#kpop review

[loonarii]

Ari's K-Pop Roundup: July 2024 (aespa, KATSEYE, KISS OF LIFE, STAYC, tripleS, + MORE)

last months installment ✦ full masterlist welcome back to episode SIX (!!!) of this review series I started back in february - I've tried a lot of review formats in my time on kpop tumblr, but this one feels the most fun to do, and is by far the most well received. thanks so much to everyone who likes, reblogs, or even just reads these rambles, I appreciate it so much <333 This month was pretty fun from the get go so lets go get into it ~ ari

Hot Mess - aespa

A month and a half after their first korean full album, aespa have dropped their first proper foray into Japanese releases with 'Hot Mess'.

This is a classic aespa style track, like something off the 'Savage' or 'Girls' mini albums. Powered by a distorted trumpet base melody and filled with vocals delivered with a hyperconfident attitude, 'Hot Mess' is very Bratz doll, very Y2K. The chorus is reasonably catchy, but the verses fall somewhat short in my opinion, and the post chorus feels slightly out of place? The bones for a great song exist within 'Hot Mess', but for me the song peaks at 'good'. Is it anywhere near on the level of 'Supernova' or 'Amargeddon'? No, but it is cute and shows off the aespa members' skills well, as a debut song should do.

Giselle, as the member who speaks the most Japanese, is the BEST on this song, she sounds the most comfortable in her delivery and the tone of the song suits her style perfectly. Ningning is also a huge highlight of this track.

'Sun and Moon' is a classic SM style b-side, half way to a dance track, half way to a ballad. Where 'Hot Mess' highlighted vocal tone, 'Sun and Moon' emphasizes vocal range and the runs the members can pull off - in that sense it is the perfect b-side for a song like 'Hot Mess'. It's an easy hit, I like it a lot.

'ZOOM ZOOM' has actually already been released, so I won't delve into that one today, but the tl/dr is that it's a 10/10 aespa dance track that is forgotten about FAR TOO OFTEN.

Overall, this was fun. 'Hot Mess' didn't quite do it for me as much as I would have liked, but I enjoyed it nonetheless. The b-sides are great, and as a debut, it works well. With their influence on the Y3K aesthetic in japan, success over there is inevitable and I'm wishing the best for them as always.

Touch - KATSEYE

If nothing else can be said about 'Touch', at least it was a decent song this time around.

Let's not lie, you can hear the PinkPantheress print on this song as well as I can, and while that results in an enjoyable song, it does not bode well for the future of KATSEYE. The derivative nature of 'Touch' isn't inherently bad - PinkPantheress coded songs have been popping up in kpop frequently over the past year or so (though granted never quite as obviously referential as this), but contextually the song is a bizarre choice. Even though their 'Debut' was released last month, KATSEYE is still extremely fresh on the scene, and every choice they make right now in musical, conceptual and creative direction will impact how they are perceived by global audiences.

Making music that sounds like a another artist will almost always tarnish your reputation and brand as a soloist/group UNLESS the artist you are emulating caters to an entirely different market. For example, ILLIT got backlash from kpop fans both inside and outside of Korea for emulating the sound of NewJeans, but the discussion of Tinashe's undeniable influence on kpop is limited to select groups of international fans. KATSEYE are trying to appeal to the western market presumably, so while 'Touch' imitating PinkPantheress may result in a few million streams and TikTok song of the hour status, it does nothing to build a brand, create a signature sound, and make a name for KATSEYE outside of kpop. Not to mention, it sounds unconnected from 'Debut' sonically, tonally, and conceptually, further meddling with any chance they have of building an iconic (in the original sense) discography.

However, this concept did seem to suit some of the girls better, Yoonchae especially seemed comfortable taking the centre this time, she was the star of the song for sure.

I would be remiss if i didn't bring up the song length after bitching about it so heavily last time, so here we go for round two. From 'Debut' clocking in at an appalling 2 minutes and three seconds, the HYBE overlords have blessed us with SIX MORE SECONDS on 'Touch'!!! At least this song calls for a bridge slightly less than 'Debut' did, but regardless this is absurd. I may be glad that the recession has triggered a resurgence in upbeat pop music from the west with BRAT summer and all that, but if it means song length shrinking by minute every year, I'm not sure if it's worth it.

Sticky - KISS OF LIFE

Kiss Of Life are just KILLING it, every release has been fucking incredible and 'Sticky' is no exception. Built on a foundation of afrobeats and powered by spirited vocal runs from all the members, 'Sticky' is the perfect song for the summer. It doesn't over-complicate itself, this is a song all about wearing short-shorts in the blaring July heat and having a blast with your friends. the melodies aren't especially new but they are classic and highly enjoyable. Hanuel is the beating heart of this song. Her vocal tone is on the more nasal side which usually means she's delegated to the verses or adlibs while Natty takes the frontline, but in 'Sticky' she is centre stage and I couldn't be happier about it. Natty and Belle take the post chorus sounding incredible as always, and Julie punches up the verses and post chorus ad-libs with her citrus-esque vocal tones. All the girls come together on the chorus in a chant thats been stuck in my head since I heard it. This and Chuu's 'Strawberry Rush' are my songs of the summer.

If 'Sticky' is a midday bike ride along the beach, 'Te Quiero' is a midnight beach party lit by campfires and neon swimsuits. Its the perfect b-side for 'Sticky', equally as addictive but slightly more unique in its construction. The strings on this track are to die for, and the lyrics are surprisingly enjoyable too.

A great single album for the summer months, Kiof have done it again - are we surprised?

Cheeky Icy Thang - STAYC

STAYC's last couple of releases, 'Bubble' and 'Teddy Bear' have been highly divisive, and while they didn't perform poorly by any means domestically, they were pretty unpopular among international kpop listeners. It seems HighUp recognized this lack of interest, and when the head prophet said the omens were right for STAYC to have a full album, they dropped the more childish concept and circled right back to 'RUN2U' - and now we have 'Cheeky Icy Thang'.

To be honest, the first couple of times i heard this song I didn't get it. My main impression was that it was messy - there were too many elements fighting for dominance, too many hooks, too many words in one line. And while I do still stand by some of those elements (you cannot convince me Sieun says 'rock' in the line 'on-the-rock whiskey ring-a-ring ding-dong'), but now I see the song as more maximalist than messy. I consider 'RUN2U' to be one of the most polished and well executed kpop songs of all time, and 'Cheeky Icy Thang' is not that at all - but it's charm comes in how rough and chaotic it is. While yes, the lyrics did need a second draft in some cases, notable exceptions being Sieun's '미녀와 야수면 내가 Beast' in the intro (excellent, no notes), the song's structure is genuinely a masterpiece - J's subversive pre-chorus having that tinny answerphone layer was amazing, easily the best part of the song. The production is top tier throughout, but that is to be expected from Black Eyed Pilseung.

It's difficult to pinpoint what exactly is so charming and subversive about 'Cheeky Icy Thang', because on paper it is neither something new for STAYC, nor something new for the industry at large in terms of concept or sonic style. However, what this song does that is so odd for kpop is that it does not put all of its eggs in one basket at all. Kpop songs, especially kpop songs post the TikTok era (thanks SO MUCH for that Zico), tend to be top heavy, and concentrate all the fun and creativity and catchiness into the chorus. 'Cheeky icy Thang' does not do that - the verses are a treat, the pre-chorus is a stunner, the breakdowns are groovy, and the chorus leaves us just satiated enough to keep listening. Crucially, 'Cheeky Icy Thang' cannot be compressed, and while they undoubtedly will make a dance challenge out of it, you cannot get the full experience of this song from a 20 second soundbite, as you can with so many other songs coming out right now.

