#khoomii

[nzchao]

「あんぱんさんど」live

5/20（土）

東京　高円寺　Oriental Force

Rorex Records presents Vol.22 "SHRINE 01"

open. 18:30 / start. 19:00 ticket Adv. / Door. ￥1,500 （+1D）

●Act あんぱんさんど 山本万結 Khoomii KIYOSHI eifonen

●Timetable 19:00〜 khoomii KIYOSHI 19:50〜 山本万結 20:30〜 あんぱんさんど（ムラカミロキ＋大久保真由） 21:10〜 eifonen

明日20日２本目、オリエンタルフォースのロレックスレコーズ企画にて「あんぱんさんど」の初ライブです。

Rorex Records Web https://w.atwiki.jp/rorexrecords/ BandCamp https://rorexrecords.bandcamp.com/

Live /Dj Bar and Garally Space Oriental Force 〒166-0003 東京都杉並区高円寺南3-48-6 第８日東ビル 地下一階 Twitter: @oriental_force https://twitter.com/oriental_force Instagram: @oriental_love_kaya_takada https://www.instagram.com/oriental_love_kaya_takada/ YouTube Channel https://www.youtube.com/@orientallovea.k.akayatakad6207

https://murafake.hatenablog.com/entry/2023/05/19/220105

[littlescaryinternetguy]

giants who use the huge reverberant spaces in their mouths to make astounding sounds: I'm thinking of the throat singing of the Mongolians and the Ainu in Japan.

G/t Scenario Prompt: Singing

Giants whose voices echo and causes the walls to vibrate if singing indoors.

Borrowers who sing from inside the walls/vents, leading the humans of the house to wonder where the voices are coming from or if it's all in their heads.

Borrowers who hear their home's resident human sing and become enamored with their voice.

Tiny who sings along with the giant they hear, causing alarm from the giant after discovering the tiny, especially if the giant thinks that they're alone.

Giants who sing out in open spaces like forests or hills, leading to human passersby to wonder where the distant voice is coming from.

Giants who become so enamored with their tiny's voice that they keep them captive and force them to sing on command like some kind of wind-up doll.

I'd love for people to add to this post with more ideas.

[colors-of-world-music]

Country: Mongolia

Year: Old??

Song:  1. Tes Golyn Magtaal, 2. Toroi Bandi Was Mongolla´s, 3. Mongol

Comment: This singing style is super unique and I love it. The first time I heard it, it sounded very odd and unfamiliar but it was somehow super addicting and now I keep looking for new songs... I did some research on the singing style and apparently it’s called “khoomii”, or throat singing/overtone singing. Overtone singing involves producing two notes/pitches at the same time, and I have no clue how that works?? Anyway, I hope you will enjoy this type of music as much as I do.

[songedunenuitdete]

Vendredi Musique 2019 #28

[Vendredi Musique 2019 #28 - Zellena] Un petit tour en Mongolie avec The Hu, ça vous dit ?

Crédits : Hardin Bourke Entertainment

Bonjour à toutes et tous ! Aujourd’hui, je vous retrouve pour une nouvelle session metal. A l’origine, j’étais censée vous parler d’un certain groupe allemand (et j’espère que notre grande déesse ne m’en voudra pas trop de changer mes plans, promis, je le garde sous le coude pour une prochaine fois) maaais finalement… il y a ce groupe totalement ahurissantqui…

[littlegumshoe]

His love of music The Emissary loved music. He could be found wherever someone was playing the morin khuur or singing in the khoomii style. He seemed blissful, as much as someone wrapped so heavily could appear to feel anything, and would sit for hours, swaying in time to the music. Afterwards, his tongue would be loosened, and he would speak of things he otherwise would not

what  a sweet thing.

[shinshun-chanson-show]

＠Юу вэ, юу вэ юу (Yuu ve, yuu ve yuu)一体なんだ？

https://www.youtube.com/watch?v=v4xZUr0BEfE

モンゴルで昨年この曲を発表してから活動しているザ・フーというロックバンドの曲。文字は縦書きのモンゴル文字があるが、ここではキリル文字になっている。彼らは自分た��をフンヌー（匈奴）と呼んでいる。これは紀元前に存在した遊牧国家で、歌詞にも12-3世紀に世界の過半数を統治したジンギスカンが出てくる。強烈な民族としてのプライドが感じられる。

The HU who is acting from last year starting with this song is Mongolian rock band.

Their letter is usually written lengthways like Japanese, but this lyric is written in Cyrillic.

The members are calling themselves Hunnuu, which means a nomadic country existed in AD2C.

In the lyric they sing of Genghis Khan who ruled over half of the world in 12-13c.

They have sure to have pride for their people.

 彼ら4人は本格的に民俗音楽を学んでおり、楽器は馬頭琴やトプショルが使われ、ホーミーという独��の発声も使っている。何よりこの楽器でロックというのがすごい。本当に凄いので是非聞いてほしい。PVでは最初に堕落した現在のモンゴル人の姿が映され、その後モンゴルの高原で演奏する。

The four members have studied ethnic music in an authorized music school.

They use ethnic instruments like morin khoor or tovshuur, and also use khoomii; voice from throat.

And they are playing hard rock with there tools.

The PV begins with corrupt modern Mongolians, and the song begins in Mongolian highland.

歌詞と意味

Их л удаан идэж уугаад наргиж цэнгээд хачин юм бэ юу вэ, юу вэ юу

Эцэг өвгөд монгол гээд л цээжээ дэлдэн худлаа орилох нь юу вэ, юу вэ юу

Эргэж буцаад хэлсэн үгэндээ эзэн болдоггүй андгай өргөдөг нь юу вэ, юу вэ юу

Эцэг эхийн захиж хэлсэн үнэт сургааль үнэгүй болдог нь юу вэ, юу вэ юу, юу вэ, юу вэ юу

Ээ дүлзэн, сөгд сөгд, (сөгд сөгд)

Ээ лүндэн, бууг бууг, (бууг бууг)

 私は遊びを楽しみながら　いつもゆっくり食べたり飲んだりする

なんて面白い　信じられない　一体それはなんだ

モンゴルの祖先が言ったことを　私の心が叫ぶ　不正と戦いながら

一体なんだ？

物語では祖先は戻ってくる　私が���の約束として聞いた記憶の中に戻る

神は諦めない　どうやって？どうすればいい

父と母は貴重な教えを語り　与えてくれる

その教えはなんと価値のないことだろう　一体なんだ？

いくじなしの統治者たちはおじぎをしてひざまづく

そう　ひれふせという命令の元に

 Дээдсийн заяаг өвлөж төрчихөөд, унтаж хэвтээд сэрдэггүй юм бэ, юу вэ, юу вэ юу

Дэлхийд ганцхан монгол гээд л амаа хаттал худлаа ярьдаг нь юу вэ, юу вэ юув

Дээдсээр амьдрах заяанд төрсөн монгол түмэн минь нэгдэж чаддаггүй нь юу вэ, юу вэ юу

Дархан монгол улсаа мандуулж өөд нь татаж сэргээж чаддаггүй нь юу вэ, юу вэ юу, юу вэ, юу вэ юу

 Ээ дүлзэн, сөгд сөгд, (сөгд сөгд)

Ээ лүндэн, бууг бууг, (бууг бууг)

 私は生まれた時にすばらしい運命をうけついだ

ベッドで邪魔されずに寝ていて　　一体なんだ？

世界中に私が聞いていたたった1人のモンゴル人がいる

嘘のデマを話さない人が　そのデマとは何だ？

私たちの祖先はモンゴル人として生まれた運命のままに生きた

誰にも統一は不可能だ　どうしてそうなる？

この聖なるモンゴルの国は立ち上がり引き裂かれた

もう復活できない　なぜそうなる？

 いくじなしの統治者たちはおじぎをしてひざまづく

そう　ひれふせという命令の元に

 Өвөг дээдсийн өвлөж өгсөн газар шороог хайрлаж чаддаггүй нь юу вэ, юу вэ юу

Өтгөс буурлын захиж хэлсэн үнэт сургааль худлаа болдог нь юу вэ, юу вэ юу

Өнө л мөнхөд мандан бадрах чонон сүлдэт монгол түмэн тэнгэрийн тамгатай

Хөвчин дэлхийд нэрээ дуурсгах хүмүүн тахилгат эзэн Чингис нартад заларна, нартад заларна

