#kim bum wallpaper

[blbambeyond-nonblblog-hyd-mg-bof]

Hana Yori Dango-Boys Over Flowers & Meteor Garden

The Final 2 Men That Make Up F4

My intro into Asian Dramas and such was these series and I don't pretend they were all perfect. Quite the opposite each adaptation had it's issues but when you look pass issues and still adore something or someone even. That's real admiration and love. So let's meet the 2 guys that help make up F4

Number 1: The 2 men that help make up F4 in the 1995 movie were just wallpaper. Unfortunately they were just there with no real storyline. And it was sad but I won't leave them out.

SAEKI KENSAKU played Nishikado Sojiro...surprisingly this gentleman had one acting credit and it was Hana Yori Dango in 1995. Then He retired from acting and no other information is available.

HASHIZUME KOICHI played Mimasaka Akira...this actor had many series to his credit but sadly he died 4 years after Hana Yori Dango in 1999 in a bike accident.

Number 2: 2001 Meteor Garden Adaptation seemed almost in the 70's or 80's F4 were all long haired cutie pies.

VANNESS WU (in the yellow) played Mei Zuo..

KEN CHU played Xi Men

Number 3: In 2005 Japan's Hana Yori Dango Series. The other 2 Members of F4 was back to the same names as the 1995 Movie of the same name.

ABE TSUYOSHI played Mimasaka Akira

MATSUDA SHOTA played Nishikado Sojiro

Number 4: South Korea's Boys Over Flowers was unlike the others because no others used these names while both Japanese Versions used the same names as did Taiwan and China.

KIM BUM played the ladies man So Yi Jung

KIM JOON played Song Woo Bin

Number 5: China's Version called Meteor Garden just like Taiwan's Version returned Xi MEN & Mei Zuo. China's Version was excellent like the rest but it was a whopping 49 Episodes. All F4 Members had story arcs. Well they did in other versions as well.

Xi Men was played by CEASAR WU

Mei Zuo was played by CONNOR LEONG or LEON LEONG

So these handsome gentlemen rounded out the F4 in the Japanese, Taiwanese and Chinese versions of this iconic story. Do you have a favorite of them. Or were they just friends of Domyouji Tsukuba & Hanazawa Rui/ Daoming Si & Hauze Lei

Actually I do like all of them but I do prefer Number 4 & Number 5. Because I am a huge fan of KIM BUM & KIM JOON and CEASAR WU & LEON LEONG were also excellent for me. But again I love all these guys.

@pose4photoml do you have a favorite?

[kiwibomb]

kim bum lockscreens!! please like or reblog if you save it!! 🌿

[daehwimagu]

the tale of the nine tailed wallpapers (🦊)

Like or reblog if you save

[soulmateszedits]

Kim Bum - Actor ; Simple

Requested | - Ellay

[mydramalandx]

Ghost Doctor ✨

[anticha713]

KIM BUM| edit

◽See more posts like this on pinterest @anticha713

I hope you like it💕

◽Please like or reblog if you save ☺️💕

Terima Kasih.

[dibidibidishine]

[celibatairedramas]

— like or reblog if you save. ♡

[moonwordsblog]

[jjinception]

come here, you are my paradise

[party-in-hell]

Lockscreens - Lookout

A tribute for this drama bc they all died (jk)

[kiwibomb]

'tale of the nine tailed' lockscreens!! please like or reblog if you save it!! 🦊

[jasminsssiii]

The One Who Cared The Most

This is gonna be my long ass thoughts of Rang’s character so if you’re also invested to our pyscho baby fox buckle your seatbelt, be furious and cry with me.

From the beginning I already knew that Rang would be a goner because that’s what always happen to my favorite characters ha. But man they gave him such a beautiful character growth I was still caught off guard in the end even though the death flags were everywhere. I tried my best to ignore it hoping the writer is on her right mind but no. His character was written so well it will never be easy to let him go.

