#keith hamilton

[thepermanentrainpress]

New Music Video: "Take Back Ten" - Beams

[ghosthoard]

All of the lipsync moments from my AoTxHamilton animatic!

This was my first time animating speaking from the profile view so it’s definitely more rough than the front facing speaking. Also my first time animating hair in the wind!

Let me know which commander you guys like the best~

[gordonstanheight]

whatever genre of image this is i’m obsessed

[the-hottest-band-tournament]

Round Four of The Hottest 80s Band Tournament

Aerosmith

Defeated opponents: Pet Shop Boys, Run-DMC, Iron Maiden

Formed in: 1970

Genres: Hard rock, blues rock, heavy metal, glam metal

Lineup: Steven Tyler- vocals, guitar, keyboard, harmonica

Joe Perry- guitar

Brad Whitford- guitar

Tom Hamilton- bass

Joey Kramer- drums

Albums from the 80s: 

Rock in a Hard Place (1982)

Done with Mirrors (1985)

Permanent Vacation (1987)

Pump (1989)

Propaganda: They have a roller coaster themed after them too

The Rolling Stones

Defeated opponents: Misfits, Grandmaster Flash and the Furious Five, AC/DC

Formed in: 1962

Genres: Rock, pop, blues

Lineup: Mick Jagger – lead vocals, electric piano, percussion, guitar

Keith Richards – lead guitar, vocals

Bill Wyman – bass guitar, string synthesizer

Charlie Watts – drums

Ronnie Wood – electric guitar, pedal steel, backing vocals

Albums from the 80s:

Emotional Rescue (1980)

Sucking in the Seventies (1981)

Tattoo You (1981)

Still Life (1982)

Undercover (1983)

Rewind (1971-1984) (1984)

Dirty Work (1986)

Singles Collection: The London Years (1989)

Steel Wheels (1989)

Propaganda: 

Visual propaganda for Aerosmith:

[keithkog]

Someone compared me to Hamilton, and now I cannot unsee it.

-Keith

[lewishamiltonstuff]

😂

[kukos-satellite]

PLEASE KLANCE, IM TRYING TO FIGURE MYSELF OUT, SO GO AWAY WITH YOUR “THE NOTEBOOK” AU! BEGONE WITH YOURSELF 😾🫵

Lance would be Allie in this situation, because the way she talks about Noah: “You don't look at Daddy the way I look at Noah. You don't touch or laugh. You don't play. You don't know anything about love.”

AND

Keith would be Noah with: “So it's not gonna be easy. It's going to be really hard; we're gonna have to work at this everyday, but I want to do that because I want you. I want all of you, forever, everyday. You and me... everyday”

GO AHEAD AND TELL ME YOU DON’T SEE IT! PLEASE, THEY’RE MAKING ME ILL 🥲

[superman86to99]

Superman: The Man of Steel #35 (July 1994)

"WORLDS COLLIDE," Part 1! And "THE FALL OF METROPOLIS," Part 2! And a Wonder Woman crossover! And a long-time character dies, as spoiled by the cover! This issue might be peak '90s. This is the most '90s you can cram into 22 pages without the comic exploding.

Things are a bit rough in Metropolis after Lex Luthor's main lackey launched some missiles that destroyed almost every building in the city (Action #700). Keith the Unlucky Orphan and his friends are trying to gather food from what's left of their orphanage, when a bunch of gangsters with machine guns show up to steal everything, reminding us why we call him Keith the Unlucky Orphan. Luckily, though, the kids are protected not just by Keith's pal Superman but by Myra, the Orphanage Lady, who decides to keep a couple of those machine guns in case the ruffians return.

Combined with the scars she got on her face after saving Keith from an hypnotic lizard lady last issue, Myra is only some shoulder pads away from looking like a badass '90s anti-hero.

While Superman tries to help people around the ruins of Metropolis, a Giant Robot That Shoots Death Lasers From Its Chest (GRTSDLFIC) emerges from the ground and starts creating more ruins. The monster runs into Keith and the other orphans, so Myra bravely stands in front of it with her new toys and tries to distract it.

And she does! For about a second.

