#kinski

[bkblaise]

Kainess from my Twitter "Winning Blue Lock is just a piece of cake, right Ness?"

[tomtom0160]

[enlitment]

Karlova Koruna Château | Chlumec nad Cidlinou, Czech Republic

(look at all the books! It took a lot of restraint not to leaf through them)

[dustedmagazine]

Unlettered — Five Mile Point (Self-Released)

Unlettered wields a fuzzed-up guitar clangor, burying distant, disembodied voices under vibrating piles of distortion. Shoegaze-y glamor slides off into post-rock dissonance, the surfaces glimmering, the tension roiling beneath them. You’ll get a good whiff of Kinski’s trance-y chug, some angular anarchy a la Polvo and the submerged melodic felicity of Bailter Space, especially circa Wammo.

Unlettered is essentially a one-person project, centered around Mike Knowlton, who spent the 1990s in the NYC-based noise/punk/math band Gapeseed. Unlettered’s music unfurls more smoothly than this scratchy, scrappy, stop-start predecessor. Tunes like “The Great Dwindle” power on relentlessly towards the far horizon, trailing clanking bass notes, churning guitars and haunted vocals; cosmic wins out over chaotic.

Knowlton works mostly alone, but his wife Kelly Grimm guests on a couple of tracks. She channels Kim Gordon to his Thurston in droning “Median Coverage,” intoning mystic, uninflected poetry above a sinuous, reverberating framework.

I like “Dither” the best, with its clarion bass line cutting through crashing, fuzzing, oddly subdued guitar noise, so very like Kinski’s “Dayroom at Narita Int’l” in its blend of dream and mayhem. Over an album, however, the chug and churn gets repetitive. The droning mantra settles into a blur, even a bore, if it’s not violated occasionally. Unlettered is good but would be better if it kicked the doors down once in a while.  

Jennifer Kelly

[ich-hoere-dir-zu]

[radiophd]

kinski -- crybaby blowout

[creaturefeaturecommando]

The reason I’m scared for a Nightbreed revival or reboot is that I feel like they’d discard all of the other Nightbreed we barely know about and make all different characters instead of just expanding on already existing characters.

I think the only ones that would make it in a new adaptation are Kinski (maybe), Peloquin, Shuna Sassi, maybe Annastasjia’s comic story and then maybe Lude’s comic story.

But like I feel like they wouldn’t adapt Leroy Gomm or Chocolat or any of the others and that would piss me off. Like a lot.

[omegaremix]

Omega Radio for April 3, 2016; #109.

Fight Amp “Goner”

Free Children Of Earth “Terminal Stasis”

Primitive Weapons “Quitter’s Anthem”

You Fucking Die “Sterile Art”

Pigs “Another Hour In Dick City”

UXO “Blind Suicide”

Summer Cannibals “Full Of It”

Scumbag Millionaire “Dead End”

KEN Mode “Daeodon”

Dirty Nil, The “Wrestle Yu To Husker Du”

Church Of Misery “Make Them Die Slowly”

Deja Vega “Friends In High Places”

Black Cobra “Negative Reversal”

War On Women “Servilia”

Chelsea Wolfe “Carrion Flowers”

Making Fuck “Mormon Guilt”

Deafheaven “Come Back”

Whores. “Daddy’s Money”

Baroness “Morningstar”

Drug Church “Then Try”

Primitive Weapons “Or Do Ideas Have You”

You Fucking Die “This Is How Words Are Made”

Super Unison “Close Your Eyes”

Kinski “Detroit Trickle Down”

Meshuggah “Obzen”

Ironboss “Motherfucker”

Neurosis “Locust Star”

Boris & Merzbow “Huge”

Deluxe metalcore, doom, sludge, and stoner.

[in-penumbra]

Nosferatu: Phantom der Nacht (1979)

[rwpohl]

faustine et le bel été, nina companeez 1972

*

slacker, richard linklater 1991

[tomtom0160]

[kraminos]

1- Klaus Kinski & Werner Herzog (Cobra Verde 1987)

2- Werner Herzog, Claudia Cardinale & Klaus Kinski (Fitzcarraldo 1982)

[pascalkirchmair]

"Klaus Kinski", black and coloured inks on cardboard, 29,7 x 42 cm

クラウス・キンスキー  

[marwinmichelsen]

[radiophd]

kinski -- passwords & alcohol

[creaturefeaturecommando]

Kinski my beloved. I just remembered he existed and got all warm inside. Just… Kinski 🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰🥰