#killer peter x thaddeus

[anjeliquesworld]

Thaddeus × reader

Note: decided to give my baby sum hype💋🙈

Cw: slightly nsfw, intrusion

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A feather caress

You were lying in bed, relaxing after a stressful day.

You closed your eyes as you took deep breaths, trying to clear your mind.The moonlight was illuminating your room.

Suddenly the windows in your room opened violently and there he was.... Standing nonchalantly against the wall.

-: Wha-What the hell?!How did you get in?!

You say sitting up, gripping the covers tightly.

Thaddeus grinned mischievously as he walked over to your bed.

-: Don't worry about that, I have my ways, little one

Sitting on the edge of your bed,he reaches to caress your cheek.

He leaned in closer, slowly pushing you down onto your back.

His voice dropping to a low whisper...as if he was sharing a secret,...a dangerous one.

:-You know.... you're always on my mind

Your heart raced as his fingers traced your features softly...He trails a finger down your collarbone, sending shivers down your spine.

Thaddeus chuckles darkly, admiring how you react to his touch.

:- I could do so much more to you,

he whispers seductively, his voice dripping with promise.

His touch felt like a sweet slow torture.

He leaned closer,you could feel his hot breath against you...he brushed his lips against yours slowly...you closed your eyes,giving in to the desire.

His lips felt like a feather caress

-: not yet,- he whispered.

And just like that he disappeared...

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[lexxiie]

Can I request something like falling asleep on the four apostles (Nathaniel, Kageo, Aliepde, Thaddeus) + Raphael???

Thanks again! Really love all of your headcanons 💕

FALLING ASLEEP ON THEM

Hello anon! I must admit that while I like Kageo as a character, i don't have a crush on him like I have for the rest, which makes it hard to write for him. As for Raphael... ANON, HE DOESN'T EVEN HAVE A FACE YET!!!! So here's the deal. I'll wait till the reveal cause I just know I'll like him, and then I'll update all my killer peter posts to include him.

Fandom: killer peter

Featuring: Nathaniel, Thaddeus, Alipede.

Nathaniel

He met you a couple of weeks ago, and felt completely mesmerized when he saw you, he just had to ask you out.

He first invited you to have dinner with him, and the date went pretty good. You mentioned that there was this movie that you really liked and he said he’d never seen it, so after a couple of dates, he decided that it would be a good idea to invite you to watch it at his apartment. You said yes.

He made popcorn and door dashed Chinese food. The date was going smoothly, and the movie was so good that he initially didn’t even realize that you had fallen asleep on his lap.

Oh.

He had never seen you like this before. If he already thought you were beautiful awake, this might just be the most wonderful view he’s ever seen.

The doctor couldn’t help but caress your face as he watched you, now having forgotten about the movie. Nathaniel felt moved that you trusted him enough to fall asleep with him. He spent the rest of the night wondering if you would still like him this much once you got to know all of him, the good and the bad. Soon after, he fell asleep as well. You both woke up till the next morning, still together.

Alipede

He doesn’t get along with work mates. He doesn’t like them, he avoids to have any sort of contact with them.

So why in the world is he allowing this?

You were both on a mission, and the heavens know he hates team work, Raphael knows this, too. He doesn’t need anyone, in fact, other people get in his way when it comes to work… or anything, really. Which is why he can't understand why you were assigned alongside him.

Just like always, he was right. Nothing can work out when he’s with someone else. The plan was to retrieve a document from a building without being seen, but it started raining. John decided to not risk it and wait till the rain was over so that he could regain his senses fully. You both hid in an alleyway nearby to wait.

Not even an hour had gone by and you were already asleep. You unconsciously laid your head against his shoulder and he wanted to push you so, so bad but for some reason, instead of doing so, he accommodated his body so that you wouldn’t be in such an awkward position.

Now here he was, caressing your hair, realizing how stupid this all is and wishing he could’ve come here alone... but you smell so nice, and your hair is so soft, and your skin is so warm and your breathing-

And it stopped raining. But for reasons he doesn’t understand, he waits a little more to wake you up.

Thaddeus

He liked you. He really did. But whenever he was around you he felt the need to act "normal." Thaddeus just assumed you didn't feel the same way, and he didn't want to make you uncomfortable.

His plan was to never make a move and keep acting cool until his feelings dissipated. Yeah, it was a good plan. It was a great plan.

"Would you like to have lunch with me?" He asked you, immediately mentally reprimanding himself for ruining the plan. He fucked up, didn't he? You seemed quite taken aback. The killer attempted to make it less weird, "you know, cus it's getting late and we haven't eaten and all, but I can go on my own if you aren't hung-"

"I'd like to go." Great.

You both found a food stall nearby and walked through the little town you were sent to while you finished your food. At some point, you decided to sit on a bench to watch the sunset, and before Thaddeus realized, your head was resting on his shoulder. Suddenly, the mesmerizing view of the sun disappearing into the sea was nothing compared to you. And nothing could compare to the feeling of your body against his, so calm, trusting him enough to fall asleep on him. He didn't want this to be the last time. Fuck the plan.

MASTERLIST

[belovedivies]

syndrome ft. thaddeus

cw: minor spoiler, pining.

Thaddeus eluded you.

The same way people did him, honestly.

But then there was you again, and you had just kind of been there; standing by Raphael’s side like a loyal dog since day one. Never frowning, never raising your voice. And he didn’t think he minded it, not really. He liked that your serenity balanced out the semi-man-child whom Thaddeus now called his new boss. You were soft, gentle, benevolent. Maybe only at times. Greeting him whenever he passed by you in the hallway. Laughing at his stupid jokes. Humming a foreign song under your breath that the Apostle didn’t recognize.

One less eggshell to walk on, yet two ticking bombs remained.

He liked your eyes too. Shining, dazzling, so unlike Raphael’s. The redhead only felt that familiar twinge of annoyance when you gazed up at the man you called your little brother with so much love and care. Like you were willing to hang the moon and stars for him. And Thaddeus wasn’t jealous, not really. Raphael was your flesh and blood; it’s only natural that devotion would dig deeper than any shovel or sword could.

But you only had that impenetrable smile on these days. Moving with grace and gold. Keeping your distance. He couldn’t even hold a conversation for longer than one minute before you excused yourself out of the room, not sparing him another glance.

—

Your indifference bothered him.

Made him feel like he was a snot-nosed brat all over again, struggling to survive in that dog-eat-dog shithole he reluctantly called a family. Years ago, when you took the knife out of Raphael’s hands and dug the blade into Father Gabriel’s heart for him, Thaddeus was stuck kicking his legs somewhere far away until his limbs were bent at an inhuman angle, his lungs burning for air. But he pushed through the pain, the tears, the blood early on. He had to become the strongest.

For what, a six-year-old him once pondered.

Sitting by the pond in the garden and swinging his legs in a pair of dojo shoes he had soon outgrown. Martial Arts is about the body and the mind. Integrity, courage, respect. He never intended to frighten others and should have never been considered a weapon of destruction either. But then came the power. The control. The entire continent soon bowed to the King of Kowloon, and Thaddeus was nothing short of elastic.

As much as he hated to admit it, the fight with your little brother knocked some sense into his thick skull. The Apostle didn’t even have time to process his defeat before Raphael wrapped him up in a white body suit that made him look like a goddamn psych ward patient, heavy chains bidding his legs together and keeping him suspended in the air. Thaddeus refused to yield then, gritting his teeth and cursing out strings of profanity that he wasn’t taught before. He fussed, yet Raphael was barely fazed. The punishment didn’t come right away.

It was the days after that.

Days when he was all alone in the base with nothing but his thoughts for company. Thaddeus kept his head hung low and just stared blankly. He felt like a slab of meat. Static noises played on repeat inside his head; and he was okay with that, really. He didn’t want to think anymore.

The hours were so long that he stopped counting. Only then did sleep eventually claim him—a stuffy, dreamless slumber.

—

The redhead didn’t know how long he had been unconscious. But when he woke up, he found himself on the ground; the chains and ridiculous costume miraculously all gone. He was resting his head on something soft too. Thaddeus’ mind tutted its alarm late, but when it did, his body shot up as if struck by lightning and muttered up whatever little strength was left to put some space between him and this unfamiliar presence. Yet the second he attempted to move, his vision started spinning. A stabbing discomfort gnawed on his nape, and Thaddeus realized he was hit with the worst neck pain ever.

