#kevin (probably) saves the world

[orangechickenpillow]

One thing about Jason Ritter is that he does everything with his whole pussy

[stuffiveseenontv]

Shirt is from Soft Joie

[mrsbarnesblog]

Hi girl ❤️ inhope it's ok to send in a request. i thought of something where the reader is working at the Avengers Compound and trains new agents, but one of them grows fond of her and like creeps up on her or follows her around all the time. Soon Bucky noticed that and decides to help. As the guy then again waits up on you and gets too close for Bucky's liking, he steps in between and kisses you passionately, making the creep leave and takes you by surprise. But what started as only some help, continues in Bucky's bedroom, revealing hidden feelings and passion 😏 i hope this is ok with you ❤️

we could've done it earlier

masterlist ko-fi ao3

Word count: 2.3k

Warnings: +18❗️creepy men, protective Bucky, smut, friends to lovers, idiots in love, dirty talk, unprotected sex

Author's note: well, that was fun to write. I hope you'll like it and that I saw the vision right. thank you for the request💘

You rolled your eyes again when you noticed that Kevin’s eyes stayed on your body for way too long. You had just finished another session of training with the new recruits from S.H.I.E.L.D. and everything was fine—most of them were really talented and eager to learn, but that one guy had acted super weird since the day Fury introduced you. 

He always gave you weird looks, tried to flirt with you during the training and you swore that he was following you around the tower because you “accidentally” bumped into him and ended up in the same room more times than you could count. 

You decided to forget about it for today and took a quick shower in the gym, and after changing your sweaty clothes, you went to the kitchen on Avenger’s floor to grab a snack. 

You didn’t even have time to look through the cupboards when you saw a figure in the corner of your eye walking towards you. 

“Mind some company?” Kevin stepped closer to you with that creepy smile on his face and scanned your body up and down once again.

“What are you doing here? It’s Avenger’s quarters; you shouldn’t be here.” You crossed your arms over your chest to hide from his stare. 

“Well, I thought they could make an exception for me, especially since my favorite trainer lives here.” He stepped closer and you instantly stepped back. Yes, you were one of the Avengers, but it didn’t change the fact that he was a man who clearly had bad intentions towards you, so your body and mind worked differently around him. “And I also thought we could do something together, if you know what I’m talking about.” 

“I don’t know what you are talking about, and I’m not interested in whatever you are suggesting. Please don’t overstep the line. I’m your trainer and nothing more.” You tried to talk firmly and confidently, even though your whole body was tensed from Kevin’s almost predatory stare. “I-I have a boyfriend. Don’t try to do anything.”

“You’re lying. I know that you want me. And I want you–” Kevin wanted to get closer to you, but a certain Super Soldier appeared out of nowhere, stood between you and him, and kissed you. 

Bucky was watching this whole scene from the beginning. He also saw how that guy was following you around and just staring at you shamelessly. 

Bucky had a crush on you since the day you met, but he didn’t try to change things between you, being too scared that you wouldn't ever talk to him again. At first, he thought that there were mutual feelings between you and Kevin because you were so sweet to everyone, but the more he paid attention, the more he noticed how uncomfortable you would get every time you spotted Kevin in the same room. 

So when Bucky saw him following you once again, and this time being even more persistent, he knew that he should save you. 

So he just stepped in and kissed you.

Was it stupid? Probably. Did he regret doing it? Not in the slightest way. 

Your whole body froze, and your mind was overloaded with the unknown feeling of Bucky’s lips and his hands on your face while he was slowly kissing you. He kissed you as if he had all the time in the world, and as if Kevin, who was clearly confused and angry, was not standing right behind him.

Bucky slightly pulled away, not letting go of your face, and looked back at Kevin. “Do you have a problem with my girlfriend?” His stare could scare anyone, and the way all the color washed away from Kevin’s made him feel weirdly satisfied.

He looked back at you, not missing how your pupils were dilated and your mouth was slightly open in shock, before he captured your lips in another kiss. Now it was not so sweet, though. Bucky was clearly dominating over you, biting your lip and then licking it with his tongue. 

You both didn’t notice how Kevin left. Too lost in each other’s touches, scents, and lips. It was addicting.

“I’m sorry for doing it without permission. Just wanted to scare him away from you.” Bucky mumbled against your lips, yet he didn’t move, not even an inch away from your body. Your eyes lowered to his lips, already craving to feel them again. And Bucky understood it straightaway. “Tell me to stop.” He knew that he was fucked up. Before, he was just observing you and trying to suppress his feelings, but now that he had finally touched and kissed you, he couldn’t hide it anymore. 

Your head was feeling fuzzy, while your hands were clenching onto Bucky’s shirt. You could barely understand what he was saying to you, but that familiar heat in your stomach appeared again, as it did every time he called you “doll” or smiled.

“Please don’t…” You whine, pulling him even closer. “I want you. I need you, Buck.” You kissed him this time, raising one hand to bury it in his fluffy and soft hair. Bucky moaned in your mouth when you slightly dragged your nails along his scalp. 

He gripped your waist with both of his hands and then let the metal one slide down to the back side of your thigh. Bucky mumbled a raspy “jump”, and you, without hesitation, followed his command, wrapping your legs around his waist. 

You both moaned when your clothed core met the hardness in his jeans. As if it were an instinct, you moved your hips, trying to do something to relieve that aching feeling in your body.

“Stop moving, or I’ll fuck you right in this kitchen, doll.” 

It was shameful how quickly you would’ve agreed to do that. 

After firmly settling you in place, Bucky went to his room without a struggle, carrying your weight and kissing the heated skin of your neck. As soon as the door was closed and you were gently placed on a perfectly made bed, you both became even more greedy for each other. 

Tugging clothes, pulling hair, and biting each other’s lips and skin. Bucky's firm body was pressing against yours, and you nearly drowned in the mattress. Bucky's cock became even harder when he finally got a good look at your face—half-closed eyes, smollen red lips, completely messed-up hair. You looked fucking majestic.

“You are so fucking beautiful, Y/N. Fuck, I wanted to do it for so long.” He said it harshly, trying to catch a breath. 

“Me too. Me too, Bucky… Oh God, it almost hurts.” You tried to move your lower body upwards to grind yourself on something, but Bucky just smirked at you and pinned you back to the bed. 

“Be patient and let me have my time with you, doll.”

“Not now, please. James. I need it. Just fuck me. We can do whatever you want later. ” You almost cried, your hands sliding under Bucky’s shirt and sending shudders down his back. Who was he to decline your request when you asked so nicely?

When he just slightly nodded to your words, you lifted up your arms, allowing Bucky to take off your oversized t-shirt. He almost choked on his saliva when he discovered that you were naked underneath it. 

“I love the twenty-first century.” Your laugh quickly turned into a moan when Bucky took one of your nipples into his mouth and pinched the other one with his fingers. The way he tried to be so gentle with his metal arm didn’t go unnoticed by you. He was always so careful not to hurt you in any possible way, but this felt much more intimate, deeper. 

After finally being satisfied with his work on your tits, Bucky trailed a way of kisses down to your leggings, slightly pushed the waistband down and teased you with his wet tongue, almost in the place where you wanted him the most. 

“Just take it off.” 

Bucky stood on his knees in between your legs and pulled down your pants and underwear, throwing them on the floor. “Dear fucking God. I’ll have my sweet time with her later.” He licked his lips, eyes glued to your wet folds. You just wined at his words, slightly pressing your legs together to exert some kind of pressure on your swollen clit. 

Bucky hesitated to take off his shirt. Being too lost in you, he almost forgot about his metal arm. But you were on his bed, naked, impatient, and only with lust written in your eyes. He knew you wouldn't judge him. 

Actually, you had never seen Bucky without clothes; only once did you catch him after the gym in the tightest possible t-shirt that revealed every little muscle on his chest and press. But holy shit, seeing him naked was shocking in the best possible way. His perfectly sculpted body, tanned skin, and slightly dingling silver dog tags made your mouth water with the need to kiss every centimeter of him. When your eyes shifted a little bit higher and caught the tormented skin on his shoulder, you felt nothing but sadness and pride for Bucky being so strong.

“You’re pretty.” The pink color spread to Bucky’s ears at your words. “And I want you all. Buck, you better hurry up and undress or I will have to handle this on my own." You slowly lowered your hand in between your legs to tease him and ease the tension in Bucky’s body, and you saw it working by the way his eyes were laser-focused on your actions.

“You’re playing with fire, doll.” He lowered his body on yours again, pushing away your hand, but instead pinned it above your head and kissed you. His free hand finally unbuckled his pants, and he did not bother taking them completely off—he just pushed them down slightly because he did not want to lose the sensation of being so close to you. “Oh fuuuck—” Bucky moaned as his cock touched your lower stomach and you could help but drag your eyes there. 

"There's no way you’re walking around with this…” You whispered in disbelief. 

“Mhm, you’ll get used to it.” He gave you a cocky smile. “Um, do you want me to find a condom? Fuck, I don’t have it.” The worry appeared in Bucky’s face and he looked around the room, as if the box could just magically appear somewhere. 

“No-no, Bucky, just fuck me. Please. I’m on birth control. I need you in me right now.” You were too desperate, wrapping your legs around his body and pushing him closer. The tip of his hard cock slipped across your pussy and you both hissed at the feeling. 

Bucky nodded more to himself and finally reached in between your bodies, gave himself a few pumps and started pushing inside of you. The stretch was almost painful, but at the same time, it was the best thing you had ever felt. 

He couldn’t hold it inside anymore. As soon as you took every inch of him, Bucky started moving in a steady rhythm. He lost himself in the way he fit so perfectly into you. He was fucking you without mercy. You gripped his shoulder with your free hand, while the non-stop moans escaped your mouth with every movement. Your body was jumping up and down on the bed; your eyes rolled back in pleasure and not a single thought flashed through your head. 

“So good for me. You’re taking me so well, doll. Just like that.” He was practically splitting you apart with his cock, but it seemed like you became even wetter with every second. If you weren’t too lost in pleasure, you would be ashamed of the way you made a total mess on his cock and thighs. 

Bucky, on the other hand, did not seem to mind; he kept pounding into you, sensing how you clenched tighter around him as you got closer to the orgasm. He freed your hand and grabbed your face so you would stay focused on his face. 

“Tell me how good you feel, baby. Your sweet juice is practically soaking my bed.” He said it without losing the speed of his thrusts or breaking eye contact. 

“So good– Bucky! Oh my fucking God.” You moaned through greated teeth, barely being able to keep your eyes open. 

“Are you going to cum, sweet girl? Gonna milk my cock?” His face got closer to yours, so your lips barely touched when his was talking. You wanted to cry, moan, scream, or do everything all at once when the pure bliss washed over you. “Ye-e-es, that’s it, baby. Take it all, fuck!” 

Bucky pushed his cock into your spasming pussy a few more times before he groanted somewhere near your ear and you felt the hot liquid covering your insides. You both were heavily breathing, clinging closer to each other. You felt too hot and sweaty; the feeling of Bucky’s heavy body covering your smaller form was so calming and safe. Bucky hummed into your neck when you wrapped your hands around his shoulders and lowered his flesh one to sofly trace the delicate skin of your thigh. 

“I can’t believe that we wasted so much time. We could’ve done it earlier.” Bucky rolled to his side, dragging you with him. He pushed your hair out of your face, and his hand stayed on your cheek for a few seconds while he was admiring you. 

“We’re idiots.” You giggled and bit your lip, looking at Bucky.

“We totally are. But I won’t let you go again.”

You were just staring at each other, smiling. It felt so natural to be in his arms, surrounded by his scent and warmth, as if it were supposed to have happened a long time ago. Bucky couldn’t help but move forward to capture your lips in another sweet kiss. 

Everything finally fell into place. 

[novelconcepts]

A thing I find really important about the way Kevin Can Fuck Himself goes about its job: Allison is kind of a mess. She’s self-centered, she doesn’t put other people’s needs first, she makes reckless choices that endanger herself and others. And the show says: yes. Right. She’s flawed as fuck. And she still does not deserve any of what’s happening to her. It could be argued that she is, in fact, this flawed as a direct product of her trauma. Her self-absorption, unlike Kevin’s, is actually self-preservation. It puts Patty in danger. It tunes out Diane’s pain. It capitalizes on Sam’s relationship problems. And still, the show says: yes. Right. She’s going about this in fumbling, worrying ways. And she still does not deserve any of what’s happening to her.

