#kimba the lion

[faeriekougraz]

Kimba redraw

2024 / 2008(?)

[jetix]

2002-03-07

[burakku-jakku]

Osamu Tezuka x Hop Step Jungle Emperor Leo line stickers (2024)

(x)

[cartoonbrain]

Artwork From Mainichi Elementary School Student Magazine from 1983.

[elioli-art]

Kimba/ Leo doodles from memory!

[ask-simba]

You meet some interesting people in the jungle.

[astroboyart]

Source: Amazon Japan

Tezuka Osamu Discovery Collection is a collection book with materials of Tezuka works not previously published in books, including works mainly serialized in school magazines and newly discovered valuable manuscripts.

It will release in Japan on February 9 or 10, 2025 (it is being listed on different websites with both release dates).

[artistmitchy]

The Jungle Emperor 🦁👑

[craniodedragao]

It's never too late to pay tribute.

I hope you can forgive me for taking so long.

🎊Happy Birthday Osamu Tezuka🎊

[felis-rach]

watching Astro Boy 2003 and I wanted to give my guy some clothes 🙏

[impishsen]

Kimba and Laya, before they grow up and everything goes to hell 😔

[craniozito]

Another fun fact no one asked for.

Panjyamon is a reference to Panja from Jungle Emperor/Kimba the White Lion.

Talking about references I was thinking if Hououmon X-Antibody is a reference to Tezuka's Phoenix, but it's probably more of an inspiration from Fenghuang myth than from Tezuka's design.

And there is also Plutomon, I think it's more the general shape that gives me that impression, but it's probably not inspired by it directly either.

I was going to use the Reference Book artworks but they are too small to see anything so too bad, using the card game, Survive and New Century arts.

[gendiebrainrotreceipts]

[burakku-jakku]

NEWS: A new Tezuka themed gashapon set has been revealed. This set, called "Osamu Tezuka character sitting," will be produced by Bandai. This set will release in Japan sometime in September of this year.

(x)

[seasaltmemories]

Top AMVs of 2024 - 10-1

A more in-depth breakdown of what I am doing can be found here, as well as the past entries here. Today’s entries are as follows:

10. Maybe the Real Friends Were the Dungeons We Ate Along the Way by Moonpie AMVs

Audio: Friends by Flight of the Concords

Visuals: Dungeon Meshi

Considering our hobby is all about timing visuals with music, I am surprised that when it comes to comedy amvs, I don’t see many discussions about comedic timing. And well if you were wanting a cool breakdown of how the two work, I can’t really give it either, but Moonpie’s work here might be just as good teacher.

In comparison to other comedy amvs I have discussed, this one isn’t really going for big laugh out loud moments as opposed to a generally goofy and lighthearted atmosphere. But considering the breezy pace of the song, it really works to keep the jokes coming and the actual flow not to get bogged down as well. Reaction shots like at 0:51 and 1:24 do a lot to help sell punchlines/add to the humor without worrying about getting in the weeds of literal lyric sync, and overall by the end it is still able to sell you on the sweetness of the group’s friendship, all shenanigans aside. And while I don’t read/watch the series, it is really nice to get reminded that these guys like each other.

9: He’s a Zombie by TheLazyDaze

Audio: Good Grief by Bastille

Visuals: When Sato-kun Died

And here we get to the last summer mmv exchange vid, the gift I personally received. If you forgot this list wasn’t extremely biased, now is a good reminder, but even if Daze wasn’t editing with one of my “titular dead bf” mangas, there is a lot to love.

She’s always been an excellent mmv editor, but this vid in particular is packed with so many great details. The foot sliding into the panel at 0:23, the hand animation at 1:08, the undressing animation at 1:29. I could list more, but you’re probably just better off reading my original youtube comment.

Funny enough I wasn’t a big fan of this song before this vid (although I generally like Bastille). But in the end it is such a great match for the series blend of slice of life and drama. There’s lingering sadness over the fact that he really *is* a zombie, but more time is spent showing what will be missed and enjoying the good memories they do have.