He was going to fall at this point. Crashing face-down on the ground like a pathetic loser. The Apostle’s legs wobbled like overcooked noodles as he braced himself for the fall that never came. Instead, he found himself on his back once more, wondering if his body had even moved an inch in the first place.

But there was you, staring down at Thaddeus with a smile.

“Welcome back,” he hadn’t heard any voice in days, much less one as pleasant as yours. The way your hands cradle his face felt like a hug on a winter day. When you shifted, Thaddeus’ stomach did a weird twist.

You didn’t seem to mind him gaping at you like a dead fish, tilting forward with that same mysterious quirk on your lips. Your hair falls around him in soft curtains, blocking the flicking lightbulb ahead that was starting to hurt his eyes.

“How are you feeling?” Your fingers weaved through Thaddeus’ hair. And it felt good, so good he thought he could fall asleep again right here, with his head on your lap. The stinging pain at the back of his nape went away almost instantly when the tips of your digits grazed through the spot.

He opened his mouth, trying to get the words out. It’s useless; his throat was so parched. Thaddeus guzzled the bottled water you handed him in less than two seconds, not caring if his whole face was drenched too in the process. He heard a giggle from you, sounding like mist drops on leaf dripping down a pond.

You came here by yourself.

That much he collected when you pat his face dry with a handkerchief, the silver cross embroidery at the edge tickling his jawline. The movement was still nothing but gentle, yet Thaddeus noticed the corner of your smile turning icy. You came alone, but not without purpose.

“What do you want?”

It might be a little too late, but his inquiry came out nonetheless. Thaddeus tried propping himself up with his elbows but soon realized they were shaking.

At the question, your head tilted to the side ever so slightly. Legs tucked under your thighs in a too-expensive dress. Not a single wrinkle or hair out of the place. Unfeeling. Unmoving. Pupils blown wide like a doll’s.

“I came to check up on you!” You sing-song, beaming too bright, too superficial he had to stop himself from cringing outwardly. “Sit up.”

The command barely registered in his weary mind when Thaddeus felt his body moving on its own, and he was sitting face-to-face with you.

The smile you gave him was nothing short of satisfactory. Eyes glinting with mirth. Like he was a puppy and just did something endearing.

“Here,” something warm slipped down his throat; soup? Thaddeus blinked in awe, feeling the herb soothing his deserted taste bud. He hadn’t eaten anything for a whole week, “how does it taste?”

“G-Good.” His response came immediately this time, albeit rasped and still shaky. But you didn’t mind, feeding him another spoonful of dumpling that he eagerly bit into. Thaddeus was left starved, and he was gonna rot here to death if you didn’t come.

You were technically his savior.

And you looked pleased too, letting him have the rest of the bowl until it was empty. Wiping his mouth clean. Guiding him to lie back on your lap. You were warm, so perfect. Thaddeus wondered why he wanted to get away in the first place.

“It will get better,” you hum, running your hands through his hair, “once you move in with us.”

Thaddeus perked up at the last part, meeting your eyes. Your gentle smile remained as your fingers slipped underneath his bangs, resting on his forehead. “Have you thought about what he said?”

He did.

More than he begrudged to relent. Between the endless hours hooked up to the ceiling and nasty bug bites bruising his skin, Thaddeus didn’t have much of a choice. If he somehow walked out of here alive, he would be dragging his feet until the friction scoured the heel of his shoes. Bitter. Humiliated. He didn’t want to be reduced back to the disappointment he was back then.

He needed to be strong.

“Good boy.”

Taking his silence as an answer, you giggled and ruffled his hair. For once, he was sure he had made the right choice.

—

Thaddeus was all over you. In the hallway, in the garden, in between those meetings he rarely ever showed up. Always saying your name with an ear-splitting grin. Always have something to say. A stupid joke to tell.

You never seemed to mind it. You never even liked him to begin with. But he felt comforted when you were there, passing him by like an invisible wall. Thaddeus remembered the way your hands felt on his skin that day. He wondered just what he had to do to have you close again, looking at him like he was precious. Like he meant something.

Raphael was so gonna kill him.

♡dividers credit: @strangergraphics-archive♡ ♡masterlist♡

[analysisiinternet]

Yandere Headcanons for Thaddeus from “Killer Peter”

(note: why do they always make the villain hot i saw no headcanons or fanfics of him or "x reader" so I decided to do a headcanons yes red is my favorite color)

1. Obsessive Affection With his complex personality, Thaddeus exhibits an intense and obsessive form of affection towards those he cares about. His love is not a gentle fondness; it borders on an all-consuming passion that can quickly spiral into possessiveness. He meticulously keeps track of every detail about the object of his affection, whether it’s their daily routines, favorite foods, or even their friends and acquaintances. This obsession drives him to protect them at all costs, leading to a darker side where he might resort to extreme measures if he feels threatened by anyone who comes too close.

2. Jealousy and Paranoia Thaddeus’s yandere nature manifests prominently through his jealousy. He cannot stand the thought of anyone else getting too close to you the one he loves. This jealousy often leads him down a path of paranoia, where he imagines scenarios in which his beloved(you) is unfaithful or is in danger due to others’ intentions. He may confront perceived rivals with a chilling calmness that belies the storm brewing within him. His jealousy can escalate quickly, transforming him from a caring partner into someone who will go to great lengths—potentially violent—to eliminate any threats.

3. Duality of Personality One of the most intriguing aspects of Thaddeus’s character is his duality. On one hand, he can be charming and charismatic, drawing people in with his wit and intelligence. On the other hand, there lies a darker side that emerges when he feels betrayed or threatened. This duality makes him unpredictable; readers are left guessing whether they will encounter the sweet Thaddeus or the cold-hearted protector at any given moment. This unpredictability adds layers to his character and keeps readers engaged as they explore how far he might go for love.

4. Manipulative Tendencies Thaddeus possesses a keen intellect that allows him to manipulate situations to his advantage seamlessly. He knows how to play mind games with both friends and foes alike, often using charm and persuasion to bend others to his will without them realizing it until it’s too late. His manipulative nature extends even to his beloved(you) he may create scenarios that make you dependent on him or isolate them from their support systems under the guise of protection.

5. Dark Romantic Gestures In true Yandere fashion, Thaddeus expresses his love through darkly romantic gestures that may seem sweet on the surface but carry sinister undertones upon closer inspection. For instance, he might surprise his beloved with gifts that have unsettling origins—like items taken from those who have wronged them—or orchestrate elaborate dates in secluded locations where they are completely alone and away from prying eyes. These gestures serve as both declarations of love and warnings: no one else can have them.

6. Unwavering Loyalty Despite his darker tendencies, Thaddeus embodies unwavering loyalty once someone has earned his trust and affection. He would go above and beyond for those he loves, often placing their needs above his own desires—even if it means making morally questionable choices along the way. This loyalty can be both comforting and terrifying; while it provides a sense of security for those close to him, it also raises questions about what boundaries he might cross in the name of love.

7. A Tragic Backstory To fully understand Thaddeus’s yandere tendencies, one must consider a potential tragic backstory that shapes who he is today—a past filled with betrayal or loss could explain why he clings so tightly to those he loves now. Perhaps early experiences taught him that love is fleeting or conditional; thus, when he finds someone worth loving again, he becomes desperate to keep them safe and never let them slip away.