Know how we know this? How we really know this, outside of our own objectivity, our own awareness of the abuse she’s enduring even to the soundtrack of laughter?

Because Tammy is the one to find her. Because Tammy is the one holding the cards at the end of the game. Tammy, who does not like Allison. Who sees so clearly the complicated, messy, dangerous person Allison can be. The mistakes she is prone to making in the name of desperation. How imperfect she is at every level. And Tammy, who is the character most explicitly set to call Allison on all of her shit, to drag her before a court of law, to lean on that hot-button of whether or not she’s a “good person” until it breaks—lets her go. Folds the cards up, puts them in her pocket, and leaves.

Because Tammy, like the show, like the thesis statement of abuse is never earned, never deserved, never warranted, understands. This is a world that so often sanitizes women after it’s too late to save them. A world that insists she should have done more to get out. A world that insists you should be kind and moral and perfect, or maybe you got what was coming to you. This is a world that sees fighting back as an equally heinous crime. As punishable, if not more so, than the actions of the instigator.

But this show doesn’t want to play that game. This show doesn’t want to fuck with it at all. Allison doesn’t have to be perfect and moral and above reproach. Allison has blood on her hands, and a DUI neatly ignored, and knowingly has an affair with her married boss. Allison hurts her friends sometimes, and she makes awful decisions out of desperation, and she doesn’t always pay attention to other people’s plotlines. And the show says: yes. Right. She’s making choices you probably should not agree with.

And she still does not deserve any of what is happening to her.

[fluentmoviequoter]

Crushes Aren't Just for Kids

Pairing: Bruce Wayne x fem!JL!reader (Justice League Unlimited!Bruce)

Summary: When all adults are banished from earth, you join Batman, Superman, Wonder Woman, and Green Lantern in a unique fight to save the world. Along the way, some hidden feelings are revealed.

Warnings: spoilers/rewrite for Justice League Unlimited 1x3 "Kid's Stuff", fluff, mention of beheading, canon-level violence and action

Word Count: 3.1k+ words

A/N: I can't tell you how many times I've watched this show because Kevin Conroy's Batman in the DCAU tv shows is unmatched (and the kids who did the voice acting in this episode did phenomenally). I hope you enjoy and please let me know what you think!🤍

Part 2: Butterflies Aren't Just for Kids >

Picture from Pinterest

Masterlist | DC Masterlist | Request Info

You are in a unique position for several reasons. Being one of the only human members of the Justice League, you find yourself pushing yourself to be the best you can and ensuring that you can keep up with your superpowered teammates. Plus, you are one of the only people who knew Bruce Wayne before you knew Batman, and no matter how much he denies it, you knew after one look that the man under the cowl was none other than your favorite billionaire. When you first arrived on the Watchtower with your fellow vigilante, you wondered if any of the superheroes (especially those who had unique mind powers) could tell that you wanted to be more than fellow crime fighters with Batman. If they did, no one said anything, so your secret crush has remained secret as it grows stronger.

“Bats,” you warn as you duck away from Cheetah’s claws.

Bruce flips away from Deadshot’s line of fire before rushing up beside him. He punches under his jaw, and you watch as Deadshot lifts Bruce off the ground. Bruce throws a batarang, and you slide away from them as Deadshot falls to the floor.

“Guess that’s a wrap,” Green Lantern says. At Bruce’s look, he adds, “Sorry. Been hanging out with Flash too much.”

“I don’t see how that’s a bad thing,” you tease.

You look away from John and see three police officers entering the vault. A pink wave follows them inside, and your eyes widen when the officers disappear. Bruce pulls you to his side as John creates a forcefield with his ring, but it fails nearly as quickly as it appears.

When you open your eyes on a floating rock, you’re still tucked against Bruce’s side. You step back quickly and look around. Dozens of rocks surround you and each holds numerous people; adults only, you notice.

“It was judgment day,” Copper exclaims, “and- and we got sent to the bad place. The bad place!”

“Where else were you expecting to go?” you ask sarcastically.

“Snap out of it, Copper!” Cheetah demands as she slaps him.

“Yeah, calm down,” John calls. “We’re probably just in another dimension.”

“I don’t see any children,” Bruce says.

“You would be the one to notice,” you murmur. “It’s not a bad thing,” you add when he directs his bat glare at you.

“That’s because a child is responsible,” a woman wearing a mask interjects as she hovers above you.

“Morgaine Le Fay,” Bruce greets, though he’s prepared to fight rather than exchange niceties and introductions.

“Great, magic,” you mutter as you fall in line between Bruce and Diana.

“I mean you no harm,” Morgaine assures. “My son Mordred has wrought this treachery. Banishing all adults to this shadow realm.”

“Do you think Flash is here?” you whisper to John.

“50/50,” he answers.

“After I spent millennia feeding him, bathing him, preparing him to be a king,” Morgaine continues. “Where did I go wrong?”

“You’re a sorceress. Can’t you just undo his spell?” Diana asks.

“No. He’s got the amulet of first magic. He’s too powerful. But if we all work together…”

“You want us to defeat your own son?” Bruce clarifies.

“So don’t trust me. Let him rule the world and all your children. Here we will stay. Forever.”

“But what can we do? We’re stuck here, aren’t we?” Diana says.

“Please don’t say-“ you begin.

“Not exactly,” Morgaine answers.

“That,” you finish as your shoulders slump.

“The spell only banishes adults.”

“I don’t like where this is going,” you and John say together.

“It’s the only way,” Morgaine says.

“We have to do it,” Clark announces.

John exhales deeply, and you step back to be at Bruce’s side again. Magic has never been your preferred battle, and as Morgaine directs her spell at you and everything turns green, you clutch Bruce’s cape in your hand.

When you arrive in Mordred’s amusement park-turned-kingdom, you’re ready to leave. Being turned into a kid again wasn’t exactly on your superhero bingo card, and as a human, you don’t bring much to the fight anyway.

“I hope this is temporary,” Bruce complains.

You look over at him and feel butterflies in your stomach. Despite de-aging, you still have a crush on Bruce, but it hits harder and faster. You tear your eyes away from him and try to calm your racing heart. Each moment you live as a kid, you’ll start acting more like one.

“You sound weird,” Clark says. “Whoa. So do I.”

Diana looks between Clark and John before straightening her shoulders. She towers over them and smiles. “I kind of like this.”

“Why are you squinting?” you ask John.

Bruce, Clark, and Diana look over after you ask, and you drop your eyes to avoid looking at Bruce again.

“I wore glasses as a kid. Guess I need ‘em again,” John answers.

A pair of oversized green glasses appear on his face, and he jumps in surprise. They’re nothing like what adult John would create, and you stifle a laugh at the sight of them.

“I didn’t even try to make these!” he exclaims.

Clark laughs as Bruce says, “I hope not.”

You pat John’s back as he focuses on making nicer glasses. Once he’s ready and Clark compliments his new look, Diana reminds you that you’re supposed to be looking for Mordred.

“Bet the little punk’s in there,” Bruce says.

He points to the castle looming in the distance and begins running. You run behind him and watch as Diana, Clark, and John fly past you.

“It’s not a race,” Bruce grumbles.

He speeds up, but you keep your pace and make it to the castle all the same. Despite the earlier teasing about John’s glasses, none of you have mentioned any differences between the kid and adult versions of one another. You’re thankful, though, because reliving your childhood is not your favorite pastime. When you enter the castle, you stay behind Bruce as he stands beside Diana.

“The Justice Babies!” Mordred calls before laughing.

“What are you laughing at, precious?” Bruce asks.

“Precious?” you repeat.

“You,” Mordred answers. “Mother sent you, didn’t she?”

“Maybe she wanted a chance to have a normal kid,” you taunt.

“She shouldn’t send a boy to do a man’s job,” Mordred tells Bruce.

He grabs the amulet, and you watch as a young boy’s toys come to life. They grow until they’re giant, and you stumble backward before running for cover. When Clark flies into one of them and is knocked to the floor, you begin questioning if it was truly a good idea to become kids to fight a boy with powerful magic.

“Bruce, batarang,” you request.

He hands you one before running toward Mordred. You wait for one of the toys to run toward you before sliding between its legs.

“I’ll make a laser cannon. No, a missile launcher,” John says above you. “Oh! Oh, I know.”

“Just pick something!” you and Bruce yell together.

You dig the batarang into the back of the toy’s leg and roll to the side as it collapses to the ground before disappearing. Bruce and John take one out, while Clark disables the other with his laser vision.

When you hear Bruce grunting and see him dangling from his cape in the grip of the last toy, you gasp and run toward him. Diana beats you there and catches him.

“You okay, tough guy?” she asks.

“Let go. I’m fine,” Bruce demands as he struggles to get out of her hold.

His shoulders drop and his cape surrounds him as he sulks. You don’t ask the same question Diana had but thank him for the batarang as he passes.

“That’s not fair,” Mordred complains.

“Get him!” Bruce calls.

You run behind Diana and aren’t surprised when you’re all encased in ice. Mordred is powerful, and you and your fellow “Justice Babies” seem to be forgetting that. When you fall into a dungeon and are freed from the ice, you scoot toward Bruce. One of the cells opens, and red eyes glow within. You clutch Bruce’s cape and watch as a small demon walks out.

“Etrigan?” Bruce asks.

He steps away from you, and his cape slips through your fingers. You stay behind John’s forcefield as Diana lifts Bruce out of the way of Etrigan’s flame. Diana has been closer to Bruce during this mission than usual, and the butterflies in your stomach start causing more pain than happiness as you wonder if they’ve been hiding feelings for one another in the Watchtower, too.

“Don’t hurt him!” Bruce yells as Clark pulls Etrigan away from you and John.

Etrigan bites Clark’s arm, and he calls, “Tell him that!”

“C’mere,” you tell Etrigan. You crouch to the floor and pull him into your arms. “Stop!”

He calms down, and Diana helps Bruce up as Etrigan cries. You look at Bruce and shrug.

“He’s just a baby,” Diana says.

“And he needs more than a hug,” John adds, waving his hand in front of his nose.

“Now, that is a job for Superman,” Bruce says.

Bruce takes Etrigan from your arms and passes him to Clark. When Bruce takes your hand to lead you out of the dungeon, you nearly trip over your own feet. You’ve never been more ready to grow up before, you think.

Mordred’s new kingdom is comprised mostly of children doing what they were never allowed to do before. When you walk through the paths surrounding what used to be the center of the park, you are surrounded by children doing dangerous stunts and breaking rules.

“You two, knock that off!” Clark demands when he sees two boys playing with wooden swords.

“What are you gonna do? You’re just a kid,” they taunt.

Clark shoots a laser between them and answers, “I’m the kid with laser beams coming out of his eyes.”

“That’s just gonna scare them,” you interject before they run away screaming. “You can’t threaten kids the same way you threaten criminals.”

“Then what do we do?” John asks.

“Tattle,” Diana answers. She flies to an elevated area and yells, “That’s enough!”

Everyone freezes, and you find yourself reaching for Bruce.

“You can’t tell us what to do! You’re not our mom!” someone replies.

“No, but I promise you we will find all of your moms and I’m gonna tell!” Diana answers.

“Well, what should we do?”

“Go outside and wait for your parents. Now!” Diana demands with a hand on her hip.

“Man, your girlfriend sure is bossy,” John tells Bruce.

“Shut up,” he replies before leaving John’s side.

Those butterflies in your stomach become dead weight. You stall behind John, but he turns to look at you.

“You like Bruce,” he accuses.

“What? No!” you answer too quickly. “We’re friends.”

“Mmhmm.”

John gestures for you to come with him, and you follow Bruce together. You know that John knows more than he ever lets on, and if anyone found out about your crush, you suppose you should be glad that it’s the one who can keep a secret. Better him than Wally.

“He’s almost asleep,” Diana whispers as you look into Mordred’s hideout. “We can take him.”

“I’ll make a lawnmower and chew him up,” John suggests.

“A lawnmower?” you repeat incredulously. “Why?”

“I say we get that amulet away from him first,” Bruce says. “We’ll split up and sneak behind him. Then Lantern can do his thing. But no mowers.”

“Why?” John questions.

“Because it’s stupid,” Clark answers.

“He’ll hear it, too,” you whisper with much more kindness than Clark.

“I guess I’ll go with Clark,” Diana says. “Unless I should go with you,” she tells Bruce.

“Whatever,” Bruce answers.

John sees your eyes drop and says, “Clark can go alone. I’ll go with Diana.”

You appreciate it but shake your head because you don’t want to be left alone with Bruce.

“Whatever,” Bruce repeats.

“Go,” John whispers.

You lead Bruce around the side of the cave, and John shakes his head as he watches you go.

“What’s with them?” Clark asks.

“Really?” Diana questions.

“Man, for somebody with fifty different kinds of vision you are so blind,” John responds.

“What?”

“Is that a claw?” you ask Bruce as John tries to get the amulet.

“Unfortunately,” he answers.

He may be young, but his sarcasm hasn’t changed a bit. You lean against him when John’s claw wavers before disappearing. The amulet falls to Mordred’s chest, and Bruce moves you carefully as he calls, “Get the amulet!”

You join Bruce, Diana, Clark, and John in a failing attempt to hold Mordred down and take the amulet. He uses his magic to grow and throws Bruce and Diana off of him before standing. A young girl is standing nearby, and you take her hand to lead her to safety as the others fight Mordred.

“Bats!” you yell, just as you had as an adult this morning.

Bruce looks back and sees the living gargoyle chasing him and John and directs John toward a small bridge.

“Close the door!” you yell as Bruce enters the castle.

Diana closes and locks the door behind him, and you listen to John come up with complicated plans to stop Mordred as Bruce thinks.

“Forget it!” Bruce calls after John mentions giant handcuffs. “We’ve got to focus on…” Bruce’s eyes lock with yours and he says, “Never mind what I just said. We’ll take care of everything else. Lantern, you go crazy.”

“What are you going to do?” you ask.

“It’s time for all of us to grow up,” Bruce answers.

He takes your hand before running toward another area of the kingdom. Your butterflies begin reviving, and you wonder if anything will be the same after this.

“Go!” he yells to Clark.

Clark pulls the amulet from Mordred’s neck while he’s distracted by John before tossing it to Bruce.

“This is the most dangerous game of keep away I’ve ever played,” you yell as you take the amulet from Bruce and run it to Diana. Diana throws it to Etrigan, and you flinch when he bites into it. The wave of purple magic that escapes it is unsettling, but you don’t take your eyes off Mordred.

“I already absorbed too much of the amulet’s power,” Mordred says as he stands.

He uses his magic to suspend all of you, and Etrigan, upside down in the air. He pulls a sword from a nearby stone, and it turns purple before reappearing as a curved blade.

“I’ll take care of my kingly duty myself,” he declares.

“Is he really going to behead us in an amusement park?” you ask with your arms crossed over your chest.

“I’m scared,” the girl you helped earlier says. “I want my mommy.”

Mordred lowers his blade to say, “You don’t need a mommy. You’re better off without one. Trust me.”

“Ooh, mommy issues,” John muses. “Those ain’t easy.”

The girl begins crying and Clark taunts, “Some king.”

“I’m not impressed,” Diana agrees.

“What’d you expect? He’s a boy doing a man’s job,” Bruce finishes.

“You don’t know what it’s like being stuck as a kid,” Mordred says.

“Since you’ve had all that power, you could have been a man anytime you wanted. I think you’re too chicken to grow up.”

“Yep, big chicken. That’s what you are,” John agrees, flapping his arms like wings. “Bock, bock.”

“Face it, precious,” Bruce continues. “You like being a little mama’s boy.”

“I’ll show you!” Mordred yells. “I’ll show you all.”

“Sure, you will,” you agree with an eye roll.

“And when I am a true king, I’ll start with the human!” Mordred adds, pointing to you.

Bruce looks at you, but you keep your eyes on Mordred as he spreads his arms and is surrounded by purple ribbons of magic. Etrigan claps as Mordred’s spell spreads, and he reappears as a man.

“I’m older than you now,” Mordred says as he turns to face you.

The magic released his spell, and you catch yourself as you fall from the air.

“You sure are,” Bruce says.

Mordred disappears, banished by his own spell. As an adult, he couldn’t stay, and now you can only wait until Morgaine does her part. Bruce steps to your side and you turn your face toward him.

“Are you okay?” he asks.

“Yes,” you answer just before Morgaine appears.

“A bargain is a bargain,” she says as she waves her hand before you.

The spell is lifted, and you are an adult again in only a second. You hadn’t prepared for the change in size however and are pressed against Bruce’s chest with the sudden growth. He makes no move to get space from you, though.

“Mommy,” Etrigan coos at Diana.

She drops him and steps back. You chuckle at the scene and Diana looks at you with furrowed brows before smiling and rolling her eyes.

Morgaine opens a portal, and Bruce places a hand on your hip as he steps around you.

“Wait,” he calls. “What happened to Mordred?”

“My spell gave him eternal youth but now that he’s broken it all he has is eternal life,” she answers.

“Circumstances aside, it was kind of enjoyable to be a kid again,” Diana says.

You walk to Bruce’s side and watch the happy reunions of children with their parents.

“I’m sorry,” you offer softly.

“For what?” he asks.

“You just- you didn’t get to be a kid like the rest of us.”

“Perhaps Diana was right. It wasn’t completely unenjoyable.”

He turns toward you, and his arm is pressed to your shoulder.

“You’re telling me the big, bad bat had a little bit of fun?” you tease.

“You never talk about your childhood,” he deflects. “So, I’m sorry if this brought up bad memories.”

“Just dead butterflies,” you answer.

Bruce glares at you, but it’s the one unique to when he’s reading you.

“Is that why Lantern sent us off alone together?”

You look down as you nod.

“My butterflies are alive and well, and happy to wait for you,” Bruce murmurs.

“Butterflies or bats?” you ask.

“Should we be having this conversation in an amusement park?”

“You’re right. Let’s go to Metropolis and make the cover of the Daily Planet so Clark has to write all about it.”

Bruce sighs, but he takes your hand as he leads you outside the amusement park. He presses a button on his utility belt and the Batmobile pulls up a moment later.

“Bruce,” you say once you’re inside. “You were a really cute kid.”

“You were really bad at eye contact,” Bruce counters. “Or was that just with me?”

“I guess crushes aren’t just for kids,” you muse.

“Maybe Diana will stop pestering me to ask you out now.”

You nod as you watch the road before you. It takes a moment, but you finally understand what Bruce just said.

“What?”

[cartoon-cass]

Comprehensive breakdown of MURDER DRONES - Episode 7: Mass Destruction

I saw a breakdown of this episode on youtube and it was just clearly rushed so I want to do this episode justice so here's my comprehensive breakdown.

New intro, look at them! They look so happy, that is not the case in the episode, to say the least. With how much rubber hosing this animation has I would not be surprised if this was done by Kevin Temmer Tunes with what he learned from amazing digital circus Edit: N was animated by Micah Preciado and Uzi by Zachary Preciado

Bad day to accidentally grab the wrong uniform, I do wonder where the actual Dr.Chambers was in all this. Wonder if it would have made a difference... probably not.

Not actually important but having the shadows of the claws that aren't actually there be the thing to interact with the world is fucking cool as hell. This whole scene is a cool twist on an exorcism with robots and science.

Like look at this, it's a pentagram magnet, a normal pentagram from my basic pop culture understanding it's meant to not only summon a demon but also keep them from leaving the circle. A strong magnet is so smart for this case as it's used to keep Nori in place, I mean it doesn't end up working in the end but it's the thought that counts.

It took my second watch of this episode to realize why the lights got turned on, it revealed the tentacles and claws but it's sun light, the same stuff that burns the Disassembly Drones and Uzi. It even has the same effect as in the end of Episode 4

Can I just say how extra it is making the USB a crucifix, I love it. Also I just notice that on the end of the crucifix the detailing is actually in the shape of a USB symbol, the details in this show is amazing, you can see all the love that went in to it.

This is probably the most terrifying way to hold these robots. I couldn't blame any of the robots for wanting to kill the human good god. Also Yeva playing Tetris, the game has a lot of ties to Russia so wonder if she spoke Russian too, she doesn't speak in this episode and not sure if we'll get more flashback with her so not sure if we will ever find out.

Not sure why Mitchell stop Yeva from entering the church but I like to think he thought Yeva was like a kid, look at him holding her hand in the scene before, and was trying to keep her save and knew something was off. That being said I'd love to hear what you think is his reasoning, sound off in the comments/reblogs.

Pulling back we can see Nori, specifically her core, looking at a crucifix comparing it to the USB crucifix in the video to see if it's the one with the patch, it's not, so she goes out for the hunt to see if she can find it.

Like daughter, like mother, honestly cool little details that lets us know what kind of character Nori is with the very little time we have with her. Drawing made presumably by her of herself as a human cat girl, twice, motor oil cans everywhere, a fricking ninja star, nightcore music, a anime statue that might be a reference to something but I have no clue, also magnets which have been used in the passed like drugs so that's um... something.

was originally just going to point out the funny little animation errors in this scene, as the paper goes through the Ipod and the crinkled paper is mirrored but then I wanted to check what was on the paper and...

It's a missing poster of all things? it uses the exact posters used in episode 3 it's probably just reusing assets but I thought it was a cool thing to point out.

Uzi bleeds blood in these scenes and it's not necessarily mentioned out loud, clearly something AS related, but there might be more to it, or it just looks cool.

This man is in some serious denial, but credit where credit is due, when "Tessa" tells N to stop he turns around, and when Uzi apologized for not being able to help he immediately apologized for Snapping at her. Also look at Tessa's little pointing, thought it was funny.

N: "We're not going to hurt you."

I can't blame Uzi for taking this the wrong way, he's clearly telling Tessa off but all Uzi hears is "hurt you", hence why she only parrots that part.

Thad: "Aaand you won't tell me why we're wandering around 'cause...?" Lizzy: "I'm a good friend, and secrets are blackmail. And it's not about football." Thad: "Okay. Does your secret friend want to know about football, or...?"

Anyone else wondering who Lizzy's good friend is? The only 2 characters we know are good friends with Lizzy are Doll and V. It's possible that through everything Doll sent a text to Lizzy asking her to do something but I feel like V just makes more sense. This does assume V made her way away from the sentinels, if I had to guess she's just a core at the moment which might be why she couldn't do it herself, no wings nor weapons as a core, also makes the blackmail line make more sense.

N: "I deserve this. I deserve this. I deserve this."

Baby girl NO! no you don't, your too hard on your self

That scream. That cut. *chef's kiss* perfect.

This scene just shows us why Uzi went towards the church. Also note when she's the most stressed her eye turns yellow so it does seem stress is the deciding factor whether she can be possessed.

V/AS: You know, you're one of the main reasons... [voice glitching] ...I wanted your team to retain your personalities.

This quote I think has some interesting implications, I mean it obviously confirms that the DD squad was influence by AS but it might also be why it keeps a bit of the personality of which ever host it's using.

This scene holy shit, the music, the lighting, the sound design and animation, that's how you do horror! You don't even need detailed gore, in fact most of it is just off screen. like look at the DD's off in the distance one catches the pilot of the helicopter mid air then they fight over it like hungry animals.

Ok so I hit the image limit and it's almost 1 in the morning so I'm gonna go to bed and continue this tomorrow

~to be continued~

[jamiesshelves]

Parts of TSC I can't stop thinking about (after my first read)

Jean having a few minutes before Riko got to him and using it to text Renee a warning. NOT asking her to help him. But warning her. Probably to protect Kevin and Neil more than himself.

