#keep to the story script when it restarted and I had to keep everything on the rails but this time two other wolves also came up and they

[thornshadowwolf]

I don't remember why but I dreamed about looking up the common religions in different regions of Thailand last night

[poisonous-honey]

The Venti Parable

(This is a re-upload: originally posted on UniverseUchu on Feb 25, 2023)

Characters: Venti and The Narrator. The Reader and Stanley have very little presence

Warnings: None really. They enter the zending room if that upsets you, but they barely stay there for long. This is mostly in drabble form and lightly skimmed for errors

This is both the Narrator’s and Venti’s worst nightmare. An omnipotent, self-destructive perfectionist who strives to keep everything self-contained and the ever funky little god of freedom.

Venti is not impressed with this game of choice in the slightest. He had hoped his position in your heart would’ve saved him from the torture some of the others have been put through, but he was unfortunately not given this blessing. He didn’t feel like following this narrator’s every whim, he only wanted to do that with you. He was free to do as he pleases

As you’re talking to the Narrator to convince him, having someone else to narrate for just a few runs would help him with his story (“He can speak! You can get instant feedback!”) Venti sits in the office next to Stanley. 

“Alright, fine. I’ll let Venti play the game in Stanley’s place for a short while, only because you keep incessantly asking.”

“Hey! I am great company. Wouldn’t it at least be nice to have someone else to talk to for a little while?”

“This is the story of a man named Venti”

He sighs and gets up from his position next to Stanley before walking through the office

After what he feels was him being ignored, Venti reaches a fork in the road

“When Venti came to a set of two open doors, he entered the door on his left.”

He holds his chin with his hand and closes his eyes, acting as if he was deeply thinking about his next course of action. Of course, he already knew what he'd do as soon as the directions were spewed at him.

“No, I think I'd rather go right.”

Que sighing from above. Quelle Surprise

~~~

After getting told no one would ever love him and having the parable restart, though disoriented, his next objective is to try and see if he could leave the building

He was not a fan of the Narrator and vice versa

His first attempt is to see if he can jump out of any windows

Honestly surprised he managed to fall through one on his first try (or at all, really)

He had a bit of hope that he had escaped the Narrator, but after accidentally breaking the phone and still getting an ending, he highly doubted it.

And he sighed as he was unfortunately proven right, and the Narrator starts to monologue

“What do you think, are you sick of this gag yet?”

Venti didn’t think there was a correct answer, so he just hit yes while smiling cheekily up into the air. At this point he was just trying to be entertaining for his player, but so was the Narrator

“Now would be the time I go on about having ample amounts of opportunities to restart the game, but unfortunately for you, our player is in control of that. Since all I hear is laughter on their end, I'm going to try to make this as miserable as possible, before they reset to help you out.”

As the Narrator started to sing, Venti quickly looked towards the screen in hopes he could get you to reset immediately, but all you did was shrug

How very cruel of you

~~~

After a few more runs, the last of which had Venti falling flat on his face, he decided to see where listening to the narrator got him

The Narrator kept to the script as usual, he was a professional after all, but the light elation in his voice was obvious to the two of you

Venti couldn’t help but mess with him on the way though

The Narrator could feel his temper rising, watching Venti doing literally nothing. Letting out a sigh, he directs his next questions to you. “Did you put him up to this? Be honest with me here, I have— I am extremely skeptical of this entire ordeal.” You laugh as you hear The Narrator’s anger and Venti asking if he wasn’t allowed to simply relax, further upsetting The Narrator. “I’ve done no such thing. Informing either party beforehand would’ve made this far less entertaining.” “So you’re telling me that everyone, but me, is able to see what’s so fascinating about a broom closet? If that’s where you’re getting at, then it’s absolutely wonderful to have confirmation that I am, truly, the smartest person here.” “Whatever helps you sleep at night, Mr. Narrator Sir.” “... I refuse to acknowledge this behaviour.”

Finally making it to the end and turning off the mind control machine, every light turns off as The Narrator starts his freedom ending speech

The door slowly opens and Venti can just about feel the wind call to him

Daylight peaks through the opening and grows larger every second as it descends. He can barely wait for the door to fully open and finally be able to see the skies.

As the door comes to a stop on the floor and Venti takes in the view, he finally feels a sense of ease wash over him since he was brought here. The scenery was truly beautiful.

Venti takes his first steps forward onto the grass and as he continues to drown out The Narrator’s dialogue, he figures that maybe this was the reason you brought him here out of all games.

“...- And Venti was happy.”

The Narrator finishes speaking. Venti opens his mouth to actually throw him a genuine compliment - when-

It all fades to black

And within the blink of an eye, he wakes up in the office next to Stanley, who can do nothing but look at him with a reassuring gaze and wave.

Venti just about curls into a ball and cries while Stanley panics and silently frets over him

“That’s the ending you wanted to guide me to...”

“It’s called the ‘Freedom Ending!’ The one true ending for my story that Stanley refuses to cooperate with me on. Surely someone such as yourself understands and is able to appreciate what I’m trying to-”

“On every level of irony, you’ve managed to single-handedly rip away my own freedom with this horrific outcome.”

~~~

Walking through the red door after bamboozling The Narrator long enough, Venti reaches the platform and is quickly stunned at how pretty the light show is

“Right here, see! All I want is to show Stanley, our dear player, and now you, something remarkable. Now tell me. Can you really look at this space and say it’s not truly beautiful?”

Venti giggled before spinning and sitting down. “Why, this room is a poet's dream! The only thing I’d add is nature.”

He sat in the room for a bit longer, just staring at the stars and light show. This is the closest Venti’s gotten to a true place of rest in a while, so he’d like to treasure it a bit more before leaving.

Eventually tearing his eyes away from the sparkles, Venti looks around and realizes the only rooms here are the space room he’s currently in,  and a room with some stairs. Getting up and going over, the narrator panics.

“Hey Venti, what are you doing? Where are you going?”

“I’m just looking around. I haven’t seen an exit, so I want to know where the stairs lead.”

“But we haven’t even been here that long a-and there’s nothing over there but stairs, they don’t go anywhere.”

“... It seems I’m in a predicament. Oh, my dear player, where is the exit?”

“Don’t tell him! He’s done nothing but ruin my story time and time again, the least both of you could do is allow me this solace for a little while longer.”

“But I followed your every instruction just before this run!”

All you do is sigh. Maybe you should’ve told Venti not to come here. “... I’m going to begin the game again.”

“But my peace and tranquility!” “But don’t you want to see the proper ending?”

“No, I really don’t and trust me, you won’t want to take the intended ending either.”

~~~

“Player I have to admit, the only difference working with Venti is the constant sass I’ve been receiving in turn. This hasn’t been beneficial in the slightest.”

“Hey! I still gave you plenty of good input you can use!”

“I highly disagree.”

“I beg to differ!”

You had hoped meeting Venti would help The Narrator with some of his issues, but without informing Venti in advance, all they did was annoy each other. Oh well, it was still fun to witness.

“I hope we never meet again.”

“And I hope you learn to enjoy life's intricacies instead of obsessing over the same story over and over… Aaaand that I never have to go through this ever again.”

Venti trusts you with his entire being, he really does, but if you offer him a chance to participate in another game he's going to be asking a lot of questions beforehand

[theleetoalerandalertoalee]

Day 7 - Flustered

Yun Jin x Xinyan

Sorry if the story is a but choppy, I’ve been having trouble focusing lately aaa

Enjoy!!

“Hey hey, Yun Jin! What’s shakin’?”

Yun Jin looks up from her script, “hm? Xinyan, it’s been a while! What brings you to Lingju Pass? Don’t you have a tour in Natlan in two days?”

“Yup, but I wanted to pay you a visit before I left.”

“Oh,” Yun Jin sets the script aside and sits up to talk to Xinyan, “really? Well…thank you. It means a lot to me.”

“Hehe, of course! Say, why don’t we just relax for a bit? Just because I won’t be back till after my tour.”

“Hm, very well. Only for a bit, though.”

“Whoo! Thanks, Yun Jin!”

Yun Jin smiles as Xinyan sets down her guitar and drum to sit next to the opera star.

Yun Jin opens and closes her hands, wincing, “do your hands ever get sore?”

“Hmm, they used to, but after playing the guitar with no pick, my skin has calloused and stuff, so not really anymore.”

“Don’t you have a pick, though?”

“I do, but sometimes during a performance you drop it, but the show’s gotta go on, y’know?”

“Ah, right, of course.”

“So, I mean, why’d you ask? Are you feeling sore?”

“Yeah…I was wondering if you had any tips or tricks to help.”

“Well, a compression glove is great, but we’re quite far away from Liyue, so I can just give you a small massage if you want.”

“Oh, are you sure?”

“Yeah! You’re my friend!”

“Well- ah, thank you.”

“Of course, here.”

Xinyan takes one of Yun Jin’s hands, “wow, what kind of moisturizer do you use? It’s like your skin has never touched anything ever!”

“Aha, just an anti-blistering thing. It’s like a protective layer for my skin while I’m rehearsing.”

“Wow, cool!”

“Do you want to try it sometime?”

“Thanks, but nah, rock and roll calls for calluses.”

“I see, well, let me know if you ever change your mind.”

“Will do,” Xinyan slowly starts to massage one of Yun Jin’s hands.

Yun Jin’s face blushes and she looks off to the side, trying to focus on the mountain peaks.

“Hey,” Xinyan stops for a moment, “you alright?”

Yun Jin nods, “yes just…hm, sensitive…”

“Ah, I gotcha. I’ll be gentle, then.”

“Thank you.”

Xinyan smiles as she restarts the massage, this time much more carefully and slowly. The massage starts from the tips of Yun Jin’s fingers down to her wrists.

As time went on, the closer to Yun Jin’s wrists the rock star got. It was only a matter of time before-

Yun Jin’s breath hitches and her face goes a brighter shade of pink, “ah-! Um- sorry about that, I- uh…just ignore me.”

“Hm? Is everything alright?”

“Y-yes, perfectly fine.”

Xinyan pauses for a moment before the situation clicks, “ah, hehe, I think I get it.”

“Hm? Do you-?”

Xinyan drags her fingertips across Yun Jin’s wrist and the opera performer giggles softly.

“Aw, you didn’t tell me you had ticklish wrists~! That is adorable, Yun Jin!”

Yun Jin shakes her head as she giggles quietly. Her face was still completely flushed.

Xinyan moves to Yun Jin’s other hand, starting at the fingertips once more.

“So, what is the new script about, if I’m allowed to know, hehe.”

“I would tell you, but I pushed the performance back to when your tour is over. So, I’d like to keep it a surprise.”

“What?! You did that for me?”

“Heh, of course I did. You’re always there for me, so I thought it’d be a way to say thank you. I know you like to watch up close.”

“Of course! I like to get near the action!”

“Well, I’m happy to give you something to look forward to after your tour. I know that after tours you get a bit…sullen.”

“Well, yeah, I like to perform. It gives me a high to be on a stage with all those people all coming together through music- it’s just- it’s beautiful, ain’t it?”

“Yes…it really is.”

Xinyan gets down to Yun Jin’s wrists.

“No need to be embarrassed, Yun Jin! I think it’s cute, hehe.”

“Ah- hahahaha, th-thank you,” Yun Jin says with blushed cheeks.

“Of course! Trust me, if you’re this flustered about it, your secret is safe with me.”

Yun nods gratefully, “thank you so much. I’m very happy to be your friend.”

“I’m happy to be yours, too! How do your hands feel now?”

“Better. Thanks again.”

“Sure.”

“We still have some time before sundown…”

“How about I play you a tune I’ve been working on?”

“I’d like that.”

“Perfect, on four- one, two three, four!”

[absolutebl]

Hey there! Hope all is well in your world. I’ve been watching Bad Buddy and of course love the series but what has me in awe each week is the music. Like everything is working on this show: script, acting and the music. A great musical score for a series or movie can really add depth to what you are watching. It feels like Bad Buddy will be a memorable one because of these factors. I feel like 2gether can be on this list; also Be Loved in House: I Do and Love Sick. My question to you is, if you were to make a list of BL series that had a great script, acting, and music which ones would be added?

Hi hi! I hope all is will in your world too!

Bad Buddy "what has me in awe each week is the music"

"2gether can be on this list; also Be Loved in House: I Do and Love Sick"

Well, if you say so. Hum... 

If you were to make a list of BL series that had a great script, acting, and music which ones would be added?

Honestly, I'm not sure I'm you're huckleberry on this one. I frankly only pay attention to the music if it seriously annoys me. So my criteria is more: 

is the music adding to or subtracting from my experience? 

But I can give you a list based on the following criteria.

The music did not annoy me. 

The acting (mains & sides) didn't make me cringe. 

The script doesn't piss me off. 

Shall we call these?

Top 10 BL Allrounders: Script, Acting & Sound Track 

1000 Stars (Thai) - aside from the one snafu with the flute (just let China have that one, Thailand) everything about this BL is solid from story to full cast acting to music to cinematography (which you didn’t ask about but counts for a lot with me.) This is one of the few BLs I feel safe recommending to pretty much anyone who enjoys romance, because it has an incredibly low barrier to entry. (YouTube)

Restart After Come Back Home AKA Risutato wa tadaima no ato de (Japan) - minimal dialogue that suits this style of Japanese cinematic BL, sweeping cinematography and unobtrusive score, top tier acting. The benchmark for this kind of Bl from Japan. The only other one on this list I’m happy to suggest to anyone in my life who will sit still long enough. (indie subs)

Until We Meet Again (Thai) - the best BL story with a solid script, good acting and great chemistry all round, mostly classic music and no singing of feelings (thank fuck). Trigger warnings and blushing maiden trope are the only two aspects that keep this in the arena of BL fandom. (YouTube)

Light On Me (Korea) - great script that was given enough time to develop for a change, solid acting (little stiff on chemistry but that’s just Korea for you), and I enjoyed the OST. Refrain was a little overused but I only really noticed on a binge rewatch, so forgivable in a serial installment piece. (Viki)

HIStory 3: Trapped (Taiwan) - really good script, overacting is called for by the style but still minimal, fabulous chemistry, unobtrusive score, fast pacing, a general delight to watch. (Viki)

He’s Coming to Me (Thai) - super solid all rounder on script, acting, support cast, and score. Best, most honest coming out sequence in a Thai BL. GMMTV at its most workmanlike but also best. (YouTube)

Gameboys the series (Pinoy) - unexpectedly good script, fantastic acting, decent score (when present at all). (Netflix) 

Dark Blue Kiss (Thai) - super dramatic score, established couple chemistry and snarky dialogue, solid script with one of the better faen fatals, great surrounding cast, the original GMMTV workhorse BL. (YouTube) 

See You After Quarantine? (Taiwan) - short but unexpectedly suited to the length, didn’t really need more as this is tight and tidy. Adorable script in multiple languages, great acting, nice if minimal music. (Viki)

His the movie (Japan) - fantastic acting, amazingly natural support cast (even from the child actor), beautiful sparse script, lovely music, very compelling in general. (Viki)

I would also put Love Sick on this list, on account of the dialogue alone and the acting is good (if not the chemistry), although the pacing is bloated, especially in season two. 

However, I would not include 2gether (Green is a fatally flawed character, not Guns fault!, but I can’t forgive the script for that). Also, while I ADORE BLIH:ID the story conceits are dumb, the dialogue is okay, but the result is still illogical or childish and confusing character motivation.) 

Honorable Mention: 3 Will be Free (Thai) for story, pace, and acting. 

As you can see, some of my all time favorite BLs are not on this list (We Best Love fails on script, Color Rush on chemistry, and Cherry Magic on acting - those side characters & that slapstick). 

Just because I made a distinction here between story structure and script/dialogue, here’s a blog post where I break that down more. 

This post current as of BLs that finished before the end of 2021. 

(source)

I should probubly add Blueming, My Beautiful Man, and Semantic Error to this list. In general Korea and Japan have the best production values, it’s jsut story they often fall short on. 

[cherrykindness]

let's make babies |

pairing: Harry Styles x Actress!Reader

summary: you and harry are doing a live on instagram, you've drunk a lot of wine and now the world knows that the future Mrs. Styles is ready to make babies.

warnings: mostly cute, but the title tells you what you need to know 🤪

"What is your favorite song from the Fine Line album?" Y/N read aloud, twirling in her right hand the second glass of wine of the evening, the one already halfway through. "Adore You and Watermelon Sugar, of course."

Harry giggled, rolling his eyes upon hearing his fiancée's statement.

"Y/N will always choose Adore You because it was obviously written for her." He accused. "She wouldn't give that answer under different circumstances."

The comments climbed up the screen continuously, most fans gushing about how cute Harry Styles and YN/LN could be while the other part was concerned with wringing even more information out of the slightly inebriated couple who had decided to do a surprise live one early Sunday morning.

As expected after being away for some time to begin filming Don't Worry, Darling in Southern California, Harry enjoyed a lazy weekend in the house he shared with his fiancée and her pets. The days were filled with late naps and relentless Netflix marathons, sublime and ethereal evenings, marked mostly by unexpected declarations and rounds of sex that used to last until the beams of light were shyly coming through the linen curtains. They were not a monotonous couple, so this order could easily be changed.

"Watermelon Sugar is nothing more than about my love for watermelons, don't get too creative." Harry replied to a fan while sporting a corner smile, the message standing out among the rest for its dozens of emojis and large print, questioning the singer about erotic content behind the lyrics of his latest hit. "I really don't know what you guys are talking about."

Y/N laughed, shaking her head before leaning it against her fiancé's chest, propped up on the soft white pillows that were spread practically all over the bed. The air conditioner was on at a minimal temperature and a light rain whipped on the panes of glass camouflaged by the cream-colored curtain, that being the projection of Y/N's favorite nights.

"You can tell them, I'm not shy." She joked, nudging her fiancé's waist.

"You know what it was written about and who it was written for." Harry replied, raising one of his eyebrows. "That's what matters."

It went without saying that much of Harry's newest album, as well as some of his earlier work, had been done in exclusive dedication to his future wife. Y/N had been the muse for a vast repertoire of romantic songs, and even though the singer preferred to keep the story behind his more explicit compositions a "secret", the relationship the two had shared for more than three years was already solid and known enough for the media and fans to distinguish hidden messages in small details.

"It's a song about what usually comes before the act of making babies." Y/N laughed as he pointed at the display. "Honestly, you guys are impossible."

"No, we make babies every day." Harry joked, making a funny motion with his eyebrows. "I would spend my entire career writing just about that."

"Harry!" The actress exclaimed incredulously, slapping her fiancé weakly on the chest. "Children might be watching this."

"You don't want to have babies with me?" He asked falsely offended, accepting the cup that Y/N offered him. "Because I want some babies with you."

Y/N laughed, rolling her eyes as she watched the internet freak out at the dialogue that had suddenly emerged. Since the beginning of the quarantine, it was kind of inevitable that the couple of artists would not become the darlings of all social media; they were fervently active with photos, videos, and lives that depicted step by step daily life in isolation, gaining more and more followers and making the media more and more fascinated by the relationship they both shared.

The wedding was scheduled for the summer of next year and it was perhaps the most anticipated event in the tabloids. Bets about what the model of Y/N's dress would be and lists presuming who would be selected for the short list of guests stood out among countless news stories about the famous people influencing pop culture today.

The possible arrival of a Styles baby was an inevitable topic in interviews. Harry and Niall were the only members of the ex-boyband that had not become fathers yet, and because they had maintained a solid relationship and were seen as one of the most enviable couples during the last four years, Y/N and Harry had gotten used to all this openly asked questions. They didn't mind, they even had fun with the montages and all the anxiety that dominated the whole internet, often mentioning the fandoms' efforts to represent them as such "cool" parents in perfectly edited pictures.

"No, guys, I'm not pregnant." Y/N amusingly clarified the doubt of dozens of new comments. "Please don't believe so many controversial news stories that appear out there. I was on twitter last week and saw several people theorizing about a possible pregnancy, most of the arguments based on a website that used photos from the set of How to Get Away with Murder in the season where I was actually playing a pregnant woman as Laurel." She laughed. "It's so funny! I know you guys love to guess these things, but we won't hide something so special when it actually happen, I promise."

