi ga yukute wo habandemo kimi wa warai nagara susumu darou darenimo kidzukareru koto no nai tsuyosa demo boku wa itsumo soba de miteru kara

kimi wa boku no tenshi kami-sama ni chikau yo kimi wa boku no subete nando datte iu yo

kogoeru yokaze ga mado wo tataku yoru ni wa kimi wo sotto atatameru moufu ni naritai

kokoro wo motanu ikusen no yaiba tachi ame no you ni kimi ni furisosogu dareka ni kidzukareru koto no nai namida demo boku wa itsumo soba de miteru kara

kimi no tame ni boku wa nani ga dekiru no darou

ano hi boku wa shinde shimatta kedo kami-sama ga kuretanda ikura sagashitemite mo mitsukara nakatta kaado da

boku ga dekiru koto wa mou nanimonai kata ni fureru koto sae dekinai soredemo kimi ni deaeta koto de boku wa ima mou ichido ikitai to omottanda

arigato.

donna kunan ga yukute wo habandemo kimi wa warai nagara susumu darou darenimo kidzukareru koto no nai tsuyosa demo boku wa itsumo kimi wo omou kara

[shikitstubasibrary]

Track 29: Nee Nee Nee

Siento como si hubiera perdido una parte de mí, ese día hace diez años. Cada mañana, cuando me veo al espejo recuerdo escuchar a un shikigami decir que mi hermano y yo éramos «adorables» por tener un ahoge que se complementan entre sí.

Para bien o para mal, él nunca se fue. No he parado de pensar en él, ni una sola hora o día, está por siempre grabado en mi corazón.

Porque es mi hermano, mi gemelo.

Mirando a través de la ventana, siempre me pregunto qué pude haber hecho para que las cosas no cambiaran tan radicalmente entre nosotros, por qué no podíamos ser como otros gemelos, ir jugar juntos, nunca soltando nuestras manos.

Alguna vez amé a mi hermano. Alguna vez, antes de que fuera corrompido, antes que descargara toda su frustración contra mí. Antes que yo mismo, con mis propias manos… tan… sucias de maldad… amé a mi gemelo.

Amé… a mi hermano mayor. Cada mañana me estaría preguntando por qué, viendo su figura pasar por el patio, verlo— de habilidad innata, perfecto, impune. 

Robando toda la atención, olvidando que nosotros existimos, libre de regaños y largas horas de sermones. Constantes, interminables.

Su debilidad era Abe.

«Tal vez, si me vuelvo tan bueno como él en todos nuestros estudios nos mirarán también —dijiste— por eso Shiro, no te atrevas a quedarte atrás». Pero fui un inútil, te decepcioné.

Ni siquiera tuvimos que hacer nada, Abe por sí misma le partió el corazón en pedazos.

Merecía cada uno de esos golpes, por ser tan estúpido.

Patético.

Entonces por qué, ¿por qué he terminado manchándome las manos?

Eso no fue suficiente para hacerlo caer de la gracia. Abe realmente hace honor a su sangre, traidora.

He perdido parte de mí, y tú has sido completado, nuevamente siendo el favorito de la suerte. Kiriyama Haru, he visto cómo en los días que no estás presente, se asoma por la parte trasera a comprobar si estás dentro de aquel estudio.

Otras veces, durante la semana regresa, pero no traspasa, se queda en la puerta a revisar el móvil.

Al no verte cerca, se retira. 

Y cuando regresas, tiene la más brillante expresión en la cara, es tan transparente, pero nunca va a admitir que te ha extrañado, que disfruta de pasar tiempo contigo.

Patético.

Yo... quisiera poder experimentar esa clase de felicidad— pero no puedo, tú la has tomado.

Me la has robado.

Y Kuro… Kuro la ha destrozado, por eso… con mis propias manos he…

—Señor Shiromaru, ¿se encuentra usted bien? —era Sakura, había terminado de arreglar algunas cosas en el jardín.

—Sí… es solo que… la cabeza me está matando… —exhausto, se sostuvo la sien.

—Le encuentro pálido, ¿ha dormido bien?

—Quizá he dormido demasiado.

—No considero las ocho de la mañana precisamente tarde señor.

Sonríe.

—Si resulta grave le recomiendo de corazón que lo hable con su hermano. —expresó preocupación— No tendrá problema en ayudarle.

