#knights templar x teutonic knights

[smoothie03]

The plagues | Historical Hetalia: Templar Trials

6 months of work, 106+ frames, my hyperfocus made me draw the entire second half in about a month with barely any breaks in between (thank god because I need the motivation kick to get such long projects done)

But I finally did it and I'm proud of me for pulling through 😭❤️

Anyways here we have a Historical Hetalia animatic about the Templar Trials and the conflict between Gabriel and Francis (who fell victim to the king's propaganda).

I might make an analysis post later on.

But I hope you like it 👉🏻👈🏻

[chao-mp3]

The sun x moon is real

[owakoblack-portspa]

A Dream of Bethlehem

Fandom: Hetalia: Axis Powers

Pairings: Knights Hospitaller x Knights Templar; Prussia x South Italy

Characters: Teutonic Knights/Prussia (Gilbert),  Knights Templar (Chris),  Knights Hospitaller (Giovanni),  Kingdom of Sicily/South Italy (Lovino)

1

It is not a very good day to go to Acre, not a very good day at all, people warn little Gilbert. The deeper you go into the city, the more dangerous it becomes, people say. But I am a knight, I am not afraid, Gilbert braces himself. He has seen blood flowing like a river, he has seen corpses piling up a mountain, but he has never seen a hell like this, right in the heart of the capital of the Holy Land. In the streets of Acre, where Christians fight Christians, where brothers kill brothers, homicide and fratricide become natural, even though themselves are not natural at all--it is not a holy land, it is a wild world inhabited by evils. To Gilbert’s utter disgust, after the fall of the Genoese flag, advance the crimson Hospitaller banner and a group of knights in black uniforms into the burning street. ‘Wait, can’t you spare the citizens’ houses?’ Gilbert stands in front of the charging army, but he is unwilling to draw up his sword. ‘And can’t you see the Venetians are our enemies? Step aside, child!’ a tall Hospitaller waves his naked sword towards the little albino. A heavy sound of two clashing swords--a white knight shields Gilbert from the gigantic man, and a string of blood instantly spills onto the red petit cross embroidered on the chest. Even though his left palm is pierced by the sword, and an ugly, bloody hole appears as his enemy’s sword is swiftly and cruelly drawn away, the knight does not show any sign of fear, and quite on the contrary, his angelic face still keeps on smiling. ‘Brother Chris!’ ‘Christien!’

Two boys cry out at the same time. As Gilbert is lying on the ground and Chris is standing in front of him to protect, Giovanni appears just in time, his handsome face furious and sweaty. ‘Stop! The little one is the Teutonic Knights! Our ward!’ Giovanni shouts angrily to the tall Hospitaller. The anonymous Hospitaller sheathes his sword immediately, despite Giovanni the teenager looks much younger than him. ‘I’m sorry, Your Eminence,’ the Hospitaller now looks pallid and trembles like a leaf, ‘I didn’t mean to hurt His Eminence the Order of the Temple, but...’ ‘It’s nothing.’ Chris waves his injured palm impatiently to everyone, smiling as usual, ‘I love playing the role of a martyr. I am so glad that I protected little Gil, in spite of the fact that YOU are his guardian, Gio.’ Giovanni can tell the satire in Chris’ words, but he is not going to argue with a wounded person--after all, his another profession is doctor. ‘Let me see your wound, Christien.’ Giovanni’s voice becomes softer, but firm. ‘I’ve told you it’s nothing.’ Chris’ face becomes paler as he draws his sword in a position of defence, his flaming purple eyes threatening, ‘If you dare to touch me, I’ll revenge myself on you now!’ Giovanni stops short, staring at the blond with sudden coldness, ‘I won’t if I can.’ Then he turns to Gilbert, and raises up the little boy, ‘Are you alright, Gilbert? I’ve promised the Kingdom of Sicily to take care of you. I hope you’re not hurt.’ ‘Don’t treat me like a child!’ Gilbert’s reddened eyes make him look more like a rabbit, and he jumps high to protest. Giovanni does not take his protest seriously. He simply holds up Gilbert’s clenching hand, and retreats with his army, without casting another look at Chris, who remains standing in silence .

‘Brother Gio, can’t you treat Brother Chris a little better? He has saved me! And of all things, why do you two fight each other? You both are christian military orders!’ At the Hospitaller headquarters, Gilbert enquires. ‘The Knights Templar are stronger than us. If we don’t fight to protect ourselves, we’ll be destroyed by them.’ Giovanni replies calmly. ‘Why do the Knights Templar want to destroy you? Brother Chris in fact is very kind-hearted. Even though he knows I am on your side, he teaches me combat skills...hoops!’ Gilbert just realises that he has leaked the secret between Chris and himself. ‘Gilbert, you know I’m not happy to hear this. I hope you won’t betray me as you’ve developed a good relationship with my archrival.’