"Especially because Y/N can hide absolutely nothing from anyone." Harry accused, leaving his drink on the corner table before settling into a comfortable position for the two of them. "Anyone who's a Marvel fan knows that. That's one of her most characteristic quirks."

"They gave me a fake script for the last two movies." Y/N agreed, shaking his head. "For me and Tom."

"We agreed to keep the engagement a secret for a while. The plan was to travel to Holmes Chapel to break the news to my family in person, but guess who got a call at ten o'clock at night from an angry Anne because she learned of her son's engagement from an interview Y/N gave the next day?"

Y/N gave a guilty smile, winking gracefully at the camera. "It was all James' fault! I'm sure he already suspected something, those questions were very suspicious."

"Of course the questions were suspicious, babe. You literally said you had a secret that involved both of us but that you couldn't tell because it was important that our families knew first."

"I thought he would think about a pregnancy or something!" The actress defended herself, feeling very convincing in her intonation bordering on obviousness. "That's a mania I can't get rid of, it's in my genes."

"Did you all hear that? Further proof that you guys don't have to worry about guessing when Y/N's pregnancy will be, I'm sure our baby will make sure to tell you everything while still in the womb, mom's genes will make sure of that."

"You are so funny, Harry Styles." Y/N sarcastically stated, holding back a giggle as countless messages with laughing emojis were frantically up. "Yeah, I know I talk a lot and all, but you have annoying quirks too."

It was obvious that live would be news the next day. Although they were completely open about matters concerning their relationship, nothing seemed better than receiving so much exclusive information from a Harry and S/N drunk on expensive wine.

"You wake up in a bad mood and you're dangerously sexy, that should be illegal."

Harry laughed, holding his fiancée's waist a little tighter as he felt her tumble a little further to the side, getting closer and closer to the edge of the bed. Y/N was dangerously weak for drinks, and the singer knew that the actress' body was already near its limit.

"You're the only sexy person here, love." He declared with a corner smile, evidently finding the whole situation funny. "Do you want to go to sleep now?"

"No." Y/N shook her head. "Can we watch some movie? Can we watch Sweet Home?"

"Of course, love." He murmured, giving the woman a quick kiss on the forehead.

Even though Harry knew that his fiancée was unlikely to make it past the five-minute mark of the episode, he made sure to restart the korean series at exactly the scene where she had stopped, the first chapter still halfway through after Y/N realized that it would be impossible to watch such a macabre work without a drop of alcohol in her blood.

She had been so excited by the taste of Argentinian wine and the idea of updating her fans after a few weeks away, that she had forgotten the main purpose of the live. Harry and Y/N had been apart for a few days due to the new movie the Brit was shooting in North America, all happening in an unrestrictedly careful manner due to the restrictions caused by the pandemic.

He was slowly migrating towards acting and the future Mrs. Styles couldn't be prouder. Y/N had felt on cloud nine when Harry had given her the news of his upcoming job, but her only pronouncement on the subject had been a succinct post on instagram. Just a photo of the couple on a trip to Germany with a simple heart emoji didn't seem enough for the actress' exhibitionist soul, and coming to that conclusion was the main reason she decided to invite him, already relatively changed, for a live appearance. Y/N wanted to go on and on about how much she loved that man and work on that whole honeyed speech that would bring her (once again) the title of "cutest bride of all time," but of course Harry had to come home from his trip with his favorite red wine and poison her with those sweet caresses that took her out of orbit, turning the degree of alcohol content into the least of her problems.

"You're going to kiss Florence." Y/N exclaimed suddenly, as if only now realizing that her fiancé would share the screen with Florence Pugh, one of her closest friends in that industry. "Kiss on the mouth."

The MacBook was still open and hundreds of new comments were going up every second, but Harry didn't bother one bit to warn her about the possibility of her becoming a meme the next day. He was having too much fun with the situation to worry.

"Are you jealous?"

"Yes." She stated with a pout. "I am jealous, I just don't know if I'm more jealous of her or of you."

"But you kiss me every day, babe." Harry laughed. "And you've been kissing other people's men for almost ten years." He joked.

"But I only think about you, I already told you that."

Harry shook his head negatively at the camera, knowing he was sharing with the fans the funniest side of his fiancée.

"I know that, honey." He assured, lightly stroking the actress' back. "I think we'd better turn off the TV and go to sleep now, I'm sure you'll have a terrible headache tomorrow."

The brit planned to bid his audience goodbye and put an end to that recording, but Y/N was drunk and her sense of right and wrong had already gone to space. Harry should have been quicker, however, because his fiancée's speech would be cause for new tags and the only subject for the interviewers for at least the next few months.

"I don't want to sleep, how about we make babies?"

That's what Watermelon Sugar was all about, after all.

[idrellegames]

So I had a coding question that I've been trying to find the answer for, for a while. I've tried searching up information online and such but haven't been able to find anything.

I was wondering though how exactly someone would go about creating a main menu screen with the whole being able to create a new game, load one or change the settings? Like I said I've tried searching it up but haven't been able to find anything except for information on creating a transition screen.

You’re going to need an understanding of CSS for this, but I’ll do my best to walk you through it, alongside some basic functions of the UIBar and UI APIs. Also, like pretty much anything to do with coding, there is more than one way to do something (and there may be a more efficient/effective way than mine).

Like all of my tutorials, this is written for SugarCube 2.34.1. Since this one mainly deals with CSS, I’m sure you could adapt it to another format, but I’m not familiar enough with Harlowe, Snowman and Chapbook to add specifics.

Additionally, I use the Twine 2 editor version 2.2.1. This tutorial can be used with later versions; some of my example images may look not look exactly like what you have because later versions of the editor launch test files in your default browser (the 2.2.1 version creates its own mini-browser).

Making a Main Menu Page

Step 1: Hiding the UI Bar

If you want a clear main menu page without the UI bar, you can hide it in several ways.

<<run UIBar.destroy();>>

This will remove the UI bar completely from your game. Not recommended unless you have an alternative way of adding access to the Save, Settings and Restart functions.

<<run UIBar.stow();>>

This stows the UI bar. It will still be partially visible on the side and the player can interact with it to open it. The UI bar can be unstowed manually (without needing the player to do it themselves) on the next passage with:

<<run UIBar.unstow();>>

If you don’t want the UI bar to show up on your main menu, but you want to have access to it later, you can use:

<<run UIBar.hide();>>

To bring it back, you will have to use the following on the passage where you want the player to have access to it.

<<UIBar.show();>>

You may want to use the stow/hide and unstow/show functions together. Hiding the UI bar only makes it invisible; it will still take up space on the left-hand side of your game. Stowing and hiding it makes it a little more even.

To use them together, you can do this:

On the passage you don’t want the UI bar:

<<run UIBar.stow();>><<run UIBar.hide();>>

On the passage you where you want to restore the UI bar:

<<run UIBar.unstow();>><<run UIBar.show();>>

TIP 1: Using <<run UIBar.stow (true)>> gets rid of the slide animation as the UI bar collapses/restores, so you may want to use this so you don’t have any weird animations when you menu passage loads.

TIP 2: If you main menu is the first passage of your game, you can run the scripts for storing and hiding the UI bar in your StoryInit passage and it will run it when your game loads.

TIP 3: You can also use the Config API to have the menu bar be stowed automatically when your game starts.

Pop this code into your Javascript:

Config.ui.stowBarInitially = true;

However, if you have any links that navigate back to the main menu without restarting the game, the UI bar will be in whatever state the player left it in last. If you can only access the main menu by launching the game or hitting restart, don't worry about this.

If you want to double-check the SugarCube documentation for these functions, see here.

Step 2: Tagged Stylesheets

If you want to create a menu page that has a different appearance to your game’s default look, you can do so by using a tagged stylesheets. When using a tagged stylesheet, every passage with the same tag will have its appearance overridden to match what you’ve adjusted in your Story Stylesheet.

Let’s make one called main-menu. You can tag passages like so:

You can also tag the passage a different colour to make it special passages like this one stand out.

Step 3: Adding CSS

Now that the passage is tagged, you need to add a new CSS class to your stylesheet to change its appearance.

To change the appearance, you need to decide which selectors to target and what about them you want to change. Every default SugarCube game has the same set of selectors (you can find them here in the documentation). The most important ones are:

body – the body of the page. You can use this to change the foreground and background colours.

.passages – the element that contains your game’s main text. This is where you can change things like the colour that displays behind your game’s text, the font family, line height, letter spacing, all that stuff.

For the sake of this example, I am going to use the default SugarCube stylesheet and edit it from the ground up. You can find the code for SugarCube’s built-in stylesheets here.

In your stylesheet, you will want to use the tag you created earlier as the new class name.

.main-menu

Put this with the selectors you are going to change.

Let’s start with the body.

body.main-menu { color: #fff; background-color: #000; overflow: auto; }

The color property controls the colour of the font. Here I’ve set it to the hex code #fff and the background-color #000.

So now I have a black page when I start the main menu passage, and thanks to the code for the UI bar I put in earlier, the UI bar is gone.

Adding a Background

Now, we might want to spice up the background with an image to make it more interesting.

To add an image to the background, you need to use the background-image property.

body.main-menu { color: #fff; background-color: #000; background-image: url("images/main-menu.jpg"); background-attachment: fixed; background-repeat: no-repeat; background-size: cover; -webkit-background-size: cover; -moz-background-size: cover; -o-background-size: cover; background-position: center center; overflow: auto; }

You can read more about the different background properties and what they do here on W3Schools, but the code above will center your background image in the middle of the page and also make sure that it covers the entire container.

IMPORTANT: If you intend to upload your game as a ZIP file containing a .index HTML file (this is recommended if you have a lot of image assets or don’t want to link to an outside host, like imgur), you will need to use relative paths with any image URLs in your game.

Relative paths mean that the file is relative to the directory it’s in. In the example above, you can see that the background URL is "images/main-menu.jpg". This means that when the file is uploaded to itch.io, it will find the file—main-menu.jpg—inside the images folder, regardless of where the images folder is located.

For reference, this is what my game assets folder looks like for Wayfarer:

Relative paths are different than an absolute path, which begins with the drive letter. For example, the main-menu.png may be stored on my personal computer in a path like this one: C:/game/images/main-menu.jpg.

If I use this absolute path in the game, the image asset will not show up for players once it’s uploaded to itch because the image is not hosted on the player’s device in C:/game/images/main-menu.jpg.

This can cause some finnicky issues with the Twine 2 editor because the editor cannot find and display images from relative paths (unless you’ve put the editor in the same directory as the one you’re storing your assets in; I haven’t bothered to try this, so I’m not sure).

While working on your game in the Twine editor, you may need to use an absolute path to see what your asset looks like while you're editing. When it comes time to publish, make sure you switch it back to a relative path, otherwise the image will not load for players.

Step 4: Adding & Styling Links

Now that we have a background, we’ll want to tackle the links themselves.

Adding Links

You can link to the starting passage of your game using your preferred method—the [[ ]] link markup, the <<link>> macro, etc.

But for Saves and Settings (and also a Resume Game link, if you’re using the autosave feature), you’ll need to manually call the functions for accessing those dialogs. You can do that with this code here:

This will add a Load Game link that opens the Saves dialog when clicked.

<<link 'LOAD GAME'>><<run UI.saves();>><</link>>

This will add a Settings link that opens the Settings dialog when clicked.

<<link 'SETTINGS'>><<run UI.settings();>><</link>>

This will add a Resume Game link that loads the player’s last autosave.

<<link 'RESUME GAME'>><<run Save.autosave.load()>><</link>>

TIP: To enable autosaves on your game, add this code to your Story Javascript:

Config.saves.autosave = true;

This will autosave on every passage.

Config.saves.autosave = ["bookmark", "autosave"];

This will autosave on passages tagged bookmark or autosave.

Styling Your Game Title & Links

So this is where you can get get fancy with your CSS. For now, we’re going to keep everything within the .passage element (which is where any text inputting into the editor goes), but I will show you how to move the links and title to wherever you want further down.

Importing Fonts

First, go font shopping.

Google fonts has a very large library of free-to-use fonts that you can import directly into your game via your Story Stylesheet. After you browser Google fonts for the fonts you want to use, scroll down to the Use on Web section and click @import. Google will automatically generate the code you need to import the fonts you want to use.

Ignore the <style> </style> and copy everything else inside it and paste it in the top of your Story Stylesheet.

For this example, mine looks like this:

@import url('https://fonts.googleapis.com/css2?family=Almendra+Display&family=Nova+Cut&display=swap');

TIP: If you are importing fonts that a bold weight and italics available and intend to use bold and italics, make sure you import the bold weight and the italic versions of the font as well as the regular one. This will stop your fonts from having weird printing issues when you use bold and italics (especially on non-Chromium browsers like Firefox).

Below the import button, Google will show you the CSS rules for each font family. Keep these in mind, you’ll need them later. Mine, for this example, are like this:

font-family: 'Almendra Display', cursive; font-family: 'Nova Cut', cursive;

Basic Styling

In your stylesheet, you’ll want to target the .passage element with the .main-menu class.

.passage.main-menu { background-color: transparent; font-family: 'Nova Cut', cursive; font-size: 3.5em; text-align: center; }

Make sure there isn’t a space between .passage and .main-menu, otherwise it won’t work!

Here, I’ve changed a few properties.

font-family – this changes the font to Nova Cut

font-size – this changes the font size. I’ve used the unit em, which is relative to the element size (you can read more about CSS Units here)

text-align – this centers the text to the middle of the .passage element

I have also added:

background-color: transparent;

This makes the passage background transparent so you can see the background image. This is only necessary if you’ve added a background-color to your default passages.

Now, for the links.

Links have their own separate selector.

a means is the link as it usually displays

a:hover is the link when the player hovers their cursor over it.

It's generally a good idea to use different colours on the links—one for the normal display, one for the hover—so the player can visually see that they are hovering over a clickable link. If you don't want to use different colours, you should consider using some other visual cue to make that differentiation.

.passage.main-menu a { font-family: 'Nova Cut', cursive; color: #C57C25; text-decoration: none; }

.passage.main-menu a:hover { font-family: 'Nova Cut', cursive; color: #dcb07c; text-decoration: none; }

I’ve added an additional property here:

text-decoration: none.

This gets rid of the underline that happens on all default links in the default SugarCube stylesheet. Currently, this only targets the links on passages tagged main-menu; if you want to get rid of the text-decoration on all links, you can change the styling of your links like so:

a:hover { text-decoration: none; }

Choosing Colours

If you’re not sure where to start when it comes to picking hex codes, color-hex.com is a really helpful site. It gives you related tints and shades of for every hex code, which makes it a lot easier to find colours that are slightly darker or slightly lighter than your base hex code.

For choosing colours initially, there are plenty of hex code colour palette generators available online. One of my favourites is the one on Canva, which lets you upload an image and then it creates a colour palette from there. You might not want to use the exact colours it pulls, but checking the colours on color-hex can help you narrow down something that works for your aesthetics.

This is what our template now looks like:

Giving the Title a Unique Style

Right now, the title is styled by the .passage.main-menu selector and it’s default font size and font type is the same as the links below it.

If you want to style it differently, you can make a new class for it. In this case, I’m going to drop the .passage.main-menu and make a class called .game-title.

.game-title { font-family: 'Almendra Display', cursive; color: #ca893a; line-height: 1.0; font-size: 1.8em; text-shadow: 1px 1px #dcb07c; }

Because the font I selected didn’t come with a bold version, I cheated a bit a used the text-shadow property to bulk it up. I also had to adjust the line height. SugarCube’s default .passage styling gives everything a line height of 1.75 and there was too much space once the new font family and font size were applied.

To add this styling to your title, go into your main menu passage and wrap your game’s title in a span, like so:

<span class="game-title">GENERIC FANTASY GAME</span>

It now appears like this:

TIP: If you want to play around with your appearance, you can use your browser’s Inspect tool to see the page’s CSS and play around/edit it. Either right click and hit Inspect or hit CTRL + SHIFT + I to open the Inspect tool. Once opened, you can go in and adjust things. If you make and a change and like it, remember to copy the code over to your stylesheet before you close the inspect tool.

Placing a Title & Links Outside the .passage element

If you want your game title and menu links to be elsewhere on the page, you’re going to need re-write some of your CSS and add some additional CSS.

The first thing is that you’ll want to remove the styling from .passage.main-menu. I’ve left background-color to transparent, but you’re not going to be using this to style your game title and menu links.

.passage.main-menu { background-color: transparent; }

For the title:

I’ve created two elements, one called .main-title and one called .main-title-item.

.main-title creates a container that will hold the title. This is what I use to tell it where on the page to appear.

.main-title { display: block; justify-content: space-evenly; position: absolute; top: 10%; left: 4%; }

.main-title-item styles the actual text.

.main-title-item { font-family: 'Almendra Display', cursive; text-transform: uppercase; font-weight: normal; font-size: 6.5em; line-height: 1.0; text-align: left; color: #cf944d; text-shadow: 1px 1px #cf944d; }

To apply this to the game title, go back to the main menu passage and apply your new elements to the game’s title:

<div class="main-title"><span class="main-title-item">GENERIC FANTASY GAME</span></div>

For the menu links:

Here, we’ll do something really similar—a container to hold the links and a separate element to style them.

.subtitle { display: block; flex-wrap: wrap; flex-direction: column; width: 60%; justify-content: space-evenly; position: absolute; top: 46%; left: 8%; }

.subtitle-item a { font-family: 'Nova Cut', cursive; font-weight: normal; font-size: 3.5em; text-align: left; color: #cf944d; line-height: 1.3em; }

.subtitle-item a:hover { font-family: 'Nova Cut', cursive; font-weight: normal; font-size: 3.5em; text-align: left; color: #dcb07c; text-decoration: none; }

Go back to your main menu passage and apply the elements. Because all of the menu links will be in the same box, you only need to open/close the .subtitle element once.

<div class="subtitle"><span class="subtitle-item">[[NEW GAME]]</span>

<span class="subtitle-item"><<link 'LOAD GAME'>><<run UI.saves();>><</link>></span>

<span class="subtitle-item"><<link 'RESUME GAME'>><<run Save.autosave.load()>><</link>></span>

<span class="subtitle-item"><<link 'SETTINGS'>><<run UI.settings();>><</link>></span></div>

If you want to change where the title and menu links appear, you can use the Inspect tool to figure out different percentages and spacing until you find something that works for you.

There are a lot more things you can add (like animations that appear when you hover your cursor on the link), but I’ll leave it there for now.

Additionally, if you intend to make your game mobile compatible, you’ll want to read up on media queries and learn how to adjust font sizes and any other units of measurement for different viewports. This is how you shrink things appropriate to fit on small screens.

I hope this helps! If you have any questions, please let me know. I’m still a newbie at CSS (so I’m sure there are ways of doing things more effectively), but these are some of the things that I have helped me along the way.

[roswellnmsource]

Michael Trevino Talks The CW’s ‘Roswell, New Mexico’

So first off, what was your reaction to finding out you’d be doing that time jump this season? Michael Trevino: For Kyle, I think jumping — I mean yeah, time has passed, right? And I think whenever you start a new season, we always ask that. We’re like, “Well, how much time has passed? Where are we starting from? Has as my character been here, been there?” So this is one of those seasons where yes, time has passed, kind of a restart, reboot and it’s fresh. I think our first episodes were showing people in their different dynamics and kind of briefly alluded to what they’ve been up to, and that’s always nice.