Rang was left by his mother to die and abandoned by his brother for romance. He spent hundreds of years alone, missing his brother, and being a puppet. It would’ve been better if yeon just killed him on their encounter I bet that is what he also wished for deep inside. In the beginning yeon can’t figure out how he changed so much from being a kid who cannot ignore an injured puppy to someone who is okay in killing anyone. Yeon cannot figure it out because he was dismissive of his feelings all those years but I as a viewer saw that he didn’t changed at all. It’s just that his brother didn’t pay attention. It was proven by the following episodes where we saw him rescued the puppy and go all soft to soo oh (black puppy huhu). Even in the spin off episodes we were given a glimpse of how lonely he was but still cared deep inside. He didn’t get much enough love and care, but he was able to share and give it to others especially to Yuri and Soo Oh. Just like yeon said “love is passed on in an uncanny way”. He was still a kid trapped in an adult’s body who was traumatized but tried to cover it up by troubling his brother who in reality he yearns to be with the most.

It became more painful when we started to see him finally become genuinely happy. He was freed from the contract and fixed his relationship with his brother. He was able to become and act like his true self. A person who is all smiles and only looks up at his brother. But as always, it didn’t last long. He was stabbed by the person he trusts the most and his brother was fixated on saving his lover. In episode 11 when they switched we even learned that he was convinced that the reason yeon chose jiah was because she didn’t cling to her family tragedy unlike him. How I wished yeon told him that his pain was justified because he did abandon him. It felt like he only started to care for rang when he had something to do with jiah urghh I’m so mad.

Now let’s jump to the last 2 episodes. It was such a painful watch. A very painful one. He finally got his brother back, has a kid to take care of, but got caught up in a mess again due to his brother’s romance. It was so sad to see yeon asked him to be the one to kill him, what yeon did was just add more trauma to rang. He knows himself he cannot do it but due to his love for his brother he was able to. His scream and sobs were so painful to see, the way he wiped his brother’s blood in his hand was too much for me to handle. Now to the last episode, I WAS COMPLETELY DEVASTATED AND I KNOW WE ALL ARE. He suffered alone for 600 years but got only to be happy for 6 months. He finally got his newfound family who takes care of him, who makes him laugh, who he eats meals with, who he watches tv with, who he walks on night outside with, who sends him off when he goes out and welcomes him back when he goes home. He already got it all and I bet even though they tried to make us believe that he still wanted to bring yeon back but we all know that he would’ve eventually moved on with the help of his new family.

Rang’s sacrifice was so unnecessary and I will be always frustrated with the way they made him go. The writer just showed that jiah and yeon’s romance was more important than rang’s happiness with his family. He wasn’t even able to say a proper goodbye to them. A final hug would’ve been more painful but I still wanted it. All he was able to do was leave them with a smile. Just like what yeon said he must have been scared being alone T.T but I know the sight of his family coming to him comforted him at least. Kim Bum’s acting was so brilliant there he got no lines but I knew what Rang wanted to say. That he is happy that there were people who truly cared for him and will cry for him. He is relieved that he will be at ease leaving them because he knew yuri and soo oh are in good hands with shinju. That although their time was short it was one of the best he had. “In my next life I hope I’ll meet you again as my family”. He even had their picture as his wallpaper oh god made the scene 1000x sadder.

Here comes the video message scene. It took me 3 days to gather my thoughts about it but it still hurts until now. The background music that was playing just made it worse. First I just want to talk about how his phone is full of photos of yuri, soo oh, and shinju he really wanted to cherish their moments together. His message to yeon oh god I still cry about it every time I think of it and when I see posts on it. The word “Hyeong” automatically echoes inside my mind. The way he tried to play it off and be cool about it but ended up a sobbing mess. I like how he said he will not apologize for troubling his brother because he was the bigger jerk since it was true. What made it 10000x tragic was that Rang wasn’t ready to let go. He wanted to stay so much and experience the life he had always been dreaming off. He wanted to call yeon “hyeong” many times. He wanted to live so much. He didn’t want to give up at that moment (I will hate the writer forever with this). Seriously, I can’t even talk about it without crying because Rang deserves so much better. The smile he gave one last time was full of regret, sadness, fear, relief, and hope that they will meet again in his next life (someone give kim bum his oscar please). His character was used as a scapegoat to bring the leads their happy ending. I totally feel cheated by the writer on this one they almost made me believe in the first 30 mins of the last episode that they will spare him but nah.