It has been a week since Chris was injured, and since that day, Gilbert has been bringing medicine to the Templar castle on Giovanni’s command as a punishment of his ‘betrayal’. What Giovanni requires Gilbert to keep in mind, is that Gilbert must not let Chris know who is actually prescribing medications. However, in the end, Gilbert cannot help telling the truth to Chris, ‘Brother Chris, I really hope you can stop fighting with Brother Gio. You see, he regrets what he’s done to you, and sends...’ ‘I hope Gio is not behind this, otherwise I will not accept medicine from you any more.’ Chris interrupts quickly. ‘Why do you hate Brother Gio so much, Brother Chris?’ ‘I hate him for not sending me medicine, and I will hate him more if he asks you to send me medicine. In sum, I just hate him.’ Chris strokes his bandaged left palm with tender passion, but Gilbert is too young to observe this detail or understand these words.

After this street fight, the two gangs seem to have ceased fire for a while, not only because one of their leaders is injured, but also because the festive spirit is approaching. In the Cathedral of Acre, people busy themselves with the preparation of the biggest event of the year--Christmas. The interior of the church is semi-decorated, and still more flowers and plants are coming. ‘Gilbert, have you understood the ceremony process that I’ve just told you?’ Giovanni bends down to speak in the ear of the absent-minded little knight. Both of them stand beside the alter. Gilbert jumps, and finally turns his attention from revery to the taller knight, ‘Sorry, what did you just say?’ ‘Could you tell me why you can’t take your eyes off the audience seats in the church? Are you expecting someone?’ Giovanni frowns. ‘Brother Gio, do you know if Frater will visit Acre for Christmas?’ Gilbert asks carefully. ‘Yes, the Kingdom of Sicily told so me in a letter. And he will attend the Christmas mass as well.’ On hearing the news, Gilbert reacts dramatically: firstly his jaw drops, then his grin broadens, and finally he raises his hands high up in the air, ‘Hallelujah! What a good tiding!’ ‘Calm down yourself, Gilbert! Shouting is forbidden in the church. And if you don’t want Sicily to be disappointed with you, you have to work hard in preparation, understood? It’s your first time to celebrate Christmas, there’re many things for you to learn.’ ‘I know, I know! I’ll work hard for Frater, and on Christmas I’m going to pay my homage to Frater, and then I’ll become a real knight! I’m so awesome! Everything’s going to be perfect! Kesesese!’ Gilbert laughs happily. ‘Don’t be too proud, Gilbert. You have to work hard to achieve your goal. Remember: no pain, no gain.’ ‘But there’s someone lazier than me! Even though Brother Chris’ wound is getting much better, he never comes to the rehearsal, and he’s going to sing in the choir!’ ‘Christien’s done the mass many times so he doesn’t need much rehearsing, and in fact, I don’t think he wants to see me.’ Giovanni looks at the choir practicing singing in a corner of the church, which is consisted of young boys in white dresses. The most beautiful one is missing, just as he has expected.