I had the chance to see episode nine early and really enjoyed it. What can you preview for the fans about what this episode has in store for them? I feel that episode nine is a turning point for Kyle. Kyle, as we all know, is there for everybody, whenever he can be. He seems to be the one that they go to. He’s always putting out fires, I keep saying that but it’s true. Whenever there’s a problem, Kyle’s there for you. And I think this episode is kind of where — not that he’s reached a limit, but it’s taken a toll on him and we get a very frustrated, little angsty Kyle for good reason, I feel. I think that that frustration is a bit earned after everything, but we are going to find out in 3×09, as we’ve been finding out, a bit more about who Jim Valenti was, who was Kyle’s father, who is Eduardo, what is Deep Sky about, and it’s going to kind of jumpstart Kyle for the rest of the season. It’s a big episode for him because he finally makes a decision on, “Okay, enough is enough. This is how I feel about this and this is what we’re doing next.”

How was it for you to play with that sort of stroyline as an actor? As you said, it is such an important point for him. Well, I gotta be honest, I just saw the episode and I’m coming in hot! I’m coming in real hot and in the moment I didn’t think it was that hot, but damn, we’re there. And so I think it’s fine because I get a lot of feedback, which is great, that Kyle is such a good guy and “I like his character, he’s there for everybody.” That’s nice, right? So I feel like after three seasons of that, to see Kyle a bit over it with what’s going on and everything that he’s being told, new information, more new information, I think it works. For me, you try to find those moments of like, “Okay, can I keep being there for everybody,” or at some point I’m going to be like, “Okay, I’m done,” right? Or “I can only do this much.” He’s never going to turn his back on people, but in this episode we see him a little frustrated.

Fans love the show, what does it mean to you when you go on social media or meet fans in person and hear their response to your work? It’s great. It’s a beautiful feeling because we’re currently filming season four and that’s rare for a series to really last that long, to build these characters, and to still have these interesting storylines. So, to know that people are still engaged in these characters and the story that we’re telling, they’re still tuning in, it’s nice. What makes it even more special this season is because we’re watching season three right now, but we’re currently at the same time filming season four. Through the scheduling it just worked out that way, but it’s almost instant feedback and it’s also an instant reminder of “Okay, where have we been? What have we done?” So we feel closer to the story, which is great for us as actors, but sometimes it’s not that way. You’ll see something and be like, “Oh yeah, we shot that a year ago. Where am I coming from? Where are we headed,” and you want to track these stories but right now I’m just thankful for everybody that’s continuing to watch and who’s invested in these characters.

The show was picked up for a season four ahead of season three even premiering, which was so amazing to see. What was your reaction when you heard the news? I was genuinely surprised because usually you don’t get a pickup until at least the season has aired or the season is four or five episodes in, but I guess because in the year COVID and the delay, the network was able to see all these episodes and see the ones that we’ve done already. It’s great feedback. I think that we have something special happening here in Santa Fe, New Mexico with this crew, this cast, and our writers back in LA, who are back to visiting us on set per their episode. Everybody’s still invested. It’s a great feeling because we’re all here, we’re happy to be here, grateful to be telling these stories and working, and we’d like to continue.

What has been your favorite storyline of the season so far that fans have already seen? I think — okay, well, to answer that on what we’ve already seen, I did like and enjoy the scenes with Kyle and Michael. Those were fun to shoot. I get along great with Mr. Michael Vlamis and it’s always fun to be in scenes with him because, as we know, Michael Guerin is a bit of a wild card. With that, Mr. Michael Vlamis on the day is able to be a little bit unpredictable and I like that. I like performing with him and feeding off of what he’s bringing. He always keeps it fresh and new in each take. So, I like those scenes with him

I know you can’t tell me too much, but what can you tease about the rest of season three? The rest of season three, I feel now that Jones is really flexing on us, we have this bit of the Avengers assembling right in Roswell, like everybody having to come together, everybody has a job, and it’s to really take care of Jones and get him out of here. So I think that’s really what the rest of these episodes are going to be about.

I love that metaphor you did. It’s perfect. It really is because it’s like from season one to season three, we’re all separate. Now, it’s like, “Okay, we have to join forces to handle this guy.” And that’s what we’re gonna see.

You filmed season three with the COVID pandemic and now you’re filming season four with those safety precautions since the pandemic is still going on. What did it feel like for you to wrap season three with those circumstances, but then also come back for season four? Well, I have to give it to our producers, really, because everybody in the world had to pivot. We all had to make changes in our lives and I think the changes that have been made to keep everybody — crew, catering, casting, post production, accounting, whoever — safe on set, there’s been some different rules and it’s kept everybody safe. I’m proud to say we didn’t have to shut down once in season three. Unfortunately, there’s other productions that had to, but up here in Santa Fe, no. We were just lucky or we followed the rules, I don’t know but we were great and we were able to keep to our schedule, not have to shut down, and now we’re back for season four and we know what to expect. So things are running smoothly and there hasn’t been any problem. I’m just happy, glad, and grateful that we’re able to still tell the stories.

What is your personal favorite dynamic (friendship or relationship) when it comes to Kyle? I’m going to say that I want to see more Kyle and Isobel. I think that Isobel brings out a different side of Kyle whenever they’re in scenes or have interactions with one another. I’d like to lean more into that storyline for whatever it may be, I just want them to have more interaction because I think Kyle acts a different way around her. She’s just such a big ball of energy, so I think that would be fantastic and I would want to see more of that.

I know you’re probably not going to be able to give me too much on this, but I have to ask you, what was your reaction when you read the scripts for season four? Well, my reaction is a kind of going off of my last answer, Kyle ends up having more storyline with Isobel and it’s nice to see that play out. And so far, it’s been refreshing to see them in scenes together. I will tease this: so far in season four, the scenes that are with Kyle and Isobel have a comedic feeling to them. I feel like their scenes are fun and funny to shoot, but there’s a comedic element to it.

Is there any other show that you are personally a fan of and would like to see Roswell, New Mexico do a crossover with? Oh damn, that’s a great question. Off the top of my head, we’re gonna have a Roswell, New Mexico and The X-Files crossover event. This episode is going to air right after the Super Bowl and millions of people are going to watch it. It’s going to be Scully and Mulder pulling up to Roswell, New Mexico and Kyle will be there to greet them.

Is there a memory that sticks out to you as a memorable moment from filming season three? Oh gosh, it’s our season finale, it has to be our season finale. I can’t give away too much, but like I said about as far as Avengers assembling, it’s those scenes when we’re all on set together. It’s the season finale, we’re in Santa Fe in the middle of February and March, it’s freezing, it’s like 10 degrees outside, we’re getting the exterior night shoots that we need, and we’re all in. It’s not even just the cast, it’s the crew, it’s everybody. We’re just trying to get the final shot done of the season and we are working against all the elements. It’s a bit chaotic but it’s organized — organized chaos, that’s what it is. Those feelings are you got to get the job done and that’s what we do. I mean, we all know Jones is the big bad and everybody’s gonna have to get involved to take care of him and we see that in our last episode. Those scenes are really fun to shoot. They were challenging but I think it’s gonna come together well and it’ll be a strong finish for us.

If you could create a tagline or a phrase of your own to describe Kyle as a character, what would you pick? Kyle Valenti: I’m there if you need me.

[pokemoncreepypasta]

Forever Mine

[STORY SOURCE]

I live in one of those small towns with a big community. It feels like everyone knows each other, and parents would visit their friends and leave their kids to mess around with each other. Classes in school weren’t very large.

So when there’s news about a kid dying, it travels at god-speed. 

Everyone at school kept talking about the death of this girl who was probably a year behind me.

I didn’t know her personally. I wouldn’t have even been able to tell you her name if everyone wasn’t talking about her.

I didn’t want to pick up gossip about how she died. I decided to attend her funeral myself. Not because we were friends or anything, but I did want to show my respect for this girl and her family.

The local funeral home was within biking range of my house, so I set off.

I sat awkwardly as I noticed her parents. I’m not usually very good at picking up feelings from people, but I could tell that beyond their grief was disappointment and maybe even hostility.

They made me wonder what she was thinking about before she died.

After she was buried, I hung around the cemetery. I’d wished I brought flowers with me, but decided I’d give her some the next time I stopped by.

Around this time, I had been aiming to get a Sky Forme Shaymin, since it was one of my favorite Pokémon back then.

I had caught a wild Shaymin using the "Pokémon Modifier" cheat code. I was terrible at coming up with creative names. But then, I remembered the name of the girl and thought it would suit a Shaymin rather well.

“Skye.”

Little did I know that this would invite strange things to start happening to my game.

I wanted to keep this Shaymin in its Sky Forme whenever possible, so I planned on keeping it in my team 24/7, only playing during daytime, etc. I was a dirty cheater who liked putting illegal moves on my Pokémon, so I taught Skye to use Fly.

At the time, I didn’t know you needed to catch the Shaymin in Flower Paradise to receive the Gracidea Flower, so when I talked to the blonde girl NPC in Floaroma Town, I had no idea why she wouldn’t give it to me.

So I was stuck with a Shaymin that knew Fly. It was weird, and I never really grew all that attached to it. Eventually I boxed it, forgot I had it, and released it without thinking.

The next time I booted up the game, I got this message.

“The save file is corrupted. The previous save file will be loaded.”

My first instinct was panic. I didn’t have any time to think or process the initial message, because all my hours were gone. With nervous anticipation, I started up the save file to see what the damage was.

To my surprise, I found myself on an incomplete Seabreak Path. The south path to Route 224 was cut off, with a featureless Shaymin staring vacantly over the edge.

I checked my party, and found none of my team members.

Only a level 100 Dusknoir with the move Follow Me.

Very useful, I thought. I’d have to boot up my Action Replay to teach this thing Fly in order to get off the island later.

Checking my items, I noticed everything was gone, save for a single PokéBall and an Escape Rope. Neither of which seemed particularly helpful for getting me off this island.

Out of curiosity though, I decided to see if Shaymin would be at Flower Paradise. I started my trek north, lamenting the loss of my bike.

To my surprise, Shaymin was there, despite never having Oak’s Letter or triggering the cutscene with it. Its face was obstructed by flowers, but it seemed like its pink flowers were missing just like the one I saw before.

I spoke to the Shaymin, and a message appeared.

“I remember you.”

“But… You don’t remember me, do you?”

The wild Shaymin attacked, and my heart stopped at its name.

“Skye appeared!”

Featureless, like before.

I felt a knot in my stomach, not even caring about the game. Something was very clearly wrong with it, and I wanted to stop playing. But I decided I was already taking pictures of the weird stuff that was happening, and I wanted to document it in full.

Steeling my resolve, I went about my options.

Dusknoir only knew Follow Me, so it was useless to weaken the Shaymin.

Remembering the PokéBall I had, I tossed it at the Shaymin.

Most people would be ecstatic to catch a Shaymin with full HP in a PokéBall on their first try, but I got the feeling that the game was rigged. There wasn’t any triumphant music playing either, which didn’t help my feelings about it.

I tried checking my newly caught Shaymin, but my game froze upon checking my party.

Upon restarting the system and starting the game up, this message appeared.

“My heart is corrupted. Please save me.”

My save file was gone for real this time. The trainer’s name was “SINNER”.

I live in a pretty religious community, so reading this made me ill at ease.

Starting up the game again, I found myself in the Lost Tower, playing as a featureless Shaymin.

My only Pokémon was the same Shaymin, named SINNER, knowing Fly, Scary Face, Fake Tears, and Spite.

A text box appeared when I tried to leave the tower.

“Today’s the day.”

It pushed me back, preventing my exit. The only option I had was to ascend.

No random encounters happened, and all the trainers wouldn’t interact with me.

It went this way until I went to the top floor. I’m pretty sure there isn’t supposed to be a man and woman NPC standing in this spot.

"There’s nothing left to say.”

Interacting with them just prompted this text.

It was here that I noticed a staircase that wasn’t supposed to be there.

I found myself on the top of the tower. I stepped into a scripted event, and the Shaymin faced the edge without my prompt.

"It's a long way down... Are you ready?"

Hoping for some way out of this, I wanted to say “no”, so I could cheat my way out of the tower and get my game back to normal. However, upon selecting it, this text appeared.

"You've held back for long enough. It's time to go."

“SINNER used the Escape Rope.”

A battle started against the same Dusknoir as before. I was intimidated to go against a level 100 Dusknoir, but then I remembered its only move was Follow Me, so it was harmless.

I realized that if I let SINNER faint, I could go to the last Pokémon Center and escape the tower.

I used Spite, thinking that if I reduced Follow Me’s PP, the Dusknoir would use Struggle and OHKO my Shaymin.

“The wild DUSKNOIR used Follow Me!”

“SINNER used Spite!”

“But there was no target...”

Dang it.

Deciding to experiment, I came to the conclusion that there was no harm in screwing around with SINNER’s attacks until DUSKNOIR ran out of PP. I chose Fly.

“The wild DUSKNOIR used Follow Me!”

“SINNER used Fly!”

“The wild DUSKNOIR used Follow Me!”

“SINNER kept going and crashed!”

Not the KO I was expecting, but I took it nonetheless.

The game, of course, crashed as soon as my Shaymin’s cry played, leaving nothing but pleasantly ear-grating screeching sounds.

I decided to take a break from playing for a moment to process what I just witnessed. I had a lot to digest.

The only conclusion I came to was that ghosts are real and this was the same Skye as the girl who died. Which would sound insane if I didn’t have the pictures to prove it.

I choked back tears. I was afraid. Why did Skye want me to see this?

I wanted to put the game down and be done with it. But if she had a message to give me, then I felt like I had to see it through to the end.

I guess I vainly hoped she’d pass on and find peace if I listened to what she was trying to say.

Another message when I started the game up again.

“I can’t fly. I tried to.”

I found myself at Spear Pillar. The staircase to the Hall of Origin was in front of me.

My exit was gone, so I just went straight to Arceus.

A level 100 Arceus stood before me.  

Instead of sending out my Shaymin, it stayed in the field. It was now bleeding. Its status said it was fainted, but it was still able to battle somehow.

I felt cornered. There was no way a level 14 Shaymin could take on something like this. I tried to use Fly, hoping it would give me the same result as before.

“Can’t use that here.”

It wouldn’t let me use the move. Instead, I just outright try to flee.

“Can’t escape!”

“ARCEUS used Judgment!”

I braced for impact...

“The wild ARCEUS’s attack missed!”

...But was pleasantly surprised to see it miss.

“I’m not ready yet.”

The game made me flee automatically.

The screen faded to black.

“I’m not ready. I’m not ready.”

“I’m scared.”

When the screen faded back to the overworld, I found myself in the Distortion World. The portal that takes you back to the main world was gone, so the only thing I could do was explore.

I found another Escape Rope while looking around.

It was the only thing noteworthy I could find, so I started trying to think of ways to get out of here.

I tried using Fly, since SINNER still knew it.

“There’s nowhere to fly to.”

Figures.

Trying to test my other options, I went to my bag and tried using the Escape Rope.

Of course, the “There’s a time and place for everything” message still appeared.

Deciding to mess around until I got results, I went to give the Escape Rope to SINNER.

“Don’t suppose you know what to do with this?” I muttered.

The game crashed again, and it assaulted my eardrums once more. I sharply inhaled, wondering if I touched a nerve.

I took a deep breath and started the game again.

My character’s name was now Skye.

I started in Floaroma Town. The first thing I did was rush to the Pokémon Center to check on my Pokémon in the PC. Of course, they were all gone.

I’d grieve for them later, though. Maybe Skye would be nice to me and give them back.

While I was in the center, I figured it might’ve been good to heal the faint status off of the Shaymin.

Sure it is. Glad you can tell when something is suffering, nurse.

Heading outside, I talked to the blonde NPC.

“You should always give flowers to someone who has passed away.”

“It’s rude not to.”

“You got the Gracidea!”

I was suddenly feeling very guilty for not leaving flowers before.

Wondering if I could fix the poor Shaymin in my party if I used the flower on her, I went to try it.

“It won’t have any effect.” 

Of course not.

The blonde NPC turned into my Shaymin. I spoke to her.

“That won’t help me.” 

Yeah, I thought not.

At a loss of ideas on what to do next, I absentmindedly made my way to Valley Windworks and walked around in the grass.

A wild Sky Forme Shaymin appeared.

I sent out Skye, of course.

I chose the fight option, and the battle continued without me selecting a move.

“The wild SHAYMIN used Reflect!”

“Skye’s rage is building!”

“Skye used Cut!”

“She hurt herself in her confusion!”

The Sky Form Shaymin was knocked out in one hit, despite the game telling me Skye had hurt herself.

Back on the overworld, I found the mangled parts of the Sky Forme Shaymin lying in the grass. I inspected them.

“Please put me back together.”

It gave me another prompt, and I chose yes.

The screen faded to black.

And then Skye appeared again in a black abyss, with Skymin ears and flower. My trainer was nowhere to be seen.

I checked my party to see that Skye had changed again. Her cry sounded like a distorted mix of Shaymin’s two forms.

I went back to the overworld and was unable to move. Instead, a dialogue box appeared.

“Can you hear me?”

"Thank you for caring about me.”

"I can fly now.”

“Because...”

“I love you.”

My heart skipped a beat. My hands began to shake.

“You must care about me too, right?”

“So... I’m going to stay with you.”

“I won’t leave, not without someone who loves me.”

“Will you fly away with me?”

My shaky hands went to say no. I didn’t want to be like her.

"...”

“I’ll wait for you.”

“I’ll change your mind.”

“You’re mine now.”

“You’re mine forever.”

With that last line, the game froze.

The first thing I did was take the game out of the system. I decided to drop off all my Pokémon games at the nearest GameStop. I didn’t want her talking to me anymore.

So why do I feel like she’s still here?

[gra-sonas]

So first off, what was your reaction to finding out you’d be doing that time jump this season? Michael Trevino: For Kyle, I think jumping — I mean yeah, time has passed, right? And I think whenever you start a new season, we always ask that. We’re like, “Well, how much time has passed? Where are we starting from? Has as my character been here, been there?” So this is one of those seasons where yes, time has passed, kind of a restart, reboot and it’s fresh. I think our first episodes were showing people in their different dynamics and kind of briefly alluded to what they’ve been up to, and that’s always nice.

I had the chance to see episode nine early and really enjoyed it. What can you preview for the fans about what this episode has in store for them? Michael Trevino: I feel that episode nine is a turning point for Kyle. Kyle, as we all know, is there for everybody, whenever he can be. He seems to be the one that they go to. He’s always putting out fires, I keep saying that but it’s true. Whenever there’s a problem, Kyle’s there for you. And I think this episode is kind of where — not that he’s reached a limit, but it’s taken a toll on him and we get a very frustrated, little angsty Kyle for good reason, I feel. I think that that frustration is a bit earned after everything, but we are going to find out in 3×09, as we’ve been finding out, a bit more about who Jim Valenti was, who was Kyle’s father, who is Eduardo, what is Deep Sky about, and it’s going to kind of jumpstart Kyle for the rest of the season. It’s a big episode for him because he finally makes a decision on, “Okay, enough is enough. This is how I feel about this and this is what we’re doing next.”

How was it for you to play with that sort of stroyline as an actor? As you said, it is such an important point for him. Michael Trevino: Well, I gotta be honest, I just saw the episode and I’m coming in hot! I’m coming in real hot and in the moment I didn’t think it was that hot, but damn, we’re there. And so I think it’s fine because I get a lot of feedback, which is great, that Kyle is such a good guy and “I like his character, he’s there for everybody.” That’s nice, right? So I feel like after three seasons of that, to see Kyle a bit over it with what’s going on and everything that he’s being told, new information, more new information, I think it works. For me, you try to find those moments of like, “Okay, can I keep being there for everybody,” or at some point I’m going to be like, “Okay, I’m done,” right? Or “I can only do this much.” He’s never going to turn his back on people, but in this episode we see him a little frustrated.

Fans love the show, what does it mean to you when you go on social media or meet fans in person and hear their response to your work? Michael Trevino: It’s great. It’s a beautiful feeling because we’re currently filming season four and that’s rare for a series to really last that long, to build these characters, and to still have these interesting storylines. So, to know that people are still engaged in these characters and the story that we’re telling, they’re still tuning in, it’s nice. What makes it even more special this season is because we’re watching season three right now, but we’re currently at the same time filming season four. Through the scheduling it just worked out that way, but it’s almost instant feedback and it’s also an instant reminder of “Okay, where have we been? What have we done?” So we feel closer to the story, which is great for us as actors, but sometimes it’s not that way. You’ll see something and be like, “Oh yeah, we shot that a year ago. Where am I coming from? Where are we headed,” and you want to track these stories but right now I’m just thankful for everybody that’s continuing to watch and who’s invested in these characters.