 Clingy Yet Charismatic:

Once Thaddeus develops an attachment to someone, he becomes incredibly clingy. He thrives on their attention and affection, often showering you with compliments and small gifts that seem innocent at first glance—like handmade trinkets or baked goods. However, this clinginess quickly escalates into possessiveness. He believes that anyone who gets too close to his beloved must be eliminated or kept at bay, leading him to orchestrate elaborate schemes to isolate you from potential threats—friends, family members, or even romantic interests He will go out of his way to be near you often inserting himself into your daily routines under the guise of wanting to help or spend time together. 

warning: a lil NSFW(if your comfortable with NSFW you may read if not don't read this)

how would he be in bed-

he would definitely be dom or switch he would do it rough such as if you told him to go slow he would go faster thrusting inside you I don't even know why yall create a safeword he would be the type to call you "good girl your taking me so well~ "while he is fucking you from behind and whispers in your ear "your fucking mine" I feel like he would make jokes while yall are doing it (it is a canon at this point) he would purposely gag you on his dick while your giving a blowjob and laugh about it, I just know if he is good at martial figthtin he is good with fingers

Aftercare-

he would be the big spoon putting you to his chest as she cuddles you and he would act all innocent and shits and he would say how would a good job you did pleasing him as he kisses you smiling at you pullin' closer to him his hand is on your waist, he would make you a bath for him and you can wash off(there might be a round 2) but after all he is clingy don't get me started on him kissing all over your face telling you how much he loves you (he might be a villain but he would hug me if I was sad)

Thaddeus’ hugs become more frequent and enveloping as the relationship develops, offering a sense of security. Kisses exchanged in these early days are tender and sweet, leaving a lingering warmth that hints at deeper feelings. You might notice small tokens of his affection—a favorite snack he brings you or a shared playlist that reflects your growing bond.

His kisses transform into fervent expressions of desire—more passionate and demanding than before. Thaddeus seems insatiable, always wanting more closeness and connection. Love bites become a playful yet possessive mark of his affection, signifying that you belong to him in this chaotic world.

Cuddling Dynamics At home or during quiet moments together, Thaddeus often plays the big spoon role during cuddling sessions. He wraps around you protectively, creating a cocoon where you both can escape from reality for a while. This nurturing side reveals his softer nature beneath the tough exterior he often presents to the world.

(note: comment who yall want me to do headcanons for the next post you can either text me or ask in the box but I would prefer if you text me instead if you read all of this thank you so much and reblogged this)

[vovoloyo]

why the fawk is no one writing about thaddeus from killer peter.

[qyuubu]

ouuuuu he wants that cookie so bad (this goes for both alipede w jiwon, and thaddeus, who is actually eating a macaron cookie)

[flaresemily]

Can I ask you to write about Thadeus or Alipede in Killer peter?

Sadly I don't really understand your request but since you only request two people I'm gonna make a headcanon about romantic and platonic relationship okay

Thaddeus : Romantically and Platonic.

Romantically :

He loves you so much

He love to spoil you with food

Always bring you gift and so on

He actually introduced you to Peter.

He's the sunshine while you're the moon.

When he gets hurt you treat his wound.

Remember that one time he almost die? You save him halfway.

You cry when he's in critical condition. Begging peter to save him as he's the only one you got.

Platonic :

You are probably a kid that got abandoned there or you are his little sister. Or perhaps his twin sister.

He too spoiled you with gifts,food and so on.

He still introduce you to Peter.

Can't lie he was shocked when you said peter is handsome. He feels like he got betrayed!

He is sulking in the house and you have to bribe him with food.

(not so long cause I forgot to read the new chapter)

Alipede : Romantically and Platonic

Romantically :

You are his wife. Yes wife. He quickly married you once he was old enough. Raphael knows about this but just let it go.

Raphael uses you to make sure he does his work well.

And he did.

Both of you have a daughter that looks like him.

And also a pet bunny. He loves you so much that he can't bear to lose you.

He sometimes spoils his daughter.

Platonic :

If he's blind. Then you are mute.

You always stay by his side even when he do his mission. You are an expert when it comes to hacking. So you always help him escape the CCTV cameras.

All those camera footage were deleted.

He was proud of you. He communicates with you using sign language. Yes, you can hear but you prefer not to.

You pretend to be blind once. He was angry thinking that someone has hurt you.

Both of you have a pet bunny mainly where you take care of the bunny.

He spoils you with a hug cause he never has someone in his life that truly cares for him as he said.

You don't mind after all he is your brother.

The end~

[ivyines]

New Killer Peter fic I wrote... I'm obsessed (send help)

[headdaze]

ok follow-up post to the one screaming about how I learned to cope with character death fear yada yada yada

[for context the character I just got attached too in the webtoon is called thaddeus][he is indeed very attractive]

when I went to type in the tags I typed in the webtoon name--Killer Peter--just to see if the tag would pop up automatically (I wasn't sure since it's a fairly??? new webtoon???? just a little over a year old 🥹) the tag popped up but 2 out of the 3 other tags that also automatically pop up besides, obviously, the words I literally typed in--which as I have found out are the ones that are most often associated with the words I've put in--are:

#killer peter thaddeus ... and.... #thaddeus x reader

I literally went "oh." out loud then started laughing so hard and continued with "DANGGGGG YALL ARE THIIIIRRRRSSSTYYYYYYY!!!! LMAOOOOOOOOOOOOOOO" 🤣🤣🤣

not faulting you (I am one of you, in fact) but I was just surprised because like I said in my previous post, as a webtoon reader, I sometimes forget it's not just "me" reading the series and feeling things for it, there are other readers who carry the same passion as I do 🥰 that's why I love this place and other places where fans can congregate, like reddit 🥹 it's nice to be reminded that I'm not alone as a fan, even though it feels like it sometimes 🥹💞

tldr; y'all thirsty, good for you, I may have gotten surprised and gotten a good laugh out of it but honestly me too ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

[ebaeschnbliah]

CHANGING  OF  THE  GUARD

________________________________________________________________

A metaphorical reading of Sherlock BBC, The Sign of Three (and beyond)

The beginning of Sherlock BBC, The Sign of Three, really leaves no doubt what the theme of its story is about. When the eye of the camera zooms slowly in on Speedy’s and the famous black door with the number 221 in Baker Street, it seems to take it’s path right through a literal wood of pointy, black spears. Fences built of iron spears that guard the place..

It starts with a row of spears in the forground. When those get blurry, even more spears from midfield move into focus. Finally the camera reveals spears also in the background. That makes three levels of spears, one might say.

Three levels of spears stand like guardians in front of 221b Baker Street. Could those three levels symbolize the three stabbing victims of The Sign of Three? After all, each one of the three characters is depicted as guard, as protector ... and each one of them gets stabbed. 

TBC below the cut ...

Stephen Bainbridge 

He is a Private in the Household Guard of the Queen. The Grenadier Guards is an infantry regiment of the British Army. The current regiment is known as the 1st Regiment of Foot Guards … ’Every foot soldier bears the mark’  (Soo Lin, TBB). How surprising is it that the ‘East’ zooms in on Bainbridge before he gets stabbed by Jonathan Small? 

Also … the gesture of the woman is interesting. Two Vs make a W (or a M … depends on the turning). It also lets me think of Culverton Smith’s W-gesture in TLD, in the short clip with the man disguised as cock (x).

Modern Grenadier Guardsmen wear a cap badge of a "grenade fired proper" with seventeen flames (x). Foot soldiers linked to exploding grenades … what a lovely coincidence, especially regarding the ‘passions’ grenade from TFP. :)

When the changing of the guards takes place, Bainbridge is already wounded and slowly dying. He got stabbed before the changing.

The name Stephen is of Greek origin and means ‘crown’ and ‘that which surrounds’. Saint Stephen was stoned to death and is regarded as the very first Christian martyr. 

Another little detail caught my attention as well. Just a word used twice to describe a person. 

SHERLOCK: “Elite Guard.” JOHN: Forty enlisted men and officers. SHERLOCK: Why this particular Grenadier? Curious.

And in TRF Sherlock sais:

SHERLOCK: This little boy; this particular little boy ... who reads all of those spy books. What would he do? JOHN: He’d leave a sign?

Max Bruhl left a sign. Stephen Bainbridge wrote a note. Not much of a difference, I think.

Guardsmen   Max and Claudette

 James Sholto

He is a retired Major of the Fifth Northumberland Fusiliers and Captain John Watson’s old commanding officer. A decorated war hero but not to everyone. Something went wrong when he led a team of new recruits into battle. ‘They all died’ (just like AGRA). Major Sholto, badly wounded, was the only survivor. Press and families gave him hell. Deaththreats and hate almost turned him into a recluse, into a most unsociable man, who spends his retirement way out in the middle of nowhere.