2

The Cathedral of Acre has already been enunciated with devout Christians hours before the bells announce the approach of Christmas and the beginning of the Christmas Midnight Mass. The interior of the cathedral is full of the festive spirit, decorated with myriads of flowers, draperies, hangings, ribbons, and candles, making this spacious sacred place shine with all colours of the solar spectrum. Now the congregation is holding its breath to hear the steps of the approaching holy moment, that is to say, waiting for the mass procession enter into the nave. After the bells strike twelve times, silence remains as if time stood still, so everybody turns their head to the church entrance to look for the priests and professed knights. After several seconds pass, finally, to everyone’s relief, the door opens, and a group of people in surplice solemnly walk in. At the head of them is little Gilbert with silver hair and red-pupiled eyes, swinging from side to side a golden, smoking censer in his hands. The little albino holds his chin high and looks straight ahead, so even the distant audience can tell from his rigid movements and his slightly reddened physiognomy that he is at the moment very nervous. Many in the congregation do know that for this new-born German military order, it must be his first time to perform holy services in such a big event, and accordingly they understand his nervousness and cross their fingers to pray for his success in the debut. Among the understanding, kind-hearted people, is Lovino, the Kingdom of Sicily, who comes all the way from Palermo for this special occasion, and who now sticks his little brown head out from the crowd into the aisle covered with red carpets, which makes him so distinct that even Gilbert’s sweat-filmed eyes cannot prevent the little knight from noticing this great kingdom from afar. Consequently, Gilbert starts short, as if petrified, but Lovino is no malicious Medusa--quite on the contrary, he is the most amiable personage here, so he tries to unlock the magic spell by waving his little hand and smiling sweetly to his little knight, to salute, and to encourage him. However, for Gilbert, this is more like an ignition before an explosion than a mere encouragement, for in response, stuffed of energy, he sets himself off high in the air like a rocket, the censer in his hands swinging like a mad turning wheel, spilling hot incense everywhere. All at once a commotion is caused--people sitting nearby the aisle stand up to run, only to find that within such a dense crowd running is almost impossible, thus some panic is caused as well. At this critical moment, Giovanni, who walks beside the bishop in the middle of the procession, dashes out to catch the censer which now is flying out of Gilbert’s hands, and fortunately, after the catch, he is agile enough to regain his balance in time, and stands upright with the golden censer safely contained in his hands. He makes some effort to restrain himself from panting heavily, and immediately resumes his solemn, imperturbable look to hide his shock of this unexpected episode. Realising what has just happened, Gilbert becomes the most panicked person in the cathedral. He dare not look at Lovino’s face to see his disappointment, so he looks down onto the floor, feeling too shameful for himself to move. Seeing this, Giovanni pats Gilbert’s shoulder from behind to urge him to proceed, otherwise the procession would be blocked even though Gilbert is short and tiny. Accordingly Gilbert moves on, and from now on, he becomes half absent-minded for his sense of guilt, head drooping. Despite this, the following process goes on smoothly, the episode is soon forgotten, the audience watch the performance of the servers quietly, listen to the priests’ sermons attentively, and respond by saying ‘amen’ when their heart is quite touched. However, Gilbert’s tribulations are not yet finished. As a novice, he is to give a speech in front of the holy altar, in the face of the public. It is a narration of the nativity, which should have been already familiar to any christian, so before the mass, Gilbert was so confident that he did not bring the script with him. Now, it is high time for Gilbert’s speech, and for the sake of the sense of guilt he is still sweating heavily as if he had just been fished out from the sea: ‘It was...it was in the year of four before Christ, before Christ was born. (A pause.) On the day when Christ was born, Mary found no place to lie down herself and give birth to her child, so she just...she just lied down on the floor, (some hiss from the audience) and she saw stars shining bright in the sky. Oh, I forget to say, (laugh from the audience) there was an angel coming from the sky to tell her that the child is the savior of mankind. So back to the night when Jesus was born, there were three magicians...(somebody hoots)’ Finally Gilbert’s frustrated voice seems to fade away, and people can hardly hear what the little knight is saying, and neither can they see his mouth moving, for he persists in hanging his head down. Lovino, who sits in the front row for the prerogatives possessed by such a great kingdom like him, clasps his hands all the time to pray for Gilbert, and he even dare not bat his big, radiant eyes lest they would distract his knight, but it seems all his prayers are in vain. Giovanni, who stands righteously and solemnly among the priests and servers, is as anxious as Lovino from the bottom of his heart. ‘Can anyone please do something?’ he asked without producing a sound.

‘--Long time ago in Bethlehem So the Holy Bible say Mary’s boy child, Jesus Christ Was born on Christmas day.’

Suddenly, people hear someone singing. At first, people think it is the ringing sound of a crystal stream, for it is so limpid, so pure; and then, when they realise that it is from above, they take it as the voice of an angel, for it is so beautiful and so unearthly, like a beam of light piercing through thick clouds to warm the earth, to fill everyone’s heart with bliss. While the confused audience are looking about themselves, only Giovanni immediately finds out whence the voice is from--he has heard this voice on every Christmas, and yet he still can hardly believe it--as soon as he hears the singing, he raises his head and looks up to the carved balcony facing the altar where he is standing by, and sure enough, he sees a thin, pale figure stand out of the choir boys, beneath the enormous silver organ. It is Chris who is singing. He is clad in white, laced surplice, his pale countenance becomes more tender in the radiance from the white texture, and his soft, curly blond hair makes him shine like a midnight sun. He is not yet grown up, his delicate human form hardly tells his gender, and therefore he looks more beautiful than any man or woman, and so clinks his sweet, heavenly singing voice. Here he stands, so pure he looks, so angelically he sings, even Giovanni has to admit that on this particular occasion, if Chris were not the messenger from God, he cannot tell who this sweet creature could be. ‘It’s the Knights Templar!’ a little girl cries out happily, and her mother quickly quiets her. Even Gilbert looks up from the floor to the balcony gratefully as if he has found his savior, so continues Chris:

‘While shepherds watched their flocks by night Them see a bright new shining star Them hear a choir sing The music seemed to come from afar.