The show was picked up for a season four ahead of season three even premiering, which was so amazing to see. What was your reaction when you heard the news? Michael Trevino: I was genuinely surprised because usually you don’t get a pickup until at least the season has aired or the season is four or five episodes in, but I guess because in the year COVID and the delay, the network was able to see all these episodes and see the ones that we’ve done already. It’s great feedback. I think that we have something special happening here in Santa Fe, New Mexico with this crew, this cast, and our writers back in LA, who are back to visiting us on set per their episode. Everybody’s still invested. It’s a great feeling because we’re all here, we’re happy to be here, grateful to be telling these stories and working, and we’d like to continue.

What has been your favorite storyline of the season so far that fans have already seen? Michael Trevino: I think — okay, well, to answer that on what we’ve already seen, I did like and enjoy the scenes with Kyle and Michael. Those were fun to shoot. I get along great with Mr. Michael Vlamis and it’s always fun to be in scenes with him because, as we know, Michael Guerin is a bit of a wild card. With that, Mr. Michael Vlamis on the day is able to be a little bit unpredictable and I like that. I like performing with him and feeding off of what he’s bringing. He always keeps it fresh and new in each take. So, I like those scenes with him

I know you can’t tell me too much, but what can you tease about the rest of season three? Michael Trevino: The rest of season three, I feel now that Jones is really flexing on us, we have this bit of the Avengers assembling right in Roswell, like everybody having to come together, everybody has a job, and it’s to really take care of Jones and get him out of here. So I think that’s really what the rest of these episodes are going to be about.

I love that metaphor you did. It’s perfect. Michael Trevino: It really is because it’s like from season one to season three, we’re all separate. Now, it’s like, “Okay, we have to join forces to handle this guy.” And that’s what we’re gonna see.

You filmed season three with the COVID pandemic and now you’re filming season four with those safety precautions since the pandemic is still going on. What did it feel like for you to wrap season three with those circumstances, but then also come back for season four? Michael Trevino: Well, I have to give it to our producers, really, because everybody in the world had to pivot. We all had to make changes in our lives and I think the changes that have been made to keep everybody — crew, catering, casting, post production, accounting, whoever — safe on set, there’s been some different rules and it’s kept everybody safe. I’m proud to say we didn’t have to shut down once in season three. Unfortunately, there’s other productions that had to, but up here in Santa Fe, no. We were just lucky or we followed the rules, I don’t know but we were great and we were able to keep to our schedule, not have to shut down, and now we’re back for season four and we know what to expect. So things are running smoothly and there hasn’t been any problem. I’m just happy, glad, and grateful that we’re able to still tell the stories.

What is your personal favorite dynamic (friendship or relationship) when it comes to Kyle? Michael Trevino: I’m going to say that I want to see more Kyle and Isobel. I think that Isobel brings out a different side of Kyle whenever they’re in scenes or have interactions with one another. I’d like to lean more into that storyline for whatever it may be, I just want them to have more interaction because I think Kyle acts a different way around her. She’s just such a big ball of energy, so I think that would be fantastic and I would want to see more of that.

I know you’re probably not going to be able to give me too much on this, but I have to ask you, what was your reaction when you read the scripts for season four? Michael Trevino: Well, my reaction is a kind of going off of my last answer, Kyle ends up having more storyline with Isobel and it’s nice to see that play out. And so far, it’s been refreshing to see them in scenes together. I will tease this: so far in season four, the scenes that are with Kyle and Isobel have a comedic feeling to them. I feel like their scenes are fun and funny to shoot, but there’s a comedic element to it.

Is there any other show that you are personally a fan of and would like to see Roswell, New Mexico do a crossover with? Michael Trevino: Oh damn, that’s a great question. Off the top of my head, we’re gonna have a Roswell, New Mexico and The X-Files crossover event. This episode is going to air right after the Super Bowl and millions of people are going to watch it. It’s going to be Scully and Mulder pulling up to Roswell, New Mexico and Kyle will be there to greet them.

Is there a memory that sticks out to you as a memorable moment from filming season three? Michael Trevino: Oh gosh, it’s our season finale, it has to be our season finale. I can’t give away too much, but like I said about as far as Avengers assembling, it’s those scenes when we’re all on set together. It’s the season finale, we’re in Santa Fe in the middle of February and March, it’s freezing, it’s like 10 degrees outside, we’re getting the exterior night shoots that we need, and we’re all in. It’s not even just the cast, it’s the crew, it’s everybody. We’re just trying to get the final shot done of the season and we are working against all the elements. It’s a bit chaotic but it’s organized — organized chaos, that’s what it is. Those feelings are you got to get the job done and that’s what we do. I mean, we all know Jones is the big bad and everybody’s gonna have to get involved to take care of him and we see that in our last episode. Those scenes are really fun to shoot. They were challenging but I think it’s gonna come together well and it’ll be a strong finish for us.

If you could create a tagline or a phrase of your own to describe Kyle as a character, what would you pick? Michael Trevino: Kyle Valenti: I’m there if you need me.

[popculturebuffet]

One Year Anniversary: Top 12 Ducktales Episodes!

Happy anniversary all you happy people! Yes it was one year ago today I started reviewing animation and it’s been a ride to be sure. I’d always WANTED to be a reviewer: I love going on and on about stuff I love, really digging into it and picking it apart... but I could never get started. I tried youtube but I didn’t have the money for the equipment nor a proper shooting space to record, so my efforts.. were not great. And while I TRIED text reviews, my own looming pile of self hatred meant every attempt I made was shot down when it got hard as me not being good enough. 

But one year ago I finally got past that. I’d already been reviewing a bit, doing invididual issues of comics... but got way in over my head trying to do the current line of X-Men comics as it came out, and wisely bowed out of that. But that left a gap: I had nothing to cover week to week and with a demanding new job, I drifted into just doing in charcter chats, little fan fictions script styles. Not bad work, I should do some more at some point and I even got a comissoin once in a while, but nothing I could really live on and not what I wanted to do with my life. 

Enter Ducktales. I’d always WANTED to review the show.. and when the double premire happened, I decided fuck it, and put up my thoughts. And then decided.. hey maybe I can do this every week.. and slowly.. my work evolved, getting better and better, getting more and more likes. I picked up Amphibia when that came by week to week.

And eventually.. this went from a hobby, if one I was passionate about to a career. Not a largely paying one, as only one person was really intrested in paying me for it, friend of the blog and our fincial backer @weirdkev27, but .. it’s money and i’m now making about 30 dollars a month due to a comination of comissions and patreon. Other contributers are always welcome mind you, my patreon is here if your curious and comissions are 5 dollars an episode, but i’ts just nice to have money coming in. To have gone from simply WANTING to review things and make a living off it.. to simply doing it. 

And it’s been one hell of a year.. and not just because 2020 felt like hell or 2021 began with a full on insurrection. I feel like i’ve acomplished a lot in the year i’ve been doing this: I finished what I started with Ducktales season 3, getting better and better as I went. And I didn’t stop there with ducks: I started covering what brought me to Ducks in the first place, the Life and Times of Scrooge McDuck, and while that retrospective has slid a bit on the schedule, I intend to get it back on track this month. I reviewed a bunch of Darkwing Duck episodes leading up to the Just Us Justice Ducks.. chronologically anyway. The actual airing order reads like someone took 50 issues of a comic, made it rain with them, then just started reading whatever ones they picked up randomly. I also covered some of Duck Master Carl Barks work with the classics Night on Bear Mountain, A Christmas for Shacktown and Back to the Klondike, with more to come. 

And the Duck didn’t stop at just reviews I did on my own: Kev comissioned two MASSIVE retrospectives from me: My first for him was Ride of the Three Caballleros where in just a few short months I covered the boys entire televisied careers together from the movie, to house of mouse, to mickey and the roadster racers, to ducktales (again) and finishing with the wonderful Legend of the Three Caballeros. It has probably the worst Daisy imaginable, but otherwise is really excellent and i’m glad I finally watched it. I also covered Don Rosa’s two stories with the boys as part of it. It was a fun ride and I enjoyed every minute of it... okay most of them again Three Cabs Daisy is the worst. And once that finished Kev started up another idea: Shadow Into Light: a look at Lena’s character arc from start to finish that has gone on to be my most popular series on this blog, and that finishes next week. And there’s more to come as after that there’s a short breather with a look at Lilo and Stitch’s crossover episodes.. folllowed by me looking at all three of season 2′s ducktales arcs. And I fully intend to have covered every episode of the series by this time next year, so stay tuned. 

Outside of ducks though I didn’t slow down. I restarted my Tom Lucitor retrospective, covering what i feel to be one of Star Vs’ two best characters, tied with eclipsa, and my personal faviorite as he redeemeed himself, found love and I bitched a lot about the horrible directions the series took and probabably will more as that’s still not done yet. I did what I always wanted to do and started looks at some of my faviorite comics ever, starting with Life and Times and adding in New X-Men and Scott PIlgrim. I also threw in the awesome comic Blacksad. I did pride month for the first time and not only came out publicly, but also did two whole arcs i’m proud of with The Saluna episodes of Loud house and the rednid episodes of OK KO, and generally just had myself a good old fashioned time as an out bi man reviewing childrens cartoons. 

I started Season 2 of amphibia with it’s lows of an endlesss road trip and highs of adding Marcy to the cast and giving us more of the silky voiced keith david. And finally Patreon wise Kev’s taken me on a hell o fa journey: In addition to the restrospectives i’ve covered some additional darkwing duck, and a simpsons homage to the duck comics... but also got a bit weird and obscure with detours like the lost animnaics sucessor Histeria, the apocalyptic comedy where Santa dosen’t know how doors work Whoops! and the adventures of Santa’s bratty teen daughter jingle belle. In short.. it’s been a long year but damn has it been fun and there’s more to come. I’d like to thank all of you for reading, thank my Patreons Kev and Emma for supporting me, and thank my family for doing the same.  So with that out of the way, I figured the best way to celebrate was to do something i’ve been wanting to do for a long time, something honoring the show that gave me this calling in the first place. And with Season 3 sadly being the last, and enough weeks having passed for me to digest it between the finale and today, I could think of nothing better than my top 12 episodes of Ducktales.

Ducktales is one of the best cartoons of the 2010′s. Brilliantly taking EVERYTHING that had come before, the comics, the original cartoon and every bit of duck media period to craft a masterful, unique and wonderful reboot. It was funny, it was insane, and it had damn good character arcs. By the end every member of the main cast along with major supporting cast members like Fenton, Drake and especially Lena, had changed and signifigantly at that. The show was everything I could’ve dreamed of and more and I miss it terribly, hoping DIsney will do a revivial movie at some point. For now though, Frank and Matt’s run on ducktales, as they called it and I do too since i’m a massive comic book nerd, it’s time to look back on my favorite tales of ducks. So grab your sharks, your number one dimes and your friendship cakes with clear gay undertones and join me under the cut as I celebrate one of my faviorite shows and my anniversary in the best way possible. 

12. House of the Lucky Gander! 

 So as i’ve gone on about before and no doubt will again, Donald kinda got the short end of the stick in season 1. While Frank and Matt had good story intentions, keeping Donald away from adventure since he had no interest in it, in practice it meant a beloved Disney Icon who they and disney HEAVILY promoted as part of the series and whose being here this go round was a big draw for fans of the comics.... was only in a quarter of the season and only got TWO plots centered around him in 23 episodes, with only one being the main plot of the episode. The PIlot and Finale both centered around the family more as a whole if your curious how I counted those so while he got plenty of focus in both, it’s still not a day in the limelight sort of thing. 

But unusually for Donald, he lucked out as his one big starring role for Season 1 was both one of my faviorites and one of Season 1′s most inventive outings.  A lot of the episodes enegy comes from a one two punch of a great guest star and one of the series best settings. The guest star is of course everyone’s faviorite overly lucky himbo Gladstone Gander. The show adapted the prick perfectly: The original Gladstone from the comics.. was the worst asshole imaginable, utterly insufferable. And for a villian, and Donald’s rival, that’s all well and good.. but his super luck meant he RARELY , if ever, suffered any consequences for being just...

The 87 series simply made him nicer, while Going Quackers simply removed his luck. No adaptation really got how to make this fucker work.. until this one. Here Frank split the diffrence: Gladstone is still smug.. but he’s no longer actively malicious. While he is an insensitive prick to Donald in this one, unlike the comics he’s not constantly bragging about his luck or how great he is or actively BAITING Donald to fight with him or trying to ruin his relationship or a million other reasons he sucks and I hate him.

This version by contrast... is generous. He’s not the most empathetic, because he doesn’t get how life works, but he does share the riches of the casnio with everyone and in a cameo appearance in “Treasure of the Found Lamp” gladly offers his nephews some diamonds. He’s got a nice surface level charm to him that makes you understand why people like him.. but it’s also clear ther’es nothing UNDER that of value, making you equally understand why Scrooge and Donald hate him. Gladstone in this reboot is a perfect example of why we need reboots or new adaptations in the first place: Because sometimes the original got something wrong or something can be done much better by the new writers. 

He’s perfectly paired with the setting: The House of Lucky Fortune, a mystical casino with an East Asian astatic based in the country of Macaw and provides two great plots. Donald’s really highlights his character: His understandable jealousy at gladstone earning the boys love through nothing while he struggles to make a living for them, and how he feels like a looser and like Gladstone is simply showing that off instead of just not knowing what empathy is. Having Louie be the one to bond with Gladstone was also just pitch pefefct, as is showing some depth for the boy by having himr ealize his hero is an asshole and be the one to help donald in the end. 

The other plot is just pure joy though and is where the setting REALLY shines: Scrooge and the rest of the kids try to leave.. but can’t find the exit. This is where the creative part comes in: The Casino simply morphs to keep people trapped, and caters to them, giving them whatever they want to keep them trapped. In the cases of the kids it’s all hilarious and adorably in character: Huey becomes entranced by a fancy water show, in one of his best bits of the season, Dewey gets a pet tiger who sadly did not come home with him and Webby gets to live the dream we’ve all had of stuffing her face directly in a choclate fountain. Scrooge’s escape is likewise clever: He simply prepares to get a room.. then books it as the check in desk is ALWAYS near the front. 

We then find out Gladston’es trapped get the whole mystical contest with absolutely gorgeous animation, i’ll talk about it in full some time but this episode is just a treat to watch, has a great arc for donald and had some memorable gags. I can’t help but smile when I watch it. 

11. The Dangerous Chemistry of Gandra Dee!  As I mentioned before i’m a superhero nerd so naturally Fenton was one of my faviorite parts of the show. Frank and Matt were just damn good at crafting superhero stories, and like gladstone improved fenton turning him from an awkward donald stand in to an awkward peter parker-esque science nerd who just wants to be a good person and the best hero he can be. He got into science not just because he thinks it’s neat, but because he honestly wants to help people and you can’t help but foot for him whenever he pops up. Lin Manuel Miranda is a large reason for that, bringing his incomparable a-game to the character. While we sadly didn’t get a ton of gizmoduck focused episodes, the fatct we got AS MANY as we did and that Lin didn’t drop out for a minute even with his busy schedule was a miracle and I’m acknowledging that. 

As for why this one, I feel it builds brilliantly on the previous Fentoncentric episode Who Is Gizmoduck?! which just BARELY didn’t make this list and uses the fact we haven’t seen fenton in a while as both a plot point and to move some things forward without having to spend screentime they clearly didn���t have. By having Fenton be just burnt out on superheroics it finds a way to both explain where he’s been, he’s been busy with his new job, and give us an interesting angle to the old “superhero is tired of the life” thing. He never once complains about saving people or stuff... it’s just like any job it gets tiring after a while. As someone who has his dream job but has struggled with it from time to time, I vastly relate. 

Though while I love my boy and Lin is game as always, the episodes real MVP is my other boy Huey. The episode has moved Huey up from being simply Fenton’s fanboy to being his best friend, and adorable as hell relationship. The two clearly respect and appricate each other and Huey is looking out for his buddy the whole episode. His love of love is also just really cute. Added in the mix is Webby, who in one of my faviorite gags of the series, finds out Fenton is  Gizmoduck because Huey is incredibly and insanely blatant with his unecessary coverup. But she of course is game to help while Fenton is trying to play it casual. We also just get a waterfall of great gags as everyone overdoes it wingmanning for fenton: Huey sets up an itallian bistro and tries to purposfully create a lady and the tramp situation, and sings opera (With Manny on acordian), the wonderfully 80′s suit from Fenton’s dad his mom gives him to wear, and Launchpad, who gives us a tremendous list of his exes, and plays my favorite song of the series: It’s a Date, a micheal mcdonnel riff. 

This episode also wisely ups Mark’s Beaks game as Fenton’s arch enemy, still keeping him hilaroius, with the guy acting like a bored teenager and guzzling so much nanite jucie he turns into a hulk, as well as said hulk mode leading to a ton of great gags from kidnapping the children (”I got your kids.. are they your kids? I don’t know how this family works), to “take that coach dad” to eating a pie with tins and all and wondering about said tins. But he’s an actual threat now, taking on fenton in one hell of a fight, and having an utterly transcendent scene where he hacks his way past gyro’s security while dancing.. and dabbing because of course he does. It’s a fun, well done character piece that’s mostly here for i’ts laugh but Fenton’s struggle with Gizmo overtaking his life, and finding out someone he truly hit it off iwth only wanted him for that.. it’s really good stuff and Lin’s delivery after Fenton finds out, the pure pain and betryal in his voice, is just excellent. Also that opera scene is poetry. 

10. Quack Pack!

One of the episodes that started my career naturally landed here. Not for that reason though: Quack Pack is a fun riff on sitcoms, specifically the tgif ones of the 90′s that Disney Afternoon Kids no doubt also watched, the kinds Disney Channel still makes today, and most importanly the kind the Disney Afternoon itself made like Goof Troop and well... Quack Pack. 

Riffs on sitcoms are nothing new and the last year has been FULL of them. 2020 gave us this episode, Beef House and the wonderful “The Perfect House” episode of Close Enough, and this year gave us WandaVision, my second favorite MCU project so far, right behind Black Panther, which used the sitcom deconstruction to create one hell of a character study. 

So you’d think with a year having passed and this concept happening as an entire mini series would dull this one.. but no. it’s still damn funny, having fun at the cliches while, again like WandaVision, having one of the main cast be responsible by accident but go along with it. The episode pivots from glorious affectionate parody of cheesy sitcoms, to that plus horrifying “Humans”, and a character piece for Donald. This brings Donald’s hatred and fed up ness with adventure to a head revealing his fondest wish is just to have a normal life and not loose anyone again. 

It takes one of his best friends to snap him out of it. Look Goofy is my second faviorite of the sensational seven, an episode with him was already an easy sell for me.. but the episode uses him really well. First for laughs as he’s gentically dispositioned to be a perfect sitcom neighbor.. but also for heart. With his family preoccupied and a bit hurt, i’ts Goofy who cuts to the heart of the issue, pointing out NO ONE is normal and even his normal domestic life raising Max, who we see go to prom with roxanne eeeeee, has all sorts of chaos. Normal is what you make of it and pining for some ideal that will never happen was just tearing donald apart piece by piece and by letting go of that.. he finally begins to grow as a person throughout the season. It’s also a great thematic tie in to the season’s overall plot with Bradford and what Makes donald, despite also disliking the chaos his family gets into, different. Donald accepted it and grew as a person.. Bradford clung to his hate and it ate him alive. Or turned him into a non-sapient kind of vulture. Before I close this part out Jaleel White is also excellent and I wish eh’d get back into voice acting. He’s so freaking good at it. Seriously man i’d love to see him and ben in a sonic property together as a mythology gag. Same with Jims cummings and carey. Just think about it whoever owns the sonic movies.. think about it. 