### - tripleS

Lack of music video aside, '###' is the perfect tripleS japanese debut. A lovechild of anime intros and tripleS's iconic maximalist sound with a tS trademark 'lalala' post chorus, EVERYTHING about '###' is deliciously addictive. It's hyper-cute to the point of psychosis, and the members vocal delivery is perfectly imperfect.

Like a year ago I started yapping about what I called 'love island pop', and with this review I would like to introduce another micro-genre my prefrontal cortex cooked up 'Rhythm Heaven Fever pop'. Basically, music that sounds like it wouldn't be out of place in a Wii U rhythm game from 2011. '###' fits this perfectly, other notable examples being 'Dumb Dumb', 'Rookie' and '#Cookie Jar' - Red Velvet, and 'BBoom BBoom' - Momoland. This is the kind of music that keeps kpop going in my opinion, it's been a steady undercurrent of the trending sounds over the last 3 generations, and I am more than glad to see tripleS stoking the embers.

Such an unabashedly FUN song, it never takes itself seriously and that works FULLY in it's favour. Definitely a must-listen track from the July roster.

MINI REVIEWS:

[ALBUM] MINISERIES 2 - SUMIN & Slom: Wasn't sure if I should include this since it's not really kpop, but what the fuck SUMIN IS BACK BABY and yeah its another FUCKING BANGER of an album. Just go listen to it. I might do a separate review of it because it's just that good, so expect that in the next 2-5 business years. Just go stream it.

Klaxon - (G)-IDLE: For all I don't really like (G)-IDLE's music, I can usually admit that it is at least catchy. And yet, somehow Klaxon is not that catchy? The first line of the hook feels like a bizarre Frank Sinatra interpolation, and that post chorus does most of the heavy lifting for this track. Overall, this felt pretty derivative, but hey, sometimes a throwback isn't the worst.

FOREVER - BABYMONSTER: Babymonster are leaps and bounds away from my stan list, and even though this is vaguely something different from them (not really, it's just that there isn't an empty chorus), it's once again not for me. The vocal mixing on this song is very odd and as a result any emotion or power the girls used in their vocals is totally lost and tonally the song falls flat. The key change in the final chorus is a nice touch, and Pharita and Haram especially shine on this track. The fact that this was somewhat 'something new' gives me hope though - perhaps all is not lost over at YG. Perhaps.

Something Ain't Right - XG: XG are so consistent in the quality of their releases it's actually insane - from the production to the hooks to the vocal direction this is such a fun song. I don't know if I love it as much as TGIF or New Dance from X-GENE, but it's a very solid release. XG are well and truly the ones to watch, and the dichotomy between this and 'Woke Up' proves that perfectly.

Let It Burn - H1-KEY: You know, this was so close to being one of several contenders to be included on my mini reviews segment that just get cut, but this release really shocked me. I went in with almost no knowledge of H1-KEY, I had heard of them, but I had no idea what the concept was, who the girls were or even how many of them there were. 'Let it Burn' is a fucking delight from start to finish. A lot of these kpop takes on punk rock anthems fall flat for me, but this one keeps it honest and heartfelt throughout. The lyrics are honestly a delight, the chorus is fun, but the verses are the real star of the show, snappy and well delivered, and backed by a clean, classic hip-hop beat. You probably missed this track this month, and I would definitely recommend a listen.

JUSTICE - Dreamcatcher: Trust me, I am SO CLOSE to getting dreamcatcher to click for me, and 'Justice' proves that. It's lowkey fucking amazing, SO well executed. I truly think I am one discography deep dive away from falling in love with DC, this song is SUCH A BANGER. I really appreciate how DC never sacrifices their unique sound for whats trending, no one else is doing what they are doing, and holy hell are they doing it well.

Don't - LEE CHAE YEON: It's cute? I guess? Not overly spectacular, but not spectacularly awful either. I still don't know who the fuck Charlie is.

[celibunneh]

Check out my latest article about the new Loosemble. I'm new to Loonaverse so do let me know if I get any names wrong.

[stardustobserver]

About Me ☽｡⋆

Hello everyone, welcome to my blog!

My name is Nini, I use she/they pronouns and this blog will be dedicated to my fandom reviews.

Here you will find:

♡︎Kpop album/song reviews

♡︎In general kpop discussions

♡︎Book and movie reviews (particularly in the fantasy genre)

Feel free to tune in; to follow, like or even send a question on my way, I'll gadly interact with all of you! I will try my best to make entertaining posts, if I make a mistake anywhere you're more than welcomed to correct me :)

Have a wonderful day and hope to see you soon 𖤓

[zikramuliara]

Korean Song Interpretation: Stray Kids - "BLIND SPOT" & "SOCIAL PATH"

"They only look at the results and success. Blinded by our glowing process. What you see isn't everything. Hidden in the blind spot." – Stray Kids, "BLIND SPOT"

I can finally put my feet on Han Jisung's shoes. Look at how Stray Kids are getting a bigger recognition lately. Millions of copies of the album have sold. Debuted at the Billboard Hot 100 chart. Topped Genie chart & Billboard 200. No wonder the rapper got overwhelmed by his emotion after "BLIND SPOT" recording, 3rd track in their latest album ROCK-STAR. Bet he didn't expect those new achievements, tho.

But as they grow higher, the more wind blows them up. I've seen a lot of people discredit their hard work. Call them cheating and yada yada. Turns out it was wrong. Stray Kids told the listeners about that blind spot area through "SOCIAL PATH", a song they sang with anime OST queen, LiSA.

"Gave up my youth for my future," said Felix in the intro. Then Han told us more in the first verse, "If it's the youth everyone talks about, I've endured countless temptations."

The rest of the song shows how uncomfortable the path they took to be in their position right now. They describe themselves as "ore in a blas furnace who turned into a tough metal". I love how powerful the chorus lyrics are:

𝘠𝘰𝘶 𝘰𝘯𝘭𝘺 𝘨𝘦𝘵 𝘵𝘰 𝘭𝘪𝘷𝘦 𝘰𝘯𝘦 𝘭𝘪𝘧𝘦, 𝘐 𝘬𝘯𝘰𝘸, 𝘐'𝘮 𝘳𝘦𝘢𝘥𝘺

"𝘛𝘢𝘬𝘦 𝘵𝘩𝘢𝘵 𝘤𝘩𝘢𝘯𝘤𝘦 𝘯𝘰 𝘮𝘢𝘵𝘵𝘦𝘳 𝘸𝘩𝘢𝘵," 𝘵𝘩𝘦𝘺 𝘵𝘦𝘭𝘭 𝘮𝘦

𝘐 𝘤𝘢𝘯 𝘯𝘰𝘵 𝘦𝘹𝘱𝘭𝘢𝘪𝘯 𝘵𝘩𝘪𝘴 𝘧𝘦𝘦𝘭𝘪𝘯𝘨

𝘠𝘦𝘢𝘩 𝘵𝘩𝘪𝘴 𝘱𝘢𝘵𝘩 𝘸𝘢𝘴 𝘮𝘦𝘢𝘯𝘵 𝘵𝘰 𝘣𝘦 𝘮𝘺 𝘥𝘳𝘦𝘢𝘮

𝘓𝘰𝘰𝘬 𝘣𝘢𝘤𝘬, 𝘵𝘩𝘦 𝘢𝘴𝘩𝘦𝘴 𝘱𝘳𝘰𝘷𝘦 𝘮𝘺

𝘗𝘢𝘴𝘴𝘪𝘰𝘯 𝘢𝘭𝘸𝘢𝘺𝘴 𝘣𝘶𝘳𝘯𝘴 𝘦𝘵𝘦𝘳𝘯𝘢𝘭��𝘺

𝘕𝘰 𝘳𝘦𝘨𝘳𝘦𝘵𝘴, 𝘐 𝘭𝘰𝘷𝘦 𝘵𝘩𝘪𝘴 𝘧𝘦𝘦𝘭𝘪𝘯'