Now, Joseph and his wife, Mary Come to Bethlehem that night Them find no place to born she child Not a single room was in sight.

By and by, they find a little nook In a stable all forlorn And in a manger cold and dark Mary’s little Boy was born.’

The choir boys standing behind Chris, who are also sweet-looking, though not as beautiful as he, begin to sing harmoniously, and all the people in the cathedral sing along:

‘Hark, now hear the angels sing A new king born today And man will live forevermore Because of Christmas day.’

Now everyone rejoices again, because they take part in such a beautiful choir led by an angel, and has never felt so close to God before.

In many aspects, the midnight mass is as successful as last year, so afterwards everybody goes home happily. However, in a dark corner of the sacristy, Gilbert is found sobbing quietly. Because others are gone, only Giovanni and Chris see him. Chris bends down over Gilbert, beaming innocently as ever, and says cheerfully, ‘Gil, don’t cry, it’s Christmas!’ ‘I’m so stupid, I know nothing of Christmas! I’m not fit for being a knight!’ Gilbert tries to conceal his tearful face by burying it between his crouching knees. Even though Giovanni was unhappy for Gilbert’s failures of performance at tonight’s mass, which he believes are the results of Gilbert’s arrogance and ignorance of his persuasion, his benign heart is touched by the little one’s sadness and frustration, so he attempts to comfort Gilbert: ‘To err is human. If you learn from experience, you’ll be forgiven.’ Nevertheless, Giovanni’s austere tone makes Gilbert feel more miserable, ‘Forgiven? Will I be forgiven by Frater? Perhaps I can’t never become his knight!’ ‘Gio, you frightened little Gil!’ Chris criticises his big rival, and continues to console Gilbert by an even more tender voice, ‘come on, Gil, I’ll show you something. I’m sure you’ll learn Christmas by heart. Don’t worry.’ He winks, stands up, and leads Gilbert to the courtyard of the cathedral. Giovanni does not trust Chris, so he follows them into the cool midnight air. Standing under the purple starry sky, Chris brings out from his pocket a plain stone cup. ‘I’m going to use this to bring us to the night when our Lord Jesus Christ was born. You can come with us if you want, Gio.’ ‘Wait, is this...the Holy Grail?’ Giovanni is astonished. ‘Exactly.’ Chris replies matter-of-factly. ‘I didn’t know you possess it.’ Giovanni says darkly, and quickly makes the sign of the cross. In secret, he feels his stomach aching--how come his rival obtains the most sacred relic in the christian world? ‘You don’t have to know everything,’ smiles Chris. It happens very fast. After a flash of blinding light, the three knights are altogether brought to another time and place. The time is still night, but the environment is changed into a dry, rocky wild land. ‘Look! There’s the bright shining star!’ Chris points to the enormous brilliant star hanging in the eastern sky. ‘What does this mean?’ Gilbert is bewildered by this strange environment. ‘Gilbert, how many times have I told you to read the Bible more carefully?’ Giovanni’s austere look makes Gilbert wince. ‘Relax, Gio. It’s the Holy Night, let’s behold the miracle!’ Chris leads the group to walk in the direction of the bright star. After a while, they see a manger at the top of a hill. ‘Is it...?’ Gilbert is shushed abruptly by Giovanni. The three of them carefully approach the manger on tiptoe. The manger basks in the bright shining star right above, so they can see the scene clearly: Mary has just now given birth to baby Jesus, who is sleeping comfortably in his mother’s arms, and Joseph stands by them, watching the baby with great interest and affection. Noticing people approaching, Mary is alert, but as soon as she sees these people are three good-looking young boys in some kind of cassocks, she smiles and gestures them to come closer. ‘Our Lord Jesus, we’ve come to worship you.’ Both Giovanni and Chris kneel down before the little baby who opens his beautiful eyes to look upon them curiously. After realising who the baby is, Gilbert imitates his brothers to fall on kneels, not without clumsiness. Seeing this, Mary smiles affectionately to the timid little knight, and says, ‘thank you for visiting us in such a bleak winter night. Don’t be anxious, little knight, baby Jesus is very happy to see you.’ Gilbert looks up to see Mary’s smiling face, and sees a mother in her, a mother he has never had, or met, in his life. Suddenly, the albino bursts into tears, ‘oh Mother, Mother!’ Mary pats Gilbert’s silver head, speaks to him in a voice so gentle as if singing a lullaby, ‘little child, you have such beautiful hair. Don’t cry, you’ll be loved.’ It is Gilbert’s first time to be praised by someone for his hair--being an albino, he has been jeered and teased all his life. It is not necessary to describe how happy Gilbert is in seeing the Holy Virgin, and he lays his head upon her knees. Meanwhile, Giovanni finds Chris’ pale face full of tears too. Before the little Lord, the beautiful knight clasps his hands tightly while on his knees--he looks so pious, so humble that he makes this moment divine. Unconsciously, Giovanni wears a smile on his face-- O Silent Night! O Holy Night!