9. The Last Adventure!

Look I knew this was coming, you knew this was coming. But it had to be on here. The Last Adventure is not perfect: The lack of a build up episode like the previous two finales had really hurt this one: even at about 70 minutes, it still feels rushed in places and Huey, one of hte main characters of the season, dosen’t feel like he has a full payoff to his character like Dewey and Louie got. 

But despite those flaws.. this episode is just a damn good ending. Almost everyone gets a big moment paying off their character arc, everyone in the party that comes to rescue webby and huey, along with the two themselves, gets a moment to show off, and everything comes together to give us one last epic sendoff. There’s just moment stacked on moment stacked on moment from Launchpads heroic second wind and donning of the gizmoduck armor, to Webby’s tearful confrontation with Beakley, to Huey using the greatest adventure of all line to foil bradford in one of the most deligfhully nuts moments of the series, I could go on for days with just how triumphant this finale felt. While it left a lot of doors open.. that feels like part of the design. It’s the end of the fight with FOWL.. but our heroes will never stop adventuring, never stop going and never stop being in our hearts and the curtain call at the end is now my faviorite bit of end credits ever, perfectly giving the main cast and friends one last chance to take a bow in their own unique ways. I will always miss this show but I will never be disapointed by the note it went out on. 

8. The 87 Cent Solution!

Look some episodes are show stoppers, some are heartfelt tearjerkers, some are all this and more.. and some episodes are just clever and hilarious. The 87 Solution is the second funniest episode of Ducktales with me and my go to episode when watching the show. It’s just pure fun and with a clever premise: Scrooge notices 87 cents have gone missing, and already coming down with a cold, goes mad with paranoia as the kids slowly don face masks, something that has become even eeerier given everything, one by one realizing he needs to stop. 

While David Tennant is an EXCELLENT dramatic actor, his comedy timing is really something that shoudln’t be ignored and i’ts on full display here as his performance gets more and more deranged, to thep oint he thinks an 8th dimensional imp is repsonsible. He nicely balances the disturbing side of Scrooge’s paranoia, his distancing from his family, with plenty of great gags about it too, the standout being when he offers 2 million dollars to whoever took the money like he’s publicly appeasing kidnappers. It’s fucking brilliant. 

But while David is awesome as ever what really, truly makes the episode is my boy, one of my faviorite characters on the show if not my single faviriote FLINTHEART GLOMGOLD. Keith Ferguson is ALWAYS a dream as the character but this is his best performance by far. Part of this is the addition of Zan Owlson, Kev who I mentioned earlier’s faviorite Ducktales character. She’s not only throughly likeable in her own right, but provides the one thing Flinty was missing; a straight man.. or woman in this case. Scrooge wasn’t TERRIBLE in the roll, but can easily step away from his shit or foil it. Owlson has to put up with Glomgold’s nonsense while desperatly trying to stop him from undoing all her hard work with sheer force of jackass. The two jut play off each other brilliantly, Glomgold not getting sh’es not his employee but his equal and Owlson constnatly snarking at him. 

And of course both things hit their peak in the climax with the family staging a fake funeral (Though no one told donald it was fake), and we get the funniest scene in the entire fucking show as Glomgold burts in in a white suit, money shades and full dance number to “All I Do Is Win’, which when first watching this I was convinced the song was somehow accidnetly on in the background but nope. They got it after using it in the test phase and the scene is better for it. Glomgold twerking on Scrooge’s casket, trying to get on it to dance, and having to be placated like ac hild is the icing on this very rich cake

And the reveal scene is also gold as Glomgold gets into a YEARLONG staring contest with a baby, fails to steal more than the 87 cents and, in my faviorite touch, put on an imp costume just to make scrooge seem crazier... then keeps the damn thing on the rest of the time for no explicable reason. The episode is the show at it’s comedic peak while giving Glomgold a chance to be a genuine threat and that’s Glomgood. 

7. Let’s Get Dangerous!

Frank’s Rebooted Version of Darkwing Duck is probably his greatest achivment with the show. While this show is a team effort, something I slowly realized as I reviewed the show, it’s very clear from the way he talks, how well he knows the show and how much effort was put into porting Darkwing into the reboot that this was his baby. While redefining ducktales for the 2010′s was clearly a huge dream of his... doing the same for the master of suprise was an even bigger goal. And as a huge fan of superheroes i’ve seen my fair share of half assed takes on laired and complex characters. The XCU alone is one giant grab bag of missed opportunities for me. 

So i’ts no exageration when I tell you Frank.. nailed it. In one of the most brilliant moves i’ve seen for a superhero work Frank worked his love of the show into the reboot.. by having Darkwing have been a show, one Launchpad loved.. and so did Drake, who was inspried by the show to become an inspriation himself and while his attempt to do that through a zack snydery reboot failed, Launchpad encouraged him to do it for real. Drake was still himself, but the meta aspect and the toning down of some of darkwing’s more obnoxious traits that didn’t work in a universe that, while patently rediciulous still took it’s characters seriously, he made a BETTER version of the character.

This is where all that comes to it’s peak, and hoppefully convinced Disney to let Frank , and possibly matt, run the reboot. And no, even if Point Grey is producing that dosen’t stop that: Thanks to Invincible i’ve now realized that Seth and his friend Evan producing the show dosen’t mean it’ll be RAN by them, nor unrelated to this. It just means their helping make it and if anything given how lush and gorgeous invincible’s animation is, it’s a VERY good sign their helping out with it if it’s true. 

But wether this versoin continues or not, Frank gave it his best shot. Part of his diffrent angle is having Drake as a rookie here and as such here we see him truly struggle: he’s had his origin, he ahs the cape, he has the gadgets (in a brilliant turn thanks to fenton, who he actually likes... but is so far the ONLY person to not get he’s Gizmoduck), and the city.. but no crime to fight and no real idea how to go about his lifelong dream. The events of the episode slowly shape him: WHile he already had the spirit for darkwing, never giving up, looking good in a cape etc, this episode gives him the heart the same way it gave his original it: With Gosalyn. Dimantopolis and Beatriz just play off each other perfectly, as the two go from neimies to slowly bonding as Drake realizes this kid needs him and that he needs to fight for more than just filing the ohle inside, and goes to hell and back to help her get her grandpa back, with one of the best moments of the episode to me being when Launchpad helps her realize how hard he’s been working at it, an exausted drake refusing to acccept that he can’t get her grandpa back because he promised. He grows from simply trying to live the dream.. to surpassing the original. We also see more from Launchpad, who grows into his new family and helps push his boyfriend and newa dopted daughter in the right directions. The episode really evolves these characters from the simple disney afternoon versions, who while awesome were made into fully fleshed out characters. Gosalyn still has her edge but now has a hard lesson to learn about doing the right thing, forced to give up someone she loves for the greater good but finding a new family in the process. 

Part of what makes the episode work though as while it is funcitonally one big darkwing duck reboot pilot that’s awesome, heartrending and a joy to watch... it’s still a ducktales episode in parts without either part hurting each other. Huey plays a vital role, figuring the ramrod is too good to be true.. and discovering just how it is, then when captured, slowly unravling why Bradford’s there and being at least in part responsible for outing him as a FOWL agent. While this is largely Drakes story the rest of the cast is still vital to it: Scrooge trusting in huey, Louie serving as his logical counter and Dewey meanwhile bonding with team darkwing and helping Gosalyn, knowing exactly where she’s been and providing a nice foil. The episode is just one long and impressive love letter to the original show while creating it’s own thing and that’s really this reboot in a nutshell. It also has some of the best fights of the series, with the first fight between darkwing and bulba, where our hero, unlike his original counterpart, easily troucnes bulba using his speed and skill, is the standout. 

6. Woo-Ooo!

I covered this one recently so I won’t go on for too long.. but I will say I hold this one up as the gold standard for first episodes. In one hour, hell even in jus the first half we get a sense of the whole cast, the tone of the show, and the world we’ve been thrust into. It gets all the table setting out of the way by weaving it into a compelling story of Scrooge getting back in the game, finding a reason to get back to what he does best in those he loves most and setting up the season long arc effortlessly in the process. The worst I can say about the episode is it sets the bar a bit high for Season 1 and a lot of the first half really struggled to reach these heights. This episode is a masterwork and the perfect showcase for what the series would be at it’s height. 

5. Moonvasion!

Speaking of Golden Standards, Moonvasion is one of the best season finale’s i’ve seen. it’s not THE best.. but that’s a really high bar to clear and that spots currently taken in my heart by “The Crossroads of Destiny” from Avatar the Last Airbender. But while not the best of it’s kind, it’s sitll the best the series put out and is an utterly satisfying epic that ties up season 2. 

While I love the Last Adventure, it had a LOT to tie up and was really hampered by having to do all of that with no direct lead in. Moonvasion by contrast hits the ground running with the Moonlanders arriving on earth and all hell breaking loose, and the episode itself breaking into two stellar plots. Scrooge leading an army of every ally he has against the invaders, and Della seemingly going for reinforcements.. but really just trying to keep the kids safe from it, to their anger once they find out. 

Both sides end up going badly: Scrooge looses most of his army as Lunaris was one step ahead of him and is left iwth Beakly and Launchpad, while Della ends up marooned.. and finds Donald. The reunion between the two is the highlight of the special, as the two argue as you’d expect (And Dewey cutting in seemingly to stop it.. only to rant at Donald for costing him “ten years of turbo” is the best gag of the episode), before embracing. 

Our heroes naturally find ways to bounce back though. Louie, capping off his growth for the season, convinces his mom they can’t just hide.. and in the second best scene of the episode sings the lullabye she wrote.. one Donald sung them every night

And no sooner than Della gets her step back and realizes that dangerous or not she and her newly reunited family have to get back in there, do the cousins show up on Fethry’s giant shrimp/girlfriend Mitzi, and our heroes head back. 

Scrooge’s plot hits i’ts peak though as he’s forced to accept the help of an unlikely and unwelcome ally: Glomgold, who turns out to be exactly what they need: While his plan is as stupid, short sighted and insane as you’d expect, complete with forcing Scrooge to dress up as santa just to piss him off and dressing his sharks in parkas (”I call them sharkas”), the sheer lonacy throws Lunaris off as he dosen’t know how to deal with this and Glomgold not only gets the better of him but gets his company back as part of his scheme.  “You were prepared for our best but not our dumbest!” “And i’m the dumbest theirs ever been! Muahahahaha! Wait...”

And of course our other heroes arrive just in time to save things.. and the episode still manages to pull off what many works struggle to, something tha’ts very hard to: a SECOND climax. Lunaris decides to just say fuck it and blow up the earth and i’ts up to our core family to kick his ass in space. Epic space battles, Della’s girlfriend meeting the family and more insues and an emotoinal, action packed and fully satisfying finale is had by all... and it’s all topped with one of the best sequel hooks i’ve ever seen as FOWL makes themselves known to us.. and prepares to strike. 

4. How Santa Stole Christmas! This one will also be short as i’ve talked about this one.. a lottttt. The initial review, my best christmas specials list and my best of 2020 list. I stand by all of that: this is a unique and wonderful christmas special, i’ll be watching it every year, and i’ts full of charm, humor and gay subtext. In short it’s this series but on christmas footing. 

3. Last Crash of the Sunchaser! 

Another one I covered very recently, this episode is a master piece of suspense, slowly building tension as our heroes get closer and closer to the truth about Della.. and to death, the simple but deadly stakes making this an absolute nailbiter from start to finish. This is some of the series best pacing bar none... but what seals it is the ending: the masterful flashback finally explaning whatever happened to Della duck, our heroes lashing out at each other.. all cumilating in the best Scene of the show. I said it might be in the review but no I can confirm: Scrooge bitterly ruminating over things while we find out just how much he’s lost... ending with him tearfully and angrily sitting once again alone in one hell of a powerful shot echoing Scrooge’s first apperance. Damn fine stuff. 

2. Escape from The Impossbin Only one episode not only matches Last Crash in mounting tension and atmosphere but suprasses it. With FOWL and Bradford’s true nature now out in the wind, this episode uses that to create tension and rattles it’s two most unshakable characters: SCrooge’s normal boundless confidence is shot, not sure he can win this time against an opponent who knows him as well as he knows himself while Beakly slowly unravels, pitting Webby against the boys.. and pitting herself against Webby when Webby sees her terroizing them is only dividing them. Both plots start out funny enough but slowly escalate in tension and stakes until by the end your on the edge of your seat. The Beakly plot is the standout of the two, giving Bentina the starring role she badly needed, having gotten even better in light of the finale. Everyone is at the top of their game and everything builds up to one hell of a twist ending and one hell of a badass boast from our heroes: Their down.. but their far from out and this is far from over. 

1. Nightmare On Kimotor Hill!

I”ll be reviewing this episode in full later this week as part of my Lena retrospective, but I stand by putting it up top. This episode is ducktales in it’s purest form and focuses on it’s best original character as Lena grapples with her self hatred and her past. That core helps anchor an amazing concept: going into the Kid’s dreams and finding out their greatest desires. The results.. are all gloriously rediclous and are easily the best gags of hte series as a whole: Dewey’s high school musical santa claus is going ot high school nonsense from getting a’s in Dewology to running away from the abstract concept of a love intrest, to not getting the sybolism of himself crying a moon made of his own tears. Louie quite literally becoming garfield, and my faviorite scene of the show: Huey, wanting to be the tall older brother..g iving himself horrifcly long leg. While everyone else is just understandably baffled, what makes the scene is the banter between Dewey and Huey, with Schwartz and Pudi at their best as Dewey first freaks out and then asks what the hell man, while Huey defends his weird decision (”I”m not good at imagination stuff okay!”), and then tries to get a jar of pickles. Each dream is just so oddly and wonderfully specific to each kid and each one of the triplests dreams, as well as violets being color coded down tot he backgrounds is a very nice touch. The visuals here are just peak ducktales, using the setting for all it’s worth and the climax is utterly emotoinal and heartbreaking... and Lena’s break from her abuser, finally realizing she has the power now is not only a wonderful metaphor... but also just so damn cathartic. And that’s why this one’s the best to me personally: it just packs so much into 20 minutes: some of the series best and most creative jokes, a gripping emtoinal arc, and so much more. It’s just that damn good and tha’ts why it’s the best... that and starting Huelet for me. Seriously that LIbrary scene is so fucking cute. 

Thank you all for reading. If you liked this artcle, join my patreon and help me get to my stretch goal for monthly darkwing duck reviews, a review of super ducktales and more after! Until the next rainbow... it’s been a pleasure. 

[life-rewritten]

Giants of Thai BL AKA The MOST ANTICIPATED  THAI BL SHOWS FOR 2021

It's weird to think that the year 2020 has ended. This has been a journey in the past year, on the surface everywhere you looked it looked like there was no place to be happy and excited because of all the things that happened. It was suffocating at times, tiring at best, and it was just astonishing how many things could go wrong in only one year. That being said, one genre/demographic that grew even stronger this year, took some time to impress and improve on its tropes, its ideas and concepts and that's BL. Which also took some of us by surprise, for the ones who've been watching BL since the first oldies, to the new people who joined and also became in love with the genre and have stayed since then. BL has been an incredible, interesting journey, and I am so happy to say that it looks like 2021 isn't letting go of that energy. So to celebrate entering 2021, a year hopefully for a release from all the worries in 2020, a year to restart, refresh and keep getting better, here are the Giants of Thai Bl making their way in 2021. We have so many insane ones, from more mafia dramas to new unique non-university storylines, to og actors, and new powerful ones, to interesting pairings and new channels producing shows for 2021 to many many more countries joining the fight to be the top of our affections and energy. Thai BL is not going anywhere, and you know what that's perfectly fine with me.

GMMTV

I already did a whole squeal about the shows upcoming from GMMTV here: But after careful consideration here is my top 3 most anticipated: Enchante, Not Me, Bad Buddy. I know Enchante beat out ATOTS, but for me, I'm obsessed with the way the writer plans secrets and meta to unveil, and I keep repeating it's by Theory of Love director and production team. I'm so excited. I just hope they put in the same energy and effort they used in theory of love for this you have so many potential incredible actors that can take over this genre if you give them a good script and hard work. Hopefully, GMMTV intends to do so for not just their royal couple shows but also for rookie actors because Book and Force in this trailer? Looks fantastic.

Studio Wabi-sabi

When I hear about Studio Wabi-Sabi, you see two juxtaposed reactions from me, one you see anticipation and excitement from seeing my most loved actors off-screen; however, you also hear a groan from me. I'm sorry I didn't use to be this way, I used to be so ready to embrace every show directed and created by New Siwaj; in 2020, New was one of the directors I kept having headaches about because of all his shows in 2020? What exactly happened? Why did they flop so hard? Why was he so slow? I'm hoping that it's because he had too many projects to handle at the same time since fair enough LBC was filmed same time as GMMTV My gear and your gown and maybe that was too much to handle? But the reason why I like News choices usually are because they're emotional, impressive with their plot lines and have good character arcs and couples we end up falling in love with. He could be an iconic director because he has so much talent in his company, so I'm hoping he uses his lessons and grows and becomes better in 2021.  But Let's get to the shows announced so far for 2021 because they both have the potential to take over 2021. I said what I said.

Between Us

Genre:  Friends with benefits, Romance, Comedy, PTSD, Angst, 

Ahh, this is incredible. I'm so happy. Win and Team are from a great tv show already with Until We Meet Again and not going to lie, but seeing Buon as Win and Prem as Team? Perfection. Like guys I actually fell so hard for this couple despite their low screen time. Buon stole the scene each time he appeared, with his little smirks, and mischief, with flirty bad-boy energy and their relationship, was precisely what I live for passionate and full of chemistry. They're great, which is why it's so exciting to see that Between Us is getting its own show, the show based on these two love story in a parallel timeline to Until we meet again. I screamed. The book sounds interesting; we're getting some conversations about PTSD, some healing relationships, and angst and more passion.  I'm so excited about this since I first saw BuonPrem. I knew they were going to get known enough to bring their own show. And they deserve it, let's hope we get an interesting script that keeps us invested, enough opportunities for these two to have softer and profound moments whilst still holding on to their passion, and let the drama not be stale but addicting. Please New, don't let this show also be slow-paced, I'll lose it if another show is ruined by directing from you. 

Ratings: 4/5: BuonPrem, they leap off the screen, their chemistry is that great. From hearing about the plot I'm also excited to a more in-depth look into Team's insomnia and his past and psychological scars, and I'm hoping to see a deeper reason for why these two should be together.

Love Mechanics 2

Genre: Romance, Comedy, Angst, Drama, Friends with benefits, Unrequited love, 

That's the thing about Wabi-Sabi; they have amazing actors that steal our hearts away. This shows cast is no different, it's YinWar and it's a collab with Channel 3. Like What? It's everything. YinWar from Love Mechanics trended with millions of people obsessed and wanting the show to be extended and actually appropriately done. In came Channel 3 and we have this gem coming on April. No words. YinWar on screen is thrilling; War is just outstanding as Mark, his nuances, his glares, his looks of pain and longing, man I was absorbed into it. Although LM's writing is toxic and really left me feeling confused and uncomfortable with the details pushed aside, it was hard to ship VeeMark when Yin's character made terrible decisions and was awful even in the book. I'm the queen of analysing damaged flawed characters, and I don't run away from toxicity as long as there is a growth and change later on, as long as there's a good reason we needed to see that. For Vee's character, his actions were unnecessary for us to know about his character; they were just messy and upsetting. That's why I think seeing more depth for his actions and seeing Mark regress and also make mistakes like him will even out their relationship and make me feel more understanding about how these two flawed characters came to be and why they should be together.  Let's hope with funds from Channel 3, more effort and energy put into the show, it'll be great because with actors like War this show can be just as big as it was when it had errors. Maybe even better. 

Ratings 3.5/5 Love mechanics messy storyline makes me worried about this, but I think I might have a great time watching and analysing Mark's revenge after being heartbroken. The angst and drama of it all just sound interesting.