—No considero que mi hermano mayor tenga el mejor horario de sueño, Sakura —deja ir una pequeña risa— de momento, ¿por qué no preparas un té para mitigar el dolor?

—Por supuesto, será un placer.

Mi hermano… sus manos han sido malditas de por vida por mi culpa, debo arreglarlo. 

Te amo Shiro. No lo olvides.

Por mi culpa… fue convertido en un monstruo.… y a pesar de ello padre nunca… no quería que madre se fuera… no quería que Kuro muriera… no… yo…

—Señor Shiromaru. —mientras caminaban por el pasillo, la shikigami habló.

—Dime, Sakura.

—Esas marcas en su nuca, ¿siempre han estado allí?

—Deben ser rasguños de algún trabajo pasado, nada grave —con vergüenza, se cubrió acomodándose el kimono— dale tiempo, ya ha de desaparecer.

La shikigami asiente.

—Le diré a mi hermano si amerita. —agrega, la shikigami le sonríe con alivio.

Al pasar por una de las salas, se cruzó con que su hermano se encontraba con visitas, pero extrañamente esta vez Haru no venía solo. Traía un niño con overol salmón y un sombrero de pescador con antenas fucsia, sentado en su regazo.

—…. pensándolo bien, no creo que sea buena idea decirle a nuestros padres que «adoptamos» no creo que vaya a crecer.

Estaba comiendo una galleta de forma muy curiosa.

—En términos de estatura, si. —Hinata tenía los brazos cruzados— es mejor mantenerlo secreto.

Haru suspira.

—Tokugawa.

—¿Si, señor?

—Lleva a Raiden con los demás, iremos después de un rato.

Shishio caminó hacia el lado contrario de la mesa, estirando sus brazos hacia aquel tal «Raiden» quien le miró fijamente. 

—Es amigo.

Raiden frunce el ceño.

—Está bien, Poco. —acaricia su cabeza— si te prtas bien, te daré un prmio.

Raiden se levantó, casi tambaleante, tomó la mano de Tokugawa.

—Eres una señorita linda. —reconoce.

—Soy una espada niño, no tengo género.

—Eh…

Shishio asiente, llevándolo a otro sitio de la mansión.

—¡Shiro, buenos días! —Haru le mira por encima del hombro y saluda.

—¿Ocurre algo? —pregunta Hinata.

—No... nada… —volviendo a cubrir su nuca mira hacia otro lado y se une a la mesa.

—Ese era Poco, la mascota de Haru —explica— parece que Akihiko y Yamanbagiri lograron acceder a libros de estudio de Tomori y crearon un kemonomimi artificial. —suspira— Espero que los hayan devuelto…

Los kitsune no son de confianza.

Shiro tose.

—¿Qué pasó con el tatarimokke?

—Le perdimos el rastro luego de unos días, es bastante extraño… —nervioso, intenta parar la tos.

—Tampoco podemos poner barreras para evitar su paso, podría interferir con los demás. —refiriéndose a los shikigami— Es inquietante lo tranquilo que se ha vuelto.

Mentira.

Podemos olerlo, está aquí.

Hina lo dejó entrar, Kuromaru es demasiado orgulloso para ver la realidad, todo lo que le importa es recuperar aquello que cree arrebatado.

¿Crees que se haya inspirado en Rinne?

Probablemente, dijeron que era una genio.

—Hermano, llegó un pedido que tal vez deberíamos ir a revisar —le pasó un informe, escrito en las notas del móvil.

—¿Okinawa?

Asiente.

—¿Por qué no contactar a profesionales oriundos?

—El informe viene de ellos, quieren una segunda opinión de ti.

—¿Qué hay de Kikuriha?

—Pregunté sobre ello también, dijeron que hablaron con uno de sus shikigami y respondió que ahora mismo estaba ocupada con otro caso.

Suspira.

—¿Y Fujiwara?

—Se… trata de un pedido de los subordinados de Tomori en Okinawa, supongo que debe ser algo serio para que llamen a onmyoji de Kioto.

Pedir algo así tendría que doler.

—Vale, iremos mañana temprano.

—Entonces supongo que estorbaría —ríe— iré a revisar a Poco.

—Perdón.