I’m quite sure this has been mentioned before, the 5th Northumberland Regiment on Foot (’foot soldiers’ too) still uses their ancient badge … St George killing the dragon (x)   Every quiver of his beating heart

‘He destroyed us all’  …  somehow these words sound very similar to the one Sherlock uses in TFP, in a situation where he considers himself to be a soldier: ‘Five minutes. It took her just five minutes to do all of this to us. Well, not on my watch.’ 

As mentioned above, Mary’s dialogue in TST matches the description about the incident with Sholto’s recruits almost identically …  ‘something went wrong’/’but it went wrong’ … ‘I was the only one who made it our’/’they all died; he was the only survivor’. And Mary considered AGRA to be her family ... ‘we were family’. 

Major John Sholto is an original character from ACDs novel The Sign of Four. His sons are called Thaddeus and Bartholomew. The renaming of the Major’s first name - from John to James - must have been a deliberate choice. A choice which is reflected in the skip code of TEH ‘John or James Watson … saint or sinner ... James or John’, as well as in John Watson’s middle name … Hamish (Scottish for James).

Major Sholto’s room number is ‘two oh seven’. This reminds me of the ‘double oh seven’ codeword for the ‘flight of the dead’ in ASIB. Two and double …. both means 2. Sure, the number on the door reads 207 but then, it happens several times in this story, that things told and things shown are sometimes not quite the same or vis versa. 

When the wedding guests leave the church and the reception takes place, Sholto is already wounded and slowly dying. He has been stabbed before.

Sherlock investigates the cases of both guardians

Bainbridge’s note reaches him sometime during the wedding preparations. John and Sherlock arrive just in time to save Private Bainbridge’s life. The case though remains unsolved.

Without knowing it at the time, Sherlock investigates Sholto’s case during John’s stag night. They call the investigation of the ghost-man the ‘Mayfly Man’ case. It remains also unsolved.

Sherlock includes both unsolved cases into his best man speech at John’s wedding and here at last, all the puzzle pieces fall into place and Sherlock is able to solve both cases, which are closely related. As a consequence Major Sholto’s life can be saved as well. 

The person responsible for the attempts to kill Private Bainbridge and Major Sholto is:

Jonathan Small

‘Brilliant, ruthless, almost certainly a monomaniac - though, in fairness, his photographs are actually quite good’ … that’s how Sherlock describes the killer. Small’s motive is revenge. He is convinced that Major Sholto is responsible for the death of Small’s brother Peter, who had been among the killed recruits. It seems that Private Bainbridge merely had the misfortune and got randomly chosen for the rehearsal of Sholto’s murder. But ... why this particular 'foot soldier’? (I’ll come back to that question later)

Jonathan Small grins like Jim Moriarty and wears a checkered shirt like John. He is a brilliant, ruthless monomaniac and obviously also a womaniizer who has no problems to woo half a dozen women, almost at the same time, into telling him well-kept secrets. Basically … a perfect blend of Jim Moriarty and traditional John ‘three continents’ Watson. 

Like Major Sholto, Jonathan Small too is an original character from ACDs novel The Sign of Four. His name has not been changed. Only together with his female and not-canon counterpart Janine, Mary’s bridesmaid, who seems to be a lovely blend of Irene and Jim, the name chosen for the antagonist of this episode, appears to gain a special significance. 

Janine - deiminutive of Jeanne, female form of John … ‘little Johnny’

Jonathan - diminutives are Jon, Jonni ... though not related to ‘John’ regarding the meaning of the name, it can still be heard as … ‘little Jonny’  (’You can talk, Johnny-boy. Go ahead.‘ Jim, TGG)

None other than ‘little Jo(h)nny’ (the H makes the difference) is responsible for the almost murder of Private Bainbridge and Major Sholto, the first two stabbing victims of this episode. 

‘Little Johnny’ also happens to be another word for penis … the ‘meat dagger’.

Who’s the third ‘victim’ then?

Mary Elizabeth Morstan

She is a character full of surprises who starts as a simple nurse who marries John Watson in TSOT. Among Sherlock’s deduction-word-cloud in TEH the term ‘guardian’ can be found and only one episode after the ‘wedding’, Sherlock outs her as facade … his very own facade, because the Empty Houses in Leinster Gardens, on whose front walls Mary’s face is projected, are Sherlock’s property. 

Mary Elizabeth Morstan isn’t her real name either. It’s the name of a stillborn child from a gravestone in Chiswick Cementry. This connects her character to the other stillborn child of this story ... Rachel Wilson, the pink lady’s daughter from ASIP. The initials A.G.R.A. stand for Mary’s true name, she tells later … but soon this turns out to be incorrect as well. A.G.R.A. was a group of four undercover agents who worked for the British Government. Prior to her ‘retirement’ Mary had been a member of that group. Sherlock describes her as ‘super-agent with a terrifying skill set’. Based on the current status, her two first names are Rosamund Mary … the family name is still unknown (if there even is one). 

Why should Mary be the third stabbing victim?

Readers of my theories will probably know that I’m playing for a long time now with a mind palace scenario which stretches from the beginning, most likely in PILOT (or even before) to the end of S4 (x). Back then I wondered ...

Is it really so farfetched to consider the possibility that Sherlock tries to deduce and solve the mysteries and problems of his own live - and his falling in love with John - at first in his mind? Before he comes out?

Over decades - since ACD - the story of Sherlock Holmes and Dr. Watson has been told by the famous 'unreliable narrator’. Could it be that this time - with Sherlock BBC - the world will get the true story? Finally told by Sherlock himself? By looking right into his heart and mind and soul? By showing how his brilliant mind works? How his heart and soul expand and grow?

Would TPTB do such a thing? Stay in Sherlock’s mind over the span of multiple episodes? Follow his train of thought … show his evolution … in such a way? I don’t know. But it sounds thrilling to me. (Nov 2016)

Based on those early ideas I gradually came to the conclusion that Sherlock BBC tells the story of how Sherlock Holmes deduced his own persona. He does this the same way he investigates his criminal cases … by setting up scenarios in his mind and repeating those until he has found the correct solution (The Stage is set). Investigating his own case - the pink one - in such a way, would mean that all the characters which appear on Sherlock’s ‘mind stage’ represent different aspects of himself. Some of them may be based on real life persons, most of them are probably entirely created by Sherlock’s imagination. I like to compaire this process to a ‘mind journey’ or to a long (dramatic) dialogue, Sherlock holds with himself. This propably doesn’t happen during a dream or in a state of coma, as I thought back in 2016. A lot of time and thinking has gone by since then. Nowadays I presume that a conscious thinking process would fit better with the literal character Sherlock Holmes, whose deductions are always built on facts, science, reason and logic. It would be rather OOC that a man like Holmes would base an important, life changing decision on anything else than his razor sharp mind. Anyway, it’s just one of many theories.

Mary now … ever since I noticed the lot of similarities this character shares with Sherlock (x) my view on her started to change considerably. To me she isn’t the woman anymore who comes between Sherlock and John but instead the facade Sherlock Holmes created and married to his traditional, eternal friendship with John Watson for the sole purpose, to hide his romantic feelings and his sexual desire for the friend behind this protective wall. Mary is Sherlock’s facade, his guardian, his firewall … because:

John can’t ever know that I lied to him. It would break him and I would lose him forever – and I will never let that happen. Please … understand. There is nothing in this world that I would not do to stop that happening.

In my opinion, these are Sherlock’s own words and they express his fear of what might happen to the uinque friendship he shares with John, if the friend ever discovers the true nature of his feelings for him. Sherlock would do anything to stop that happening, even if this means that he has to incarcerate his emotions inside a high-security facility, behind elephant glass and chain his sexuality with iron bonds to a wall in a padded cell, like a hound from hell.  

The ‘meat dagger’ incident

Sherlock tells the wedding guests - Major Sholto sits among them - about the unsolved Bainbridge case and asks if any of them has got a theory how that guard might have been stabbed. What kind of murderer can walk through walls, which weapon can vanish? Molly’s fiancé Tom (both characters are mirrors for John and Sherlock) assumes it could be a case of ‘attempted suicice by meat dagger’ ... something that would have been self administered. 

A lot has been written since then about the ‘meat dagger’ as a metaphor for 'penis’ …. for ‘little Johnny’.  :)

Sherlock sees only one feature of interest in the whole case … while he tried to solve the mystery, the eternal friend saved the life of the guard. And just the same happens a little while later with Major Sholto, the other guardian. It turns out that both men - both guardians - have been stabbed by the same killer … Jonathan Small … little Jonny, the meat dagger ....