Channel 3

2020 brought a new surprise with Channel 3 deciding to invest in BLS. BLs have always been not on mainstream channels, so seeing Channel 3 in Thailand decide to make their own shows, a collab with other companies, and bring some directors and writers and actors known in the BL world already, shows they are serious. This may be because of the success of 2gether and other breakthroughs in 2019 taking over the scene. But I can see that Channel 3 did not come here to play, they are researching, looking for ways to make a great BL with the information provided on the past BLs and they want to make it big. And you know what with shows like GEN Y showing up last year, I want to believe that Channel 3 is a competition for GMMTV and others. They invest in funds and have longer minutes for their episodes, and they also pay attention to international fans by streaming on new places like Iquiyi and others. It's exciting. Channel 3 has already dipped their toes with Love Mechanics, and in 2021 they have even more shows to give us:

Teddy Bear Miracle

Genre: Romance, Comedy, Supernatural, Drama, Friends to Lovers, Fantasy,  Mystery, Lakorn

What a weird title for a show. What an odd premise. What a bizarre book. But you know what I'm so excited about this; this is meant to be a lakorn series that is BL. Like wow, it has a good cast, known faces in the Thai acting scene and a director/screenwriter who has won awards for his own script. That's even more exciting. But the best thing about this is that it's a fantasy and has supernatural themes, yep it's weird we're dealing with a magic system where teddy bears come to life, and other inanimate objects talk? But I'm so excited to see what this brings; we have a man transformed from a teddy bear with amnesia who's searching for his past and how he ended up as one and his owner who's not yet ready to let his comfort go. It's so interesting, with family history and drama and of course, a romance that will probably touch my heart. I'm excited for this zany, wacky and dramatic show. Normally, I shy away from the crazy because I don't like crack humour, and it just means a bunch of many irritating sound effects and editing choices. But I want to trust the whole team from Channel 3, from the behind the scenes the show looks great, the couple has chemistry, and I'm excited to delve into the mystery at play and see what this story is meant to become. So excited honestly.

Ratings: 4.1/5 The wacky magic system scares me not going to lie, but I have faith for some reason in Channel 3, so I think this might shock us all. I think we'll get good acting, and perhaps good directing too. The mystery might also make me want to analyse. We shall see.

Lovely Writer

Genre: Romance, Comedy, Angst, Drama, Acting/Writing Industry, Haters to Lovers,  

Did you say Kao and Up and P'Tee the director of TharnType the series? Sign me up I'm there; I've been screaming a bit since I heard about this series. From the first time, it was announced that Channel 3 was turning the book into a show, I was like this sounds unique again? And it has an interesting plot, I guess, and it's also going to have drama. I'm hopeful then. When I heard about the whole team and watched the trailer, I got into it even more. Lovely Writer sounds right up my alley, to be honest, we have this introverted writer who is determined to write a masterpiece and stop his company from making him produce BLs for the hype only for his next project to be a BL show which leads him to his new sneaky, sly, wolf in sheep's clothing roommate. Kao played his roommate from Until we meet again who won my heart as Korn and made me cry buckets. So, of course, I'm excited, Nubsib (Kao) may have some tricks up his sleeve to get next to Gene, but I think things will be more complicated than he thought, I'm ready to explore the world of the film industry and dating scandals that Gene and Sib will fall into the more they fall for each other. The angst and drama. Can't wait. Also, TharnType is one of my favourite series, and one of the reasons is because of Tee so... That's even more reason to see Gene and Sip's love story develop. Will it be as angsty, passionate and filled with plot twists? From what I hear maybe. 

Ratings: 4/5 I just think this is an excellent team for a BL backed by Channel 3 and also has an exciting plot filled with ups and downs. I'm excited to see what happens and from the behind the scenes they released in the new year I think it'll be right up my alley.

NADAO

It had to be mentioned that I'm still in shock that Nadao is investing more into BL's. I don't know why, it just feels too good to be true, after giving me show after show that's perfection and quality I'm starting to have high expectations and hope for more, despite my weary heart not wanting to trust that this is real. I'm dramatic, I know. Anyways Nadao has gifted me twice with two shows that have shocked me and made my jaw fall in awe. I'm just like wow, they really did that. Every single piece of work that comes from them is art. Every single script is exceptionally written. Every single show is acted beautifully, and every single director and producer makes me inspired by the way they create. This is when focusing on their BLs because Great Man Academy and I told sunset about you are masterpieces in their own way, they deserve to be praised and never forgotten. It's just incredible that with a company like Nadao, everything falls into place, even when we think it won't because of past experiences. Nadao has shown up and decided to create unique pieces each thoughtful. Deep and breathtaking. Why won't I be over the moon when 2021 announces that we're getting another part from them with I told sunset about you getting a sequel. You bet I haven't stopped screaming and looking at the time to hurry up, so we get to March 11. I'm serious.

ITSAY PART 2

Genre: Romance,  Angst, Drama, University, Coming of age

And that's because of what ITSAY was to us in 2020. It was something that can't be explained concisely. It was everything. To hear that we're getting the second part of the story of Oh and Teh, I feel like I am already preparing my heart and mind for another invasion, last time I was a mess because of this show, I was all over the place because of this show, and I was incredibly happy for a moment because of this show. To relive that again would be everything. It's slightly worrying that Teh and Oh finally getting together and fighting through the odds to stay together will run into more obstacles. Are you kidding me? After all, we went through to see them together?? It makes me worried, I have this real distrust for sequels of BLs, and it hasn't changed despite 2020 producing some okay follow-ups. Sequels never meet the expectation set; sequels are always reduced in quality because the focus is now on popularity and fame, sequels lose their integrity of the characters we've come to know and love and sequels hurt. They make me sometimes give up on a show that is my love, and it hurts. It's a painful realisation that I can't take away or forget the sequel events, so these characters are now ruined infinitely for me—looking at Together with me next chapter. It's scary. But Nadao hasn't failed yet, I mean it when I say their scripts are like works of art, I mean it when I say you can tell they put blood, sweat and tears to create their shows, why would ITSAY part 2 be any different? These two shows I mentioned before are coming together because the director of GMA is joining the team of ITSAY to produce whilst Boss becomes the producer. As long as he's there, I'm fine, as long as we still get hard work, energy, effort and thought put into it. I'm fine. Because it translates on screen, I'll try to lower my expectations, but I can't wait to see BilkinPP as TehOh again. I can't wait to fall in love with the show all over again. Let's hope we all end up satisfied. 

Ratings: 4.5/5 The being a sequel is what's deducting the 0.5. I can't come here and be a fool; I must guard my heart against disappointment somewhat, despite failing already to do so.

Other Affiliates

We have our other shows. These were a pleasant surprise. With all the growth of new BLs, it's starting to get crowded and saturated, but as much as it's hard to see which shows stand out above all the noise,  some make you see it. These shows are the ones that stand out for me out of the rest in 2021. I don't know what companies they're from, all I know is the information given to me and past experiences.

KinnPorsche

Genre: Romance, Mafia, Angst, Drama, Friends to Lovers, Haters to Lovers, Bodyguard trope

AHHH. Can you hear me AHH. Okay, I'll calm down. But no really, KinnPorsche is finally preparing for filming and the cast has been set and I'm screaming. KinnPorsche was the book in 2020 that was announced as the most coveted; I remember so many fandoms wanted their actors to be chosen as the main cast. The reason? Because this is meant to be the first Mafia/Crime BL. Yes, you heard us, no more universities and engineers we're doing bodyguards and spoilt gangsters. I'm... But just knowing this, you just know that the show will also have angst, angst angstttt for days, drama, and a romance that probably involves haters to lovers, passion, and character development. We're coming in with guns blazing, with many side couples that look just as good and interesting, and many actors that look perfect for their roles. I cannot wait for KinnPorsche, especially when one of my favourite actors is going to be in it as a second lead Jeff Satur! Have you seen the posters, the character introduction, who they're casting for the rest of the show? This looks amazing, it seems well put together, and the whole team looks determined and ready to give us a great show. I'm honestly so excited, but I've also heard things about the book that I will have to wait for the show to be a judge of before saying. All I can say is quality of a show also includes the themes in the script, we're trying to evolve past the toxic plots and ideas in BL, so I'm hoping if there is any we cut it real quick and change that part. It's the producers and directors' choice to keep parts in that could be edited or removed. I haven't read the book, so I'm going to be wary about it for now, but from the whole cast, teasers, and posters I really think this show could be a favourite if appropriately handled. 

Ratings: 4?/5 The question mark is for the rumours I've heard about the book. I can't lie that I want this show to be great and become one of my all-time favourites but with angst and violent personalities and passion comes leeways to toxicity and more and that's just not cute or needed.

My Engineer Season 2

Genre: Romance, Comedy, Angst, Drama, Friends to Lovers, Haters to Lovers, Unrequited love,  University,

Okay, this is it, folks. My Engineer came in 2020 and knocked our socks off; it's the most underrated great show in 2020 (apart from why r u) in my opinion. It was brilliantly constructed with enough screen time and plot for every couple of the show. My Engineer is a great show; it didn't make it to my favourites because I had issues with the main couple, but it was my most enjoyed when it came to the side couples. Because we had KingRam, TharaFong, and MekBoss. (Sorry to BohnDuen Fans). These were some of the most exciting, heartfelt, loving couples in 2020, KingRam was just chef kiss. And to hear that we're getting a sequel based on them? Well you know what I did, I screamed. I loved both KingRam and TharaFrong they were done so well, acted so well, and they made me laugh and laugh and then squeal and blush. They were too cute. The ending of my engineer left both these couples on a cliff hanger; we had a depressing bro zone with TharaFong as Fong came to realise his feelings, we had a wait what moment with Ram telling King he wasn't drunk when the kiss happened which is essentially a 'we need to deal with this new situation' text. And it's got me so excited to see what happens next. The first part of this was excitement. The second part is sigh, sequels. I told you didn't sequels are just urgh. I couldn't stop my excitement about KingRam, and I went to read the novel, and I usually don't mind it, but I don't think if the sequel is based on their story that I'd like them in season 2. And that's ridiculous because they're finally the main couple of season 2, and TalayPerth is impressive to see on screen. Sigh. I wasn't happy when reading the book; there are specific actions and choices made that just shifts the dynamic of the first season into the opposite. And I'm not particularly excited to relive those moments. Let's just say I still have high hopes for My engineer mostly cause I don't know what's happening to the other couples; I really hope there's a change in the script, maybe more information, more reasons for the characters to act the way they do, more depth? Because I want to like this show, I want it successful, but I'm not a clown I can't pretend it will be if it's based on the books. We'll see if I'm proved wrong. I hope I am.

Ratings: 3.5- Why did I read the book why?? I should have come into it blind I would have given it a 5/5 just for KingRam. Sigh

Love Stage 

Genre: Romance, Comedy, Gender Bender, Friends to Lovers, Childhood friends,  

This was a shock. Thailand has started to remake mangas from Japan, and it's all the most loved ones. In 2021 we already have Antique Bakery being remade by GMMTV (Read my GMMTV Giants of 2021) and now we have Love Stage which is also getting a Japanese Movie remake out in 2021. It's a great manga, anime and it's going to be a fun show. I enjoyed the characters, and I liked the storyline. But what I'm the most excited about when it comes to this is Kaownah and Turbo finally, after years of waiting have a new series. YES. Kaownah plays Long in TharnType our villain, and he was incredible in that. I heard he and Turbo were meant to be in the show My Umbrella, but it was cancelled and forgotten which was disappointing. These two are so cute, they're known for their fanservice and their chemistry and friendship. And I like them a lot. I can't wait to see Love Stage. I think they'll kill it. Can't wait to hear more about it let's hope this time it sticks and comes through on our screens. 

Ratings: 4/5 It's a fun storyline, and it has an excellent acting couple. I'm excited.

If 2021 already sounded brilliant because of GMMTV 2021, 2021 sounds even more exciting with these new shows; there's so many coming out, so many breaking stereotypes, so many unique plotlines, and so many great actors showing up. It's going to be a great year. I'm just glad BLs are growing, things are changing slowly, things are starting to have meaning and improve, international fans are being listened to, LGBT voices is also being listened to, we are getting there, not yet there but closer, every single time someone makes a choice to create a great plot and story that is more than just two guys making out, a show filled with heart, messages and essential representation with the good actors that also want the shows to mean something or are willing to put their all in it, every time someone chooses to make a good BL, you're paving the way for change and for the meaning of BL to change as well, for it just to be seen as something more in media. And that's needed for so many people who want shows like this to be respected and created for voices that need to be heard and displayed. Let’s see more with excellent quality in 2021.

[sunriserose1023]

Merry & Married {1}

SUMMARY: It’s been almost a year since the most humiliating moment of your life. You’ve done your best to move on—by literally moving across the country, starting a new job, and you’re finally starting to feel settled. That, of course, is when your bubblehead cousin sends you the invitation to her wedding—which is exactly one year to the day that you were left at the altar. You have to go, but you don’t have to go alone. Enter Bucky Barnes, the best friend you’ve ever had. You fill him in, and of course he agrees to go home with you. What are friends for? Never mind the fact that he’s desperately in love with you. And if you hadn’t sworn off men forever, you might just find him … attractive. So there you are, surrounded by love, bridesmaid dresses, champagne, and no less than one hundred sprigs of mistletoe. What could possibly go wrong? WORD COUNT: 3294 WARNINGS FOR THE SERIES: Emotional angst, presumably unrequited love, friends to lovers, fluff, happily ever after AUTHOR’S NOTE: Here’s my entry for the @heamarvel​ Hallmark event! This story is based off this prompt:  “Character A has to go to their cousin’s holiday wedding that’s taking place a year to the day they were left at the altar. Unable to face going alone, they con Character B into going ‘just as friends.’“

Masterlist

The computer screen explodes into a shower of white rose petals that slowly drift down as the wedding march blares through the speakers. The petals materialize into an envelope, which opens to reveal a pristine wedding invitation with glowing gold script.  

“With the blessing of their families, Ian Boothby and Darcy Lewis  Request the honor of your presence  At their wedding ceremony, December 23, 2019”

Bucky clicked the mouse to restart the whole invitation, jumping when the music started, then nodded. 

“Impressive.” “Mm-hmm.”

He looked away from the screen, seeing you pace back and forth in front of the section of windows in your office. He narrowed his eyes, resting back in your chair, steepling his fingers together over his stomach.

“Are we mad about this?”

You looked to him, shaking your head. 

“I’m not mad.” “You’re not?”

You shook your head again, blinking once. 

“I am pissed off.”

Bucky’s eyes widened as your lips curled into a snarl before you started pacing some more. 

“This is so like Darcy. She’s doing this because—“

You pressed your lips together, slamming one hand into the wall. Bucky jumped up, walking to you, digging your fingers out of the wall. 

“Easy. Don’t break the sheetrock, Killer.”

You couldn’t help the smile, sighing as Bucky turned you to face him. He gave a shake of his head. 

“What’s so bad about this? You hate weddings?”

You swallowed, shaking your head, casting your eyes down to Bucky’s shoes as you spoke softly. 

“I love weddings.” “Then why are you so mad about this one? Who’s Darcy?”

You studied the frayed end of one of his shoelaces. 

“My cousin.” “She a bitch?”

You gave a quiet laugh. 

“No, she … well, she’s not the brightest crayon in the box. She’s sweet, and really smart, just … not that gifted with common sense.”

Bucky slowly nodded. 

“So what’s the deal?”

You swallowed again, exhaling a slow breath. 

“I never told you the reason I moved here.” “So it wasn’t just to upstage Natasha at every turn?”

You had a soft smile on your face when you lifted your head to look out the window, at the gray New York City day. Snow was in the forecast, and you still hadn’t gotten used to the chill in the air. Or the way it got dark around four P.M.

“Y/N?”

You blinked, moving one hand to touch the cool window while Bucky took your other hand. You just stood there, looking out the window until his soft voice spoke again. 

“What is it?”

You took in a breath, letting it out again. 

“The day Darcy is getting married?”

Bucky nodded as you looked to him, a sad smile on your face. 

“That’s my wedding day.”

Bucky’s eyebrows furrowed and you cleared your throat before you spoke again. 

“I moved here in January after … after I was left at the altar.” “I’m sorry, what?”

You nodded and Bucky stared at you with wide blue eyes. He shook his head, ushering you to the little couch in your office. You sat, and he sat beside you, turning to face you, stormy blue-grey eyes still wide in shock. 

“Whole story. Now. Go.”

You smiled at him, giving a shaky exhale. 

“I’d always wanted a wedding at Christmas. The red and green and the snow … of course, you don’t get much snow in Louisiana, but sometimes.”

You shrugged and Bucky nodded before you went on. 

“Peter and I … we dated for three years before he proposed. He did it perfectly, exactly a year before, so I’d have enough time to plan.”

You looked down at your hands, at your bare ring fingers. 

“I had everything like I wanted. My bridesmaids had deep, dark emerald green dresses. The flowers were red and white roses. The dress … god, I loved my dress.”

You shook your head as you slid your tongue between your dry lips. 

“I should have known something was up. I should have seen it. But I was … I was so preoccupied with having everything perfect. The baker told me two days before the wedding that there wouldn’t be strawberry filling in the cupcakes and I very nearly had a nervous breakdown.”

You gave a nervous giggle, moving a hand to your hair, just to give yourself something to focus on other than the pain these memories were bringing up. 

“The rehearsal dinner went off without a hitch. Peter was quiet, keeping to himself, talking to his best man while I was flitting from here to there to check the arch and the favors and the Polaroid cameras on every table.”

You shook your head, closing your eyes. Bucky moved a hand to gently rub your back and you gave a quiet whine. You shook your head again, standing up and starting to pace again. Bucky didn’t say a word, just watched as you started slow, picking up speed as you spoke. 

“The morning went off without a hitch. Everyone was on time to get their hair and makeup done. We had mimosas and doughnuts and laughed and danced and I felt like a princess. My best friend and my mom helped me put the dress on, and I felt more beautiful than I ever had. I held my bouquet of roses and looped my arm through my uncle’s and I waited impatiently to become Mrs. Peter Quill.”

You came to a screeching halt as the words you’d just said echoed through your brain. You gave a sharp exhale, shaking your head.

Ever since you left your hometown, you’d tried so hard not to think of Peter. You’d pushed him so far out of your mind, deliberately not allowing yourself to think of what all you’d lost when he’d walked away from you. 

All of that came rushing back, and you blew out another breath at the renewed pain in your heart. 

“Y/N?”

You shook your head, holding up a shaky hand. Bucky moved to the edge of the couch, and you exhaled again. You swallowed, straightening your shoulders. 

“When I took his hand, it was cold. Sweaty. Shaking. I thought he was just nervous, because you get nervous when you’re about to pledge your life to someone, you know?”

You gave a nervous giggle, licking your lips again. 

“The preacher started talking, and I don’t even know what he said. I was staring at Peter, and … he wouldn’t look at me. I kept squeezing his hand and he … he just shook his head.”

You took in a breath, raising your chin and letting it fall. 

“The preacher asked if there was anyone who had any objection as to whether or not we should be married. ‘Speak now or forever hold your peace.’ And I guess Peter couldn’t.”

You shook your head, turning back to Bucky, tears sparkling in your eyes. Bucky stared at you as your mind slipped back, to you standing in a white dress in front of all of your family and most of the people you’d known for your entire life. People you went to school with, people you attended church with, girls you’d played tee-ball with as a child. 

Your friends and cousins stood beside you in their dresses, Natasha looking absolutely gorgeous in the emerald gown that seemed to set her fiery hair even more aflame. 

Peter looked so handsome in his suit, but the bow tie at the base of his throat was slightly askew, and your hands itching to straighten it. You gave a shake of your head when his blue eyes finally met yours, and the look in those eyes made your heart drop. He mouthed two words to you, words that lit a panic in your heart while simultaneously making you want to lay down and die. 

I’m sorry.