As he holds Myra's body, Keith yells out for Superman, who arrives right in time to save him from getting death lasered too. The Special Crimes Unit also stops by to help, and the GRTSDLFIC turns out to be smart enough to target Maggie Sawyer out of all of the officers because it can tell she's the top dog (or maybe it's just homophobic, dunno). Superman saves her, because one strong female supporting character death is enough for this issue.

Superman realizes the GRTSDLFIC is alive and needs to breathe, so he flies it up into orbit to take out its air and leaves it suspended there while he goes deal with other problems. (Presumably by also throwing them into orbit, like usual.) Meanwhile, Keith begs Maggie and SCU to take Myra to the hospital, but it's too late for her. The kid has an understandably tough time accepting that another mother figure has left him.

RIP, Myra the no-nonsense orphanage lady. When we met her back in Man of Steel #1 (1991), I don't think anyone guessed that she'd die wielding dual machine guns while facing a Giant Robot That Shoots Death Lasers From Its Chest. But we should have, dammit. We should have.

Plotline-Watch:

So, wait, why is this part of a crossover called "Worlds Collide"? Because a whole 5 pages are devoted to Lois Lane's mailman, Fred Bentson, who is still having weird nightmares where he finds himself in another universe. Professor Hamilton meets Bentson at a Red Cross shelter and takes him to a clinic to treat his sleep disorder, which involves becoming immaterial while he sleeps and being haunted by an inter-dimensional monster. At the clinic, some rather shady psychologists hook Bentson up to a machine that can project his dreams, and they all see him naked as he's chased by the nightmare monster and tries to get help from... STATIC?!

By the way, the shady sleep clinic happens to be located right under the bridge that was half-destroyed during Superboy's fight with that Spider-Man wannabe called Stinger almost a year ago, which is still half-destroyed. At least it doesn't stand out from the rest of the city anymore (thanks, Dr. Happersen!). The half-bridge will be a relevant plot point during this storyline.

And why is this a Wonder Woman crossover? Because she appears for a single panel while Superman is fighting the Giant Robot and wishes she'd picked another issue to come ask for his advice. The comic tells us to buy Wonder Woman #88 (which briefly shows WW helping Superman against the robot) for the rest of the story.

On that subject, Don Sparrow says: "Superman doesn’t appear very prominently in the connected issue of Wonder Woman #88. All that happens is Wonder Woman requests that Superman stop her if she ever loses control of herself. It’s not a great issue, largely because Christopher Priest writes both Diana and Superman fairly out of character throughout, and the art in the issue manages to depict Wonder Woman as both matronly and pervy. (The issue also features the choice line of dialogue “female be trippin’”, so if you don’t rush out and find the issue, you’re not missing much, apart from another great Bolland cover featuring Superman)."

Yes, the Keith stuff is pretty depressing, and could be seen as another example of Superman comics going all "Dark Age," but at least it'll lead to positive things for the character in the near future. Now, those other orphans who lost Myra, not so sure...

Patreon-Watch:

The results of the Superman/Doomsday: Hunter/Prey bonus artwork poll are in, and after tallying up the votes here and at Patreon, the character who will get drawn by the great Don Sparrow is... Maxima, in her post-Doomsday purple suit! Who won by a whole vote! (For those keeping count: 5 votes for Red Cyborg, 10 for Pouch Superman, and 11 for Purple Maxima.)

Don's work will be posted for all to see, but the original artwork will be given away to one of our patrons, Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, Bol, Gaetano Barreca, and Dave Shevlin. If you'd like to decrease their chances, join them at https://www.patreon.com/superman86to99!

And speaking of Don, stick around for his section, after the jump...

Art-Watch (by @donsparrow):

It’s an interesting cover, with the protagonist and even the title trade dress obscured by shadow.  It’s not really an action-type pose, but Superman’s angry expression indicates that action will follow.  We also get a hint at the tragedy within, with an injured Myra Allen below Superman.

Inside the book, we get our first glimpses of post-cataclysm Metropolis, seen through the eyes of hard-luck Keith.  The double page spread on pages 2 and 3 is a great drawing of Superman, exuding power even in a static pose. 

The cybernetic monster, who in this issue gets neither a name, nor an origin (unless the story’s title, Afterburn, is maybe the robot’s name?) but it’s an appropriately Fleischer studios-like design for Bogdanove to draw. 