There’s only one other character in this episode who has been stabbed unknowingly as well. That’s Mary. And in her case it’s indeed … ‘stabbed by meat dagger’ because Sherlock deduces her pregnancy by the end of the episode. Or expressed in computer language:  the firewall has been penetrated by the virus.

The ‘father’ might be John or David, Mary’s ex. It doesn’t matter if one views the story metaphorically where all characters represent aspects of Sherlock himself. Going by his looks, David is clearly a mirror for John, while his history regarding the constant online observation of Mary, connects him to Mycroft, the brain. David seems to be a ‘blended’ mirror like Jonathan Small (John/Jim) or Janine (Irene/Jim). A mirror who represents the ongoing interest of the brain in the feelings hidden behind the facade. 

When Sherlock marries John and Mary, he puts a guardian in front of his true feelings for the friend. He tries to ‘downgrade’ those feelings. And yet, Sherlock allows three ‘social ancounters a year’ but ‘always in John’s - the traditional friendship’s presence’. That sounds very much like the ‘calculated risk’ Mycroft takes with Eurus. Both ‘brothers’ seem to be ‘love-addicts’ in need of a fix, once in a while … when the burden of ‘holding oneself to a higher standard’, of ‘keeping oneself right’ gets too heavy … or too boring. In that case it could propably happen that one takes the frustration out on the wall … then the wall has it coming …  :)

The moment of revelation

When Sherlock is blinded by the flashlight of ‘little Jo(h)nni’s’ camera, he suddenly realizes that the cases of Bainbridge and Sholto are connected. That the stabber has to be the same person. It’s the moment when the first domino piece falls and knocks over the next, and the next, and the next …. leading to a chain reaction of revelations at the end of which Sherlock knows without any doubt that his new facade had been penetrated again … this time though by a ‘kill shot’. He’d been hit by AMO (the perfect ammonition), fired by the crack shot that is his eternal friend. The seed of love has been laid without Sherlock noticing the ‘chink in his armour’ through which Cupid’s arrow hit home. Now love has taken root behind his facade and is growing. 

The name chosen for that love is Rosamund - Rose of the world, as the dialogue in TST confirms. There’s a real rose of that name - Rosa Mundi - an old rose depicted in a work of Sandro Botticelli “Virgin Adoring the Sleeping Christ Child”. This rose is also known by the synonym ‘rosa versicolor’ - which means ‘rose of many or changing colours ... iridiscent’.

The word iridescence is derived in part from the Greek word ἶρις îris , meaning rainbow, It is the phenomenon of certain surfaces that appear to gradually change color as the angle of view or the angle of illumination changes. (X)

Sherlock - the ‘virgin’ he is called in ASIB by Jim and Irene - announces the pregnancy of Mary (I still wonder if this means that he is the 'Gabriel’ of A.G.R.A. - the angel who announces virgin Mary’s pregnancy). And during the stag night, John is labeled with ‘Madonna’. Another name for Virgin Mary. This turns the eternal friend also into the ‘virgin’, just like Sherlock and Mary. Another ‘sign of three’ one could say. 

Three virgins - three novices - who will now start a new journey on a way they have never travelled before. Sherlock will finally encounter romantic love and accept it ‘it is what it is’, the facade will ‘get retired in a pretty permanent sort of way’ as the brain blatantly puts it in TST and the traditional ‘eternal’ friendship will have to change into a romantic-sexuell relationship. A morphing together of friendship and sex - John and James - would be a quite logical consequence, I guess.

In TST the little baby is christened with the name Rosamund, a name that can be traced back to ‘rainbow’ … Rosie for short.  And rosy=pink!

‘Oh, what a night! ... I was never gonna be the same … I felt a rush like a rollin' ball of thunder spinnin' my head around n' takin' my body under’ 

No wonder this song has been chosen by the creators to accompany this scene. Overwhelmed by emotions - surprise, confusion, amazement, shock, joy, panic, uncertainty, concern, fear - Sherlock isn’t able anymore to carry on with this ‘wedding’ .... with this renewed ‘changing of the guard’. He walks away alone into the night. The case is solved. Sherlock is aware of what happened. Now he has to deal with the consequences. Should he really replace his guardian again or should he finally stop pretending, stop lying, drop the facade and confess his deepest secret?

Because if you tell them and they decide they’d rather not know, you can’t take it back. You can’t unsay it. Once you’ve opened your heart, you can’t close it again.

This confrontation, Sherlock fights with himself, becomes the centrepiece of the following episode (HLV) where Sherlock is completely torn into. One half of his being, still protected by the facade, is at war with the ... ‘other one’, the slowly increasing emotional side of him. But somewhere deep inside his mind he probably knows already that this is a war ‘he must lose’. And so Sherlock has to go deeper ...

TAB doesn’t only take Sherlock back to his literal roots. In this episode Sherlock investigates again two of the main threads of the story and ties them together through the ‘bride’ … FALL and HOUND. Mary, the facade, feels already ‘left behind’ and John, who represents Sherlock’s now fully acknowledged, tender feelings, directed at his friend ... ‘does grow up so fast’. The episode ends with Sherlock, who throws himself into a torrent of water=emotions and follows Jim Moriarty, Mr Sex, down the Reichenbach Fall … right into the emotional rollercoaster that is Series Four. 

Like the investigation in TAB, this series runs backwards as well. TST repeats the events of S2 and S3 while TLD zooms in on S1. I persume this happens because Sherlock applies an ability he describes to Dr. Watson as ... ‘reasoning backwards’:

“In solving a problem of this sort, the grand thing is to be able to reason backwards. That is a very useful accomplishment, and a very easy one, but people do not practise it much. In the every-day affairs of life it is more useful to reason forwards, and so the other comes to be neglected. There are fifty who can reason synthetically for one who can reason analytically…Let me see if I can make it clearer. Most people, if you describe a train of events to them, will tell you what the result would be. They can put those events together in their minds, and argue from them that something will come to pass. There are few people, however, who, if you told them a result, would be able to evolve from their own inner consciousness what the steps were which led up to that result. This power is what I mean when I talk of reasoning backwards, or analytically.”  (ACD  A Study in Scarlet, Conclusion) 

There’s one important change though, which will alter everything. Sherlock now adds baby Rosie, the pink seed of love, the AMO-factor, to his equation. As a consequence his mask, his facade - that what ‘thatched’ and guarded him - crumbles and falls. And Sherlock accepts the change … It is what it is. 

Then, in TFP, the third episode of S4, Sherlock puts the results of his deductions under the sharp lens of his emotional core, for the ultimate experiment … the final distillation … to produce at last a clear solution. Still missing is the chemical reaction that should follow the application of that solution, one might say. :)

Back to the three ‘guardians’

My husband is three people

During the wedding preparations, John tries to interst Sherlock for this curious case. John says the sentence ‘my husband is three people’ twice, interupted only by this short dialogue:

SHERLOCK: Major James Sholto. Who he? MARY: Oh, John’s old commanding officer. 

Taking John’s words ‘my husband is three people’ literally, then he is talking about his own husband … which will soon be Mary. Husband, not wife, because Mary represents an aspect of Sherlock, his facade, his cover ... his ‘thatch’. As mentioned above, when Sherlock marries John to Mary, he puts a guardian in front of his true feelings for the friend … one could also say …. he places a commander at their/his side. And this is exactly what Mary does in later episodes. She decides who mowes the lawn, chooses the name of the baby and that it is her to take John home and not vis versa. 

Husbands can be equated with facades, with commanders, with guards. All of them serve as protectors and defenders of Sherlock’s true feelings for the friend. 

Who could have been the first ‘husband’ … the first facade, the first guardian?

Neither of us were the first

This is what Mary tells Sherlock, while John welcomes his ‘privious’ commander. Is she really talking about sexuell experiences of her brand-new husband with another man, just to taunt Sherlock? Viewing the Mary-character as an aspect of Sherlock himself and not as a real wife that comes between two men, I heavily doubt this. Applying a metaphorical reading to the story, wouldn’t it be much more likely that this conversation is about their - Mary’s and Sholto’s - assigned profession. Neither of us were the first … guardian.

