#keith haring figures

[geopsych]

Off topic but today I stopped at the park in Kutztown to see the Keith Haring sculpture Figure Balancing on Dog. Haring grew up not far from where I take a lot of my pictures.

[dailybehbeh]

Behbeh

[ryanshaneowen]

Ryan Shane Owen, Haring inspired body paint, 2017

[abigailkart]

drawn from photo of keith haring by Bruce Osborn in 1983

[timmurleyart]

Major Bludd. 🔺🐍

[misterlemonztenth]

12-08-23 | visualstatic101. misterlemonztenth.tumblr.com/archive

[de-mykel]

Keith Haring. Untitled, 1983.

sumi ink on paper

[yammoba]

I hate it when you see something so cringe on so many levels but no one you know has the level of freak brain to understand why, and explaining why would take like 10 minutes and a youtube video and they probably still wouldn't find it as depressingfunny as you

Anyways

[astrangeavenue]

drew some of alan beckers stick figures in keith harings style cause i thought it would be fun. and i was right

[the-paradigm-web]

Jean-Michel Basquiat and Keith Haring..

[twixnmix]

Keith Haring preparing for the exhibition "5/5 Figuration Libre, France/USA " at ARC Musée d'Art Moderne de la Ville de Paris in December 1984.

Photos by Tristan Jeanne-Valès

[ryanshaneowen]

Ryan Shane Owen, Keith Haring inspired body paint

[raphlecia]

Keith Haring and Grace Jones “Vamp”, 1986

"I figured I might as well have a vampire that isn’t like any other vampire. She has paintings of herself all over, she's constantly changing every five minutes — different hair, different eye colors — just having fun, because she really is a narcissist." - an interview on the set of the film

[timmurleyart]

The skate punk. 🟦🟧🛹(mixed media on canvas)🎨

[muzaktomyears]

George Harrison remained an enigma to many people, even those who were close to him. For a man who lectured passionately about karma and the meaning of existence, he seemed self-protective and closed off. Witty when called upon, there were also moments when he could be quite boorish. Perhaps it was because he was only twenty years old when the Beatles became a global sensation. That might not seem particularly young in today’s world of social media fame, but at the time, it was uncharted territory for the kind of adulation he was experiencing.

It was also difficult living in the shadow of Paul and John. In the beginning, they were openly dismissive of him. Paul said he always thought of George as a little brother. At first, John pretended not to know his name and sardonically referred to him as “that kid’’. Ironically, one of George’s compositions, Something, became the most covered song in the Beatles catalogue.

This interview was conducted at George Harrison’s palatial home, Friar Park, in Henley-on-Thames, on November 5, 1980. George was gracious but cool. He made a pot of tea in the drafty, vast kitchen of his 120-room estate, and spent two hours lecturing about Transcendental Meditation and the details of a limited edition of his autobiography, I Me Mine, which is certainly how he must have felt getting out on his own.

In 2000, George was diagnosed with oropharyngeal cancer. George died on November 29, 2001, in the company of his wife, Olivia; his son, Dhani; musician Ravi Shankar; and Hare Krishna devotees who chanted verses from the Bhagavad Gita. He was 58 years old and left nearly $100 million in his will. George told Olivia that he didn’t want to be remembered for being a Beatle, he wanted to be remembered for being a good gardener.

‘It was a transcendental experience that was beyond the mind’

On taking LSD

LSD was just such a violent, big experience. Before it I was totally ignorant, and afterward I knew I was totally ignorant and I was now on my way to having some sort of knowledge. I related it to the childhood experience of Catholicism and going to church on a Sunday and seeing all that phoney baloney. The moment I’d taken LSD, it just made me laugh because I understood it inside, just in a flash. I understood what the whole concept of God or religion was just by seeing it. I could see it in the grass in the trees.

It was an absolute truth; like a light going ching. I took three very powerful trips — big, very important — and then it left me a bit unsure because I had to try and figure something out. By that time I had gotten into Indian music and spent time in India, [and] there was so much about it that felt like home to me. Not the surface that you see — all this poverty and the flies and the shit everywhere — [it] went beyond all that. Smells in the atmosphere and the people’s attitude and the music, the food, the religion, everything about it … home.

‘I’d hear his voice wailing at five in the morning’

On the death of Brian Jones of the Rolling Stones

I liked Brian a lot, and later on, I realised it was probably because we were both Pisces. We both had similar natures. He was also similar in that he had a Keith and a Mick, whereas I had a John and a Paul. We both had that problem of two mighty egos to deal with in order just to try and survive. I was very susceptible to dope, and Brian [Jones] was even more susceptible. He’d come [to my house], and I’d just hear his voice wailing at like five in the morning: “George, Geeooorrgggeeee.” So I’d wake up, see what was going on, and I’d look out the window, and he’d be all white and just shattered walking around the garden — just looking for somewhere to be.

I would always meet him at that time of day and just try to calm him down. And I saw him a lot before he died in that sort of circumstance. The last time I saw him, I think, was when I’d been in hospital to have my tonsils out and he came to see me in hospital and the next week he was gone. He was like all of them who kicked the bucket — it was sad because there were too many pressures, really. Not just the pressure of being famous and having the press hounding you day and night and young fans hounding you day and night. Plus the drugs hounding you day and night.

‘F*** it — I could do better than that’

On his childhood inspiration, Cliff Richard

I remember being a kid of about twelve, dreaming of big motorboats and tropical islands and things which had nothing to do with Liverpool, which was dark and cold. I remember going to see Cliff Richard and thinking, f*** it — I could do better than that.

‘I think being Elvis was lonelier than being one of the Fab Four’

On fame — and Elvis Presley

We kept realising we were getting bigger and bigger until we all realised we couldn’t go anywhere —you couldn’t pick up a paper or turn on a radio or TV without seeing yourself. I mean, it became too much. We became trapped, and that’s why it had to end, is what I think … We were like monkeys in a cage. I think it was helped a bit by the fact that it was four of us, who shared the experience. I mean, there was more than four of us, there was Peter Brown and Brian Epstein, but there was only four of us who were actually the Fab Four — whereas Elvis had an entourage and maybe 15 guys, friends of his, but there was only one man having that experience of what it was like to be Elvis Presley. I think that was far lonelier than being one of the Fab Four because at least we could keep each other laughing or crying or whatever we did to each other. It was definitely an asset being in a group.

(source)

[queerasfact]

Happy birthday Keith Haring!

Born on the 4th of May 1958 in Pennsylvania, Keith Haring was one of the best known pop artists of the 20th century. Many of his works were large-scale murals in public spaces, created for charities and public service campaigns.

Diagnosed with AIDS in 1988, he used his work as a vehicle to talk about his experience with the disease. He spread awareness, and criticsed public complacency through the motif of "hear no evil, see no evil, speak no evil” figures. He also created the Keith Haring Foundation to preserve his work and support organisations assisting children and those with HIV/AIDS.

Keith passed away from AIDS-related complications on 16 Feb 1990 at the age of 31.

You can learn more about Keith’s life and work through The Keith Haring Foundation.

[Image descriptions: Keith, a young man in a Nike jumper, standing in front of his artwork, a black-and-white line drawing of two figures fighting before one stumbles down a set of stairs; three yellow figures, covering their eyes, ears and mouth respectively against an orange background; blue banners at the top and bottom of the work read “IGNORANCE = FEAR” and “SILENCE = DEATH. FIGHT AIDS ACT UP”.]