Peter gave your hand a squeeze, letting it go as he stepped forward, in front of the preacher, forcing you to take a step back. 

“Ladies and gentlemen, I …”

Peter shook his head, looking down before raising his head again, glancing back at you. 

“I’m so sorry.”

Hushed whispers began rising from the crowd as Peter shook his head again. 

“I shouldn’t have let it get this far. I can’t follow through with this wedding.”

The whispers began growing louder, or maybe that was the roar of your own blood in your ears. You felt pain when Natasha’s nails dug into your hand, and you looked over, seeing her standing beside you, her flowers on the ground. One of her hands was entwined with yours, the other hand on your elbow, holding you steady. You looked to her with wide eyes, your face pale, and she gave a shake of her head, murmuring under her breath. 

“Stand strong. Don’t fall to pieces now. Not here.”

You nodded to her, gripping her hand tightly. You looked into the audience, meeting the eyes of your mother, who was staring back at you with love and worry in her eyes. Peter shook his head again, looking over his shoulder back at you. 

“I never wanted to hurt you. You’re wonderful, but I … I can’t marry you. I’m sorry, Y/N.”

Peter shook his head once more, then stepped off of the stage, walking down the aisle by himself. You watched him go, the whispers of the crowd growing to a buzzing that crowded your ears until no other sound could get through. Your bridesmaids gathered around you while the groomsmen left in the direction Peter had gone, and Natasha forced you to put one foot in front of the other until you were away from the crowd, away from everyone but her. 

And that’s when you collapsed.

“Y/N.”

You blinked, once and then a few more times. You found Bucky standing in front of you and you blinked some more. He shook his head and you spoke softly, smoothing your hands over the lapels of his suit jacket. 

“He’d written me a note that one of his groomsmen gave Nat. Peter said loved me, but he wasn’t in love with me, and he couldn’t spend the rest of his life trying to make himself love someone. He knew he’d grow to resent me and we’d be unhappy and it’s better to break it off before kids get involved, you know?”

You lifted your head to see Bucky staring down at you, and you smiled. 

“I’m a great person, apparently. Just not great enough to be married to.”

You started to step away when Bucky wrapped his arms around you. You put your face in his shoulder, digging your nails into his back. 

“Y/N, I … I can’t even imagine. I’m so sorry.”

You clung to Bucky, missing the way he closed his eyes and rested his head atop yours, breathing in the scent of your shampoo. 

“What can I do?”

You shook your head, moving to rest your cheek against his shoulder as you sighed. 

“Nothing. I thought I was over this.” “This doesn’t sound like something you just easily get over.”

You sighed again, stepping out of his embrace and crossing your arms over your chest. Bucky swiped his tongue over his lips and shook his head. 

“That Peter sounds like an absolute cunt.”

You gave a gasping laugh, shaking your head. 

“Bucky!” “I’m not sorry.”

You laughed again. 

“I hate that word.” “Nothing else fits.”

You pursed your lips, then nodded. 

“You’re right, though.”

Bucky eagerly nodded and you sighed again. 

“It’s over. I don’t even have the ring anymore.” “What did you do with it?”

You smiled. 

“I wish I could say something poetic, like that it sank to the very blackest depths of the Mississippi River, but I just couldn’t bring myself to throw it. It facilitated my move here.”

Bucky nodded and you sighed, glancing down at your bare ring finger again. 

“It was such a pretty ring.” “Did he try to get it back?”

You exhaled, then looked to him. 

“I haven’t spoken to him since the day he left me.”

Bucky lifted a hand to his chest and you rolled your eyes, reaching out and shoving his shoulder. 

“Don’t be so melodramatic.” “It’s such a Lifetime movie situation, I swear.” “Except for the fact that I’ll never love again. Why set myself up for failure a second time?”

The phone rang, so you missed the way Bucky blinked rapidly, watching you as you walked back to your desk. You leaned over and grabbed the phone, using your last name as a greeting. 

“Tell me you didn’t open this monstrosity of an email.”

You giggled, covering the receiver as you whispered to Bucky. 

“Nat got an email, too.” “Speaker!”

You pushed the button to channel the call through the speakers, and Bucky shut the door to your office. 

“Buck’s here too, Nat.” “Did you make him watch it?” “Twice.”

Nat groaned, and you just knew she was slipping her heels off under her desk. 

“I love Darcy to pieces, don’t get me wrong, but she is real fuckin’ clueless sometimes.”

You laughed as you sat in your chair, grabbing up a few files and settling them. 

“It’s fine. I’m fine.” “You sure? I know it’s—“ “Fine, Natasha. I am fine.”

The line was quiet for a moment, with Bucky looking from the phone to you, back to the phone. 

“You’re not going, are you?”

You stopped shuffling papers and Bucky’s eyes widened.

“Seriously?”

You looked to him, your own eyes wide. 

“Why in God’s name would I go? Did you miss the whole story about how this wedding is exactly one year from the single most humiliating moment of my entire life?” “But you have to go.” “I don’t have to do anything, Natasha. Except pay taxes and die, I guess.” “Darcy will shit herself if you skip her wedding.”

Bucky made a face and you shook your head. 

“She won’t even miss me.” “The hell she won’t! Mom’s there and she said all Darcy has been talking about is the week leading up to the wedding.”

You lifted your eyes from your desk, staring at nothing. 

“She didn’t.”

Natasha’s low, sultry laugh came through the speakers. 

“Someone didn’t read the fine print, did they?”

You scrambled to pull up your email, both you and Bucky jumping when the wedding march screamed through the computer. You shook your head, then noticed the email was two parts long. 

“Goddamn it.”

Natasha laughed again and you started to read the note Darcy had written. 

Y/N—

I’m getting married! Can you believe it’s finally happening? I can’t wait to be Ian’s wife, but I can’t do it without you there. You’ll be a bridesmaid, won’t you? My favorite cousin just has to stand beside me on my Big Day. Don’t worry about a dress or any of that. Nana’s helping me get it all together. I know you and Nat have work, but surely you’ve built up some time off, right? Ian doesn’t have much family, so we thought, why not have our whole family come down for a big reunion-type thing, culminating in our wedding! Doesn’t that just sound like all kinds of fun?! Seriously, Y/N. Say you’ll come. We all miss you around here and what better reason to come home than a wedding? I love you, cousin. Can’t wait to see you! 

XOXO,  Darcy

You shook your head, resting it in your hands, your palms pressing against the headache threatening right behind your eyes. 

“So … should I get the flights together?” “Nat, what am I going to do?”

She sighed. 

“Head back so we can show everyone what a kickass boss bitch you’ve become?”

You snorted, lifting your head and leaning back in your chair. 

“Did she ask you to be a bridesmaid too?” “Yep. And Carol and Hope. Her old college roommate is going to be her maid of honor. Crap, what was her name?” “Jane?” “Yeah, that’s the one.”

You tapped your fingers on your desk. 

“So Darcy wants me to come home for a week of fun for the whole family—literally—and be in her wedding exactly one year to the day of my own. And not only that, but I get to be in the actual wedding party, so just in case I think I’m okay, let’s put me back on stage in front of everyone in a pretty dress and see if I don’t pass out from PTSD or something.”

You could hear Natasha rolling her eyes. 

“You got left at the altar, bitch, not left for dead in some backwoods cabin with a machete-wielding psycho.” “Don’t tempt me with a good time.”

Bucky snorted, and you narrowed your eyes at him, but smiled. 

“It’s not as bad as you’re making it out to be. We can get shitfaced at the open bar and no one will bat an eye. Hell, they’ll probably be expecting it from you.”

You tilted your head. 

“You’ve got a point.” “Plus someone’s got to have slutty bridesmaid sex and it might as well be you.”

You barked out a laugh, shaking your head. 

“Might I remind you, Bucky’s listening.” “I don’t give a fuck. Hell, he can come, too. Everyone should experience the hodge-podge of our family at least once in a lifetime.”

You shook your head, going still and tilting your head when Bucky smiled. He looked down at his feet, then back up, a soft smile on his lips when he met your eyes. 

“What?” “Come with me.”

Bucky’s eyebrows raised as Nat coughed on the phone. 

“Excuse me?”

You shook your head. 

“Nat’s right. Our family’s batshit insane, but they’re fun. We always have a good time.” “We put the ‘fun’ in dysfunctional.”

Bucky shook his head and you reached across the desk, laying your hand on top of his, both of you jumping and laughing softly when the shock wore off. 

“Sorry.” “Don’t be.” “I know it’s Christmas and all, but you should come.” “I don’t know, this sounds like a family thing.” “All the more reason you should come!”

You stood up, walking around your desk to sit on the edge of it. Bucky sprawled in the chair, looking up at you. You opened your mouth, then closed it as Natasha spoke. 

“We have a metric fuckton of family members. Cousins galore. The one thing guaranteed to keep everyone from constantly staring at poor, pitiful Y/N is fresh meat.”

You rolled your eyes, then met Bucky’s. 

“Seriously. They love new people. You’ll like my mom more than you like me. You'll adore Nana. And I know they’ll all fuss over you.”

Bucky swallowed. 

“I …” “Come on, Buck. I need you there. The one thing guaranteed to get me through this is—“ “The open bar.”

You closed your eyes, shaking your head at Natasha, smiling at him as you took his hands. 

“Is my best friend.”

Bucky stared into your eyes, as you mouthed ‘please.’ He opened his mouth, closing it again and nodding. Your eyes widened as you gave his hands a squeeze. 

“Seriously?”

Bucky nodded again. 

“Yeah, I can’t let you go alone. That would be like throwing you to the sharks and I’m not a hundred percent sure you can swim.”

You rolled your eyes, but stood up. Bucky stood as well, and you stared up at him. 

“You’re really going to come with me?”

Bucky smiled, saying the words even though they felt thick in his mouth. 

“What are friends for?”

You squealed and threw your arms around him, and he closed his eyes as he hugged you back, opening them when he heard Natasha’s quiet, knowing laugh through the speakers.

TAGS: @star-spangled-man-with-a-plan​, @walkingchemicalfire​, @eileenalone​, @mrsalh32611​, @alexxcorona113​, @ivoryhazlewood​, @imweirdandobsessed, @chaoticfanatic​, @rhapsody-in-flannel​, @hidden-behind-the-fourth-wall​

[atissi]

What advice would you give someone who wants to play Pathologic but is also terrified of screwing up really badly because I've played just enough of it to feel like there's no way I can succeed without looking stuff up but I don't want to do that! Just basic tips and/or reassurances if you have any?

Updated: Feb. 27 2021 (since I've finished and am replaying P2)

See, the thing about Pathologic is that it’s not possible to “succeed” like you do in other video games. There’s no happy ending for everyone. In the same sense, you can’t really fail. The game accommodates a wide variety of deaths and mistakes—even in Pathologic Classic HD, you can get a character's ending if you hoard enough medicine by the end of the 12 days, no matter how many people get sick or die. In Pathologic 2, everyone can die, but you’ll still be able to get an ending. Even some of the "bad" endings are fun in their own right. Sometimes, the game will reward you with more content because you failed in the first place.

All that being said, I totally relate to your fears. I’ll start by talking about Pathologic 2 first, since I’m more familiar with it. Then there will be some tips on playing Pathologic Classic HD.

Pathologic 2 is incredibly punishing, both emotionally and mechanically. I’ve seen people adapt to this through 3 different playstyles. I’ll rank them in terms of “least close to the intended gaming experience” to “most close”.

1. Just cheat.

“wrt cheating, as a notorious cheater, id recommend trying to do the game as legitimately as possible regardless! if there are some aspects that you absolutely do not vibe with, even with reduced difficulty (for me that's hunger mechanics), i would say that you can load in items to mitigate this aspect. and, tying in with the second point, if you complete a run this way you can always go back and try it legitimately since you've (sort of) gotten an understanding of the mechanic.” - Onion

If you have really bad anxiety, or just dont have the time available to do the other playstyles, cheating is a way to engage with Pathologic 2′s excellent story. Fiddling with the difficulty controls is allowed. Spawning in endless food for yourself is possible. I can even get you in touch with someone who uses cheat codes in the game regularly to get game assets. If changing the game is what it takes for you to get through it, I think it’s better than nothing. But I’d personally at least encourage you to try an Imago playthrough first. Decide if it’s too difficult for you after that. And again: Pathologic 2 is constantly trying to trip you up. It’s meant to be difficult. Sometimes you’ll fail and the game won’t tell you if you could have prevented it. Just keep going. But like Onion said, cheating works as a supplement.

2. Replay, replay, and replay, until you get it right.

“You can always replay. You have more time than they do. Also save states are your friend.” - Alex

“reload as much as possible, do NOT look things up. your first playthru WILL be bad, and thats good!!! experience it fully yourself first. [and] “reload as much as possible” meaning like: [it] isnt a crime, you can do it as many times as possible. but dont get stressed about doing everything perfectly. its an experience!!!” - Zee

There’s no penalty for using your save states. If you get stuck in a death loop, go back as far as you need to in order to get things right. Hopefully this means starting a day over and using your time more effectively. Personally, I got to Day 7 before realizing I had to restart from Day 1, because I was doing that badly. Trust me, if you’ve gotten one miracle cure and 10 bottles of water by then, you’ll be doing better than I was. My friend Bee had trouble too, and took 92 hours to finish their first playthrough. A replay playstyle takes a LOT of time. But Pathologic 2 is so rich in content that replaying isn’t even as annoying as it could be. And this is also the best way to complete as many quests and save as many people as you want. Whenever you’re scared, just remember: you can always go back on your choices! (Other than the theatre’s death penalties. But nothing can help you with those.)

3. Just go through it.

Again. You’re not supposed to succeed in Pathologic. In the words of the lead translator Kevin Snow, “…I know [Pathologic 2’s] script and this is different from other games: there’s so much story locked behind failure and death. You’ll die, and you can’t save everyone. That doesn’t gate you from story; it gives you more. Resist, survive, but continue.” It’s only when you’re suffering that you experience the story so viscerally. That’s when the choices mean something. Sacrificing your own health or the health of others–saving tinctures for yourself, breaking into houses, killing people, choosing not to help people because you just don’t have time–these are impactful because you’re experiencing the mechanical repercussions of your actions. You are not a removed arbiter of the Town’s suffering. Everyone in Pathologic is having the worst 12 days of their life, and you’re dying right alongside them. Spoilers for Day 4, but I don’t think visiting the Rod and seeing the Tragedians would have affected me so deeply if I wasn’t actively starving for the entire sequence. It served as a reminder that I wasn’t the only one in pain; it was heart-breaking and heart-warming. Which I think is Pathologic at its core.

Try to see your failures in the game as another form of success. You’re experiencing the game as it’s meant to be played. And when you feel bad about all the people you’ve failed, remember that this is all a play. The game knows it’s artificial. You can replay the game after you finish–and feel free to use cheats or lowered difficulties on a replay–in order to get everything right. Your mistakes aren’t permanent! But on a first playthrough, try to tough through the hardships. You’ll have a more fulfilling time.

Other tips

You can use these 3 playstyles in combination if you need to. I let myself die when I feel like I deserved the punishment, or reload when I feel like I don’t. Bee managed to finish Day 11 by lowering the game difficulty in the final stretch. Just approximate the intended gaming experience as much as you can.

As for gameplay guides, I don’t think anyone I’ve met recommends it (at least for Pathologic 2). The game does interesting things with when and where it reveals information to you, often in ways that are deliberately inconveniencing. You want to experience that on your own. I also think Pathologic 2 is relatively good at telegraphing mechanics or quests. compared to Patho Classic. That said, I do have tips that I wish I knew before playing:

Sprint everywhere. I know the town is beautiful. But you’re on a hell of a time crunch. If you finish your quests early you can forage or trade for more resources, or just bottom out your exhaustion bar. Sprinting does not make your exhaustion go up faster, and water is plentiful in the first few days. Just do it! Save your own time!

Save a lot. Even if you’re not gonna die on your way in and out of the Broken Heart, this game is chock-full of choices, down to the resource management. If you waste a swig of twyrine, you’ll want a good save point to reload at. You can load any save point in your timeline, so save as often as you want. Keep track of where clocks are on the map--the game tags these in the building descriptions. (For that matter, keep track of where beds are. I didn’t realize I could sleep at Vlad Sr.’s place, which made me waste SO much time travelling between the Shelter and the Lair.)

Learn the trading economy. Everyone holds items at different values. Even the kids value certain nuts over others. There are also some interesting conversion rates between items, like peanuts to soap to pemmican. Make the most of the items you’re bartering. And for that matter, try to build up a cache of items valuable to little girls, in case you find one with a schmowder. The kid’s caches are valuable for trading too: twyrine can show you the locations.

This is also a good spoiler-free guide to Pathologic 2′s mechanics.

For Pathologic Classic HD, I haven’t personally played it, but I’m under the impression that it’s easier than Pathologic 2 because there are less character perma-deaths and no death penalties. The advice about reloading still applies. Here’s what Ally says:

“id recommend using a spoiler free guide (Bachelor, Haruspex, and Changeling guides) but other than that read the diary and letters carefully and try to keep track of npcs that could be affiliated with quests. also! some quests have different options for endings so there could be multiple ways to complete them. stock up on food on the earlier days, and after the inquisitor arrives because the prices drop. try to stealth kill with melee weapons when you can, and also reserve your bullets. …also make sure to trade with the children a lot! hold onto objects like the hooks and flowers [to get schmowders. Like I said before, to win the game you only need enough cures to heal the Bound.] …another tip is to keep a pen and paper around to take notes. like when i got the tincture recipes instead of keeping them in my inventory i just wrote them down.”

And that’s it! If you need specific advice or clarification, feel free to DM me! I love talking about this game. I can also get you in touch with anyone mentioned in this post (except Kevin Snow LMAO). Pathologic has an amazing story and I want everyone to experience it!!!

[alwaysahiccupandastrid]

As a drama/performance student who’s hoping to go into acting, let me just say right now that Rachel Berry would never have made it on Broadway.

Oh, she has talent and there’s no denying that. But so do so many other girls and boys. You can’t make it in the business based on talent alone - you don’t get to become a success immediately, you have to work your way up and prove that you’re right for a role or for success. You have to work hard and always remember to keep learning.

That was something that was taught to us very early on in drama - no matter who you are or where you come from, whether you’re an amateur student or a success movie star, you can ALWAYS learn. You should always be challenging yourself and learning. You should always strive to improve and better yourself whenever possible.

Rachel never seemed to want to do that. She got into NYADA (after stalking the dean, which is something else I’ll go into in a minute) and then quit before finishing her education to do Funny Girl - which she then quit to do a TV show that failed. First of all, a casting director is going to take one look at this behavior and immediately decide “no - she cannot commit”. You don’t abandon your studies or the role you do have just because something that’s only maybe better comes along. Obviously many great actors do TV shows and pilots that fail, that’s not my issue - my issue with Rachel is that she never put the work in. It was always the bare minimum. “Oh, I’ve done a year and a half of studying at the best arts academy in NY, I don’t need to study anymore because I got one part on stage” - it does NOT work like that. She couldn’t commit which is a risky behavior in ANY job.

Part of being an actor or performer is criticism - you are ALWAYS subject to criticism. You will NEVER make it in the business if you can’t handle that criticism. Rachel would throw bitch fits and sob and play the victim EVERY SINGLE TIME someone made the slightest criticism of her.

Let’s delve deeper - first, Cassandra July.

Yes, Miss July was a bit mean and rude - but she’s a professor at a top NY arts academy. If you get into a top arts academy like NYADA is in the show, you are not there to fuck around - anyone who gets in has to be committed 100% to their studies, both practical and theoretical. Cassandra July is not there to baby the students and lift their egos - she is there to train and prepare them for the harsh reality of seeking a career in the arts.

In the very first episode of S4, on her first day in class, Rachel shows blatant disrespect to a professor by rolling her eyes. You do not do that to a professor in any subject, let alone a dance teacher. If you can’t respect your teachers or the people who you are learning from, you should not seek a career in the arts. This also goes for ANYONE you work with; if you work with a director or actor on a play or on a TV show, for example, you should always seek to learn from them, even if it’s something small. 