Mary is the husband to be, the most recently chosen facade, John’s new commanding officer, an undercover agent of the government.

Major James Sholto is John’s old commanding officer, Sherlock’s previous facade, which turned out to be not strong enough. 

The only other guard in this story is Stephen Bainbridge, Private in the Household Guard of the Queen. The foot soldier named after Saint Stephen, the first martyrer. 

And isn’t there somthing strikingly similar regarding those three guards as well as a noticeable increase in drama and strength, which so often happens when sequences are repeated on Sherlock’s mind stage?

Private Bainbridge guards the Queens Palace. The ‘East’ zoomes in on him, then he get’s stabbed by ‘little Jonny’ - the meat dagger - without noticing it. A changing of the guard takes place. Bainbridge almost dies beneath a shower of water.

Major Sholto guards the Queens country. He fights on a battlefield in the East beneath a burning hot sun. Something goes wrong and all the recruits under his command die. Badly wounded himself, Sholto has to leave the service and change into retirement. He gets stabbed by ‘little Jonny’ - the meat dagger - and almost dies.

Mary secretly works for Mycroft, the government, the ‘queen’ -  as an undercover ‘super-agent with a terrifying skill set’. Her last operation took place in the East. Something went wrong and a lot of people died. It first looked as if Mary had been the only surviver (like Sholto). She marries ‘Johnny-boy’ Watson, gets stabbed by his meat dagger, becomes pregnant and …. dies not long after ‘PINK-RAINBOW-ROSIES’ birth.

The Sign of Three is about the ‘changing of the guard’. It takes place inside Sherlock’s head. But the marriage of John and Mary, that Sherlock arranges so heartbreakingly beautiful (and so strikingly yellow), turns out to be utterly pointless. Because the bride, the husband, the new commander, the facade is already pregnant ... had been stabbed before the wedding ... before the changing of the guard. 

The Yellow Face connection

This isn’t new. It has been discussed before in this interesting meta  About Yellow Face  by @darlingtonsubstitution  (sadly the part below the cut is gone) from 2017. As mentioned in the comments there, the creators of Sherlock BBC once refered to their favourite ACD stories. Yellow Face was among them but ... they wouldn’t be able to adapt it, because of the sensitive content, they said. This isn’t quite true though, it seems. On the contrary, the colour yellow features most prominently in Sherlock BBC … and not just the colour itself. 

It starts with Sherlock’s and John’s first date at Angelo’s. The whole scene is drenched in yellow. PILOT even more than ASIP.

A secret code of ancient cyphers, sprayed in yellow paint, leads to the Yellow Dragon Circus. 

Golden cats and big ‘yellow’ felines - lions - roam the story. 

Yellow is the colour of the smiley face on the wall of the 221b living room. 

There’s an assassin who carries a yellow ladder and a yellow tool case with a gun in it. 

A bright yellow mask has been placed inside a box, alongside a train, a phone, nicotin patches and a note. 

The main colour of the wedding ... bright yellow. It’s the wedding that leads Sherlock to the revelation ... to his love deduction. 

A canary trainer, a trainer of yellow birds, turns out to be the killer. 

Norbury, the case of the Yellow Face from canon, plays a vital role in TST 

The finish of a race is marked with a bright yellow band that floats slowly to the ground while a ‘confessing’ serial killer, who is a mirror for John, passes as winner, signaling a W with his fingers, while the fingers from the ‘East’,, next to Private Bainbridge, signal a double V.

Yellow is the colour of the sun, of fire, flames and explosions.

Yellowbeard ….

But one of the most important links to Yellow Face is the following one:

JOHN: Mary, I may not be a very good man, but I think I’m a bit better than you give me credit for, most of the time. (Sherlock BBC, TST) 'I am not a very good man, Effie, but I think that I am a better one than you have given me credit for being.'  (Grant Munro, The Adventure of the Yellow Face)

This piece of dialogue connects John to Grant Munro, the husband of Effie, the woman who hides her secret child from a previous marriage behind a yellow mask. She doesn’t do it out of some dark or sinister motive as Sherlock Holmes is convinced at first. Her former marriage had been legal and she'd loved her late husband dearly. Lucy, her little girl, can truly be called a child of love. But Effie fears to reveal Lucy, because the girl is ‘different' and the mother is anxious to lose the man she loves now, because of this. She is torn into between the love for her child and the love for her husband.

She (Effie) drew a large silver locket from her bosom. 'You have never seen this open.'

'I understood that it did not open.'

She touched a spring, and the front hinged back. There was a portrait within of a man, strikingly handsome and intelligent, but bearing unmistakable signs upon his features of his African descent.  (ACD, The Yellow Face)

ACDs Yellow Face is a case without crime, without any devious betrayal. Instead, it’s about love and the fear to lose  love, because at that time in ACDs story, it’s about a love not accepted by many. 

'That is John Hebron, of Atlanta,' said the Lady (Effie), 'and a nobler man never walked the earth. I cut myself off from my race in order to wed him; but never once while he lived did I for one instant regret it. It was our misfortune that our only child took after his people rather than mine.   (ACD, The Yellow Face)

In ACDs Yellow Face, the ‘first husband’ is of ‘African descent’ … just like Private Bainbridge, who is the ‘first guardian’ - the first of the three ‘identical husbands’ - in Sherlock BBC, The Sign of Three. He is the one who represents Sherlock’s earliest facade … the guardian of the Queen’s Palace.

Just like @darlingtonsubstitution presumed more than two years ago, I’m now more convinced than ever, that Moffat and Gatiss did adapt ACDs Yellow Face and they not only included it in Sherlock BBC, they made it into the main theme of their story (beside ‘hound’, ‘fall’ and ‘scarlet/pink’). In their version though, the focus shifts from ‘unacceptable’ skin-colour to ‘unacceptable’ sexuality. 

Sherlock BBCs baby ... Rosie ... Sherlock’s baby ... represents love. And this love is pink and has been given a name that can be traced back to ‘Rainbow’. The Sign of Three tells the story of the ‘changing of the guards’ and how Sherlock finally discovers the AMO-factor that will alter his life completely.

When I discoverd Sherlock BBC for the first time (back in 2011) I was thrilled by that fascinating crime drama and its two charismatic leads. Now, after 13 episodes, it has grown into so much more than just an excellent crime drama among others. The way I read it, Sherlock BBC is a wonderful and stunning story about equality. Inside Sherlock’s mind, the great detective doesn’t only solve the greatest secret of his life. No, the actors Sherlock chooses to represent the different aspects of his persona, are as diverse as the colours of the rainbow. They are old and young, male and female, beautiful and ugly, strong and weak, rich and poor. Neither gender, sexuality nor the shade of skin colour or from which corner on this planet someone comes, is of any importance. Anyone can be a part of this Sherlock Holmes. That’s what makes this adaptation so absolutely unique to me. Sherlock himself becomes the rainbow of his own story. 

Thanks for reading to anyone who is still there. :))))  I leave you to your own deductions. And thanks @callie-ariane​ for your invaluable scripts.

December, 2019

________________________________________________________________

Episode spanning metaphorical reading of Sherlock BBC: 

From PILOT to TGG  ….      About the meaning of S1 

From ASIB to TEH  ….  The big question - what is the meaning of Reichenbach

[anjeliquesworld]

Thaddeus x reader

Note: yes,I love Thaddeus 😭

I tried to highlight Thaddeus abandonment issues and his dark side so here's the final version,I hope you enjoy it 💋

Cw: obsession, stalking, thriller, manipulation, abandonment issues

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Twisted Love

The moon lies high in the sky, full of stars, illuminating the empty streets of Kowloon Hell with its tender light, where darkness reigns and the nights seem endless.

Lying on the edge of the main rooftop:

Thaddeus.

His head full of thoughts.

~HIS POV:

Loneliness isn't just a horrible feeling; it's a companion that doesn't leave. My mind replays my past, each abandonment reminding me of how fragile I truly am. It's the weight of how easily people I cared about left me, as if I were a burden in their lives. It happened many times before—people have come and gone, and each departure left a scar deeper than the last.

"Ah, little bunny," I say, closing my eyes as I visualize your pretty face.