—No es nada, lo traje aquí porque es peligroso que Sora le enseñe por su cuenta en casa, estén o no tus shikigami mientras haya el espacio creo que podría arreglármelas.

—Te acompaño. —sonríe.

Shiromaru suspira.

Quiero eso. ¿Por qué no puedo tenerlo?

Cuando iban cerca, podían oír a Lear dar su guía «como dije: es simple, solo es un poof y ya» ambos terminaron por quedarse al borde de la puerta, a escuchar a escondidas.

—¿Poof?

—¡Poof! —y tomó su forma animal, luego de hacer aparecer una bola de humo a su alrededor.

—No… entiendo…

—¿Qué haces cuando algo te asusta de la nada? —vuelve a su forma humanoide.

—Me hago bolita… así —trata de esconderse, como suele hacerlo de la mejor manera posible.

Haru no dejaba de chillar internamente, su ternura era mortal. Mientras Hinata se limita a sonreír, por lo general Lear no era la persona que hacía de profesor para otros, ver esta faceta suya era cuanto menos muy interesante.

—Pues digamos que, por la mayor parte, esto es otra manera muy fácil de ocultarse.

Se quedó pensativo.

—¡Wah!

Imanotsurugi y Shishio salieron de debajo de la mesa por sorpresa.

Poco chilló, volviendo a su forma de erizo.

—Ahora vuelve a cambiar.

Luego de mirarlo fijamente por unos segundos, pareció finalmente entender su explicación e hizo justo lo ordenado.

Las espadas aplaudieron.

—Otra vez —aplaude, a modo de marcapasos— otra vez —pachi— otra vez —pachi— y una vez más.

—¿Por qué no se queda con la ropa? —pregunta la espada de apariencia femenina.

—Creo que es un kemonomimi de rango común. Individuos como Don Rias tendrían el mismo problema si aprendiera a transformarse.

—Uno, dos, uno, dos, uno, dos.

—Qué problema.

—Supongo que por eso los comunes no suelen cambiar de forma tan a menudo…. oí que para ellos es algo super privado por lo general.

—Uno, dos, uno, dos, uno, dos.

—¿Huh?

—Para la mayoría, que alguien más vea su forma original es peor que estar desnudo.

—Suena como una forma de prescripción muy humanizada.

—Bueno, considerando que la gran mayoría de los kemonomimi comunes se alojan en Thanatos, no me sorprende.

Tokugawa asiente, concordante.

—Uno, dos, uno, dos, uno, dos.

Poco estornuda.

—Tengo frío…

—Vale, eso es suficiente. —se acerca a acariciar su cabello como recompensa— la primera lección finaliza aquí.

Hinata y Haru vieron su oportunidad para entrar.

—Me sorprende que no se altere ni un poco con las vistas, señor.

—Por favor Imanotsurugi, no tengo doce años.

—Papa… —miró a Haru, que estaba arrodillado frente suya, recogiendo la ropa.

Que mal, ahora mismo no puedo decirle a Poco que estamos orgullosos.

—También habrá que enseñarle a vestirse, ¿no? —Shishio pregunta curioso.

Lear asiente.

—Puede que tu padre no esté disponible para hacer todo el barullo en tu lugar.

Al terminar de vestirlo, de su bolsillo sacó una tela que hacía modo de bolsa con balanceado para erizos, sacando unas cuantas piezas para darle como premio.

—Raiden, Haru te traerá aquí para que puedas seguir aprendiendo, ¿Te parece bien?

Asiente.

—Shikigami de Minamoto muy agradables.

Haru sonríe.

—Y espero que Sora se siga portando bien. —la pequeña pececilla se hizo visible.

No quería volver a pelearse con Luka. Viendo que seguía decaída Haru la atrapa con el brazo, dándole un abrazo.

—¿Iremos a alguna parte, señor Hinata? —Tokugawa pregunta, curiosa por la forma en que hablaba.

—Okinawa, dependiendo de qué tan serio sea, puede que nos quedemos varios días allí.

—¿Planea llevarnos? —la tantou le mira con brillos en los ojos.

Asiente.

—¡Señor! —Ambos se miran entre sí, ilusionados como niños abrazan a su maestro.

Mientras, Haru seguía pasó a mimar a su erizo junto a Soragyo Hime.

—Buen chico, buen chico.

—¡Buen chico, buen chico!

Así, regresaron al día siguiente.