𝘋𝘰𝘸𝘯 𝘰𝘯 𝘵𝘩𝘪𝘴 𝘳𝘰𝘢𝘥, 𝘤𝘢𝘭𝘭 𝘪𝘵 𝘵𝘩𝘦 𝘴𝘰𝘤𝘪𝘢𝘭 𝘱𝘢𝘵𝘩

Shine brighter, my Stray Kids ✨

[dramaswithasideofkimchi]

Kpop Review: B.A.P. Then and Now

When I first got into kpop, B.A.P. was slowly fading from the spotlight, which was unfortunate because I loved their music. For a group with very few albums, they had a powerful, memorable sound. Various issues led to their disbandment, but four of them – Bang Yongguk, Jung Daehyun, Yoo Youngjae, and Moon Jongup – have come back together to form a new group, and I already LOVE their newest album.…

[theorysvault]

[ ₊ TOP 10 . ﾟ ── ﹟ ✶ ◌ best kpop songs ever . ]

₊ ﹟ . ﾟ while this is a list of the best kpop songs ever realsed, ill warn you that this list has more female artists than male. as this is my opinion so dont take this list to heart if you’re offended or hurt! additionally, im compiling the best kpop songs not throughout all of kpop history, but in the past 10 years!!

₊ ﹟ . ﾟ honorary mentions: 4 walls by f(x), bad boy by red velvet, let me out by jonghyun, one shot two shot by boa, rum pum pum pum by f(x), spring day by bts, i feel you by wonder girls, puzzle moon gwsn, sweet chaos day6, hype boy by newjeans, catallena by orange caramel, un village by baekhyun, tt by twice, whistle by blackpink, tempo by exo.

# ✶ ✺ . 𓂅 NUMBER 10 ! Ditto by NewJeans 𓄹

You might argue that other Newjeans songs should’ve taken this place but I’d say this was the turning point for the group. Never before had they leaned so heavily into the UK garage sound and this song was a massive hit. Of course it was slightly overshadowed by their follow-up single, “OMG,” but this song is captivating and makes you feel nostalgic with its production.

The of synths, snare drums, catchy hooks, and retro vocal melodies of ‘Ditto’ is something to admire. This combination easily qualifies this song as one of best sounding Kpop songs of this decade.

Additionally, ‘Ditto’ catapulted a phenomenon throughout Kpop that just started. Now their sound is not original, UK garage originated in the late 80’s and newer artists like Pinkpantheress had gained notoriety for it before Newjeans, but they came in guns blazing to the Kpop music scene. Imitations and inspirations are everywhere concerning Newjeans’ aesthetic, sound, artistic identity. Regardless of the issues about plagiarism and the integrity of Ador, this song and Newjeans will go down in Kpop history as a time people wished they witnessed in real time.

# ✶ ✺ . 𓂅 NUMBER 9 ! View by Shinee 𓄹

While this may seem like a boring Euro-dance and pop song, it stays as one of the best 2010’s songs and especially by a boy group in my opinion. It is an impeccable summer anthem that manages to serve as both a time capsule for 2015 and a track that remains replayable to this day.

It blends deep house and techno to an extent as well, that is catchy and danceable. Providing a refreshing alternative when it was released, emphasizing melody and rhythm over sheer intensity. And in the history of Kpop, it introduced these sounds to the mainstream and helped broaden the musical landscape of releases to come.

# ✶ ✺ . 𓂅 NUMBER 8 ! The 7th Sense by NCT U 𓄹

‘The 7th Sense’ is stylish, moody, sexy, and dreamy all at once. Its energy is something hard to describe other than sticky. Your ears are glued to every part of the song as if it’s about to sip at any moment. It relaxes and softens, then becomes more aggressive with its tone, keeping you on your toes.

While maybe to some ears this song sounds like a product of its time, and something that won’t hold much longevity, I very much disagree. It’s a confusing and delicious track that probably can’t ever be recaptured. This was fresh and additive when it came out and hasn’t lost those qualities since.

And it didn’t change the game like the previous songs, it highlighted the enginuity that could only come from the Kpop industry (even while its inspirations from the West are so prominent). It’s unfortunate and fortunate that we didn’t get a hundred ‘The 7th Sense’ copycats after NCT U’s debut.

# ✶ ✺ . 𓂅 NUMBER 7 ! Girl Front by Odd Eye Circle 𓄹

‘Girl Front’ is probably one of the best pop bangers ever! While Odd Eye Circle were not revolutionary with their sound and vibe when releasing this track, it is definitely one the best-executed pop tracks I’ve ever heard. With their electronic influences, energetic and upbeat vocals, and stuttering keyboard sounds make this seem like a punch in your face with sugar.

Moreover, this song captures what makes Kpop so enthralling in the first place with its soundscape so rich and dynamic, it remains fresh with every listen. Even though this is not officially a LOONA release, it raised the group’s popularity and set the precedent regarding the memorable artistic vision for the group.

And while LOONA and were not the trendsetters that they could have been, their near-perfect discography and style will stand as one of the pinnacles of Kpop, along with this wonderful song. Even if I wasn’t a LOONA fan, I wish for nothing but the best for the girls as they so desperatly deserve it!

# ✶ ✺ . 𓂅 NUMBER 6 ! Red Light by f(x) 𓄹

This stands out in F(x)’s discography for its bold, slightly abrasive, complex production. Mushing together EDM, trap, pop, and house with its pounding beats and synths definitely makes it a song you won’t forget whether you like the song or not.

F(x) were not pioneers of experimental music in Kpop when looking at their contemporaries like Girls Generation with “I Got A Boy,” they seemed to continually perfect the concept since their debut. And this track stands as one of their best among their very critically acclaimed and highly praised catalog.

With “Red Light” specifically being a standout from their usual pop formula regarding the structure and vibe, F(x) currently stands as one of the most under-appreciated, talented, and innovative artists to ever be seen.

# ✶ ✺ . 𓂅 NUMBER 5 ! MOVE by Taemin 𓄹

TALK ABOUT THE KING OF GROOVE HIMSELF MR. LEE TAE-MIN! This song oozes sexiness and refinement. It’s classy, sensual, groovy, and funky. These mixtures of sounds and concept that can only be pulled off to perfection by Taemin.

“MOVE” has this addictive bass, hard-hitting synths, and R&B melodies that blend perfectly, and never does one element overpower the other. When groups and soloists aim to do a sexy or mature concept, this is one of the benchmarks.

It’s unapologetic and not shy about its androgyny. And Taemin’s ability to embody the feminine and masculine sides of this song makes this song not just a hit, but a cultural statement. While this exploration of sexuality is only a fraction of what Taemin would later release, it remains an inspiration to the different ways of expressing sexuality, gender, and the ways in which boundaries can be pushed in Kpop.

# ✶ ✺ . 𓂅 NUMBER 4 ! The Rain by Ladies Code 𓄹

This song is unjustly underrated and unappreciated. It shines with its R&B, Jazz, and piano sounds combined with haunting and beautiful vocals. Despite its mellow tempo and vibe, it captures the listener with its funky chorus and rise in tension throughout the song.

Most send-off albums and songs are poorly executed and half-assed, however ‘STRANGER’ is anything but. It’s deep, dreamlike, and moody. This song especially conveys a vibe unique and ethereal and stays a hidden, but very well made gem in Kpop.