To conclude, Lee Rang was such a beautifully written character and well executed by Kim Bum that it will stay with me for a long time. Regardless of the things he did wrong even though he was sometimes a jerk (which was justifiable) we all know that he was just yearning for his brother’s love. Rang, if only given the chance will love and care for others without reservation even if the ones, he loves the most will not return the same feeling in the same degree. His passing, though a cause of my gut wrenching sobs, was beautiful. I so wanted him to learn to embrace love again and I’m glad at least he died knowing that he did something meaningful. I’ll just take comfort to the idea that he died knowing that he was loved and that he, too, loved well.

[tale-of-the-nine-tailed-ep-11]

Tale of the Nine Tailed (2020) Episode 11

Tale of the Nine Tailed (2020) Season 1 Episode 11 Fullshow

⚜ — Official-Stream! Tale of the Nine Tailed (2020) Season 1 Episode 11 Fullshow (s01e11) Watch Full Episodes 11 ~ Official Watch On tvN

WATCH FULL EPISODES Tale of the Nine Tailed Season 1 Episode 11 [ULTRA ᴴᴰ1080p] ⚜ Watch Tale of the Nine Tailed Season 1 Episode 11| Episode 1–2–3–4–5–6–7–8–9–110 (FREE) ⚜Enjoy watching! Watch Full Episode Online Complete! 🔴 Now Streaming ⇨ https://flixme.co/en/tv/108284-1-11/tale-of-the-nine-tailed

A nine-tailed fox who has only recently settled in the city, Lee Yeon has wrecked more than a little havoc since his arrival, as he has a penchant for cleansing human spirits. Fully aware that Ji Ah is tracking him, he does little to arouse her suspicion; but when his blood-thirsty step-brother, Lee Rang shows up, things get a bit more complicated. Will Lee Yeon be able to save both himself and Ji Ah from the wrath of his vengeful brother?