 王子の父たちがうけついだ　この砂に囲まれた土地を

愛情も持てずに　なぜだ　一体なんだ？

白髪の長老たちは意味のない説教をする

なんと不実だ　なぜだ　一体なんだ？

私はいつまでもモンゴル人民の狼の像を大事にする

この天の下で

世界中でそれを完全に清めた人はジンギスカン

彼はあなたに未来を見せた

行く先を見せた

Ээ хар сүлд сэр, сэр

Ээ хаан төр мөнх манд, мөнх манд

 黒い歴史が復活する

ジンギスカンの広告は永遠に栄える

Юу вэ, юу вэ, юу вэ, юу вэ, юу вэ, юу вэ, юу вэ, юу вэ хачин юм бэ

Юу вэ, юу вэ, юу вэ, юу вэ, юу вэ, юу вэ, юу вэ, юу вэ хачин юм бэ

 なぜそうなる　信じられないのか

なぜそうなる　一体なんだ？　信じられないのか

[auritracen]

I’ve been wondering about the Flagstad silver-thread -ng for a while (i.e. >2 weeks), until I gradually realised my root tongue tension problem, courtesy of multiple online resources and a voice teacher from the university who also teaches students privately.

Stick the back edges of the tongue to your top back molars, maintaining a slight dent at the centre line, with the tongue tip gently touching the bottom front teeth to free up the throat - according to Flagstad. I required a full week of putting my tongue in such a posture for up to 8h per day to partly master this, and the results were astounding. It freed up my root tongue tension, then after some tweaking while tension-free, the ring of my voice is starting to develop due to the head resonance finally being reached, felt like a buzzing of my cheekbones and forehead.

What makes it more the interesting is I accidentally achieved overtone khoomii while tweaking tongue placements. There’s Sainkho Namtchylak, a khoomii artist I’ve been admiring since I was eleven, who can also easily sing an operatic aria with excellent technique - this now doesn’t come as a surprise. Both required tension-free singing (Sainkho’s speaking voice is the epitome of tension free), and khoomii is far more hardcore on overtones.

[discovermangolia]

LISTEN TO KHOOMII, DISCOVER MORE ABOUT THIS UNIQUE ART OF MONGOLIA

Khoomi, at times alluded to as Tuvan Throat Singing, is a singing craftsmanship performed by ethnic specialists from the Mongolian city Tuva. It is additionally depicted in different pieces of Mongolia and Siberia as well. This familial sound-delivering straightforwardly from an individual's throat can produce various kinds of voices. This incorporates the sound of streaming water almost a stream or the sound of downpour in a woods. The specialists commonly utilize a scope of various styles wherein an entertainer produces more than one pitch all the while simultaneously by applying certain music of the major pitch utilizing upper vocal lines. Westerns typically alluded to this sort of music as suggestion singing or sharp singing.

PRE-REQUISITES AND ESSENTIALS OF KHOOMI

The pre-necessities and fundamentals of khoomi or throat singing require enacting various arrangements of muscles to control the reverberating offices of the vocal lines and lot under certain tension. The supported and consistent compressed wind stream should be in the middle of the chest and stomach. Similarly as with exaggerated singing and creating that sort of voice straightforwardly from the throat, the abilities and skill require long periods of preparing to be an expert.

Birthplace AND CONTEXT:

Khoomi/throat-singing or hint singing began from the local people and native Turk and Mongol clans of the Syan and Altai heaps of southern Siberia. A few history specialists additionally accept that this came from western Mongolia. These neighborhood clans and networks are identified with Inner Asian culture, which lies halfway of the snowcapped mountains between Central Asia, East Asia and envelops segments of these rocky and international frameworks: Mongolia, Russia (the republics China including independent areas of Tibet and Mongolia. The area comprises of numerous transient and neighborhood individuals who share the regular social and melodic act of utilizing agreeably rich vocal robots and tones.

Notwithstanding, a few researchers are not sure as to precisely when and where Khoomi or throat-singing was begun, however they are sure around one component that this singing example and strategy style has been around for several centuries and is a primary segment and fixing to both Tuvan and Mongolian culture.

Ethnomusicologists solidly accept that the advancement and event of Khoomi or throat-singing in Mongolia and Tuva were generally influenced by the districts and their topography. A large portion of Tuva (around 80%), situated in south-eastern Siberia, which comprises of mountains while Mongolia is a remarkable mix of prairies and gigantic bumpy territories.

STYLES and 21ST CENTURY:

Singing styles and groupings change as indicated by districts and territories. In western Mongolia, singing styles are perceived as a rule by the pieces of the vocal strings that figure outstandingly in the control of tone and pitch. For instance, the Bait public highlight the base of tongue style, and western separate it from labial, nasal part, glottal or throat, and chest or stomach styles. The westerns culture additionally utilizes a profound and non-melodic throat-singing style bass, and certain ethnomusicologists can combine various styles with verses. Nonetheless, Tyvans frequently alludes to singing examples according to topography and scene.