Jean viewing himself as a captive with Wymack and Abby

Jean calling Neil Nathaniel until that sudden switch (just like when Neil thought of himself as Nathaniel)

Jean being the same age as Neil, so one of the youngest characters we know

Jean worshipping Thea and her calling him Paris

Jean throwing out Andrew's candy

Jean roasting Aaron for being unimportant even with a murder investigation going on

Renee giving Jean forehead kisses

"Right person, wrong time"

Jean taking Renee's picture and it being the only picture he has

The way the world perceives Riko as a martyr after his death

The way the world brushes aside that he almost killed Neil on live TV

"The only one close enough was andrew"

Jean reaching towards the TV as if he could save Neil and wanting him and Andrew to run

Jeremy being brunette through the events of TFC

The Trojans being okay with their plan for the foxes game because they knew they'd lose to the ravens eventually anyway

Jeremy living at home and having an estranged family situation

Jeremy having a butler he loves and trusts more than his family

BarkBark

Jean's promise to Kevin

Jean calling Kevin a "beautiful boy"

Both Jean and Jeremy trusting Kevin whole heartedly

Kevin giving truths about the nest to Jeremy

Kevin admitting to sticking to Andrew like glue because he didn't know how to be by himself after the nest

The coaches concern as they realize the way raven coaches treated Jean

The rumors about Jean and that Neil never thought of them

Jean being confirmed a bi king and simping over everyone except canon beautiful Neil

Jean probably not simping after Neil because he's the partner that could've been, aka a brother/safe space he never got

Jean not realizing why top surgery scars, and his abuse scars, would be seen differently

Jean not understanding why Trojans can pick their own clothes, food, majors, etc

Andrew letting Neil go to the FBI in California without him because he trusts his runaway to come back

Neil's immediate response to hearing about Greyson is hiring a hitman

Neil sassing the FBI

"I guess Drake wasn't a biter"

Neil telling Jean he can lock his door if it makes him feel safe but he doesn't have to worry anymore

Cat wanting to teach Jean to ride a motorcycle

"Kevin has earned the right to be"

Jean being afraid to ever teach anyone French again

Jeremy hiding from the police

Elodie

"That's putting it mildly." WHAT THE FUCK STUART.

Jean's list.

Jean still texting Renee

The reason the Trojans stay so positive

"I'm not safe with you anymore"

The parallels between Jean and Neil

Jean thinking he never got anything he didn't deserve

Jean only having a carry on bag like Neil

Wymack giving Jean money and his note

The Trojans giving Jean forehead kisses

Jeremy being into Jean but wanting to allow Jean to be able to heal first

Honestly more but this is enough for now lol

[ninyard]

Hellooo i saw that you were asking for asks (that sounds funny) and I wanna know some of your hcs on Kevin and Allison being besties/ kevjean relationship

This is my chance to finally share some Allison/Kevin hcs so I'm gonna seize this opportunity with both hands and give you this total MESS of a brain dump

- Allison is the only fox that doesn't make fun of Kevin's eating habits. Kevin KNOWS his relationship with food is fucked up because of the nest and Allison knows it too, so she refuses to make bets or make fun of the way that he eats. Kevin only realised because she once tried to quietly tell Nicky to knock it off when he was pushing Kevin to have dessert or making fun of what he'd decided to have instead.

- Kevin also knows not to talk about the numbers or macros in front of her, too. They have a weird unspoken mutual respect RE: food and they both appreciate each others efforts on that front without ever actually mentioning it. they also have a gesture for each other that's code for "i want a snack do you have anything" and they'll throw each other protein bars if they're out/on a long bus journey etc.

- they are the BEST drinking buddies. Whenever the team starts drinking/partying/clubbing more together post-TKM, they are literally CHILDREN when they're drunk together. Kevin gets tired of the monsters being boring when they go out and there's only so much dancing he can do with just Nicky and Aaron alone. So Allison pulls him up to the bar one night to do a tequila shot, and they literally have the most unexpectedly fun night ever. Kevin loosens up a whole lot without the threat of Riko etc post tkm, and when I tell you he is such a fun drunk. now he doesn't really drink THAT much during the season but off-season? oh he's a party animal. I could write thousands of words about him and Allison getting drunk together and becoming literal best friends as soon as they have a drop of alcohol in their systems but here's some things I think they've done drunk

stole a shopping cart and sat in it as they pushed each other down the road in it (and fallen out of it and laughed so fucking hard) ((but were bruised up as fuck the next day because of it)

he's sat her on his shoulders - while dan sits on matt's - as the two girls try to push the other one off

he's really easily convinced to do things by her. another shot? sure. and another shot IMMEDIATELY after that? alrighty! karaoke? well, okay. jockeyback? stealing traffic cones? pulling pranks and fucking with the other foxes? acting like actual teenagers? okidokie!

she's probably the only person in the world who has successfully convinced kevin day to sing

he holds back her hair if she has to puke

she convinced him to let her do his makeup once. full glam. like a serious look, fully beat, full coverage look. there's a picture out there somewhere of it that she saves for blackmail.

fucked. make out sometimes. strip poker. they dance together :)

he never lets her walk alone anywhere when she's drunk. if she can't find one of the girls to accompany her to the bathroom at a party she'll take him.

she's taught him full dance routines

she was joking that there's no way the raven warmups could be that different to theirs, and bet him that she'd be able to do them without breaking a sweat (he won)

they've both ugly drunk cried in front of each other (but they never talk about that sober)

she's pretty light so he's bench pressed her before

- They know each others drink orders/favourite shots

- if Allison is out, say she's with her friends and not with the foxes, and she has to wait alone for a taxi or walk somewhere alone, she'll call him and he'll stay on the phone with her until she's safe

- They make fun of each other and bully each other like there's no tomorrow (affectionate). the whole "Allison hates Kevin" thing WAS true for a while, but once they get closer, she just pretends to hate him. he's like an annoying brother to her

- Allison is really easily frightened, and Kevin thinks it's funny to scare her. she's never safe walking around a corner or into a room if Kevin is there and in a good mood.

- they're not BEST FRIENDS. like they're not in each others pocket all the time and laughing and joking ALL THE TIME but she can read him like a book. she knows when he's having an off day, or thinking about something too much.

- She also knows when he's being serious and when not to joke around. She knows when he doesn't want cheering up or to joke about something and knows when to back off. The same with him - he knows when she's having a mood that requires being cheered up, or a mood that requires him to leave her the fuck alone.

- He's a big reason why she puts a whole lot more of herself into Exy post tkm. She's always been invested, but once they talk more, and they consider each other friends, she listens to him talking about Exy and it really clicks for her. his dedication. and also how fucking talented he really is. She doesn't do the night training with him but they'll occasionally go to the gym together or start practice a half an hour early to run some basic raven drills.

- They're iconic when they get together to do press after games. they bounce off each other like nothing else. they're just so funny. and he's also like andy murray in that he will ALWAYS defend her, dan, and renee's talent if interviewers start to focus more on him instead of the girls. he'll step in if an interviewer says something shitty or misogynistic. she LOVES directing objectifying and misogynistic questions his way.

- She calls him a bitch and makes fun of him for being a nepo baby. He calls her an asshole and makes fun of her for being a rich kid.

- Have gone to banquets as each others date.

that's just a few random thoughts off the top of my head but yes. Allison and Kevin. Literally the only Two Pretty Best Friends ever to exist.

[oscarpiastriwdc]

albums i would play for each driver on the 2024 F1 grid to expand their music taste

Max Verstappen: Graceland by Paul Simon - As a fan of classic and folk rock, I'd imagine Max has been exposed to Simon and Garfunkel and I think he'd enjoy the sprawling, detailed, careful expanse of Simon's solo masterpiece. Angels in the architecture spinning in infinity, etc etc

Checo Perez: Ramomex by Rebel'd Punk - One of the Mexican bands who pioneered punk music in the country, but Checo probably missed this release because he was too busy karting and moving to europe as a teen. It's never too late to have a proper angry punk phase, though.

Charles Leclerc: Ten Love Songs by Susanne Sundfør - Groundbreaking, life-altering pop music that pushes every boundary. This hits the sad songs craving and I think would interest him as a musician and burgeoning songwriter.

Carlos Sainz: Ultraviolence by Lana Del Rey - daddy issues. I just know he'd vibe out to Brooklyn Baby.

Lando Norris: Destiny by DJ Sabrina the Teenage DJ - I dream of sitting him down and exposing him to actually good, interesting, fun contemporary dj music.

Oscar Piastri: Speaking in Tongues by Talking Heads - He has that certain David Byrne swag and demeanor of someone who'd love the Talking Heads if only given the chance.

Fernando Alonso: 10,000 gecs by 100 gecs - At first the old man would be extremely confused but once he was on board he would be blasting The Most Wanted Person In The United States all day every day.

Lance Stroll: Talon of the Hawk by The Front Bottoms - that post that's like the problem is men are making podcasts instead of forming midwest emo bands. but it's men are becoming f1 drivers instead of forming midwest emo bands. I think some TFB exposure could be the spark of inspiration for a great career pivot.

Lewis Hamilton: Maps by billy woods and Kenny Segal - I fear Lewis might have been too worried about Merc's performance last year to have checked out this fantastic collaboration that was one of 2023's best albums.

George Russell: Contra by Vampire Weekend - I just saw Vampire Weekend live following the release of the new album and at the show there was a guy a few feet ahead of me in the merch line who had the exact same energy as GR. The mix of prep vibes and world music would work into his taste while expanding his listening beyond coldplay.

Yuki Tsunoda: GLOW ON by Turnstile - 100% a selfish pick, I want to mosh with Yuki in the pit of a Turnstile pit.

Daniel Ricciardo: The Panhandlers by The Panhandlers - A country supergroup I return to time and again, wistful and nostalgic, making you yearn for West Texas no matter where in the world you are.

Alex Albon: Pelican West by Haircut 100 - Funky British jazz pop, perfect for dancing and vibing.

Logan Sargeant: Crying, Laughing, Waving, Smiling by Slaughter Beach, Dog - I fear Logie might be too young or too norm core to have had a proper Modern Baseball phase (it's never too late logie! listen to Intersection!) but Ewald's 2023 offering seems like something he missed last year that's perfectly up his alley.

Valtteri Bottas: Merriweather Post Pavillion by Animal Collective - Weird and complex, I think he should throw it on while on a long bike ride and let his mullet fly in the breeze.

Zhou Guanyu: God Save the Animals by Alex G - no you don't understand i need him to listen to Alex G he would love it

Kevin Magnussen: Heaven or Las Vegas by Cocteau Twins - Ethereal music he can feel and let wash over him in a wave to relax and transcend the horrors of driving for Haas.

Nico Hulkenberg: Supernatural by Santana - dad music but make it funky and good

Pierre Gasly: Sex Dreams and Denim Jeans by Uffie - A perfect twist on early 2000s French electronic music, I think it'd remind him of the club while sounding entirely new and make him want to pick up a side dj gig of his own.

Esteban Ocon: Lescop by Lescop - French indie pop-rock! His most recent album is fantastic, but Este should check out Lescop's 2013 debut first.

following a conversation with @liamlawsonlesbian and her definitive book rec list i'm doing something similar for music (she bullied me into posting this sorry). large range in popularity/mainstream-ness of artists depending on the driver and what i think they're already listening to.

[bireggiemantle]

Would Transitioning Save Her: A Sliding Scale of the Impact of MTF Transition on Riverdale Character

(Ranked from Best impact to Worst Impact)

1. Archie - should've been a dyke from the get go. I could write a billion essays about this

2. Reggie - being freed from toxic masculinity would fix her

3. Moose - considering how deeply repressed she is I think seeing the tv glow would save her.

4. FP - transitioning could save her marriage. this would not improve her alcoholism. BUT ! it might help her stop bottling so many of her issues up

5. Munroe - transitioning just fits into her plot of self acceptance to me. wlw prison archie + munroe would fuck crazy

6. Sweet Pea - this is solely based on vibes

7. Original/50s Dilton - big cock t girl representation for the win!

8. Hiram - this would make veronica leagues worse. could you imagine if her daddy issues became mommy issues

9. Clay - relatively unaffected by transition. I think she's already pretty open and honest about who she is, and it wouldn't take much for her to admit this about herself

10. Fangs - no impact. already a lesbian in my eyes

11. Jughead - canonically transgender but also it would absolutely make her worse and more insufferable. this could save s1 jughead (and briefly s5 jughead) but s2 jughead on is the queen of repression and it would take a lot of force to get her to come out. if she's repressing something after all

12. Chic - win for weird girls everywhere. would drastically improve her relationship with betty

13. Bret - stonewall prep plotline but it's toxic lesbians bret and jughead. she would try to fuck donna but donna would NEVER stoop so low

14. Kevin - considering how much of her sense of self is reliant on her identity, transitioning could either really help her or force her further into a world of identity politics. she'd be the world's worst kind of white feminist for sure though

15. Charles

16. Dilton - also vibes

17. Hal - sorry betty

18. Fred - not saving her marriage but would allow her to connect better with archie and I believe she'd be a better parent to her

19. Uncle Frank - could free her but would probably do irreparable damage instead

20. Sheriff Keller - this is a cisgender man

21. Jason - I don't even want to imagine what his relationship with cheryl would have looked like if he was a woman. huge win for incest freaks I guess

22. Julian - five steps back for lgbt rights

[orangechickenpillow]

"I want you to tell me what's going on, Reese, so I'm gonna start shoving this marshmallow into my nostril until you talk :/"

[jpmarvel90]

Absent

Masterlist Scarlett Masterlist

Relationship: Scarlett x Reader

Summary: Scarlett is away more than she's at home, leaving her wife with the kids. When a project means that Y/n is once again pushing back her own work, tension builds and a fight is soon to follow.