If you are studying the arts, especially at a level where they’re preparing you to be professional actors/singers/dancers, they HAVE to be hard on you. Hell, I didn’t even go to drama school but my drama teachers were always brutally honest with me. They made it clear that “Megan, you HAVE to be louder”, “you MUST learn your lines and practice without a script”, “your accents are terrible”, “don’t just stand there and recite lines! Move!” Etc. Etc. It may be harsh but Cassandra has to be brutally honest so that the kids know what they’re in for; yeah, they’ll get told that their noses are too big for a part. Yeah, they’ll be told “you need to drop a few pounds” or that they’re ugly, etc. It’s sad but true.

“Your pique turns are sloppy” - she’s literally pointing out to Rachel something to improve on. Sure, it’s not the nicest way but no one should be at a performing arts school and expecting nice.

Rachel’s disrespect of a teacher/professional continued for the whole time Cassandra July was on the show. She called her teacher out, was extremely rude and said “you’re jealous because we all have careers and yours is over”, so on so forth. I’m pretty sure if you were actually attending a drama school or performing arts academy, and you had the nerve to turn around and say that, you would be expelled and tossed on your ass before you could utter another word.

If a teacher says “I don’t think you’re ready to do the tango/for this part”, you should listen. They’ve been in the business for a LONG time, far longer than you have, and with loads more experience. The best you can do is listen and decide to study harder and better yourself. Rachel flatout ignored this advice and went ahead anyway because she wanted to be the Star NOW, no hard work or struggle or patience to be seen.

Let’s just say this; you don’t go to the dean of the uni/college and call one of the professors “a lunatic”.

Now Carmen Tibideaux:

For a start, Rachel choked her audition - it’s bizarre and ridiculous that she got in. She didn’t get in on her audition, but because she stalked and harassed Carmen until the dean gave in and came to watch her. In real life, if you fuck that audition up, that is it. You don’t get another chance until the following year when you apply again (and yes, it’s common to apply for drama schools multiple times until you get in - some people who go on to be successful actors have been known to audition as many as SEVEN times).

Realistically, Tibideaux should have not given Rachel that chance because she didn’t deserve it. No other candidate got that chance - in real life, no matter how talented an auditionee is, NO ONE is given more of a chance than anyone else. Everyone is judged on their audition, that’s it. Rachel may be talented but there are many others just as talented and even MORE so than her.

Also, Tibideaux could have in fact had a restraining order against Rachel. This crazy little girl turns up again and again like a complete twat, begging and pleading and just not understanding that she had her chance, she can have another chance NEXT year. I’d have seriously filed some kind of motion against Rachel, as I’m sure any other teacher or head would.

Despite the fact that Tibideaux gave Rachel chance after chance, Rachel was still rude and frankly ungrateful. Tibideaux makes valid points that Rachel is underperforming in EVERY single class. She’s not making an effort to be a part of the NYADA community.

If the dean of your college says that, you do NOT argue back. You do NOT attempt to say “I’m doing great, I’ve handled everything this school has thrown at me”. Rachel’s delusions of herself and her talent are laughable.

I could have applauded Carmen Tibideaux for turning around and telling Rachel how it is: “You are not the first supernova to come through here. You are talented, you have drive. What you don’t have, is you have no foundation. You don’t listen, and you don’t take direction. That’s why you need NYADA. You’re not ready.”

You can’t just expect to be fresh out of school or college and getting the fucking lead in hit Broadway shows. You start as ensemble, you learn, you work your way up. Rachel was too selfish and full of herself to do that. Also, the fact that she cannot listen to criticism or take direction screams that a director would NEVER hire her. She can’t take direction, and that will get her nowhere in her career. You have to listen, you have to collaborate and listen to everyone’s ideas as well as contributing your own.

The actual fucking nerve of a Rachel Berry saying “you’re wrong and I’m gonna prove it to you” - she would be out on her ass and never hired again, never accepted into an arts academy again. If someone older, wiser and more experienced tells you something, you LISTEN.

As an actor myself, we don’t do all of this hard work to be famous (at least, not those of us who actually love our work) - we go through student debt, years of no sleep, years of constant rehearsals, of being in the background waiting for our turn, of learning and honing and crafting our skills so that we can maybe one day do the thing we love most professionally. We actors/dancers/singers/performers are storytellers - we try to craft something meaningful or to tell a story we feel needs telling.

Carmen said something very true and on point: “do you care about the work or is it just about the spotlight?” Rachel never cared about the work - she never cared about being a storyteller or creating art. To her, it was all about the fame and attention.

Some other things:

After quitting, especially in the way she did, Rachel would definitely not be allowed to continue her studies where she left them at NYADA, if at all. At best, she would audition and get in the following academic year, and have to start from the bottom again. Most likely, however, she would not be allowed to study there again.

People in the industry talk. If Rachel was hard to work with when with even a few people, it would seriously damage her chances of being hired again. They would immediately throw away her resumé.

Even her choked audition was fucking irritating as a performer - if you screw up your lines or forget them or whatever, you don’t stop and ask to go again. You carry on. If you’re on Broadway and you get the words wrong, you cannot ask to start the song again in front of the entire audience. It’s extremely unprofessional. At school, when I did my guitar exams, that was KEY - “if you play the wrong note, do NOT go back and redo it - just keep going. You’ll get more points for carrying on than for doubling back”.

^So Rachel stopping and starting is immediately a no-no. At best, they would let her restart just once - but they would not let her have another chance. Even if she was given another chance and she aced it, the damage is done - she wouldn’t have gotten in.

Kurt aced his audition, didn’t mess up or stop, and didn’t harass the dean of NYADA to make sure he got in - Rachel messed up, stopped, harassed Carmen and was a brat. How the Hell did Rachel get into NYADA but not Kurt?? If Kurt didn’t get in, then Rachel DEFINITELY shouldn’t have, end of story.

In short, Rachel is the worst character and it actually pisses me off how inaccurately she’s written in regards to being at a performing arts academy/her success on Broadway. The writers wanted us to root for her so desperately but I would just skip the majority of scenes she was the focus of because she irritated me that much. If the writers wanted to make us root for her, they should have SHOWN her accepting that she had to start in the background and work her way up. They should have at least not let her get into NYADA.

[maswartz]

Hey folks. Scott (Kaiser) here.

There's been a lot of talk the last year about what the future of DragonBall Z Abridged is, and while we've tried to update people, we've failed at making things crystal clear to everyone. 

We're planning on a full video talking about it, but we want to make sure that we can give you the full rundown, now that we've made our final decisions.

We currently have no plans on continuing with the Buu Saga, in the our original style, or in the style of the ShortZ, at this time.

Recently, we publicly announced that DBZA will not continue via the original footage ala our classic method of Abridging. However, we talked publicly about possibly moving forward with the Buu Saga via the same animation provided in the ShortZ.

Unfortunately, after serious deliberation, we currently find this process untenable.

For those of you with questions, I'm going to try to address them here:

"You guys promised Season 4 of DBZA. Why did this change?"

Several factors.

1. The ending of the Cell Saga gave us a sense of finality that is impossible for us to escape. We put our hearts and souls into making that finale stand out, and everything we've worked on with the original footage since has left us feeling hollow. This is a distinctly personal reason, but it's also incredibly important. Many shows lose steam as time goes on as the creators extend their work far beyond its natural lifespan; we're feeling that with this, and that's a scary, depressing thought.

We don't want to end up like The Simpsons, Dexter, Scrubs M.D., just to name a few.

And yes, we know, there's more story to work with. But in all honesty... there just isn't the emotional attachment and passion for the arc that drove the last three seasons. This is another, very personal reason, but it's unavoidable.

We do not enjoy tearing down and mocking the things we love. We want to celebrate them, expand on them, explore them, and sometimes make light of their shortcomings. That's what gave you the best of DBZA up until now, and ultimately, we find ourselves at odds with that approach and the majority of the Buu Saga.

2. We're burned out on the original method, in general. It's been an absolute blast to bring DBZA to life, but after 11 years of the same project... it's gotten oppressive. Which, again, is a scary thought.

I love DBZA, more than anyone on the planet. Not because it gave me this job, not because it helped pay the bills, not because it got me invited to conventions.

Because it made me a better person. A better writer, a better director, a better actor, a better editor, a better worker. I learned so much while working on DBZA, and I got to express my love for comedy, drama, and DragonBall to the world. Anyone who's seen me talk live about the finale of 60 has seen me coming to tears when talking about how proud I was to show it to everyone, and how overwhelmed I was to hear such a positive response. Just how happy I was to be able to share something I worked on with all my heart with all of you guys.

The idea that we could come to resent the series by forcing ourselves to work on it past the point where we feel artistically fulfilled? That's awful. And I honestly hope you all can understand why.

But it's not just me: Nick and Curt have also lost their steam with this approach, due to the limiting nature of the production, and our aforementioned perspective on the Buu Saga as a whole.

3. Our YouTube channel is our primary source of revenue. While the Patreon absolutely has helped us with several new projects (episode 5 of Unabridged is now in the can, and we continue filming early February), the lifeline that sustains the company is our main channel.

Copyright claims have put us at risk of losing that channel, and our livelihoods in jeopardy. We have our employees to look out for; our friends, our colleagues, and doing right by them—by striving to create original, monetizable, copyright friendly content, that also carries our heart and soul as creatives—is undeniably important.

We've thought about hosting DBZA on other sites, but nowhere has been safe, and worse, it would serve to draw attention away from our hub, which ultimately could lead to less views, less support, and either the scaling back or collapse of our company.

And frankly—and I say this with all due respect—the expansion of our company, to better fulfill the creative wants and needs of our employees, and the financial stability of all therein, is paramount here.

4. Our relationships with other companies have been strained by the nature of DBZA.

Fair-use exists in a nebulous area; even though we believe in it wholeheartedly, that doesn't mean there's no trouble between us and the copyright holders, and that tension leaks into the ecosystem in which we look to coexist with other companies. As writers, actors, etc.

We want to ease this tension moving forward.

5. We mentioned the nebulous nature of copyright. Over the course of the last 11 years, we've avoided major legal challenges, but we cannot continue to press our luck in this regard. We want to live in a less gray area, without the Sword of Damocles above our heads.

"When was this decision made?"

There is no concrete date, but it was in October, 2019 that we decided to no longer use the footage at all.

It started late August/early September. We'd been working on the script for Bojack since May, and had been struggling to get anything of substance down on paper. While it wasn't a complete wash, we weren't happy with the bulk of it. We'd also restarted the scripting process a couple times, trying to approach it from different angles, but we found ourselves at wit's end.

So we started to reflect and talk about the nature of our struggling, and Nick, Curt, and I came to the conclusions I gave you above.

At that time, we'd already written out several of the ShortZ and were looking to get moving on those before the year's end. They were originally conceived solely as connective tissue between Cell and Buu. We quickly realized that, if we could get things rolling, we could possibly continue working on DragonBall Abridged via the ShortZ, potentially solving a majority of our problems.

https://www.reddit.com/r/TeamFourStar/comments/d5blur/setting_the_bojack_record_straight_and_more_from/

I actually made this post over on the Reddit after Bojack was cancelled and we totally borked the announcement of said cancellation. It reflects a lot of what's said here.

However... it was over the course of the last two weeks that we started to realize: 

Continuing via the ShortZ was untenable as well.

"You mentioned continuing via the ShortZ. What changed?"

Imagine you're a child wanting a puppy. You beg your parents all year, and then they say, "Alright then, we'll get you that puppy for Christmas!" Then Christmas comes around, and they hand you a box. A wrapped box. And in that wrapped box isn't a puppy, but a WowWee Chippies Robot Toy Dog.

While there are plenty of fans who've cheered this on, for all the freedom it allows us, and the ability for us to monetize it, the drop in visual quality and change in overall tone and style ultimately make the Buu Saga a lesser version of what we've provided for years.

Furthermore, the time to actually produce an entire season with this new animation would put the series off for an unbelievably long time, and unfortunately be incredibly costly.

The ShortZ will continue, but we have no intention at this time to utilize them as a way to cover the Buu Saga.

"What of us who are contributing specifically for DBZA?"

We have continuously, time and time again, tried to communicate that this Patreon was not made to fund DBZA. It was made to fund projects outside of DBZA, while maintaining our production of our keystone project through to its completion. It has helped fund FFVII Machinabridged, AWF, Unabridged, Fist Master, Super Knock-Off VS., X Minutes, Cell VS., [Unannounced Project(s)], and essentially all non-mainline DBZA content.

But there's an unavoidable truth here: We promised DBZA would continue beside those projects, and that they would not interfere with its production in any meaningful manner. We also announced Season 4 at the end of Episode 60 in September 2018, leading people to believe that the show—as they knew it—would continue as per the usual.

Anyone who was looking to secure the creation specifically of DBZA Season 4 via their patronage will likely feel frustrated or even betrayed by this reveal, and we're sorry about that.

We also failed in our communication in a timely manner. The moment we decided that DBZA was not happening in it's traditional capacity should've prompted a much quicker announcement to that effect. Please understand that the biggest driving factor behind not saying anything was that we desperately wanted to have a real plan for you folks moving forward, not just bad news and a vague idea. As you can see, even debates on providing the Buu Saga via the ShortZ was not something we'd come to a conclusion on until these last couple weeks.

But we accept the responsibility and blame for keeping you in the dark for too long, regarding DBZA.

So I ask of you this: If you are a Patron solely—or even primarily—in hopes of funding traditional DBZA, please consider ceasing your patronage. If you continue to donate for any particular reason, thank you so very much. But if you don't feel that you are getting your money's worth, we truthfully understand, we will not blame you for choosing not to continue to support us, and we appreciate all the support you've given us thus far.

We will not judge you for being discerning with your own incomes and time, nor will we feel scorned.

"Is there any chance you'll change your mind?"

I cannot say so. We've made this decision and it's what we truly feel is best for us moving forward.

If you guys have any more questions, I'll make myself available in the comments section.

Thank you for your time and your support. I hope you'll continue to see us into new horizons, but as we said before: We will respect your decisions, whatever they are. Thank you for your support,

[meraki-sunset]

2nd Part of what i think it’s coming on hiveswap (check part 1 <3)

I tried to calculate how old  this guy could be if they were human according to what they described that they knew and to what temporary time on earth he belonged.

I wanted to know if they belonged to the time period of Joey (14) and jude (12) (1994) or to John, Dave, Rose and Jade (13) (2009)

They mentions both memes and blockbusters as something of their everyday life, along with vage claims about going to highscool and katare clases and never anything specific.

In the end with the revelation that reader may not be human and their memories may be false (this timeline is now irrelevant -_-) everything makes sense, all the information they have about the earth comes from the internet.

That's why they can not stop referring to everything with references from famous movies and viral jokes, instead of personal experiences,

They are a dumping ground of human pop culture, all processed and squeezed inside their brain to make them believe that they really came from earth when in reality they are an alien both on alternia and earth. They’ve never been there

(That actually makes them in my opinion the perfect homestuck reader. Homestuck it’s an internet culture dumpster, and for Reader to have their sense of identity surrounding that, seems pretty symbolic)

The reality is that doc sratch needed some points to connect and needed a pawn (pun intended all over) in alternia for that to happen. The reader’s actions on the planet saved the lives of some trolls and connected others with each other. In one way or another, they encouraged a rebellious vein in many of them and helped everyone grow as individuals.

So they can all be ready and motivated when  dammek’s revelion takes place

Dammeks revelion it’s crucial, as we’ll see later.

Doc had to restart several times because reader died many times trying to carry out his plan. Maybe with the help of the handmaid or by his own hand. Like moving the threads from behind, causing disasters that would make it easier for the reader to make friends with the trolls after helping them

Then again the word  PAWN is not just for aesthetics, pawns are sacrificed during the game of chess, trying to get to victory. The pawns can not retreat, just advance, in the same way that peregrine mendicant could not back down in her series of errands and tasks that were assigned to her, no matter what  

no mater how dangerous they are, Reader can not stop making friends and can not retreat no matter what kind of danger they have in front of them, and if they do Doc Scratch just restarts the time line until they move correctly.

Besides, Doc has “rewired” their brain in a way that if they ever try to go against their “befriending order” they begin to feel sick or that something its wrong. And they have to repeat themselves constantly what his life story is, and dismiss any idea that could indicate otherwise.

Also, even if now they are “programed ” to dismiss all signals that something it’s wrong to keep making friends non stop, they still feels like they are following a script made by someone else and that there are patterns in his actions that repeat

and also ignore basic weird stuff regarding their body like not needing to eat or their bones healing way faster that whats normal for a human

And the more time they spends on Alternia, the more they feel that something it’s wrong. They are tired, they are becoming aware and feels they won’t be able to go on for much longer

The only time thay regain control and get’s free from Doc Sratch’s control while being on alternia it’s when they DIE on karako’s bad ending. And then, while doc it’s loosing his grip on their mind, reader questions everything they have been doing, and why the hell are they acting that way, and wonders if it’s all plotted by a higher entity

in the end, their ability to remember multiple timelines due to all the resets and how they began to become aware of being part of something else was something Doc scratch hadn’t planed

Where i’m trying to get with all this it’s that This guy is important. Their mind is way stronger than what it seems. Doc Sratch is an omnicient beeing, and even him was taken back by Reader’s actions and capacity to understand his situation despite the mind control.

Then they had a collapse, after Doc brings them to his lair on the green moon and deactivates their urge to make friends.

their identity is falling apart and they can not feel any appreciation for the memories he made in alternia. they don’t feel that the people they met are their friends. The memories they made with everybody now feel cold. They want to feel again what they felt when they thought of them, they feel uneasy now that they doesn’t have a script to follow, but  they want answers. He wants to understand.

And that's when the important things begin.

they are trapped

but at the same time they are free for the first time

They will now read homestuck and learn about the whole context about doc scratch, alternia and the end of everything.

In fact scratch leaves them alone to read the comic because he has more important issues to attend, because there is someone else who is about to arrive.

Reader makes an “appearance” on homestuck, when the second disc breaks and needs to go to doc scratch to get it fixed. that explains how the reader (that now is considered an actual character) was in doc scratch’s moon in the first place, disc in hand

(now, i don’t remember fully about this, but i’m not sure if doc sratch ever told anybody to call him that? i remember everybody just calling him white text guy. i could be wrong but maybe that’s just how reader refers to him, due to him fixing the disc. i don’t know, i’m probably wrong but would it be cool if that was the case)

And this text I think it’s important 

he doesn’t say “I am an exelent host” he says “I continue to be an exelent host” because he has been hosting reader for a while, they hadn’t just arrived, they arrived a while ago (i don’t know about ya’ll but reading all homestuck took me a couple months) reader was just in a diferent room (that place is hella big. Hussie got lost in there) and had no choice but to go to back scratch’s apartment and ask for help

Also, this text makes a lot more sense to me now, because reader DID influenced the story at some extent

And the somebody that scratch it’s waiting for is spades slick who will attack him, and later Snowball, they will both then make a huge mess fighting, make out and slick will shoot her

Now this is what I believe will follow. From this point on it’s even more speculative but bear with me. There is a lot of plot holes left to fill

Reading the comic and adding 2 plus 2 Reader will discover that they are not human, learn where they come from, and that his friends are going to die permanently when the events of the hivebent happen, the meteors begin to collide with the planet, the 12 trolls enter sburb and the vast glub kills all trolls in the universe

they will also discover at the very end of homestuck, at the Act 7, that there is a safe planet in another dimension, where humans, trolls and Carapacians live together in peace. (yes i know reader is confirmed not a carapace, this theory it’s old) They will have to find a way to get there and take everyone with him there

They will escape and go back to alternia (probably there will be some time shenanigans with the window portal and some time has probably passed since he left) 

and there, eventually at some point, they will encounter Joey

But i’ll explain more of that on the third part of the theory

*Pronouns fixed*

Thanks everybody for all your support and suggestions!

Part 1 - Part 2 (you’re here) - Part 3