TYVANS DEVELOPED THROAT-SINGING MOST PROMINENTLY.

Aside from every one of the conversations above, Tyvans were the ones who have created throat-singing most noticeably. Despite the fact that classificatory discussions encompasses among Tyvans and Mongolians' native instructors, researchers, and entertainers just as among Western scholastics, there are three comprehensively recognized styles of Tyvan throat-singing: khöömei, which likewise demonstrates a delicate throat style with light music over a conventional vocal robot; sygyt, with an unmistakable whistle-like sound or tune above vocal robots; and kargyraa, a low snarling that is filled in connotations.

THE INNER ASIANS

Khoomi or throat-artists ordinarily called themselves on the Inner Asian, with its pegboard frequently cut in the evenness of a pony's head. To the extent the female presentation of throat-singing is concerned, female of this locale should cause fruitlessness or to welcome hardship on the entertainers' menfolk for seven ages. In any case, after the twentieth century, various female performers and vocalists have begun to sing challenge these nonexclusive standards and restrictions.

THROAT-SINGING HAS BEEN TAKEN UP BY MUSICIANS IN NEIGHBORING COUNTRIES.

Since the late twentieth century, inventive performers have blended throat-singing and Khoomi with different instruments and other global social styles by setting up a spot for the class inside the business realm of the melodic universe. After the separation of the USSR in 1992, Inner Asians have had the option to Mongolia travel all the more autonomously. Subsequently, throat-singing has been taken up by performers in adjoining nations and zones like Kyrgyzstan and the Russian republic of Buryatia. The West has built up its own topic, to a great extent as a feature of "Another Style" of elective convictions about nature, the earth, mending, and otherworldliness.

[nzchao]

「ムラカミロキ」live

3/22（水）

千葉　新松戸　FIREBIRD

ニューマツドコラボフェスティバル ～「YOSHIOと遊ぼう+まゆこらぼ」 ダイゴも叩くよSP～ DAY1

open. 17:00 / start. 17:30 Adv. ￥2,500 / Door. ￥3,000 ＋1DrinkCharge(￥600) ※START迄にご来場の方は１Drink or ローストポークプレゼント or アジフライ プレゼント

w / YOSHIO / 大久保真由 / ダイゴ / 山口 / ピスたちお / あ、ヒキガタリビト / 平日医長 / 喜一 / URAOCB / 沼田謙二朗 DJ:Mr.BLACK

●timetable 17:30- 山口 18:05- ピスたちお 18:40- あ、ヒキガタリビト 19:15- 平日医長 19:50- ムラカミロキ 20:25- 喜一 21:00- URAOCB 21:35- 沼田謙二朗

本日、新松戸ファイヤーバードにてYOSHIOさん、大久保真由さん、ダイゴさんとのセッションコラボイベントです。よろしくお願いします。

-------------------------------------------- ニューマツドコラボフェスティバル ～「YOSHIOと遊ぼう+まゆこらぼ」 ダイゴも叩くよSP～ DAY2

3/23（木）

open. 17:30 / start. 18:00 Adv. ￥2,500 / Door. ￥3,000 ＋1DrinkCharge(￥600) ※START迄にご来場の方は１Drink or ローストポークプレゼント or アジフライ プレゼント

●Act YOSHIO / 大久保真由 / ダイゴ 金子TKO / アンナ・マレェ / Khoomii KIYOSHI / ツチハシノブユキ / 赤坂零式 / THEボニクラマン / 道太郎 / geru DJ:Mr.BLACK

--------------------------------------------

sound bar FIREBIRD 〒270-0034 千葉県松戸市新松戸2-118　新松戸ビル5F tel/fax 047-347-9669 mail:firebird@aj-group.co.jp Twitter：@firebird_jp https://twitter.com/firebird_jp Shop https://firebird.base.ec/ Tiget https://tiget.net/users/452418

http://www.aj-group.co.jp/firebird.html

https://murafake.hatenablog.com/entry/2023/03/22/163749

[ellechonilustrado]

El 2 de noviembre las carteleras de Guanajuato anuncian la muerte, y vale la pena mirarla de frente mientras se come un pan con anís, remata el paseo con Hypnos y Thanatos, la obra de Joaquín Vidaurri que inauguramos en le lechón a las 20hrs con un canto Khoomii de Antal Rangel  

[suwastarizki]

Minggu atau AHAD?