Normally I quite dislike photo-stat backgrounds, but the panel with Superman carrying survivors gets a pass from me, because I love images of Superman saving kids—especially the way Bogdanove draws it. 

Myra Allen’s last stand against the robot is stirringly drawn, and to me visually recalls Frank Miller and Dave Gibbons’ “Martha Washington Goes to War” which was hitting newsstands around this time.   It’s interesting to see Bogdanove’s version of the famed Brian Bolland pose from Wonder Woman #72, even if she’s facing away. 

Keith’s grief at Myra’s passing is as powerful and sad an image as we’ve ever seen in these books, and my heart breaks for the poor little guy (look at his little hand clutching the cape!  What an astonishing detail!).  Though he’s fictional, it’s hard not to feel for him, when he’s endured so much tragedy in his young life.  I appreciate the restraint here, from a story standpoint—Superman offers no words of comfort, or guidance at what comes next, because they would only be trite and empty in a moment such as this.  All Superman can do, he does—which is to hold Keith, and let him weep.

Our final cameo of the book is Milestone’s Static, another character Bogdanove seems born to draw.  The introduction to him, as the milquetoast Bentson jumps to the Milestone world is fittingly energetic.   

SPEEDING BULLETS:

I appreciate the detail early on that Superman has put “a lot of time into locating” gas leaks and shutting them down.  It’s nice that the writer considered something like that.

We’ve known for a while that the DCU version of Coca-Cola is Soder, but nice to be informed that Sprite is called “Spritz” here. 

Professor Hamilton is perhaps a bit casual about the fact that Bentson was briefly immaterial! [Max: Maybe he's like "Have I been immaterial before? Maybe during the Husque storyline? Don't remember..."]

The great Jose-Luis Garcia Lopez gets a sort of shout out on page 7, as a fresh fruit stand bears his name.

At the time of this issue’s release I remember being very curious about the Milestone characters, and excited about them crossing over with my favourite character, but I still question the choice of having an uninteresting character like Bentson be the initial conduit between the worlds.  Maybe if the previous issues had established him as a recognizable Metropolis fixture (as well as Dakota City) like Whit or Allie or someone, it would have a little more impact (though they do try to build up his importance here, as the mailman who delivered the damaging evidence about Lex Jr.).  But I find it hard to really care about the Egon-looking guy, particularly when he’s running around naked.

[chiropteracupola]

get neoclassical with it!

[audreyfforbes-hamilton]

Glamours Audrey 🤩

[vintagetvstars]

Ben Browder Vs. Keith Hamilton Cobb

Propaganda

Ben Browder - (Farscape) - John Crichton is (imo) one of the all time best sci fi protagonists (on one of the all time best sci fi shows) and the way Ben plays him really helps make that the case! The character is well written too but you need someone who's able to sell the character to make it work and he completely rises to that challenge! I guess technically his performance isn't really a reflection of hotness per say BUT I personally find being talented and cool hot so? And I mean. He is very good looking too.

Keith Hamilton Cobb - (Andromeda (seasons 1-4), All My Children, The Young and the Restless (2003 - 2004)) - He is a classically trained actor and it shows no matter what he is doing. He was named one of People Magazine's 50 Most Beautiful People in 1996.

Master Poll List | How to submit propaganda | What is vintage? (FAQ)

Additional propaganda below the cut

Ben Browder:

[mariocki]

Black Moon Rising (1986)

"Mr. Quint and I go back a ways. We used to be... what, in competition?"

"I never considered you competition, Marvin."

"Aw, that's not nice, Quint. We had our moments."

"You must've had yours in private."