On the next morning, Gilbert is woken up by a familiar voice: ‘Gil, wake up! Are you alright?’ When he opens his eyes, he sees Lovino shaking his shoulder anxiously. Thus he sits up abruptly, ‘Frater! Why are you here?’ ‘Dear Gil! I was worried about you so I came to the morning mass early to see if you’re alright, but I didn’t know you slept in the courtyard over night!’ Lovino exclaims, ‘it is not good! You’ll catch cold!’ His puffing face is on the brink of tears. It is Gilbert’s turn to feel worried too, for his heart will break if he sees Lovino cry. ‘Dear Frater, I’m totally fine, so please don’t cry!’ he holds Lovino’s little hand, faking a smile to comfort him, ‘I spent a whole night with Brother Gio and Brother Chris to worship little Lord Jesus in Bethlehem, you have to know how happy I am! Please don’t worry about me!’ ‘Really?’ Lovino’s watery emerald eyes look into Gilbert’s rubies, and he sees truthfulness in them, ‘good, then. But where are Gio and Chris?’ Both of them look around. Beside the wall of the cathedral, they see Giovanni and Chris lying down there, holding each other’s body closely as if to keep warm and sleep more comfortably. Hearing noises, the two sleepy knights are awakened--it is not difficult to imagine the surprised look on their faces. However, instead of letting out a shriek or kicking each other away, in peace, they exchange morning greetings: ‘Morning, Gio.’ Chris smiles like an angel waking up from his sweetest dream. ‘Good morning, Christien.’ Giovanni blushes. He will never admit that it is Chris’ crystal purple eyes that make his heart beat fast, and he feels a little reluctant to let Chris’ warm body leave his arms when both of them get back to their feet. ‘Christien, wait!’ ‘What?’ Chris quickly turns back to face Giovanni, his huge eyes sparkling. ‘I want to apologise for the wound in your palm. I should have stopped my people hurting you.’ Giovanni smites his handsome brow. ‘It’s not your fault,’ Chris smiles mildly, ‘and I want to thank you for healing me.’ ‘You know the medicine was sent by me?’ ‘Of course, do you forget how long we’ve known each other? And as I’m your archrival, who do you think could know you better than me?’ Smiling mysteriously, Chris briskly wheels around. Without knowing why, Giovanni suddenly feels a special attachment to his rival and comrade, so he instinctively follows Chris’ white robe, which is billowing in the wind like an angel’s enormous wings. Later on, in the Christmas morning mass, people are surprised to see the two long-term rivals stand side by side in the procession, and even exchange friendly looks at intervals during the liturgy. ‘It happens once a year that the two great military orders make a truce. After all, it’s Christmas, it’s time for peace, for forgiveness, and for love.’ Among the audience, some Venetians whisper quietly, and then they shake hands with their Genoese neighbours. As for Gilbert, this time, he has done much better especially in the narration of the nativity. When the mass is done and the cathedral becomes empty, he cautiously kneels down before Lovino, ‘dear Frater, I want to be your knight, but I’m not yet perfect--could you wait until I’m fit?’ ‘I don’t need you to be perfect. Whenever you feel yourself is ready, I’ll be ready to take you as my knight.’ Lovino blushes. ‘I promise it won’t be too long, Frater.’ Gilbert tenderly kisses Lovino’s hand.

(End)

[catb0yfriend]

Someone remind me to draw Teutonic knights x Knights templar sometime... 🥺 I think theyd be cute

[owoari-off2]

Aphrarepairweek2020! : Flowers

Well this is a Rush art HAHAHA well idk- @aphrarepairweek2020 ill join your week!