Saya mau cerita nih semenjak ngikutin pengajian pekan kemarin yang diisi oleh Ust.Mintaraga Lc, MA. dari Purwokerto (critanya oengajiannya pas di Cilacap) saya berniat ingin merubah mindset, lidah set dan kalau bisa kawan kawan set sekalian tentang penyebutan hari Ahad. hehe Yaaa.. Usut punya usut, hari yang selama ini kebanyakan orang Indonesia katakan hari Minggu memiliki makna yang agaknya kurang baik jika umat islam memakainya karena umat islam telah memilik penyebutan sendiri serapan dari bahasa arab yaitu hari Ahad. Padahal nih temen temennya si hari Minggu semua sudah merupakan serapan dari bahas arah loh. Senin from Al-Itsnayn Selasa from Ats-Tsalatsa Rabu from Al-Arba'a / Ar-Rabii' Kamis from Al-Khoomiis Jum'at from Al-Jum'aah Sabtu from As-Sabt Jadi apa sebenarnya salah hari minggu? kenapa dia sampai salah pergaulan? Usut punya usut nih setelah mendengar dari Ust Mintaraga dan membaca dari artikel. Minggu itu berasal dari kata Minggos leboh tepatnya Do Minggos yang artinya Hari Tuhan. dan Minggos tidak terpisahkan dari nama hari dalam bahasa inggris yaitu Sunday (Hari Matahari). Jadi menurut seorang penulis Dan Brown asmanipun hhe. Beliau mengatakan disebut Sun Day karena pada hari itu para pemuja matahari melakukan ritual keagamaannya. Nah disinilah kenapa kita harus merubah mindset lidahset nulisset dan set set yang lain dari hari Minggu menjadi hari AHAD. Karena kalau pakai kata minghu itu menjurus kepada hari besar/isitmewa suatu kaum yaitu pemuja matahari. sudah sepantasnya kita sebagai umat islam menggunakan kata yang lebih memcerminkan cirikhas islam. dan kita pub juga memilikihari istimewa tersendiri yaitu hari Jum'at. Begitulah kawan kawan, tulisan ini hanyalah sebuah curahan hati seorang hamba yang senantiasa mengharap ridho-Nya. Jika dapat diterima mari kita laksanakan jika belum mohon maaf bila tidak berkenan. Wallahu a'lam. Terimakasih. Semoga Bermanfaat :) Pengetuk Pintu Langit | Purwokerto, Ahad, 3 Sya'ban 1438H / 29 April 2017

[komeyakata-gh]

7/15(金)岡林立哉ふたつの声の独奏会

ふたつの声＝ホーミーの唄い手であり馬頭琴の名手・岡林立哉さん。今年も村山市でその唄声・音色を聴かせてくれることになりました。 モンゴルに古くから伝わるその音色は、聴く人をモンゴルの大草原と遊牧民の情景へといざないます。 暑い夏の夜、お仕事帰りに、勉強の後に、一緒に心地よい時間をすごしませんか？

場　所：こめやかたゲストハウス（山形県村山市楯岡鶴ヶ町２−２−６）

日　時：2016年７月15日（金）18:30 OPEN　19:00 START

参加費：1,800円（18歳以下は1,000円、小学生以下無料）

予約・お問い合わせ： tel：070-5326-5663

mail: komeyakataguesthouse[at]gmail.com ([at]を＠に直してください)

件名を「ホーミー」とし、 名前、人数、連絡先、を記載の上ご連絡ください。合わせて宿泊もご希望の場合は、その旨もお書き添えください。

＊宿泊とセットのご予約は300円オフになります。

＾＾＾＾＾＾＾＾＾＾＾＾

プロフィール

岡林立哉（おかばやしたつや）

1972年　名古屋市生まれ、高知県在住。 モンゴルを訪れること数知れず、計２年以上の滞在期間中の遊牧民との生活、 歌を求めての奥地への旅、それ以後の放浪生活で培った、 素朴で伸びやかな馬頭琴の音、 繊細かつ力強いホーミーの音は、国、民族を超えて、幅広い支持を得ている。 ホーミーの宇宙的響き。馬頭琴の素朴な暖かさ。 「音」そのものの持つ力を表現することをテーマに演奏活動中。 http://khoomiiman.info/

[begnocire]

Canto difónico o Canto de garganta.  Técnica vocal de reverberación sonora.

[thepopeofsquids]

I'm practicing my Khargyraa, but I don't think I got the range yet to really do this style of throat singing. Some crazy Tuvan motherfuckers can do really magical things with their voices.