# ✶ ✺ . 𓂅 NUMBER 3 ! Supernova by aespa 𓄹

Aespa continued to be a symbol of different and boundary-pushing music with their title tracks since “Next Level,” often polarizing people with their sudden beat switches and intricate production. However, with “Supernova” they really mastered their craft as it sums up what makes Aespa so compelling.

It sounds pleasant, punchy, and grand with its perfect sound design, laced perfectly with “Planet Rocks” by Dem Jointz & KENZIE (also heard in “Twerkulator” by City Girls) which is something only Aespa could make work with this song. And it’s not too obscure that it’s all that daring, but it executes every tone, vibe, and sound so well that it easily deserves to be this high on this list.

# ✶ ✺ . 𓂅 NUMBER 2 ! Automatic by Red Velvet 𓄹

The most underrated song off Red Velvet’s discography simply because this is one of the best song this decade and no one is talking about it. “Automatic” is painted with a compelling baseline, R&B and pop sound, relaxing but seductive tone, and a catchy chorus that holds even after ten years since its release.

Everything about this track if overflowing with perfection and elegance. It was a refreshing change of pace from their debut “Happiness,” instead delivering a sophisticated, stylish, and timeless classic. Red Velvet, before “Bad Boy” or “Kingdom Come,” truly cemented themselves as the queens of R&B and with making some of the best quality music in Kpop history with this song.

# ✶ ✺ . 𓂅 NUMBER 1 ! Free Somebody by LUNA 𓄹

WHEN I THINK ABOUT POP I THINK ABOUT THIS SONG!!! It is so infectious and bright and encapsulates everything addictive about pop music: catchy hooks, powerful but not overbearing vocals, instant danceability, and LSD-infused tempo.

It sort of reminds of me “Rush” by Troye Sivan because that is another song that makes me feel like I’m on some type of high. And in that way, it is a classic and could be realsed right now, or even five years from now it’d still hit! “Free Somebody” explores electro-house and it SLAPSSS!!!

Even when there might moments where the tempo slows down, you’re just on a sugar high roller coaster till the 3 minutes are finished. So much charisma, quality, and power in is packed into this three minute and twenty second song that this can never be forgotten or truly replicated in Kpop.

[the-strange-world]

Opinion on kpop releases - July 19

Love - like - ok - skip

The boyz (JP)

Gibberish - like

Criss cross - love

Unbreakable sign - ok

Skin - love

Forever you - like

Shout it out - love

Square one - like

Nothing without you - skip

Stray kids

Mountains - love

Chk chk boom - love

Jjam - skip

I like it - love

Runners - love

Twilight - skip

Stray kids - ok

Jimin

Smeraldo garden marching band (feat. Loco) - love

Slow dance (feat. Sofia Carson) - ok

Be mine - like

Who - love

Closer than this - ok

🚨 PLEASE HELP A FELLOW KPOP STAN (me) & CHECK OUT MIS TIAS BY JUANJO BONA! The song is meaningful & easy to listen to. I can give you the link if you need it 🫶 it would be extra amazing if you could add it to your streaming playlist or in between watching the mvs

[staurora]

My Thoughts on Xikers debut!

(gif retrieved from @hunternity )

So Xikers recently debuted with the album House of Tricky: Doorbell Ringing and I wanted to share my thoughts! I’ve been keeping an eye on them as KQ has released more content to build hype and I think they were very easy for me to get interested in compared to many other groups. And their album did not disappoint!

I won’t go into my specific thoughts on every song but I think the entire album as a whole is very well done. Its cohesive and high energy in a way that doesn’t feel annoying or dull, due to the great musicality from the production team (Hongjoong, Edenary crew, ily). If I had to describe the concept, it’s a sort of trickster concept with a modern, youthful kind of twist. They play around a little bit with varying genres while keeping a distinct Kpop sound as the through-line. I enjoyed it very much and I’ve been listening to it often since release!

(I hear they also have lore. I’m not gonna dive into that until like. Next comeback. It looks complicated and I don’t have enough material to judge yet lol)

When you look for negative opinions of them so far, the biggest thing I’ve seen is that people think they’re too much like Ateez, that KQ is just making them Ateez junior, etc. I can see why they feel like it sounds a bit similar, but at the same time, Ateez has a particular sound that I just… don’t really hear in these tracks? Idk how to describe it, like Ateez songs tend to have a more cinematic feeling most of the time I think? I could see a comparison between this album and maybe Fever part 2, but even then its a very vague similarity and I’ve always felt that particular album kind of stuck out of Ateez’s music. I think if Xikers were under JYP, everyone would compare them to Stray Kids in the same way, right? They just sound like a kpop boy group.

Also… yeah I’m sure KQ is trying to make a follow up to Ateez, one of their most profitable business moves to date (come on, KQ fellaz and then KQ fellaz 2? It’s pretty clear). But the members of Xikers are distinct individuals, and their personalities will naturally influence the direction of their music and performances. They will eventually move out from the shadows of senior performers. Hopefully they can bring something very new or innovative to their second comeback, make a wave like hala hala did but in a whole new way.

Anyway, to close on a positive note, here are some of my favorite things I’ve noticed from Xikers thus far!

Sumin! He’s probably my bias, along with Hunter? Hunter’s dance skills are CRAZY (and he did that one performance to all time hit Juggernaut by my fav Tyler the Creator so I’m. Biased.) Sumin kinda snuck up on me tho, for some reason he reminded me a bit of Changbin? But distinctly different, he has this particular kind of coolness yknow? I’m always rapper biased😔.

In Xikey, Minjae’s shout of “Xikers” rly gave me goosebumps! So powerful, he went all in and it paid off!

Edenary, HJ i am Kissing u deeply for Dynamic, that track fucks severely

Yechan… that kid has some crazy potential and I think everyone knows it. With him as well as the other members, I look forward to learning more about them as individuals and seeing those traits shine through in their music.

[kpoppharmacy]

~Album Review~

aespa - Armageddon - The 1st Album

10 songs, 30 minutes 57 seconds

Supernova

Armageddon

Set The Tone

Mine

Licorice

BAHAMA

Long Chat (#<3)

Prologue

Live My Life

Melody

Thoughts:

This is aespa's first FULL album, only mini albums prior. And, this is the first aespa album I am reviewing on my blog. I really am a big fan of aespa. I have never been a giant stan for this group, but I have been following them since pre-debut, and I love all of their title tracks. I am always tuning in and paying attention to aespa. Now, after this amazing release, I may stan this group. They are absolutely cemented as one of my favorite girl groups.

The opening tracks are their two title tracks. Supernova is an amazing opening track. It is quirky, poppy, hip-hoppy, and just overall a lot of fun. I love seeing them experimenting with song structure again, like with the dance break portion. The girls sound amazing, the vocals are A1 throughout the entire album. The Ah Oh Ay in the chorus is SO addicting. And, trust me, I heard that INCOMING! in the beginning, Dem Jointz... Overall, perfect aespa song. Oh wait, actually, Armageddon is the perfect aespa song. The genre of aespa I like more than fun and campy aespa, is dramatic and intense aespa. I love when they really bring out the futuristic, cyberpunk, apocalyptic vibe. Supernova felt maybe more alien inspired. This song is all apocalyptic intensity. It is also very mesmerizing, the Oh wayo wayo just brings me in. I can get lost in this song as easily my heart races to it. I do appreciate that they brought in some more gritty rap/hip-hop portions too. There are some differing opinions on the dance break, but I love it. These two tracks are, need I say it again, PERFECT.