—Tokugawa me explicó que puede tomar cualquier forma, solo que recientemente prefiere verse como una chica. —usualmente Poco era callado como su padre, pero haber estado en casa de los Minamoto ayer lo hizo particularmente hablador.

Lo traía en brazos luego de cansarse de caminar durante su trayecto.

—Vaya… —supuso que era una habilidad que solo los yokai de objetos inanimados podían tener.

Aunque existen yokai expertos en el disfraz, siempre hay una forma de saber si era parte de un engaño. Por supuesto, estaba olvidando contar a los dioses que, por lo que cuentan, raros son los que tuvieron una forma definida desde el comienzo.

—Señor Kiriyama, bienvenido. —al llegar a la entrada fueron saludos por Gyokuto— Por aquí.

—Hermana mayor, ¿Qué es un onmyoji?

—Gracias a la otra rama Minamoto se popularizó que los onmyoji son personas entrenadas para defender a los humanos de yokai malignos, pero es mucho más que eso.

Estaba interesado.

—La mayor parte del tiempo se ven involucrados en un proceso casi diplomático de hacer acuerdos con yokai para que no causen mal, es una percepción muy infantil el asumir que irremediablemente todos los yokai son malignos y merecen la muerte.

 —Papa, ¿eres un onmyoji?

—No. —responde con dulce voz— Solo… los veo.

Aunque definitivamente ser un onmyoji era una opción gracias a sus bendecidos ojos, a pesar de no era algo que estuviera buscando.

—¿Soy invisible?

—Tu no joven Raiden, pero todos los shikigami en esta mansión y las personas que te hicieron esto generalmente lo son para el ojo común de un humano.

—¿Entonces por qué papá huele raro?

—Tu padre es un hanyou.

—Mis ojos pueden ver cualquier hecho o yokai que quiera esconderse. —Soragyo Hime se une a la conversación— De eso va la bendición de la verdad.

—Hmmm…

—Los niños benditos son archivistas, esto suele beneficiar a los dioses menores ya que existen gracias a la fe. A algunos yokai también les gusta tener a alguien a quien contarle sus grandes hazañas.

—Oh…

—Son compañía bienvenida. Ya sea para quienes se esconden de los humanos como para los que no deberían ser vistos por humanos.

Haru le sonríe cuando el pequeño levanta la mirada para verle.

—Tus ojos son bonitos.

Le responde con unos cuantos mimos.

—Lamento los inconvenientes.

Gyokuto niega.

—No hay razón, es natural para un niño tener dudas, estando a su servicio, señor Kiriyama, no tengo por qué negarme a responderlas —sonríe— llegamos.

—Raiden, bienvenido. —Lear agita sus emplumados brazos al saludar con alegría.

Haru lo coloca en el suelo.

—Ve.

—¿Dónde estarás?

—Cerca —le da un empujón— está bien.

El pequeño erizo fue con el alado shikigami, más tranquilo. Haru estira sus entumecidos brazos, preguntándose si era así cómo se sentía dejar a un hijo en la guardería.

—Shiro. —No le tomó mucho encontrar al joven onmyoji, quien parecía ocupado estudiando algunos libros de taumaturgia.

—Supongo que sin mi hermano mayor de por medio nuestro encuentro es inevitable. —comenta con una sonrisa burlona en sus labios.

—Has sido tú, es por ti que las manos de Hinata son así.

Como esperaba de un bendito.

—Así es, he sido yo quien condujo a mi hermano gemelo a la muerte y por consecuencia responsable que Hinata haya sido maldecido. —confiesa con facilidad— ni diez años de arrepentimiento por lo que provoqué son suficientes para un perdón.

Hubo silencio.

Yo… amo a mí hermano. A ambos, aunque haya sido la peor escoria en su contra.

—¿Por qué?

Por qué...

—Era… incapaz de seguir soportando un infierno como aquel. —sus ojos oscurecieron— Aquel… donde se ignora mi misma existencia.

¿Por qué no he sido yo el gemelo muerto? ¿Por qué...?

—¿Puedes decirnos, no? —Soragyo Hime aparece frente a Shiromaru— Como es que las cosas terminaron así.

Él mira alrededor, asegurándose que no haya ningún shikigami cerca.