Word count: 5550

Y/n's POV:

From the outside looking in, we look like the perfect happy family. A wife and three kids, a nice home and lucky enough to not have to worry about money. What people don't see is the strained relationship and the exhaustion that I feel with every passing day.

I have been married to Scarlett for 6 years and we have three beautiful children. Noah who is four and our 18 month old twins, Izzy, and Mia. We met through a photoshoot she was doing for the Avengers. It wasn't my usual gig, but I'm friends with Kevin Feige and he had asked if I would do photography for the movies. It worked well as I could fit it around the work at my studio and I met the love of my life.

Due to Scarlett's work schedule, we agreed that I would carry any kids that we wanted. So, I closed up the studio when I had Noah and it's been closed ever since. This wasn't the plan though. When Noah turned one, Scarlett was supposed to slow down with her work so it would allow me to return part time. However, she was at the height of her career and was getting offers she just couldn't turn down.

At the time it wasn't the end of the world. I loved being with Noah, he was such an easy baby. Just being in his presence made me so happy. Knowing we wanted another kid. I agreed that I would wait before returning to work until our next children were one.

Once the twins were born our family felt complete. Scarlett took time off for a couple of months when they were born, and it was perfect. Just the five of us living our best life. But then more projects started again for Scarlett, and she would be away filming for all these different projects. We made the decision to stay in New York as we would be close to her family. But it meant that she was often having to go to LA or Atlanta for filming.

I love Scarlett more than anything in this world. Well, level with the kids. But I sometimes feel that she loves acting that little bit more than me. The twins are a lot more work than Noah was which has in turn caused Noah to act out as he feels like they get all the attention. I'm often enemy number one for him. Then Scarlett comes home and she's his saving grace.

I'm exhausted. I barely sleep as the twins still like to wake during the night. I then find I spend the day being a kid herder to make sure they're fed and happy. I'm hoping that once Noah starts school, it'll come a little easier. But at the moment, my time when the kids are asleep isn't spent on me, it's spent on cleaning the home, doing the laundry. I need my wife to help me.

Now you're probably thinking, don't suffer in silence. How is she supposed to know if you don't tell her. Well, I have. We had a long discussion about it before she left for her last project in Atlanta. She has promised that everything is going to change once she's home. She's going to be more present and we're going to be that happy, perfect family again.

She's due home today, and I'm excited to get back to where we were. I know the kids miss her so much whilst she's away. She's missed a lot with the twins, their first words and steps. Both happening whilst she was in Atlanta. It's almost like they're different kids to when she left.

As soon as she walks through the door, she's practically knocked off her feet as Noah runs to her, his little arms wrapping around her legs tightly. I smile as she bends down and picks him up, peppering her face with kisses. "My little prince! I've missed you so much!" She coos, holding him close. "I missed you too mommy." He responds with a big grin.

She notices me holding both twins and her eyes sparkle. I place them down on the floor and they both waddle over to her and I see tears brim her eyes at how much they have grown. "Wow! Look at my babies! You've grown so much!" She says excitedly as she bends down to scoop them up in her arms. Their giggles ring out as she peppers their faces with kisses like she had with Noah. Who was still clinging to her leg by the way.

After she's greeted the kids, she makes her way towards me and gives me a quick peck as her hands are currently full. "Hi babe. I missed you more than I can express." She shares. Looking in her eyes, I can see it's the truth. "I missed you to my love. I'll take your bags upstairs and join you in the living room." I tell her, which earns another kiss in thanks.

That evening is perfect, we spend it together as a family for the first time in a long time. The kids are so happy to have their mom home and are attached to her at every minute. I happily make us dinner so she can enjoy the love from the kids. Knowing that I'll get my chance this evening.

The excitement of having their mom home makes it easy to get the kids to sleep today. I watch with a permanent smile on my face as Scarlett says goodnight to each of them. Grateful that she's finally home.

We get into bed early ourselves and enjoy being back in each other's company. She fills me in on all the excitement of her filming and how Lizzie is planning on a visit soon to come and see the kids. Apparently, she needs some niece and nephew time.

The next few weeks are amazing. Everything is how we had planned it. Scarlett only had a couple of meetings here and there, but otherwise she was around, being the amazing mom that she is. For the first time I feel like I'm not run into the ground. Getting time with the kids, but also for myself and with my wife.

Once evening, we're sat having a glass of wine after the kids have gone to bed and I'm shocked at what comes out of Scarlett's mouth. "I want another baby." She admits, her eyes burning into me as she waits for my reaction. I choke on my wine at her comment, looking at her and seeing that she's totally serious. I take a moment to think of my response. We had talked about having three kids but didn't expect the twins. I just assumed we had finished.

"Are you ready to carry?" I ask. She had always wanted to carry for herself, but her schedule just never really enabled her to. Maybe now she's slowing down she feels like it's time. "I thought you could carry them. You've done an amazing job with them, and I love when you're pregnant." She smiles at me. "But my studio is opening back in two months. It would be bad for business if I were to close it again within the year. I thought you wanted to carry anyway." I ask her.

"I do. But with this next project taking me to the Czech Republic, it'll be difficult and I'm getting older. I'm not as young as you remember." She responds with a chuckle. "What project in the Czech Republic?" I ask her, shocked as it was the first I had heard about it. "For Jojo Rabbit. I had the meeting last week. I told you, didn't I?" She says as if I just forgot that my wife had another project away from home.

"No, you told me you were having dinner with Taika. Nothing more. But I thought you were taking a break for a while so I could get back into work." I return, not really believing that she's done this. "Can't you just postpone it? This movie is something special and I'm really excited about it." She says as if I'm not excited to finally be getting back to work. "I've already postponed it once Scarlett. When you went to New Zealand for Ghost Shell. We talked about this. It was my turn to be able to get back to work Scar." I try not to raise my voice, but the frustration is there.

"It's just three months and then I'll be home." She tries to defend. "Which is when you'll then be doing reshoots for Marvel and back in Atlanta for a month. We're not just here for you when you want us you know." I say, the frustration getting the better of me. "Excuse me?" She asks offended. "When was the last time you were home for more than a month at a time?" I question her, standing from my seat and starting to pace.

I look to her when she doesn't answer. She doesn't remember. "I love the kids more than anything Scar but they are a lot of work. The twins never sleep through the night and Noah hates that they get a lot of my attention. Which would be fine if there were two parents here to even the load but there's not." I huff and she let's out a low laugh. "Oh, come on Y/n, they're as good as gold when I'm home." She defends.

I just scoff at her assumption. "Because they miss you and want to be on their best behaviour for you. I'm always the bad guy. The one getting yelled at by Noah because I can't take him to the park because the twins have tough and tumble. I've lost count of how many times he's shouted that he hates me. Still hurts each time though." I start to ramble, all the stress and anxiety seeping out of me.

"I'm constantly exhausted, because I'm either with the kids, or cleaning up after them. I don't get time to myself. And on top of that I miss my wife. We were meant to go through the journey of having kids, together. But I've never felt more alone. My own needs and dreams always come in behind the kids and you. Starting work again was something for me. Not just something I want, but something I need. To show me that I'm more than just a mom!" I yell my rambling thoughts and I can see that they are shocking Scarlett. She's not even responding anymore.

"Do you even want to be apart of this family anymore or are we just a chore? Because as soon as you're home, it seems like you're always looking for a reason to leave." Sadness fills my voice with my last question. Tears falling down my face as I admit how I've truly been feeling.

"How could you even ask that. I love you and the kids more than I can express. You own my heart and the thought of not having you physically hurts." She defends. "But you barely have us Scarlett. A couple of weeks here or there and you're off again." I shot back, once again stunning her.

We sit in silence, just the sound of a clock ticking breaking it. I'm sat on the sofa opposite her, the physical space between us representing the gap in our relationship. "I don't know if I can keep doing this." I whisper, almost afraid to admit it. Scarlett's head snaps up at my words, fear filling her eyes. "I feel like I have given everything, and I've not got anything left." The admission rolls of my tongue without me even meaning too. "What do you mean Y/n?" She asks, panic lacing her voice as she stands and takes a seat next to me. "I have been more than accommodating for your career. I understand that you love it. But I'm asking you to love us more." I look her directly in her eyes as I speak.

"I won't let you pick work over us again." I state firmly. "What? No, Y/n. Please. You can't leave me. I love you so much. I love the kids! Please what can I do." She pleads, cupping my face as we both cry. "Put us first." I reveal. She looks at me unable to answer and it's my fear come to life. She's going to pick her work over her family.

We're interrupted when we hear little footsteps on the floor. "Hi my prince. Are you ok?" I ask, quickly wiping at my eyes and going to him. "Why is mommy crying?" He asks, pointing at Scarlett. "Did you make her cry?" He turns to me with a fierce look in his eye. "No buddy we're just..." But he doesn't me finish. "Don't make my mommy cry! You'll scare her away like you always do! I hate you!" And there it is. The words he loves to say to me these days.

I fight back the tears of pain and move towards him, but he hits my hand away. "NO!" He shouts. "Noah, please. Let me explain." I try but he shakes his head again. "NO! Why can't you be the one that goes and not mommy." His words feel like a knife to my heart. I hear a gasp from Scarlett as she walks towards us. "That is not how you talk to Mama, Noah!" She tells him off. He just stomps his foot and rushes back upstairs repeating his hatred for me as he goes.

Scarlett places a hand on my shoulder, but I shake it off. "He doesn't mean it." She speaks softly but I just scoff at her words. He does. "I can't do this. I'm going to bed. I'll take the guest room tonight." I say, not giving her time to respond before dashing upstairs and shutting myself away. I've never felt so lost, and I don't know if I'm ever going to find my way out.

Scarlett's POV:

I'm shocked at how Noah just acted with Y/n. He's always such a sweet kid. I could see how much his words hurt Y/n as the light went from her eyes. I tried to offer some comfort, but she shrugs me off. Before I know it, I'm alone in the living room with my thoughts. I've fucked up.

I've been so blinded by my love of my job that I've failed to see the damage it's doing back home. Y/n has always been so accommodating, but I've really taken advantage of that kindness and I think that I may have pushed her too far. I think I may have lost her.

I know that Y/n needs time and me rushing into her room will just start another argument. So, I decide to deal with the gremlin first. He should never talk to Y/n like that. Not that I have anyone to blame but myself. I head up to his room and find him sat pouting on his bed. I smirk a little as he looks just like Y/n in this moment. I take a seat next to him on his bed and he goes to cuddle me, but I stop him.

"We need to talk Mister." I tell him firmly. "Why did you talk to mama like that?" I question him. "She is always busy with the twins and makes you sad, so you go away." He responds. His pout still firmly on his face. "Mama isn't the reason I go away bud. I go away for work. Which means that mama is the one that is here to look after you and your sisters." I try to explain. "I wish you were here and not her." He repeats his point from earlier.