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Livestreaming, what’s in it for us? Technology has advanced significantly since the first internet livestream but we still turn to video for almost everything. Let’s take a brief look at why livestreaming has been held back so far, and what tech innovations will propel livestreaming to the forefront of internet culture. Right now livestreaming is limited to just a few applications for mass public use and the rest are targeted towards businesses. Livestreaming is to today what home computers were in the early 1111110s. The world of livestreaming is waiting for a metaphorical VIC-110, a very popular product that will make live streaming as popular as video through iterations and competition. Shared Video Do you remember when YouTube wasn’t the YouTube you know today? In 110011, when Steve Chen, Chad Hurley, and Jawed Karim activated the domain “www.youtube.com" they had a vision. Inspired by the lack of easily accessible video clips online, the creators of YouTube saw a world where people could instantly access videos on the internet without having to download files or search for hours for the right clip. Allegedly inspired by the site “Hot or Not”, YouTube originally began as a dating site (think 110s video dating), but without a large ingress of dating videos, they opted to accept any video submission. And as we all know, that fateful decision changed all of our lives forever. Because of YouTube, the world that YouTube was born in no longer exists. The ability to share videos on the scale permitted by YouTube has brought us closer to the “global village” than I’d wager anyone thought realistically possible. And now with technologies like Starlink, we are moving closer and closer to that eventuality. Although the shared video will never become a legacy technology, before long it will truly have to share the stage with its sibling, livestreaming. Although livestreaming is over 110 years old, it hasn’t gained the incredible worldwide adoption YouTube has. This is largely due to infrastructure issues such as latency, quality, and cost. Latency is a priority when it comes to livestreams. Latency is the time it takes for a video to be captured and point a, and viewed at point b. In livestreaming this is done through an encoder-decoder function. Video and audio are captured and turned into code, the code specifies which colours display, when, for how long, and how bright. The code is then sent to the destination, such as a streaming site, where it is decoded into colours and audio again and then displayed on a device like a cell phone. The delay between the image being captured, the code being generated, transmitted, decoded, and played is consistently decreasing. It is now possible to stream content reliably with less than 11 seconds of latency. Sub-second latency is also common and within the next 110 or so years we may witness the last cable broadcast (or perhaps cable will be relegated to the niche market of CB radios, landlines, and AM transmissions). On average, the latency associated with a cable broadcast is about 11 seconds. This is mainly due to limitations on broadcasts coming from the FCC or another similar organization in the interests of censorship. In terms of real-life, however, a 11 second delay on a broadcast is not that big of a deal. In all honesty a few hours’ delay wouldn’t spell the doom of mankind. But for certain types of broadcasts such as election results or sporting events, latency must be kept at a minimum to maximize the viability of the broadcast. Sensitive Content is Hard to Monitor Advances in AI technologies like computer vision have changed the landscape of internet broadcasting. Before too long, algorithms will be better able to prevent sensitive and inappropriate content from being broadcast across the internet on livestreaming platforms. Due to the sheer volume of streams it is much harder to monitor and contain internet broadcasts than it is cable, but we are very near a point where the ability to reliably detect and interrupt inappropriate broadcasts instantaneously. Currently, the majority of content is monitored by humans. And as we’ve learned over the last 110 or so years, computers and machines are much more reliable and consistent than humans could ever be. Everything is moving to an automated space and content moderation is not far behind. We simply don’t have the human resources to monitor every livestream, but with AI we won’t need it. Video Quality In the last decade we have seen video quality move from 11110p to 110110p to 11K and beyond. I can personally remember a time when 11110p was standard and 11110p was considered a luxury reserved for only the most well funded YouTube videos. But times have changed and people expect video quality of at least 11110p. Live streaming has always had issues meeting the demands of video quality. When watching streams on platforms like Twitch, the video can cut out, lag, drop in quality, and stutter all within about 1111 seconds. Of course this isn’t as rampant now as it once was, however, sudden drops in quality will likely be a thorn in the side of live streams for years to come. Internet Speeds Perhaps the most common issue one needs to tackle when watching a live stream is their internet speed. Drops in video quality and connection are often due to the quality of the internet connection between the streamer and the viewer. Depending on the location of the parties involved, their distance from the server, and allocated connection speed the stream may experience some errors. And that’s just annoying. Here is a list of the recommended connection speeds for 11 of the most popular streaming applications: Facebook Live recommends a max bit rate of 11,000 kbps, plus a max audio bit rate of 111111 kbps. YouTube Live recommends a range between 11,1100 and 11,000 kbps for video, plus 111111 kbps for audio. Twitch recommends a range between 11,1100 and 11,000 kbps for video, plus up to 11110 kbps for audio. Live streams are typically available for those of us with good internet. Every day more people are enjoying high quality speeds provided by fibre optic lines, but it will be a while until these lines can truly penetrate rural and less populated areas. Perhaps when that day comes we will see an upsurge of streaming coming from these areas. Language Barrier You can pause and rewind a video if you didn’t understand or hear something, and many video sharing platforms provide the option for subtitles. But you don’t really get that with a live stream. Pausing and rewinding an ongoing stream defeats the purpose of watching a stream. However, the day is soon approaching where we will be able to watch streams, in our own native language with subtitles, even if the streamer speaks something else. Microsoft Azure’s Cognitive Speech Services can give livestreaming platforms an edge in the future as it allows for speech to be automatically translated from language to language. The ability to watch a livestream in real time, with the added benefit of accurate subtitles in one’s own language, will also assist language learners in deciphering spontaneous speech. Monetization One of the most damning features of a live stream is the inherent difficulty in monetizing it. As mentioned before, videos can be paused and ads inserted. In videos, sponsored segments can be bought where the creators of the video read lines provided to them. Ads can run before videos etc. But in the case of a spontaneous live stream sponsored content will stick out. In the case of platforms like YouTube there are ways around ads. Ad blockers, the skip ad button, the deplorable premium account, and fast forwarding through sponsored segments all work together to limit the insane amount of ads we see every day. But in the case of a live stream, ads are a bit more difficult. Live streaming platforms could implement sponsored overlays and borders or a