8. The Amazon by PieandBeer (CW: Gore & Nudity)

Audio: Brazil by Declan Mckenna

Visuals: Devilman Crybaby

The first time I watched this vid, I was certain it wasn’t going to work. The breezy guitars are tonally far from what I associate with Devilman Crybaby; however as I got past the instrumental opening, I found the visual rhythm of the vid too intentional not to get into. The vid was less dissonant than I anticipated, but instead contained a surprising amount of resonance.

This might be one of the more obtuse vids on this list. Even with knowledge of the source material and a full read-through of the lyrics on Genius, it is hard to summarize this vid down to one pithy sentence. As disillusioned as the lyrics are and and as intense as the violence is on screen, whenever we cut back to just the two leads, their tenderness is so sweet it hurts. It feels like a bit of a ink blot test where how you interpret it has more to do with what you bring to it, and for me it just invokes this feeling where you know the relationship with someone is done, yet you can’t help but keep reaching out to them. If you like your vids moody and introspective like me, I think there is a lot to enjoy unpacking here.

7. DO YOU WANT TO FUCK A GOOSE OR NOT? by keiichiface

Audio: My Brother My Brother and Me

Visuals: Princess Tutu, Lucky Star

Listen I ship the dude and the “goose” of Princess Tutu so I was gonna be a fan regardless but keiichiface went above and beyond to elevate the audio. Just combining the two sources already adds a lot. By going literal with a talk show totally outside the world of this man and his love affair with a water fowl, there is a expressive lip sync and that meta element to play with. And even when she is working with Princess Tutu footage itself, keiichiface keeps finding creative things to do. I especially love when the concept art gets brought hastily masked in for some ultra specific lyric sync. The rough edges only add to the charm, giving it a quirky vibe without detaching from the more impressive technical elements.

All types of art deserved to be celebrated. Even if there’s isn’t a lot meaningful or deep I can extrapolate about goosefucking in particular, there’s no denying that when it comes to shitposts, keiichiface is a master of the craft.

6. Our Neighborhood Has Changed by Obsidian Zero

Audio: Souvenir by The Midnight

Visuals: Kimba the White Lion

As much I love my sad stories, I am rarely the type to cry over something fictional. So out of all the vids I expected to work past my defenses, I didn’t expect it to be a Kimba vid. Still Obsidian Zero finds incredible emotional material by soundtracking a story of pouching and ecological destruction with nostalgic yearning for a past that cannot be returned to.

There’s a specific element of powerlessness this amv taps into that is really palpable. Similar to ctrl alt delete, we end on a moment of denied catharsis. It’s not a matter of mourning and moving on from one death or loss, but grief by a thousand paper cuts and loneliness that’s much more difficult to process. Add that in with great moments like Kimba swimming to the opening guitar riffs and or the impeccable gun sync, and you got a little lion that leaves a large impact.

5. Catch and Release by BecauseImBored1

Audio: Houdini by Dua Lipa

Visuals: Saint Tail

This is the platonic ideal of a lot of what I look for in amvs tbh. I will always love it when an editor takes a song I might have heard but not given much thought to, pairs it with a combo that, in retrospect, feels like it was made for, and then wraps up the entire package with tight flow and clever sync. The trick is more difficult to pull off then I make it sound, but BecauseImBored is honestly a pro at this exact thing.

If I had to describe this vid in one word I’d go with “bouncy.” There’s a lot of attention given to the specific vocal inflections of Dua Lipa’s voice for a lot of fun moments of sync. And thanks to that tight control of the vid’s flow from scene to scene, it is easy to get swept up in the excitement and miss some of the subtle overlays and masked transitions BecauseImBored1 has under her sleeve. All in all, just every shot of this is delightfully paced to the point you’re left satisified by the end of the vid and yet are still itching to press replay again.

4. AND YOU CAN’T COME by Troubleclef (CW: Sexual Grooming)

Audio: Harder to Kill by Carter Vail

Visuals: Chainsaw man

Juggling multiple tones in a video is a tricky task. Most songs aren’t full stories and are more snapshots of one idea. And even when you get in the 5 minute + range, that is still not that much time in the grand scheme of things to establish set up, payoff and then repeat the process all over again when you pivot to a new topic.