Your existence haunts me. The way you laugh when I make a stupid joke makes my heart skip a beat. That’s strange because I’ve always been good at keeping my distance, but with you, it's different. I can't stay away from you.

When I feel alone, I remember your small hands touching my face—gentle, soft strokes caressing me. You treat me as if I were someone worthy of your love. That’s why sometimes I’m overprotective: you’re too precious, and I don’t want you to suffer.

It’s funny, isn’t it? I pretend to be the good guy around you... I pretend to be the good friend—when in reality, I want to take you away from everyone. I just want to keep you safe from anyone who could hurt you. I’m the only one who can give you what you need.

You said it yourself the other day as we were walking to the park:

"You're the only one who truly understands me."

The affection in your eyes, that smile—no one ever gave me that. And I told you, playfully, "That's because we're meant to be." You blushed, looking so cute. But I wasn’t joking. We are meant to be. Together. Forever.

Sometimes, when the cold breeze of my domain envelops me, I wonder if this is what I deserve—being abandoned, left to face this cruel world alone. But when those thoughts overwhelm me, you come to mind. You’re the light that chases away the monsters.

I want to be the only one to whom you give your attention, your warmth, your smiles.

What I feel is not love.

No, it’s something darker, deeper.

Something I can’t control, something lurking in the back of my head, a sickening feeling—it’s obsession.

You’re not aware of the way I hide in the shadows to capture a glimpse of you. You don’t know how many times I’ve climbed up to your room to watch you sleep... so peaceful and innocent.

Too innocent for this world. Too innocent for me.

You’re too pure to be with someone as dark and twisted as me, but I am a selfish man. I have no intention of letting you go, little bunny.

My heart wouldn’t bear the sight of you in the arms of another man.

Before meeting you, it felt like I was invisible to everyone... a shadow fading into the background. Just one step away from being forgotten. But you, with your kindness, taught me that even I matter.

Sometimes I wonder if you feel it—if you feel my twisted love for you. When you look at me, I see it in those pleading, soft eyes of yours.

You can’t deny it, little one. You’re attracted to me, I know you are. You’re just too afraid to admit it.

But don’t worry. I’ll keep playing the charming prince for now. After all, I’m good at it.

"You're so cute when you blush, little bunny."

I chuckle, teasing you. "I'm sorry for teasing you... but I can't help it. It's just too fun."

We'll keep playing the cat and mouse as long as you want. I don’t mind.

At least I get to stay close to you.

Sooner or later, you will succumb to your desires.

You will come to me.

You have to.

You need me as much as I need you.

And I’ll be more than happy to satisfy you, my little bunny.

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.

.

.

[lexxiie]

MASTERLIST

Webtoons And Books

Note: I'll start posting these directly on Wattpad since fandoms aren't active here, but I'll still paste all of the links to my Wattpad writings here, so come check this masterlist out from time to time to see what's new! (I still take requests here)

UNHOLY BLOOD

Relationship Headcanons (Baal)

If Yohan never became a vampire

Hayan and Euntae's wedding (drabble)

Dom!Yohan x Sub!Reader (sfw)

Roommates (Baal x Yohan)

(sort of) Enemies to Lovers (Baal)

Nicknames/Pet names headcanons (Baal, Yohan, Sahan, Mamon, Lucian)

Relationship headcanons (Euntae)

Kissing headcanons (Baal, Yohan, Lucian, Mamón, Sahan)

When you are feeling down (Yohan, Baal, Mamon, Lucian, Sahan)

When you get injured (Baal, Yohan, Lucian, Sahan, Mamon)

Giving them a present for valentine's day (Yohan, Baal, Lucian, Mamon, Sahan)

When you beat someone who disrespected you (Baal, Yohan, Lucian, Sahan, Mamon)

When you ask them to bite you (Yohan, Baal, Lucian, Mamon, Sahan)

When you spank them (Baal, Yohan, Lucian, Sahan, Mamon)

When you kiss their neck (Yohan, Baal, Lucian, Mamon, Sahan)

When you are pregnant (Yohan, Baal, Lucian, Sahan, Mamon)

Dating a human (Yohan)

KILLER PETER

Relationship headcanons (John)

Relationship headcanons (Nathaniel)

When one of his patients dies (Nathaniel)

When you fall asleep on them (Nathaniel, Thaddeus, John)

UNORDINARY

Relationship Headcanons + Arguing (Arlo)

Arguing with John

Kissing Headcanons (Arlo)

Relationship Headcanons (John)

When you are paired for a project (Arlo)

Kissing Headcanons (John)

Cuddling Headcanons (Blyke)

Dating/Arguing (Rei)

When you are sick (Arlo)

When you are on your period (Arlo)

Nicknames/Pet names they use (Arlo, Rei, John, Blyke)

Christmas season headcanons (Arlo)

Their kinks (Arlo, Rei, John, Blyke)

When you aren't paying attention in class (Arlo, Rei, John, Blyke)

How they dance (Arlo, John)

Aloof!so (Arlo)

When you have a nightmare (Arlo, John)

VILLAIN TO KILL

When you get injured (Cassian)

Relationship + General headcanons (Driver)

When you find out he's a villain (Cassian)

Cuddling headcanons (Cassian, Uchan)

When you join a talent show (Cassian, Uchan)

How you met (Cassian)

When you don't know he's a Villain (Cassian)

Physical contact (Cassian) (Rambling)

Reader meeting Yuri (Cassian)

Who makes the first move? (Cassian) (Rambling)

Who makes the first move? (Driver)

When his s/o is a villain (Cassian)

VIRAL HIT

When you spank them (Taehun, Jinho, Seongjun)

THE RED QUEEN

Relationship Headcanons (Maven)

When you are in danger (Maven)

Relationship Headcanons (Cal)

This masterlist is updated every time I post something new.

[il-lato-nerd-della-forza]

Il regista di Shazam, David F. Sandberg, e il produttore Peter Safran stanno progettando di tornare per un sequel. Il film è ovviamente ancora lontano anni visto che il capitolo di Shazam non è ancora stato rilasciato, ma i primi commenti positivi hanno già rassicurato fan e critici, e quindi il regista ed il produttore già immaginano il seguito.

In un’intervista esclusiva con ComicBook, Safran e Sandberg hanno entrambi confermato i loro piani per tornare a produrre un altro film di Shazam.

“Assolutamente,” ha detto Safran quando gli è stato chiesto se avrebbe partecipato ad un seguito d Shazam. “È facile per me dire: ‘Sono a bordo’.” Successivamente ha posto la stessa domanda a Sandberg al suo fianco, che semplicemente ha risposto: “Facciamolo!”.

Guardando al futuro dei personaggi della DC Comics sul grande schermo, il senso di sforzi isolati sarà più presente di quanto non fosse stato in passato. Shazam, ad esempio, segue lo stile di Aquaman e Wonder Woman, ovvero il concentrarsi esclusivamente sul suo eroe titolare come mezzo per stabilirlo sul grande schermo. Andando avanti, questo continuerà ad essere un punto focale.

“Penso che sia l’obiettivo”, ha detto Safran. “Dare agli eroi il loro tempo per brillare e non sentirsi come se si dovesse forzare il tutto in qualche connessione universale tra tutti loro. Lo studio è stato incredibilmente solidale e la DC è stata di supporto nel dire: ‘Prendetevi il ​​tempo necessario per introdurre questi personaggi nel modo giusto e raccontare le storie che il pubblico vuole vedere.”

Qui di seguito potete anche vedere una serie d’immagini in alta risoluzione:

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Abbiamo tutti un super-eroe dentro di noi , ci vuole solo un po’ di magia per tirarlo fuori. Nel caso di Billy Batson Urlare una sola parola “SHAZAM” fa diventare un ragazzino di 14 anni un super-eroe, per gentile concessione di un mago. Ancora un bambino nel cuore – dentro un corpo divino – Shazam si divertirà in questa versione adulta di se facendo ciò che qualsiasi adolescente farebbe con i superpoteri. Può volare? Ha una visione a raggi X? Può lanciare fulmini dalle sue mani? Può saltare il suo test di studi sociali? Il mago Shazam si propone di testare i limiti delle sue capacità con la gioiosa imprudenza di un bambino. Ma avrà bisogno di padroneggiare rapidamente questi poteri per combattere le forze del male controllate dal Dr. Thaddeus Sivana.