Then, the next two tracks keep the energy up. Set the Tone is an edgy hip-hop track, with a bit of a pop vibe. It is a great song to follow up Armageddon, but they don't spoil their best b-sides quite yet at this point. Mine follow STT is great. Brings you right back to the gritty vibe. This song is cocky, and a bit sexy. It is also lowkey, not in your face, but confident nonetheless. They feature some amazing vocals here as well. I'm getting a 2000s edgy pop vibe from this song, like Rihanna could have released it. This is definitely a high point of the album.

Then the next 3 songs take us to a different vibe, but they continue driving the album forward and keeping the listeners interest. Licorice is where the vibe changes to something more bright. It is also an experimental song. It is a rock-rap song? There's a heavy guitar pushing the song forward the entire time. The lyrics and vocals make this song feel kind of cute too. Overall, this song is very enjoyable to me, and brings a lot of diversity to the album. Then, BAHAMA brings the summer vibe. I guess the album was released during the summer, after all. I still can't shake the feeling that this song is misplaced on this album. It is a great song, but this song has had an edgy, experimental vibe thus far. Genres featured have been hip-hop, rap, pop, and rock. But, then BAHAMA is a tropical beat song. It also begs the question, when would aespa be able to release this b-side? So, I guess it could slide. The girls like this song, so I just keep that in mind. Long Chat is a personal favorite. I am not too sure why, if it is because of the track video posted, or if the song is genuinely good. The bass and lyrics on this song are so quirky, and the song switches up from an almost R&B vibe right back into the quirkiness. Very experimental overall. I love that the song is just about friend's talking all night. Makes me want to send the girls memes and Facetime all night.

Then, the last three songs really bring the vibe down a few notches. Prologue is a pop song, with a sad vibe to it. In the chorus, the girls admit they are weirdos and they don't know what to do with their lives. I like the realness of this song. The message can be relatable. I do like this song, I think it adds to the album, truly. However, it just starts the part of the album that brings the vibe down for me.

LML sounds like a Disney song to me. It is a pop rock song. I could see aespa on Camp Rock playing this song, bending their knees during the chorus, and catching the eye of their love interest in the audience. However, the vocals really save this song for me. I think it sounds good, too. Just, after the intensity I experienced in this album, this song does not compare and can seem a bit weak in comparison. I do imagine this song would go hard live though. Then, the final song, Melody. Of course, it is a ballad. This is SM entertainment after all. The ballad is almost required at times. This is NOT the worst ballad I've heard in my life, however. It is actually quite nice. When I let the album play through, I do not skip this song. It is really pretty. The drums and strings are nice. I just really wish the album didn't end with this song. I wanted the album to leave me breathless. I wanted the final song to leave me wanting more, and also not knowing how to process.

Overall, this album is AMAZING. Definitely the best album I've heard this year. 0 skips. I would only change a few things. If it were my choice, I would take out the ballad and rearrange the songs where the album ended with Mine. I just really wished the ending was as intense as the beginning, and the re-listen experience was better. One of my favorite kpop albums ever, The Dream Chapter: Eternity, ends on a song that just leaves you breathless and unable to process. Makes me want to listen to the album over and over again, just to get to the end every time. I know it's about the journey, not the destination, but sometimes... it is about the destination. I am just being nitpicky though. This album is gold.

Rating: 9.5/10

[daebakkimchi]

Big Bang's "Bae Bae": Exploring it's Sensuality and Symbolism.

Big Bang's song "Bae Bae" instantly captivates us with its hot and sexy nature 😏, boasting provocative lyrics and alluring melodies. However, beneath its surface, the song also cleverly incorporates elements that symbolize the cycle of life, adding depth and meaning to its overall message 🙌

1: Sensuality and Seduction

The allure of "Bae Bae" lies in its exploration of desire, attraction, and the intimate connection between two individuals. The lyrics paint a vivid picture of longing and intense physical intimacy, creating a passionate and arousing atmosphere that draws listeners in.

2: Symbolism of Life's Phases

Delving deeper into the song, we can uncover its representation of the cycle of life. Through references to natural elements and life experiences, "Bae Bae" subtly represents different stages and facets of life. Lines like "You're my venus" embody beauty and vitality, while the mention of the moon symbolizes transitions, reflecting on life's ever-changing nature.

3: Contrasting Sections and Life's Journey

The contrasting sections within the song further emphasize the representation of life's cycle. The sensual and seductive moments represent the peak of passion and desire, symbolizing youthfulness and vibrancy. On the other hand, the introspective and reflective sections mirror moments of introspection and contemplation, signifying one's journey through various stages of life.

Conclusion

Big Bang's "Bae Bae" exemplifies their ability to create music that goes beyond surface-level appeal. While initially tempting listeners with its explicit sensuality, the song also subtly imparts insights about the transient nature of life and the continuous cycle of growth, change, and introspection. It exemplifies Big Bang's mastery in crafting multifaceted music that resonates on both superficial and profound levels.

[loonarii]

the best kpop songs you've (probably) never heard

the title is there to sound good, if you are an individual with taste who happens to listen to a lot of 2nd gen and nugu 4th gen girl group music then there is a high likelihood you will know many of the songs on this list. also omfg if any of these songs are like globally known smash hits that everyone and their mother knows im sorry lol im just dumb and late to the party apparently. This will most likely become a series, so stick around for a part 2 and drop your favourite kpop deep cuts in the comments and reblogs. my june kpop monthly roundup is dropping tomorrow, so stay tuned for that too. ~ ari

(1) Someone Like U - Dalshabet

On the fateful day that spotify snuck this banger into my queue after my daily five hours of streaming SNSD music, my life was forever altered - something shifted in my cranium, the veil was pulled from over my eyes, and I was introduced to probably thee most underrated 2nd gen banger known to man. I was going to say this is one for the SNSD stans, but to be honest, this one is for the stans of good music. 'Someone Like U' is jazzy, anthemic, and quintessential kpop. And to the OG Dalshabet stans... how does it feel to know you have superior taste xx

(2) UN-NORMAL - Queenz Eye

This is such an if-you-know-you-know type of track, the few people I've talked to on discord or whatever who know of this song are obsessed - you either know it and love it or don't know of it and thus exist in the before times, because there is only before Un-Normal and after Un-Normal. I'm slowly realising that I just really love it when kpop does jazz because this is another banger along those lines. Now that I think about this kind of takes notes from AEAO, and I know for a fact you love that song, so go give this one a stream.

(3) Joker - Dalshabet

Yes, another Dalshabet song, because THEY DESERVE THEIR FLOWERS. Like 'Someone Like U', 'Joker' also has that jazz-meets-girlpop edge that we love but with a little more sass and spirited confidence. In 'Joker' the girls aren't as much calling for the attention of the audience, but implicitly demanding it. What I would've given to have been a kpop stan when dalshabet were making music. What could have been.

(4) Colors - LOONA

(this is the obligatory reminder that there is a boycott going on against LOONA content to protest Blockberry Creative's actions towards the girls - please stream LOONA music via the twelveM account or the loona podcast on spotify, and dont watch official LOONA content on youtube either. thanks xx)

This is your once a post reminder that I am in fact a die hard orbit, and this track from the '[X X]' album lingers in my playlist month after month, so I had to include it. Filled with airy vocals from the members, distorted vocaloid decorating the background of the soundscape, along with all the classic bells and whistles we know and love from this group, 'Colors' is classic, quintessential LOONA. Give her a (boycott friendly of course) stream, and experience rookie era LOONA in all their glory.

(5) Chiyu - tripleS

This song dropped only a couple of months ago with the rest of the '<ASSEMBLE24>' album, and while the tracklist as a whole was stellar, 'Chiyu' is utterly gorgeous. Ethereal and hypnotic, giving this song a listen late at night with headphones is a deeply spiritual experience. tripleS are really the ones to watch in the 5th generation, and 'Chiyu' makes that blatantly clear. You probably heard the title track 'Girls Never Die', and if you ventured into the realm of the b-sides you probably remember the upbeat anthems like '24' and 'Heart Raider', but if you let this one pass you by, I would highly recommend another listen. This is making it onto my 'best of 2024' list for sure.