1:33-1:46 alone is an amazing sequence, condensing a lot of harsh and heavy storytelling down to just enough implication to make out what it is happening in between shots. I consider it to be this vid’s best part but what makes it such an effective bridge is what it is sandwiched between. The first half of the vid is light-hearted and boyish, concerned just as much with heartbreak as it is food and fun. But even after the turn, we’re still left with this grasping incomplete understanding of the situation. As Denji whirls around from building to building and we cut between grasping hands and looming eyes, it feels as if he is trying to put the pieces together, but can only get so far. The final section of the song, where the vid gets its title from is equally childish, but it fully captures this inability to fully process the horrors you are currently going through, even as you are feeling the full effects of it.

3. The Keeper by Elixir

Audio: The Keeper by Kai Wachi

Visuals: Jujutsu Kaisen

I had a friend who was curious why more vids didn’t use rap. And while I had my personal theories from my corner about how much was due to only looking in certain corners of the community and how much was other facts, this vid is probably the best argument for what the rest of us might be missing out on.

Going back to my “sum up a vid into one word” challenge, the one I would use here is intense. Not only does Elixir lean into the horror-influenced elements of JJK, but the song itself is full of all sorts of unnerving musical motifs that adds to the oppressive atmosphere. By the end of my first viewing, I had to take a deep breath just to release all he tension that had been building up. However even on a less visceral rewatch, there are so many great moments. Elixir uses a lot of fun internal sync for the standout sounds like the drill noise or screams. I love the focus on close-combat when the flow switches up at 1:36.

Overall the vid is like a great horror movie. Even when you know what jump-scares are coming, everything is set-up and executed so well you can appreciate them on both an emotional and intellectual level.

2: Disco Expansion: Infinite Rizz by Ileia

Audio: Feels Like by Outasight

Visuals: Jujutsu Kaisen

And now for something completely different. To steal a joke from someone much funnier than me.

This vid dropped early in the year, but after seeing it I was already convinced this was gonna be one of my faves for 2024. Ileia’s flow is consistently slick and engaging, no matter the genre or subject matter, but centering a vid around Gojo’s new and invented disco powers gave her a lot more opportunities to get flashy with her tech work. All the overlays are great, my fave being the sound wave lengths at 0:28 and 0:31, but the transitions at 1:22 and 1:28 are no slouches either.

In contrast to The Keeper, here the horror elements are used cheekily. Some of the scene selection feels handpicked to cause physic damage to fans of the series, but even without context, it is hard to miss the punchline of heads rolling perfectly on beat. My fave moment has to be when Toji comes up and starts to sing along/fight. It just encapsulates how this vid keeps the perfect amount of goofy energy going without sacrificing a lick of its explosive momentum.

1: Velodrome by sandelwoodbox

Audio: Veldrome by Dessa

Visuals: Silo

My love for amvs and art as a whole tends to come from a love for character and narrative, the idea of narrowing a focus down to something direct and intentional. Even when I know there is no way for an outsider to get what is going on, I always strive to at least include some level of internal logic and progression for myself. Which is why I find myself to a certain degree to be even more drawn to vids that go in the opposite direction, that not only embrace that wider broad focus, but still maintain thematic cohesion.

More than any one character, Velodrome profiles an entire alternative society. While familiar faces pop up several times, no one voice or perspective stands out. Instead the lives of scientists, blue collar laborers, and children all weave together to paint a picture of place as beautiful as it is horrifying. The stairs that boys and girls slide down are the same stairs men fall to their death (a striking motif that syncs with nature fall of the singer’s inflection.) Most dystopian art focus on their attention on the injustice, the evil that consumes a place, but sandelwoodbox takes the time to show that a deeply wrong world can be one that still contains so much joy. And furthermore this fact only heightens why the injustice is so perverse in the first place. Even under amidst suffering, people continue to live, fight, and love. The editing carries that same restless energy, never truly coming to a still until the final shot.

As much as I love art, I don’t like acting like my tastes have to mean something. But if I have to wrap this up with a bow, Velodrome embodies both the sum of any work’s parts and the parts itself deserve equal love and attention.

~

Thanks for sticking around through my list and going on this new venture with me. A playlist containing all this vids, from number 1 to my honorable mentions can be found here. Looking forward to another year of great amvs!

[fujikosouvenir]