Shazam vede nel cast Asher angel e Zachari Levi come pure Jack Dylan Grazer come il migliore amico di Billy e appassionato di supereroi, Freddy, parte della famiglia adottiva che include Mary, interpretata da Grace Fulton (Annabelle: Creation); Darla, interpretata da Faithe Herman (This Is Us); Eugene, interpretato da Ian Chen (Fresh Off the Boat); e Pedro, interpretato da Jovan Armand (TV Hawaii Five-O). Nel resto del cast vediamo Cooper Andrews di The Walking Dead e Marta Milans (Killer Women) che interpretano i genitori adottivi Victor e Rosa Vasquez, con Ron Cephas Jones (This Is Us) come il Mago.

Christopher Godsick, Jeffrey Chernov, Dwayne Johnson, Dany Garcia e Hiram Garcia servono come produttori esecutivi. Il team creativo di Sandberg include la sua collaboratrice in Annabelle: creatrice, la direttrice della fotografia Maxime Alexandre, la scenografa Jennifer Spence, l’editore Michel Aller e la costumista Leah Butler.

Shazam è diretto da David F. Sandberg descritto come una origin story.

Shazam: Sandberg e Safran vogliono tornare per un sequel Il regista di Shazam, David F. Sandberg, e il produttore Peter Safran stanno progettando di tornare per un sequel.

[belovedivies]

Yep we callin Thaddeus chipmunk cause look at those cheeks! Baby Thaddeus!

our baby we must protect 🥹🥹 we’ve been calling him a hedgehog over since yknow… the spiky hair 🥰

also…

our little chipmunk didn’t have the most pleasant childhood unfortunately 🥹 his mom left with the promise “i’ll be back once the rain lets up”. it’s canon that the reason he pushed himself to be the strongest was because he wanted to protect his childhood home— a deathly weakness that raphael might had exploited in order to get thaddeus on his side.

i mean this is thaddeus arc… so ig it’s inevitable that him and soongu are gonna be pitched against each other in the end 🥲🥲 i just hope with how close the two are now there’s gonna be a peaceful way out. please don’t die, my sweet pumpkin 🥹🥹🥹

[kaos-sverige]

SHAZAM! - Official Teaser Trailer [HD]

Published on Jul 21, 2018

SHAZAM! - Only in theaters April 2019 ----- http://ShazamMovie.com https://www.facebook.com/ShazamMovie/ https://twitter.com/ShazamMovie/ https://www.instagram.com/ShazamMovie/ ---- David F. Sandberg (“Annabelle: Creation”) directs New Line Cinema’s “Shazam!,” the origin story that stars Zachary Levi (TV’s “Chuck”) as the titular DC Super Hero, along with Asher Angel (TV’s “Andi Mack”) as Billy Batson, and Mark Strong (the “Kingsman” movies) in the role of Super-Villain Dr. Thaddeus Sivana. Peter Safran (upcoming “Aquaman,” “The Conjuring” and “Annabelle” films) serves as the film’s producer. We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s (Angel) case, by shouting out one word—SHAZAM!—this streetwise 14-year-old foster kid can turn into the adult Super Hero Shazam (Levi), courtesy of an ancient wizard. Still a kid at heart—inside a ripped, godlike body—Shazam revels in this adult version of himself by doing what any teen would do with superpowers: have fun with them! Can he fly? Does he have X-ray vision? Can he shoot lightning out of his hands? Can he skip his social studies test? Shazam sets out to test the limits of his abilities with the joyful recklessness of a child. But he’ll need to master these powers quickly in order to fight the deadly forces of evil controlled by Dr. Thaddeus Sivana (Strong). “Shazam!” also stars Jack Dylan Grazer (“IT”) as Billy’s best friend and ultimate superhero enthusiast, Freddy, part of the foster family that includes Mary, played by Grace Fulton (“Annabelle: Creation”); Darla, played by Faithe Herman (TV’s “This is Us”); Eugene, played by Ian Chen (TV’s “Fresh Off the Boat”); and Pedro, played by Jovan Armand (TV’s “Hawaii Five-O”). Cooper Andrews (TV’s “The Walking Dead”) and Marta Milans (TV’s “Killer Women”) play foster parents Victor and Rosa Vasquez, with Oscar nominee Djimon Hounsou (“Blood Diamond”) as the Wizard. Firmly set in the DC universe but with his own distinctly fun, family-centric tone, the screenplay is by Henry Gayden, story by Gayden and Darren Lemke. Shazam was created by Bill Parker and C.C. Beck. Christopher Godsick, Jeffrey Chernov, Dwayne Johnson, Dany Garcia and Hiram Garcia serve as executive producers. Sandberg’s creative team includes his “Annabelle: Creation” director of photography Maxime Alexandre, production designer Jennifer Spence, editor Michel Aller and costume designer Leah Butler. A New Line Cinema production, “Shazam!” is set for release on April 5, 2019. It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

[zeroviraluniverse-blog]

Shazam Villain and Synopsis Revealed, The Rock Joins as Producer

Visit Now - https://zeroviral.com/shazam-villain-and-synopsis-revealed-the-rock-joins-as-producer/

Shazam Villain and Synopsis Revealed, The Rock Joins as Producer

Production is underway on New Line Cinema’s Shazam!, it was confirmed by Warner Bros. today, one week after the first set photo arrived. David F. Sandberg (Annabelle: Creation) directs the origin story, which stars Zachary Levi (TV’s Chuck) as the titular DC Super Hero, along with Asher Angel (TV’s Andi Mack) as Billy Batson, and Mark Strong (the Kingsman movies) in the role of Super-Villain Dr. Thaddeus Sivana. Peter Safran (upcoming Aquaman, The Conjuring and Annabelle films) serves as the film’s producer.

We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s (Angel) case, by shouting out one word-SHAZAM!-this streetwise 14-year-old foster kid can turn into the adult Super Hero Shazam (Levi), courtesy of an ancient wizard. Still a kid at heart-inside a ripped, godlike body-Shazam revels in this adult version of himself by doing what any teen would do with superpowers: have fun with them! Can he fly? Does he have X-ray vision? Can he shoot lightning out of his hands? Can he skip his social studies test? Shazam sets out to test the limits of his abilities with the joyful recklessness of a child. But Billy Batson will need to master these powers quickly in order to fight the deadly forces of evil controlled by Dr. Thaddeus Sivana (Strong).

Shazam! also stars Jack Dylan Grazer (IT) as Billy’s best friend and ultimate superhero enthusiast, Freddy, part of the foster family that includes Mary, played by Grace Fulton (Annabelle: Creation); Darla, played by Faithe Herman (TV’s This is Us); Eugene, played by Ian Chen (TV’s Fresh Off the Boat); and Pedro, played by Jovan Armand (TV’s Hawaii Five-O). Cooper Andrews (TV’s The Walking Dead) and Marta Milans (TV’s Killer Women) play foster parents Victor and Rosa Vasquez, with Ron Cephas Jones (This is Us) as The Wizard.

Christopher Godsick, Jeffrey Chernov, Dwayne Johnson, Dany Garcia and Hiram Garcia are serving as executive producers. This is the first we’re hearing of Dwayne Johnson and his producing partners Dany Garcia and Hiram Garcia boarding the project as executive producers, which is interesting because Dwayne Johnson was previously attached to star as the villain Black Adam in this movie. Ultimately, Black Adam was removed from this project and given his own stand alone movie, with Dwayne Johnson teasing that his character will get a surprise introduction in an upcoming DCEU movie. With the actor serving as an executive producer on Shazam!, it’s possible he could also have a brief cameo in this story, or possibly appear in a post-credit scene.

Sandberg’s creative team includes his Annabelle: Creation director of photography Maxime Alexandre, production designer Jennifer Spence, editor Michel Aller and costume designer Leah Butler. Set primarily in Philadelphia, Pennsylvania, principal photography for the film is taking place in Toronto. Firmly set in the DC universe but with his own distinctly fun, family-centric tone, the character first appeared in Whiz Comics in 1940 and was created by Bill Parker and C.C. Beck. A New Line Cinema production, Shazam! is set for release on April 5, 2019. It will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.