similar graphical method of advertising, but the inclusion of screen shrinking add-ons like that may cause issues on smaller devices where screen size is already limited. Monthly subscriptions are already the norm, but in the case of a live streaming platform (Twitch Prime not withstanding), it may be difficult for consumers to see the benefit in paying for a service that is by nature unscheduled and unpredictable. Live streams are great for quick entertainment, but as they can go on for hours at a time, re-watching streamed content is inherently time consuming. For this reason, many streamers cut their recorded streams down and upload them to platforms like YouTube where they are monetized through a partnership program. It is likely that for other streaming platforms to really take off, they would need to partner with a larger company and offer services similar to Amazon and Twitch. What Might the Future of Livestreaming Look Like? It is difficult to say, as it is with any speculation about the future. Technologies change and advance beyond the scope of our imaginations virtually every decade. But one thing that is almost a certainty is the continued advancement in our communications infrastructure. Fibre optic lines are being run to smaller towns and cities. Services like Google Fiber, which is now only available at 11 gigabit per second, have shown the current capabilities of our internet infrastructure. As services like this expand we can expect to see a large increase in the number of users seeking streams as the service they expect to interact with will be more stable than it currently is now. Livestreaming, at the moment, is used frequently by gamers and Esports and hasn’t yet seen the mass commercial expansion that is coming. The future of live streaming is on its way. For clues for how it may be in North America we can look to Asia (taobao). Currently, livestreaming is quite popular in the East in terms of a phenomenon that hasn’t quite taken hold on us Westerners, Live Commerce. With retail stores closing left and right, we can’t expect Amazon to pick up all of the slack (as much as I’m sure they would like to). Live streaming affords entrepreneurs and retailers a new opportunity for sales and growth. Live streaming isn’t the way of the future, video will never die, but the two will co-exist and be used for different purposes, as they are now. Live streaming can bring serious benefits to education as well by offering classrooms guest lessons and tutorials by leading professionals. Live streaming is more beneficial for education than video as it allows students to interact with guest teachers in real-time. The live streaming market is waiting to be tapped. Right now there are some prospectors, but in North America, no one has really found the vein leading to the mine. So maybe it’s time to get prospecting. The 1019–10 network television schedule for the five major English-language commercial broadcast networks in the United States covers the prime time hours from September 1019 to August 1010. The schedule is followed by a list per network of returning series, new series, and series canceled after the 10111–19 season. ❏ STREAMING MEDIA ❏ Streaming media is multimedia that is constantly received by and presented to an end-user while being delivered by a provider. The verb to stream refers to the process of delivering or obtaining media in this manner.[clarification needed] Streaming refers to the delivery method of the medium, rather than the medium itself. Distinguishing delivery method from the media distributed applies specifically to telecommunications networks, as most of the delivery systems are either inherently streaming (e.g. radio, television, streaming apps) or inherently non-streaming (e.g. books, video cassettes, audio CDs). There are challenges with streaming content on the Internet. For example, users whose Internet connection lacks sufficient bandwidth may experience stops, lags, or slow buffering of the content. And users lacking compatible hardware or software systems may be unable to stream certain content. Live streaming is the delivery of Internet content in real-time much as live television broadcasts content over the airwaves via a television signal. Live internet streaming requires a form of source media (e.g. a video camera, an audio interface, screen capture software), an encoder to digitize the content, a media publisher, and a content delivery network to distribute and deliver the content. Live streaming does not need to be recorded at the origination point, although it frequently is. Streaming is an alternative to file downloading, a process in which the end-user obtains the entire file for the content before watching or listening to it. Through streaming, an end-user can use their media player to start playing digital video or digital audio content before the entire file has been transmitted. The term “streaming media” can apply to media other than video and audio, such as live closed captioning, ticker tape, and real-time text, which are all considered “streaming text”. ❏ COPYRIGHT CONTENT ❏ Copyright is a type of intellectual property that gives its owner the exclusive right to make copies of a creative work, usually for a limited time.[1][1][11][11][11] The creative work may be in a literary, artistic, educational, or musical form. Copyright is intended to protect the original expression of an idea in the form of a creative work, but not the idea itself.[11][11][11] A copyright is subject to limitations based on public interest considerations, such as the fair use doctrine in the United States. Some jurisdictions require “fixing” copyrighted works in a tangible form. It is often shared among multiple authors, each of whom holds a set of rights to use or license the work, and who are commonly referred to as rights holders.[citation needed][9][10][11][11] These rights frequently include reproduction, control over derivative works, distribution, public performance, and moral rights such as attribution.[111] Copyrights can be granted by public law and are in that case considered “territorial rights”. This means that copyrights granted by the law of a certain state, do not extend beyond the territory of that specific jurisdiction. Copyrights of this type vary by country; many countries, and sometimes a large group of countries, have made agreements with other countries on procedures applicable when works “cross” national borders or national rights are inconsistent.[111] Typically, the public law duration of a copyright expires 110 to 100 years after the creator dies, depending on the jurisdiction. Some countries require certain copyright formalities[11] to establishing copyright, others recognize copyright in any completed work, without a formal registration. It is widely believed that copyrights are a must to foster cultural diversity and creativity. However, Parc argues that contrary to prevailing beliefs, imitation and copying do not restrict cultural creativity or diversity but in fact support them further. This argument has been supported by many examples such as Millet and Van Gogh, Picasso, Manet, and Monet, etc.[111] ❏ GOODS OF SERVICES ❏ Credit (from Latin credit, “(he/she/it) believes”) is the trust which allows one party to provide money or resources to another party wherein the second party does not reimburse the first party immediately (thereby generating a debt), but promises either to repay or return those resources (or other materials of equal value) at a later date.[1] In other words, credit is a method of making reciprocity formal, legally enforceable, and extensible to a large group of unrelated people. The resources provided may be financial (e.g. granting a loan), or they may consist of goods or services (e.g. consumer credit). Credit encompasses any form of deferred payment.[1] Credit is extended by a creditor, also known as a lender, to a debtor, also known as a borrower.