[scenesandscreens]

The Pied Piper (1972)

Director - Jacques Demy, Cinematography - Peter Suschitzky

[cantsayidont]

May 1961. The revelation in 1964 that the Brainiac was actually an android created an additional potential complication for Supergirl's love life. When she joined the Legion of Super-Heroes in 1961, she had met and dated Brainiac 5, who had explained that he was the villain's direct descendant:

The Brainiac retcon in SUPERMAN #167 rationalized this discrepancy by saying that the original android Brainiac briefly had a "son" as part of his disguise, and that Brainiac 5's actual ancestor was the human (well, Coluan) boy forced into the role of "Brainiac II":

Brainiac II didn't get a name in this brief initial appearance, but a 1965 "Meet the Legionnaires" text item in ADVENTURE COMICS #335 gave him the name "Vril Dox" and explained:

Having learned many of Brainiac's scientific secrets, he ran away; then, while his villainous foster-father went off on his espionage mission, which was to occupy many years, Vril used his knowledge to build a brain stimulator which raised his mind to a twelfth-level effector. Now he was smarter than the tyrannous computers and led his people in a revolt against the machines. Honored by the people he had freed, Vril Dox, alias Brainiac II, lived a long, happy life. Long, indeed—for the green-skinned inhabitants of that world have a life-span far greater than that of an Earthman. When he grew up, Vril married and became a father. He found that his brain-stimulator had affected his genes, so that his children inherited his twelfth-level-effector brain. His son Pran Dox, was nicknamed Brainiac 3. He in turn was the father of Kajz Dox (Brainiac 5), whose son, Querl Dox, became Brainiac 5 of the Legion of Super-Heroes. Thus it is that Brainiac 5 has a twelfth-level-effector mind, like the original Brainiac. With a mind twice as powerful as ordinary humans, Brainiac 5 can solve the most difficult problems in seconds.

This text item isn't credited, but it MIGHT have been written by E. Nelson Bridwell, who became Mort Weisinger's assistant editor in 1965. In any event, the name "Vril" was almost certainly borrowed from the 1871 Edward Bulwer-Lytton novel THE COMING RACE, where it refers to an "all-permeating liquid" that works kind of like the Force in STAR WARS. (That novel also fueled all manner of conspiracy theory occultism, and in 1988 was incorporated into DC continuity in Roy Thomas's YOUNG ALL-STARS. A long story.)

The circumstances of Brainiac II's eventual uprising were never directly shown in pre-Crisis comics, but the first three issues of L.E.G.I.O.N. '89 depict his overthrow of what are now called the Computer Tyrants of Colu. The L.E.G.I.O.N. and R.E.B.E.L.S. series also established that Vril Dox was not a nice guy:

The Legion of Super-Heroes villain Pulsar Stargrave, first seen in SUPERBOY #224, claimed at times to be Brainiac 5's father, but he also later claimed to be the original Brainiac, which later developments of the latter character made unlikely. The post-Crisis L.E.G.I.O.N. series reveals that Stargrave was neither, but was in fact an android body housing the minds of the Computer Tyrants of Colu whom Vril Dox and his comrades had previously overthrown. Whether that was true in pre-Crisis continuity is anybody's guess.

[writergeekrhw]

Was there ever the slightest chance of Tyr and Harper getting together?

No, there's no way TPTB would have gone for it. I pitched that Tyr could be gay when I was first developing the character, and that might be why he was exiled, because Nietzscheans are homophobic, but it went over like a lead balloon.

For the record, I had no idea at the time that Keith was gay. I do think he played the character as omnisexual, but at that time working for those companies, his subtextual performance is about as far as we could take things.

[brokehorrorfan]

Jaws 2 will be released on 4K Ultra HD (with Blu-ray and Digital) on July 4 via Universal. The 1978 sequel to Jaws is celebrating its 45th anniversary.

Jeannot Szwarc (Somewhere in Time, Supergirl) directs from a script by Carl Gottlieb (Jaws) and Howard Sackler (Killer's Kiss). Roy Scheider, Lorraine Gary, and Murray Hamilton star.

Jaws 2 was previously restored in 4K and is presented with HDR and DTS-HD Master Audio 2.0 Mono. Special features are listed below.

Special features:

The Making of Jaws 2

Jaws 2: A Portrait by Actor Keith Gordon

John Williams: The Music of Jaws 2

The "French" Joke

Deleted scenes

Storyboards

Theatrical trailers

Four years after the great white shark terrorized the small resort of Amity, unsuspecting vacationers begin disappearing in an all-too-familiar fashion. Police Chief Brody (Roy Scheider) finds himself in a race against time when a new shark attacks ten sailboats manned by teenagers, including his own two sons.

Pre-order Jaws 2.