#komiker

[net-photos]

In der Dokumentation zum 100. Geburtstag des deutschen Komikers Loriot wird sein einzigartiger Humor und sein künstlerisches Erbe gewürdigt. Den ganzen Artikel gibt es hier: https://nordischepost.de/unterhaltung/design/die-zeitlose-aesthetik-von-loriot-ein-blick-auf-das-design-genie-anlaesslich-seines-100-geburtstags/?feed_id=69277&_unique_id=663da82a1000c

[broemmelkamp]

#ihc #cormick #kattenvenne #landwirtschaft #comedy #landwirtschaftistleidenschaft #traktor #bauersuchtfrau - www.schulte-broemmelkamp.com

[gozlerindekiay3]

[katabay]

accidentally, a comic that was supposed to be about Merlin and Arthur turned into a comic about Kay and Merlin and now I’m looking at the rest of my story ideas and you know what. the dynamic compels me enough to overhaul my notes to focus on this

(& before anyone says anything: the spelling shift between Cei to Kay mid scene is intentional)

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[sforzesco]

something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.

it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.

and love. it's also about love. even when you had nothing, you had love.

on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.

edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.

Perseus, Daniel Ogden

Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet

[mikuyuuss]

Filipino Miku at Jollibee!

[efsungeradam]

en zor savas

[trikaranos]

TRIKARANOS CHAPTER II: THRESHOLD (part 2)

TRIKARANOS is a comic about Crassus until it isn't. Intended for an adult audience.

lmao it was way longer than I planned for it to be between uploads. life! my laptop stopped working, I had bills to pay, jobs to work to pay those bills. etc. well! at long last! and hopefully it won't be so long before I can post the next part hah a

⭐ Trikaranos will always be free to read! at some point in the future I plan on setting up a patreon to support my ability to make comics, like this one!

⭐ There is no set update schedule (alas. chapters vary in length and will be posted as I finish working on them. sometimes a page involves drawing stairs and that takes forever.)

⭐ alternative places to read it (coming soon!)

PREVIOUS UPDATE | START HERE | ToC (coming soon!)

misc talking under the cut

Crassus himself, being very young, escaped the immediate peril, but perceiving that he was surrounded on all sides by the huntsmen of the tyrants, he took with him three friends and ten servants and fled with exceeding speed into Spain, where he had been before, while his father was praetor there, and had made friends. But finding all men filled with fear and trembling at the cruelty of Marius as though he were close upon them, he had not the courage to present himself to any one. Instead, he plunged into some fields along the sea-shore belonging to Vibius Paciacus. In these there was a spacious cave, where he hid himself.

Plutarch, Crassus 4

CAVE ARC CAVE ARC CAVE ARC. INTO THE CAVE YOU GOOOOO to enter the cave you must go through the mouth. doors are mouths, caves are mouths, rome is a mouth and a stomach.

anyway. romans and their brothers. oof. there's a lot to unpack there, and we're for sure going to get into it later.

[kankalararasinda]

[selin-n]

🤭🤭😅😂

[misteravid]

Zsazsa Zaturnnah is the story of a shy gay man who swallows a magical rock that transforms him in to flamboyant female superhero!

We just launched Kickstarter to get this film made :)

It takes ages to make an animated film. Our studio, Rocketsheep, is now in year 4 of production so we put this sizzle reel together to remind us of our progress. We can't wait to finish this film & share it with the universe ❤

One of the goals of our studio is to continously rep the Philippines in animated form. Most young Pinoy artists we come across are raised on either Anime or Marvel & are not really intrested in drawing our enviroments & our people. It's understandable, we don't have a lot of animated genre stuff to watch that are set in our country, and more importantly, we do not have an industry of Pinoy Animation to look forward being a part of. We hope that changes someday

[gozlerindekiay3]

[katabay]

earlier this year I started writing a comic about the siege perilous-grail quest situation after finally finishing the didot perceval, and it started circling around kay and perceval. kay as gatekeeper, taboo anxiety vs chivalry, and perceval not doing things "correctly," arthur's enduring affection for kay. that general area. also the horror of the grail quest itself.

this is comic is part of that narrative arc, so with THAT in mind: this is an abridged scene of a longer arc revolving around kay associating camelot with a cage, perceval's associations with jewelry and knighthood and the color red, and arthur's relationship with kay.

[some other scene context: perceval has injured his hand and can't participate in the tournaments, so he's craving some kind of fight. kay is disinterested in replying to this challenge, but he's not above reminding perceval of their first meeting. it's just mean enough in a weird-intimate kind of way that perceval's like, ok so we're doing the antagonistic version of court romance rituals. he picks up hunting because kay can't leave the castle.]

on the subtext of jewelry:

Clothes Make the Man: Parzival Dressed and Undressed, M.D. Amey

on the topic of kay, gatekeeping, and taboo anxiety:

Cei and the Arthurian Legend, Linda Gowans

the whole Red Knight/Perceval Shows Up In A Dead Man's Suit Of Armor transgression-situation (which kay references through red jewelry) mentioned is told in both de Troye's and Wolfram's Perceval narratives :)

anyway! to close out all this out: the transgressions. incredible! what is camelot but a bunch of transgressions stacked on top of each other tbh.

[motziedapul]

THE PINOY MONSTER LOVER ANTHOLOGY: AFTER DARK, a queer erotic comic anthology by Filipino artists about Filipino monsters, has late pledges available until November 1!

If you haven't grabbed yourself a copy of this now 90+ PAGE COMIC ANTHOLOGY, now's the perfect time. Site in the replies, but you can also find us on Kickstarter.

If people are interested, we can extend late pledges since they're all digital anyway. Let us know!

[sforzesco]

SERBISYO

something from the vault! freeing this comic from my drafts; this was an older idea, just messing around with a scene earlier on in crassus' career. love a guy who. uhhh. exploits tragedy to his benefit. christ. something something the politics of opportunity.

there was originally a follow up to this about the benefits of knowing when cold hard cash is the way to go, but I realized about five minutes ago it would be a better fit to place it during the catilinarian conspiracy arc. which means I should figure out a design for catiline for real.