And Prussia/Teutonic Knights x Knights Templar 's ship is cute /// >.>))) i supposed to do ItaPan- idwkdjwn

enjoy- HAHAH- qwq

[goodheartedfool]

A brief & general outline of what will be Nat’s AC verse:

He was born into a Templar family.

At the age of five, his family dies in an accident with him as the only survivor. (Or was it really an accident?)

He’s taken in by an Assassin, Charles Adler, though he doesn’t yet know about that or that his parents were Templars, but he remembered there was something different with his parents.

Shortly before the accident, he start showing signs of having healing abilities. Testing shows he has 2% Isu genes. What triggered his abilities to manifest is unknown.

Using his abilities do come with a price, usually in form of throwing up, dizziness, disabling headaches, fever and generally not feeling well. It is also physically and mentally draining. [x]

Unaware of the reason, he is trained to eventually become a part of the Brotherhood. As he ages, he gets fed more and more info and of course the Templars are painted in less favourable colours.

When he is fifteen, he stumble upon something he shouldn’t and find out about the Assassins more bloody and cruel side, that his parents were Templars and that the man he has viewed as a father had a part in the death of his biological family. Among the info is also his father’s Templar ring, a ring Nathanael remembers well. There’s a fight and Nat eventually runs away.

He’s had three different last names: Frey (biological family)(the name Frey was associated with the Teutonic Knights, I know it’s not the same as the AC Templars, but I wanted to base it on something), Adler (foster family) (last name of Germanic origin that means eagle and we all know how much the assassin’s love eagle names) and Hunt (current name and one he took when running away)

Nat is aware he could have tried to find the Templars, but he’s unsure of what’s true about them or not and he fears they’re no better than the Assassins, so he decides to stay away from both of them.

Despite this, he still wears his biological dad’s (Templar) ring in a chain  and only removes it when working. It is the only memento he has from his biological family.

He manage to get himself a job (fake id might have been involved), get himself through college and eventually become a paramedic.

He is always looking over his shoulder, certain that one or both of the groups will eventually pay him a visit and kill him. Or worse, turn him into a lab rat.

[wearebloodhunter]

It’s easy to look at the Blood Hunter class and say, “Oh, so there should be four blood hunter orders to match the four subclasses for the blood hunter.” I would like to posit that this isn’t ideal.

Consider the monastic military orders that sprung up during the Crusades: the Templars, the Hospitallers, the Teutonic Knights, etc. The goals of these orders overlapped, especially early on in their histories. The same thing can be done with blood hunter orders.

Instead of just saying, “Oh, here’s the Order of the Ghostslayers,” you could say, “Here’s an order of blood hunters that focuses on taking down undead.” The Order of the Ghostslayer subclass is intended to concentrate on that, but blood hunters of the Order of the Alchemist or Order of the Profaned Soul subclasses could also be drawn to that concept.

Beyond that, these orders - and this goes for orders of paladins and other classes as well as blood hunters - should behave like factions. Each order should have a goal, a motivation, and perhaps most importantly an alignment. I’m not overly fond of alignment being applied to individual characters, but alignment works very well to quickly describe factions. A group of paladins that’s labeled as being Lawful Good is readily understandable; you know what that means, just like if I said, “NPC X is a member of a Chaotic Neutral collective of treasure hunters.” 

Giving factions goals, motivations, and alignments helps your world feel more fully realized. I would also advise creating sub-factions within the major faction, to produce internal tensions and conflicts that PCs can interact with, because this, too, helps the world feel more realized.

I guess what I’m really saying is, don’t limit orders to being an order for each subclass; turn them into overlapping factions that deal with multiple subclasses (or even multiple classes) and that can come into conflict and have an impact on your setting.

[ask-merman-mattie]

TKKT for ship xD Teutonic Knights/Prussia x Knights Templar, to explain ^^° For the requests

(( Is,,,, that not just prussia,,, with his baby self??? ))

[d-joana-a-shippadora]

Day 2 -  Music

Hello again!

Here I am with a ship that I never saw: Prussia x Knights Templar. I DECLARE THIS SHIP AS KNIGHTS PAIR! Thank you very much.

Also, I decide to write more than one ship for the prompts. So you’ll see me here more. :’3

Please, enjoy <3

The Knights Templars, also known as Hugo, tuned his sword while he was humming with pleasure. His hands moved with skill, striving to make the sword finer. It would cut more easily his enemies.

"Damn it, Hugo, don't you shut up for a minute?" Gilbert complained, approaching Hugo and his campfire. It was night and there was only the Templar.