[telephoneandnike]

Right People, Wrong Place Review

RM of BTS

4.8 stars out of 5

I want to start this review out by clarifying that I am not an army. However, I have enjoyed a few of the members’ solo releases. J-Hopes Arson was very fun. V’s stuff is nice! RM.. this new album is pretty weird and I like it. Creative direction goes hard, I understand how people get into them.

What is clear about Right People Wrong Place is that this man listens to A LOT of music. I hear the Elliot Smith, the SchoolBoy Q, the Frank and Tyler, Outkast and SO. Much. Tom Misch. This man got on that Tom Misch train and mixed it together with our boy Doom, Madlib, and maybe some Franky Gibbs. Tash Sultana? Is that you? Omg… is that… Nine Inch Nails?  60s American rock and roll and 80s Japanese experimental jazz shine through.  Him and his team listened to so much music, and then added the RICH production techniques of K-Pop in there to make a truly cool album. Good for them. 

The first song shares it’s name with the album. It acts as a bridge from whatever reality you are living in into his world. I have listened to it now like 8 times in a row to review it. It has super lux production, almost similar to Hall of Fame by Skz. There's a fun angry sample in the back. He doesn’t say much but it allows you to see the sunrise of vision he is creating. Okay. I have stockholm-syndromed myself with this song.

Nuts comes next, with that baseline that takes me into a Vulfpeck song, with Tyler vocals. Looping sounds are obviously a theme in this album, as it is trying to hypnotize you into taking this album seriously. The song switches between Korean and English, using a sexy metaphore to convince you to join his team, even with the sinister sounds creeping around the listeners neck. I don’t know the feature, but the dark voice really allows the metaphor punch. It is weird to hear someone use the 2000s alt rap rhythm with such clean production. 

Lil Simz on Domodachi does a lot of leg work of certifying RM as cool, same with Moses Sumney on Around the World in A Day. I do wish they added some texture to his vocals. It sounds so clean in comparison to the absolute dirty production. The rhythms are wild.

I think overall this album tells a cohesive story that allows for RM’s vision to really latch on to the listener. This album breaks out of Kpop into genuinely good music, filled with references, homages, and good story telling. We do not get music as considered as this in KPOP. I am going to give this album 4.8 star rating. The missed bits come from too clean vocals and how I want to see more credit given to the producers of the album. Get an older microphone, RM.

This is a world class album, and I am just a little crazed that it came from such a high powered pop star. When you make enough money for your boy band, you are allowed to do what you want on your solo ventures. 

[yukitozinho]

get up - the 2nd mini album, by newjeans.

🐰 data de lançamento: 21 de junho de 2023. 🐰 produzido por: 250, Park Jin-su, Frankie Scoca... 🐰 faixas:

1. New Jeans 2. Super Shy 3. ETA 4. Cool with You 5. Get Up 6. ASAP.

O tão aguardado retorno da sensação sul-coreana New Jeans surpreende pela versatilidade, enquanto peca pela simplicidade, por ser tão curto e com uma certa preguiça diante da falta de inovação dos produtores, e mesmo assim, as garotas brilham com os vocais nessas novas faixas.

Eu estava levemente ansioso por esse retorno. Desde que o New Jeans lançou uma das minhas faixas favoritas, Ditto, no final de dezembro do ano passado, eu fiquei empolgado por mais músicas das garotas gerenciadas por Min Hee-jin, que encabeçou um dos meus grupos favoritos, o f(x), enquanto estava na SM Entertainment. Após Zero — uma música comercial para a Coca-Cola — e o single OMG, muito se especulava e esperava sobre o comeback das cinco garotas.

Pois aqui estamos, com Get Up, que teve um grande planejamento, digno de um álbum de estúdio, e que me decepcionou levemente por não cumprir minhas expectativas que foram geradas por esse planejamento estrondoso. Com inúmeros clipes, spoilers nas redes sociais, o New Jeans entrega o mesmo de sempre, porém de uma forma reduzida, levando em conta que o álbum tem doze minutos — duração menor que o meu banho.

O álbum abre com a faixa que dá nome ao grupo, New Jeans, lançada como pre-release com a próxima faixa, Super Shy, duas semanas antes do lançamento do álbum. Em um synthpop simplista e que já se tornou uma marca registrada do grupo, essa introdução funciona perfeitamente para criar o clima que vai percorrer o álbum. Em uma espécie de metalinguagem, NewJeans se reapresenta após o primeiro mini-álbum dizendo “Olha, é um novo eu / Mudamos, quem são essas? / Olhe para nós, New Jeans / Tão fresco, tão limpo.”, deixando uma grande expectativa do que está por vir. Porém, a música cai na mesmice de forma que não altera nada no instrumental, como inserções mais sintéticas ou o modo de cantar das meninas, que fazem um bom trabalho em manter o tom em quase dois minutos.

Um dos maiores investimentos desse álbum foi sem dúvida no marketing. New Jeans tem um clipe onde as garotas se transformam nas Meninas Superpoderosas, desenho clássico e que marcou uma geração e que explicita essa mudança entre o primeiro álbum e esse, porém sem perder a essência e estética característica do grupo. O clipe é gracioso e vale muito a pena conferir.

🐰 + clipe de New Jeans.

Apesar de New Jeans não ser nada de novo na discografia das meninas ou até mesmo no álbum, é uma música muito deliciosa e que vale a pena ser escutada. Com certeza, essa introdução não foi colocada aqui à toa, o que nós podemos ver bem a partir da próxima faixa.

Super Shy foi o primeiro pre-release oficial do álbum, e acompanhado da b-side do single — e intro do álbum —, volta às tão marcantes origens que conquistaram o coração do mundo. O instrumental etéreo é um grande destaque, Super Shy se encontra entre a melancolia de Ditto e a felicidade das primeiras faixas das meninas. O rap melódico de Hyein é incrível e dá um tom charmoso e diferente à canção. O refrão mantém a tradição simplista na questão de produção do grupo. A transição da intro para Super Shy é uma coisa a se destacar, pois, elas casam perfeitamente bem e foi um grande acerto em manter o clima que a intro constrói.

Diferente do resto do álbum, Super Shy é a única música a qual eu não sinto tanto problema na faixa ser curta, talvez por ela ter mais camadas do que as outras e ser mais bem construída que as outras. Como o último refrão que utiliza de uma robotizada divertidíssima que diferencia dos primeiros, reforçando o quão viciante esse refrão é. O clipe, assim como a faixa, é divertido e jovem. Gravado em Portugal, com cenários em cores vívidas e com flash mobs dignos de fazer um vídeo dançando no TikTok, mantém a essência das garotas anteriormente vista em Attention e Hype Boy, por exemplo.

🐰 + clipe de Super Shy.

Em um bubblegum synth-pop que poderia ser feito pelo Girls’ Generation nos anos 2000, caso tivesse uma produção mais exagerada, New Jeans acerta no alvo ao lançar essa faixa que fala sobre ser tímida demais para confessar seu amor e para o seu crush notar. Gee mandou abraços!