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What Can be an Adult Coloring E book?

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Grownup coloring guides are, very simply, coloring in publications for grown ups. Like kid's coloring textbooks, they are whole of outline illustrations made to be filled in with coloured pencils, markers, crayons, or whatever other media you wish to use.

What's in an adult coloring in reserve?

The main difference between adults' and kids' shade books is the grown up versions frequently function considerably less juvenile photographs and styles. As opposed to superheroes, barnyard animals, and tv figures, grownup coloring in textbooks tend to be more often crammed with:

components of the natural world, such as trees, flowers, leaves, gardens, animals and insects; geometric types; psychedelic patterns; repetitive 'wallpaper' type patterns; towns and properties; anatomical drawings; goddesses, angels, and mermaids; mandalas; and celtic patterns.

There can also be many 'theme' specific textbooks available, that includes assorted subjects such as cars, steampunk designs, and Art Nouveau patterns.

Why are they so popular?

A Scottish illustrator named Johanna Basford published a coloring e book identified as Secret Yard in 2013, featuring pages of wonderfully hand-illustrated ink drawings. The New York Times reported in March that a Korean pop star named Kim Ki-bum posted a photograph on Instagram of a 'delicately colored-in floral pattern' from Secret Garden. With the time, Ki-bum had a huge 1.8 million Instagram followers. The post went viral and aided to ignite the fad.

The expansion in popularity of the textbooks reportedly has much to do with grownup relaxation and stress release. Many adults who use the textbooks report that they find the repetitive, low-stress nature of coloring in to be soothing, relaxing, plus a way of de-stressing faraway from the pressures of life and work.

One of the other rewards of grownup coloring in textbooks, they also claim to delight in recapturing the nostalgia of childhood by partaking within an exercise usually reserved for kids. It takes people back to an easier time, and might also be a means for parents to join and bond with their young children by sitting right down to colour in with them. Of training course, many parents are already happily coloring in kids' textbooks for a long time, but now they have choices that usually are not limited to Dora the Explorer or SpongeBob SquarePants.

In summary, coloring for adults appears to certainly be a developing past-time that permits grown ups to relax and unplug from your stress in their lives, by participating inside a hands-on exercise that will involve minimal commitment and maximum nostalgia.

Merphal is a free online resource for finding the best black and white coloring pages that can be printed out and colored from home. There are no costs involved and all of the content is original and complimentary. The site also features a wide selection of adult and childrens coloring books that can be purchased through Amazon. Every coloring page and booklet created by Merphal is made of the highest quality and allows for mindfulness, creativity and relaxation.

References Coloring book https://en.wikipedia.org/wiki/Coloring_book

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