#kinda waldorf core

[puppetdaily]

Tilly, Tom, and Tiny from Tots TV

[annachum]

Okay some more Appearance related stuff and such of that Asterix Hillbilly AU :

. All the Gallic characters in that AU are from the Alpacchian Mountains

. Tragicomix got longer hair ( think the ones the Beatles once had ) and likes country music and also loves doing repairs

. Mark Antony in that AU is literally like a modern version of Richard Burton ( srsly Mark Antony is like an Ancient Roman version of Richard Burton. At least to me )

. The Indomitable Gauls and their Alpacchian friends all dress in hillbilly styles one way or another lol ( like Impedimenta be mixing boho/hillbilly styles, for starters )

. The Caesaris gens' plot lines in that AU is more or less similar to what happened in House of Laurel Wreaths ( a spin off historical fiction fanfic I wrote of what happened with the Caesaris gens in Asterix's time ) ....except it's more fitting to a ' modern ' setting with some tweaks

. Lovesix be a Rockstar in that AU and often dresses kinda like Blitzo and Billie Joe Armstrong in that AU lol

. Lovesix x Irina in that AU be like punk rocker x soft princess core lover. Lol.

. Even more drama - like IRL, Cleopatra also has Persian descent relatives in that AU.

. IRL Livia Drusilla has long dark brown hair. In that AU, Livia came to have shoulder length dark brown hair ( think Blair Waldorf's hair, for starters )

. In that AU, Cleopatra's dad is Greek American. Her mom is an Egyptian stylist and socialite btw.

. In that AU, Junia Secunda sometimes styles her hair akin to Rita Hayworth and Lucille Ball's hairstyles. I love Lucy is amongst her favorite shows and she basically is that one friend in a social group who often has the latest juicy gossip

. Mark Antony and his sibs often communicate passionately to each other in Spanish and Italian in this AU ( as in often NO INDOOR VOICE WHEN AROUND EACH OTHER )

. So in Asterix, the Indomitable Gauls be often reading about Caesaris gens dramas. Well, it's a similar case with that AU - they often turn on TVs and go to social media and watch the Caesaris gens dramas like soap operas

[1892]

as much as i think my elementary schooling was absurd and kinda fucked up i think at its core waldorf is Pretty good actually. it’s just misused at times

[fornaxvoid]

Fornax Void Update Spring 2019

Hey everyone,

In recent months I may have seemed kind of inactive, which led to a few requests about what I'm up to. I thought I might write a little update on what is going on:

For the most part I'm working on cleaning up my Album 'Cyberspace Database'. As I plan to release the Album on physical media this year (coupled with new videos), I want to refresh the mixes, and create consistent masters of all the tracks. This created the need to migrate my DAW to a computer with higher performance.

Making archival backups of all the data, migrating DAW to computer with more performance, upgrading Operating System, getting latest Cubase etc.

This took some time and the according purchases (HDDs, SSDs, Cubase License etc.) created Budget problems. I started doing more commissions and decided to sell all hardware synths except a handful of favorites - generally reducing clutter in my workspace, by selling stuff. This resulted in additional logistical, and administrational efforts: sampling all the synths, especially recording samples of important personal patches, creating online auctions, packing up things and hauling them to the post office etc. This process is not yet finished and will take up a couple more weeks. 

Basically, I'm cleaning up and refreshing things, to wrap up my work of the last few years in a well rounded way.

For fun, I created a list of the synths I sold or kept, with statements on why and mentions of a couple of tracks they were used on:

Kept:

Roland JV-2080 – While I got to recap all the upgrade cards of this thing, the device is extremely convenient to program, full of sounds I love to create patches with and 8 * multi-timbral. Used on Borlando Loom, Cyberspace Database and many other tracks.

Akai S3000XL – One of the classic, defining samplers of the 90s. Easy to use, multi-timbral, 32-voice polyphony. Used on Void Gate Access Software and Void Gate Panorama Station.

Korg WaveStation A/D – Lots of waveforms, multi-timbral. The unorthodox sound engine and the menu design make it a bit of a headache to program. Despite the large display, accessing it's capabilities is time consuming. The menu has some graphic capabilities beyond text, but it is not as intuitive feeling as the menus of the JV-2080 or the S3000XL. Used on Cyborg Samurai Miyamoto, Soyokaze Suteshon 199X, Void Gate Panorama Station and other tracks.

Yamaha PSS-480 – My first synth, I got as a kid. Also one of my favorite FM synths. Programmable 2-OP FM with MIDI. Used on Void Gate Access Software, Void Gate Panorama Station and other tracks.

Reckless Experimentation Audio LLC YM3812 – Like an Adlib Soundcard in a box, but better. Great, programmable, multi-timbral FM synth module with MIDI, based on the legendary OPL2 chip. Used on: Topographic Multiplexer and other tracks.