ETA é o maior destaque do álbum justamente por se afastar de tudo que o NewJeans fez antes. Em um dance-pop divertido, meio funky, meio quirky — incomum em uma forma interessante —, com buzinas de ar no instrumental e efeitos de voz que parecem ter saído de qualquer música pop da década passada que usou e abusou desses efeitos e que conquistam demais. Mesmo assim, não fica repetitivo demais — como Super Shy e New Jeans —por ter uma quebra no pré-refrão, cantado em coreano e sem todos esses efeitos divertidos, dando um tom mais sério. Não é à toa que essa faixa é a faixa-título do álbum, pois de fato, é a melhor e mais experimental que o NewJeans até agora.

O clipe, gravado totalmente no iPhone 14 Pro, conta a história da letra. Uma amiga das garotas — Eva, como revelado no clipe — está sendo corna e as garotas resolvem avisá-la e fazer uma música INTEIRA sobre isso. Não poderia ser melhor, não é? Eu adoro como os clipes do NewJeans mantém essa estética delas serem garotas quaisquer, se divertindo, sendo jovens e bonitas. É um clipe belíssimo e uma grande publicidade para a Apple, outro grande acerto desse álbum.

🐰 + clipe de ETA.

Mesmo assim, em um defeito que percorre o álbum inteiro, ETA é curta demais e me deixou com um enorme gostinho de quero mais. Uma ponte, talvez? Não sei. Algo aqui faltou e me incomodou, mas tenho certeza de que vou alcançar muitos scrobbles em meu Last.fm rapidamente, não só pela música ser muito divertida, mas pela sua duração que chega a ser ridícula.

Cool with You foi uma faixa que me decepcionei um pouquinho, justamente por não ter sido tão explorada sonoramente. O instrumental é simples demais e chega a me incomodar, tal qual as duas primeiras faixas do álbum. É uma música delicada e merecia mais apreço do que realmente teve. É o mais próximo de ballad, mesmo ela sendo uma música de influência do UK garage, que temos nesse álbum, e poderia justamente ser MAIOR! Nenhuma música nesse álbum é grande, mas eu não consigo aceitar. O pré-refrão é magnífico e de novo, Hyein dá o seu toque especial e que me faz sorrir. As harmonias e vocais estão no ponto nessa faixa.Porém, a música não se sustenta no refrão que repete o título da música inúmeras vezes. De novo, o último refrão adiciona mais coisas, construindo um clímax que deixa aquele gosto de quero mais, que não é tão bom quanto deveria. COMO ESSA FAIXA SÓ TEM 2:30 DE DURAÇÃO?

Os clipes — porque são duas partes, assim como o de Ditto — são incríveis e contam a história entre o amor proibido de Eros e Psiquê com participação de Jung Hoyeon, de Squid Game, e Tony Leung, de Chungking Express. Jung Hoyeon estrela como Eros, Micol Vela como Psiquê, Tony Leung como o vilão Afrodite. Os clipes são uma incrível releitura do mito, e finaliza de forma majestosa, com Eros assistindo o NewJeans dançando o interlúdio que dá nome ao álbum, Get Up, que tem 30 segundos (ou crime cometido nessa faixa, por isso, vou nem avaliar).

🐰 + clipe de Cool with You (side A)

🐰 + clipe de Cool with You & Get Up (side B)

Cool with You e Get Up encontram o grupo replicando a melancolia de Ditto e Hurt de uma forma ainda mais sensível e linda, com certeza, um dos meus clipes favoritos lançados esse ano e um dos destaques do álbum vai para Cool with You.

O álbum se encerra com a — pasmem — curta ASAP, a qual eu estava profundamente ansioso desde que a prévia foi lançada. Com um instrumental delicioso e bastante aproveitado, com direito a sintetizadores sincopados, barulhos de relógio e de jogos, ASAP poderia e tinha potencial para ser a minha preferida e melhor música do álbum. Porém, a música me incomoda porque algumas partes são desconexas, como o último refrão que não combina nada com o último pré-refrão, sem realizar uma transição bem-feita e bonitinha, soando como se tivesse sido feita por um fã que apenas copiou as partes previamente lançadas. A música não ter mais de um verso diferente também me incomoda, pois, a música é quase tudo aquilo que eu já vira no teaser lançado.

Peca pela simplicidade, pela rapidez, mas é um perfeito encerramento para o álbum. Eu gostaria muito de ouvir mais dessa música e com certeza, ela seria minha favorita caso fosse maior. Apesar das ressalvas, ASAP é uma ótima faixa e eu continuarei a amar assim como eu a amei desde que ouvi na prévia, mas eu esperava muito mais. Os vocais fofos e harmoniosos das garotas se casam perfeitamente com o barulho de relógio do refrão, junto ao instrumental etéreo assim como o de Super Shy e Cool with You. É uma ode a tudo que foi feito na carreira das garotas, ao mesmo tempo que encontra uma fronteira a qual deve ser cruzada nos próximos lançamentos.

🐰 Nota para a capa o álbum: 5/5

A capa de Get Up é incrível e finalmente o New Jeans largou aquele coelho que é fofo, mas eu já estava saturado. Get Up não perdeu a estética Y2K que as garotas tentam replicar em todo lançamento, mas realçou isso com nada mais que suas versões como Meninas Superpoderosas, em cores vibrantes e extremamente divertida, assim como o álbum. E não pensem que o coelho foi esquecido, pois, o querido está no canto superior esquerdo.

No Apple Music — plataforma que eu uso —, a capa fica ainda mais dinâmica e fofa, com uma capa animada onde as garotas se movem assim como as heroínas.

🐰 Nota geral para o álbum: 4,1/5

Get Up é um ótimo sucessor de New Jeans (o álbum), pois mostra a versatilidade que as garotas podem fazer e destacar suas diferentes habilidades. New Jeans e Super Shy encontram-se no mesmo local dos lançamentos anteriores, queridos pelo público, e dá para entender o porquê dessas faixas estarem aqui, afinal, não se mexe em time que está ganhando. Todavia, os destaques desse álbum são justamente as novas facetas que foram desbloqueadas com outras canções. ETA, a canção funky que soa mais como um lançamento da segunda geração do K-pop se tivesse uma produção mais “poluída”, poderia ser irmã de Bang! do Afterschool; Cool with You, que facilmente seria uma b-side do lado Velvet do Red Velvet, e ASAP que exala o frescor e jovialidade que o New Jeans tanto se preocupa em reproduzir, levemente mais experimental e divertida.

Talvez, tudo isso seria mais bem aproveitado se as músicas não fossem curtas demais e chegam até ser esquecíveis por não serem de uma duração relevante. Odiei algumas na primeira vez que ouvi, mas aos poucos, algumas foram conquistando meu coração e realçando esse sentimento amargo de querer mandar um e-mail para os produtores e perguntar se eles estavam com preguiça quando estavam trabalhando. É um ótimo álbum sem dúvidas, mas isso é ridículo. O álbum tem uma intro, um interlúdio e quatro faixas onde nenhuma passa de míseros três minutos. Entendo que a tendência são músicas mais curtas, mas nesse caso, não dá, tinham que ter sido mais bem aproveitadas, ainda mais na indústria do K-pop onde tudo é pouco.

Embora esse seja o defeito primordial, é incrível ver que o New Jeans está conquistando seu espaço de forma respeitosa e com uma base tão solidificada. A sua identidade já é fixa na mente de diversos ouvintes, sejam eles casuais ou f��s, e isso é perfeito para um grupo que não tem nem um ano de estreia. Porém, os fãs que vão chorar pagando caríssimo em um show que dificilmente chegará a mais de uma hora, pois somando todas as músicas do grupo, não dá nem isso. Recomendo muito as faixas que têm estrelinha, mas vale a pena escutar o álbum inteiro pelo menos, uma vez. Lembrando que isso aqui não passa da minha opinião :P

🐰 Ranking individual das músicas:                          

⭐ ETA  (4,3/5) ⭐ Cool with You (4,2/5) ⭐ ASAP (4,2/5) Super Shy (4/5) NewJeans (3,8/5) Get Up (não avaliado porque é um interlúdio de 30seg).