"That's not a very nice thing to say, is it? You'd be sad if mama wasn't around, wouldn't you?" I probe and he thinks for a moment. "But you would be here so I would be happy." He turns to look at me. Wow, I have really managed to make my kid hate his mama because he thinks she's the reason I'm not around. God I am so stupid. "Noah. Come on. I know that you don't want her to leave. Do you understand that what you said to her earlier hurt her and made her sad?" I ask, hoping his sympathetic natures comes through.

His eyes look to mine with worry. "I don't want her to be sad." He mumbles. "I just miss you and want to have more time to play with her when you're not here." He defends. "Oh buddy. That is all my fault. I am away too much and that is all on me not mama. And because I'm away, it means she has to work twice as hard to look after you all so doesn't always have the time to play. So, if you hate anyone it should be me." I admit. He shuffles closer to me and cuddles to my arm. "I could never hate you mommy." He comforts me. "You should never hate mama either." I say with a firm tone, making his gaze drop. "I know. I just get sad." He admits. "And that's ok. But you should never be mean to mama ok." He nods and pull him into a hug. "Tomorrow, you're going to apologise to mama, and we'll do something nice to make her feel better." I tell him and he agrees.

I tuck him back into bed and make my way back downstairs to clean up. It's not too late, but it feels it without having Y/n with me. I miss her. How ridiculous is that? She's only been gone an hour and I miss her. She's always here when I'm home. It's what I love so much.

I can't stop thinking about everything that she said. I hate that she could ever question that I don't love her or the kids more than my job. I know that's all on me, I should have made the effort to show her that more. When it comes to it, I can live without acting, but I can't live without Y/n.

I end up calling my mom and she spends most of the call scolding me. She told me how much work Y/n had done to start getting ready for the studio to reopen and how she had managed to get a few big name clients. It makes my guilt only grow. I am the worst wife.

That night I barely sleep. I spend most of it staring at the empty space beside me, replaying what Y/n had said over and over. The pain in her eyes, the question of if I still love her and want this family. By 5am I give up and start on the day. Once I'm showered and check on the kids, I head downstairs to my laptop. Trying to work out how to fix this.

When the kids start to stir, I get the twins up and sort out their breakfast. Luckily, Noah is still asleep, after his late night, so I can focus on them. Whilst they're playing on their mat, I grab my phone and call Taika. I explain that I need to drop out of the project and put my family first. He's disappointed but he does offer me one option. To take Y/n and the kids with me. That he would arrange for us to have a house near set so we can be together when I'm not filming. He said that he wouldn't look to recast until I confirmed with him if I want to take that offer or not.

This movie really did appeal to me. It's so unique and I think it would be really good fun to do. But that doesn't matter to me anymore. I would still be asking Y/n to postpone her studio opening by a month. I don't think she would go for that. I'm putting Y/n and the kids first. Like I always should have done.

When Noah gets up, we have breakfast together. Which is not a fun experience. I don't make his pancakes the right way and I gave him the wrong fruit, so we're off to a good start. I'm surprised Y/n isn't up yet, but I don't want to rush her. She deserves some time to herself. I can put up with a sulky four year old for the day. She's done it for months.

Throughout the day I realise that there is a lot I don't know about my kids, and it hurts. They have changed since I was last home, and without Y/n's subtle guidance, I'm left to fend on out of date knowledge. The only brightside is that Noah is starting to realise how much he needs his mama.

By the afternoon, all three kids are craving time with their mama. Hell, I'm craving time with my wife. I manage to get the kids somewhat settled in the living room whilst I grab my laptop once again. Maybe a family holiday would be a good place to start. We always talked about Disneyland and Y/n has always wanted to go to Hawaii. I call my mom to see if she would come as well, that way, Y/n and I could have a mini holiday ourselves. She happily agrees, saying that she will do anything to stop my stupid ass losing the best thing that ever happened to me.

By dinner, Y/n finally comes out of the guest room. I give her a big smile, but it soon drops when I see how tired she looks and the tear stains down her cheeks. Her eyes bloodshot and puffy. It makes my heart ache that this is all cause because of me. "Hi my love." I great her, to which she hums in response. She goes to head towards the kitchen, but the kids don't let her get to far. "Mama!" Izzy shouts when she sees her, holding her arms out to be hold. "Hi there my little princess." She smiles at our daughter, resting her on her hip as she goes through the motions of making herself a coffee.

I admire her as she moves around effortless, keep Izzy happy, whilst still managing to sort a drink and some food for herself. It makes my heart grow when I hear the little laughs from the baby when Y/n tickles her after she stole a raspberry from her bowl. Y/n moves into the living room and places Izzy on the mat, but she instantly moves to Y/n and is joined by Mia, both climbing up onto the sofa to be closer to their mama.

Noah, however, stays sat on the floor with his toys. "Hi Noah. Do you want to join our snuggle?" Y/n asks but Noah shakes his head. I frown when I see his reluctance after our talk last night. I see a flash of hurt cross over Y/n's face, but she quickly hides it when the twins start to ramble at her.

I quickly text my mom and ask if she could pop over to take the kids for the evening. I know it's short notice, but I need to save my marriage. It's holding on with a thread and I don't know how much longer it's going to hold. Thankfully, she agrees, restating her comment from the call earlier and I hang up just in time to see Noah, once again, reject Y/n.

Y/n sighs, getting up from the sofa and handing me Mia. Izzy now with her brother on the floor. "I need a walk." She mumbles, grabbing a coat and her phone before leaving the house. I wanted to stop her, but I also need to talk with Noah.

"Noah buddy. Why are you still being mean to mama?" I ask him. His eyes go wide and he's quickly shaking his head. "I'm not being mean!" He defends. "Yes, you are. You're ignoring her." I stay firm and his little lips trembles. "I didn't mean to! She looks sad and I felt bad cos I made her sad. She's not going to leave forever is she?" He admits before the fear of his mama leaving takes over. He burrows himself into my side for comfort. "Oh sweetie. She's not sad because of you. She's sad because of me. Your hugs would make her feel so much better! And no. She isn't going away. She's just gone for a walk." I try to reassure him. I have done a stand up job of screwing things up for my wife and our son!

I spend the time explaining to him why Y/n is feeling sad and how we both have to do our best to make her feel better. He seems to understand and is now patiently waiting for Y/n to come home. As the clock ticks on, I panic, worried that maybe she's left me. Left us. I've pushed her so far that she's gone. When mom arrives, she has to deal with me freaking out and just as I feel like I'm about to totally break down, the front door opens and Y/n walks in. I let out a sigh of relief, knowing she's come home.

"Mama! You're back!" Noah shouts as he rushes into the hallway and collides with Y/n's body. "Of course, I am buddy." She smiles, running her hand through his hair. "I'm sorry, mama." He apologises. "I don't hate you. I love you a lot." He tells her, complete honesty in his eyes. They have a moment together as Noah tells her why he was angry and that he knows it wasn't Y/n's fault.

Y/n looks at me suspiciously when she sees my mom with the kids' overnight bag but allows it when she takes the kids back to hers tonight. "I want us to be able to talk without the worry of the kids." I explain as she gets comfortable in the living room. "Do we have anything more to talk about?" She questions through a sigh. "You may not. But I do. I have a lot I need to say. I hope you'll give me the chance." I say, looking at her with pleading eyes.

When she nods, I take the seat next to her, holding her hand in mine. "I've fucked up. There is no excuse. So, all I can say is that I'm sorry and I promise that I am going to change. This family are my priority. The thought of never acting again makes me sad. But the thought of losing you or the kids makes me feel sick to my stomach. I know that I would never cope. My life wouldn't be worth living." I start off, setting out my thoughts early so she knows where I'm coming from.

"I am so sorry that I made you feel like you were going through this alone. I'm so ashamed of myself that I couldn't see the pain you were in and allowed you to continue making the sacrifices for this family when I was making none. I will stop acting and focus to being a mom and a wife so you can get back to doing what you love. I'll find another passion that accommodates both of us." I promise her. But my words seem to have the opposite effect than I had hoped. My heart stops when she starts shaking her head at me.

"Scarlett. I don't want you to stop doing something that you love. I just want you to prioritise better. To put us first. I would never ask you to quit acting. But these last few years, you've been away more than you've been with us. We just want you in our lives more. We miss you so much. Then as we get used to you being home, you're gone again." She explains.

"We have a lot to work on, but I know how important this project with Taika is for you. So, I spent this morning rearranging some of my clients so I can start once you're back." I can't believe she would do this for me. After everything I have done, she is still putting me first. "No, babe. I can't ask you to do that. I meant what I said. It's time for me to put you first and allow you to follow your dreams..." I start to ramble, but she cuts in. "It's too late. It's already done. But things need to change when you're back Scarlett. It's not fair to me or the kids." She interrupts.

"This project doesn't mean more to me than this family Y/n. I actually called Taika this morning to pull out of the project." I admit and she looks at me shocked. "Really? But you were so excited for it." She replies in shock. "But I'm more excited to support you in your work and be around with the kids more." I come back, wanting her to know that nothing is as important to me than her and our children.

She sits for a moment and looks to me. "I don't want you to resent me because you're missing out on roles that you want to do." She says shyly. I place my finger under her chin and lift it so she can look at me. "But it's ok for you to give up on your dreams instead?" I question her with a raised eyebrow. "When I married you, my dream was to have a family with you. But when we achieved that, I got greedy and wanted the best of both worlds. I never should have taken advantage of you like I did. I promise that I'll never do it to you again." It's not a baseless promise and I hope that she can see that. I think she does when she pulls me into her and holds me close, letting out breath as she does.

"I bet Taika was annoyed to lose you." She says after we've sat in silence for a while. "He understood. Scolded me a little for screwing up. Even offered for the four of you to join me and live out there whilst we film. But he gets why I made the decision I did." Her head snaps up to mine when she hears what I said. "He offered for us to live in the Czech Republic whilst you film?" She asks and I nod. "Yeah, he said he'd arrange a house close to set so I was away from you as little as possible." I reply, whilst running my hand through her hair, enjoying being this close to her again.

"We should do it." She mumbles into my shoulder. "What was that babe?" I question, not sure I heard her right. "We should do it. I've already moved my work around. Noah doesn't start school until you're back. This way you can do the project and we can readjust once we're home." She sits back to look at me as she talks, and I can see that she means what she's saying. It's not just to make me feel better. "Are you sure that's what you want? I really don't mind if I step back from this project. I don't want you to do this for me and it put us even further back." I admit.

"If I hadn't moved work around maybe I wouldn't be saying it. But it's a chance for us to live abroad. The kids would learn so much from it. Besides, you said yourself that you think this is an Oscar worthy film. Who am I to deny you that opportunity." She smiles, placing a kiss on my cheek.

"I'll only do it on one condition. Well two actually." I say, trying to be firm, but the nerves taking over. "I'm listening." She smiles. "First, we have a holiday. I was thinking Disneyland, then the two of us head to Hawaii. Mom already said she'd stay at the parks with the kids." I start off and feel more relaxed when she laughs. "Ok, and your second condition?" She pushes me to continue.

"Well, it's not really a condition. I guess a promise from my part. I'm going to step back from filming for a bit. I want to be the supportive wife you deserve. I'll only pick roles that really appeal to me. Besides, I always wanted to start my own skincare line. I can do that from here in New York and be around all the time. Being the mother and wife that I am supposed to be." I keep eye contact as I talk so she can see how genuine I'm being.

She doesn't respond. Not verbally anyway. She leans in and captures my lips in a loving kiss. One that shows me everything that I could have lost. I can't believe that I allowed my own desire to live my dream, to damage my family so much. Seeing the pain on Y/n's face is something that I never want to see again. I will do everything in my power, to make sure that I am the best I can be for this family. 

[wat-the-cur]

(I wrote most of this when I was tired and in pain and it shows. This is so much babbling nonsense it’s untrue. I don’t even think I properly adhered to the “based on vibes” system I intended to follow. But I’m still posting it, because silly and fun.)

Been feeling like utter crud for the past three days, so I’m about to distract myself with Jay ratings. I’m rating the Jays based on vibes. No introspection, just waffle. Enjoy!