Commodore 64 + MSSIAH Cartridge – great 3-part / 3-voice synth and wave player / sampler software for the C64. Used on Offshore Network Vertex, Void Gate Access Software, Hexadecimal Love Letters and other tracks.

Wayfar MIDI NES Cartridge – Interesting thing. Don't use it much, but doesn't take up much space. Used on: Void Gate Access Software

Sold:

Roland D-05 – Generally liked this synths sound, but its inconvenient to program, filters don't work on PCM waveforms, lacks multi-timbrality and no proper outputs. Used on Super Aliasing and other tracks.

Roland TB-03 – Sounds pretty nice, easy to program, but lacks proper outputs. I used this as a harp-like instrument in the end of Void Gate Access Software.

Akai S1000 – Wonderful sounding sampler, but is 1U bigger, has less RAM, half the polyphony probably sells better than the than S3000XL. Used on Void Gate Access Software and Void Gate Panorama Station.

Oberheim Xpander – A really nice instrument, I spent lot of time with, but always made me feel uneasy owning. Expensive, old, analog synths always come with the risk that something breaks. Used on: Ancient Data Tapes, Oberheim Taxi Shagnhai Xpander, Server Room Love Letters,  Affinity, Infinity, Protorezoic Ocean, Hexadecimal Love Letters, Offshore Network Vertex, Cyborg Samurai Miyamoto, and many more tracks.

Korg M1R – A great sounding, multi-timbral classic, but while not too complicated, still inconvenient to program, because of it's small display. Also, the Plugin version of it, sounds really good, comes with a great sound library that is well-structured and is more convenient to program. Used on Offshore Network Vertex and a few other tracks but more of the M1 sounds on the album actually stem from the M1 Legacy Plugin.

Korg Volca Beats – Cool device, easy to use, but lacks proper outputs. Used on Offshore Network Vertex and Void Gate Access Software.

Korg Poly 800 II – One of my first hardware synths. Found this for cheap in a thrift-store almost a decade ago. Nice retro sounds. Not pleasant to program, chewy buttons, archaic digital menu. My album Tomes of Erebus was for big parts made on this one. Also used on Void gate Access Software and other tracks.

Casio CZ-5000 – Never really used much but the same, particular self-made patch on this synth (now thoroughly sampled). Used on Cyborg Samurai Miyamoto and a few other tracks.

Yamaha PSR-47 – Non-programmable Keyboard with lots of presets, some of them good. Has MIDI. Used on Screensaver Library. Used on Offshore Network Vertex and other tracks.

Yamaha PSR-60 – Not so fun, non-programmable FM based keyboard thing with MIDI. Used on Screensaver Library.

Yamaha Reface DX – Great sounding 4-OP FM synth, easy to program, proper MIDI and outputs, good keyboard, but that part of the menu is solved with touch controls always annoyed me. Used on Void Gate Access Software, Void Gate Panorama Station and other tracks.

Yamaha Reface CS – Interesting synth, proper outputs and MIDI, lots of sound capabilities, slightly too clean sounding. Sounded great when sampled through Akai S1000. Used on Hexadecimal Love Letters and some other tracks.

Yamaha DX21 – Nice 4-OP FM synth from the era of the DX7. In theory an easy synth, but the small, non-backlit display and the very archaic menu qualities make it annoying to program. Main synth on Wintermute and Personal System/2. Used on a few other tracks too.

Yamaha FB-01 – Interesting multi-timbral FM synth. Patches can not be programmed on-device and is ultimately too generic sounding to keep, compared to YM3812 or PSS-480. Used on Wintermute, Voidnet Online Service Provider and other tracks.

Yamaha TG33 – Interesting synth. Similar to the Roland D-05 / D-50 but FM / PCM based. Kinda headache inducing menus. When weighing up accessibility to sound-capabilities it lost out. Used on: Void Gate Access Software and a few other tracks.

Arturia Miniburte – Great monophonic analog synth. Nice for deep sounds. Used on many tracks. Didn't really fit into the concept of my next setup. Used on Offshore Network Vertex, Void Gate Access Software, Void Gate Panorama Station, Hexadecimal Love Letters and other tracks.

Waldorf Rocket – Interesting synth. Mostly used it for filtering external signals through it's analog filter. Used on: Illustrated History of Nature, Voidnet Online Service Provider, Void Gate Panorama Station and other tracks.

Roland U-110 – PCM sound module. Some nice sounds. Used on PCM Sound Module U-110 and some other tracks.

Conclusion: Most synths I'm keeping are digital, rack-mounted, multi-timbral, 90s devices or some kind of semi-unusual retro computing related thing, reducing the tools to a core-palette of things I really like, for future projects.

Well, that's it for now. An update on current Fornax Void activities. I hope there is some useful info in there for some of you. Will be back with more updates.

Best Regards, Fornax Void

2019-APRIL-22, 20:15, 1555956900