🐰apple music 🐰spotify

[zikramuliara]

K-Pop Song Review: NMIXX - "Run For Roses" (with Young K of DAY6)

What a wise choice to put BAE's intimidating low register voice to start "Run For Roses". It's pulling out a competitive vibe as if there's no going back. I love the "go big or go home" energy from this song.

Turns out, Run For Roses is another term for a famous horse racing, Kentucky Derby. The winner would get a blanket (for the horse) and a huge bucket (for the jockey) that was made from hundreds of red roses. So, I think it's safe to say that NMIXX's "Run For Roses" means "run for glory".

The lyrics were co-written by DAY6's Young K, Lee Seuran, and THE HUB's Frankie Day. They substitute the race thingy to NMIXX's journey (that may be linked to their MIXXTOPIA universe). I just can feel the adrenaline from the first verse.

Challenge the impossible, yeah, we fight back

An invitation thrown into an unstable reality

With an expression full of dissatisfaction, we're back

I'll burn like fire, no limitation

Blow sweep my heart

We gotta go, woo

Our synergy is in full bloom

So that I don't lose the romance between you and me

Let's run

For the musical aspect, "Run For Roses" adapted country-pop music as the fiddle sound appears in pre-chorus. Country itself is a genre that is deeply rooted in southern America. Back to horse racing, Kentucky is a state in the Southeastern region of the United States. So, I can see a solidity of the concept here!

I'm glad that the song not only lasts for 2 minutes like the actual race duration. If I'm not wrong, it's about 3,5 minutes. The dynamics of "Run For Roses" was crazy. Their collaboration with Young K on It's Live with Young K makes it phenomenal. The DAY6's bassist ate the female key and his harmony with the girls was so ear-pleasing. Haewon, Lily, Sullyoon, BAE, Jiwoo, and Kyujin should get more recognition for their amazing talents.

"Run For Roses" is my first candidate for the best 2024 song. It would be featured on NMIXX's 2nd EP, Fe3O4: BREAK, that will be released on January 15th. Make sure you check it out later :)

[seoulbeatscom]

Ten Hypnotizes with "Nightwalker"

Several years after his debut in NCT, Ten has released his long-awaited debut solo album Ten, with the all-English title track “Nightwalker.” Ten has previously revealed various sides to his artistry: “Dream in a Dream”, for instance, displays his ease with contemporary dance and traditional elements, “Paint Me Naked” his brighter side, and “Birthday” his intensity and sensuality. His promotions for Ten involved a performance film for two B-sides, but “Nightwalker” is a foray into a narrative music video that still incorporates his dance talents. 

[wishheroes]

Weekly K-pop Round-Up (20240601-20240608)

hello and welcome to another weekly k-music release round-up! today we will be reviewing releases from the first week of june! hope you enjoy

BADVILLAIN - BADVILLAIN

this is a great example of an amazing instrumental put to waste. i think they could've made something way better with this rather than your typical 3rd gen girl crush sound. i'm not really a fan of the girl crush concept in general, so this isn't really to my liking. the girls are very talented though so i will be looking forward to future releases. congratulations on your debut!

Boy Comics - XDINARY HEROES

i don't think there will ever be a time where i get disappointed in a xdinary heroes release. their music is incredible in every aspect. i think this is one of their best releases to date. they should've made this their title track for their first full album and little things the single, even the music video is more interesting than their latest title track. but at the same time i think having a slower song was a good fit for their first album and the whole album got me very emotional as i ult them. anyway, going back to boy comics, i love everything about it. people need to pay more attention to bands!

Celestial Night - W24

continuing with another band, we have w24 with their new ep "memory making moment" with celestial night serving as the title. i love this song so much. it immediately went into my playlist. i think everything just works wonderfully. the instrumental is beautiful, and the vocals match perfectly. i seriously love songs like this a lot. i like it so much that i don't really have anything else to say. it's a great song.

Hero - AKMU

what a pretty song! it's so easy to the ear yet so beautiful. what i really want to talk about is the music video. it's stunning! i haven't seen such a well done music video in a while. not only was it visually pretty, but it also had a storyline which made me feel like i was watching a movie or theatre play. the best way to describe both the song and mv is pretty. as always akmu didn't let me down with this amazing release.

Give Me That - WAYV

would you guys hate me if i said this concept matches them way better? in the sense that it really suits the members. i was a huge fan of their older concept and my favourite title track of theirs is on my youth, but this concept really brings out the best in them! i think this is such a fun release and i enjoyed the whole mini! i think this is really a turning point for wayv, a lot of people seem to be enjoying this release and considering this has the same amount of views as phantom and 2 million more views than on my youth only 5 days after release, i think this concept could really finally get them somewhere. that is if of course, sm gives a shit and actually promotes them well. the song itself is really fun and my god i really have no clue what it is but it really screams wayv at my face! the only negative thing i could say about it is that i wish the music video was a bit more interesting since the sets are really boring, but nonetheless it's great all round. i really hope wayv can get even more popular than they were with this comeback and i hope they continue this sound in their future releases (and not only b-sides).

Shooting Star - Kep1er

oh how i'll miss yeseo and mashiro in kep1er.. on another note, this is their best song they've ever released for sure. it's so pretty. can't believe it's the 9isbandment song. however, i'm happy we can at least still have kep1er with us, even if it won't be the same kep1er we were used to. but anyway, the song is really beautiful. the instrumental is very dreamy and it really gives me those loona vibes. you could tell me this was a leaked artms title track and i would full on believe you. and that's a huge compliment, by the way. i really hope the best for the girls moving forward, and i really hope wakeone wakes up and finally starts treating the girls right now that it's official they're staying with us for good.

SHOW OFF - CRAVITY

fantastics from exile tribe is that you???! this is cravity's newest japanese single titled show off and they sure are showing off good music! this is nice. there's not much to say about it except, oh yeah, this is nice. it really reminds me of fantastics and their music. and i love fantastics. it's a solid japanese track.

Moonlight - NCT DREAM

even though the youthful and bright concept is slowly fading from the dreamies discography, we can always count on their japanese tracks to revive it. this is such a pretty song. it's really the perfect concept for nct dream. it makes me emotional in a way, it's just so 7dream coded and really really beautiful. i hope we can get a korean title track like this in the future, but whatever concept they might do ill still always be here supporting them.

BONUS: Stupid Cupid - NCT DREAM

i don't usually review b-sides in my round-ups but i just had!! to mention this song! this song is so fun!! it's like if you combined the quirky weirdness of neo songs with a sprinkle of red velvet in there. it also reminds me of deja vu a bit which is my favourite nct dream song of all time along with 1,2,3. if you're into the neo sound and experimental goodness you NEED to tune into this!

Deeeep - SPIA

well that's definitely a whole new different vibe from their debut. they truly did a whole 180 with one comeback. there's not much to say about this release, it's your typical cutesie nugu song release with a "newjeans" type of vibe. except the quality of it is actually good! the mixing isn't terrible like a lot of songs by nugu artists, it's actually quite good! and the quality of the song in general really isn't that bad. same goes for the music video.

hey! hey! - TWS

tws is like the resurrection of kpop for me. this is just a pre-release yet it's so good! something really shifted after tws debuted, it's like kpop is getting fun and lively again. if they ever change their concept i think i'll be mourning for years. the song is really cute and fun, as expected from tws. can't wait for what they have in store for us with the actual title track!

no part two this time around, the other releases didn't catch my attention and im having burn out :')

as always thank you for reading and see you next week!