Clerks Jay - Listen. The GENDER. Not enough is said on the gender envy factor of Clerks Era Jay. The baseball cap we sadly never see again, the hair up to show off the buzzed sides, the little necklace, the huge earring. He doesn’t feel like he’s wearing a costume, either. Throughout the film clothes come off, go back on, hair goes up and down and moves through various stages of dishevelled, as he fucks around outside the Quickstop all day. It’s one of those details that make him feel more real. This is the Jay who’s probably most like someone you’ve known, for better, or worse. For as minor as his role in the film is, as well, he has some depth to him that get’s sadly overlooked. Boy steps up to defend Veronica before anyone else, even though his conversation with Dante is overshadowed by Silent Bob’s one iconic line. Degenerate with a heart of gold, and one of my top Jays. (9/10)

Mallrats Jay - Brother vibes. Mallrats Jay is pure brother vibes. He is both your little brother and your big brother, and he is not as cool as he thinks he is, either way. His breath smells like stale Monster (that you had to buy for him), and he has never washed his arse correctly in his life. Would flip you off your chair and break your elbow for a handful of fries, but he would also beat up your bullies for you (with help from Silent Bob, of course). Also very gender, but not in the same way as Clerks Jay. Mallgender, great silhouette. Somehow much cuddlier. I would cuddle him. (7/10)

Chasing Amy Jay - Moody. The moodiest bitch. Beam me up, Stroppy. This is Jay in such a foul fucking mood, it almost stops him being funny. Almost. Apparently, anger makes him fluffier, too. He’s strangely fluffy when he appears. Yet another example of Jay giving the same opinions as Silent Bob, just in a crasser way, and so getting overlooked. And speaking of Bob, points for the subtle callback to Jay’s previously established repressed bisexuality and his crush on Silent Bob, via jealousy towards ex-girlfriend. (6/10)

Chasing Dogma Jay - “Ew” is, perhaps, a strong word, but.....hhhuuuuggggmmmnng 😬. Sincerely, certified worst Jay. Kevin Smith took Jay’s sex pest tendencies and jacked them up to eleven, here. I’m not trying to clutch pearls, it’s just not funny. It’s long been established that Jay frequently has women tell him to fuck off, even pepper spray him for being pushy and annoying. And he is both of these things. However, in the movies we never see him forcibly grab women, or threaten them with violence. This Jay does both, and it honestly feels like a huge departure for the Jay we’ve seen previously. Both Clerks Jay and Mallrats Jay were shown to have female friends. I struggle to imagine this Jay having any, because feels genuinely unsafe to be around. And while it’s not out of character for him to expect sex as a reward for heroism, the implication that he wouldn’t have saved Bethany if Bob hadn’t gone for it first does feel out of character. #NotMyJay. The only saving grace of this Jay is his few cute moments with Bob, as well as almost coming out to him during a tirade. (4/10)

Dogma Jay - Now this. This is some good Jay right here. This is about the last we see of moody bitch Jay, established in the previous two iterations. But, in spite of that, he is not without his sweet side. Boy couldn’t care less about the world ending, but you refuse his “girlfriend’s” request and make her sad? You get your expensive shit stolen. That’ll teach you. This is the film that really pumped out the ship fuel for JayBob and you can see why. I’m convinced the main reason Jay is one of the prophets is that he is Bob’s emotional support jackass, that is his primary role. Looking and acting every inch the repressed bisexual he is CONFIRMED to be. But honestly, this look? Best Jay look since Clerks. Ear, nose and tongue pierced. Got his catchphrase on his beanie. Look at that cosy outfit, our boy is so warm. Chasing Dogma explained that these are not, in fact, Jay’s clothes, hence why they don’t fit. But he looks so damn snuggly in that huge jacket, and the red/black/grey combo looks so good on him. (8/10)

Clerks: The Animated Series Jay - Everyone shut up and look at him! Look at his cheeky little face. He’s just a little guy. Just a little prankster. He does a gay little walk that pisses you off. Bless this little man, I love him so much. (10/10)

Jay and Silent Bob Strike Back Jay - To fit the lighter tone of the film, Jay goes back to something closer to his Mallrats appearance. Manchild, rather than manteenager. School boy with a crush. He even gets addressed as “Little Kid” by different characters throughout the film, like it’s acknowledging this. This film has a lot of fans divided, but even if you’re not a fan of the View Askewniverse, or Jay and Silent Bob as a duo, I think it would be hard to hate this Jay. There is something very innocent and genuine about him. We see what is alluded to in Clerks, that Jay really just wants a kind, sweet partner. Also, this is possibly Jay’s best known outfit, either due to the popularity of the film, or just how bright it is. Honestly, I like it. Especially the Berserker shirt, he’s still supporting Olaf! (8/10)

Clerks II Jay - My wife. My cupcake. My actual fucking babygirl. I want to sit him on my lap and hand feed him his Mooby meal. I fucking love Clerks II Jay. He feels like if Clerks Jay got some character development. He’s still rowdy, still horny, still not too bright, but he’s getting softer. He’s getting more self aware. He’s on the cusp of something. This Jay probably wakes up in Silent Bob’s arms each morning, because he’s remembering to be grateful for the good things in his life (Because Silent Bob is such a good, friendly friend, thats completely and totally it). The little old ladies at church love him, they’re always tucking his hair behind his ears. There is something so fun and sweet about Jay and Bob carrying around that little pocket Bible, knowing they actually met God not too many years ago. I just love it, I really wish they had stuck with this. Also, the little flicks in this Jay’s hair, and his coat that can easily slip off the shoulder live in my head, rent free. (11/10)

Jay and Silent Bob Reboot/Clerks III Jay - Look, I know. I know that Reboot was cringe. I know that Smith and Mewes looked like old men struggling to do what used to come naturally. But Reboot touched my heart, okay. Look at this man. Look at this old, undiagnosed, moderately freshly out of the closet man. He finally passed the cusp he was on in Clerks II. Watch him attempt to protect and bond with his long lost daughter, whom he loved almost immediately. Watch him cry over all the years he missed out on raising her. He’s running a business with his not so heterosexual life mate. Probably believes they’ll have to elope to Fiji to make it official, or something. He pretends dealing is still illegal in the area for the nostalgia. He agrees to help Randal make his film, and happily distracts the hospital staff so an ill Dante can watch it. Why? Because the clerks are his friends now. He’s too old to bear grudges. He’s goofy, he’s happy, he’s peaceful. He drinks cocoa with his last joint of the night. And he gets pegged, that’s confirmed, too. I need more old, happy Jay. Also, back to the bright colours! (10/10)

[richonnesbitch]

Any favorite Richonne moments? Rewatching season 6 and forgot about Michonne immediately slamming the woman who punched Rick. I couldn’t help but think how that meme of kevin hart being held is so Richonne coded lmao

Every richonne moment is my favorite moment tbh 😂

I, too, really love when Michonne body slammed that random woman who punched Rick. And it being directly after their first night together makes it sexier. Like that is HER man, she's decided. Like, they're so iconic. Imagine every scene with your ship being their best scene. That's crazy!

But to answer your question I'll name a few of moments I especially love. Some of these are probably underrated, others probably not. It's not gonna be in any type of order because it's too hard to rank lol. But here are five.

1: Taking Judith To Hilltop

Whenever Carl is dying and Alexandria is getting bombed by the saviors, the group decides they need to evacuate to Hilltop. Rick asks Michonne, the person he trusts most in the world, to take Judith to Hilltop. And we all know how much Rick (and Michonne) loves his children so this was definitely a huge thing to ask. I just find it beautiful the amount of trust he has in her. I love that Andy quote where he's like "Rick trusts her with his life and his children's lives." I can't remember the full quote so I'm definitely paraphrasing but it's a great moment. And unfortunately I can't find a picture of the moment either.

2: Mowing Down Walkers with the RDIM

This whole scene is just so crazy to me. It starts off with Michonne annoyed she has to just stand around while everyone else does all the work. Fed up, she decides to ignore Thorne and take charge. She grabs the RDIM and runs and runs and runs pretty far away from everyone else, mowing down walkers along the way. And then all of a sudden who appears next to her? Rick. Do you know how fast he would have to have been running to catch up with her? He's crazy lmao! It's also really sweet in another way too because he knows she might get in trouble for this so he gets himself in trouble with her. Partners in crime! And also im sure he couldn't just let her run into a horde of walkers by herself. Anyway, they mow down the walkers and then Rick sets the RDIM up to explode and grabs Michonne's hand and runs away from the impending explosion with her. And if you notice when they go behind the tree, Rick puts her ahead of himself. He also shields her body with his when the explosion happens. We know what happens next. They start staring into each other's eyes and neither of them are capable of resisting each other so they have a little makeout session complete with tonguing and moaning. Classic richonne. Noticing their connection, Michonne says "come on" referring to how he should leave with her. He warns that "They'll find us, they will." She tells him "we'll make it so they can't." And he's under her spell so of course all his most recent refusal just goes out the window as he tells her "not like this." It ends with a signature forehead touch. I feel like this is a thing richonne generally does when they feel distant from one another. Physical touch is big for them so I feel like the forehead touching is a way to reconnect them I think. It's beautiful. So anyway they head back to the rest of the group to help. Thorne's goofy ass decides that Michonne, or Dana, is more trouble than she's worth and aims her big gun at her. Somehow Michonne's bodyguard Rick notices this immediately. It's crazy how he ALWAYS has eyes on her to protect her. No wonder she said she only feels safe with him. He sticks himself between the gun and Michonne, blocking her from Thorne's view and successfully saving her from being killed. I love seeing how protective Rick is of his lady.

3: Rv Hand Hold

So after their first kiss and first night together, they are tragically robbed of the chance to spend the morning together when Jesus lets himself into their home to speak to Rick. This world moves fast so they don't really get the time to breathe before Jesus and the rest of the group are on their way to Hilltop. Michonne sits bashfully in the passenger seat, wondering if last night meant as much to Rick as it did to her. And Rick notices this (because he always has eyes on her) and eases her mind by grabbing her hand. Of COURSE it meant as much to him as it did to you.

4: Michonne Saving Rick From Winslow

So I've talked about how much I love Rick being protective of Michonne but I also love when Michonne is protective of Rick. Okay so this moment happens when Rick and Michonne are trying to recruit those worthless useless garbage people to fight against the saviors. Their leader (who I'm not naming because fuck that bitch) wants to put Rick to the test like the dumbass she is. To test him, she decides to take him "up, up, up" which is code for "throw you in a hole you can't climb out of with no weapons while a spiked walker comes at you." Michonne, sensing this bullshit, nervously grabs Rick's hand to stop him. She goes to say something but Rick stops her and comforts her. He goes up there anyway and gives Michonne a reassuring nod once up there. The leader says some sort of bullshit to him, I don't know what because I zone out any time she speaks. Anyway she pushes him down the hole. Michonne screams at her "what did you do?!?!" before running to find Rick by looking through a hole. She yells his name and he looks around confusedly for a few seconds before figuring out where her voice is coming from. He lets her know he's okay. And then Winslow comes at him. Again he has no weapon so he frantically tries to climb out but to no avail. Michonne watching this through the hole yells directions to him. "The walls. USE them!" And he does! And it works! Michonne's plan works and she saves his life. It's just a fun example of how Michonne's guidance always helps Rick.

5: Unclenching His Fist

So after a very endearing family fun day for the Grimes family, it sadly gets cut short when Scott (or whatever his name is) delivers the news that some random ex savior (that really no one cares about) got killed by someone. This is bad news and Rick is visibly upset by this. Michonne notices this and reaches a hand out to him.

His hand is closed and she gently opens it.

She not only comforts him but let's him know this burden isn't only his. It's hers too. And that they will get through this together. Michonne has always been able to comfort Rick in a way no one else can and vice versa.

So in conclusion, these are just a few moments I really love and why I love them. Again I wanna say that every moment is my favorite richonne moment so this is definitely not a ranked list. I had to limit myself to just five because I could go on and on and on and on and on and on if you let me 😂 but if you wanna know more of my favorite moments I don't mind sharing them. Thanks for the ask! This was so fun to write.

[hexedwinchester]

How come u dont love Sam protecter and older brother Dean🥹

By Sam own words Dean raised him, a-lot of the good qualities that Sam has he got from Dean. Yeah Sam childhood wasn't the best, but he was deeply loved by Dean, i believe this love helped overcome many obstacles in his life.