𓆝 𓆟 𓆞 𓆝

Canciones incluidas:

▶ Nee Nee Nee (ねぇねぇねぇ。) Pinocchio ft. Hatsune Miku & Kagamine Rin

▶ Monochrome Reversi (シロクロリバーシ) Xitoo ft. Hatsune Miku & Flower

▶ Devil's Manner (悪魔の踊り方) Tatsuya Kitani ft. Kagamine Rin

▶ That's all (だけ) Live-P ft Yamine Renri

[kuroshadow4]

Kuro: Uhhh so it seems like the "Oh mightly founders" all want to be here so we are doing both Carla and Shin here. So take away boys.

Toxin:

Carla: hmmm his poetry is amazing I will say. Although he really needs to fix his anger though I am pretty close to him but Shin is little more close then me.

Shin: That is true he is one of my students. I train him with his left hand. It is sure an interesting power he got their and I also smell wolf in him too

Yoru:

Carla: he needs to control his big mouth. He talk too much to the mightly king of the founders(Kuro: uhhh aren't u are the one who pissed Yoru first...)

Shin: Hmm another one of my students. Yes he does have a bad mouth but I have fun battling/fighting with him

Neight:

Carla: Out of the Erosion guys, he is one that I am close too and I am also gets along with that other self of his, UraNeight

Shin: Ahh...Nee-san with UraNeight is crazy...one time I overheard them talking something crazy and I didn't know or in fact get involved in it..(Kuro: u know want same...)

Byakuya:

Tsukinami: HELL NO(well that was quick answer...)

Creha:

Carla: hmmm idk how I feel about him- although is he from the Vibora clan cuz he always hid his mouth/fangs?

Shin: Oh yeah is he really from the Vibora clan?

Kuro: Uhhh thank you Tsukinami's finally we have Kino, I have to ask Yuri if he is not busy tommrow..

[petrisyaoistash]

STUDENT SxS K - N

Kamoku na Shinyuu ga Tadano Muttsuri Deshita (My Quiet Best Friend's Just Tongue Tied)

Kannou Reminder (Sensual Reminder)

Kanshaku Dama no Love Song *spin off of Cupid ni Rakurai (Cupid is struck by Lightning)

Kataomoi x Kataomoi (One-sided love)

Kimi to no Dogfight (Dogfight With You) *college

Kimi Towa Gokai Kara Hajimarimashitaga (It Started From a Misunderstanding) *cute

Kimitte Yatsu wa Konnanimo (I Seriously Can't Believe You) *cute

Kimi wa Boku no Ohimesama (You're My Princess)

Kiyona Yubisaki, Bukiyona Tsumasaki goofy

Kizudarake no Hakoniwa 

Koitomo!?

Koi wa Nanairo Shichihenge!?

Konya Bed de Matte Iro (Wait in Bed Tonight) *h/s

Kouhai no Ai ga Omosugiru! (Too Deep in Love)

Kuro Ouji no Iinari ni Naranai! (I won’t give in to the black prince!)

Kusakanmuri ni Bakeru to Kaite (The “Flow” In Flower)

Niizuma-kun to Arao-kun (Satoshi and Kakeru) *sequel to Kusakanmuri ni Bakeru to Kaite (The “Flow” In Flower)

The Last Step On The Way

Like A Sugar

Link and Ring *adorable college

Love Knot

The Lovesick Flower Buds Waiting for Spring *cute

Lovestruck in High School *kawaii

Michiru Heya (The Full Room)

Mihanada Pectolite *cute

Mobile Sweet Honey

Monogatari no Ketsumatsu wa 

Moujuu School Days

Muchina Kimi to Shitaikoto (How to Play With Your Naive Friend)

Mujihi na Otoko (Merciless Man) *spin off of Warui Koto Shitai

Mujihi na Anata *sequel to Mujihi na Otoko

Mujihi na Karada (Ruthless Body) *sequel to Mujihi na Anata

Mujihi Na Yoru Ni (Ruthless Nights) *sequel to Mujihi na Karada

Mukai no Heya no Neko (The Cat Across The Hall)

My Boyfriend's a Ticking Time Bomb *love the lgbt acceptance at school

Nar Kiss

Natsu ni Tokeru Himitsu no Koi (We are Looking for that Summer Love in the Secret)

Nee Senpai, Oshiete yo (Hey Senpai, tell me)