Hugo looked at the albino and smiled at him; Gilbert blushed with such an act. The Templar knew how to tinker with his heart and it irritated him.

"I told you the songs are wonderful," Hugo began, laying his sword down. "You can convey your feelings with the song and that's incredible." "Whatever."

The Teutonic Knights sat in front of the fire, feeling the comfortable warmth of it. He stared at the starry sky; if he listened carefully, he would hear the symphony of the night: the sound of the stars, the nocturnal animals, the leaves moving because of the wind and the fire. It seemed that Hugo and Gilbert were the only ones in that world. Gilbert looked back at Hugo, and noticed that he was watching him with the same smile as before.

"What... What is it?" "Nothing," he declared. "Don't you want to try? Sing? Or even whistle? Ah, maybe you don't know how to whistle..." "I know how to whistle! I'm awesome at whistling! "

That said, Gilbert began to whistle loudly and out of tune, which made Hugo giggle. But the albino didn't stop whistling, trying to ignore the laughter of the other, and Hugo followed him, humming to Gilbert's rhythm.

[we-are-knight]

Ugh I hate the alt-right and neo nazis using crusader stuff and Norse imagery cause some of that stuff looks kinda cool but I can't use it cause I'm not a human porta potty and would rather the people around me not have to worry about whether or not I am idk I feel like you can relate to the feeling Knight

I really do.

I was, for a few years, Norse Pagan. The community was really good, it was part of my ancestral heritage so I felt ‘closer’ to it, I even got on fine with my Christian friends and we would discuss religion with a lot of banter and light shots at one another’s beliefs.When the community became more and more alt-right, eventually, I abandoned Norse paganism, as I wanted nothing to do with the radical image they’d introduced. I still have belief in the existence of the Aesir and Vanir - I just don’t worship them.

I really, REALLY love Crusades history, due to just how much was going on in those periods. Because despite all the wars, the fighting formed only the TINIEST fraction of what happened in those nearly 300 years of history, with so many factions, alliances, rise of states and new beliefs, etc.So it saddens and angers me when people simplify it to “X was bad and warlike and hurt innocent Y’s”, because it has never been that simple.I have a personal loathing of the internet tough-guys that seriously say “DEUS VULT” when talking about Muslims/Jews, especially since any Christian using that term as a warcry as a seriously warped sense of what God wants, considering the whole “send my son/walk among you as a mortal to explain why you should be kind and forgiving to all other humans regardless of their belief”.

On the flip-side, Knight now is very esoteric with their religious beliefs, and openly wears a Templar T-shirt (white with the big red crusader cross) and the Knights Teutonic T-shirt (white with black crusader cross, with words: “Help - Defend - Heal”), and (before Beguiler nabbed it) a Hospitaller hoodie.Fuck the alt-right. I can re-appropriate Crusader imagery and be a nice person.

Frankly, fuck anyone using religiously-entrenched symbolism to spew their contempt of their fellow humans.

[meanwhile-in-hetalia]

Can I get some Prussia/Teutonic Knights x Knights Templar? Some TKKT? Please?

sure!

[oneletterwrites]

Okay, rarepairs. I wanna know if you know two of my OTPs already, them being Turkey x Ancient Greece and TKKT, Teutonic Knights (Prussia) x Knights Templar

I’ve heard of Turkey and Ancient Greece! seen a few fan arts for them and i just?? I think Ancient greece would make turkey happily be on his knees like yes women treat me however you want i would die for you, OR THEY have that kind of asshole relationship where they can’t stand each other but also respect each other’s empire’s and?? I don’t know man power is sexy or something

BUT HOLY SHIT. I MUST HAVE, missed??? something in the comics somewhere because i do not remember seeing Knights Templar anywhere but ima tell you right now. Should I have seen them two interacting?? i would have consumed every ounce of creative works for them in three days what cuties?? Knights Temp was singing and Teutconic asshole was like?? im gone friendo im in shipping hell and i just looked up the pairing two hours ago.

I need like.. more rare pairs in my life and this is a good thing to have. New faves on the way i swear

[iceice-baeby]

(Okay I now ship TKKT. Teutonic knights (Prussia) x Knights Templar. The Temple Knights are still alive. Fight me.)

[mariaantonnietta]

Hetalia Favorite Pairings

Personal opinion, of course. I have this thing when somehow I always end up shipping rare pairings.