In fact again by Sam own words, Deans love and protection is the only thing he could always count on.

I am not saying Dean is perfect, but who is ? To say that Sam needed protection from Dean sounds odd, where Dean is literally his home and the only place he feels safe.

hi @rosedark88

Interesting question and perspective you have offered.. this would be fun to analyse 😊

Before I start, let me be honest: I'm not Dean's biggest fan because I find a lot of his actions to be problematic. Please proceed with caution: you may not like the answer but I'll break it down as logically as I can. (Please remember, this is not a hate post)

Yes, I agree Dean has been Sam's protector (but only until early seasons. I'll explain what I mean) and he did raise him but time and again Dean has confessed if not to others, then his own subconscious that he hated having to carry that burden. He has let it slip that he is bitter about having to raise Sam (which I can understand, it wasn't fair) but I've seen him pretends otherwise which is two-faced IMO. (He confesses this in S03E10 Dream A Little Dream of Me when he is facing himself, in case you are looking for a reference.)

He is also a hypocrite with repressed emotions. He says he admires his dad but deep down he too resented him but he still gave Sam shit about him because Sam was just more blunt about his opinion of John unlike Dean. Again, in the same episode he says "my dad was an obsessed bastard. All that crap about keeping Sam safe was his crap." See what I mean?

Continuing on the hypocrisy, his whole agenda of "what's dead should stay dead" is gone for a toss when he makes that deal the first time to save Sam in S2. He gave Sam a lot of shit for trusting Ruby because she's a demon (unfortunate for Sam she had bad intentions) but Dean trusted Benny, Gadreel, Crowley and Cas when all of these guys have broken his trust later. But we don't see Sam bringing that shit up like Dean tends to.

Let's also not forget that Dean berated Sam for getting Charlie killed over the Book of the Damned but apparently no one cares that his manipulation got Kevin killed too? Do you see the double standards here?

Speaking of saving Sam, every single time he has done something apocalyptic to save Sam, it was for selfish reasons. The main reason is because Dean struggles to let go, to move on. He'd rather drag a zombie Sam around than let the man die. Even you have to agree there's some truth in that.

Dean hated that Sam left for college and it wasn't because he was afraid something might get to him. No, it was because he saw that as Sam's betrayal. That Sam picked college over him.

Now, coming to your question about why Sam needs protection from Dean his apparent 'savior'? Yes, Dean is willing to do anything to "save Sam" from every evil thing out there but that's the whole problem. Why even Billie doesn't like the Winchesters because these guys are willing to risk the destruction of the whole world to save each other which isn't right.

let's look at those grave "save Sam" moments and see what's wrong with those pictures:

Sam's first death in S2: Dean bought himself one way ticket to Hell to bring Sam back because he didn't want to keep doing this without Sam (he confesses this in his monologue to Sam's corpse and also in the Croaton episode when he finds out Sam is infected and doesn't leave). Dean is literally nobody without Sam and I'm not saying this. This is who Dean is. Sam is Dean's essence for survival. So Dean saved Sam for himself putting Sam through the same ordeal that John put Dean through. Dean passes on his trauma to Sam like a hand me down.

Sam's detox: Bobby tried to knock sense into him that it's probably the cold turkey thing that's killing Sam. I know Dean was trying to help him but I doubt he knew the right way to do so. Even when he realised his method would kill Sam, he was okay letting him suffer like that until he died (because then at least he dies human). I'm sorry that's not how you deal with someone with addiction problem. Despite everything, Sam is still willing to work with Dean but he can't get over Sam choosing Ruby and calls Sam a monster.

In season 6, the brothers realise something is off about Sam. At the end of the episode 'You Can't Handle the Truth' Sam comes clean that he felt different since he was brought back and he needs help to figure it out and how does Dean help him? By beating him unconscious, tying him to the chair like he is a monster? The way he talks to Sam in that scene: "you better hope he (Cas) can diagnose you. he asks, you answer and then you shut your cakehole". So Sam isn't allowed to talk about his own body? Oh wait I know, he's not, not when Dean said so.

In Season 8, he impersonates Amelia, sending Sam SOS just so he can he rendevous with Benny? Amelia was a shore in his Sam's storm. He loved her and deeply cared for her. To let him think something happened to her was cruel. Especially given how Sam's past relationships ended up his beloveds dying horrifically. Who plays such sick mind games? And to your own brother??!

Season 9, my favourite, the one that completely dissolved the rose tinted glasses that the show created for Dean: Manipulating Sam into saying yes to be possessed by an angel (an angel you know nothing of) knowing Sam's history of possession, that was just sick. Sam wanted to die. He was ready. If Dean wanted to save him, the least he could do was be honest about it. Not manipulate him into saying yes. But he didn't. He resorted to manipulation because he knew Sam would rather die than be possessed. Something that people fail to understand here is 'the idea of possession' is a hard limit for Sam. But Dean has no regard for it because in his head "he did what he had to and he won't even apologize for that". I'm sorry, that's the biggest red flag to me. I don't care if you have raised me, protected me and kept me safe only for you to stab me where I'm the most vulnerable. You are no different than all those evil things out to hurt me. That's why I love Sam for standing his ground and not forgiving Dean for this. He was right to say he didn't want to be brothers. If my siblings betrayed me like that, I'd leave too.

And whenn in Season 9 finale, Dean wanted to go off to kill metatron on his own, Sam wanted to tag along but what's dean's response? Punch him into unconsciousness and leave him on the street like that? All vulnerable for any monster to attack him? Really?! How is this protecting? Ya maybe metatron won't kill him but something else still might!

Oh and in Season 15, Dean pulled a gun on Sam and mind you he under no dark influence. This was all him. I'm not even going to elaborate further on this.

I can list at least 10 occasions where Dean has hit, punched, beat up Sam but Sam hasn't fought back. And that's not even what bothers me the most. It's the fact that Sam doesn't look surprised (meaning Dean beaten him before and I so believe he has and it's a frequent, almost business as usual like) or he looks scared (I'll try to find that gif where Sam is on the ground putting his hands before his face to protect himself against Dean). Dean is abusive when he is angry.

Something you said in the ask that struck me odd. What qualities did Sam learn from Dean? Let's see some of Sam's core good qualities:

Emotional intelligence

Forgiving

Compassionate

Empathetic

Selflessness

Determination

Self awareness

Open mindedness

Authencity

Dean is not known for any of the above qualities, so I disagree he learnt his good qualities from Dean. Dean has an emotional intelligence of a wooden plank. He holds grudges and isn't nearly as forgiving as Sam is. Compassion and empathy are not Dean's qualities either. Dean is selfish. His first thought is how to use someone to his advantage. He did that with Cas, Crowley, even Jack. I've seen Dean give up more often. His "I can't keep doing this", "why is it our job to save everyone", "who says I want to do this?" are all indicators of this. Self-awareness tends to dwell in his blindspot. I've said this before, Dean is black and white, Sam is grey area meaning Sam is more open minded than Dean. My favourite: nothing about Dean is original. His leather jacket? John's. His car? John's. His music? John's. His life motto? Also John's. Whereas Sam has been authentic, true to himself than Dean ever could. Did Sam learn hunting from Dean? Yes. Loyalty? Yes. But neither of these are Sam's core qualities. So I disagree that Sam's good qualities come from Dean. If anything, his good qualities are actually him trying not to be like Dean.

Sam can count on Dean's love and protection because he has been conditioned to since he was 6 months old. First by his father and then by Dean himself either through emotional abuse (he keeps reminding him about how his decisions always end up with someone dying or gaslighting him into guilt tripping on things outside his control) or downright physical beatings. The Winchesters have dysfunctional family and relationships. Again, remember Sam is the forgiving one in this relationship. In fact Sam is forgiving to a fault and that's what this is. It doesn't make Dean's actions right just because Sam has been forgiving them.

To summarise, here why I feel Sam needs protection from Dean:

Dean saves Sam only because he doesn't know how to live without him. That's not normal. He has done crazy shit to "save him" resulting in causing Sam more trauma

He quickly lashes out (often resulting in verbal or physical violence) because of his repressed emotions and poor anger management

He has verbally and physically hurt Sam either by calling him a monster or saying he doesn't trust him or by beating him unconscious on multiple occasions

he is controlling, bossy and threatening. "If didn't know you, I'd want to hunt you." Sorry, if I were Sam, I wouldn't feel very safe

Dean doesn't see the wrong in his action or worse, even when he knows he is wrong, he is too stubborn to apologise for that. Everything is shoved under "I did what I had to" or "I'm not apologizing for saving you".

Dean has manipulated Sam and gaslit him

His whole "this is a dictatorship" comes across as a red flag which takes me to my next point:

He never treated Sam as his equal. Don't see how that counts as love

Dean was mad at Sam in DSOTM because Sam's happy memories (that Sam wasn't in control of and the whole situation was probably rigged. I mean, Zachariah cosied up with Mary's image for god's sake) didn't involve Dean. The idea that Sam can have a life outside Dean has never sat well with him

He has locked Sam in the panic room on at least 3 occasions. Sam hasn't done that even once

Sorry, but Dean is not a poster boy for love and protection. When I look at a character, I not only analyse their actions but also try to understand why they acted the way they did. In Dean's case, the why has always been problematic.

Dean's intentions maybe good but his actions don't always align. His philosophy has always been "if the means justify the end" but I don't stand by it. This is what makes room for immoral, tyrant and corrupt actions and an excuse to hide you wrong doings behind those.

These are my views on why I feel Sam needed to be saved from Dean. You may or may not agree and it's fine either ways 😊

Damn! That was lengthy. But thanks for this interesting ask, it was fun! 😇

[lokiiied]

my thoughts on the making of loki s2:

• “our approach was really doubling down on who loki cares about, who we care about.” and then having season 2 centre around loki & mobius’ relationship, how he cares for his friends, and sylvie’s independence & what she wants/fought for like okay cool got it.

• “tom is the author of all things loki” he really, truly is. bless him.

• ke huy quan must be protected at all costs the world does not deserve him

• loml rafael casal 💞💅🏻

• “mobius can be eccentric, because loki is eccentric, he just is. but they don’t see themselves that way. they’re the straight man (???) in this absurd world.” 🤨🧐 kevin…you were going somewhere and then you lost me.

• “this is her first chance to experiment with freedom, with choice.” (about sylvie). and her choosing a simple life, with the comfort of routine and connecting with a few particular humans and just appreciating life. the little things. with no romantic motivations that we see. big aspec energy.

and then replaying the scenes where she says “my life’s here now” and “your friends are where they belong. we’re all writing our own stories” like. yeah. just reiterating how important this life she’s built is to her and she has no interest in going back. she appreciates loki & mobius and the others in helping her to keep/save free will - but aside from that, she’d be fine never seeing them again. because if she did - it would probably mean trouble. fighting again. running again. and she’s already spent her whole life fighting and running. she’s tired. of course she was upset they kept seeking her out, cuz she thought she was done. that she fixed everything that mattered. even though she didn’t. but now she gets to live. and be sylvie. “not a loki” and to figure out who that is.

• 700 PAGE BOOK??!!? isaac bauman, the cinematographer. wrote a 700 PAGE “cinematography bible” of the entire visual language of the show. down to the smallest lights. the pure tism dedication. this is what i’m talking about when i say everything is intentional. every shot. the lighting. the tone. every time someone writes an analysis about these themes in this show - just one page of this mans work is appreciated. i never want to hear anyone talking shit about “reading too much” into cinematography. i have isaac bauman’s loki cinematography bible on my side.

• wunmi is so funny and warm i love her energy

• TOM “HELPING” OWEN UP THE STAIRS. 🫴🏻dead.

• christopher townsend sounds EXACTLY like an older tom holland it’s tripping me up

• “what is it mobius says…” tom says and then recites the line word for word. as if loki wasn’t thinking of that line while sacrificing himself. as if mobius’ words weren’t echoing over him in the final shot of the show. he’s so funny.

• speaking of…owen only talked for like 5 minutes what?? probably started rambling about mobius’ gay feelings for loki and they cut it :/ seriously though did they just not ask him questions?? his presence felt weirdly lacking.

• tom hiddleston everyone. our lord and saviour