Wanted to list them to do something, so here there are:

1) Spaus. There is not discussing it, this is my favourite pairing in all Hetalia. You won’t believe the time I have spent reading all sorts of news and curiosity facts on the internet regarding those two(and history too, but no so closely). How the trough of this not well known marriage, and how the subtetly of this pairing is what mekes it so great. Nothing makes me happier than reading a fic of roderich interacting with the Bad Touch Trio and seeing the author realising that “hey, Austria and Spain have this weird chemistry between them” (and then the realization tha yes, they have history together, even if they never talk about it)

(the video Just be friends of them is the reason a lot of us got into it, but not only their Hasburg dynamic is wonderful, I like the modern we are divorced and moved on but we are in good terms too)

It has happened more than once(not a lot of times, but more than once) Everything I read of them is wonderfull, and their relashionship, being present, past or friendship, when well portrayed leaves me so happy.

2) Romechu. RomeChina. Silk Road Pair. The two empires in a long distance relashionship.(It is cute because despise both being conquerors and proud they had the ulmost respect for one another. The empire of West and East, And that is so romantic) I started liling this because HAVE YOU SEEN THE FANART? It is gorgeus.(little as it is)And becuase more drama for CHina, having a love dissapear(and because Rome is older than the modern nations, but is funny because China is older anyways) Love them being both friends with Germania too.

(Also, we got a pararell to the HRE giving Italy flowers scene but with China receiving a cat from Rome, a thing all pairings would want to have (gods know I want one for Spaus) but a really rare pairing got it. now that is what I call ship tease)

3)Pritz, orPruFritz. This is actually recent(well no, but my grown of interest in it is) and it really surprised me how actually popular this pairing is. Like yes it is a rarepair compared to Prussia more popular pairings, but it has an strong following for an human-nation pairing than I didn't expect (I totally love it)

And, getting off-track a bit and talking more generic and not only romantic wise ,  Fritz is big to Prussia and it being recognized in the fandom makes me happy.

My headcanons about this relashionship are long, specially cosidering my headcanons for Prussia himself are long (they mostly revolve on the fact that he started as an german order and now the german order is all that is left and how ironic is that, and the fact that once you read one of two fics that greatly feature asexual gilbert the idea clicks so hard it youcan’t get it out of your mind (I actually believe he is more a demi.sexual but celibate, and there is a strong reason for that apart of being an religious order, even if it is related in a way) and Pritz is the most romantic but not sexual knight and king story (and both gilbert and friederich learning to open their minds about the other, and the problems in the middle, and maybe them not actally being in a relashionship but only very much in love))

sorry about that, my hand slipped. But I love these two being  romantic  or friends  or in the messy in between. And the fics are great.

(Also love Fritz x Katte, Fritz and Voltaire are drama besties)

(Also, as a person who headcanoned Prussia playing the flute for this dynamic for a long while before Private concert, the strip is so gratificating, four years(or more) headcanon being confirmed? you are in the air(and then hima shots the gun at your celebrating heart and shatters it.))

4)NethCan This ship is the definition of adorable. Reading than Neth gifts Canada so many tulips every year is so romantic. And how close they are, they can travel between them without almost any control, and despise being apart on the globe theyare so close. Love it. (Also, the knowledge from Hetalia Fantasia than Canada is a surprising difficult to trick customer(and frugal) makes me like the pairing more)

And recently HIma drawn Netherlands giving Canada a ride to england, way before all the shippers expected to be an interaction. These two cuties are too much for me.

5) NorthItalyxGermanyxSouthItaly, GermanyxbothItaly. That germano video of I am not that girl is to blame for all my love to this ultra rare pairing.

Basically SItaly for all his tsundere things actually likes germany bastard and is jealous (if we got by hre=germany, or even if don’t because even if they are not it woudn’t matter on romano sentiments ride, southItaly saw Holy roman empire in crossroad going to battlefield, and actually was the last to see him go, or romano seeing germany during the risorgimento (we know northItaly didn't meet him until WWI, but maybe young germany helped or sothing, or romano took care of him, and there is the situation of this is the boy feli likes too)) I really like it.

Also, because the fact that Germany would accomplish Spain dream without even proposing to is too hilarious for me not to like it.

And there it is for now. I am sure I am forgeting some but I will actualize this post later. (and add some links, maybe)

Love the idea of Teutonic (Prussia), Hospitaller(Malta) and Templar(...sob...) being a sort of odd friends (calling each other “Mary” ”John” and ”Solomon” respectivably (I made a post on that before haha)) when children. 

and Bad Touch Trio somentimes reminds Prussia of it,(and it is conflicting) but it is between the big amount of things the three of them remind each other of. 

Will continue this later